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sol1056 · 5 years

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let’s just leave this here

so let’s see how quickly I can get through a bunch of these, just so they don’t languish for the next month... here we go. behind the cut: why the opening never changed, why DW is deploying Josh again, a few about Iverson & Hedrick, is a reboot possible, staying in fandom vs leaving... and some others in the same vein.

why did they keep the same opening for all of vld seasons, considering the line-up was never supposed to come back to the original from s3?

Every indication is that originally, the team would return to the original lineup. Keeping the opening was probably meant to remind audiences of that inevitability. Or you could believe LM, who said the opening cost 20K to make, and thus was too expensive to do more than once. She’d rather spend that money on a vacation.

So I've heard that Josh Keaton is doing damage control for S8. Do you think Dreamworks sent him in because they know that he's the one guy that no one can get mad at? After what some of the fans have done to him this past year [...] I’m amazed that he's willing to stick around and try to make his fans happy for as long as he can. I can see why people say "We don't deserve him."

Josh has somehow managed that sweet spot between charming the fandom and gaining its trust. Doesn’t hurt that he’s got the chops, voice-wise, to take written dross (no, really, some of those lines are horribly clunky) and spin it into gold. More than anything else, he comes across as genuine, and that adds a certain credibility to his words.

But... Josh doesn’t really have a choice. Playing Shiro is what catapulted Josh upwards, and the last thing he can afford to do is piss off DW by refusing to play ball. He’d only be damaging himself (and his reputation among potential employers) if he didn’t snap to attention when called. Plus, I think he really does sincerely love the character, but it’s got to be a tough spot for him right now.

When you get down to it, the only one on VLD’s (former) staff who seems to believe Shiro belongs in the story and should be respected as part of the story... is Josh. Who else can Shiro’s fans look to, if Josh stops speaking?

So, yeah, Josh is it. And I bet he knows that, and knows it’s just part of signing up for such a major role. This is part of his job.

So I came across a pic of Mitch Iverson from SDCC 2018 where he and Tim Hedrick weren't in the panel ... and [Iverson] was wearing a SHIRO BLACK PALADIN top ... while the EPs & Hamilton were in the panel promoting S7, Iverson supported Hedrick & his story, and Shiro.

Hedrick was actively involved in every script as the story editor, and reportedly conceived of Shiro as an astronaut returning after his capture by aliens. Iverson got his start thanks to Hedrick, thus it makes sense that Iverson would be simpatico with Hedrick’s vision of the story.

On top of that, by SDCC Iverson already had his next gig lined up. He continued to write for VLD, so he had to be subtle... but a t-shirt was a good way to make his sentiments clear. Can’t blame the guy, seeing he probably knew what was coming and chose a quiet protest of his own.

As an American, how would you take it if someone, that is, Iverson, called himself a redneck? From what I know thats derogatory term & for people not exactly inclusive & supportive of minorities. He also retweeted an art of Allura with a quote: ‘Laters’, which I found in really poor taste...

Redneck is another slur adopted by the in-group. My guess is that if you called Iverson a redneck to his face, he’d be offended. But if you introduced yourself as a redneck, and then called him one, it’d be different. And yes, as a term, redneck has a complex history, and it changes subtly in terms of how each generation defines/uses it.

As for retweeting things in poor taste... eh, most people don’t have any training in social media. Jokes are the hardest; it’s so easy for them to go so wrong. Until VLD, I’d bet Iverson was lucky to have a few hundred followers. How many follow him now? It takes time to find your footing in striking the right balance of humor and dignity.

Sometimes the best course is to ignore the stumble. They’ll either learn, or they won’t. Either way, it’s their problem, not ours.

Will Tim Hedrick be allowed to continue the voltron universe the way he planned it?

I doubt it. He’s got a new project. If you’re now an EP finally getting your name at the top, would you really want to go back and fix someone else’s story? Sometimes it’s just better to leave it behind, and make sure the next thing you do is something you can have pride in.

...why do you keep saying the last episode Tim Hedrick wrote was The Feud? A lot of people keep repeating it, like it was his last 'fuck you' to the showrunners. But official sources all say 'The Journey Within' was his last episode.

All we can say for certain was that tJW is the last Hedrick episode broadcast. That doesn’t mean it was the last one written.

Here’s why a lot of us peg tF as Hedrick’s last written episode: the story editor credit. Hedrick's the sole story editor on all his other episodes; tF is the only one in which both Hedrick and Hamilton share credit. The simplest explanation is this episode was edited in that window during which Hedrick had one foot out the door, and Hamilton had one foot in. iow, Hedrick put it into the queue, edited half, and moved on. Ergo, last written.

I can’t believe how they just managed to anger literally everyone no matter your favorite character or ship.

I recall a quote from early on, where LM said they had a feeling they couldn’t please everyone. The problem (which I noted at the time, and has remained true) is that the answer isn’t to just piss off everyone.

It’s to figure out who you want your audience to be, and to write the best damn story you can for that particular audience. If you end up with a story only old-timer DotU fans love, and kids are lukewarm about, fine. If the reverse is true, fine. You can’t please everyone, especially in a reboot/remake. So you pick your battles, and write your story accordingly.

Looking around social media, most people I'm seeing are either rightfully upset, or they're hyperfocusing on the one single scene they liked because they just don't have the energy to deal with the show's bullshit right now. How can they fuck up the last season so badly that it seems like the general reaction is disappointment and denial?

I think there’s a common cause for the fandom reactions: exhaustion.

In American broadcast television, a 26-episode season runs from September to May, then a summertime lull, during which people digest and discuss. Binge-watching is changing this, but it seems one thing hasn’t changed: no matter how fast we watch a show, we still require processing time.

What did we get? A half-season, two months’ break, another half-season, two months’ break, a full season, three months’ break, and a final full season. If every season had provoked a spike equal to S1/S2, we might’ve been begging DW by June to just freaking chill. Fandom had barely begun to process one season and a new one was already landing on our heads.

On top of that, S3-S6 weren’t exactly walks in the part, post-release. In terms of controversy, S7 dwarfed them all. That made an awful lot of people (across the entire spectrum, from almost every sub-group in the fandom) disengage. Those who remained dialed back on their expectations (”as long as X happens, that’s all that matters”), or they hung in there, insistent it would turn out alright.

So either you’re exhausted from not being able to fully disengage with the final season still in the wings, you’re exhausted from convincing yourself this one specific thing would be enough, or you’re exhausted from defending what turned out to be indefensible.

Frankly, disappointment and denial is a fairly soft landing, compared to what might’ve been. But any way you cut it, the fandom’s worn the hell out.

Do you think LM and JDS are gonna address this or are they just going to ignore the complaints, wash their hands and move on?

They don’t need to do anything. They don’t work for DW anymore. If someone has to address the complaints, it’d be DW or DW’s chosen spokesperson. I guess you could call that washing their hands, but the simple fact is they’re not on the payroll. They’re not responsible for VLD anymore.

do you think it's possible for dreamworks to rewrite season 8? i've never heard of a show doing that before and i'm afraid that we'll be stuck with what we got, but damn, i really hope that we will get to see the characters get the endings they deserve, if nothing else.

I’m not sure why anyone would bother. S7 was rife with problems; S3-S6 meandered back and forth. If I were to do a soft in-series reboot, I’d go back to the end of S2. That’s the clearest break, story-wise.

But if you’re going backwards 50+ episodes to the 26th, just keep going and start over. More to the point: not a lot of creators would sign on to inherit problems not of their own making. Same reason new directors on a property will want to rework the script in some way (if not start over from scratch).

Do you think this is truly the end of Voltron: Legendary Defender? I know that a lot of the cast and crew wanted to continue on with a sequel, and there's so many possibilities and things they can do in that universe, not to mention that Voltron is (or rather, was) a money bank...

Your guess is as good as mine, really. Hopefully we’ll get at least hints when the SACanime panel rolls around in early January.

There's a change petition for the "original s8" to be released ... [people] believe that LM and JDS are NOT the ones who ruined the last two seasons and that it was "exec meddling." Like, no, sorry, exec meddling appears to be what made it good in the beginning.

If we consider Yoo an exec by virtue of being CEO of Studio Mir, then I kinda wish he’d meddled a bit more.

...I'm wondering if the original version exists, completed. In one post, you said DW picked Tim over L/J so surely that got animated? What do you think? Be real. I don't want to get my hopes high thinking there's some buried treasure out there to find.

Ah, no, sorry, I wasn’t speaking in the sense of VLD but in the overall corporate sense. Here’s how the scenario often plays out: manager A and employee B do not get along. The longer they clash, the greater the chance A will find an excuse to fire B. The project is literally not big enough for the both of them.

B could resign, quit, or do a preemptive strike: go over A’s head and ask for help. If B leaves the company shortly after, it means the higher-up said: “I’ve heard A’s side, and I think A is right.” The exec might offer a good reference, or blame it on a no-fault bad fit. Doesn’t matter; the exec’s chosen A’s side.

Now, consider what actually happened: B gets transferred off the project, and gets a major promotion -- basically up to the same level as B’s former manager. Either B has some of the most amazing dirt ever, is phenomenally good at twisting reality to seem like the wronged party... or the higher-up reviewed the situation and decided that of the two, B was the one worth keeping.

Having decided that, the exec made an offer B couldn’t refuse, which would be to run a show that’s practically tailor-made to fit B’s dream job. That’s what I meant by losing the battle (how VLD would go) and winning the war (being the party seen as in the right, by the execs).

The only way for A to turn things around is to have a blisteringly successful final product. It could literally kill two careers with one stone: the (former) employee, B, who spun such a good story, and the exec(s) who believed B.

Given the numbers I’m seeing for S8... that exec did choose wisely.

ETA (sorry forgot this part): There might be pieces, but it really depends on what version control is in use (if any). For that matter, even if there were saved copies, who’s to say those didn’t get, whoops, deleted at some point? I’d put my bet on there being nothing, now, except what we got. Sorry.

I could understand if you never want to have anything to do with this show ever again.

Oh, jeez, I was here before VLD and I’ll be here after. Once we all get over our mutual exhaustion (and the holidays, bloody great timing, there), it’ll be time to roll up our sleeves and get to work. Fandom’s got a lot to do, putting things back together in all the shapes that’ll make us happy. This is the best time to be in a fandom, if you ask me. Everything’s just getting started!

#vld #voltron #come for the sugar stay for the salt #wrapping up a bundle of asks #sol thinks about stuff

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takaraphoenix · 5 years

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Question- I got the feeling from one of your asks you dislike Frozen. Can I ask why? I know I dislike it now because it got beat to utter death in terms of popularity and such. It was cute the first time for me... less so the hundreds of times after.

Oh, dislike is too weak a word. I absolutely hate everything (aside from Sven) about this gods damn movie and its gods damn badly built world. ^^°°°

Now, I already wrote a rather elaborate journal entry about that back in 2015. But I feel like that’s a thing I should also have on here and that rant is also 4 years old, so I’ll copy/paste and edit and add some.

Don’t read if you think Fr0zen is peak perfection. For everyone else, in this 3.5k word essay I will elaborate why Fr0zen is definitely not the peak of Disney animation and story-telling.

So, this is a long overdue rant about why Fr0zen is the worst animated movie I've ever seen in my entire life and why Elsa and Anna are horrible characters.

There are many factors that play into why I hate this movie, so let’s structure this a little bit and start off with the characters.

Elsa and the glorification of that character. Back in the day, I found awfully unfitting comparisons between Elsa and Elphaba from the Wicked series and it pretty much sums up my feelings on the matter, because somehow, Elsa is a celebrated strong female character, while... that’s more than undeserved.I mean, Elsa is a supposed queen. She's different from others and decides to hide it. And then she runs and hides in a castle in the mountains because she's too afraid that others may perhaps judge her for being different. A queen. Abandoning her kingdom without as much as a second thought, just to go and pout and brood alone. What I love about Disney princesses is that they usually put others first before themselves. Not her though, no, when madam needs to angst alone, she’ll just freeze over the entire country and build herself a castle.Elphaba has been different all her life and LIVED with the ACTUAL judgement of others for as long. She NEVER hid who she was. She always stood strong. Yes, she too hid in a castle in the mountains - after she co-led a revolutionary army against what can only be called the Nazis of Oz to prevent a genocide and lost the love of her life and father of her unborn child in the process.Putting Elsa as Elphaba's equal insults Elphaba so much that it makes me, as a fangirl, so ragingly mad, especially since it just doesn’t hold true. Elphaba spent most of her life trying to make the country better, trying to help those who are helpless, while all Elsa did all of her life was hide away in her bedroom and then run away to her castle...Another reason for my deeply seated hatred are the fans. Well, like the ones who think Elsa is in any way, form or shape qualified to be Elphaba's equal. There were so many posts pretending like Fr0zen is somehow revolutionary because it‘s about sisterly love instead of romance (like Lilo & Stitch doesn‘t exist) and other such claims that just completely ignored some of Disney’s biggest hits - not even the deep digs, they entirely disregarded very popular and widely known movies and instead pretended like this here was the very first time such amazing things happend! No. It’s just a repetition of tropes and writing that Disney’s been doing for decades.It's like Fr0zen drew in people who have legitimately never seen a Disney movie before in their entire lives.Then there's the whole feminist-thing where they act like Anna or Elsa are good role-models to little girls. The fuck they are. I mean, I've mentioned it before, but I'll gladly get back to it. It's good to vent and let the bad feelings go, eh?Granted, blaming Elsa and Anna entirely is probably a bad move. We need to start with their dumbass parents. Worst movie parents ever.The magical troll TELLS them explicitly that Elsa's biggest weakness is fear. The logical course of action when one of my children has a supernatural and possibly dangerous power is to explain it to her - since they seemed pretty chill about it, like it's a regular thing in their family to be born with some kind of weird powers. To teach her, maybe make her go and visit the trolls once a week for training. SOMETHING. Anything but locking her up in her room where she learns to hate and FEAR her powers, which, obviously grow with age. So by the time she's really powerful, she won't have the faintest clue how to handle them. Worst. Parents. Ever.Then there is Elsa, who has magical powers that she loves. But hey, Anna got a little hurt so let's be afraid of them forever. It's like riding a bike. When you fall and get hurt, you NEVER EVER get on a bike again. Wait, what do you mean that's not the case?

She proceeds to become the queen and seems to be aware that it's a lot of responsibility and that she's now, duh, the queen. So packing it all up and running away at the faintest sign of trouble for her is a totally legitimate queen-move. Instead of handling the situation like a grown up and facing it, she runs away and hides in a castle of ice. Because why should she care about the kingdom that SHE caused the biggestest crisis in probably its whole history? Naw, letting it go and hiding up there is way better. How does that move and that song teach children and little girls to be good? It basically teaches them to run from their problems when something happens that you're uncomfortable with, because you are the only person who should matter to you, especially when you're a queen. Not your family, friends (not that she had those) or the kingdom you rule. As long as YOU are comfortable and happy, it's totally fine. There's not an ounce of bravery, honor or even common sense that Elsa portraits. It’s completely selfishly motivated and while sure, being selfish to a degree, can be a good thing and there are people who need to learn it... to just straight-up abandon everyone who relies on you just because you have been inconvenienced is... not a good lesson?

That super big song is an awful lesson. “No right, no wrong, no rules for me”... yeah, great, love when that’s the lesson my kids learn from a Disney movie. It’s so unnecessarily dramatic and so intensely selfish. Usually the main song of a Disney princess is empowering and encouraging. Not telling you to basically fuck the rules and do whatever you want.

Then there's the whole lazy-ass character design of the white-haired, pale-skinned, blue-eyed, blue-dressed ice-controller. As seen in Rise of the Guardians with Jack Frost one year prior, as seen in Tinkerbell with Periwinkle (getting to that later) also one year prior and literally as seen by Bertier in Sailor Moon, who even has the same braid thrown over her shoulder, for heaven's sake. And granted, yes, you can‘t just fault Disney for that. Everybody who has an ice-controler loves to fall back to those cliche character design elements, but... this is Disney. They are big and they usually care about their character design, but here they were simply the laziest they could be. Not to mention that dress. Oh sure, Disney has always liked to over-sexualize certain characters, but here they did it in an era-breaking way - her dress does not even remotely fit into the overall setting of the movie, which only makes it look even more like some character-designer really just wanted to get off to Elsa...

Not to mention the even lazier design of her powers. She controls snow and ice. So... her magical ice can corrupt a heart and freeze them for good. Oooh and it can create sentinent life as seen by Olaf and that giant-ass monster. And she makes fancy ice-clothes that are not see-through but come it different shades of blue and move like proper clothes would! ...Where exactly are her powers? What CAN she do? Because it's obviously not just ice. It's convenient "She does what we need her to do". Driven even more home by that ridiculous short where she suddenly also has spring-powers. Because sure, why the fuck not.

Usually, princesses have clearly defined abilities. Moana controls the water because she has a bond with the ocean and she gets them from being chosen by the ocean. Rapunzel has healing powers because her mother digested a healing plant while pregnant.

There's no explanation whatsoever to Elsa’s powers. The king and queen are acting all casual about Elsa being born with those powers, but there's not even the hint of an explanation as to WHY she was born with those very random powers. Her parents and sister sure don’t have any powers. And even though they know about them and seem to not be concerned that she has those powers, they are very much at a loss as to how to deal with them. So you’re not actually familiar with them, then why are you not surprised by them...?

They have magical stone-trolls. Why do they have magical stone-trolls? Again, king and queen are totally casual about the magical stone-trolls like they're something completely obvious that is in every kingdom. But where do they come from and how are they linked to the princess’ random magic? Who knows? Certainly not the viewer of this movie, because jackshit about the world-building is actually explained in it.

They're not even attempting to tie in the magic or make it logical in this world. It's there. It's strange and weird. The rulers know about it, but... does the common folk? I guess not, because even Anna was shocked about them. So how did the king and queen know?

Unlike the usual, they’re not even attempting a coherent world-building. Something as simple as “it’s in the royal blood, every firstborn has those powers, king’s older sister had them too”, or whatever, literally any throwaway half-way thought-through explanation would have sufficed instead of “LOL they’re there we dunno how or why and they just do what they we need them to do!”...

Anyway, enough about Elsa. Let’s move on to little Miss Dumbass. The girl without common sense. I'm aware that Disney was trying to be self-ironic with the whole love song under the moon and "I wanna marry him!" thing, but Anna went farther than that. When her sister decides to let it go and run away, she becomes the default leader of the country. As that I totally run after my sister during the biggest crisis of the kingdom. And yes, maybe because she's just a naive kid and loves her sister who hasn't talked to her in like ten years so-so-so much, that sister had priority. Okay, I'll buy it, I guess. That still doesn't change that Anna leaves the kingdom in the hands of the dude she's known for like an hour instead of the generals and advisers who must have ruled while Elsa was busy playing emo in her bedroom for the last ten years. Someone qualified who knows the kingdom and knows how to handle it. Nope, let’s throw caution and common sense out of the window because I REALLY LOVE HIM!!!... And I am also genuinely tired of Disney making fun of themselves and belittling their old movies, to be quite honest. It was a fun joke when they did it the first time in Enchanted, but at this point it’s quite frankly just insulting the movies that came before and... how about not??Now for one of the most important reasons why I hate this movie; they fucked Hans Christian Andersen. The only thing this has to do with his Snow Queen is that there's a queen who controls ice.

I know Disney has been painfully lazy this century.

They've always twisted the fairy tales to make them more friendly for kids, but the core of the real fairy tale remained - Sleeping Beauty, Snow White, Beauty and the Beast, Cinderella, The Little Mermaid, well I'm assuming you've heard of them and know where I'm getting with this. They make it less brutal and more child-friendly, but the heart of the story remains the same. Then this century hit and it must have hit them upside the head because they forgot how to adapt a source material.

I liked Princess and the Frog. It was funny, she was a strong character with development, the animal sidekicks were cute. And it's dismissal of the fairy tale is even semi-explained in canon where she points to the actual fairy tale and says it's "like" the tale. Not it is the tale. They weren't even trying to adapt the fairy tale with this one, so it gets a pass, even though I am still peeved that they didn’t actually do an adaptation of either the Frog King or the Frog Princess, because both are great fairy tales that would have deserved to become Disney movies too.

Then there was Tangled, which... was trying to adapt Rapunzel and kept some of the key-elements while striking out other important things - like where she got her name, for example, I mean, really? Though I did like that wink to the real fairy tale at the end when her magical tears healed him. That was a piece of illogical magic in the fairy tale and the whole flower-thing in Tangled, well, it at least tried to make it logical.

But Fr0zen? There is nothing that this has to do with the actual fairy tale and when it was first announced, I was looking forward to another fairy tale adaptation, instead I got a pile of bullshit they placed on HCA's grave.Now, my last point on this agenda - because I could nitpick every single second of that movie, but even I'm not patient enough and it would mean I'd have to rewatch it to actually make it every single second accurately and that is never going to happen. Ever - is that it's a cheap rip-off.

Disney doesn't really do the whole original routine. Their movies are based on fairy tales and books and plays. And they occasionally get lazy and re-use things from their old stuff. But Fr0zen is such a copy of even one of their own movies.The movie I'm talking about here is Tinkerbell: Secret of the Wings. Yes, it's not even one of their big hits or a fairy tale movie. It's like the third sequel to the spin-off of a book-adaptation.

Let's see...

We got two sisters. Check. Anna and Elsa. Tinkerbell and Periwinkle.

One of them is naive, yet optimistic and good-natured and easy-going. Check. Anna and Tinkerbell.

The other is pale, blue-eyed, white-haired and has ice-controlling powers. Check. Elsa and Periwinkle.

But our main protagonist isn't the powerful one, it's the naive goody-two-shoes one. Also check.

The two sisters were separated for a long time. Check. By locking herself into a room versus by being in another realm.

Reunited at a late teenage-age and realizing wow, we got some stuff in common. Check.

There's the matter of the ice harming the naive one. Check. Anna gets hurt as a little girl and Tinkerbell catches a cold when she's first in the winter wonderland.

This harming is cause for a separation, because finding a way around the pain is too easy and we need drama. Check.

Winter takes over the kingdom. Double-check on that one.

The sisters need to find a way to work together to save their kingdom from eternal winter, but that's hard because the ice once again harmed the naive one. Check, with Anna's frozen heart and Tinkerbell's broken wing.

Dramatic moment, because the naive one seems in a dire situation without any way out, but there is a weird sister-love-magic going on that totally solves that problem! Check. Elsa kissing Anna and making it better, while Periwinkle's wings can heal Tinkerbell's wings via twin-wing-magic.

And the kingdom is saved and they lived happily ever after, finding a way to see each other and be best sisters forever! Also check. The end.

It's just embarrassing to rip yourself off like that. Seriously, borrowing some elements of a movie you have done before is one thing (like Maleficent shamelessly “borrowing” from Fr0zen). But the extend to which the plots of those two movies align is ridiculous.

Not to mention the internet going nuts over Elsa like she's the best thing since sliced bread. All the J€lsa everywhere still makes my stomach turn. How does the internet see two characters who dress the same, look the same, have the same powers AND the same fears and think "My, those two characters who are basically twins, I'd like to see them make out!".

Which also plays heavily into why I don’t just dislike the movie is that it is mercilessly shoved down your throat at every turn. You go to a regular groceries store? Here are the Fr0zen plates and band-aids and toothbrushes and what not! No other Disney movie has ever been commercialized to that degree, it really doesn’t matter what type of store you enter, there will be merch for this blasted movie. You literally couldn’t escape it. And if you don’t like a thing but at every turn, it is shoved into your face, then your dislike tends to grow.

Another huge point in that regard is that stupid ““short movie”“ they aired before Coco.Those two movies were in such different settings that the disconnect actually threw you off, seriously I had a hard time getting into Coco for the first 20 minutes or so because I had just been in an entirely different place, story-wise, setting-wise, heck even climate wise. To go from white wonderland Christmas special to Day of the Dead celebration in Mexico?? That’s literally as far apart as you could get...

And it was just too long. If you put a short movie before a movie, make it actually short. The five minute ones, as was the usual. That is fun, that is nice. This one was twenty minutes long.

Again, a part where the fans piss me off because they bitch that people shouldn’t complain about it, they “didn’t have to see it”. Bitch, no. For one, I do not know how long this movie is when I sit in cinema and am suddenly hit outta left field by there even being a short-movie. So why would I leave? Is it 5 minutes? 10 minutes? If I stay outside the cinema too long, I will actually miss the beginning of the movie I came and paid for.

And I’m a grown adult. The situation with kids is far different. Every single kid in the theater with me was absolutely confused and asked every two minutes “Why is that on? Are we in the wrong theater? When will the movie start?”, multiple ones leaving... and not returning at all, because they thought they indeed were in the wrong movie. And even then... there is a reason a children’s movie is roughly an hour to an hour and a half. Because of a child’s attention span. Now if you pack a nearly half hour long ““short film”“ in front of a one and a half hour long actual film and after another half hour of trailers and ads, you have forced those four to ten year olds through a total of two and a half hours. Heck, me as an adult I got a hard time with that length. But among the kids who actually stayed and didn’t leave because of the short, most - especially the younger ones - got really cranky toward the end of Coco, obviously, logically.

So, aside from being a horrible movie (seriously, it’s just one song after the other and the other and the other and focusing on the solely worst part of this franchise, Olaf), it was also forced upon people. Not like other random spin-off shorts to their movies that just air on TV and you can watch them if you like them. Nope. You wanna see this beautiful masterpiece about the Day of the Dead? You gotta watch this Fr0zen short before!

There’s more things (like the just mentioned fact that I think the obnoxious, unfunny and unexplained magic snowman was the worst thing), like I mentioned above I genuinely could nitpick every second of it if I would want to, but this is already long enough with the big bullet points.

TL;DR: It’s just too much, it is forced upon people, it has lazy world-building and character design, it has a horrible message, it is constantly treated like it’s in any way or shape revolutionary when it brought literally not a single new thing to the table, it has nothing to do with the fairy tale it was first announced to be an adaptation of and a huge chunk of its fans are really freaking obnoxious.

#Disney #Anti Frozen #I mean #yeah #Phoe's Random Movie Rants #Anonymous

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x---an--othered--another---x · 3 years

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this is about the first woman that broke me.

CW // parental abuse, neglect, family trauma, conversion therapy, body dysmorphia, christianity

Dear "Mom".....

This is everything I want to tell you, and too terrified to speak.

I know you will never understand.

You and Dad always used to speak about how my arrival to the world was with purpose. Unlike my older brother, I was the baby that was planned, because he always wanted a little girl. Unfortunately, now, we understand why. But we aren't here to speak about him -- not yet, anyway.

In childhood, I remember my anxious attachment with you. When out of my sight, it was not unusual for me to cry or scream for you. I found life without you to be vile and fearful. I was also terrified that you would never come back to me.

I loved you so deeply. I needed you even more. I always wanted my mom. I felt emotionally empty and confused without her... perhaps, to a point that could be considered "abnormal". I don't know how it started. I just felt it, and too such an overwhelming capacity, even for a small child. Mama's boy in the making.

Sometimes -- many times, actually -- you did leave me quite perplexed, to say the absolute least. When in good spirits, you were perfect; a loving, nurturing, kind, and thoughtful existence, capable of soothing and comforting my deepest woe or worry. It was not unlike you to occasionally spoil me, be it with gifts, snacks, quality time, or simply your positive attention. Your laughter could put a soft smile on my face, and, beside of you, I felt not only loved and cared for, but also, whole. It was a fullness I could never achieve through anything or anyone else. I understood this early in life.

In retrospection, it is phases like this that make me ashamed of my burning resentment for you.

Because, what the rest never knew, is that this was never you, all the time. I firmly believe it is who you wanted to be, and even who you still hope to be -- maybe even believe that you already are. Perhaps, you tried your best.

But, I cannot forget this.

There is a special kind of self-blame that comes with looking into the same eyes that once bore an adoring gaze for you, and, suddenly, watching them fill with what could only be described as unbridled hatred and loathing in your anxious direction. To be sharing a warm embrace for one moment, to finding it impossible to look up at that twisted, angry expression so soon after. Regardless of what you intended, I need you to know that I was legitimately scared of you, in such moments. If looks could kill, I would have been dead by age 10.

Of course, this is much more than just an uncomfortable stare that I am so disturbed by when I reflect upon the past we shared. Whether you will ever accept this or not is irrelevant, because, in the end, this is the truth: You physically assaulted me, and more than once. When you caught me telling my friends about this, you gaslighted me into believing that it was 110% my fault, that I triggered your explosive rage and therefore deserved this. If not this specific approach, you would only convince me that I was grossly exaggerating, or that it never even happened to begin with. If you happened to ever be reading this, I am positive you would do it, again.

Let's get specific, lest you then make the bold claim that I am engaging in an infamous "fake accusation" -- the abuser's favorite go-to line. I first remember an instance when I was 12: I got into the car after school with sharpie markings on my arms, because my friends wanted to playfully draw on me, and I told them they could do so. I had no reason to suspect that this would be some horribly upsetting event in your eyes; you had never even mentioned to me that this kind of thing was a problem, at all.

Your response? You took me to the nearest grocery store parking lot, parked as far away from the doors and other cars as possible, and proceeded to punch me. Granted, it was my thigh, sometimes my arm, but it was with as much force as you could muster in that moment, and you did it repeatedly. I was in legitimate shock, and, for one of the first times in regards to you, I flinched. I cowered. I cried, and I asked you to stop. You did, only to continue to verbally tear into me. By this point, I was too stressed out being in a car with you to even hear what you were saying to me.

You never apologized for this.

While this was not the first time you had taken out your tantrum on me -- physically or emotionally -- I can confidently say that this was the day I knew I could never trust you. From this day forward, my every move and word would be calculated. I would learn to hide everything from you, which, eventually, led to hiding everything from everyone I ever knew.

You laugh when you tell us the story of how I would "vomit on command" when you would spank me as a toddler. I obviously do not remember this, as I was between two and four years old, at the time. I thank whatever deity helped me forget this, because I have since digested how actually fucked up what you always described really is.

"You would get into trouble, and I would spank you, and you started puking to make me stop," you would say with a giggle and a smile. "So I got to where I would just hold you over the porch when I did, so you would puke over the ledge instead of the floor."

Mom, do you understand that what you were punishing with such callous ferocity was my trauma response to your husband grooming and molesting me?

Nevermind the "where were you when it happened" speech -- why were you beating the shit out of me when I showed that behavior (which, by the way, is concerning as shit)? Why were you beating the shit out of me AT ALL?

And why, even now, do you tell the story with such a sadistic giddiness about you?

Moving on. I can harp forever on the chronic, neverending shame, despair, and animalistic fear that came with the fanatic Southern Baptist family dynamic -- or, those jarring, unexpected alternations in your ability to provide me with healthy love and emotional substance. However, the abuse really kicked up a notch once I reached puberty, which, I was unfortunately old enough to internalize, and therefore remember later into my adult life.

I couldn't count how many times you body-shamed me. Called me ugly, made "jokes" about my chest and ass, jumped on me the second my leg hair became visible to you. I remember those acne pills you insisted I start taking, because you were so worried that I would get scars all over my face from the intense breakouts. You loved the idea of me wearing make-up, but if I wore it my way over yours, then I just looked "evil" and "scary". You always hated how much I hated skirts and dresses.

It was as if my own body did not belong to me. Nothing I wanted to do with it was ever good enough for you. I was not allowed the control over my self-expression, my appearance, my whole vessel. You only wanted it to be yours to control and manipulate. Why?

And let's not forget your obsession with my hair. Good fucking god, Mom, your preoccupation with my beauty (of lack thereof) was so not fucking normal. I remember all the times you forced me to have my long hair cut into a dumb bob, because "it's not like you're gonna style it, anyway, what does it matter?" I remember sobbing the first time, and you did not emote in response, whatsoever. Or when I did not take a shower on Christmas Eve night, and you got mad at me because my hair was "too greasy". What was the response to that one? Oh, right. You "accidentally" caught my ear in the flat iron, after sloppily and angrily clamping the hair you were attempting to straighten for me.

On Christmas morning. I was seriously mortified. Inconsolable.

I became desensitized to my looks quite quickly, as I had internalized and accepted the fact that you so kindly graced me with. It became a finalized concept to me that I was irredeemably disgusting to look at and would never be called beautiful by anyone in my life. As true to myself as the grass was green. You made sure I knew this. My friends were always a threat to both of you for a reason. God help you should I tell them. God help you should I experience genuine love from another person.

As if this weren't enough, fast forward to the days I began to realize my queerness. I came out to the first person, and I felt nothing but freedom and euphoria. I became addicted and kept on telling others. I wanted to be known, to be seen, as me.

Living in a small town, it, of course, did not take long for the pastor and his wife to receive notice that their child was openly coming out of the closet to everyone but them.

Cue the fuckin' war drums, here, because I fear that words will simply never do.

When you stole my phone to rummage through my texts, you saw that I had also come out to my aunt -- the only family member I could count on to be supportive, at that time. You responded to her with a short text:

"Never talk to [000] again."

And she never did.

She died, two years later.

She, too, never got to know me. It was out of my control. I will never forgive you for this, and I mean that, genuinely.

In those two years, I covertly dated behind your back. Despite that you had taken my only source of external contact -- just in time for summer break -- and made extreme attempts to isolate me so that only direct family could access me... we stayed together. It was so very strained, but all I wanted was love. In the midst of "voluntary" conversion therapy, I needed it more than anything. I could quite literally have died without it.

My grades naturally dropped through these months of pretending I could be cured of my diseased attraction, which was met with force, as usual. Anything but an A, or a high B on the report card, and I may as well have shot someone in the streets. By now, it did not matter, to me. I was so fucking dead inside, by now. You broke me. At this point, you could have gutted me with a knife, and I would have barely reacted. I felt like nothing, so much so that I became no one, at all.

But hey. At least ya'll felt better.

Only, you didn't. The divorce came mere months following these events. I had never been so happy to see a relationship fail in my life. I should have been sad, but I knew this would be my ticket back into a normal life. You would finally fuck off, and I could just be a human being with no judge or critic looming over me every waking moment of my life. Maybe now, finally, I could live a life that wasn't graded. I didn't have to be godly -- perfect -- anymore.

You never knew this, but I will say, the way I became aware of this news was a lot less exciting. Through another restless night, I snuck to the kitchen for a snack. Your bedroom door was closed. The light remained beneath the doorway. You were fighting. Unfortunately, it was not that uncommon for you two to bicker, so I, for the most part, tuned it all out.

That's when the punching started. Your voices went momentarily silent, as if confused or stolen. Only the muffled, gutteral growls on occasion emitted from behind that closed door, between was sounded like the intentional, rage-induced smacking of skin.

I could only use my imagination.

In my mind, I immediately jumped to the conclusion that our father was beating the shit out of you. Cue dissociation. The only emotion left inside of me was anger, similarly.

I grabbed a knife. I had no idea what I wanted to do about this, but I wanted to be ready, just in case. And I sat outside that door, and listened to this physical exchange intently, clutching my kitchen knife by the handle, ready to do... whatever.

It was after I heard his annoyed pleading of "stop, stop it" and your hissing "who is she" that I finally had an accurate picture in my mind of what was happening just a few feet behind me.

I went to my room. I tried to call my brother, but he was asleep, as this was all going on at around 3AM. I called my best friend, who had to also go shortly into the call. I laid in my bed, alone and afraid to a point of triggered regression. I slept with the knife under my pillow, just in case.

I pretended not to hear it, the next morning. I never told you. I had no idea what to think or feel, and I did not want you to influence those things for me. Long story short, you both were over, and, honestly, I was celebrating that shit. Even as you mourned it for months on end. I was burnt out of sympathy. I only wanted to be free.

Things slowly improved once dad was removed from the household, but, by then, it was far too late. I could sense you attempting to connect with me, to withhold your emotional reactions toward me, to engage with me and approach me with adult kindness. I entertained your efforts for a while under the guise that I may finally experience a loving, motherly relationship. I have since discovered that there are still so many things etched in this old stone that no act of kindness will ever undo, that I cannot move on from, because you still never apologized, or even acknowledged that you were anything below a great mother whatsoever. In all fairness, would it even matter to me if you did, anymore?

This does not even cover all of those miseries passed down from you to me. Between trashing my drawings because they weren't holy enough for you, assuming me stupid when I couldn't pass math with flying colors, always reassuring me that my friends would never fully love me, and ESPECIALLY not like you did, and so much more..... this relationship was doomed from the start.

And I am tired of blaming myself for not wanting to see you, anymore.

Every time I speak with you, I feel gutted and anxious. The persistent sense of powerlessness and insignificance comes back full force, as if no amount of years has separated me from your dysregulated emotions, whatsoever. When I know we have to engage, I am assaulted with cluster migraines, and my mouth is sewn shut. I take on another person around you, even now, because I have no reason not to assume that you are no longer capable of that kind of mistreatment.

Afterall, it still does not exist to you, does it?

Nobody saw it. I was too small to be my own advocate. No family or church members would ever believe me. Even if they did, they would tell you. You even successfully convinced me, for so many years, that I am the one being to hard on YOU for these things.

Mom. You were the god damn adult.

It is not up to a child to control you emotions for you.

The saddest part of all of this, is that... I am still anxiously attached.

Your favorite way to punish me as a kid was the silent treatment. Sometimes, it would go on for days. In those periods of time, I really thought you would never love me or speak to me, again. I blame this for my inability to cope with separation from those I love even still.

As fucked as you may be, that space is still a vacancy. The absence still hurts. The abandonment feels so unbelievably eternal.

I am sure you sense my distance. I am absolutely breadcrumbing you; I admit it. I will respond to your daily texts maybe once or twice a week, because it is all that I can handle, anymore. It is arguable whether or not even that is not setting me back. In all honesty, I want to be rid of you, entirely.

But... that's retaliation, isn't it?

I guess I never learned how to do that.

Or, maybe, I am still so fucking scared of you.

Whatever it may be, I know in my core that I am better off without you. But, how do I communicate this to you? How do I shamelessly become the thing I hated so much? How do I do that to someone? How do I abandon another person knowing just how much it hurts to be on that other side?

And why am I the only one who seems to ask themselves this question, here?

I cannot keep dismissing these pains. They not only haunt me in a way that feels so self-conjured, but they pave the path for me to enable similar behaviors within myself, to fall in love with that same violent smile in another person.

To normalize the abuse.

I simply will not do this.

Dear "Mom".....

While unquestionably the better parent, you are not a good one, yourself. I long for a day where I can comfortably address this with you. I fear that this is only a product of my waking dream.

I need to wake up.

Whether or not I ever say goodbye in the flesh, I have far beyond said it in my heart and mind.

Please. Give a shit.

Beyond surface level.

For once.

Sincerely,

000

P.S. You never wanted a little girl. You only wanted a pet. Accept that.

#letters i never sent #letters i’ll never send #dear you #dear mom #complex ptsd #surviving narcissism #family troubles #i hate you #i love you #i need space #i miss you #let me grow #this was your fault

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evilsciencebros · 7 years

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Agathrights: This local bug literally lives in a box and Megatron lets it crawl around inside of him to do repairs, News At 10.

evilsciencebros: You made him 10x awesome in ways I never would have expected! I love your fountain of imagination. LMAO *snuggles up inside the warrior poet*

agatharights: I kinda had the vague idea of making him either a true minicon or an uplift a while ago so it was fun to finally flesh that out!Who doesn't want to crawl around inside of megatron. it'd be cozy

evilsciencebros: *huggles the swiss army knife* He's perfect *squishes down into pancake mode*

agatharights: He just squish down.The only problem with being an uplift is that -actual- scraplets will probably follow him if given the chance, because this scraplet is bigger and smarter so clearly it has more food!And i'm gonna go out on a limb here and say that a nonsapient swarm of dumb, hungry metallovores makes for poor company, unless you're in an autobot base in which case HEY NEW FRIENDS EAT EVERYTHING

evilsciencebros: The perfect drone army. They're not allowed in the Decepticon base

agatharightsyeah: probably a good idea to not bring those homeThey can't tell the difference between autobots and Decepticons and while Oil Slick is pretty unpalateable to everything (both Junkions and Unicronians refuse to eat him, which is impressive) everybody else...

evilsciencebros: Bless. He probably has a little hidey hole for them, so they don't go wondering off. Either that, or just kills/eats them, like Movie Scalpel did with that creepy worm thing that crawled through Sam's head. LOL. Everything keeps trying to eat Oil Slick and fails miserably XD

agatharights: I'd imagine so. Scalpel can probably eat virtually anything, if given enough time for his teensy tiny mouth, since he's still got a scraplet digestive system.

evilsciencebrosI: eat with his butt

agatharights: They had to remove most of the scraplet mouth/jaws though to make room for an actual brain.

evilsciencebros: Tiny brain. An Archive worth of knowledge. That's an impressive memory chip he's got

agatharights: Excellent quantum linkage with his spark for memory storage. Whatever company made him probably priced him pretty high- he would've been top-tier medical equipment at the time

evilsciencebros: ^w^ He is one of a kind

agatharights: "He is one of a kind" "Because everything else in his production line was disposed of when they became obsolete or were deemed too high-risk." you can even ask Optimus but like "What was Cybertron like?" "It was beautiful, and terrible."

evilsciencebros: it was beautiful...but at the same time, on fire

agatharights: Well, to be fair, on fire was more after Megatron finally started calming down and realized he maaaay have literally killed Primus and was like "Mm. Okay. I'll admit, I got a little out of hand.""Lets...lets just go find a new planet."

evilsciencebros: *sweeps the old planet under the rug.* Don't worry, we can still fix this

agatharights: And then he left Cybertron, a post-apocalyptic wasteland, and somehow by the time he got back Shockwave had made it worse and he was like how did you do this? When I left this was a heap of scrap that was on fire and full of electrical storms? WHY IS IT FULL OF ZOMBIES AND PREDACONS NOW? And Shockwave was like "i thought you were never coming back ever so I panicked"

agatharights: Shockwave is the master of "picked up necromancy as a hobby, made some mistakes"

evilsciencebros: This is what happens when you don't return people's phone calls. they join cults

agatharights: And if there's no cults to join, they make their own, and when you finally show back up they're like heyyyyyy...the good news is, Cybertron's not dead, the bad news is, neither are the Insecticons and now there's so many of them.

evilsciencebros: On the bright side there's a cool spider lady who keeps them in check...when she doesn't wanna eat you herself

agatharights: I dunno about that. Season Three of TF: Matrix is basically slotted to be "Blackarachnia is pissed Megatron ditched her on Cybertron, has been selectively breeding an army of insecticons and predacons to take it out on him" Megatron, and who can blame him, was like "Alright, we need to get everyone we can off the planet before the spacebridges go dark...but do i want to be stuck in a tube floating in space with a bunch of self-replicating cannibals? Do i really?"And then effectively gave the Insecticons/predacons the wrong time/place and took off without them and they've been salty about it for a few centuries

evilsciencebros: Megatron. Can't break up with someone to save his life. Instead changes his phone number and address, and pretends to be shocked when they finally run into each other years later.

agatharights: ...god I'm terrible because the first thing that pops into my head is "Clearly, he learned that from Orion"

agatharights: Since Orion basically ditched Megatron as soon as the Decepticons started getting too hot for him to handle and then Megatron didn't see him again until he was working with Sentinel Prime centuries later.And he was like " :) This is fine" And promptly murdered them both.

evilsciencebros: Cybertron. Died because of poor communication

agatharights: Pretty much.Which, to be fair, this problem didn't start with Megatron and Orion, this problem probably started the moment Prima was like "Guys, I know the thirteen of us are pretty happy, but what if we made a few billion more people?"

agatharights sent a GIF

evilsciencebros: I don't see any downsides to this.

agatharights: Downsides: Quintessons were like hey, uhhhh looks like you have...a lot of people there. Can we...borrow some??????"no piss off Quintessons"

agatharights: And then Unicron was like HEYYYYY LOOKS LIKE YOU HAVE A LOT OF PEOPLE THERE...CAN I DEVOUR EVERYTHING??? "NO PISS OFF UNICRON" (and then Nova Prime was like "Hey, what if institutionalized racism?" and instead of going "no piss off Nova" people were like "yeah okay" and that's Cybertronian history) The ghost of Solus Prime shaking her head like come on you guys I did not make all this shit that can literally cause miracles just so you could immediately start conquering and murdering things but she was dead so nobody listened to her

evilsciencebros: immortals need hobbies too. The only ones allowed to traumatise their OCs are them.

agatharights: "these are my OCs the entire Cybertronain race. original idea, do not steal." (and then the Quintessons, who created Primus and Unicron, were like WHOA PLAGARISM) Also oh no I realized the saddest thing that could happen to Scalpel

evilsciencebros: !!!!!

agatharights: Scalpel would've been an actual Scraplet, if very briefly (probably plucked right from a natural forge) before he was modified into a, well, a person, rather than a parasite. Which is all well and good, uplifts weren't uncommon for a long time, though they're very rare post-war

agatharights: But if he attacked Buster and Buster panicked there'd be a chance Buster's matrix abilities- including the ability to "repair" virtually anything Cybertronian given enough energy, would kick in- and Scalpel could be reverted into a Scraplet. It briefly happens to Ravage, but Ravage shares a spark with Soundwave- so Soundwave is able to re-activate his uplift status by restoring his spark (and Buster is very sorry like yeah okay the Decepticons have regularly tried to kidnap him as a power source but he didn't mean to hurt anyone!)But Scalpel being turned back into a Scraplet, even if it were temporary, sounds like a nightmare for him. Turned into a literally brainless creature (scraplets have no processors- their actions are directly connected to their spark rather than utilizing a processor)

evilsciencebros: ;-; poor baby

agatharights: He keeps biting Oil Slick and then being surprised and angry when Oil Slick tastes bad but he has no memory at the time. So he keeps trying bc Oil Slick carries him off to try and fix him ;-;

evilsciencebros: <3

agatharights: awwgh that's so sad i'm putting that in the "horrible things to potentially do to characters" folder

evilsciencebros: My boys. Looking out for each other ;3;

evilsciencebrosYou should feel bad! Poor Scalpel, reduced to something less than an animals, and poor Oil Slick trying to care for his little buddy.

agatharights: Someone on the team suggests that they should put Scalpel out of his misery, that they don't want to risk him eating someone and producing more scraplets, and Oil Slick gets so angry about it he has to leave for a lil bit, just to clear his head before he does something stupid like drop a white phosphorous grenade on them)He'd have to get fixed, eventually, but until then Oil Slick can keep him in a box and feed him scraps

evilsciencebros: OMG I hope he gets better one day! Poor Oil Slick trying, and failing, to bring Scalpel back, but unwilling to snuff out his little spark.He will murder that human boy >:/

agatharights: jskdlfaj if he confronted Buster the poor kid would be like ???!!! Because he'd have no idea what he'd done, and once he knew he'd freak out and start bawling because he didn't mean to! He's so sorry! He can fix it- he can, he can try, at least? "I don't want to hurt anyone! Please, just lemme try to fix it..."

evilsciencebros: He is very fortunate that Oil Slick is desperate and revenge can wait.Now stop pouring lubricant out of your optics and do your work weird god magic shit.

agatharights: akfdljsaf poor babies. At least Buster can probably undo it. Might take a bit, though, and a lot of energy. he'd konk right out afterwards, and Scalpel just re-grew an entire brain so he's very tired too.

#agatharights #[chat]#I am going to bed at some point tonight #I just wanted this on my dash #I love it all and I want to do so much with these ideas #it's not fair one woman has so many incredible ideas for such a minor character #;long post

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