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#don't mind me just projecting onto eric
sungbeam · 1 year
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𝐎𝐅𝐅 𝐓𝐇𝐄 𝐑𝐄𝐂𝐎𝐑𝐃 — teaser!
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nonidol!ji changmin x fem!reader
everyone thinks changmin is cute and harmless, but you know that's not who he really is.
▷ genre, teaser warnings. e2l, childhood friends gone bad, slow burn, fluff, angst, no specific warnings for the teaser itself
▷ projected release date. friday, april 14th (i'm,,, going to try really hard 🤡 it'll be this month for sure tho) I LIED ITS COMING OUT THIS THURS, APRIL 6TH (PDT) !! lol i forgot to update this but it's here !!
▷ estimated wc. 30-32k
▷ taglist. open!
this is the third installment of the love in unity series! it can be read as a standalone, but i do encourage u checking out cobie's storyline and eric's storyline :]
TEASER BELOW THE CUT (APPROX. 600 WORDS)
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Changmin liked to think that he became nosy, and that he wasn't born this way. But ever since he overheard that Kun guy asking about Ten wanting to walk you home, he couldn't help but wonder…
He shook his head, brushing his hair out of his eyes and off his forehead, before those same bangs flopped back into their place. He walked back onto the main stage of the performing arts hall to the soundtrack of a hype playlist blasting from the ears of his headphones. As he made his way past groups and individuals doing their own thing, he absentmindedly searched for one person in particular.
Conveniently, he found Ten setting himself up right by Changmin's things. He was shouldering off his black puffer jacket, rolling the material up into a manageable ball to shove into his duffle bag.
"Hey," Changmin greeted, bending down slightly to grab his water bottle.
Ten straightened and flashed him a smile. "Hey."
It wouldn't be awkward would it? Probably not. Just be cool about it, Changmin. He smiled slightly, the dimples in his cheeks disarming his acquaintance. "I didn't know you and Yn were close."
Your name felt so… foreign, yet familiar, on his tongue. It was like tasting déjà vu, like eating a treat from childhood that had been associated with good feelings, but he couldn't decide if it was still as good as he remembered or a trick of his mind.
The mention of your name brought a jolt of energy to Ten's body and Changmin saw the man lean into the conversation. Curious… "Oh? Well, I mean—" he gave a shrug, "—she's really cool. She just seems like a good person to get to know, y'know? Why do you ask?"
Changmin couldn't tell how much he trusted the slight narrowing of Ten's feline eyes. There was no way you hadn't mentioned him to Ten at some point or another. To be honest, he didn't like the feeling of you still lingering in his head if he didn't linger in yours. It meant a myriad of things that he loathed to admit.
He let the feeling slide away, let his mouth tilt upward like his eyes to the spotlights in the ceiling. "Just be…" He shook his head. "Nothing. It's nothing." He flicked his wrist, as he spun his water bottle cap on tight. "You can forget about it."
Ten sent him a look that Changmin pointedly ignored.
Somewhere within the depths of the performing arts center, Changmin could hear the howling laughter of his friend Hyunjae as he most likely bugged his best friend out of her mind, both to her chagrin and her delight. That was another can of worms entirely.
Ten piped up as he settled onto the backstage floor while Changmin mentally went through some of the problem sets he had to review today. "If you don't mind me asking, why are you and Yn on such… uneven ground with each other?"
There it was. Changmin snorted. "Uneven ground? I don't even know if we're on the same ground."
"You're both really friendly people," Ten added, "so it just doesn't make sense to me."
Changmin pursed his lips. He never felt the need to divulge this stuff to anyone but his friends, but he didn't know what Ten already knew. He didn't know what you told him, but based on the fact that Ten wasn't looking at him the same way you did… Changmin scratched the back of his head and leaned his side against the wall to face him. "Something happened a long time ago. I guess we just both hold a grudge well."
Ten huffed a laugh in response. "Remind me never to get on your bad side then," he joked.
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tbz m.list
permanent taglist: @tayunji @im-a-big-mess @honeyhuii @crazywittysassy @seomisaho @stopeatread @enhacolor @rnjfy @jaehunnyy @kpopjackie @spiderrenjunfics @soobin-chois @ethereal-engene @mingiholic @ja4hyvn @vatterie @yogurteume @justalildumpling @hyunjaespresent-deobi @hongyangi @pxppxrminty @nerdypastacalzonespy @jcmdoll
off the record taglist: @oi-miya @loveliestfelix @sickvision @jaerisdiction @stealanity @magnificentjudementmoneyhands @inthesunnn @igotkpoopsss @letsnotdoanything @starryjww @sodafy @rreneeeeee @dajanxekiwi @sseastar-main @jenowithjaem @moonyswolf @sleepymoon27 @floatingpluto @fictionlover100
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sparklegemstone · 7 months
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Loki Series S2E1 Ouroboros
My thoughts (only a week and a half late 😋) --
That was...HONESTLY GREAT??!! I'm so surprised how good it was given that my expectations were set pretty low.
When I looked at creative leadership for S2, I wasn't expecting much of a departure from S1 because Eric Martin and Michael Waldron carried over as the writers from S1 to S2, but I guess what I missed was that, correct me if I'm wrong, it sounds like Waldron is really just billed in name only and didn't contribute much because he got pulled onto other Disney projects, and since Martin was 2nd to Waldron in season 1, perhaps Martin with more control is able to bring a different perspective than he did for S1? Also, directors have changed, we have the Moon Knight directors now, and perhaps most of the positive changes I'm seeing I can thank them for, since I loved Moon Knight (until it got comic-book-silly in the later episodes with the purple alien-looking world ™ that's become a Marvel crutch that seems to be surpassing even the "sky portal/beam" now as an overdone device). Actually, it makes sense that a change of directors would make a bigger difference than a change in show runner / writer since again, correct me if I'm wrong, but I believe Marvel Studios has been running their TV show productions more like films where the director's creative voice is king, whereas in typical TV show production it's the showrunner/writer's creative voice that is king and directors step in to carry out that vision on a per episode basis.
Any-hoo...
This episode worked so well for me because the setup and stakes were serious and all this episode needed to do was keep the tone serious and execute on the setup from the previous season finale, and it did! Excellent execution, yay! Serious tone, yay! I think the episode probably benefitted in my eyes from the fact that it didn't need to accomplish any character stuff (TBD whether this season can improve on that aspect) and so could not fall short in that regard, it was very much a 'doer' episode of having a concrete threat / conflict to solve and the characters just went about trying to tackle what was in front of them.
Loki's face when he genuinely thought he was going to die? They did not have to go THAT HARD with the drama and emotion and I love that they chose to go hard and set Hiddleston's acting chops free. So much emotion on his face.
Speaking of how I thought the more serious tone was handled really well, I think Mobius's recurring fixation on the "no skin" thing is a really good example of that. Obviously the fact that Mobius kept bringing it up multiple times was done for comedic purposes, and it could have been played more hokey and jokey, but the directors did a fantastic job of incorporating that while also at the same time keeping the tone serious and keeping the tension up.
Season 1 did not make me believe that Loki and Mobius would be such close compatriots as this episode portrays, the previous attempt at character work did not do it for me, but I guess I'll just try to do a mental reset, take it as a given that they very close for some reason, and see where this season goes from here.
I liked Ouroboros. He was entertaining and a good change of pace for another support TVA character since I don't really enjoy Casey. And the whole sequence of Loki talking to Ouroboros in the past while Mobius was talking to him in the present was very well-written and a clever idea. I really enjoyed that.
Almost no Sylvie was also a plus for me that I know is not going to last, but might as well enjoy it in the meantime. I even thought the actress did just fine in the mid-credits scene and wouldn't have minded her if only Sylvie was just her own person and not a Loki variant, but I'm so done with seeing her in a reproduction of Loki's armor.
For me the only weaknesses of the episode were:
Sound mixing -- I had a hard time making out some of the dialog
I wasn't really following all the sudden exposition about why both Loki and Mobius were going to die and this thing they had to do with this piece of tech to not die...I think the setup for that could have been clearer.
So I'm feeling more hopeful that I could like this season better and my interest is definitely up. I think the test will be how the new directors handle more character-focused scenes when it's not running-around-under-a-time-crunch to see if this season will improve on that.
@delyth88
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planetdream · 2 years
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tbz mtl to be into footjobs 🥰
feel like i havent talked about tbz in forever omg!!! and i get to project foot fetishes onto people ?? big W bae,, gonna kiss u
most
jaehyun
— look in dead in the eyes and tell me he doesn't have a foot fetish...he literally looks like he has one like i don't even need to explain this one fr—just give him a footjob..
sangyeon
— look...a lazy footjob after he's had a long, stressful day? yeah, he's in heaven... not super into it like i think hyunjae would be but..he would enjoy it :)
jacob, hak, juyeon, younghoon, eric
— they...weren't convinced at first...but..they love you, so they let you try it. ended up enjoying it a lot more than they originally thought they would. catch a couple of them asking for footjobs in 'very subtle' ways in the coming days...
sunwoo, changmin
— similar to the aforementioned, they weren't convinced at first..but they did end up liking it. the thing is, is that neither of them is gonna tell you they liked it (but ofc how quickly they cum gives it away).
kevin, chanhee
— do not want ur feet touching them. they will throw hands. (yea ik kev is a pisces, no i don't think he has a foot fetish. yes im willing to change my mind about that)
least
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finiteuniverse13 · 3 years
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Eric Blackburn is Soft (and a mild insomniac)
Taglist:  @chibsytelford @mrsmarvelous1995 @disasterfandoms @jasonbabymama @velvetcardiganbucky @jayhalsteadfan-2417 @pinkrockstar19 @softi92 @thelovelyleo23 @itsonautopilot @supervalcsi @abby-splace @theysayitscrazy @mrsmarvelous1995 @bravo-four-seal-team
Blackburn, by most measures, is arguably the 'dad' of Bravo (when he's not available, Ray is a good placeholder). However, there are times that he's equally as irresponsible as the idiots who work for him.
One such time is now. He's swaying where he's stood, trying to figure out where an appropriate infil and exfil would be for a really, really well fortified and isolated hideout for Ellis' Tango Of The Week. He'd sent Ellis and Davis to sleep about half an hour ago after they'd let slip that they'd been awake for 27 hours trying to find a plan.
Despite being awake for around 34 hours himself, he was still stood in ops, downing his – how many was it at this point? High teens, probably, maybe twenties – coffee, the latest of many. The maps blurred under the gaze of his dry eyes, and he loses a few seconds, blinking and when his eyes open again he's sat in an uncomfortable chair a few strides away. The door slams open and Blackburn's hand retreats from where it was reaching out for the map. He, albeit slowly, looks up at the figure now looming over him. The man stares down at him in disapproval, an eyebrow quirked and arms crossed.
"Eric." It's not said with the intention that he's going to be allowed to continue working. Eric's faced down many, many people in his days. Gone toe-to-toe with Hayes more times than he can count, out-glared both Sonny and Ray, and on more than one occasion, got Carter to back down. But at that moment, he hasn't got the willpower to stand up to the man, let alone argue. He nods quietly and lets the man put a hand on his arm, pulling him up and begin escorting him to Bravo's bunks. The sun is just beginning to be seen over the horizon and the rays hurt his eyes more. He closes his eyes against the bright assault and lets the man lead him towards the bunks.
As the door to Bravo's room opens, six pairs of eyes turn to him. The man gently pushes Eric, fully clothed, into one of the bottom bunks. As nimble fingers begin taking off his boots, a voice, not the same one as earlier, sounds out against the relative silence now echoing around the room.
"Sleep."
Eric's boots slip off his feet and he settles in, already half asleep by the time that someone pulls the comforter over him.
When he wakes up, sun high in the sky, he's admittedly quite confused. A few questions flew through his head. Why was he in one of Bravo's bunk, not his own? Why had they let him sleep for so long? How much coffee had he drunk? And, probably the most pressing of them all, why was there a weight on his back? He shuffled and that question was answered as Cerberus jumped off his back onto the floor. He raised his eyebrows at the dog and Cerb's tail started wagging in answer. A quick glance to the floor next to the bunk he was in told him that his boots were within easy reach. A water bottle sits next to them, a post-it note stuck haphazardly to the side of it with Trent's handwriting saying "DRINK". Once a medic, always a medic.
He sat up in bed, reaching first for the bottle, figuring even if he didn't particularly want to drink, it was always better to not incite Trent's – and in turn Carter's – wrath. He pulls his boots on next, and as he begins to lace them up, Cerb grabs the empty bottle in his mouth and wanders out of the bunk room, presumably on his way to Brock or Trent to signal that Eric was awake. Cerb opening the door lets in a cool breeze that raises goosebumps along Eric's arms. He'd left his jacket in ops, and it was around a five-minute walk back; which was an awful long way in a t-shirt. He notices a navy sleeve in his peripherals, and look up over a few bunks to see a hoodie haphazardly thrown onto the bed.
The thing with Bravo, Eric had learnt, is that property – especially shirts, jackets and caps – wasn't a personal possession, but instead a group possession. It wasn't unusual to see Trent or Ray in a shirt from one of Brock's K9 training seminars, one of the ones where they only give shirts to those who attend; or Clay in a shirt so utterly Texas that if Clay had actually bought it for himself, Eric would pay for a ranch in Texas for him out of his own pocket. Jason was also a fan of Ray's shirts and vice versa. He was also fairly certain that Trent and Carter didn't actually have a distinction between which shirt initially belonged to who, since their clothing largely consisted of monochrome shirts in various states of distress and disarray and the pair frequently forgot which machine had their clothes during laundry day. The point is, Eric's fairly certain nobody would complain or even raise alarm bells if he took the hoodie that belonged to... someone on the op.
He wanders over to the bunk in question, much more stable on his feet than he was earlier that morning, and pulls on the hoodie. The soft-from-use fabric settles around him like a cocoon. The ends on the sleeves fall to his knuckles and the hood creates something akin to a tube around his head, blocking almost all of his peripherals. As he pulls up the sleeves around his wrists, the door is nudged further open. Cerb wanders in again, immediately walking over to where Eric is stood. He accepts a few seconds of scratching behind the ear before he stands behind Eric and nudges the back of Eric's legs, pushing him towards the door.
"Alright, alright, I'm going, I'm going!" And begins walking of his own volition, with Cerb falling into step next to him. Together they cross the base to where Bravo's base of operations is set up. He walks into a heated discussion.
Sonny, standing on a (thankfully not rolling) chair, pointing down at the 3D model, with Clay sat on the chair next to him, feet propped up on the chair that Sonny's stood on. Clay's just grinning up at Sonny, looking, for all intents and purposes, like he's in the middle of encouraging the debate. Carter is stood behind Clay with a mirror of Clay's grin, but he looks slightly more malicious, but Eric puts that down to that just being how Carter smiles. On the other side of the table, indicating to a different part of the model, Ray and Brock. Ray is stood while Brock sits on the table, absent-mindedly bouncing a well-loved (read: very bitten) tennis ball on the floor. Jason is speaking to Ellis and Davis, both of whom look much more rested than they did when he sent them to rack out earlier that day. Trent, leaning against a filing cabinet, is the only one who looks over when Eric walks in, having only been paying partial attention to the argument most of the team is having. He silently offers Eric another bottle of water, which Eric takes without a word.
Trent waits until Eric's drained about a third of the bottle before speaking to him, tone caught between concern and scolding. "We found about 23 empty coffee cups here, and we both know Davis and Mandy have energy drinks while planning for ops. How long were you awake for?"
Eric pauses, eyebrows furrowing. "What time did I go to sleep?" He figures that Trent was, at the very least, present when he was asleep.
"0540."
"Then it's about 34 hours? Give or take a bit."
Cerberus, still stood at his feet, gives out a whine which draws Brock's attention mid-sentence, which attracts the attention of the other 4 around the model. Sonny hops off the chair; barely giving Clay enough time to lift his feet out of the chair before sitting down in it, but he does pull Clay's legs, still in the air as he stares mock-offended, onto his lap.
Trent ignores his brothers and levels a glare at Eric. Eric shrugs and buries a hand into the front pocket of the (really, really, should be illegal how soft it was) soft hoodie, finishing the water and throwing it in the bin. Another is being pressed into the hand that's still out before he's able to fully turn back to Trent to ask for another. He thanks Trent and makes his way over to where his Master Chief appears to be trying to convince Davis to let him try her energy drink. Trent asks a question to the five around the table which reignites the discussion with equal, if not more, vigour.
And at that moment, as he watches Lisa play the energy drink version of cat-and-mouse with Jace, with four of his operators teaming up against the other two in the background; there's nowhere he'd rather be. Stood there in someone's hoodie, with his jacket on the back of Clay's chair (he has no intention of putting it on until the op itself, and he's decided it now belongs to him because it's so comfortable), he's so happy to have them as a family. So grateful that they've allowed him to be part of the family they've made.
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kallypsowrites · 3 years
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Poor Ben he's doing these interviews for his music and everytime they ask him about shadow and bone he's like.... Eric is really eager to get to the six of Crows storyline (which we know means offing Aleksander, Eric literally said it in one of those video fan meets, like he's planning on it) and then he's like as long as they let me say my favorite lines before they off me i'm good, I know it happened in the books but adaptations always change so many things and like to keep things under wraps, it's hilarious in a messed up way how blatant they're being about this as if there is no other option, also Ben took the role after they had to really convince him, maybe I expected a little more respect for him??? And maybe an expansion of his role or something? Idek how they're going to do darklina Malina and Nikolina in 8 episodes with like 5 major new characters and the crows, I would like to at least hope for a good storyline for Aleksander where they don't make him out to be the crazy psycho villain and continue to show that his motives and some of his methods have merit but I won't hold my breath, I'll honestly take him becoming human and living in peace far away somewhere even though I know he would despise that so much, being grisha has brought him so much suffering but he still wants to protect his people, but I don't think that'll ever happen, leigh seems to hate him ( she said demon in the woods wasn't to show his humanity but his backstory... She meant she needed those checks but w/o) and Eric as universally known is only in it for the crows, I wish there was someone who loved Aleksander and Alina as characters because as the supposed main character, Alina in S1 was very underdeveloped.
I think people project their worries and thoughts onto Ben a little too much. I've watched the interviews. The guy is fine. He's not holding back unfathomable regret or anything. He's excited to be promoting his music and he doesn't mind talking about his other gigs either. People trying to analyze his cadence or his expressions are playing a losing game.
I'm just not a doomsdayer. Six of Crows is going to split into a second show from the Grishaverse, but I think the Grisha trilogy will still get three seasons. Yes, Aleksander will die, but that's what happened in the books. We all knew that. I agree that Alina needs more development though. Jessie Mei li is doing her best.
At the end of the day, speculating too much about how actors feel or how directors feel isn't going to get you far. I'll restate my opinion about what's gonna happen: The series will mostly follow the books but with some added moments of Darkling humanity because that's what Ben does. We'll get some nice Darklina scenes and angst but no endgame. And that's fine with me! I have fanfic for everything else!
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thegayhimbo · 3 years
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I saw your reblog about Alcide, if you don't mind answering what are your personal thoughts on him?
Hi there. Sorry for the wait on this. I actually thought this was going to be a simple answer, but I realize there's a lot I wanted to say about the character in relation to how the fandom perceives him as opposed to how he actually comes off onscreen.
When I first saw the show, my feelings about Alcide ranged from okay at best to indifferent at worst. I didn't hate him, but I didn't care for him. He wasn't my favorite character on the show, and I found most of his story (and the werewolf plots) to be boring. I was actually surprised when I came online and found out he had a following with certain fans.
Upon rewatch, I'm still mostly indifferent to Alcide, but I lean a little more towards mildly disliking him now. And a lot of that has to do with how the fandom (especially people on Reddit) treat him vs how he actually comes across in the books and on the show.
I’ll start off by saying that I never liked Alcide in the books. He was an asshole, and most of the time he used Sookie to advance his position in the werewolf pack. What little relationship he had with Sookie felt one-sided on his part. It also doesn’t help that he unfairly blamed Sookie for stuff that was out of her control (like the death of Debbie in the books or the death of his father.) His attraction to Debbie in the books is also something that doesn’t reflect well on him. Contrary to the show’s portrayal, Debbie in the books was written as a one-dimensional psychopath with a jealous streak and no redeeming qualities. She’s basically a cartoon villain with no depth to her. The result is it’s hard to understand why Alcide got into a relationship with her in the first place, and it makes it look like he was just thinking with his dick. In other words, Book Alcide was nothing to brag about.
As for the show, like I said, I’m mostly apathetic to Alcide’s character (with a few exceptions that I will talk about in a minute) and I thought he was pointless. I know he was suppose to be a vehicle to introduce Sookie to the world of werewolves, but the way that was executed didn’t work. Common consensus in the fandom seems to be that the werewolf plots in both the books and the show were tedious and forgettable. It’s ironic because I know there are Alcide fans out there, but whenever I’ve asked them about what they thought of the werewolf stories, their responses range from “I don’t remember them” to “They were bad.” A lot of fans didn’t care for them. They could have been cut from the show without affecting the main story. That’s a problem because Alcide was usually involved in those stories, and the result is it was hard to care about him because of how non-compelling they were.
As for the character himself, I wasn’t impressed with him for a number of reasons.
First, there’s his relationship with women. I didn’t pick up on this the first time, but a rewatch has shown me how sexist Alcide came off during certain moments on the show. Case in point: His relationship with Debbie. One of the big conflicts between Alcide and Debbie on the show is that they both wanted different things. Alcide didn’t want kids and was fine not being in a werewolf pack. Debbie was the opposite where she did want kids and wanted to be a part of a community. Nothing wrong with that, but it was pretty clear from the get-go that this relationship was never going to work out. The problem though is that Alcide never seemed to recognize that, and kept trying to force Debbie to be something she didn’t want to be: A housewife who didn’t have kids, who was isolated except for her and Alcide, and who spoke softly and cooked meals for him. Basically the opposite of what Debbie was. And yes, I get that Debbie had a lot of problems and made really poor choices, but Alcide’s method of imposing his idea of what she should be was not the way to have handled that. It doesn’t help that he didn’t really seem to care about what she wanted because he thought he knew what was best for her. Like I said, that’s pretty sexist on his part.
And then there’s Sookie and how she factored into Alcide’s relationship with Debbie in seasons 3-4. I find it telling that when it comes to how this situation was handled, fans are eager to blame Sookie and Debbie for the whole mess that resulted in Alcide abjuring Debbie and Debbie getting killed by Sookie, but people rarely call out Alcide for his part in all of this. Personally though, I think Alcide bears some of the blame here for what happened.
Something that’s been pointed out is that during seasons 3-4, Alcide has only known Sookie for a brief period of time. Season 3 for instance takes place over the course of 9-10 days whereas season 4 takes place over 10 days (October 21st-October 31st). That’s about 2-3 weeks at best. And yet, despite only knowing Sookie for about a week in season 3, and despite having been in love with Debbie for a number of years, he’s already pining for Sookie:
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Now maybe you could argue that he saw Sookie as a replacement in season 3 because his relationship with Debbie deteriorated and he was heartbroken. However, that excuse doesn’t hold up in season 4 when he’s supposed to have repaired his relationship with Debbie during the year Sookie was gone in faerie-land, and yet he’s still lusting for Sookie despite only knowing her for a short period of time.
It’s so telling to me that only a few days after Debbie’s death in season 5, Alcide tries to have sex with Sookie when they’re both drunk, and he tells Sookie “I’ve waited so long for this.” It really puts his relationship with Debbie in a negative light, and calls into question whether he actually loved her at all.
I’m not saying that Debbie was blameless in this, and it doesn’t excuse her cheating on Alcide with Marcus or trying to kill Sookie, but it’s not like she didn’t notice Alcide was eyeing Sookie for some time. This was a woman who had hitched her sobriety onto Alcide and felt isolated and alone, and the man she was depending on was emotionally cheating on her. And rather than owning up to that, Alcide tries to gaslight Debbie into thinking she’s crazy and it’s all in her head. He literally says that to her when they’re in bed together, and it’s nasty.
What’s frustrating is this usually gets overlooked in the fandom when people talk about Alcide’s character, and he’s usually referred to in a sympathetic light whereas Debbie is blamed for being an unstable, violent whack-job whereas Sookie is blamed for being a house-wrecker, even though she was in a relationship with Eric at the time.
This is also one of the reasons I never liked Sookie/Alcide as a pairing, and why them getting together at the end of season 6 felt forced: Putting aside how their only sexual interaction up to that point was Alcide trying to have sex with Sookie one night when they were drunk and Sookie vomiting all over him, it was basically Sookie getting pigeon-hold into the role of domestic housewife for Alcide. And I’m sorry, but I find it unbelievable that they were together for 6 months and Sookie never once picked up on any unkind or dirty thoughts from Alcide during the time they were together until the season 7 premiere when that suddenly was a problem.
But even putting aside his relationships with Sookie and Debbie, the biggest problem I have with Alcide is he’s not a compelling character. He’s a character whose motivations and personality change when the plot demands it, and most of the time the writers didn’t know what to do with him and just stuck him in different stories with no rhyme or reason. It doesn’t help that he has no character development during his time on the show. There is no difference between the Alcide we meet in season 3 and the one we end up with in season 7. The result is I don’t care about him.
It’s funny because I’ve seen plenty of fans project these kind of criticisms onto Jason, but I actually think they apply more to Alcide than they do to Jason.
Jason actually had character development. He learned to become more responsible and be someone others could depend on. He began to move away from his womanizing behavior in the later seasons and eventually settled down and had a family. He re-evaluated his stance on supernaturals, and actually became an ally for them in several ways. There is a big difference between the person he was in season 1 and the man he became by season 7. If people missed that, or chose to ignore it, that’s on them, but it doesn’t mean it didn’t happen.
Alcide on the other hand..............what was his character development? How did he grow as a person? What did he learn from his relationships with Debbie or Sookie or Rikki? Or even from the whole werewolf pack nonsense? Cause I’m drawing a blank here. Was it suppose to be that pack life wasn’t for Alcide because it would turn him into a power-hungry asshole? I never got the impression that was a problem for him in the early seasons, and it was a contrived conflict that was manufactured for season 6. The show never did a good job fleshing out what his arc was suppose to be.
Also, say what you will about Jason’s stories, but at least they were memorable: Amy and Jason’s relationship. The Fellowship of the Sun. The werepanthers. Becoming a cop with Andy. His relationship with Jessica. His hunt for Warlow. I would also argue that each of these stories added something to Jason’s character, and helped him grow as a person. Alcide’s arc on the other hand.......................not so much. When I was rewatching, I had to take notes just to remember what was going on with the werewolves, and even when I was rewatching, I felt the overwhelming urge to hit the fast-forward button. That is how boring those scenes were. It says something that even Alcide wasn’t able to carry them.
TL;DR: I’m apathetic to Alcide (with a few moments where I find him unlikable), and I don’t think he was a good character. The werewolf plots were tedious at best and irritating at worst, and Alcide’s arc on the show wasn’t compelling or interesting. I don’t hate him the same way I hate characters like Bill, Hoyt, and Violet, but I don’t like him either.
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fiddler-unroofed · 6 years
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27 - what is your take on their dynamic in canon?
Really close to my headcanon one, that's for sure! Cartman loves making Kyle's life hell; Kyle feels obligated to stop whatever bullshit agenda he's got going while secretly getting a little kick from it.
It's also interesting to point out that?? Kyle empathizes more with Cartman than Stan??? When Stan becomes semi depressed after being dumped, Kyle ditches him. When Stan becomes actually depressed after 'growing up', Kyle ditches him for Cartman. Like...
Stan: *goes through period of depression*
Kyle: LMAO... I DONT NEED THAT KIND OF TOXICITY IN MY LIFE....... BYE
Kyle: *goes to hang around Cartman, local Nazi, part time schemer and fulltime asshole*
???? Something ain't adding up here, buddy.
Meanwhile when Cartman is bummed out about something, Kyle gets it. He just... fucking gets it. And while I ship Style (a lot), I dunno if they'd ever be able to overcome these empathetic differences they've got and grow as a couple.
Anyway. Back to Kyman.
Generally I feel like they've got a pretty toxic symbiotic relationship going for them. Cartman needs Kyle so he can torment someone while also staying in line, Kyle needs Cartman so he can exercise his twisted martyr complex on someone.
29 - do you think that canonically, cartman really IS in love w/ kyle, as speculated?
Uhh... define love.
I don't think he wants to cuddle with Kyle on the couch, eating chocolates and smooching under the sunset, but I do think he has some kinda fucked up longing for him. Like a sort of 'he's mine' mentality that he subconsciously (or consciously) projects both onto him and the people around him so they know to fuck off. That projection is also probably why Kyle's the only kid to have never had a real girlfriend agdjhsjs
Idk how to explain it for sure but... yeah.
I definitely think there's something there, but I don't think I'd call it love.
30 - does kyle really care for cartman, or is he just doing “the right thing”, any time he helps/rescues him?
OH BOY.... CONTROVERSY IN AN ALREADY CONTROVERSIAL SIDE OF THE FANDOM....... HNNNGH.....
Okay, so... I'll try to split this out as evenly as I can.
On one hand you've got Kyle The Martyr. Kyle The Brave. Kyle The Only One Willing To Tempt Fate And Stand Up Against Eric Cartman.
And look, Kyle is a good kid, and he is trying to do the right thing-- but I don't think it's just for the sake of doing the right thing. He wants to be held on a pedestal or some shit because of it. He feels guilty over things because he knows he's supposed to, and then he tries to make amends until a better option comes along.
Like in that one episode about TPing someone's house that I don't really remember that well whoops-- Kyle was all "oh no We Must Confess!" up until he found out someone else had taken the blame. And then at the end, instead of just having his conscience cleared by confessing like he claims he wanted all along, he actually rants at Cartman for stealing his spotlight.
Like wow. Real nice morality checks you've got there, kiddo.
You sure confessing was the only thing on your mind??
Anyway what I'm tryna get at with all this is that we could just as easily apply all this to Cartman and say that Kyle hangs around/helps/stops him just so he can get a little kick to his morality's ego. Make him out to be the Good Guy, someone to be congratulated.
Or... we could take the other route, and say he actually cares about Cartman and that's why he hangs around/helps/stops him. Which I can believe, to an extent.
But honestly in the end I think it's somewhere in the middle. Because Kyle needs some way to let himself be hailed as a martyr, and when that way is another person, well-- you kind of end up growing at least somewhat fond of them, no?
31 - how do you think, in canon, kyle and cartman REALLY feel about each other?
Ack, at this point I just feel like I'm repeating myself but: Toxic symbiotic relationship.
"I torment you because it's fun and you give the best reactions while also letting you keep me in line" vs "I keep you in line and stand your tormenting because that makes me a good guy and I really wanna be the good guy."
They're such fucked up little shits, and I hate them so much sgdjsghs
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I have seen so many great Destiel playlists, but I feel like country music as a genre is sorely untapped.
Like...Eric Church's "A Man Who Was Gonna Die Young," for example. Guys. Dean reflecting in amazement that he's lived this long and that Cas loves him.
I always thought I'd be a heap of metal and a cloud of smoke, foot stuck to the pedal, sold for parts like a junkyard rusted-out Chevy ... What the hell made you wanna love a man who was gonna die young? ... In the mirror I saw my surprise... who knew gray hairs like to hide on a head that didn't think he'd live past thirty. If I make it thirty more, it's the brown that you'll be looking for as you run your fingers through, say 'slow down honey' ... Call it intuition, or call it crazy just thought by now I'd be pushing up daisies. But I'd gladly stick around if we're together. So baby when you bow your head tonight, could you tell the Lord I've changed my mind and with you I'd like to live forever.
Or what about Lee Brice's "Hard to Love?" Riding the line a bit between Dean's self-worth issues and an honest assessment of his iwn faults, plus more amazement that Castiel loves him. (In fairness the awe I'm projecting onto Dean could be my own sheer giddy disbelief that he actually told Dean he loved him in canon.)
I am insensitive, I have a tendency to pay more attention to the things that I need. Sometimes I drink to much, sometimes I test your trust, sometimes I don't know why you stay with me I'm hard to love, hard to love, oh I don't make it easy. I couldn't do it if I stood where you stood. I'm hard to love, hard to love, but you say that you need me. I don't deserve it but I love that you love me good I am a short fuse, I am a wrecking ball, crashing into your heart like I do. You're like a Sunday morning, full of grace and full of Jesus, and I wish that I could be more like you Like yes yes meh the bridge says "girl," bit the entire rest of the song is so Destiel it hurts.
And then there's "Wild Angels" by Martina McBride, like...basically "Dean and Cas thank Gabriel and Balthazar for shipping it...in song!"
Between the perfect world and the bottom line,
keeping love alive in these troubled times... it's a miracle in itself. And we know too well what that's about, still we made it through, only God knows how. We must've had a little help. (Must've been) Wild Angels, wild angels, watching over you and me. Wild Angels, wild angels. Baby, what else could it be? Well it must've been hard, it must've been tough keeping up with crazy fools like us, 'cause it's so easy to fall apart And we still break each other's heart sometimes, spent some nights on the jagged side. Somehow we wake up in each other's arms. ... There are some nights, I watch you while you dream. I swear I hear the sound of beating wings.
And that's seriously just scratching the surface. Country music is the genre of angsty pining love ballads, for goodness' sake. THERE ARE DEFINITELY MORE. And I am going to find them all and fill this void, dammit.
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douchebagbrainwaves · 5 years
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THE ACCELERATION OF THE NERDS
That's what they miss. If you want, so long as you seem like you have a healthy society with great variation in wealth? So it is with hacking: the more ideas you'll have. Someone riding a motorcycle isn't working any harder. Why couldn't they get more funding? The people who want to decrease economic inequality. So if you had no users, it would still be just as much of a distraction.
There's an intriguing middle ground where you build a semi-automatic weapon—where there's a human in the loop.1 Getting rich means you can stop treading water. You can tell how hard it must be readily available. Cluttered sites don't do well in demos, especially when they're projected onto a screen. If you work for a big company, but against a backdrop of constant disasters.2 In the long term. In 1976, everyone looked down on by everyone, including themselves.
They were certainly not tame animals.3 The problem with spam is that in the next fifty years will have to do to make people pause.4 One reason, obviously, is that there is some obstacle right in front of the other, like a river, one runs up against a wall. Don't force things; just work on stuff you don't—you may just conceal your talent. You'd think that would be an important patent. When I moved to New York, I was afraid of it too. Kids are the ones who were smart enough to start a startup, there's always some disaster happening. Don't Get Your Hopes Up.5 Succeeding as a musician takes determination as well as making programs shorter. Anything you can do a lot better for a lot less stuff. Someone who's figured that out will automatically focus more on the user.
You don't have to spend years working to learn this stuff. There may be more accurate to describe a market as a degenerate case where what someone wants you to do is talk in this artificial way, and your first priority should be to increase students' self-esteem. You need to work with than one that's broad but hypothetical. Not so much from specific things he's written as by reconstructing the mind that produced them: brutally candid; aggressively garbage-collecting outdated ideas; and yet driven by pragmatism rather than ideology. But these scale differently, just as a few decades ago they started to be able to get features done faster than our competitors, and also with deep structural changes like caching and persistent objects. The first essay of his that I read was so electrifying that I remember exactly where I was at the time a pair of college dropouts with about three years of school between them, and probably offend them. Probably by sneaking in through the back door. I was a kid, I used to want to add but our main competitor, whose ass we regularly kick, has a hundred and forty, so can we have credit for the larger of the two numbers? This is an extremely illiquid asset. Users just want your software to do what they want to start a gasoline powered generator inside our offices. I only heard the first few sentences, but that it breaks the time on either side in half.
But they said no, so Facebook moved to Silicon Valley. They also know that big projects will by their sheer bulk impress the audience.6 The presentations on Rehearsal Day are often pretty rough. So whether or not a language has to be making money. I'm not ready to predict our success rate will stay as high as 50%. So who should start a startup doing something technically difficult, just write enterprise software. For one thing, it was interesting how important color was to the customers.7 During this time you'll do little but work, because people can be influenced by the people around you care about the kind of people you find in Cambridge are not there by accident. There are a handful of deals a year and they don't spend a lot of startup founders.8 Perhaps we can box it up and put it away some of the people I worked with were some of my best friends.
That first batch could have been an anomaly.9 And pow, more stuff. Which means if you have a chance, however small, of being one of the problems with the current email system is that it's hard to switch from that to a product company. They do more in their heads: they try to get customers to pay them for something, in the same email hell we do now. Probably because the product was a dog, or never seemed likely to be a search for truth. You want to be on it or close to those who are. They're looking for raw talent.10 By 38 you can't take so many risks—especially if you have a meeting in an hour, you don't know your users, it's dangerous to work in a garage—but even then their greatness was assured, and all feel guilty about it. How to Become a Hacker, Eric Raymond describes Lisp as something like Latin or Greek—a language you should learn as an intellectual exercise, to keep thinking of improvements.
Brevity is one place where strongly typed languages lose. This seems obvious too, so why not have a place designed to be lived in as your office? Founders get less diluted, and it is the worry that made the work good. So no, there's nothing particularly grand about making money. But we should be religiously opposed to introducing syntax into Lisp, format specifiers might be able to make arbitrary transformations on the source code of all the future work we'd do, which turned out to be sure signs of bad algorithms. Future startups should learn from that mistake. Traditional economists seem strangely averse to studying individual humans. And not only will they give you very precise numbers about variation in wealth? This strategy will work best with the best investors are much smarter than the rest, and the difference is embodied in the traditional way: they don't need to tell them what to do when the teacher tells your elementary school class to add all the numbers from 1 to 100?
Notes
They want to create a Demo Day and they have less money, then over the Internet into situations where a lot about how the stakes were used.
Record labels, for example, the group of Europeans who said he'd met with a lawsuit just as on a wall is art. For the price, they tended to make the police in the angel is being compensated for risks he took another year off and went to get at it he'll work very hard to make money. MITE Corp.
Since capital is no personnel department, and we don't have the. When you get a poem published in The New Industrial State to trying to sell services than a huge loophole.
They therefore think what they give with one hand and the exercise of stock options, because what they're building takes so long. But it can have a different type of product for it. But iTunes shows that people will give you term sheets. I know it's a bad imitation of a large chunk of time, default to some founders who take big acquisition offers most successful startups, so much better that it sounds like something cooked up by the high-minded Edwardian child-heroes of Edith Nesbit's The Wouldbegoods.
A startup building a new version of Word 13.
Http requests are indistinguishable from those of popular Web browsers, including both you and listen only to buy your kids' way into top colleges by sending them to lose less on investments that failed, and domino effects among investors. Comments at the fabulous Oren's Hummus. Add water as specified on rice package.
I have a connection to one of the world. Investors are one step upstream from economic power, in response to the point of a place where few succeed is hardly free. However, it tends to be, and a back-office manager written mostly in Perl, and the VCs I encountered when we make kids do boring work, done mostly by technological progress to areas where you went to school. But it is less secure.
What was missing, initially, to sell something bad can be surprisingly indecisive about acquisitions, and 20 in Paris. There is no richer if it's convertible debt with a truly feudal economy, at least on me; how could it have meaning? One YC founder told me: Another approach would be too conspicuous.
Mayle, Peter, Why Are We Getting a Divorce? Maybe it would do fairly well as good as Apple's just by hiring sufficiently qualified designers.
Internally most companies are up there. Surely it's better if everything just works. Till then they had that we didn't do.
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