I LOVE THEM SM THE CLOCK KEEPERS FAM AAAAH
Mirai is so cute here I am ascending
Anyways, I will be honest I have some mixt feeling rn :00
About the clock keepers themselves?? I don't have that much fear tbh, they are supernaturals in their boundary, and contrary to number 3 they don't have hearts that Tsukasa or anyone else can consume. I think they will be fine (or I am being delusionnal to protect myself, you choose rip) I love them very much they will always live in my heart.
I was REALLY not happy with chapter 109, having to be focused on little crumbs was really hard when I have been waiting for their focus for more than 4 years. Having the joke that is chapter 109 absolutely destroyed me, they are my fav mysteries and I want something good for them, unfortunately I am not sure they will get it.
Chapter 110 gave me some hope because yes what is happening is not normal, and I am glad it was adressed. For me it was obvious af it' wasn't, but I really needed confirmation from the author to be sure.
I have always said that the clock keepers were unique and Teru confirms it in this chapter with the official translation:
'The clock keepers are clearly unique even among the school mysteries, and go beyond the average supernaturals'
They are n°1, the only mystery with three beings in it and with a human, one of the last two mysteries left with the other one being the main focus on the manga. Of course something is strange with how they are treated right now. What is happening?
None of them used their time powers expect for Mirai once as the judgment. The stuff they are saying to punish Tsukasa seems more like jokes and they aren't treating the trial as they should be (but this may be just because chapter 109 is bad af lol). Mirai can litteraly see the future if she wants to.
The owls, their shikigami/familiars don't move at all when their masters are attacked, they are in their own boundary, their shrine. Maybe their powers are related to the clock Natsuhiko destroyed (and I would be sad af if this is the reason and nothing can be done) we just don't know what is happening. Do they have a plan? Are they playing a part (which would be funny because some stuff about the clock keepers are related to theaters and plays) Did someone forced them to do something? We don't know anything about the clock keeper, them being in the same spot as n°6 before we got to his story.
We just know they are special among the mysteries, they are the oldest ones, Kako and Mirai are made of gears and a human has a seat in it.
I am pretty sure Teru had this conversation with Akane here because he knows the clock keepers are special.
The two mysteries being the more visible here being the god of death and the clock keepers.
It's also the only mystery Hanako didn't want to destroy right away because they could be useful. All mysteries had their yorishiro destroyed/were planned to be destroyed once they got students in danger. (expect for Tsuchigomori who just, accepted it as a precaution rip) The clock keepers are the only ones who got a free pass on this even after getting the whole school involved.
Their powers are just above a lot of the others, and everyone know how useful it can be, so once again why aren't they using it?
Not caring about their yorishiro is also super strange. Especially when the one the most against Hanako's plan to destroy the yorishiros in the manga is Kako.
A mystery has to choose a yorishiro to be a proxy of the gods, to be able to have this status.
They have to choose a yorishiro so they don't run away from the job, it's the thing the most important to them so they would never destroy it. They have to protect it. Teru assuming they don't care is just so so strange. Why wouldn't they? That's the whole point of what a yorishiro is! They even hide it in one of them as an extra precaution! A lot of things go against what has been established before for yorishiros it's just plain out suspicious.
Kako and Akane are also really really duty centered characters. Akane will do a job even if he doesn't want to if he is asked to do it and Kako is the one being represented as the observator over the mysteries to see if they are respecting their sworn duty.
I also don't know what to think about their yorishiro for now. What does it open? A door to another room? Is it to protect something? Is it to activate another automaton? Can it be related somehow to the old clock keeper of the present? (delulu land again)
Idk I am really curious. I really hope we won't have the answer right away though, they were defeeated way too quickly and I hope they have more stuff to them. We got Hakubo's and Sumire's story and a part of the Yugi twins beforec their yorishiro got destroyed, so I hope it will be the same for them. That we will have time to get to know them a little bit more.
And after all, neither Nene or Hanako want to destroy any more yorishiro for now, and Tsukasa apparently lost it at the end of the chapter (we can see the hand who had it being empty. But AidaIro has sometimes a problem of coherence with their right and left and objects disappearing and appearing which I can understand with the rythm they have to keep with the manga, so I am not sure)
I have a lot of fears about this tbh, because maybe AidaIro will just give us the reason why they are weak rn and continue the story without explaining anything about them, not giving them the spotlight I think they truly deserve. The worst for me would be they work for Sakura, I really really hope it's not this, but I am really scared :///
So I will go for this for now, even if this is really depressing for me, but I don't want to have my hopes up with how the writing have been really ups and downs since the start of this arc (the only good chapter for me being chapter 108).
I am still really intrigued by what is Akane's real duty and why is he so reluctant to do it but still does it? Why Akane said they had to do the trials now? Honestly I have a lot of questions and I know no matter what happens, the clock keepers make me super sad (in a good way) and happy at the same time. And this last chapter with Mirai and Akane was a blast (I am actually writing a whole document on them rn it's long I will link it later ahah)
I also wonder if any of the clock keepers can use the others' clocks or not? Does this mean like Kako can go full OP while using all three powers at the same time? (let's go grandpa give us everything) I am curious since they are a mystery where having an object is important for their powers (Kako and Mirai being able to use their with bare hands because they have their clocks on them, I can be wrong about it though)
We are also left with only Akane as n°1 rn and idk what it will mean for him.
So yes full of fears, but also I know I will find crumbs to go delulu on :DD I would try to stay full positive but with the focus being on Tsukasa and on how secondary characters rn are mostly as 'objects for the plot' (I mean, look at Nene :')) I can't really ://
But be sure, I will forever love the clock keepers even if the plots are not respecting them
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orange peel promise
In between gut-wrenching deep breaths
and the sweat forming between my forehead
and the wooden pew, there was some sort of prayer
birthed: just like there was a prayer knitting itself
together when my friend hooked her arm around mine
and made her shoulder a resting place
for my bowed head. She just let me cry
into her sleeve in that empty, echoing church,
and her sturdy hand (steady with the repeated
knowledge of baking and painting and unnoticed serving)
held me close. There was a prayer there in the silence
of companionship, just as there was prayer
in the song rising around me in the service, though
I had no strength to rise from my knees then.
The pew in front of me: my favourite hiding place.
I wanted to hide from the truth--I wanted the sadness
to end--I wanted to stay silent.
They were praising God with joyful voices all around me.
I will praise my God, I thought, as my handkerchief
turned cold and heavy in my hand. I will. Even now.
Especially now. And so I got up, and the prayer
that was the dull beating of my tired heart
turned to shaking song.
There was prayer, too, when I split the sealed
envelope and unfolded the first and last letter.
And there was consolation in knowing that my God
was holding the what-ifs that had made an uneasy home
in my heart. What about the oranges I never peeled for you?
I had been thinking days ago. You don't know how
much I wanted to sit with you at the kitchen table
and watch the sun set on a quiet summer evening.
Here is how it goes: we say nothing, but the words
that sit there in the silence with us are simple:
I love you, I love you, I love you.
Here is how it goes:
I peel oranges first with the curve of my nail
digging into the middle, and I turn it into
a little clumsy blossom, a sea star with uneven arms.
I am good at peeling oranges.
I would have been good at peeling oranges for you.
And what about the letters I wanted to write?
What about the meals I'll never make?
What about all the little things I wanted to give to you,
the happy secrets I thought we'd share,
your absentminded hand trailing over your
guitar strings like fingers trailing in a lazy stream,
the family dinners and the walks by the sea?
But I stopped myself, and was content for a while
knowing that my God held all those little hungry
thoughts, too. And so the prayer that came when
the darkness descended over me again was this:
Lord, be near to me. Lord, please be near to me.
And there was consolation in knowing that He was,
even as you walked through the door that heavy
summer day, for our friend's wedding.
In between fervent applause and joyful song,
there was another prayer rising to my lips:
God, help me. What about the oranges? (Why oranges?)
What about the first time I ran to the basement door
and leaned my head against the cold metal frame
and listened, heart humming, for your voice?
What about the first time you held the door
and the first time you looked at me and smiled
as if your heart-gladness was as deep as mine?
Of course, it is easier to say "forget" than to not remember.
You were there. I was glad and relieved and hurting,
because you were there.
Here is how it went: I saw you on the stage and I forgot
to not think to myself: I love you, I love you, I love you.
Naturally, I was ashamed. Naturally, I was not surprised.
There was prayer before I opened your letter,
though I did not voice it, though it had no words
to give it shape. But I am sure there was. There was
no longer silence then: the generosity of the balmy air
was filled with outside voices, while in the office
the girl in the purple dress a size too big for her
cried into the palm of her hand so that no one would hear.
Before the letter, we walked towards the emptied altar
(where our friends had just exchanged vows) as
almost-strangers. After you gave it to me, we walked
down the quiet aisle side by side, almost-friends.
I read it and there was that prayer again, but this time,
it was one of simple joy. Joy that at last I understood.
Perhaps part of the problem was that I wanted--
expected--oranges, too, when what you were trying to give
was the quiet of companionship. Perhaps the problem
was that the thing we'd been trying to say
(I love you, I love you, I love you) was lost in translation
again and again.
The prayer when I walked back home today after church
was this: Thank you, thank you, thank you. In the
birdhouse of my imagination, in the fragile glass cabinet
hidden in my soul there was simply heart-gladness
that I knew you, that I loved you, that I was loved by you.
You know, the birds sing on in cheerful oblivion,
whether you're laughing or crying. Perhaps they know
that love never truly ends--it only changes shape.
Perhaps they know that song is really a form of prayer,
and all desperate prayer can be turned into gut-wrenching
praise. For our newly wedded friends, it began
at a kitchen table and ended (or began again) at
the altar. For the two of us, it began at a kitchen table
and ended (or began again) at the altar, when the decorations
were gone, when the people had migrated in great birdlike
flocks to the shade of the trees.
And so here is how it went: I met you (a blessing),
I loved you (a blessing), I was loved by you (a blessing).
And it was like looking at the world through stained glass.
And it was like dancing under the first shower of snow.
And it was like watching a garden grow,
like watching cherry blossom petals fall in April,
like the wild impulse to kiss the young sprout of a tree
in front of our church just because it was a young sprout
of a tree, just because it was spring.
And it was a good thing. It was a blessing.
You said so yourself. Naturally, I believed you.
And when I touched your cheek and you cried, I was
not surprised. And when I held you too long for
the last time, you were not surprised, either.
Some people wish on eyelashes, some on clovers,
some on shooting stars, some on pennies in a fountain.
Wishes for what? Probably not for the chance to peel
oranges for someone. One last thing, dear.
I only have one thing left to say today: I wish (no,
I pray) that you will be happy. That you will know
that God is near. That the spring comes again and again
for you, just for you. That someday, someone will peel
orange after orange for you, and that you will sit with her
and smile that rising-sun smile you saved for me,
and both of you will understand that it all means the same
thing, really: the oranges, and the silence, and the song,
and the spring, and the wildness of joy, and the
stillness of peace: that it means this: that it means yes:
that it means the heaviest and lightest promise of all:
that it means, truly, with all heart and soul:
I love you. I love you. I love you.
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