I Made Aria In Gacha Life 2
She Belongs to @k-nahriko She and Others Inspired me to make my own Ocs
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Aqua! How did you and your partner meet?? (@dzvagabond)
Aqua: "Oh, hello! Thank you for your question.
Aria and I first met shortly after I had fallen into the realm of darkness. She'd been trapped in there for a very long time already, and according to her, it was common for powerful Heartless to go after any new worlds or people who ended up there, so she would often track them to find out what they'd detected. I could definitely vouch for this, considering how many I'd had to fight off in the short time I'd been there - it was like the light in my heart was a beacon for them.
Long story short, Aria came to my rescue when I was attacked by a particularly strong formation of Heartless called a Demon Tide; she was able to fight it off without much trouble at all, and then she helped me get to somewhere less exposed. I was.. really not in a good place at that time, but she was the first other person I'd come across in the dark, and so.. I may have unintentionally broken down at her feet, what with everything that had been going on before then. There, ah.. there was a lot of crying. She really didn't know how to react, but she stayed there next to me anyway, and.. that meant I was able to finally let out all the feelings that had been building up inside me, and I think doing that helped me a lot. Even if I felt so vulnerable at the time.
Still, though, to move on from that - once I had pulled myself together and we could finally introduce ourselves to each other, it was only then that Aria found out how much time had passed in the realm of light since she had left it. We ended up talking for quite some time, and from there, decided to stick together for the sake of finding a way out. To think that she was from the age of fairytales.. an ancient age, as I know it.. Honestly, it took a long time to sink in. There was still a lot that I didn't know about her, and back then, the fact she harboured so much darkness still stood out as a sign of danger to me.. But she was the only person I had to turn to in there. So, I had to test the waters, so to speak.. and I'm forever glad that I did decide to trust her. She's taught me so much.
I hope that that answers your question! Thank you again for sending it in. Have a great day!"
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Alain Arias-Misson, The Congress of the Birds, (wood, plexi, letraset), 1979 [We Document Art, Collection M HKA / Collection Flemish Community, Antwerp. © Alain Arias-Misson]. From: A NON-U-MENTAL HISTORY OF M HKA – Part 2: What must be heard, M HKA, Antwerp, September 11, 2021 – January 9, 2022
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Beware of paint water in your drinking cups.
This idea has been stuck in my head for a while, so I decided to make this little comic! Be nourished with this strip of family comedy and love🤌
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Engaged Visuality. The Italian and Belgian Poesia Visiva Phenomenon in the 60s and 70s, International Symposium, Organized by Maria Elena Minuto (Université de Liège; KU Leuven) and Jan De Vree (M HKA Museum, Antwerp), Academia Belgica, Roma, July 7, 2022 / Università degli Studi di Roma 'La Sapienza', July 8, 2022
Engaged Visuality. The Italian and Belgian Poesia Visiva Phenomenon in the 60s and 70s. An International Symposium organized fifty-one years after «Lotta Poetica» foundation.
Feat. Alain Arias-Misson, G. J. de Rook, Anna Oberto, Lamberto Pignotti.
Moderators: Florian Mussgnug (UCL London), Emanuela Patti (University of Edinburgh), Bartolomeo Pietromarchi (MAXXI, Roma), Franca Sinopoli (Università degli Studi di Roma 'La Sapienza'), Francesca Terrenato (Università degli Studi di Roma 'La Sapienza')
Scientific Partnerships: Università degli Studi “La Sapienza” di Roma – Department of History, Anthropology, Religions, Art History, Media, and Performing Arts; Beinecke Rare Book & Manuscript Library (Yale University); Université de Liège, Belgium – Department of Modern Languages and Department of Historical Sciences; KU Leuven, Belgium – Department of French, Italian and Spanish Literature; Royal Holloway University of London – Department of Languages, Literatures and Culture; Università degli Studi di Milano – Department of Cultural Heritage and Environment.
In collaboration with: Academia Belgica, Rome; M HKA Museum and Royal Academy of Fine Arts, Antwerp; the Society for Italian Studies (SIS); the Centre Interdisciplinaire de Poétique Appliquée (CIPA, ULiège); the Service d'histoire de l'art de l'époque contemporaine (SHAÉC, ULiège); the UR Traverses (ULiège); the Handling (UCLouvain); the Collection for Research on Artists’ Publications – CRAP, Ekeren.
Scientific Committee: Jan BAETENS (KU Leuven), Julie BAWIN (Université de Liège), Laurence BROGNIEZ (Université Libre de Bruxelles), Michel DELVILLE (Université de Liège), Jan DE VREE (M HKA Museum, Antwerp), Elio GRAZIOLI (Università degli Studi di Bergamo), Maria Elena MINUTO (Université de Liège; KU Leuven), Johan PAS (Royal Academy of Fine Arts, Antwerp), Giuliana PIERI (Royal Holloway University of London), Kevin REPP (Beinecke Library, Yale), Bart VAN DEN BOSSCHE.
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