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#and also I wanted to get some of that soft vibe from louie's art but
b4kuch1n · 6 years
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feverinfeveroutfic · 3 years
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chapter twenty five: a good boy
“that’s not how you move a closet! that’s the worst closet moving i’ve ever seen!” -jim gaffigan
Aurora had begun frequenting the San Francisco Bay Area more and more often from that point onward; given Sam was often riding back down to Los Angeles and onto Catalina Island, she only got to see her old friend for half of a day before one of them had to leave. Every single time, however, she noticed her growing bigger and bigger. To think that she had shown Sam another side to her all the while, and yet all she could think about was her mother's words in how when children were involved, things became harder to deal with. And even though he wasn't a kid anymore, she wondered how Alex was handling the whole feud between her and Aurora.
It only made sense to acknowlede it with him: he participated in her and Emile's wedding after all.
And in the meantime, Testament had fulfilled their time there at that studio and Eric had the final say with it all to Ruben, who made the mad dash back to the label itself in order to submit the new album. A month's time and they would take their stride alongside Metallica and everyone else: this little quintet out of the Bay Area about to nip at their heels and let the world know that they were in fact a force to be reckoned with.
But at one point, within mere hours of Eric handing the final tape over to Ruben, Sam found herself in a strange spot.
All the traveling to and fro between the Bay Area and Catalina Island. All the unsettled feelings and being divided up between both of her parents. The new beds each and every week. Every single time, a little harder on her. Every single time, she just wanted to stop for a second, if only to observe the oleanders as they bloomed against the San Francisco fog and the persistent cold despite winter's transformation into springtime. Some of them wilted and withered from the cold, but many of them returned once the sun poked out from behind the clouds, those five petals big and strong and either a deep shade of pink or pure white.
With Cliff, it was tulips. With Joey, deadly nightshade. With Alex, oleanders.
The end of April brought on the realization that Greg's birthday was coming up, as was Eric's. As if she needed more things to do as she met up with Alex at the cafe across the street from Ruben's house. Chuck and Tiffany had gone off somewhere else from that point out, and thus the two of them were once again left alone together.
He sat across from her and his long jet black hair fell down around his shoulders like a thick lush mane: that singular plume of gray stood almost upright over the right side of his brow like a little radio antenna. She eyed the collar of his shirt: the same shirt he wore when they made out in the pool room, and once more, he had undone the top two buttons and showed off a bit of his chest and his collar bones.
The soft scent of his cologne filled her nose even from across the table. He leaned back in his chair and kept his right hand close to the base of the cup. Sam leaned forward a bit as if she was making up for him.
“I still have yet to see your old high school,” she told him.
“I know you do,” he said with a thoughtful look on his face. “There's a lot you've just got to see around here, Samantha.”
He lifted his cup and brought it up to those sensual little lips, and then he lifted his gaze to her again.
“You sure you don't want anything?” he asked her.
“My dad's got stuff across the street,” she replied, and she sighed. He knitted his eyebrows together.
“Is everything okay? You don't seem like yourself.”
She lowered her gaze to the glass cover on the table top. How she wanted to be back in New York with Joey and also Marla and Belinda: it also felt like a million years since she had heard a word from the Cherry Suicides as well, even as she put on that shirt for another day that day. The fatigue settled over her like a wave of sorts.
Ruben had promised her a cup of coffee at any point during the day if she so wished but even after a nice warm one earlier that morning, she still had a bit of trouble waking up all the way for Alex right across the table from her. She sighed through her nose again and she propped up the side of her head within the palm of her hand.
“I can't keep doing this,” Sam finally said to Alex. “This incessant going back and forth between my parents' houses and taking the stinkin' bus every time. It literally feels as though I haven't made any art in a million years even though it's only been a couple of months since I started doing this.”
“Why's that?”
“Traveling is hard on me,” she confessed. “And by hard I mean, it's not like touring. It's getting on the bus right as I get settled into my dad's house or my mom's house. It's having to see you guys for a week only to vanish again for another whole week. I can't keep doing this.”
She folded her hands upon the table's surface and she gazed down at the glass covering there before them. She looked on at her own reflection as it looked back up at her: her own dark eyes gazed back at her. Her skin was still tight and smooth with her teenage days: still young Samantha, little Sammie, but she had reached the age of twenty four by some black magic.
“Well—remember what Eric and I both told you,” he said, “do what ever feels right to you.”
She raised her gaze back up to Alex, still with a thoughtful expression plastered across his face.
The cafe was quiet, except for the grinding noise of the coffee maker on the other side of the counter.
“I should ask you,” she began.
“Go ahead,” he encouraged her as he flexed his fingers on his right hand a bit: he returned his hand to the top of the table afterwards.
“How're you handling the whole thing with me and Aurora?” she asked him, to which he hesitated for a moment.
“It—actually hasn't crossed my mind all too much,” he confessed. “I've actually forgotten why you ladies were fighting each other in the first place.”
“She made your nineteenth birthday all about her,” she recalled. “And then when I tried to address that with her, she was a complete ditz and made everything about herself again.”
“Oh, yeah, that's right! Again, it actually hasn't crossed my mind very often. I've just had my mind on other things.”
“Like making an album?” Sam showed him a smile.
“Like making an album, right! Two albums to be exact. The New Order and now Practice What You Preach.”
“Germany, too,” she added.
“Germany, too! And ginger snaps.” She leaned forward again, and once more had her hands folded over each other. The fire opal bracelet Chuck gave her clinked against the glass underneath her.
“I made out with you,” she said in a soft voice.
“You made out with me or did I make out with you?” he asked her.
“Both.”
Alex squinted his eyes at her. He shuffled his feet under the table, and he flexed his fingers again.
“You alright?” she asked him as she eyed his hand.
“I'm feeling it again,” he admitted to her.
“Feeling what?”
“It.”
Sam lowered her gaze to the cup of coffee before him and she nibbled on her bottom lip.
“French up that coffee and we'll talk,” she told him.
“French? You mean Irish.”
“Nah, I mean French.”
Alex held still with his hands on either side of the cup. He looked up at her with those deep eyes focused and steady upon her. For a split second, she swore that he lowered his gaze towards her chest. He flinched those long fingers a bit.
She thought about the things that Joey had told her over the phone that one time and she thought about doing them to Alex instead. Her lips around him. His fingers down below the equator and his tongue up inside of her.
He picked up the cup and took a sip, and not for a single second did he remove his gaze from her. He never seemed more hypnotic before: a little loose back there in the pool room and he suddenly became Mr. Seducer. She thought about Joey's venom, the way in which he seemed to slide and slither about like the deadly nightshade he so sprouted from: Alex came from somewhere else, as if from a fever dream. Where Joey resided within the earth, Alex seemed to burn into her with those deep eyes.
She sighed through her nose and bowed her head a bit to bring attention to her chest. Once more, for a split second, he dropped his gaze by a mere hair.
It was there between them. It was real, as real as the grays on his head. As real as those deep eyes that gazed back at her as if he lured her in, much like those oleander bushes in the south land.
He flexed his fingers again and all Sam could think about was the day before wherein they were about to add the final touches before submission. She sat there in between Alex and Louie as Chuck was talking about going on tour that summer, and wherever they went from that point onwards was anyone's guess. The vibe that surrounded them was so tense and yet she sat there so comfortably in between those two men.
Louie mentioned something else about the poison garden to her and Aurora just happened to be there right next to him, now six months along and her gaze fixated on the clipboard rested upon her lap.
“I'm really feeling it, Sam,” he told her with a smile on his face once Eric picked up the phone to call up Ruben. “Our producer told us this new record could really put us forth.”
“Will it have a gift shop?” Aurora absently asked.
“Yeah, wolfsbane keychains,” Alex muttered under his breath, which in turn brought a giggle out of Sam.
He said it again right there in the cafe, and that time with a smile on his face.
“Yeah, wolfsbane keychains!” he exclaimed. “You and Louie have 'poison garden'—we should have wolfsbane keychains.”
“Wolfsbane, and not desert roses?” she asked him.
“You guys can have desert roses, too,” he pointed out.
“I say desert rose because I'm based out of the desert you know.”
“Of course! Desert roses for the desert rose right across from me.”
The door behind them swung open and Ruben stepped into the cafe with a blue and white tin tucked underneath his arm.
“Hi, Daddy!” she greeted him and she stood up and threw her arms around him.
“Hello, sweetie!” he returned the favor for her with his free arm. He then turned to Alex, who straightened himself up so he wasn't sitting so down low in the chair; but he handed Alex the tin. “Hey, son. Seeing as—you're such a hard working kid, these are for you.”
“What's this?” he asked him.
“What is it?” Sam echoed him as he took off the lid.
“Ginger snaps, baby,” he declared as he took a bite of that first little cookie.
“Ginger snap me up side the head,” she joked.
“Anyways, I've got the next hour off,” Ruben told them, “I'm in need of help for the two of you. Eric and Chuck both told me to bring in a couple of blank video tapes tomorrow because apparently the label wants you guys to film a music video in promotion of the new album.”
“Do you even have one?” Sam asked him.
“Yeah, it's somewhere packed away in that house—hence why I'm asking. Can't do it by myself. You know. You know how much that house still needs unpacking.”
“Absolutely!”
He then raised a finger to the both of them. “I'll be right back.”
He ducked away from them and headed back to the other side of the cafe, and right behind the counter there. Alex took another bite of ginger snap: the cookies in that tin were small medallions about the size of silver dollars so he could pop one into his mouth. Even though she liked him when he had a little bit of liquor in him, the sight of him eating those cookies brought a wave of comfort to her: she'd rather watch him get heavy from eating too many cookies than have his body go south from drinking.
If only Joey could get hooked on those as well.
“How are they?” she asked him.
“Excellent. The perfect amount of ginger, too. Sometimes they can be too much with it.”
She took one herself and he took a third one, and popped it into his mouth as if it was a potato chip. Indeed, he was right: it felt like a little kiss of ginger coupled with butter and some nutmeg.
“Speaking of ginger snaps, I guess Guns N' Roses are gonna be in town,” he told her once he swallowed down that bite. “Tomorrow night, I think.”
“Ah, cool! I wonder if Zelda got to see them again. She introduced me to them after all.”
“She probably did see them! They were back East just a few days ago. Prince actually got to open for them, believe it or not.”
“Wow! I wonder if she got to see him, too.”
“If she did, I envy her,” he admitted. “Prince is one hell of a guitar player. Hard to believe that album Purple Rain's actually five years old now.”
“I think it's funny that there's actually a guitar player called Prince—and you sort of came into my life like a dark heavy metal prince.”
He shrugged his shoulders.
“I wouldn't say it's funny,” he said, “it's definitely interesting to think about, though.” “A coincidence, would you think?” she asked him.
“There are no coincidences, Samantha—but everything has a purpose, though.”
“I just think of Belinda's first impression of you,” she recalled with a shake of her head.
“What was that?” He took another bite of ginger snap.
“She called you precocious.”
“I'll admit it,” he said upon swallowing. “I'd rather be seen as precocious than full of myself, even though I can be.”
“I can be, too,” she told him.
“I think it's better to be full of yourself with just the right amount of doubt thrown in all the while than be doubtful of everything and wear a mask of arrogance.”
Sam hesitated with her mouth slightly agape.
“I like you,” she told him.
“I like you, too,” he replied back to her with a raise of his cookie. “And I like the fact that you and now your father wanna give me cookies.”
“'Cause cookies are love,” she said.
“It's all spent doing fuck all,” he said with a straight face.
“Doing fuck all to fill your belly with love,” she pointed out.
“And my ass with ginger,” he retorted. It made no sense but she laughed at that anyway. Ruben returned to them and he rubbed his hands together.
“Come on, kids,” he beckoned them.
Alex put the lid back onto the tin and then with his free hand, he took the knit yarmulke out from his back pocket.
“Wow, I haven't seen that in forever and a day it seems,” she remarked as he stood to his feet.
“I haven't worn it in forever and a day,” he said, “mainly because we're going with your dad back to his place and not elsewhere.”
“Oh, I see!”
He tucked the tin underneath his arm and once Ruben held the door for the both of them, they crossed the street and back to the house. Ruben himself took to the linen closet and he encouraged them to take to the kitchen.
Sam knelt down before the small wooden table on the side of the room closest to the hallway. Nothing underneath there, but she did flash a glimpse over at Alex on the couch in the living room with the yarmulke on the arm right next to him. She missed her couch still, still there in the apartment in Hell's Kitchen. She pictured Genie curled up at the top, all by herself all the while.
Cliff sat there and drank Mexican hot chocolate with her.
She also pictured herself and Joey sleeping together on that couch: as soon as she thought that, she pictured herself and Alex together on that couch.
He stood up and turned around and she caught a view of the seat of his pants. He hitched them up and she couldn't help but let her eyes wander.
All those ginger snaps and incessant touring and working allowed his body to develop a lovely toned shape: slim and lanky, even slight, and yet he was nice and round in the rear end.
She had drawn Joey. She had drawn Frank. She had drawn Cliff. She had drawn herself.
She still needed to draw Alex: if only she could convince him of such, especially since there was no alcohol anywhere in the house. Even if there was alcohol anywhere in that house, there was no way it would fly by Ruben as he strode back into the front of the house. But she had to loosen him up somewhat, and there was only so much a ginger snap the size of a silver dollar could do for her.
Sam hurried over to Alex right as he turned around and he raised his dark eyebrows at her.
“What happened?” he asked her in a hushed voice given Ruben was right there next to them, and he delved through a small box he had tucked under the coffee table.
“Something has—come over me,” she confessed to him in a low voice.
“How so?”
She gestured for him to follow her. They got about five steps in when Ruben stopped them both.
“Where do you kids think you're going?”
“We're—going to look in my closet,” Sam told him.
“Of course, yes!”
She led him back into her bedroom and he left the door ajar behind them. She slid the doors open and she ducked inside first and pressed her back to the dividing wall behind her. Alex joined her with his back against a protective covering on a piece of dry cleaning.
She put her arms around his waist and she lingered closer to his face.
“Oh, I see what you're doing,” he said to her in a low voice.
“I want you loose again,” she confessed in a near whisper. She eyed those lips, smooth as ripe cherries and ready for her taking.
“I'm gonna fuck ya silly and then it's gonna be every man for himself from there on out,” he joked.
“Not if I'm the one who fucks you silly first,” she chided, “and it'll be every man and woman for themselves from there on out.”
“What's going on in there?” Ruben called from the next room.
“Nothing!” Alex and Sam called out in unison; she returned to him.
“Kiss me,” she begged him in a near whisper.
“Kiss you? Your dad's literally right there in the next room, Samantha!”
“Kiss me—the fact he's there will only make it sexier.”
“We are in your closet after all,” he pointed out.
“Just touch me already!” she insisted.
“What?” Ruben called out.
“It's okay, Dad!” Sam called out the closet door and then she returned to him.
“Okay, we really gotta do something or he's going to find out about us,” he told her in a hushed voice.
“And what if he does, Alex?” she demanded as she raised her chest up to him.
“Samantha, have you seen how he looks at me?” He dropped his gaze to her chest and he nibbled on his bottom lip. “He wants to skin me alive!”
“I don't think he does,” she assured him with a shake of her head. “I mean, he gave you ginger snaps for crying out loud, Alex. Now, when he and my mom were together and I brought Joey home with me, he definitely wanted to do things to him.”
“Why is that?” He frowned at that.
“Joey,” she started; even though she promised her mother to keep it under wraps, the cat was already out of the bag. “—I'm guessing reminds him of some guy my mom knew once.”
Alex snickered at that, but Sam smacked him in the shoulder.
“Ow!” he hissed, and then he rubbed his shoulder.
“What do you mean, 'ow'? I barely hit you!”
“A slap is a slap, though,” he pointed out.
“A slap is a slap like on your ass?” she asked him.
“Shhh!”
“What's going on in here?” Ruben's voice floated into the room right then.
“Nothing,” they both said once more in unison. He stepped into her bedroom and they peeked out of the closet together.
“Nothing in here, Dad,” Sam told him. “Really, there's like nothing in here.”
“I really haven't found anything in here, either,” he confessed as he pressed his hands to his hips. “I'll have to break down and buy some new ones, I guess.”
“There's a shop not too far from here that sells all kinds of stuff like that,” Alex told him.
“Oh?”
“It's right up the street here, actually. You just ask the lady in there about it and she'll show you and it's real cheap-o, too. One time, when I was little, my dad needed to tape a lecture and all I remember is him talking about how it was like a treasure trove in there.”
“Well, thank you, son, I'll—I'll be right back.”
Ruben bowed out of there and Sam turned to Alex once again.
“You are such a good boy,” she declared.
“Just doing what I can,” he said with a shrug of his shoulders. The front door closed and Sam ran her tongue along her bottom lip.
“Why do you want me loose again, by the way?” he asked her as he pressed his hands to his hips.
“I want to draw you,” she told him.
“You wanna draw me?”
“Yes. I wanna draw you—the best way I can make love to you without getting you drunk. Or maybe I can if you so wish.”
“Nah, I get drunk, I wouldn't be able to stay in the seat.”
Sam turned to her courier bag there on the desk chair and she took out that brand new journal she had bought in Santa Monica for a brand new chapter in life.
“There's a stool in his room right down the hall,” she advised him. “Grab that and I'll turn the light on for you, Mr. Skolnick.”
He showed her a little smirk before he left the room. While he was in the next room, she peeled off her shirt and changed into one of those Death Angel shirts that she had brought along with her. She knew that if she ever had to eventually decide on a place to live, and she chose San Francisco, she would have to see them again, and that time in their home city no less. She moved the floor lamp in that room closer to the closet door, right in front of her.
Alex returned with the little black stool in question.
“Hey, cool shirt,” he remarked.
“One of many!” she declared and she gestured to the floor lamp right in front of her. “Have a seat.”
He closed the closet door and took a seat there on the stool.
“Tell you what—you draw me, you've gotta do it with Greg,” he said.
“Why?” she laughed at that.
“'Cause Greg could use it, that's why. You do it with Greg, I'll give you whatever the hell you so damn well please.” He hesitated for a second. “Gosh, that was a mouthful.”
She giggled at him.
“You're so sexy, Alex,” she said, “I should really draw you just for the fact you're so sexy—a bet or not.” He raised his eyebrows at that.
“You—wanna draw me? Should I strip naked or something like that?”
“Nah—you can leave your clothes on.” She stood up and walked on over to him. “Although—”
She reached forward to that third button and unfastened it for him with only two fingers. With her other hand, she did the same for the next one. Then the next one down. The next one down. Soon he stood there before her with his shirt open and a sliver of his bare body shown off to her.
“You only wanted to do that 'cause you wanted to undo my shirt for me,” he teased her, and he nudged his shirt back a little bit to show off a little more of his chest to her. She reached up and switched on the light for him.
“Oh, my,” she breathed out. “Oh, my, Mr. Skolnick.”
“Hey, now, Mr. Skolnick is my dad—I'm little Alex,” he insisted as he took his seat there on the stool. He leaned back a bit and showed off more of his body to her. The way the light shone down onto his pale smooth skin and onto the tops of his thighs.
“I thought you weren't little, though,” she recalled.
“To you, I'm not,” he teased her as he opened his legs a bit to get himself comfortable in front of her. He set his hands on either side of the stool's head and his eyes hooded a bit. His lips seemed extra plump and soft; his waist had slimmed down but also seemed a little bit thick at the same time.
Alex leaned back against the wall so more light cascaded over his body. The way the light bathed his body and made his already full face appear fuller, and his deep eyes even deeper. He tilted his head back and the light in turn made the skin on his neck, his chest, and his stomach appear so soft, smooth, and silken. Sam sat there across from him with her drawing pad rested upon her lap: every glimpse up to his body made her want to feel him some more. The scratch of the graphite made him seem much softer and sweeter.
To genuinely feel and touch him. Such a beautiful boy.
He cleared his throat.
“Remember on the road trip up to Carson and Tahoe we were talking about Georgia O'Keeffe?” he asked her.
“Of course,” she replied as she momentarily lifted her gaze back up to him.
“I think I spoke too soon.”
“Why is that?”
“You're absolutely filthy.”
“Filthy—ha! I don't think so.”
Alex raised his eyebrows at that.
“Seriously? You're absolutely loose. Loose like a loose—pussy.”
“Alex!” she said in a hushed voice.
“It's true, though. Although I will admit that that was rather tasteless.”
“Tasteless like my pussy?” she retorted back to him.
“Nah, I reckon your pussy's about as tasteful as that drawing you're making, hence the O'Keeffe reference.”
He clapped his hands together and stood to his feet with his arms in the air as if he had declared a victory. Sam leaned back in her chair and she eyed the slight curve on his waist. It was the most gentle curve she had ever seen, but the light on his skin made it appear right before her eyes.
“You might wanna take it easy on the ginger snaps, big boy,” she teased him. “You're getting kind of a tummy.”
He lowered his arms and looked down at his waist. He touched the skin there with the mere tips of his fingers.
“Not again,” he grumbled.
“Ever so slight, though,” she told him. “Like I can see it a tiny little bit around your belly button but you can't really see it with your shirt closed, though. It's gonna grow, though.”
He sat back down, and then he reached to his right for another ginger snap, which he shoved right into his mouth. She stopped drawing so she could watch him eat it up and then he reached for a second one and did the same.
“Could use some milk,” he said with his mouth full.
“Milk has fat in it, you know,” she pointed out, and he swallowed.
“Hence the point!” he proclaimed and he rubbed his belly with both hands.
“You are such a tease,” she scolded him, and he gave his black hair a little toss back with a flick of his head.
“Let me ask you something—what happened to you in that pool room?”
“I dunno. You kind of—woke me up, Alex.”
He showed her a smirk and straightened himself upright. She had a light soft sketch right there before her upon her lap but she figured it was something good to work from that point onward. A little extra dark shading with his hair except for the small gray tuft over his brow.
“Are you getting okay?” he asked her.
“Getting it good, my dear Alexander,” she said as she used the side of her pencil to shade in the side of his neck and the lapels of his shirt. “My dear Mr. Skolnick.”
She lifted up the drawing pad and showed it to him.
“Soft, silky, and utterly gorgeous,” she declared; he pressed a hand to his chest as if he had just seen the best thing ever.
“Think you can take it from here?” he asked her.
“Absolutely!”
The front door closed right then.
“That was fast,” she stated.
“I said it was literally right up the street,” he recalled as he closed his shirt; she kept that drawing on the seat of her chair and she hoped that Ruben wouldn't have to see it for himself as they headed back to the front of the house. He had gotten four fresh blank video tapes, much to Alex's surprise and slight disappointment.
“We're gonna need more than that, Mr. Shelley,” he said with a shrug. “When we did the video for 'Over the Wall', we used like six tapes. Well, and they were messing around with the effects of it, too.”
“Well, son, this is what I've got,” Ruben told him. “It's what they had, too.”
“So what do you think we're doing this for?” asked Alex as he fixed his shirt a bit more: Sam noticed the buttons were one off all the way up.
“Let's give it a try for 'The Ballad',” Ruben replied with a smirk on his face.
Sam and Alex glanced at one another, and all she could think about was when he picked her up from the side of the road, which she hadn't even told him about yet.
The whole thing with Aurora felt a little redundant at that point.
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nightmarenoise · 4 years
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Just comparing two cartoons I love
I understand that nobody asked in any capacity, but here I go anyway:
It feels fair to compare Ducktales 2017 to Rise of the Teenage Mutant Ninja Turtles (2018), not only because they're only about a year apart and truly, what is a year, but also because they
1. Both use this style that looks like it jumped straight out of a comic book. Okay, it's mostly the solidly inked shadows, but it gives me, personally, comic-y vibes.
2. They have taken what's arguably the main characters (the triplets for DT, the Turtles for TMNT) and shaken the formula up a good bit. Were the triplets formerly indistinguishable and all had the exact same personality, interests and voice actor, they are now three entirely separate entities with different traits and appearances. And while the turtles had about one defining personality trait and looked basically the same, save for the color of their masks, Rise made them different species of turtle to justify giving them radically different designs and three-dimensional personalities. Both shows faced criticism for this decision from people who cannot deal with change. Despite this, in both cases, it just works and does so incredibly well.
3. The oldest bros wear red.
4. We have two middle bros associated with the color blue who are both voiced by Ben Schwartz.
5. Both shows have a focus on family, with Ducktales especially focusing on found family and Rise on brotherhood.
6. Anime references!
Ducktales has a larger cast overall, with a lot of different characters all interacting with each other and they all have the most pleasant voices I've ever heard in my entire life. It's all solidly animated, the style is consistent and the animation is fluid, the characters are diverse and they're all lovely in their own right, except for those who aren't. The writing is top notch. Everyone feels consistent despite the large cast and it's delightful to watch all those interesting people interact with each other in their own way. The show also handles its mystery elements and occasional action scenes incredibly well, building suspense and delivering laughs and gut punches without hesitation. They juggle different tones like a professional clown, except the true clown was us, the audience, all along, for ever having doubted them.
The overarching plot of Ducktales, for its first two seasons, was mostly to uncover the mystery of what had happened to the mother of the triplets and all that would entail. Mystery and mythical elements will likely continue to be afoot for season 3.
Rise works with less focal characters, we have the Turtles, Splinter and April as well as various bad guys, but more than makes up for it with a lot of animation. A lot a lot of animation and it's all high quality. There's usually so much going on on-screen that a watching it once isn't enough to catch it all. Despite that, it doesn't feel crowded or rushed. Lots of dynamic shots and incredibly-choreographed action scenes, but nothing the thoroughly solid writing has to hide behind. Even when the baddies aren't the main concern, they're still well-rounded, interesting characters with unique abilities and motivations. Although, most of the mutants are just really feral. Still a delightfully diverse cast.
The turtles on the other hand spent their first season trying to foil their various foes, from a yokai trying to mutate all of humanity, to his mutants, to dealing with random mythical stuff, to the nefarious Foot Clan trying to reassemble the Dark Armor in the shadows. It's generally a more action-driven show, but they still find the time for some heartfelt moments.
The triplets 2.0
Despite their conventiently color-coded caps, they were really mostly the same character possessing three different bodies at a time. Well, the times of eerie The Shining like-twins, except extended to triplets, are over!
We have Huey, the oldest brother, voiced by Danny Pudi. He's a gentle, intellectual soul who values red hats, science, scout badges and checklists. Huey is arguably the closest in characterization to the original triplets, with some additional neat freak sprinkled in for flavor. He tries to be the responsible older sibling and keep his brothers under control and out of trouble. He also seems to have the most fiery temper of the bunch and should clearly not be pressed to the breaking point. He's my personal favorite and I heard season 3 will bring more focus to him, which makes me elated to hear. 888/10.
Middle child Dewey, the blue one, voiced by Ben Schwartz, who will inevitably come for all the iconic blue characters. He's very clearly the middle one, because he craves attention and validation and occasionally dreams of being an only child. Dewey is the one who started the investigation into their mom's disappearance and kept it from his brothers, partially to save them from hurt, but also because he wanted to feel special. He's the most interested in going on adventures with their uncle, but can get reckless when doing so. He's a bit of a spotlight hog, who has his own talk show that nobody watches and sings his own theme song when he needs to get hyped up, or just to fill this silence. This may sound kind of negative, but rest assured, he's a good, sweet boy. The focal triplet for the first season. 500/10.
Louie, the evil triplet, a schemer and a conman. Voiced by Bobby Moynihan.  The youngest of the bunch. While they call him evil, he's really far too lazy to cause serious harm, except for when it's his laziness that's causing him to take dangerous shortcuts, oops. He dreams of making a fortune, but without having to work for it and preferably without any responsibility either, thank you. He also occasionally dreams of being a spoiled fat cat. Despite his chill demeanor, he can be a bit of a crybaby and those tears are only fake 50% of the time. I feel like he likes getting babied, but mainly because that means there's less work for him to do. Season 2, which focuses more on him, reveals that he's actually quite brilliant, capable of seeing all the angles and giving him some chessmaster-like qualities. He needs to learn to use those abilities for good. 665/10.
Hi, she's Webbie! The honorary triplet, who also got a massive makeover, from annoying token girl tagalong to socially awkward, adorkable action girl. Be careful who you call ugly in middle school, indeed. Like a more ferocious  Mabel Pines, she has a grappling hook and years of martial arts training under her belt. Webbie can absolutely decimate you, but won't, because she's a sweet girl. Voiced by Kate Micucci. She continues to like unicorns and the color pink, but assuredly in the most badass of ways. She helped Dewey with his quest to uncover the mystery of his missing mom, but works well with all of the triplets, with Huey taking her under his wing a bit and Louie trying to get her to chill out more. Webbie is a sweetheart and I would die for her, were it not completely unnecessary, since she's more than capable of taking care of herself. ∞/10.
A lot of the supporting cast also saw updates and changes, for instance Gyro being a genius without social skills and Fenton being an adorkable scientist, but again, they work really well. They're interesting new takes on beloved characters. Even the new additions to the cast are great. In short, I love me some birds and am excited for season 3, Disney, get your scheduling together.
The Turtles 2.14.2 - I upgraded my upgrade in the middle of the upgrade
Also, these guys have seen so many different iterations in their, what, 30+ years of existence. As someone with no prior attachment to the turtle brand, I don't have a lot to say here. Leo's not the leader in this one and Raph has more personality than being angry at Leo for being the leader. Donnie is not just a random nerd spouting technobabble and Mikey has more depth than yelling the catchphrase every now and again. Apparently, this made people upset. I don't know how to help you with that.  The middle brothers exude some high chaotic energy and should not be left unsupervised, but the oldest and youngest seem fairly stable.
Raphael, the red-bandana'd alligator snapping turtle is an imposing figure. He's the oldest and therefore team leader by default. Raph has no reason to be upset at Leo, so he isn't. Despite his ferocious appearance, he's a soft guy, who likes teddies and doting on his brothers, but fears puppets. He's a bit of a knucklehead, most of his plans involve smashing things with his tonfa and he may refer to himself in the third person in the heat of the moment, but he possesses emotional intelligence, is open about his feelings and looks after his brothers. He is big and and strong, but his heart is bigger and stronger. He especially loves small animals animals, who don't usually return his feelings. RIP in F. This responsible guy is voiced by Omar Benson Miller. 300/10, very soft. Somehow both the heart and the big guy of the group.
Donatello has been upgraded from second-to-youngest to second-to-oldest, not that it makes much of a difference. His color of choice is purple and he continues in the character's tradition of being a nerd, although this time, with self-confidence. Donnie is very sure of himself and his abilities. As a spiny soft-shell turtle, he's less sure of his shell, but that's okay, he's made robotic battle shells to make up for it and his bō is the mother of all multitools. This guy can build you a tank out of a buggie and upgrade your animatronic into something to give the FNAF franchise a run for its money. He's the smartest of the four and when not focused on his phone, very focused on the mission. Due to having to deal with his bros, he can be exasperated a lot. Thinks of himself as an emotionally unavailable bad boy, even though he's just really sensitive and wants his dad or someone parent-aged to tell him they're proud of him. Theater kid. 999/10, give the middle child a hug and some coffee, you can't tell me he has a healthy sleep cycle. This sarcastic nerd is brought to you by Josh Brener.
Leonardo, Ben Schwartz's second blue character (Sonic (2020) being the third under his belt) and also his second ninja after Randy Cunningham. He's not the leader. He's still a good character. Leo has approximately 800 charisma and unwavering faith in both, his family and himself. Mostly himself though. Like Louie, season 2 revealed that he is a master of prediction and playing people like the cheap kazoo you can't tell me he doesn't have to play Darude's Sandstorm on. He dabs, he boards, he will pun you to death and back and he has an Odachi that can cut through space. Leo likes hogging the spotlight when given the chance and wants to be showered with attention and praise. Having four kids really only means twice the middle child nonsense. Leo is a red-eared slider, the original species of the TMNT, as I've been told. He's also the best at being a ninja, but usually too lazy to really apply himself. He's younger than Donnie, but tumblr suggested to read the two as twins, since they're approximately the same age, which sheds a whole new light on their dynamic and frankly, makes way too much sense. 420/10, for our memelord Leonardo.
Michelangelo, the eternally youngest of the bunch. An artiste, who puts stickers on himself, tags the lair, has a spiritual connection to his skateboard and the color orange. Mikey loves all things arts and craft, but he also tries his hands at cooking. He idolizes famous TV chefs and can do pretty much anything out of and into pizza. He's funny, without being annoying, like I feel a lot of other iterations of this character are. It's an easy pitfall for comic relief guys, but this one is more than that. If that's an issue, feel free to leave my house. Mikey is genuinely sweet and happy, optimistic and soft, but also the one brother who knows when it's time to take off the gloves and just get straight to the point. He's open about and in touch with his feelings. He's just baby. Don't treat him as one though. A lot of promo stuff says Leo has taken him under his wing, but he's had more episodes together with Donnie. Not that I'm complaining, they work very well together. Mikey and Raph are both the emotional centers of the group. Does not mind being yeeted after retracting into his shell, as box turtles may do. (Disclaimer, do not yeet actual box turtles!) His weapon of choice is a Kusari-Fundo that can turn into a fire-demon and is about as unpredictable as he is. Likes to jump and bounce around. Probably does parkour. Voiced by Brandon Mychal Smith who is audibly having a blast. 500/10, just an all around Kusari-fun guy.
For last, but certainly not least, April O'Neil, my girl, who saw an upgrade from flip-flopping love interest who was vaguely ninja-ing, but mostly damsel in distress-ing, to all-around spunky powerhouse and by God, she is glowing. Rise has her more as a big sister figure to the turtles, and I will not be told otherwise. She is independent and don't need no man, mutant or no. She has her teleporting pet, her faith in herself, her pinpoint baseball hitting skills and the a complete and utter lack of fear. Despite being a weirdness magnet, April is perfectly comfortable. She would like to be able to keep a job, maybe, but she has loving friends who respect and love her. Surprisingly good a ninja, fearless and fun. Occasionally thinks about being popular at school, but it's really not a big concern, she's not gonna throw a tantrum over it or anything. April is very chill. Not likely to be damseled. More likely to run after the turtles and clean up their messes or save them and everyone involved is fine with that.
The late 10's are really coming in to show us how dynamic and well-written female characters that aren't just "strong", but three-dimensional and relatable are done, huh?
An iconic performance by Kat Graham and ∞/10 for being the honorary better ninja non-mutant non-turtle and best big sister.
Here we have it, two older properties, having new life breathed into them to make them fresh and enjoyable. Have a new spin put on them, to better fit in with our current world. You can feel the love oozing out of every frame. At the end of the day, of course, it all boils down to taste and whether or not you like something. I gave Ducktales 2017 a go because a lot of the staff from Gravity Falls went to work on it and if you don't know me, I love me some Gravity Falls. It's a good show and I enjoy it. I recently got into Rise and while I don't know much about the people working on it, it is also a greatly enjoyable show, easily on the same level as Ducktales, if not above, yet with far less people speaking about it. Which is frankly saddening. I can only recommend the two of them wholeheartedly. If you love animation, yourself and occasionally feeling things, these are for you!
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