#and now having to watch mappa absolutely NAIL this scene | Explore Tumblr Posts and Blogs

leapingtitan · 3 years

Text

The Final Season - Episode 1 Thoughts

I've watched the first episode around 3 times on my own and over a dozen times from anime-only live reactions on YouTube. Those are always something to have a field day with every season, and are part of the whole enjoyment post-watching the episode on your own.

Obviously I'm only reviewing this based on the first episode, so it's way too early to judge The Final Season as a whole. However, I will say that my strategy to keep my expectations low definitely worked. I was very hyped, don't get me wrong, but after Season 3 Part 2, I realized that production and scheduling has never been this show's strong suite and things behind the scenes were always chaotic. And it was my mistake to realize it this late and have unrealistically high expectations of the manga's adaptation.

But enough about that. I'm just gonna say it right now. I absolutely loved this episode and was completely blown away by it. It was a rollercoaster ride from start to finish and boy, the staff wasn't kidding when they said the first episode was like a movie. It definitely felt like that, and it went by in a flash. Now, on to the individual points.

Story/Adaptation

Flawless. Everything was executed perfectly and went beyond my expectations. The thing that stood out to me the most was how many things were changed from the PV in terms of scene construction, camera angles, and overall storyboards. There was only one shot that we reused from the PV, namely the one with Zeke and Reiner inside the airship where they're referred to as the spear and shield. Everything else was redone, which was a huge surprise. Wit was always very faithful to the original manga panels with how they used them as a big reference for most of their cuts, but this one changes them up a lot. Personally, I am 100% fine with it and as someone who has read these chapters in the manga dozens of times over the past few years, seeing them like this was a pleasant and very welcome surprise.

The anime-only additions here are notable and also quite welcome. Falco's line in the beginning in particular stood out the most in the long-run, but the addition of the Eldians' terror being shown as well as the scene before the ED was very welcome. I would like to assume that this was Isayama's doing as whenever the anime usually adds/changes up things, it's his request to do so. He sort of considers the anime to be the "definitive" version of the story that he, for one reason or another, couldn't do in the manga himself when that particular chapter came out. Season 3 Part 1 (The Uprising Arc) is a prime example for this. Once again, I'm very content with what was done here and I trust MAPPA will do the story justice.

A small but very neat thing is the fact that we got to keep the title cards and the info eyecatches mid-episode. Really added to the whole sense of consistency.

Animation

When the initial trailer came out, many people were concerned about Shigeki Asakawa (Director of Photography)'s odd and excessive usage of blur filters on top of the scenes and were wondering if they would remain in the final product, given her track record with other shows like The God of Highschool. Luckily, that is not the case here as the scenes look very clean and the minimal blur on top adds a bit to the muddy/gritty atmosphere of what's going on. Personally, I don't mind it at all and I barely notice it anyway. MAPPA's biggest strength to me is the usage of effects like blood and explosions. You feel the impact of everything and with such an action-packed episode, it made everything so much better.

The usage of 3D CGI for the Titan Shifters has been the biggest controversy surrounding this first episode. When I first watched it, it didn't bother me at all. Personally I care more about a model fitting in the action sequence rather than how it looks for the most part. Right now I would say I'm neutral. It's not the greatest CG ever conceived in anime but it definitely does not look out of place and is pretty decent. For the Jaw Titan, I couldn't tell what was CG and what wasn't for the most part. For the other Titans it's more obvious, but it's not too jarring. Obviously, if it was up to me and the production committee/NHK didn't push their scheduling shenanigans onto MAPPA, I would have gotten every Titan in 2D, but you can't have everything. If they choose to focus on more important scenes later on and cut corners in this first episode as a result, that's understandable. I can live with it. And again, even then, it's not that bad in my eyes.

Now, the character designs are just absolutely stellar. In multiple interviews, it’s been stated that they wanted to stay true to Kyoji Asano’s designs at Wit while also being consistent with Isayama’s style in the manga. And boy did they absolutely nail it. It’s exactly what as they said. Tomohiro Kishi could not have done a better job with the characters we’ve seen so far and I am beyond impressed with his work. I look forward to seeing the rest of the characters in this arc.

Sound

I've been following Kohta Yamamoto's works for a few years now, ever since he started working with Sawano (and being mentored by him to an extent) in early 2017. Although he's been involved with AoT before, particularly with the character songs in Season 2, whenever those two would collaborate on a project it would usually be because Sawano is too busy to compose a full soundtrack. So what usually happens is, Sawano does one track and variations of it (think ShingekiNoKyojin, ThanksAT and T-KT), and nothing else. Meanwhile, Yamamoto handles the rest of the music for the show. On top of that, Yamamoto's style as a composer is different from Sawano's as he comes from a rock/guitarist background as opposed to Sawano, who is a pianist and is classically trained. My biggest concern for The Final Season was that we would get a similar case as with the other shows where Sawano doesn't put in too much effort, while Yamamoto essentially becomes the main composer. Although it looks like this is in fact the case after this first episode, let me explain why I don't think it's a bad thing.

After the premiere of the first episode, both Sawano and Yamamoto tweeted that it was in fact Yamamoto who is handling the majority of the Marley Arc's music. And after this first episode, I have to say I'm impressed. His initial track that he made for the PV was a bit off-putting to me because it sounded like every epic blockbuster Hollywood trailer background track ever, but after the way it was used in this episode alongside a few other tracks, I have to say I'm pleasantly surprised. It fits what's going on, and overall delivers a fresh sound to the show that is very appropriate given the massive change in narrative. Back during S3 Part 1, Sawano stated in an interview that he was already burned out and had trouble coming up with new music for AoT given how many tracks he had already composed for it. Given how few new melodies were in S3 Part 2;s music, I think this should be clear. Especially now that we're going into yet another season. To summarize, I think Yamamoto's work here is a result of three conditions that just happened to line up perfectly. The change in narrative, which the new composer style reflects. Sawano being busy. And Sawano being burned out with AoT. Now personally I still believe we're going to get at least one new original Sawano track with variations of it for the big climax moments this arc, and he may compose more music for the 2nd half of this 16-episode season, since that's technically a new arc. But we'll see. As a whole though, I'm satisfied with what I've heard from Kohta Yamamoto in this first episode.

The last point to make in regards to the sound is Masafumi Mima who, apart from Sawano, the voice cast, and some freelancers, is the only one from the previous seasons' staff members to return here. And once again, his work here is absolutely phenomenal. The mixing and usage of sound effects in this episode was stellar and truly felt like I was watching a war movie. It enhanced the action tenfold and I could not want it any better. Music usage is something that goes through the director (Yuichiro Hayashi), but ultimately the sound director is the one who implements the track (instrument layering/stem editing) and does the mixing. The usage of Kohta Yamamoto's music here was very well done, and although the track from the PV repeated quite a bit, it didn't get repetitive at all. Also, the sound director remaining consistent here means we got to keep things like the titan transformation sound effects, which may be a small thing but was very welcome and added to the whole consistency.

Opening/Ending

I'm gonna wait until Shinsei Kamattechan releases the full version of the opening in a single or album to fully judge the song, but boy do I love this opening. Although I'm not sure if the TV-size version is my favorite AoT opening yet, I have to say that it's without a doubt the most fitting OP this show has had until this point. It perfectly showcases the themes of war that this arc focuses on and has this lowkey disturbing eerie vibe with the dissonant chords and mixing of the vocals that feels just as "mysterious" and "tense" as the show itself. I love it so much, honestly. Now, Isayama was a fan of Shinsei Kamattechan prior to them doing the S2 ED, and was the one who got them on-board to do it. Although that song isn't really my thing it's also a perfect fit, which leads me to believe that Isayama himself most likely chose the band again, namely to do this OP. And it's fantastic. I love the song. The visuals also have a very distinct style with all the colors and white backgrounds and I love how it's more metaphorical and symbolic (I guess "abstract" as well?) rather than flat-out just spoiling everything like the last arc's OP did.

The ED by Yuko Ando is fantastic. The first time I listened to the full song on its own I couldn't stop getting chills. Love the production aspects of the song and it's just really nice altogether. The visuals are quite interesting especially towards the end and I also like them a lot. Not much else to say about the ED. It's amazing. Go listen to it.

Conclusion

As a whole, I kept my expectations extremely low prior to the premiere despite my hype. As a result of that, not only were they exceeded, I was absolutely blown away by this first episode in pretty much every way. It may still be too early to judge, but from what has been shown here so far, I am absolutely looking forward to see MAPPA adapt the rest of this amazing story, or about as far as they can get with 16 episodes.

#well this just became a whole essay lmao i'm sorry about that #anyway i hope y'all have been doing well #i don't plan to use tumblr actively again but it's nice to have a place to post huge rants like this #but yeah smh at discord lmao #snk #shingeki no kyojin #snk the final season #snk season 4

18 notes · View notes

recentanimenews · 3 years

Text

FEATURE: The Top 10 Anime OPs of 2020 According to YOU!

As we near the voting period for the Anime Awards where we will collectively determine the anime bests of the year 2020, the well-worn adage of “never skip the OP” comes to mind. I’m confident we’ll make the best choice, but there were many great OPs this year that won't make the cut to be highlighted in the nominations. So let’s take a look back at some of the year’s greatest not determined by our admittedly extremely qualified panel of judges, but by numbers and you, the fans.

We’ve been posting up OPs on YouTube all year and have even made a playlist for 2020 — so what better way to unbiasedly look at the year's best than with the most important votes of all? Views. Below I’ve composed a Top 10 list of anime OPs featured on Crunchyroll Collection YouTube Channel by views at 30 days so as not to give an unfair advantage to OPs posted earlier in the year. This is not a perfect metric — as I’ll get into a bit later — but delivers either an interesting look at what people have been watching this year or, at the very least, some great new additions to your playlist on YouTube ...

10. Black Clover - "Everlasting Shine" by TOMORROW X TOGETHER

youtube

The collision of anime and K-pop will become a theme on this list, so it’s only natural that it should begin with the collaboration between TOMORROW X TOGETHER and the anime that has never missed an OP. Black Clover hit off its next slate of anime-original content under the supervision of Yuki Tabata with a killer opening highlighting the magic knight captains. "Everlasting Shine" cleared 800k views in its first month and joined the series’ killer playlist snuggly between songs by Snowman.

9. HAIKYU!! TO THE TOP - "Phoenix" by BURNOUT SYNDROMES

youtube

BURNOUT SYNDROMES brought in the new year with a bang, heralding the beginning of Haikyu’s spring tournament arc with yet another absolute banger of an OP to compete with their own iconic "Hikare Are" and "Fly High!" Phoenix rose to claim 900k views in 30 days, especially impressive since Karasuno had no highlight opponents facing them down in the first half of the new TO THE TOP season.

8. Black Clover - "Stories" by Snowman

youtube

Black Clovers 11th OP had a lot of weight to carry introducing the first post-manga content the anime had to offer and nailed it with a Snowman collaboration so good that the group not only got signed to return for OP 13, but Daisuke Sakuma voiced an anime-original character designed just for him in Episode 140. "Stories" came just under 1 million views in its first month at 950k, joining the pantheon of hit Black Clover OPs.

7. Rent-a-Girlfriend - "Centimeter" by the peggies

youtube

I don’t know about you, but ever since Sarazanmai’s spectacular ED "Stand by Me" featuring the peggies, I’ve been waiting for more anime music by the group, and it is absolutely not a surprise to see their next collaboration on this list. They delivered an absolutely addictive song which TMS elevated with some great dance moves and brilliant color work. A smart move, as we’ll see later in this list.

No metric for measurement is perfect and "Centimeter" may be the best example of where this list sells an OP short. The song barely cleared 1 million views in its first month and placed the peggies in the Number 7 spot, however, the viewership on Rent-a-Girlfriend’s OP has only accelerated since, and it now sits comfortably at 6 million views, tying it for second place in overall viewership. Looking back again in another six months, it might even be Number 1 ...

6. Black Clover - "Black Catcher" by Vickeblanka

youtube

The original Black Clover OP artists returned to close out the anime’s last wildly-escalating manga-adapted arc with a killer OP that got served up twice. First in a dark black-and-white aesthetic going into the series climactic battle, then again in brilliant color after the conclusion of the epic conflict.

"Black Catcher" brought in 1.1 million views in what is an astonishing sweep in popular viewership for this list. Every OP Black Clover dropped this year made it into the top 10. A spectacular feat for a series that serves up a new one every cour.

5. Re:ZERO Season 2 - "Realize" by Konomi Suzuki

youtube

In a series so notorious for outright ignoring it’s OP and/or EDs for the majority of its episodes to pack in as much extra time as possible for Subaru’s continued suffering, it’s absolutely amazing how quality each of its OPs has been. "Realize" rapidly ascended to 1.5 million in its first month and has since aged like a fine wine as the events of the series slowly added context to many of the unusual and intriguing visuals therein.

4. JUJUTSU KAISEN - "Kaikai Kitan" by Eve

youtube

Launching one of the most anticipated new series in years and adapted by studio MAPPA, who has acted as the headline studio of 2020 with multiple hit productions, "Kaikai Kitan" was a shoo-in for this list. JUJUTSU KAISEN didn’t disappoint with a slick OP directed by one of the all-time animation greats and Naruto alumni Shingo Yamashita. "Kaikai Kitan" cleared 2 million in its first 30 days, and if anything, is only accelerating as the series’ sterling production continues to draw more fans. Also, TOHO released the video early on their own channel, where it’s performing even better.

3. Boruto - "Hajimatteiku Takamatteiku" by Sambomaster

youtube

This ED stands out as a love letter to Naruto in an anime that is essentially one big love letter to Naruto. Returning to the franchise after crafting what may have been the original Naruto’s most iconic OP, "Rhapsody of Youth," Sambomaster delivers yet another bop, while Pierrot seeded the visual sequence with references to many iconic Naruto OP visuals. "Hajimatteiku Takamatteiku" cleared 2 million views in its first month and was the perfect introduction for the series' slow build toward the manga’s Kara arc.

2. The God of High School - "Contradiction" ft. Tyler Carter by KSUKE

youtube

Subtlety is not The God of High School’s thing and "Contradiction" dropped like a punch in the face with some completely wild visuals and music. Techno doesn’t often make appearances in anime OPs, so a song composed by KSUKE featuring the American metalcore vocalist of Issues, Tyler Carter, was a galaxy away from ordinary even in a year where an avalanche of K-pop has been dropping into anime. The accompanying visuals could only be described as aggressive with fight scenes set under a color-swapped psychedelic blacklight style effect. 2.5 million viewers tuned in in the first month, and the song recently cleared 6 million to continue competing with Rent-a-Girlfriend's "Centimeter" from the same season.

1. Keep Your Hands Off Eizouken! - "Easy Breezy" by chelmico

youtube

It really couldn’t have been anyone else. Storyboarded by Masaaki Yuasa himself and animated with some surprisingly analog techniques by the talented French animator Abel Gongora, "Easy Breezy" cleared 3 million views in its first month and has breezed its way past 10 million over the course of 2020. This OP was easy, it was breezy, and it was super meme-y. The riffs of the girls of Keep Your Hands Off Eizouken! dancing to chelmico’s addicting tune were absolutely legion and for good reason, the loud colors, the simple style, and the Drake references were a perfect breeding ground for some truly inspired fan content, making it, in my opinion, the only choice for OP of the Year for 2020.

Gotta say I’m overjoyed to see Eizouken at the top of the list even after spending half a year working that earworm out of my head, as well as so much love for Black Clover's OPs which have really been an achievement in quality even against Pierrot’s own storied legacy in Naruto and Bleach music.

And don’t think I’m stopping here. While many fans studiously never skip the OP, I also never skip the ED ...

What's your favorite OP from this list? Let us know in the comments. And tune in tomorrow for the top EDs of 2020 according to YouTube!

Peter Fobian is an Associate Producer at Crunchyroll, writer for Anime Academy and Anime in America, and an editor at Anime Feminist. You can follow him on Twitter @PeterFobian.

Do you love writing? Do you love anime? If you have an idea for a features story, pitch it to Crunchyroll Features!

By: Peter Fobian

#Anime #News #Latest in Anime News by Crunchyroll!

2 notes · View notes

fictionstuff · 3 years

Photo

Plot: Idly indulging in baseless paranormal activities with the Occult Club, high schooler Yuuji Itadori spends his days at either the clubroom or the hospital, where he visits his bedridden grandfather. However, this leisurely lifestyle soon takes a turn for the strange when he unknowingly encounters a cursed item. Triggering a chain of supernatural occurrences, Yuuji finds himself suddenly thrust into the world of Curses—dreadful beings formed from human malice and negativity—after swallowing the said item, revealed to be a finger belonging to the demon Sukuna Ryoumen, the "King of Curses." Yuuji experiences first-hand the threat these Curses pose to society as he discovers his own newfound powers. Introduced to the Tokyo Metropolitan Jujutsu Technical High School, he begins to walk down a path from which he cannot return—the path of a Jujutsu sorcerer. [Written by MAL Rewrite]

Episodes: 24

Main Characters: Gojou Satoru Itadori Yuuji Fushiguro Megumi Kugisaki Nobara Sukuna

Points: 9/10

When I started JJK, I didn't know what to expect and neither did I expect that much success which almost kind of made it mainstream and hype like Demon Slayer was. Then again I did enjoy JJK quite a bit more than DS... That is because the main concept of JJK appeals more to me, not because one or the other is “better”. JJK is certainly highly pleasant to look at, beautifully animated by MAPPA, wonderful action fighting scenes, nicely choreographed with smooth transitions while overall being a feast on the eyes with interesting cool character design and dark spooky backgrounds. I know AOT fans were salty because all of MAPPA's budget went into JJK, but that is honestly not the real issue here. I suppose it was time management, not love for animations or a simple preference for this piece here. Blaming MAPPA for anything and everything is just childish and stupid.

JJK on the other hand is another simple shounen with a tendencies to show spooky gore-y scenes with quite a bit of horror sprinkled in here and there. While Naruto has the chakra system, a power system, JJK has cursed power and although there should've been a power showcasing rather than making it seem like everyone is exceptionally strong. For now I can also safely say we haven't seen the craziest arc yet as the anime stopped shortly before the renowned shibuya arc, which is regretful but leaves a lot to be desired in a possible second season. Our main boy Yuuji Itadori has been talented and strong from the very beginning, inhumanely so, which made the fights feel nice to watch but not exactly risky. Receiving Sukuna's finger felt like a snack to him, but there could've been a showcase of how dangerous Sukuna's finger for humans truly is, which then again makes me question why Yuuji is an exceptional human, but guess that plot device just works in animes.

Nonetheless I did enjoy Yuuji, he is your usual main character, little dense, rather strong loving his friends and trying to save everyone possible but he's more than people give him credit for. He shows quite a deep love for Megumi and also tries to keep the obvious from him, which also goes the other way as the other two parts of the main trio - Megumi and Nobara – care quite a bit for Yuuji. This isn't seriously displayed most of the time and the joke of Yuuji being a third wheel and stupid friend is quite a bit misplaced, which dampens the mood a little, but the overall humor within this series is something for you or it just isn't. I didn't necessarily think many scenes that were intended to be funny did actually make me laugh, but I can just look past it without judging. I enjoy it too much to be caught up on such small fry.

The development of the overall plot seems rather slow until now, which makes me hope for a long running anime like Black Clover or My Hero Academia. That would do JJK well, as there is hardly much to say about the plot or character development, although the bonds between the characters are being forged bit by bit. The fighting sequences on the other hand are thoroughly explored and shine with variety: bare fists or kicks, summons, cursed tools or tools imbued with cursed power, hammer and nails and so on and so forth. Above this all are Sukuna and Satoru who can probably destroy the earth, if they just so wanted to. Which kind of makes you question why the villains are still running around free, but more on that as well as Satoru's downfall will follow eventually in the shibuya arc. For the anime itself it is disappointing to not display this splendid horror arc as all the fights were merely a warm up and didn't make anything feel highly risky. That in itself will make the overall plot seem irregular with OP characters.

Besides great fights and relatively good main characters, we have a damn good supporting cast which I cannot compliment enough and just writing a paragraph about them won't do them justice. I say, experience them for yourself, there will at least be one cool character for you, although let's not say anyone receives massive character development yet. The most lacking part for now, as I have mentioned before: is story and story progression. Given it might be long running, I will definitely overwork this part of the review or just add more with a new season, but for now I cannot give this department more than solid 7.5 points, nothing too amazing, but nothing I'd consider bad either. Everyone is truly intriguing and the villains are deep layered cruel entities whose motivations have mostly been discovered, except for the main villain. For now Getou, as we shall call him, is just quite intriguing and cunny.

People who hate on JJK for no good objective or halfway solid subjective reasons are simply childish and haven't truly given this a try, because there is definitely a solid ground for 6+ points. That it is still lacking, I can agree, but this might just become less of an issue with another season. Animation, design and music are absolutely splendid and MAPPA created a masterpiece right here. I do recommend it anyhow, enjoyed the anime, the manga quite immensely and will continue to indulge myself in JJK content.

Animation/Character Design – 9.0

Characters/Story – 7.5

Enjoyment – 9.5

#anime review #review

0 notes