"no hints were dropped" ok not to be that person but here are the hints that were dropped regarding Colin and Trent being gay:
1. Colin mentioning Grindr in a joke
2. Trent touching the arm of a man in the background
Here is one of the hints that Keeley was bi (even though I do believe she's been canonically bi since season 1, but not everyone sees it this way)
1. Her desktop background was in the colors of the bisexual flag
Here were some of the hints that Ted was bi:
1. Bisexual flag colored triangles above his head in the hallucination sequence
2. Inverted pink triangle next to him in that same sequence (and you can't tell me the creators didn't know, when the Homomonument is based on that symbol)
3. Countless (countless!!!) comments about men's physiques ("huge muscular thighs all caked in mud", whistling at a picture of Pep, "look at that head of hair", "he's strong", "he looks like a Rodin sculpture in cleats", etc.)
4. About a man (Higgins) and a woman (Rebecca), he had to say: "that's a crowd I don't mind being smack-dab in the middle of"
5. Him checking Trent out in the pub in 2x07 (his eyes are up there, Ted!)
6. "It could go either way", "I contain multitudes" and other comments in this vein
7. Bi lighting as he entered the Yankee Doodle Burger Barn
8. Giving similar looks to the female waitress and the male waiters in that restaurant (including a waiter in a cowboy costume that looked like he belonged in a gay club, who tipped his hat at Ted when greeting him)
9. "That's cause you were put into a box", "That box ceases to exist today", the box in the hallucination sequence breaking into triangles (as in the bi triangles and the inverted pink triangke), "we've been playing too rigid", "our guys need freedom", "fast, fluid, free, with full support", the "box that one needs to break out of" being a prominent motif in season 3
10. Wishing Beard called him pet names ("Honey, is that an ingredient or something you just called me?")
11. His crush on Pep
12. The connection between Ted and Colin: "my whole life is two lives, really", both wearing orange in Sunflowers, "I just want to kiss my fella" (Colin doesn't say "fella" , but Ted says it all the time), Ted just needs to get inspired and Colin's play is "inspirational" after he comes out, as per the commentators
And so much other stuff that, had Ted not self-identified as straight (*cough* put himself into a box *cough cough*) , you could make the case that he was canonically bi.
Here are some of hints that there was a romantic connection between Ted and Trent:
1. They hit a lot of romantic beats, and not in the jokey self-aware way in which Roy and Ted hit them in "Rainbow", but in an organic and sincere way
2. They both checked each other out: Trent checked Ted out when Ted was changing in front of him, Ted checked Trent out when Trent came up to him in a pub and hit him with a pick-up line while his date that looked a lot like Ted waited for him outside
3. Did I mention that Trent was on a date with a moustachioed man who dressed in a similar style to Ted? Let's mention it again
4. In that very bar, during a 50 second long conversation, Trent managed to say the word "love" three times. I searched the word "love" in the transcripts of the episodes. There's no other instance in which its frequency is this high
5. "Love our chats" incomplete rule of threes
6. "Sport, it's quite the metaphor" (implied: a metaphor for love; see also "love's a beautiful game" from the song Ed Sheeran wrote for Ted Lasso), "Also makes for a heck of a nickname", "Good night, Ted", "Good night, sport"
7. The soft, romantic, melancholic song playing in the background of this scene, while Ted and Trent are the last ones left in the office, with lyrics such as "When your words begin to crumble like the sidewalks all around this crummy neighborhood / From the chalky cliffs of Dover / I'd come over, I'd start over if I could"
8. Trent wearing sunflower colors in the episode "Sunflowers" and in the finale; sunflowers symbolize Ted's home (it's not subtle). He's the only character dressed like that. I'm still looking for any other explanation other than "Trent is Ted's home"
9. Their constant flirting and the way they look at each other with incredible fondness
10. The entire episode "The Strings That Bind Us". It's structured around Ted and Trent's relationship, and the way Trent changed because of Ted (in season 2, Ted defined a soulmate as someone who changes your life forever). The red string metaphor. Ted points out that soulmates are connected by a string tied to their little fingers. Ted and Trent both extend their little fingers out in similar shots. They are connected by a huge block of red in their last scene of the episode. Ted makes several comments about other men that apply to Trent ("Look at that head of hair", "Frames his face nicely", "My favorite one, he was clean shaven"). Many more details that lead back to Ted and Trent: Nate tells the restaurant owner to tell Jade he said "Hello". Immediately after, Ted and Trent say "Hello" to each other. The map that Nate's father used to ask out his mom has the number 1.3 written on it and an illustration of two people at a table in a restaurant. Ted and Trent went to a restaurant together in season 1, episode 3. The last scene of the episode mimics a "Race for Love" scene from a romcom, with Trent chasing after Ted. Trent also does not say a word to anyone other than Ted in the entire episode. He is completely focused on Ted
11. "Trent, what do you love? Is it writing?" and Trent ends up writing a book about Ted and naming the manuscript after Ted and he only cares about Ted's opinion on it (he leaves the room when Beard starts reading, but stays in the office after hours just to watch Ted read. "I just wanted you to like it.")
11. Trent's crush on Ted, confirmed by Jimmy Lance (and also obvious in the show, if you ask me)
Now, why would I believe that none of these hints were intentional? Maybe some could be explained away, but all of them? The hints we got for Colin, Trent and Keeley were so much smaller than this, and those turned out to be intentional.
anon i wish i could offer you the response you deserve, but i cannot stop rereading this masterpiece & focusing on the portions of evidence you provided that i didn't even pick up on until you laid them out. holy shit
176 notes
·
View notes
*downs coffee like a shot* Before we go back to our regularly scheduled Linktober/Linktober Shadow (because I don't leave things unfinished if I can help it), I gotta get the idea of Revenant First out of my system and y'all get to suffer with me until it eventually ceases being an idea and it turns into an actual story. For some reason we talk a lot about First already being alive or already a ghost by the time the Chain meets him, but I don't think I've ever heard someone talk about him actually coming back to life and so y'all get to suffer with my insane ramblings like I'm an 1800's psychic ward patient who believes themselves to be a witch.
Can be x Reader or not idk just an idea that won't leave my mind.
Might expand on this later so Part out of I/?
Revenant First, who died for his people and in the name of his Goddess. All alone on the surface, fighting, fighting, fighting, always fighting. Just to make the land a little safer before the next hero arrives, just to contain the Imprisoned for a little while longer with likely nothing than a ordinary, common sword to his name and a slowly rusting armor.
Always giving so so so much for his people, always doing his best to protect them, though they scorned him, loathed him, didn't believe or support him, rejected him.
With a spirit so strong and lovely that a Goddess fell for him, hated herself for having to manipulate and put him through such horrid experiences just to save the many, just to turn the diamond of his soul into an unbreakable lonsdaleite blade agaisnt a mad deity.
Someone whose will would be enough to keep him going, just one more fight right? Just one more kill right? Forward, forward, ever onward, it doesn't matter if the flesh decays, if the blood drips drips drips until he is dry of it, if the liver doesn't process nutrients, if the lungs don't draw air, if the nerves feel nothing but the cold cold numbness of the winter of his final years, if the heart doesn't beat. If the armor rusts or the sword breaks. He must keep going, he must keep fighting.
To keep them safe he must have faith, faith that he can keep going, to grasp onto that one.single.thread of purpose until the day that fiery, indomitable, determined will finally burns out. Even if his Goddess may have forsaken him knowingly or unknowingly, even if his people have rejected him to the point he isn't even human anymore, even though they reviled him, even if that rejection should by all intents and purposes chained his spirit to the land or ground the jewel of his unbreakable soul into dust, he still loves them, still adores them, still wants to protect them.
No matter how long he must keep going for it. He wishes to see those he holds dear happy, though they cursed and imprisoned him once.
The Chain getting dropped into a completely empty, desolated and undeniably dead version of Sky's Hyrule, only to find the only living thing besides monster is a single man, with rusted gold armor and an old sword, a faded tunic of green with a long, crimson scarf like a bloody banner. With hair and eyes like theirs, undeniably a Link. But so very frigid, so very silent they almost didn't notice him, that they can't help but wonder just how many years he has spent there, eroding away, ruined but still kind, kind, so very gentle. A shadow of his former self, yes, but still himself, still so so so good, doing all he can until Sky's Era comes and maybe, just maybe, he can finally rest.
Or maybe not, after all, someone has to keep the land safe until the Hero after Sky comes around, no?
Just Revenant First in general.
Or maybe we give him the House in Fata Morgana treatment, the House in Fata Hylia Au if you will- *collapses from sleep deprivation*
23 notes
·
View notes
zestial's wardrobe is heavily inspired by social status & occasion ( as was so prevalent in the time period he lived in , something he has carried over in death. ) he certainly is capable of looking the part of a horror , with raggedy clothes that befit a ghost rather than a man. but it is all curated , it's the appearance he wants others to see ! the web he's weaved to ensnare them.
he doesn't care much about what anyone else wears --- it's hell , he's gotten used to it & seeing how fashions have changed over the centuries. this is to say : his attires just his personal preference , don't knock his style & he won't knock yours ! but he will definitely take note & like you more if you dress up for certain occasions as he sees that as being proper.
i compiled a bunch of outfits i could see him wearing ( just pretend there aren't .. crosses on some of them. xo ) as to be expected it's a lot of old(er) timey fashion , loose poofy sleeves , frills , accessories , capes , etc. always tailored impeccably though there are times where he wears more boxy silhouettes to evoke a certain image. not included but he'd be open to corsets & obviously dresses , they were both worn by the wealthy in his time ( & he thought the weird stigma of later centuries around it to be utterly absurd. quite literally would've taken someone's tongue for a snide comment about it. ) so depending on the event , he can be seen in either !
** he doesn't personally wear makeup but if a partner or friend wanted to put it on him , he wouldn't mind all that much.
he does have different hats though his patched one is his favorite & various feathers & skull ornaments are changed out depending on the day. zestial most notably dresses up for events like parties , especially those that might have those he holds in high regard in attendance. ( basically anyone in hell's hierarchy above him lucifer / lilith / charlie , sins or the ars goetia ) or dates. he still dresses suitably for business meetings but far more casual ( as casual as zestial gets lbr ) like what we see in the show.
occasionally adapts styles from later time periods but heavily prefers to be more dressed up , you will never see him touch a t-shirt or jeans. ( but he could be talked into like a more modern three piece suit. )
& lastly , yes he sleeps ( if he does sleep half the time ) in scrooge pajamas unironically definitely has a nightcap & gowns / robes but occasionally will sleep in a nightshirt or simply undergarments as well. functionality over style for him in that department !! i am so sorry.
11 notes
·
View notes
Sending lots of asks today, but I was curious:
I don't think you've written XF fic (which is my exclusive fic wheelhouse, usually), but if you WERE to write XF fic, what would you focus on? Friendship, RST, UST, casefile, MOTW, in-between scenes, or just a drabbles (LOVE me a good drabble.)
Hah! Well, I guess now is as good a time as any; you've outed me! Or, I'm outing myself, since you asked. I actually have written some X Files, but I've never posted any of it. I got back into writing fiction fairly recently, being wildly inspired during lockdown by a tv show called Blindspot (which my original blog @nachosncheeze is based around - I later made @nachosncheezies for other fandoms). I was encouraged by a writer I really respect, and recklessly gave it a go.
I started dabbling with XF a few months ago, when I found myself getting lost in the details on a couple of my Blindspot WIPs. XF has characters I can connect with, but I'm not too much in their heads, if that makes sense. Playing with the Spooky Squad is giving me some practice (especially with dialogue, which I've felt weak at - the ways they talk to each other [and the ways they don't] are SO interesting) and a bit of distance from my other WIPs. The original goal was just to be able to come back to those other ones fresh, but I'm finding I'm enjoying it now, too!
To answer the hypotheticals I suppose it's easiest to look at what I've written in the past. In general, I'm a sucker for angst, I do introspective sorts of character things a lot, and so far everything has been canon-compliant fill-in-the-blanks/extra scenes. At this point AUs, casefic, etc feel a bit too ambitious for me. I've done some ship work but no smut, so not much you could call UST/RST. I think the lion's share of it has been one-shots around siblings and different iterations of [found] family.
When it comes to XF, anything I have/can imagine doing probably fits a similar pattern. My first exercise was an extra Scully/Bill scene for the Reduxes. I wrote it before I knew there was a deleted scene for Memento Mori and I was delighted to find some overlap because it kinda felt like I must be on the right track. 😆 Mostly, I've been playing pretty extensively with season 8. It hits the angst button pretty hard, moved fast enough to leave lots of space for in-betweens, and the second half has some useful places to practice fluff while still indulging my usual angsty "traumatize those suckers!" shenanigans. My house is currently watching 8 too, and I've been challenging myself to try to do a 150-word drabble from Doggett's perspective for each episode. That man is just so earthy and reliable. 💕 Soooo yeah, I suppose if I were to write XF, it would be something like... *gestures broadly*... that. ;D
Huh. Now that I'm chatting about it I guess I actually have a lot. Maybe I'll actually post something sometime. 😂
7 notes
·
View notes
top huddy scenes and why? also they should been endgame and i will be forever bitter because of that the writers don’t like writing happy house
Listen, I've been trying SO hard to make decisions here and JUST CHOOSE, but I couldn't come up with anything too specific because every scene that I ended up choosing somehow made me think of another one. And that's when it hit me: that's the point. House and Cuddy are purposely written that way. More under the cut because this got looooong.
It's not your typical slow-burn because the evolution of their feelings and the evolution of their relationship (and by that I mean their relationship being officially regarded as romantic even though they've always been together in some capacity) happen in two different timelines. It's canon that they've both been interested in each other since their college days as confirmed in Known Unknowns and while their feelings do change over the course of time and their understanding of one another deepens and becomes more detailed (this mostly has to do with them learning about the other's life before they met, especially their family life, see: Family Practice and Daddy's boy), I think the progress that they make individually by the time s6 wrapped up has more to do with the way that they process their emotions rather than feeling something for the first time. This is precisely why there's not really a sense of "oh. they are together now" with them, if you pay close attention, because they've been in each other's orbit for far too long and they've always been not only fond of, but deeply understanding of the other person. There are these tiny ways in which their characters overlap and oppose each other. They wouldn't be able to be such perfect foils if they didn't have just as much in common. I really appreciate this little moment from Humpty Dumpty because it's! only! the! second! season! but these characters have known each other long before we as the audience encountered them for the first time in the pilot. One more thing I love about it is the physicality of it? And I mean it in a completely non-sexual way (even though there's obviously a layer of sexual attraction there too, but that doesn't particularly interest me) because the physical aspect of being is an enormous part of both House and Cuddy's characters and considering how this little moment takes place in s2, the same season House helps Cuddy with the IVF, I take it as a sort of foreshadowing for the bond that will form between them near the end of the season. I especially love how that relates to House's infraction because in that context, Cuddy made a choice that saved his life (a difficult one nonetheless) and him helping her with something relating to her body is his way of trying to protect her from the faith that he suffered. (not to say that infertility and muscle death are the same thing, but you get my point) But alas, ultimately Cuddy's body betrays her, just like House's betrayed his and there's an inevitable and permanent, a brand new form of understanding connecting them now. That's, in my opinion, why Cuddy reacts so strongly to House saying that he wishes he made a different choice back then in Help Me. For once he is verbally, though of course indirectly, but still it's the most direct he's been about it, acknowledging her medical decision and not only that, he's also accepting his reality as a disabled person (before that, House has been trying to deny the differences his leg made to his life which often led to bad outcomes and I think the show did a great job portraying his experience with that) and that's important to Cuddy. That's really how these two function, they will disregard their feelings if they aren't at peace with what their mind is seeing and for Cuddy to see that House has grown as an individual? That's a greater gift than anything he could ever do for her. (though the gifts he gives her are !!!!! and are always focused on her personality and her history, never on the relationship he has with her)
Another moment that isn't only a favourite, but that immensely intrigues me is the famous monologue from 7x14 in which House confessed that he would choose Cuddy over his mind. House and Cuddy are both Mind over Body type of people, the abstract, intellectual world is to be trusted with decisions, them valuing that specific quality in the other ("the most incredible man", "interesting lunatic", House trusting Cuddy with medical decisions regarding his health because he considers to be a good doctor which is saying A Lot from his perspective, "you see the world the way that it is", "you do make me feel funny" House constantly being intrigued by Cuddy with mystery solving being the literal driving force of his character) and their bodies are set on challenging that logic over and over again. (the themes of change and acceptance of change as a natural concept in house m.d. -> the essay I should, but probably won't ever write) And to have House say something that's basically an antithesis to the way these two characters function and walk through life? Cuddy's unreadable expression when he makes that proclamation? Insanity. Many many thoughts, none of them coherent and all of them associated with screaming. They are treating each other like consecutive medical mysteries (in House's case) or interesting school assignments (in Cuddy's case and that's So Big for her because that's the exact aspect of med school that she longs for and misses desperately) and their lives continually making the other person much more complex than those already complicated and challenging concepts, jdjdjdkdkdkd THEM LEARNING ABOUT WHAT IT IS TO BE HUMAN WITH THE ACCIDENTAL HELP OF THE OTHER AND GOING MAD ABOUT IT!!!!!
One last thing I want to discuss is the gender of it all and then I'm really done. House has been shamed for not showcasing traditionally masculine qualities by his father and Cuddy has been misunderstood by her mother due to not being conventionally feminine... Both of them working so hard to "make up for that" in adulthood, their subconscious desire to please their parents, the exaggeration of the typically masculine and feminine characteristics that they are able to find within themselves. (House being determined not to showcase his emotions, Cuddy's love for fashion that will hopefully "make up for" her being the dean of medicine. Not to say that she doesn't like fashion, just that there's a significant part of her identity stored in the clothes that she wears, some of it related to her mother) BUT this is why the "common is boring" conversation from 7x03 (?) is so important narratively and to me, especially from this angle. When they are together, they don't have to try to shove each other into these metaphorical boxes or satisfy the norm.
56 notes
·
View notes