Higgs Monaghan, "Beach Babies," and mind control
We know that the Bridge Baby dolls that Higgs and the Homo Demens used function completely differently than the human BBs invented by Bridges. But did you know they're also otherworldly vessels of extinction itself?
The novelization of Death Stranding suggests that these BB dolls from the Beach ("Beach Babies," as my husband and I refer to them) warp the minds of their users and bend human will towards the goal of extinction.
So... how many of Higgs Monaghan's decisions after meeting Amelie are his own?
The first thing to note is that Bridges BBs react negatively to the presence of these Beach Babies, as seen here when Sam encounters terrorists using them.
Lou does not like these things. Perhaps that's why she points the Odradek at Higgs during their first encounter with him?
The novel introduces us to a porter who visited the Evo-Devo Biologist (referred to as EV in the book) while equipped with one, a couple years before Sam's expedition. He was polite and overall pretty normal at first, but then on his next visit things get... weird.
So... there are holes in reality that using a Beach Baby allows you to see, and that's how the tar leaks from the Beach into the world of the living. Speculatively, this might be how Higgs is able to DOOMS-jump so easily and frequently (and summon tar), without getting exhausted or needing much focus at all, in addition to his level 7+ DOOMS.
Oh, but it gets weirder. And scarier, as soon as Extinction Entities are mentioned.
Wow... he sounds a lot like Higgs, doesn't he? Come to find out, Higgs gave it to him.
But surely this is just him echoing the party lines of Higgs' organization and repeating Higgs' same sentiments... right? Unless...
Important to note, this porter doesn't have DOOMS. He shouldn't be experiencing extinction nightmares, but his Beach Baby is showing them to him.
Whether directly or not, this thing talks to him. Like some eldritch call of the void or an element of a Lovecraft novel, it tells him that extinction is the only answer, the only solution.
EV is, understandably, instantly alarmed when she sees Sam with Lou, relating this story back to him. Sam is quick to connect the dots between that porter, the terrorists, Lou's terror at encountering these other BBs, and Higgs himself.
As they discuss further, a chiralgram recording from that porter begins to play, in which he takes credit for the voidout that killed Heartman's family and explains why he did it.
So then, how is Higgs affected by his own Beach Baby? From his perspective, it doesn't sound good.
We can infer a few things from this:
The Beach Baby acts as the vessel for Higgs' connection to Amelie and her Beach. By the nature of his powers, that's why he's able to DOOMS-jump constantly without getting exhausted, control BTs and timefall, and use telekinesis. Think of it like supercharging a battery; his powers are fueled by connection to the dead, and through Amelie, he's plugged into the dead of five mass extinctions, skyrocketing his DOOMS abilities to their maximum potential.
The Beach Baby (perhaps even Amelie directly, by using it) shows Higgs extinction nightmares beyond the scope of normal DOOMS nightmares, "speaking" to him and giving him forbidden knowledge that fills his mind with thoughts of extinction in terms of inevitability, even without Amelie telling him directly.
(Speculative): Higgs betrayed Fragile because of what the Beach Baby did to him, and perhaps doing so was Amelie's own will disguised as his idea. After all, he turned on Fragile immediately after connecting to the BB doll, severing his closest bond practically overnight. Further, Fragile states (at least in the book, I forget if she acknowledges this in the game or not) that it wasn't Higgs who prevented her from DOOMS jumping with the nuke in South Knot City, but "someone else," who she later determined to be Amelie. Amelie ensured that Fragile had no power in that situation, and that there was no way for her to escape without hating Higgs in the end. Personally, my reading is that Amelie wanted to be Higgs' only option and only remaining connection; she set herself up to be all he had left, the only thing he could focus on. It's easier to control someone who's isolated, scared, and alone otherwise, and would remove the risk of him having doubts about accepting extinction because he had nothing--and no one--left to lose.
(Speculative): The Beach Baby acts as a mind control utility. Whatever hopes, dreams, and beliefs a person has, this BB doll can override them and bend its user's will towards the goal of extinction instead, reshaping their ideology to fit the EE's goals. It's impossible to say how much of this control is direct and tangible, but it grants Amelie a high degree of influence over Higgs' inner world, removing any sense of rebellion against her or instinctive resistance to the concept of total human annihilation.
Established later in-text (too much content to cite and embed), Higgs experiences grandiose delusions surrounding his role in the extinction, falsely believing that he's the one in control, viewing himself as "the bridge that brings the extinction" and is destined to safeguard Amelie so mankind can meet its end. Despite the facts, he genuinely thinks it was all his idea, his plan, and he's the mastermind behind the whole thing, personally chosen by cosmic forces to deliver the apocalypse and usher in a new world after humanity is gone.
As soon as Higgs is disconnected from his Beach Baby by Fragile, his delusions completely shatter and he immediately reverts to cold, hard logic, albeit the kind steeped in self-hatred. His ego does an immediate 180 and he realizes, "it was all make believe,” and "a tale told by an idiot, full of sound and righteous fury. Signifying nothing." It hits him all at once: he was nothing but a pawn, a tool, a means to an end, played for a fool. Upon seeing the error of his ways, he can only lament how blind he was. The book decidedly doesn't kill him, instead leaving him on the Beach, "alone, without a person in the world to connect to," thinking, "this is how I'm meant to be," as he remains stranded "with nothing else to do but continue to confess his endless sins."
We'll never know how much of Higgs' mindset and atrocities were truly his own, while acting as Amelie's herald, and how much of it was solely based on Amelie's unseen influence. Just like Lady Macbeth, Higgs is both villain and victim to a greater evil, so to speak.
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Angsty set of Morgana-opinion Headcanons for the GaGene family bc yk what they need a bad day. just a bit of a bad day.
• Conrad is an easy subject. Morgana is… a much more complicated topic of discussion for the family. She’s influenced a large part of Gavus’s life, and raised Liberta, and they both have varying opinions on her.
• Gavus is a lot more solid in his feelings, they’re complicated, yes, but he’s solid in that his disapproves of her actions. He’s had time to come to terms that what she is doing is not okay and that he cannot support her any longer. Gavus knows that Morgana is not as good a person he thought she was, but even then. He cannot truly bring himself to hate her. She hurt him, his kids, his husband, and yet he cannot find it in him to hate her. He still wants to plead with her and make her see reason, even after knowing she won’t listen. He does find it painful, even now, to think about the good times with her. It’s jolting to know someone you loved and respected turned out to be so horrible, and it taints everything, Morgana is no exception.
• On Liberta’s side, it’s quite a bit more complicated. Liberta doesn’t know how to respond to Morgana’s actions and horribleness. He doesn’t want to believe it at all actually. He finds himself, often, unable to process what he had actually went through and what is good and bad in his childhood with Morgana because he genuinely cannot tell. Not to mention she treated him nicely, like a son! She can’t be all that bad then, right? She’s still a good person deep down, because she has to be.
• He’s got a good ol’ case of Mafuyu Asahina basically
• Eugene, on his own opinions, hates Morgana. He despises her, and every single fake ass person on the Celestial’s faction. He hates that she messed up badly, that she betrayed Gavus and raised Liberta to believe that his feelings don’t matter. He hates that she did that to his family, and he hates how the situation is complicated. It’s not like everyone can agree she sucks as easily as they do with Conrad. Hell, it hurts him that Liberta even saw her as a parental figure at all! That fucking sucks, and he can’t do anything about it because she DID raise his kid, like it or not. He’s mindful about what he says about her around the kids, but next to Gavus he’s mouthing her off left and right as many chances as he can get whenever she comes up in conversation.
• This both amuses and irritates Gavus. It’s essentially like, “Raven, I know you hate Morgana but can we focus for a second??”. The amusement moreso comes from the fact at least one of them holds enough hatred in their heart for both of them for that woman, thank you Eugene.
• Lastly, Lucilla. Lucilla’s feelings are extremely simplified: Morgana = Conrad. Conrad = Bad, Hate that guy. Morgana = Bad, Hate that girl. She understands there’s more nuance to it for Liberta and Gavus, she’s not dumb, and she can, to an extent, recognize where Liberta is coming from. However, it frustrates her a lot whenever she hears words in Morgana’s defense, from Celestials or otherwise. It’s awful, terrible. Just what about Morgana needs defending? What could possibly be so good about her? She doesn’t get it. She doesn’t get any of it.
• Pretty much, the overall opinion as a family is, well, it’s complicated. Her actions run a bit deeper because of her emotional hold on two of their family members, and Conrad at least made it easy by acting like he doesn’t care (because, well, he doesn’t! Mans is as straight forward as he sounds: he just wanted power and destruction.), but Morgana? Morgana acted like she cared, and maybe she did at one point. For Gavus. Maybe she cared a lot about Gavus, and maybe she got attached to Liberta as well. But it doesn’t erase what she did, just simply complicates it further for the ones she hurt, because they loved her.
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“(…)There was an American sitting behind Jane and me—such a romantic-looking man, with coal-black hair and eyes. Josie Pye says he is a distinguished artist, and that her mother’s cousin in Boston is married to a man that used to go to school with him. Well, we heard him say—didn’t we, Jane?—’Who is that girl on the platform with the splendid Titian hair? She has a face I should like to paint.’ There now, Anne. But what does Titian hair mean?”
— Anne of Green Gables, Lucy Maud Montgomery
A(nother) modern AU (you know, the kind I loathe so wholly), except in place of an American painter, a ‘famous’ American photographer comes to the White Sands Hotel for this concert. After Anne’s moving Noyes ‘the Highwayman’ recital, he seeks her out and asks her if she’s ever been ‘shot’ before (he wants to, and he tells Marilla this is a paid gig when she scoffs)… his sunflower compliment is yes, of course, about her Titan hair, but he also adds that her face is ‘high fashion/old money’ – which gets an unexpected ironic laugh from the orphan of two very poor teachers. The payment associated with Anne being photographed is too generous to sensibly say no to, even if Marilla is worried of the impact on Anne’s vanity, and two months afterwards, Anne is offered a contract with one of the biggest agencies in the States… Ford (😅) models. Over the next four years, her success grants her all the necessary funds for a B.A. from Redmond… without relying on burdening Marilla’s ‘slim purse.’
"Red hair is very fashionable now," said Anne, trying to smile, but speaking rather coldly. Life had developed in her a sense of humor which helped her over many difficulties; but as yet nothing had availed to steel her against a reference to her hair.
"So it is--so it is," conceded Mrs. Harmon. "There's no telling what queer freaks fashion will take.”
— Anne of the Island, Lucy Maud Montgomery
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(NOTE: just to be clear I'm not bashing any of the three characters I mentioned. I just found it interesting how she's been pushed away from the family members that she has a lot in common with.)
Isn't it crazy how Mirabel is connected Alma, Bruno, and Pedro? All three of key figures in the Madrigal family plotwise?
Mirabel has Alma's loyalty and love for the family, which emboldens her to have the courage to make hard decisions that no one might agree with, and yet this trait that she shares with Alma is—ironically enough—what drove them further apart from one another throughout the length of the movie.
Like Bruno, she's treated as the black sheep of the family due to her lack of gift. This shared connection of being the "dirty secret" of the family causes Bruno to go into hiding for her safety, but despite his best intentions, him hiding away is actually what makes Mirabel's situation worse in the long run because he disappears on top of everything else that was going on with her.
And with Pedro, she is referred to as his "gift" to the family, their one last miracle from their savior. They share the same courage that urges them to protect the family, but it is this same courage that causes Pedro to lose his life.
What I'm trying to say here is, despite having so much in common with these people, they almost always end up leaving her behind. And while it's true that Pedro's death isn't directly connected to her, Alma feared the implications of Mirabel's giftlessness because it could be a sign that the Miracle is fading—that the thing that gave Pedro's death meaning would one day disappear. In the end, this causes her to isolate Mirabel from the family due to her strange lack of connection to the Candle, which Alma connects back to Pedro.
At this point, Mirabel has already been disconnected to three key figures in her family from childhood. If Encanto had been a different genre, Mirabel would've been a character doomed by the narrative 😔
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