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#from an animated tv show for TEENS.
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that moment when p.orn b.ots comment on a random post of yours tagging completely random people in it...
if any of them are reading this, get outta here or i'm getting the flamethrower
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i'm giving guadalajara too much shit but los pueblos negros (the black villages) are genuinely really freaking cool
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also! my first experience with them was through an andrea compton video, cause she is from one of these villages!!! for those who don't know her, andrea compton is one of the most belovedests spanish youtubers, one of the ogs as well and i love her very much. anyways, she lived here until high school, where she went to live with her father in my hometown lol, in suburban madrid. so. pretty big change. i unfortunately cannot find her video, she might have just deleted it at this point - i watched it at least 10 years ago - but i found what her village is if you want to look it up, it's called roblelacasa, and as of 2016 it has 22 inhabitants. i remember she told in the video that she had to go to another village to go to school, and that in said school there were 6 kids in total, of course with different ages all together in the classroom.
#guadalajara#spain#also. and i feel obligated to say this every time i talk about andrea compton or inés hernand but it's the only good thing i can say#about my hometown#but not only did she live near me. the high school she went to is the one that's next to my house. like the park in front of the hs was#the park i went to when i was a kid#which most likely means i met andrea compton and inés hernand when they were teens and i was a kid#cause all the kids from that high school also go to that park#and for those who don't knw#inés hernand is like. one of the most important people in this country i would say??? at least among young people#she studied law but she's mostly a tv presenter nowadays and she is like. extremely political extremely leftist extremely funny#i love her#well they've talked thousands of times how andrea and her met on the first day of high school and became best friends and how tehy've been#inseparable since#to think that happened next to where i live while i was living there just blows my mind lmao#and we've met andrea compton cause she's my sister's favourite youtuber like she's been following her since she was like 10#in fact my sister was the one who showed me the video about her village#anyways we've met her twice in anime cons and also we've also met her a couple times more in concerts and stuff cause she's fan of stuff#we also love sjdsj#and every time we talk about my hometown and we know ehere her dad lives (very close to us) and she's confirmed the high school was that on#and yeah. she's very dear to my heart and i'm extremely happy everytime she gets recognition cause it's only what she deserves <3
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sonknuxadow · 11 months
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technically we have heard classic sonic's voice but his va was uncredited iirc! in sonic cd (not origins cd, the original release), if you stood around for 3 minutes doing nothing, sonic would get frustrated and leave, saying "i'm outta here"
oh yeah i forgot about that not gonna lie. he also talked in sonics schoolhouse but that probably doesnt count lmao
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alecodys · 11 months
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anyone have that image they used to display before episodes of tdi that said like "these stunts were performed by animated teens! dont do anything you see here! you could get seriously messed up!" i need it for smth
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girlboysollux · 2 years
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maybe the real homestuck in 2022 was the stranger things we found along the way?
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bootyful-seventeen · 2 months
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Back on my 6teen train and I can feel myself slipping back into talking that way again
And I low key wanna get myself a flip phone too…
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fruity-phrog · 1 year
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Okay, I saw someone say that Nimona, while being good representation, “didn’t take the big step forward in queer rep that everyone says it did”.
That is wrong. So wrong, my dude.
Yes, an explicit and open queer relationship in children’s cartoons is not new, per ce. Hell, just this year, two popular kids’ cartoons had the main character in an open, adorable, plot-based queer romance. But this is different for a few reasons.
Reason number one, it isn’t left in suspense. Yes, they had that split for three odd weeks, but they started the film as a couple. One of the very first scenes is them together as a couple, Ambrosius saying he loves Ballister, them holding hands, Ballister leaning on Ambrosius’ shoulder. Ambrosius says he loves Ballister three times during the film, and none of them are any more than halfway in. It’s very clear, from their very first interaction, that they are an established relationship, which isn’t something I’ve seen...at all in other animation.
Secondly, they are the plot. Ambrosius not believing Ballister, Ambrosius cutting off Ballister’s arm, Ballister trying to get the video to Ambrosius - this is what drives the plot. In any other children’s animation with queer relationships, the relationship is not the main focus. Even The Owl House, which is so amazing with its constant representation, would still make sense if Luz and Amity never happened. But Nimona’s plot wouldn’t make sense without Ballister and Ambrosius’ relationship. It, quite simply, can’t be erased. It could work as a friendship, yes, but that’s the point. They could have just been two close friends that fell on opposite sides of a fight, but they weren’t. They were two lovers that fell on opposite sides of a fight. 
Thirdly, they aren’t sanitized for “family viewing”. An emerging trend in children’s animation is to only have mlm relationships as fathers to make them seem more “family friendly”. With the exception of Kipo, there really isn’t many tv shows or films that places light upon an mlm relationship. And if it does, it'll be a teen relationship because teenagers being queer tends to come across as less “dirty” and more “innocent”. But Goldenheart is none of these things. They are adults without the mollifying aspect of having a family. And on top of that, they fight. They wield swords and they get bloody and they shoot at things and get angry and yell. They aren’t “clean” and “innocent”.
As well as this, they are in a film. Films are far more accessible than tv shows. You have to watch twenty seven episodes before Lumity in toh is canon. Troy kisses Benson on the eleventh episode of Kipo. And there are two hundred and eighty three episodes of Adventure Time before Marceline and Bonnie kiss. But with a film, the queerness is much more forward - especially in Nimona, where it’s literally the second scene. Animated films hardly ever display queer relationships, but Nimona did.
Finally - they aren’t perfect. I don’t know about you, but three weeks of thinking your boyfriend/maybe ex is a murderer? Doesn’t sound like a healthy few weeks to me. I have only seen big relationship arguments portrayed in straight relationships in cartoons - think Star Vs The Forces Of Evil - whereas queer relationships either have the massive fight prior to being canonically gay - She Ra - or have conflict, not arguments, that are dealt with quickly - Dead End/The Owl House. But Goldenheart? Goldenheart suffers. Their relationship is pushed to such extreme boundaries as for them to be pretty much exes throughout most of the movie. And yet, they are clearly healthy, happy and very much in love at the end. 
TL;DR - Nimona is amazing with the queer representation, and it is a milestone for LGBTQ+ cartoons. Not only is the relationship romantic for the entire movie, the plot is driven by Ambrosius and Ballister’s sort-of-break-up. In short, they are treated the same way straight people are. They have flaws, they have massive arguments, they have plot importance, they have backstory. They are in love. And that’s what matters more than anything else. 
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realizashuns · 1 year
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just so many shows both television and anime can be so amazing in how messages and lessons are shared and (to me) at the core it’s usually about legacy, what do you want to leave behind and what do you want to be remembered as. who do you want to present for in order to ensure that. it’s just good shit. that’s what I want from my media. i wanna be reminded we’re all human we all have flaws but what do we do when we make errors or when in fear? i love the mesh of psychology, sociology and art in television these days because when done well it’s free therapy™️ and topped with attentive cinematography it’s just a beautiful piece of art to experience like we are living in the best time for television right now and I am so blessed to be here witnessing top tier cinema
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hyhkai · 4 months
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choi beomgyu — surprise!
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[ 🥞 ] where beomgyu, your dumb puppy boyfriend is down whenever you are.
cw : face sitting + riding (?), they were watching one piece, sub!gyu, slapping/smacking, dirty talk, cum. let me know if there's anything I should add because I'm bad at cw's <3
a/n ; not proofread and tumblr didn't save my first draft. i hate life. inspired from a porn video I need to detox my brain and go on an exaggeration of a long walk and fade into the dusk.
eyes focused on the screen as episode 367 played on the tv, nami forcing the chipmunk zombies to tell her where the real treasure is as your eyes got drawn over to beomgyu, sitting on the edge of the bed as he looked down at his phone, scratching his neck and ruffling his hair.
there's only one explanation as to why your eyes are off the anime. he's so fucking sexy.
shifting in the bed, thighs pressed close against one another as your attention kept being off the show and how you wanted to have his perfect too perfect of a face between your legs.
contemplating what to do about your sudden arousal, your mind wandered off to the night of not watching episode 86, and him climbing into the couch with you and muttering with the most horny tone, "if you're down, I'm down. if you're done, I'm done."
oh well.
you sat up, hands playing with the hem of your shirt as you contemplated whether to do this or not.
fuck it.
he's a loser for you, and he's down all the time to the point where he's growing back into his era of teen hormones.
it wasn't long before your top was off your shoulders, and you'd made the headboard into a buttress for your back as you took your pajamas off, eyeing beomgyus back as he played some game.
you were so eager to get bare, yearning to have his mouth all over your thighs. in fact, it was very obvious the moment you entered just how much of a dumb puppy he is when his expression was filled with the fact that he wanted to push you onto the couch, pull your pants down to see the wet patch on your panty that's so obviously there. <3
it's almost laughable that you're bare and your one hell of a horny boyfriend doesn't even know. you huff, a grin plastered as you crawled towards him, causing the bed to jitter.
he was about to turn and look what you're up to, but was soon vehemently shoved into the mattress as you pulled him down, climbing onto his face and holding his hands.
oh he's grinning isn't he.
"oh fuck baby." he mumbled coherently enough as his face was pulled to your clothed pussy like opposites of a magnet. he only made the wet stain in your panties worse, and did so until your clit was traced into the cotton. god really made a sin when he created your boyfriend.
it's almost a crime because he's too too too pretty for his own good. he placed his hands over your thighs and wrapped it around, palming your ass. "lift your hips for me, baby." he mumbled into your pussy. it was whiny, causing you to almost fold and want to do a sixty-nine with him.
you bucked up your hips, and his finger slid your panties to the side as he tilted his head, and his lips latched onto your clit. "h-hah. g-good boy."
he moaned into your pussy, his dick was already pressed up against his pants, his hips bucking into the air and only getting sliding friction; not static. he shook his face, nose bucking up into your cunt, causing your eyes to close shut and lips flatten into a line of pure satisfaction.
his fingers were lurking around your hole, not pressing in but just enough for you to push yourself down onto his body. you let out a moan before you could stop yourself, his tongue swirling around your mess and two fingers right that were contemplating on whether to give you what you want.
"now that's a wet pussy." he mumbled, eyes downward as he stared at your arousal. "h- just fuck me." you mumbled as your fingers scrunched his tshirts fabric between them.
he let go at the tap of your fingers on his forearm, you getting up to turn around— and what a fucking view you got. dumb, dumb beomgyu, laying there as the mute tv's changing lights made his face glisten with your pussy. nothing to be bothered about, he likes it when his face his smothered all up in his favourite girl's pussy.
you gripped on his hair, and your knuckles almost went white when his tongue met your clit. it wasn't fair, his eyes so doe when he looks up at you, his tongue so mean when he eats you out.
"sweet." he kissed your pussy, and thank god you weren't at your apartment, these lewd noises could end up in a discussion with your neighbours. his breath hitting your core, tongue swirling, and yet he tells you he doesn't know how to eat pussy.
"h-hah, beomgyu, you're sure you don't know how to d-do this..?"
"take what I offer, baby." as he licked your nub.
he said something into your pussy that came out so incoherent it was just a vibrating sensation to you. you thought you were almost lost in the moment. almost? you were lost. other hand now on his forehead as you bounced and rubbed yourself all over his face. "y-yeah. take it, boy. fuck. h-hah.." you slapped his forehead to which all he did was laugh at your assumption of how he's the pathetic one, when it's complete antithesis.
his situation wasn't going to be any better than yours anymore when his hips were already thrusting into air whilst he ran out of oxygen. did any of you two care? absolutely not.
starting to get closer and closer, you were already going at it on his face, grinding on his nose and mouth while mumbling all sorts of curse words when he slurped all of you; like the dumb puppy he is.
"h- beom— beom, close. okay?" you said under your breath as his hands were starting to grip his own cock from above his slacks, rubbing himself but not completely, not wholly enough for his own orgasm. and why rub one out when you will be doing it later on anyway?
"on my face, ugh, pleasepleaseplease." he groaned when you did just that, cumming hard. hands pressed into the mattress above his head as you rub yourself sideways onto the homogeneous mixture of your fluids and his spit and saliva as he licked it all up, whatever came near his mouth, he swallowed. "filthy boy, i- ha, hah..." and one good, harsh pat on his head as you grasped his locks again, looking down as you got up.
you laughed at the sight; pretty, shiny beomgyu. literally. a sight that only you and the associates who deny your entry into heaven witness. who cares, he's so pretty.
"good boy." you mumbled as you used his shoulders as support when you plopped down onto the bed.
he opened his eyes, eyelashes fluttering to reveal his pretty iris's. "kiss?"
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I could write an entire post on why this is bad. I was bored. i apologize for taking your time. ok actually I have absolutely no idea what came into me when I wrote this but I wrote it so hahahahah my bad I'll delete it and disappear.
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prismatic-bell · 3 months
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You know, I had a thought about this new “teens shouldn’t have intergenerational relationships” thing, and you know what I’m wondering?
If the death of the live-action kids’ show has anything to do with it.
Like okay, off the top of my head as a kid I had Mister Rogers’ Neighborhood, Lamb Chop’s Play-Along, Big Comfy Couch, Zoom, Gullah Gullah Island, Zoom, Eureeka’s Castle, Reading Rainbow, Sesame Street, and Crocodile Hunter, and while I never got into Zoobomafoo, it also existed. I was a little too young for Pee-Wee’s Funhouse and The Electric Company, but only by a bit—my sister remembered both.
And on all of these shows except Zoom (which was all teens and tweens), you had adults talking to you. And each of these shows was aimed at a different childhood age group—I think only Mister Rogers was truly ages 0-12. So from babyhood onward, you had adults modeling for you what an adult/child friendship should look like, and also often reminding you that grownups who made you uncomfortable were cause to talk to a grownup you trusted. Yes, these were parasocial relationships, but they were teaching you how to have real relationships with similar age gaps, and the way, say, Shari Lewis treated you when you were Lamb Chop age was very different from how Steve Irwin treated you when you were Crocodile Hunter age. They were never condescending, but a three-year-old and an eight-year-old have very different wants and needs and these shows were aware of this.
This didn’t die out with my age group. Older Gen Zs had Blue’s Clues and Reading Rainbow kept going for awhile. But by 2012, when I was helping take care of my niblings, I didn’t see a single show like this on TV. Even Sesame Street seemed to have phased out all the human characters. Mister Rogers, who’d taught my generation the importance of knowing reality from fantasy, had been replaced by animated versions of the characters from The Land of Make-Believe. Muppet and puppet shows were a thing of the past. Shari Lewis was long dead, and nobody had taken her place. Gullah Gullah Island was cancelled and Big Comfy Couch was gone.
I can’t help but think this is a factor in this fracture. If your at-home adults are dysfunctional, or don’t take you places where you can safely interact with other adults as a child, OF COURSE you’re not going to feel safe doing it when you’re a bit older, because you literally never had it modeled for you what it’s supposed to look like. The respect I was shown by Steve Irwin and Shari Lewis and Fred Rogers and Molly the Clown never got shown to later Gen Z.
So how do we fix it?
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doctorcurdlejr · 19 days
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This is from a longer post I wrote about I saw the tv glow but just posting this bit on its own bc of the conversation around the movie I guess:
The point is that this movie is one big glaring trans allegory about how it sucks dog shit to live in the suburbs, and even at our most repressed we find these little snow globes of actualization in the glow of a tv screen that isn't afraid to show you the world you see. I've seen some people say that, like, in this context accepting or coming into your transness is this monumental death of self, which I get, but I feel there lacks a nuance in that because either way Owen is dying. Unlike Maddy who buries herself alive only to come out renewed, Owen doesn't kill himself upon facing the reality that the world is constructed to keep him miserable and the only way out is to take back what it is that the world wants to keep scooped out of him. Instead he just passively lets it drag him to a much more permanent death. This lack of suicide sucks in the kind of way that forces you to sit in your car on the midnight drive home and think to yourself am I letting myself suffocate because at some point knowing the misery became less scary than admitting I've been capable of doing something about it the whole time?
Maddy is an out lesbian who left town to escape the misery and found it strapped to her ankles. She slinks out, an animal pressed against the gymnasium floor, and says "I'm not telling you anything you don't already know." Owen looks into the camera and narrates. He cuts himself open with a box cutter, fully acknowledges what's there, and the movie ends with his suffocating apology parade for the unremarkable inconvenience of his excruciating suffering. You can be gay and trans, you can know it and you can stop repressing it, but you're not going to stop suffocating until you can find a way to destroy the part of you that truly deeply does want to die, reaching for the comforting euthanasia of normalcy. Stop visiting the dream of the life you want and make it into your reality with the same kind of unrepentant conviction seen in some underfunded but wildly ambitious teen television series. In other words: you must try to survive the ego death of being weird. A weirdo, who doesn't fit in and doesn't want to fit in.
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neil-gaiman · 8 months
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Hello Mr Neil,
I want to share how I feel about Sherryl the supermodel from Good Omens. You've answered a question previously when someone felt that her representation was lacking empathy (re the visual effects note in the script book, although the scene was cut), and I want to offer my thoughts to help people who felt that way about Sherryl.
The book (Good Omens, not the scripts, which I haven't read) plays with dark topics and makes them absurd and fun, aiming the jabs at the systems that (mis)guide or harm people (there are Beliefs, the People who Believe them, and the odd ways of living that make sense to them). Famine's D-Plan sums up the diet industry and a culture of starvation: of course we don't laugh /at/ Sherryl, we understand (because of everything the novel sets up) that like every other human she does her best with the frameworks she's got. It's empathetic, because that's what Good Omens is. Understanding that let me reframe the knee-jerk reaction I had on my first read of the scene in the book.
[For the TV show, though, as you've explained in the past, certain things had to be adapted to the time. I wonder sometimes - because I know that you do these things well - how you felt about approaching Sherryl nearly 30 years later.]
I think the trouble for me was that the scene in the book felt cruel at first. Now, I think 'A skeleton in a Dior dress' beautifully sums up the sacrifice of her humanity to become New York's top model. It's death dressed up - that's how such extremely-ill supermodels *should* appear to us if only we were unblinkered. One should see plainly the actual violence in an emaciated person's appearance. Maybe growing up with early 2000s aggressive body-shaming British TV shows and an overweight mother of Sherryl's generation as well as personal experience of anorexia made the 'skeleton' image feel cruel, now-overdone and recognisable to the nastiest unhealed bits in my psyche.
I think the frightened human animal in me initially recoiled from the dehumanisation. The pit of me jerked at the descriptions of Sherryl that felt like real insults, pulled straight from mainstream body-shaming media of my formative years. Of course, Good Omens predates this - thin was in, religiously, and the scene was subversive then - but that was my initial bodily feeling, not a thoughtful response. I describe it to illustrate where the challenge was, after we've gone from skinny worship in the 90s, to domestic skinny enforcement, to skinny shame, to wherever we are now in the popular orthorexic fitness culture and clean-eating minefield etc etc. Starvation dehumanises, and Sherryl was sick to the point of being inhuman - the scene under a microscope might feel complicit in dehumanisation to the sensibilities of teens and young adults today (for the same reason that people in Trafalgar Square can't see England), but within the book it humanises Sherryl by showing you plainly what awful thing has happened to her.
What the book did for me was let me delight in a sense of humour that makes difficult things totally absurd and therefore perfectly understandable. It told me, everyone is doing their best (to the best of their understanding), and when the fun-poking poked at my own pressure points, it said, lovingly, yes, you too. Many things about the book are like laughing with a friend or receiving a warm hug - it makes the big things so silly, and shared, and okay.
Thanks :) x <3
I am glad that is how you saw her. That is how we saw her. (I'm reminded of the only time I was ever at a high fashion event, where I found myself profoundly shocked by the incredible thinness of the models, and how sorry for them I felt, and how I wanted to feed them soup and stew and sandwiches. And of a high fashion model I knew a little, when she went out with a friend of mine, who told me that some girls she knew used heroin to stop the hunger pains, injecting themselves between their toes, and later I learned that my friend broke up with her when he learned she was a heroin addict.)
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thenightling · 2 months
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Dead boy Detectives review
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I've watched all eight episodes of Dead Boy Detectives and it was a decent show. It's not something I may obsess over like The Sandman, or The Witcher, but it was decent.
Dead Boy Detectives is the story of Edwin Payne and Charles Rowland. Edwin was killed during a Satanic ritual in 1916. Charles died from hypothermia and internal bleeding after some bullies drove him into an ice-cold lake while throwing rocks at him.
(Note: That was not how Charles actually died in the source material. In the comics, Lucifer had quit and shut down Hell (the basis for the TV show Lucifer) so many evil souls returned to Earth, including the boys that sacrificed poor Edwin. They badly burnt Charles' back on a hot stove and Charles died from his injuries.)
The two ghosts decided to dedicate their afterlife solving mysteries to help other ghosts find peace. They are aided by psychic, Crystal Palace, who is haunted by her abusive ex-boyfriend who happens to be a demon.
Both Edwin Payne and Charles Rowland originated in Neil Gaiman's The Sandman: Season of Mists, The Sandman: Volume 4. Issue 25 of The Sandman comics, and within Act 2 of The Sandman audio drama.
The Dead Boy Detectives made their TV first appearance in Doom Patrol for HBO Max (now Max). During a shakeup at Max the show was moved over to Netflix as to better connect it with The Sandman since that is where they originated.
The show features different actors from the ones that played Charles and Edwin on Doom Patrol.
The Dead Boy Detectives is a decent show but ...it feels a bit like a CW teen drama. I had been told that some of the show's writers were originally writers for the CW... and it shows.
There are some deliberately surreal elements of the show that I think are a callback to their appearance in Doom Patrol.
I love the variety of supernatural entities in the show, including the appearance of two of Morpheus's siblings. Death and Despair. The things I don't like about the show can be considered CW tropes or cliches. The angsty romances and unrequited love. The ham-fisted abusive ex metaphor between Crystal and David The Demon.
And of course the most tedious of CW tropes, the end of the episode pining and angst while a sad pop song plays in the background.
If you look past the CW-ness of it, the show is enjoyable.
The only other things I can complain about is the "connecting thread" subplot of The Afterlife: Lost and Found feels like unnecessary filler. And I wish they would openly establish that Edwin, being an innocent, would NOT return to Hell if collected by Death now. I don't think that should be left hanging over his head. Especially since we're supposed to see Death as a kind entity. Also I think Charles says "Aces" a little too much. It's very distracting and makes me feel like the writers didn't know much late 80s English slang. It would be like if he was an American and they had him say "Radical" all the time. I get that it's kind of his catchphrase but it also got a bit annoying.
The parts I don't like are CW tropes and what I'd consider to be late 90s Vertigo edginess.
The thing I liked were plentiful though. The protagonists were and are likable. The ending is satisfying enough so that if there is only one season this was still good. I liked that it appears that one can ascend out of Hell after some self-reflection as is indicated by the boy Edwin confronted in Hell. The blue light was established to mean ascension, a good afterlife.
I also LOVE the opening credits theme music and animated sequence. It reminds me of the intro to Showtime's Creature Feature movies. (See the trailer for 2001's She Creature, not the 50s version. Watch the trailer at thirteen seconds in, on Youtube, and you'll see what I mean).
That's two Gothic themed shows from Netflix in the last two years with great opening credits sequences. The first being Wednesday. That one won Danny Elfman an Emmy.
It's funny, Wednesday and Dead Boy Detectives (which is a spin-off of The Sandman) have great opening credit intro sequences but The Sandman does not. Apparently Neil Gaiman was told people don't watch the opening credits anymore so The Sandman doesn't have them.
I feel we were cheated out of what could have been a great opening sequence for The Sandman.
Episodes 7 and 8 of Dead Boy Detectives were probably the best of the series. I liked it well enough that if Dead Boy Detectives gets renewed I'll happily watch season 2.
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anemoiashifts · 3 months
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100 places to shift to.
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♡ 100 places to shift to from tv & movie (some of these you could consider books too). organized into categories to the best of my ability.
⋅˚₊‧ ୨୧ ‧₊˚.
fantasy.
✦ harry potter.
✦ merlin.
✦ his dark materials.
✦ narnia.
✦ good omens.
✦ percy jackson.
apocalyptic.
✦ hunger games.
✦ divergent.
✦ the walking dead.
supernatural.
✦ sabrina the teenage witch.
✦ the chilling adventures of sabrina.
✦ stranger things.
✦ supernatural.
✦ lucifer.
✦ ghostbusters.
✦ buffy the vampire slayer.
✦ angel the series.
✦ teen wolf.
✦ wolf pack.
sci-fy.
✦ doctor who.
✦ star wars.
✦ star trek.
✦ roswell.
✦ avatar.
cartoon.
✦ barbie life in the dream house.
✦ gravity falls.
✦ amphibia.
✦ the owl house.
✦ hazbin hotel.
✦ monster high.
✦ ever after high.
✦ miraculous ladybug.
✦ phineas & ferb.
✦ rick & morty.
✦ my little pony.
✦ care bears.
✦ strawberry shortcake.
✦ adventure time.
✦ star vs the forces of evil.
✦ total drama island.
✦ scooby doo.
✦ bojack horseman.
✦ fairly odd parents.
anime.
✦ hunter x hunter.
✦ sailor moon.
✦ the legend of kora.
✦ saiki k.
✦ naruto.
✦ demon slayer.
✦ cowboy beebop.
✦ little witch academia.
✦ my hero academia.
✦ pokemon.
✦ death note.
crime / mystery.
✦ bones.
✦ criminal minds.
✦ only murders in the building.
✦ sherlock.
thriller / horror.
✦ american horror story.
✦ scream.
✦ scream queens.
✦ locke & key.
drama
✦ euphoria.
✦ shadow hunters.
✦ k12.
✦ the vampire diaries.
✦ the originals.
✦ twilight.
✦ never have i ever.
✦ h2o.
✦ wednesday.
✦ glee.
✦ gossip girl.
✦ pretty little liars.
✦ grey’s anatomy.
✦ skins.
✦ riverdale.
✦ once upon a time.
✦ emily in paris.
✦ victorious.
✦ the umbrella academy.
✦ mean girls.
✦ clueless.
✦ shameless.
✦ the guilded age.
✦ bridgeton.
✦ castle.
✦ law & order.
✦ my babysitters a vampire.
action
✦ maze runner.
✦ spiderverse.
✦ cobra kai.
✦ outer banks.
✦ jurassic park.
slice of life.
✦ gilmore girls.
✦ friends.
✦ that 70’s show.
✦ boy meets world.
✦ full house.
⋅˚₊‧ ୨୧ ‧₊˚.
♡ whew this took forever to format & find shows considering im not a big tv / movie person at all. hope this helped a few people find some new dr’s !! bye bye :)
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3000s · 1 day
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one of my friends was talking about when we were younger and how she was so embarrassing as a teen and her main example was the time we went to an anime convention and she cosplayed house from the tv show house md but that was such an iconic moment to me honestly that was bigbrained shit
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superstarz9 · 1 month
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So y’all fw some MORE Mr. Puzzles headcanons?
Cause I got some :]
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Even though he streams his content, Mr. Puzzles hates streaming over normal television and believes it ruins the momentum. The only thing he appreciates about streaming is the lack of ads. No matter how bad the ratings are, Puzzlevision is an ad-free service!
To add, product placement is a no-go. Any products he might advertise on a show are all Puzzlevision branded, not that he’d advertise much. He’s a smart business man, which I’ll go in-depth with another time.
He’s all about authenticity with his actors an really hates big-time celebrities. Celebrities are snobbish and aren’t easy for Puzzles to handle. He also doesn’t want people to engage with his shows solely because of famous names. The day he hires a celebrity is the day he becomes a sellout, and the idea of selling out terrifies him.
Mr. Puzzles does an extensive background check of every single cast member he recruits. Not just because he’s trying to find the perfect actors, but because he’s trying to find people that wont be missed if they mysteriously disappear for long periods of time. After a cast’s likability begin to dwindle, Puzzles brings them back as if nothing happened. Previous cast members won’t remember their time at Puzzlevision and have a hazy memory for a bit before they adjust to normal. If they watch a show that they’ve been in, they’re so disconnected from the show that they won’t recognize themselves. However, Puzzles is careful to avoid reruns after switching casts.
He absolutely hates reality tv for multiple reasons. It’s the farthest thing from reality, everything is so fake, and the writing is HORRIBLE! If the audience demands it, he’ll make a reality tv show, but it would be one of the few things he wouldn’t mind not hitting 5 stars. The less creative impact he has on the show, the less he cares for it.
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He prefers live-action over animation, but highly respects animated shows.
He likes movies but heavily prefers tv since television has always been frowned upon within Hollywood and the entertainment industry (It’s actually interesting to know the beef between movie studios and tv, I recommend checking it out. To put in into perspective, picture the Disney theatre movies vs the straight to video movies: there’s a huge difference and it’s somewhat obvious of the cash-grab tv movies/shows are. The purpose of tv has always been a quick cash grab, actually. Kinda like the first content farm, to an extent). Puzzles wants to prove that television is a respectable media outlet and shouldn’t be frowned upon within the industry.
He is familiar with almost any televised language. The only major issue is that, yes, he needs subtitles to completely understand. However, he can hold a relatively decent conversation in most languages, he’d just need a few refreshers.
Already talked about it last post but he likes to cook and really enjoys cooking/baking shows. Y’know that thing where you’re good at one but not as good at the other cause they’re so different (you cook to your liking vs following a strict recipe for the best dessert outcome)? I feel like Puzzles would be perfect at baking alone but any baking show he does goes to absolute shit. However, he’s not as great at cooking alone (since he can’t taste) but it much better with a sous-chef guiding him.
This was someone else’s hc (I don’t remember who’s, I’m srry), but they brought up that the order of shows Mr. Puzzles makes with the SMG4 crew reflect the shows he watched growing up (the kids-y shows, family disney-type movies, teen stuff like Scooby-doo, and gameshows). I’d like to add that he enjoys making gameshows the most because he can be the main character in every episode, and everyone’s reactions are the most genuine. The only thing I can see Puzzles not liking is the lack of creativity (similar to reality tv). However, it would be pretty fitting for a production company called Puzzlevision to make game shows.
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This one’s gonna be a little bit more depressing. No matter how hard he tries or how good he thinks his writing is, Mr. Puzzles cannot write anything original. It’s the curse of seeing every piece of televised media to ever be produced. He tries his best to be original but as the puzzlevision arc continues, he gradually stops trying to be original, which is what ultimately causes him to lose. While Puzzles keeps trying to copy other successful media and failing, it’s the originality the SMG4 crew produce that gets them to 5 stars (and extremely quickly, too). Puzzles fails to realize that the shows he loves and tries to replicate were original, too, and that’s what got them to succeed in the first place. I feel like this success from SMG4’s originality is what sparked Mr. Puzzles’ envy in the first place.
To add to this, Puzzles has been canonically spying and interfering with the SMG4 crew for a while (selling them the showgrounds, the cursed keyboard in the ITS GOTTA BE PERFECT arc, the Western Spaghetti arc), and is almost a direct parallel to SMG4. They both was to succeed and produce original content, striving for perfection. The only major difference is that Mr. Puzzles has been alone for the majority of his life whereas SMG4 has his crew. Despite this, however, SMG4 still snaps and isolates himself similarly to how Puzzles takes complete creative control.
Not having a proper friend/support group is also what causes Puzzles to fail, isolating himself from the rest of the world. Even though we don’t see much of the studio, it’s still pretty run down and barren, implying that Puzzles doesn’t spend much time there, if at all. Puzzles spends most of his time in the shows, directing/acting/ect, and avoiding the real world where he doesn’t have control. When he’s in the real world and bored, he dissociates a lot, planning out his next big projects.
To add, he’s not a big fan of modern technology as a whole, and sticks to older tech (like the older computer model in the teaser between the scooby episode and the gameshow episode and his head being an older computer). Same goes for the studio. I can totally see him walking into the decrepit building with the real estate agent being like “this building hasn’t seen the light of day since 200 b.c,” and Mr. Puzzles ecstatically goes “I’ll TAKE IT!” He’d also do his own renovations and film it for an abandoned house-flipping series, scrapping it later because he sucks at renovating.
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He can’t take constructive criticism if his life depended on it. He tries, but all he thinks is “well these people just don’t understand TRUE art in this world!”
He can play shows/movies in the back of his mind whenever, and often does if he’s not on set. Y’know that reddit/tumblr post about the kid who memorized Shrek so much that he could just watch it from memory and his dad would catch him at the 37:14 mark and be like “stop watching shrek and go to bed,”? Yeah, Puzzles is like that. Only difference is that he can’t pause it, only tune it out.
He’ll watch them, but found-family sit-coms depress him. Shows like Friends, It’s Always Sunny in Philly, etc remind him of what his life could’ve been if he could’ve made friends properly.
To add to this, y’know how he projects himself in his shows? What if he did that with shows like Friends, where he’s a part of the cast and laughing along. He’d do it in his sleep and not even realize it’s a dream until the episode ends and he wakes up alone. :,]
On a lighter note, older tvs release a light frequency that gets louder the older it gets. Mr. Puzzles probably hums a frequency without realizing it that people can only hear if they’re close and he isn’t babbling away. Older tvs also kinds adjust(?) where they slightly creek a lil. Mr. Puzzles probably does, to, and it’s the equivalent of him cracking his neck.
He’s also more prone to shock people slightly, depending on how manic he is. If he rubs his gloves together he’s practically a battery.
He has a daily care routine that involves him carefully wiping his screen with windex.
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These ones are more show/content based. If these continue to do well I’ll post some more general and maybe relationship hcs :]. If you guys have any suggestions/questions/critiques please let me know!
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