#exploitee

[vs1ffqnb78mvyw]

Little Asians - Two Sexy Immature Brats Elle Voneva And Vina Sky Learn How To Share Big Cock Hot czech kitten spreads her yummy slit to the strange Cleo Bardot sexy teen in need of cock in her on camera Young Asian girl loses innocence to older Japan man Massage Rooms Big tits brunette Chloe Lamour handles BBC romantic handjob and hard oil soaked fuck Chubby trap pleasing herself with sextoy EXTREME CLOSEUP POV 11" BBC & PAWG FUCK - POINT OF VIEW - feat. @elKonguito Dutch Young teen Jynx Maze give blowjob to stepdad HD VIXEN Tori Black Shares Her Boyfriend With Jill Kassidy To Show Her True Passion Desi teen works schlong in her bush the hard way

#evaporatively #unstuffy #commented #hurtful #unstaled #talar #tackproof #unobliterated #questorship #flaxen-wigged #solubilizing #exploitee #unfuturistic #radiated #polyandrianism #plasmotomy #accelerometer's #Gymnostomina #challoth #nondisjunct

[gender-euphowrya]

makes No sense how there's this push for people to work more and more and more, longer careers, multiple careers, starting at earlier ages, longer hours when automation is on the rise

it should be the fucking opposite ! the entire point of creating machines that can do human work is so people no longer have to bust their ass ! more robots should mean more leisure for everyone, fuck

#why is 'you have to work harder than the machine or the boss will replace you' a fucking thing #like this is our one opportunity to lessen the burden of labor on the population but instead we're like #using it as a threat to get people to work even more ? get paid less ? #give me universal income and have a bot do what can be done by bots so i don't have to fucking do SHIT #this should be a disability issue ykwim ? the fact that bots can provide the labor that some disabled people can't should be a blessing #because then it removes the pressure we face to try to find jobs despite our disabilities #wtf kind of job am i gonna have probably ? *mazon exploitee ? a bot could do that. leave me alone

[scintillyyy]

okay i am going to say something potentially controversial about sb94 now that i'm partway through and say that i think a lot of the big problems with it are exacerbated by the fact that karl kesel and ron marz had two different narratives they wanted to explore/tell regarding kon.

kesel very much wanted to explore the exploitation of the child star--and everyone around kon is exploiting him. rex is exploiting him for money and tana is exploiting him for her job. and i agree, kesel didn't go near hard enough in condemning the tana & kon relationship, but there are definitely nuggets there that the people around them knew it was shady and that the writers knew tana was wrong for pursuing it (you get her coworkers gossiping about her at the water cooler, her boss removing her from superboy stories because of conflict of interest, she's got a nasty look on her face while beefing with 16 year old girls, there's a decent amount of references to kon being underage the weekend before they get together she spends the whole weekend nagging and complaining about him before finally deciding to aggressively go for it when he's at his absolute lowest....i'm just saying that none of that comes across as particularly aspirational to most 16 year old boys lmao.). there's an expectation that as a working star, kon is expected to be an adult and have adult maturity despite being a child still. and nobody is protecting him because they probably don't see him as a human, let alone a child by the nature of his fame. who would be there to intervene and help anyway? everyone is exploiting him, they have something to gain from keeping him under their thumb, they're not there to protect him. some names you should consider while reading this part of the run are drew barrymore and brooke shields. in more recent memory, jennette mccurdy is another excellent one to consider. so when you ask why nobody is interventing and condemning characters like tana and knockout, it's the same reason nobody batted an eye at drew's mother giving her cocaine at 9. or brooke shields being in pretty baby. even today people get outraged at some 30 year old actor dating a 17 year old, but nobody ever actually intervenes in those situations to protect the child in question and the 30 year old is almost never punished socially or professionally for their skeezy behavior.

and immediately after the knockout storyline, you pivot over to ron marz. and marz very much preferred to explore the peter pan, never going to grow up, what is the humanity of a clone angle versus the child star angle. marz is the one who froze kon at 16 because he wanted to explore the peter pan angle of the boy who is not human and can't grow up and talk about the ramifications of cloning and humanness, makes the love triangle with tana and roxy really stupid and forefront to the narrative without ever touching on the exploitation angle of any of it, gets rid of rex and his exploitation of kon, and increases kon's immaturity as just a perverted teenage boy who is now the aggressor in the relationship vs the exploitee, and so you get almost this incongruence and inability to resolve the exploitation in any satisfactory way because the story has changed. kesel wanted to tell the story of a child star who was forced to grow up and mature too fast and marz the story of a boy who can't grow up at all. idk. and those narratives don't have to be diametrically opposed and, in fact, could work together interestingly for kon, but the way they're written really only serve to exacerbate the overall flaws and problems of the other.

add that to the fact that the themes they were going for weren't necessarily written well and were very, very 90s in their nature and you end up kind of being able to see how exactly that book ended up so problematic in so many ways.

#now i am only partially through my read i reserve the right to change my mind #but this is just my 2 cents so far

[frogpantsthebloodgod]

anarchist communism, here we go

in an anarchist society, from my perspective, everyone would be free to dictate their own lives. In capitalism, we are not free because we must work to get food to eat to live. In communism, you would not have to worry about needing to work, as you would merely just go to the store and get what you needed. If you want to make the argument of greed, fine. Human greed would still not destroy it. We would find our food and take it all back, probably leaving whoever took the food in the first place heavily damaged. In a democracy, there is a government that has too much power, where the people decide what laws are passed, no matter how restrictive they are of anothers rights. In addition, the leader we elect says words we like or dont like on the tv screen. They never fufill whatever they say, they just say it so they get into power. There are so many flaws in the system, and we can change them for the better. And what i said about demo, thats not even what democracy should be, thats what the US has. Bullshit around every corner in the upper class. From fascism hiding behind the veil of conservatism and cowards hiding behind liberalism so they can keep their power without upsetting anyone. From a government supported gang of criminals to murder in the name of religion to brainwashing children from age 5. In my eyes, revolution could fix all of it, with the death of the upper class and abolishment of hierarchy. The freedom to grow your own food or the freedom to get your own food for free or the freedom to never have to work will be in the grasp of the common people instead of the rich exploitees.

#anarchism #anarchist #anticapitalism #anarchocommunism #anti capitalist #communism #revolution

[dwagom]

algorithmic social media has done so much potentially irreversible damage to the human psyche and our societies. “boomers regressing into infanthood“ is a nice teardown at them but the situation is genuinely tragic. those things are designed to alter people’s ways of thinking, facebook and twitter are gigantic skinner boxes and machines for reflexive control. they know how to addict you and how to make you cooperate. they’ve already managed to position themselves as places where you either go or people will refuse to talk to you, maybe even chew you out for not using them. if facebook/twitter want to push a point they just pull an affinity scam and recommend someone that they determined you will trust and who’s ready to push that ideological strain. i’ve seen people change overnight after facebook reconnected them with somebody they’d not met in 20 years. those two networks in particular have managed to completely wipe out our sense of privacy and have replaced it with a trained need to be endlessly engaged and providing information to their number-crunching psychometric factories. social media companies have been engaged in an unstopping cognitive war against their users. the instruments of that aggression are repeatedly and perpetually overhauled and perfected.

we’re living in an era of psychological conditioning on a truly industrial scale, those social media companies have tacit protection and support from governments, a deluge of money from everyone who pays for ads, and massive popular support from their own exploitees. there seems to be no way out of this but a massive financial meltdown and a protracted crisis following it that will put this skinner box capitalism out of commission, or else our collective future is a long night on a burned earth

[thus-library]

D9. アルバム『thus’s music 21-40: 牙剥かる性善無垢』

（英題）Album: ”thus's music 21-40: Purity Exposed to Others”

2023/07/19 → 2023/08/07

©℗ Bizarre Description Label

絵: ふゆ(2023) © 2023 ふゆ. Art by ふゆ

narasu配信（2023/08/07 -） https://link-map.jp/links/BHvuXyS9

―Explicit指定されたアルバムです―

―

Ice-cat Y Ice-cat Y

プレデターとベジタリア Predator and Vegetaria **Explicit指定**

フレネミー Frienemy

揺り籠の墓場 A Grave of Cradle

ボーイフレンド(仮) (Temporary) Boyfriend

ブロックレポート The Blocked

新世界 The Unexplored

アナログ情報塔 Analog Radio Tower

パーソナライズド・フローリア FLORIA the Bug

パープルフェイス－ Purpled Face -

パープルフェイス＋ Purpled Face +

エーテル Aether

グラスハーツ クロニクル A Chronicle of the Loveless

clothes Clothes

スターダストゲイザー The Stardust-Gazer

Bundle Bundle

leftovers Leftovers

フレコンエネミーの不定愁訴 An Eternal Triangle

PseudoAphrodisiac An Exploitee **Explicit指定**

Underdogger Underdogger

パープルフェイス× Purpled Faces x

パープルフェイス× (instrumental) Purpled Faces x (instrumental)

#discography #album

[the-malfunctioning-somnambulist]

A student of mine was trying to remember the words "employee/employer" and accidentally pronounced it very close to "exploitee/exploiter". Had to fight the urge not to correct her lmao

#work

[ao3feed-renga]

Ravenous

Ravenous

by purpleflame337

Reki comes into contact with a beautiful but elusive vampire named Langa who seems to pique his undying curiosity. In exchange for his survival, Reki agrees to be Langa's exploitee, permitting him to feed on his blood as he pleases. Soon, Reki finds himself propelled into the perilous world of fantastical creatures and supernatural monsters whose only purpose is eradicating humans.

Can Reki be the key to unlocking Langa's unbeating heart? Will Langa be able to protect him? Or does he have other plans in mind...

Words: 1367, Chapters: 1/?, Language: English

Fandoms: SK8 the Infinity (Anime)

Rating: Mature

Warnings: Creator Chose Not To Use Archive Warnings

Categories: M/M

Characters: Kyan Reki, Hasegawa Langa, Chinen Miya, Sakurayashiki Kaoru | Cherry Blossom, Nanjo Kojiro | Joe

Relationships: Hasegawa Langa/Kyan Reki

Additional Tags: Alternate Universe - Vampire, Dark Fantasy, Kyan Reki is a Ray of Sunshine, Vampire Hasegawa Langa, Protective Hasegawa Langa, Gay Panic, Supernatural Elements, Royalty, Forbidden Love, Soulmates, Bonding, Fluff and Angst, Humor, Slow Burn, Hurt/Comfort, Eventual Smut, Denial of Feelings, Love Confessions, Gay Sex, Top Hasegawa Langa/Bottom Kyan Reki, Dom/sub Undertones, Minor Violence, Blood Kink, Masochism, will add more tags later

From https://ift.tt/UDqV2Ri https://archiveofourown.org/works/47460106

#renga #langa #hasegawa langa #reki #kyan reki #sk8theinfinity #sk8 #ao3feed #ao3 #archiveofo

[peachdoxie]

See, it's really easy to say "you should go after the people in power instead of the people they exploit alongside you" but the problem is that a lot of people don't have the skills to identify who is in power over them and so they instead attack their fellow exploitees.

#anecdotes by peachdoxie

[caitlinoconnormedia]

This music video analysis focuses on ‘Material Girl’ by Madonna. The genre is Dance/Pop and the style is both performance and narrative based. It was released in 1985, by the Sire label, and was the second single from her second album ‘Like A Virgin’. The dominant themes in this video are fame, wealth and love which reflect the social backdrop of 1980s capitalist society. To start the audience hears a diegetic sound of an old video recorder, thus setting the scene of an old music video for a modern viewer. The video starts with a narrative which unapologetically and shamelessly reflects Andrew Goodwin’s Theory of creating a Star Image. Here there is no subtle suggestion as the audience is told how good Madonna is by two ‘eminent’ players in the music business. The mise-en-scene uses the cigar as a prop to strengthen the notion of their power and wealth in this field, ensuring the audience does not question the message given. The narrative strongly implies that the interest from the man with the cigar is not purely a professional interest, thus the same section of narrative can be argued to also reflect Laura Mulvey’s male gaze theory as these two men become part of the audience. This is achieved by using a green screen, but it gives an unpolished look when compared to modern editing techniques. This video offers a striking mise-en-scene, as bright pink and red fill the backdrop. The first shot of Madonna shows her in a strapless pink dress with long sleeves wearing a diamond necklace and bracelet. The red background clashes with the pink dress and gives the audience a colour palette synonymous with passion, love, sexuality and wealth, as we see Madonna using her sexuality in order to gain material wealth. The props are simple and in keeping with the lyrics, namely diamond jewellery, dollars, a fan, wrapped presents and a fur wrap. The set is a direct lift from ‘Diamonds are a girl’s best friend’ and features two ornate lamps. The audience has to watch carefully to spot a random change of location at 2.08 secs which lasts seconds and is not repeated. The second location bears no relation to the main performance or the ongoing narrative and shows Madonna without all the finery in a more streetwise look. The range of shoots for the main performance are panning, high angle and mid angle. As the lyrics start there is a fade transition back into the start of the performance temporarily ending the narrative. At this point Madonna makes eye contact with the camera connecting with the audience. They are designed to keep Madonna in centre shot allowing the audience to see the choreography of the male dancers. Focus is strengthened with a permanent spotlight following her every move. There is a lack of extreme close ups and close ups. Other techniques used include a slow zoom out and a flip scene transition at 2.14, which seems dated and unnatural to the eye. Towards the end of the main performance there is a blurred faze effect to give a dreamlike effect. The song lyrics strongly relate to the video and although it is clear that Madonna is objectified in the video the lyrics present Madonna in a position of power, being the exploiter rather than the exploitee. We see more connotations of romance and love with the artist being surrounded by men in black suits and holding red heart props but whether their intentions are honourable is unclear. A second aspect of Laura Mulvey’s theory is that women are either portrayed as an innocent virginal character or a sexy whore. Madonna’s work clearly embodies this theory and uses it to her own advantage as she is a master at playing both character types, keeping her work fresh by radically changing the mise-en-scene. She is known for being able to constantly reinvent her look to ensure her appeal to male and female audience. This music video has clear intertextual reference to Marilyn Monroe’s performance of the song, ‘Diamonds are a girl’s best friend’ from the 1953 film ‘Gentlemen Prefer Blondes’. To create this mimicry Madonna had the iconic Monroe beauty spot painted on her top lip as well as her blonde hair styled in the same way. All of the mise-en-scene has been created in the mindset of the original production from costume, set and choreography. As the video progresses the narrative takes a stark change of direction, now contradicting the song lyrics and performance. The audience is shown that money does not buy love and is presented with a softer warmer side of Madonna’s character. Research has shown that visual, rather than auditory, prompts are more effective in helping with our understanding and cementing patterns of behaviour, so offers some explanation as to why the narrative changes. In essence in order to sell the single we want a happy ending and a character who is likeable.

[queencoldart]

Friendly reminder that whenever you are asked to fill out a customer satisfaction survey, don’t just do it, but give the highest possible rating as well unless the person helping you was a complete vaginal shower facility to you. Customer service reps often rely on commissions from these surveys to supplement their low wages and anything less than a perfect rating is not good enough for their corporate overlords. So, please, take a few minutes and help your fellow exploitee out. That is all. Have a blessed day full of good fortune and memes.

[cybersecuridede]

Bug grave zero-day sur des UPS

Eh bien

Une faille zero-day permet a des attaquants de hacker des nouveau UPS de marque APC pour en prendre un controle total. La faille ne demande aucune interaction ou erreur de noob de la part de l’utilisateur pour etre exploitee non plus.

Avec les controle total, l’UPS peut etre utilise dans des botnet, evidement. Mais le controle total permet aussi de survolte l’UPS afin de faire du dommage aux malheureux objet qui ont le malheur d’y etre connecte.

DONC un attaquant qui a deployer un ransomware peut tant qu’a faire crammer l’UPS, des fois que le serveur de backup soit connecte dessus. T’sais... tant qu’a etre la...

source: https://thehackernews.com/2022/03/critical-bugs-could-let-attackers.html

[thus-library]

39. PseudoAphrodisiac

（英題）An Exploitee

2020/03/15 → 2020/03/16

作曲: thus(2019) 編曲: thus(2020) 作詞: thus(2019-2020) 簡体中訳(1番のみ): LBN(2020)（thus監修） 絵: thus(2020) 動画: thus(2020) （フォント: アームドバナナ） © 2020 thus. Composed by thus

※下記リンクは virgin-length edit ※

ニコニコ動画 https://nico.ms/sm36603081

YouTube https://youtu.be/bK_MorzPkwo

哔哩哔哩 https://www.bilibili.com/video/BV1yi4y1b71f

―歌詞に性的な描写があります。閲覧の際はご注意ください。―

―

第三回目(だいさんかいめ)初体験(はつたいけん)は　寒(さむ)さの為(ため)に 毛布(もうふ)を被(かぶ)り 体温(たいおん)8度(ど)5分(ぶ)の平熱(へいねつ)で　熱(あつ)さも慣(な)れた その衝動(しょうどう)が 闇(やみ)手探(てさぐ)りて 人肌触(ひとはだざわ)り　判別(はんべつ)不可(ふか)な恐怖(きょうふ)の核(かく)で それでも何(なん)か心臓音(しんぞうおん)が　高(たか)まる鼓動(こどう)刻(きざ)み出(だ)していた

数秒後(すうびょうご)には おかしいな　聖(せい)なる夜(よる)に迎(むか)える筈(はず)が 「抱(だ)きしめて」「抱(だ)いてみて」　桃色(ももいろ)の想(おも)い堰(せ)き止(と)められない

「感(かん)じてよ キスごと舐(な)めて」　恍惚(こうこつ)として 心(こころ)を奪(うば)われ 内部(ないぶ)から疼(うず)いて　そして ぐっちゃグチャに 半規管(はんきかん)が乱(みだ)れ乱(みだ)れ 愛(あい)してよ傷共(きずごと)なんて　衣(ぬの)が擦(す)れてる音(おと)が響(ひび)き合(あ)って 題(だい)して 何(なん)と名(な)を付(つ)ける　詳(つまび)らかで意図(いと)した口(くち)が勿(なか)れ

「愛(あい)してくれてるんです、ずっと」　聖餐(せいさん)な身(み)全(すべ)て引(ひ)き剥(は)がし 「愛(あい)してくれてるんです、ずっと」　本当(ほんとう)の私(わたし)見(み)て頂戴(ちょうだい)、ねぇ 「愛(あい)してくれてるんです、ずっと」　気怠(けだる)い欣喜(きんき)の声色(こわいろ)がしたら 何(なん)しても良(い)いんでしょう　だって頭(あたま)が蕩(とろ)けて幸(しあわ)せなんだから

愛別離苦(あいべつりく)も経験済(けいけんず)みで　無限(むげん)無性(むしょう)に人肌(ひとはだ)が恋(こい)しくて 淋(さび)しくなって思(おも)い起(お)こされる　熱帯夜(ねったいや)下(くだ)の猥(わい)感覚(かんかく)が 最低(さいてい)だよね こんな本願(ほんがん)を　心(しん)の底(そこ)から欲(ほ)しがるなんて それでも何(なん)か心臓音(しんぞうおん)が　高(たか)まる鼓動(こどう)思(おも)い出(だ)していく

『濡(ぬ)れているのは如何(どう)してでしょう』　開(はだ)けた無防備(むぼうび)を指(ゆび)で擦(なぞ)れば 「もう止(や)めて」「もう止(や)めて」　桃色(ももいろ)の秘蜜(ひみつ)溢(あふ)れ出(で)て来(き)ちゃう

愛(あい)してよ傷共(きずごと)舐(な)めて　艶(つや)やかな光沢(こうたく)を帯(お)びて 内部(ないぶ)から疼(うず)いて　そして ぐっちゃグチャに 涙腺(るいせん)が熱(ねつ)を帯(お)びて 「返(かえ)してよ キスごと」なんて　重(かさ)なる唇(くちびる)手(て)と手(て)艶(なま)めかしく 概(がい)して 何(なん)と名(な)を付(つ)ける　詳(つまび)らかに 意図(いと)して興(おこ)り奮(ふる)い

「愛(あい)してくれてるんです、ずっと」　静観(せいかん)の目(め)其処(そこ)に何(なに)映(うつ)す 「愛(あい)してくれてるんです、ずっと」　本当(ほんとう)のところ 芯(しん)まで欲(ほ)しいと 「愛(あい)してくれてるんです」　何(なん)て可愛(かわい)い可愛(かわい)い顔(かお)を見(み)せてと 何(なん)で、苦(くる)しいんだろう　だって愛(あい)されてるのに満(み)たされないんだから

どうして 愛(あい)してよ誰(だれ)か私(わたし)　淋(さび)しいんだよ胸(むね)が 　（抱(だ)いてよ キスをして　際(きわ)を優(やさ)しく両手(りょうて)で撫(な)で余(あま)し） 嗚呼(ああ)、誰(だれ)か私(わたし)に　そっと囁(ささや)いて下(くだ)さい 　（愛撫(あいぶ)を続(つづ)ける　そしてただ ぐっちゃグチャと鳴(な)る音(おと)だけが響(ひび)く） 愛(あい)してよ誰(だれ)か私(わたし)　悶(もだ)え切(き)れないよ胸(むね)が 　（内部(ないぶ)から疼(うず)いて　次(つ)いで 互(たが)いの手(て)と手(て)で 絡(から)めて這(は)わせて） 嗚呼(ああ)、誰(だれ)か私(わたし)を　ぐちゃグチャにして下(くだ)さい 　（愛撫(あいぶ)を続(つづ)ける　そしてただ ぐっちゃグチャと鳴(な)る音(おと)だけが響(ひび)く） 私(わたし)を

（抱(だ)いてよ キスをして 際(きわ)を優(やさ)しく両手(りょうて)で撫(な)で余(あま)し） （愛撫(あいぶ)を続(つづ)ける　そしてただ ぐっちゃグチャと鳴(な)る音(おと)だけが響(ひび)く） 「大好(だいす)き、愛(あい)してる」と言(い)って 「だいすき、あいしてる」といって 「ダイスキ、アイシテル」トイッテ こんなものだなんて

「愛(あい)してよ度毎(たびごと)」　けれど 静観(せいかん)の目(め)其処(そこ)に何(なに)移(うつ)す 内部(ないぶ)から疼(うず)いて　けれど ぐっちゃグチャです 頭(あたま)の中(なか)が身(み)から 概(がい)して何(なん)と名(な)を付(つ)けど　互(たが)いの気持(きも)ちは排(はい)されて無(な)いされた 嗚呼(ああ)、ねぇ、どうしてでしょう　何(なん)で愛(あい)されてるのに爱(あい)されないのは

「愛(あい)してくれてますか、ちゃんと」　凄惨(せいさん)の美(び)　此処(ここ)で揺(ゆ)らぎ出(だ)す 「愛(あい)しているのですか、ちゃんと」　本当(ほんとう)のことを言(い)って頂戴(ちょうだい)、ねぇ 「愛(あい)してくれてますか、ちゃんと」　互(たが)いにもっともっと求(もと)めるだけで 「愛(あい)していないのですか」　そして 高(たか)まる鼓動(こどう)も苦(くる)しくなっては

「愛(あい)してくれませんか」　応(こた)えは「愛(あい)されたいから爱(あい)されないんだよ」と

嗚呼(ああ)、嫌(いや)なんだ私(わたし)　その好意(こうい)が嫌(いや)なんだ、だから 嗚呼(ああ)、好(す)きなんだ私(わたし)　この行為(こうい)が好(す)きなんだ、とても 嗚呼(ああ)、嬉(うれ)しいんだ私(わたし)　その厚意(こうい)が嬉(うれ)しいんだ、だから 嗚呼(ああ)、怖(こわ)いんだ私(わたし)　この後遺(こうい)が怖(こわ)いんだ、とても …………

#lyrics

[oldadvertising]

AIR FRANCE - De nuit et de jour dans tous les ciels - Air France đêm và ngày trên khắp các bầu trời by manhhai

View BIG SIZE: www.flickr.com/photos/13476480@N07/24735501774/sizes/o/

mapdesign.icaci.org/2014/06/mapcarte-160365-air-france-by...

MapCarte 160/365: Air France by night and day in all the skies by Lucien Boucher, 1938 Posted on June 9, 2014 by @kennethfield

Pictorial maps are often used in marketing and advertising. They have little function other than to encourage people to pause a while and explore…and possibly to then make some association with the product or service offered. Pictorial maps are perfectly suited to this need because they combine maps and map-like imagery with other illustrations designed to capture attention and captivate.

Lucien Boucher produced a number of pieces for Air France in the early 20th century which were advertisments for the global coverage and glamour of air travel at the time. This version, from 1938, combines a subtle outline map with key places with a celestial planisphere that shows the various signs of the zodiac. The suggestion is of fantasy and the experience you’ll have flying. It’s designed clearly to capture the imagination and provide a strong brand message.

Actual linear flight routes are superimposed across the map to place Air France clearly amongst the imagery and to situate it both graphically and in the minds of the reader. This is a very stylised approach to advertising that combines maps with other rimagery to create a memorable, high-impact product.

More of Boucher’s maps for Air France can be seen at the David Rumsey Map Collection:

www.davidrumsey.com/luna/servlet/view/search?q=author=%22...

Collection name: David Rumsey Historical Map Collection www.davidrumsey.com/luna/servlet/detail/RUMSEY~8~1~266409...

Author: Boucher, Lucien (1889-1971) Date: 1939 Short Title: Air France : De nuit et de jour dans tous les ciels

Note: Full color Celestial Planisphere map, mounted on linen. Date estimated. Showing Zodiac lithographic singes and principal Air France lines superimposed on celestial illustrations on an outline map of the world.

Full Title: Air France : De jour et de nuit, de nuit et de jour dans tous les ciels : nox post lucem lux post noctem. principales lignes exploitees en 1938-1939. "Ila ete tire de ce planisphere 200 exemplaires numerotes de i a 200." Perceval. 16. rue D'Athenes. Paris.

#french #travel #tourism #1930s

[speakingmywonderfulmind]

Communistic people will never look out for you, because this day's communism is bred out of a solipsistic suffering, not the collective sense of suffering when Communism was first initiated, in the times of industrial revolution. This age's communism means his his whose whose, as opposed to catering to the less privileged, proletariat class. Today's communism came from 'dont wanna deal with others cause I dont wanna, we are all equal' as opposed to 'only wanna deal with the exploitees'.