#didi bruckmayr | Explore Tumblr Posts and Blogs

linksvorne · 2 years

Photo

6. FUCKHEAD. 2021-07-23 @ Arena (kl. Halle) (Popfest Wien; w/ Elektro Guzzi, Gebenedeit, Schirenc plays Pungent Stench, Bosna, Kinky Muppet, etc.)

#fuckhead #didi bruckmayr #popfest wien #popfest 2021 #arena vienna #linksvorne

1 note · View note

vertexplusfuxxtorx-blog · 6 years

Video

vimeo

4 notes · View notes

selfdestructiveart · 6 years

Photo

@dislocationcomplex

#Fuckhead #Dislocation #Complex #Dislocation Complex #Didi Bruckmayr #Michael Strohmann #Didi Kern #Bobby Rajesh Malhotra #Thomas Hochwallner #Digitale Kunst #Universität für angewandte Kunst #Wien #University for Applied Arts #Sterngasse 13 #1010 #Vienna #Austria

1 note · View note

fuckheadvertex · 7 years

Photo

5 notes · View notes

pinkpinksorbet · 7 years

Photo

#Parallel Musing #exhibition #Bitoresc #Didi Bruckmayr #Michael Strohmann #Heiligenkreuzerhof #iPad #iOS #Vienna #Wien #augmented reality #mixed reality #art

2 notes · View notes

ragdolltwins · 7 years

Link

#Fuckhead #Ragdoll Twins #Didi Bruckmayr #Vertex #Bobby Rajesh Malhotra #Tina Muliar #interactive #Installation #AR #Augmented Reality #Mixed Reality #WUK #Vienna #art #digital art #Digitale Kunst

2 notes · View notes

musikheutzutage · 7 years

Text

Ars Electronica Festival 2017 Linz

AI – The Other I

Ars Electronica Festival – an International Festival for Art, Technology and Society taking place from September 7 – 11, 2017 in Linz, Austria. For more than three decades, this world-renowned event has provided an annual setting for artistic and scientific encounters with social and cultural phenomena that are the upshot of technological change. In Ars Electronica’s inimitable fashion, elaborations in the form of symposia, exhibits, performances, and interventions will proliferate beyond the confines of conference halls and exhibition spaces, and take them out into the public sphere and throughout the cityscape.

The years topic AI – The Other I (Das andere Ich) deals with artificial intelligence as it has made it back to the top of the hit parade of hot topics. The Big Four of the Internet shift research from the military and elite universities into the private sector and establish it on a broad basis. Gerfried Stocker, the director of the festival addresses several interesting questions related to the topic:

How to deal with ethical principles for these super robots when we are unable to accomplish this among our fellow human beings?

Will we ever even be able to accept the fundamental otherness of such an artificial intelligence, considering how difficult this is for us in our interactions with other people with a different skin color or of another religion?

Perhaps we should resist obsession with the frisson of conceivable Terminator scenarios a century hence; maybe we should stay focused on how we want to configure technology’s upcoming quantum leap.

youtube

Looking with the eyes of future archaeologists our time can be called the CAMBRIAN EXPLOSION OF DIGITIZATION so let’s check out what it brings:

Day 1 at Ars Electronica Festival

Postcity

I arrive by train from Vienna at the main station in Linz and head right to the POSTCITY, the heart of the Ars Electronica Festival. The entrance of this space is always special to me, like a bit of a walk in space, I enter the property climb the ramp that used to deliver all the mail coming to Linz and enter the space ship.

The festival tries to combine a lot of different approaches and gives space to all kinds of visitor groups, from professional media arts collectors to first graders who want to engage in Minecraft. I like that.

I like the unpolishedness of the halls that open up space for the artist’s works and give freedom to try things out you usually cannot.

The first two works I see immediately struck my attention: Nyloïd by Cod.Act and Robot, Doing Nothing by Emanuel Gollob. The first one is a huge sound sculpture in the shape of a moveable tripod consisting of three six-meter-long nylon limbs moving through space.

https://www.ottersandweasels.com/wp-content/uploads/2017/09/IMG_5508.m4v

Nyloïd by Cod.Act (c: Christina Gruber)

The second deals with our constantly-being-busy attitude, pushing us into constant presence, which ultimately leads to nothing as studies show that doing nothing is way more productive. This meditative robot sculpture interacts with its viewer by mainly forming patterns. Doing nothing can be so beautiful.

Robot, Doing Nothing by Emanuel Gollob (c: Christina Gruber)

But there is a multitude of exhibits and installations to explore in the Postcity, so we can only give a short and ery personal insight:

Archive Dreaming by Refik Anadol (c: Christina Gruber)

Modular Rhythm Machine by Nicolas Kisic Aguirre (c: Christina Gruber)

Reading Plan by Lien-Cheng Wang (c: Christina Gruber)

Regenerative Reliquary by Amy Karle (c: Christina Gruber)

Sculpture of Time by Akinori Goto (c: Christina Gruber)

Gallery Spaces – Paketspeicher (c: Christina Gruber)

(c: Christina Gruber)

cellF by Guy Ben-Ary (c: Christina Gruber)

Feminist Climate Change

The exhibition Feminist Climate Change: beyond the binary is hosted by the UCLA Art / Sci Center & voidLab. The show addresses gender and environmental issues and shows innovative approaches to teach media art and media culture. As well the potential to shape the future is explored. The faculty driven research labs and centers enable students and faculty to work collaboratively across disciplinary and institutional boundaries. Besides artists also the work of female climate change scientists are featured.

Concerts

Other highlights of Day 1 were especially music wise was the Sempookin Quartette of Ai Wada with the fan (ventilator) band and the public festival opening in the Postcity.

https://www.ottersandweasels.com/wp-content/uploads/2017/09/IMG_5569.m4v

Turnton Docklands by Time’s Up

Besides the Postcity there are numerous other venues spread over the whole city of Linz. One of my favorite shows this year was in the basement of the Lentos of the artist duo Time’s Up. The installation is called Turnton Docklands and travels with you into a small coastal village in the year 2047. This physical narrative imagines the future and lets you be part of it, I really encourage everyone to go there the show is running until October 22, 2017.

Gluon Session

Aside from all the events also conferences, lectures, and workshops take place. At this year’s Opening Symposium the Gluon Session was held, the curator Hans Ulrich Obrist, art historian Paul Dujardin and Gerfried Stocker were discussing the future role of art and science and active collaborations. In this case that scientists deliberately choose to collaborate with artists to make junctions. These can be between objects, non-objects, people and placement.

Manthia Diawara per Skype during the Gluon Session (c: Christina Gruber)

My day at the Ars Electronica ended after a short intermezzo in the Mariendom at L’Enfant with a collaboration between Breaking The Wall and Chris and Didi Bruckmayr in the Train Hall. And OFF.

youtube

Ars Electronica Festival 2017 Linz was originally published on Otters and Weasels - a Music Blog

#ars electronica #art #Breaking The Wall #cellF #Didi Bruckmayr #ei wada #festical #hans ulrich obrist #Lentos #linz #media #Postcity #Time's Up #ottersandweasels

0 notes

bobbyrajeshmalhotra · 6 years

Photo

Ragdoll Twins - VerteXplusfuXXtorX (feat. Fuckhead & Chris Bruckmayr)

In a cryptographic cell that represents an Artificial Deep Neural Network Relay System (A.D.N.N.R.S.), externally controlled data-corpses and bots interact in conjunction with virtual entities, who are equipped with a multi-layered artificial intelligence (A.I.).

Together they attempt to keep 667 data-packages in circulation through Sisyphos-esque processes and turn the thusly created data-room gradually into a dynamically working Neural Turing Machine that indoctrinates and makes by the means of #fakenews and further #cyberwarfare-mechanisms the #wwwnarrative - subsequently the Dawkins-Memplex - predictable, an essential requirement for the A.D.N.N.R.S to fulfill a seamless World State Tracking, since those who control the Mem, control the world.

Visitors are invited to explore the augmented loops by using tablets and the freely available app to get to the bottom of the digital frontiers in a participatory way as well as to interact with the A.I. and to decrypt mysterious,codes. At times the transhuman Realtime-3D-360°-Hybrid-Cinematic-Lab degenerates jointly with Fuckhead ́s improvised soundtrack into a performative cyberpunk-Deep Dream.

Premiere at Enjoy Complexity, Theater Dortmund

Project Blog: http://vertexplusfuxxtorx.tumblr.com AR-Installation Credits: Concept & Idea: Ragdoll Twins (Bobby Rajesh Malhotra & Tina Muliar) Direction, Realisation (Vers. 0.9), Programming: Bobby Rajesh Malhotra Installation-Music & In-game SoundFX: raum.null (Chris Bruckmayr, Dobrivoje Milijanovic, Siegmar Aigner) Trigger-video-projection & augmented animated 2D-GIF-Sprites-appearances as trolls / troll-phases: Fuckhead (Didi Bruckmayr, Michael Strohmann, Didi Kern) Credits Enjoy Complexity: Direction Enjoy Complexity, Schauspiel Dortmund: Kay Voges Artistic Guidance & Supervision: Alexander Kerlin, Michael Eickhoff Production Assistance: Roman Hansi (Digital Natives Austria) Documentary Credits: All scenes are iPad (4th Generation) video-captures by Bobby Rajesh Malhotra, except Chez Icke's livestream - reallife - avatar art performance 'Go By Avatar' (website video capture). Thank you so much for the opportunity, invitation, realisation and experimentation: Chris Bruckmayr (Ars Electronica, raum.null) Schauspiel Dortmund / Enjoy Complexity: Kay Voges, Alexander Kerlin, Michael Eickhoff, Hannah Koester (Office Coordination), the outstanding Video-/Audio-/Lights-Staff Fuckhead: Didi Bruckmayr, Michael Strohmann, Didi Kern raum.null Roman Hansi (Digital Natives Austria) Chez Icke The installation used Unity3D, Vuforia, ICE Creature Control Asset, GIF Animation Player Asset;Materials used: Projectors, tablets, computers, speakers

vimeo

photo by Bobby Rajesh Malhotra

photo by Edi Szekely & Birgit Hupfeld

in-game screenshot

in-game screenshot, iPad (4th generation)

in-game screenshot

in-game screenshot, iPad (4th generation)

photo by Edi Szekely & Birgit Hupfeld

photo by Chris Bruckmayr

in-game screenshot, iPad (4th generation)

photo by Edi Szekely & Birgit Hupfeld

video-trigger, video capture screenshot

in-game screenshot, iPad (4th generation)

video-trigger, video capture screenshot

in-game screenshot, iPad (4th generation)

photo by Bobby Rajesh Malhotra

in-game editor gif capture

editor screenshot

concept render

editor screenshot

modo screenshot

editor screenshot

#Theater Dortmund #Enjoy Complexity #Ragdoll Twins #Bobby Rajesh Malhotra #Fuckhead #Chris Bruckmayr #raum.null #Tina Muliar #Schauspiel Dortmund #augmented reality

6 notes · View notes

automaticvr · 6 years

Video

vimeo

Ragdoll Twins - VerteXplusfuXXtorX (feat. Chris Bruckmayr & Fuckhead) VerteXplusfuXXtorX was shown at #EnjoyComplexity, a conference dedicated to digitality and theater, a production of Schauspiel Dortmund. The focus lies on digital mysteries and the term-conglomeration associated therewith - knowledge, truth, reality respectively imaginary, symbolic, real. In a cryptographic cell that represents an Artificial Deep Neural Network Relay System (A.D.N.N.R.S.), data-corpses and bots act as externally controlled intelligent virtual entities. Together they try to keep 667 data-packages in circulation and to indoctrinate the Dawkins-Memplex. #AugmentedReality-Installation Credits: Concept & Idea: Ragdoll Twins (Bobby Rajesh Malhotra & Tina Muliar) Direction, Realisation (Vers. 0.9), Programming: Bobby Rajesh Malhotra Installation-Music & In-game SoundFX: raum.null (Chris Bruckmayr, Dobrivoje Milijanovic, Siegmar Aigner) Trigger-video-projection & augmented animated 2D-GIF-Sprites-appearances as trolls: Fuckhead (Didi Bruckmayr a.k.a. Crash Urunga, Michael Strohmann, Didi Kern) Credits Enjoy Complexity: Direction Enjoy Complexity, Schauspiel Dortmund: Kay Voges Artistic Guidance & Supervision: Alexander Kerlin, Michael Eickhoff Production Assistance: Roman Hansi Documentary Credits: All scenes are iPad (4th Generation) video-captures by Bobby Rajesh Malhotra, except the video capture of Chez Icke's livestream - reallife - avatar performance 'Go By Avatar'. Thank you so much for the opportunity, invitation, realisation and experimentation: Chris Bruckmay (Ars Electronica, raum.null) Schauspiel Dortmund / Enjoy Complexity: Kay Voges, Alexander Kerlin, Michael Eickhoff, Hannah Koester (Office Coordination), the outstanding Video-/Audio-/Lights-Staff Fuckhead: Didi Bruckmayr, Michael Strohmann, Didi Kern raum.null Chez Icke Roman Hansi (Digital Natives Austria) Freely available iOS & Android-app to be released very soon, focus your mobile device camera at online trigger-videos or at printed trigger-postcards (which will be available in Vienna, Linz, Dortmund) to bring a miniature version of the lifesized #AR-scenario to life. Links: http://ift.tt/2Fbh8QP http://ift.tt/2FdJINw http://ift.tt/2Fb7v4E

#Vimeo

0 notes

automaticar · 6 years

Video

vimeo

Ragdoll Twins - VerteXplusfuXXtorX (feat. Chris Bruckmayr & Fuckhead) VerteXplusfuXXtorX was shown at #EnjoyComplexity, a conference dedicated to digitality and theater, a production of Schauspiel Dortmund. The focus lies on digital mysteries and the term-conglomeration associated therewith - knowledge, truth, reality respectively imaginary, symbolic, real. In a cryptographic cell that represents an Artificial Deep Neural Network Relay System (A.D.N.N.R.S.), data-corpses and bots act as externally controlled intelligent virtual entities. Together they try to keep 667 data-packages in circulation and to indoctrinate the Dawkins-Memplex. #AugmentedReality-Installation Credits: Concept & Idea: Ragdoll Twins (Bobby Rajesh Malhotra & Tina Muliar) Direction, Realisation (Vers. 0.9), Programming: Bobby Rajesh Malhotra Installation-Music & In-game SoundFX: raum.null (Chris Bruckmayr, Dobrivoje Milijanovic, Siegmar Aigner) Trigger-video-projection & augmented animated 2D-GIF-Sprites-appearances as trolls: Fuckhead (Didi Bruckmayr a.k.a. Crash Urunga, Michael Strohmann, Didi Kern) Credits Enjoy Complexity: Direction Enjoy Complexity, Schauspiel Dortmund: Kay Voges Artistic Guidance & Supervision: Alexander Kerlin, Michael Eickhoff Production Assistance: Roman Hansi Documentary Credits: All scenes are iPad (4th Generation) video-captures by Bobby Rajesh Malhotra, except the video capture of Chez Icke's livestream - reallife - avatar performance 'Go By Avatar'. Thank you so much for the opportunity, invitation, realisation and experimentation: Chris Bruckmay (Ars Electronica, raum.null) Schauspiel Dortmund / Enjoy Complexity: Kay Voges, Alexander Kerlin, Michael Eickhoff, Hannah Koester (Office Coordination), the outstanding Video-/Audio-/Lights-Staff Fuckhead: Didi Bruckmayr, Michael Strohmann, Didi Kern raum.null Chez Icke Roman Hansi (Digital Natives Austria) Freely available iOS & Android-app to be released very soon, focus your mobile device camera at online trigger-videos or at printed trigger-postcards (which will be available in Vienna, Linz, Dortmund) to bring a miniature version of the lifesized #AR-scenario to life. Links: http://ift.tt/2Fbh8QP http://ift.tt/2FdJINw http://ift.tt/2Fb7v4E

#Vimeo

0 notes

selfdestructiveart · 6 years

Link

#Fuckhead #Dislocation #album #review #the gap #Vienna #Grelle Forelle #concert #release #Didi Bruckmayr #Michael Strohmann #Didi Kern #Alex Joechtl #Noise Appeal Records #Dominik Uhl #Bobby Rajesh Malhotra #audiobomber #Kritik #2017

0 notes

fuckheadvertex · 7 years

Photo

2 notes · View notes

ragdolltwins · 7 years

Photo

plusfucktorX by Ragdoll Twins Augmented Reality Installation & App (Android / iOS) at Fuckhead presents VERTEX, 23. - 25.03.17, WUK...

plusfucktorX is released for Android at Google Play Store (GERMAN) In der Augmented Reality-Installation plusfucktorX nimmt das digitale Mysterium Gestalt an. Rätselhafte Codes triggern ein parallel existierendes Szenario, in dem surreale Figuren miteinander und mit den Besuchern agieren. Das #wwwnarrative, #cyberwarfare und #fakenews stehen im Zentrum dieser interaktiven Mixed Reality - Installation, die Fragen in den Raum stellen möchte um zu streng gehüteten Geheimnissen vorzudringen. (ENGLISH) Within plusfucktorX the digital mystery takes shape. Enigmatic codes trigger a parallel existing scenario, in which surreal figures interact with each other and the visitors. The #wwwnarrative, #cyberwarfare and #fakenews are in the center of this interactive mixed reality - installation, which desires to ask questions in the room and wants to advance to closely guarded secrets. tablets, mixed-reality-head-mounted-systems, phones, game engine, projections, projectors, adhesive films PROJECIONS / TECHNICAL ASSISTANCE BY “POMME” A.K.A. diascope & HAND MIT AUGE Download the app and point your mobile device camera at Vertex posters and flyers, some say plusfucktorX triggers VERTEX_ERROR_(CODE_1). DOWNLOAD TRIGGERS App Music Credits: Voices: Tina Muliar & Didi Bruckmayr Sound Design: Bobby Rajesh Malhotra Vertex Homepage: http://fuckheadvertex.tumblr.com

#Ragdoll Twins #plusfucktorX #app #augmented reality #installation #Fuckhead #VERTEX #mixed reality #secrets #fakenews #cyberwarfare #wwwnarrative #Wissen #Wahrheit #Wirklichkeit #digital arts #Digitale Kunst #WUK #Vienna

5 notes · View notes

bobbyrajeshmalhotra · 6 years

Photo

An audioreactive scenario is summoned, the main topic of the album was translated to alienesque avatars (agents 666, 667 & 444) who seem to be busy with otherworldly issues somewhere in virtual no-man’s-land.

Download the free app Dislocation Complex at Google Play (Android) - or Apple App (iOS) - Store, focus your mobile device camera on the LP/CD /Digital Download/Poster or T-Shirt-Cover-Artwork of Dislocation (or download the trigger images here) to bring the scene to life.

The instrumental audio track Bad Luck is taken from the Dislocation CD/Digital Download-Release, afterwards the mobile device camera microphone stays active and receives audioreactive signals (latency depends on your mobile device).

CREDITS:

Bad Luck written by Fuckhead (Didi Bruckmayr, Michael Strohmann, Didi Kern, Alex Joechtl), taken from Dislocation CD/Digital Download - Release, Noise Appeal Records - 2017. Mixed and mastered at Audiobomber’s Castle Mastering.

LP/CD/Digital Download/Poster-Cover Artwork & A.R. App programming by Bobby Rajesh Malhotra

LP/CD-Cover Design by Dominik Uhl

Audioreactive Code-parts based upon Keijiro Takahashi’s Open Source Repository, Open Source License.

A.R.-App programmed with Unity3D & Vuforia - Non Commercial Licenses.

App-Store Releases

iOS: released through Tina Muliar Developer/Seller Account Android: released through Ragdoll Twins Developer/Seller Account

COLLECTED PROJECT INFORMATION: http://dislocationcomplex.tumblr.com

#Dislocation Complex #Fuckhead #cover art #augmented reality #a.r.#app

1 note · View note

pnyhof · 9 years

Photo

Fuckhead, Graz, Elevate | (c) visnjic 2014

#fuckhead #didi bruckmayr #elevate #sigi aigner #live

1 note · View note