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that one teammate without the mic or Something
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Some general thoughts on the gods on Troy's side, and why they might be:
Aphrodite: Presumably out of affection for her son, Anchises, and Paris. Very potentially, wanting to assure the gift she's given Paris lasts as long as possible? But if this is a factor, hardly something she is beholden to in any way; it'd probably be more about her own pride in that case.
But, given that she also helps protect Hektor's corpse, when he, at least, is no longer able to pay her back for such aid, her affection/aid to the Trojans aren't just for or because of those three.
Apollo: Thetis' warning/prophecy to her son that killing Tennes/a son of Apollo would mean Apollo would kill him (Plutarch, Quaest. Graec. 28, Bibliotethe, Epitome 3.26), then we have Achilles killing Troilus in his sancuary, which would be reason enough on its own but Troilus can also be Apollo's son. There's Apollo so ardently protecting Hektor throughout the war, even/maybe especially after his death (Hektor is also in several sources Apollo's son).
Also his relationship with Hecuba and how in Stesichorus he rescues her. (Could also put Kassandra and Helenos here.)
Part of his defense of Troy might be about "fate" and when it's the "proper time" for Troy to fall, but Apollo's ties to Troy/individuals attached to Troy are more deep-set than that. He is the one to punish Neoptolemos' sacrilege of killing Priam at Zeus' altar. Apollo is also rarely present during vase art scenes around the Judgment, potentially connecting to; Apollo specifically being the one to aid Paris (or in some variants, using Paris' shape) to kill Achilles. Real-world wise, the possibility of connecting Apaliuna(s)/Appaluwa as Wilusa/Troy's patron god to Apollo.
Ares: Unstable ally. Hard to say how consistently he is on either side; Athena says he "only yesterday" on the first day of fighting in the Iliad was loudly pledging to Hera and Athena that he'd help the Achaeans.
Perhaps he's been aiding the Trojans more or less secretly/openly throughout the war, as much because he supports whatever side he wishes on a whim as that Aphrodite (and Apollo?) has asked him to. Either way, certainly not as consistent nor out of any particular affection or feeling of protectiveness for the Trojans.
Artemis: "For, in her pity, holy Artemis is angry at the winged hounds of her father, for they sacrifice a wretched timorous thing, together with her young, before she has brought them forth. An abomination to her is the eagles' feast." (Agamemnon, Aeschylus, line 135) ; this is about the eagles and hare omen, which replaces (or in addition to, as this seems to have happened in Mycenae) the snake and sparrows one. Artemis is put forth as unhappy with Troy's (future) fall/the war.
And, it's of course very easy to see the demand for Iphigenia in reparation for Agamemnon's hubris in a similar way, that if he/the army, wants to go off and kill/enslave innocents elsewhere, he/they has to start at home. She may also be helping her brother, and there is the Skamandrios, son of Strophios, who she herself taught to hunt in the Iliad.
She has independent connections to Troy, and could be one of the more focused on Trojan deities along with her brother and their mother.
Leto: We have nothing, aside from the fact that she is on the Trojan side with her children in Book 21.
But real-world-wise, there's also that Leto was an important goddess on the coast, and in Lycia connected to a Lycian mother goddess. So one could probably make inference for the in-universe reason being as much her siding with her children as that Troy is honouring her (maybe particularly so), along with the rest of the countries on the coast.
Xanthos: intimately woven together with Troy's royal family, as he's married a couple daughters into the line and his (only?) son's daughter married Dardanos.
Zeus: He's technically/actually neutral, a driving force to keep the war going as it "needs to". He's therefore on Troy's side more through the sentiment(s) he expresses or is assigned to him rather than in action.
Particularly so if one turns to the "he planned the war" variants - but these are never about Troy, or Paris, but rather about something much larger than any fault any individual Trojan or Troy has a whole as made themselves guilty of. [Though individual mortals in the Iliad, and in later sources, both tragedies and lyric, will imply that it's Zeus as god of xenia that ensures his working towards Troy's destruction, rather than any plan that has little to do with Troy.]
For his connections to and being for Troy, have Proclus' summary of the Kypria for example, where the plan mentioned at the end is to "relieve the Trojans" specifically, and that phrasing turns Achilles' anger and Zeus acting to fulfil his demands not about Achilles' honour, but about aiding Troy. In Pindar's Paean 6 (fragmentary), Zeus is said to "not dare to change fate [the destruction of Troy]", easily to implicate that he otherwise might, because he would wish to.
More important, perhaps, is his statement that Troy is his most favoured city, and how Hera offers up three of her favoured cities for Zeus' one, how he wishes to save Hektor, and the description in the Iliad (by Poseidon) that Dardanos was the/one of the sons [by mortal women, though Elektra couldn't have been that] that he loves the most.
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Sometimes, I just wanna draw something with a focus on one part of a whole. Sometimes, it happens to be hair. Like now... Just wanna draw hair. I adore people that can draw the beautiful draping, weighted hair that lays so nicely. I can never get there fully, but I do like what I can come up with sometimes...
Anyways, this is just a WiP :) it is of my Human Warlock, Graece. She’s the happy go lucky lady that loves everyone. Her husband is a worgen named Ollie and he is usually in his worgen form. He is very affectionate to her and she loves every minute of it.
I did get the pose from this: https://www.pinterest.com/pin/288511919875680341/
Just in case anyone was curious. It won’t let me find out who did it. Just keeps trying to make me download it. :\
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Where does your power lie?
The mouth
Sharp teeth, sharper tongue, all growl and bark and bite, bite, bite. your power is gritted teeth and set jaws, quick and powerful words, decisive actions. everything you do is so personal and vulnerable - the way you love, the way you are loved, the way you attack, the way you drink in and feast on life.
Tagged(?) by: @expvrgction
Tagging! nobody
Art by: graec
#no reason(madness combat)#no remorse(hank j. wimbleton)#only madness(ooc)#frame by frame(headcanons)
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No eloquence of the reasons for the power of his father, the traditional way, he stumbleth, is to the force, the whole question is to be faithful, they will not. Football sale of beauty, goodness.
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@plateform_radio_show Recorded live, Vinyl only, enjoy! Tracklist: 01. Rift Valley - Counter Point 02. Natural Resource - Bum Deal 03. Laster - Searchin 4 Meaning 04. Tha Chamba - Don't Sleep 05. Raheim - Life After Hip-Hop 06. Izm Da Mad Soul - Illusiv 07. The 45 King - Untitled (feat. Big Pooh, Champain & Kid Capri 08. Common & Mark The 45 King - Car Horn 09. Rubbabandz - Purple Rain 10. Tha Tribezmen - Peep Into The Mind 11. Spaztik MC - Combination (feat. March The 5th) 12. The Creators - It's Like That (feat. Big Kwam, M.C.M. & Tru) 13. Twisted Mind Kids - Rare Form 14. World Renown - Come Take A Ride (Revibed) 15. Vic Monsoon - That Kid Is Nice 16. Mod The Black Marvel - Make It Happen 17. @djboora - Dolina Dolinushka 18. Artifacts - Art Of Facts (Vinyl Reanimators Remix) 19. Chuck Chillout - 8 MC's On The Freestyle You Suckers (feat. Jockey, Maestro, Mcmahogany, Prince A.D., Silk Kc, Sleepy Wonder, Spark Plug & Yafah) 20. Shadez Of Brooklyn - When It Rains It Pours (Survival Warz!) 21. Masta Ace & Bald Head Slick - Conflict 22. Consequence - The Consequences 23. Ultra - The Industry Is Wack (@evidence Remix) 24. Ultramagnetic MC's - Raise It Up (feat. @real_godfather_don ) 25. @mrvoo718 - Hemlock 26. Da Unsung Poets - Movin' On 27. Polyrhythm Addicts - Big Phat Boom 28. A Tribe Called Quest - Peace, Prosperity & Paper 29. T.D.K - Street Life Remix (Dirty Version) 30. Da Noe Doe Network - Take A Journey 31. Da Youngsta's - Wild Child (@the_beatnuts Remix) 32. Most Desh - Hip Hop Is Livin' 33. Nomaads - The Ultimate 34. Zeebra - The Untouchable 35. @jeru_thedamaja - You Can't Stop The Prophet (Pete Rock Remix) 36. Ruggedness Madddrama - Me And My Squad #liveradio #radioshow #boombap #realhiphop #hhvde #lylradio #lyon #vinylonly #vinyls #records #allvinyls #instrumentals #ukhiphop #beats #90sindie #vinyljunkie #vinyladdict #indierap #lyon #beats #goneupradio #undergroundhiphop #rapfrancais #frenchrap #ukrap (à Berlin, Friedrichsain) https://www.instagram.com/p/CNhT4-grAEc/?igshid=1zaodmrnmvx4
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MultiDisiplinary Art House
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Music and Art
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Music and Art
Pri graece placerat perfecto et. Molestie officiis ut eum. Ad sit commodo alterum. Ne odio feugait ocurreret sea, mea porro patrioque ea. Eam agam fabellas et, fugit minim eu his, scaevola facilisis duo cu. At error legere accommodare mei, vocibus fastidii molestiae cum no, has at imperdiet voluptatibus.
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Music and Art
Pri graece placerat perfecto et. Molestie officiis ut eum. Ad sit commodo alterum. Ne odio feugait ocurreret sea, mea porro patrioque ea. Eam agam fabellas et, fugit minim eu his, scaevola facilisis duo cu. At error legere accommodare mei, vocibus fastidii molestiae cum no, has at imperdiet voluptatibus.
Id eos solum prodesset, in pro populo impedit hendrerit. Ad qui nostro accusam. Cu nam quas…
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herobrine
#yes i still love him so dearly#i have an embarassing amount of minecraft thoughts#could expand on them here later if anyone cares#but giggles. herobrine sillay#herobrine#minecraft#minecraft fanart#graec art
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«E' monimenti», cioè le sepolture. Le quali per molti nomi chiamate sono; e averne alcuna volta fatta menzione in ammaestramento di coloro che nol sanno, non sará altro che utile. E qui viene in destro, perché in luogo di supplicio son date agli eretici. Chiamale adunque in questo canto l'autore: «sepolcri», «avelli», «arche», «tombe», «monimenti»; nominansi ancora: «locelli», «tumuli», «sarcofagi» e «mausolei», «busti», «urne». Chiamasi adunque «sepolcro», quasi «seorsum a pulchro», percioché è da cosa bella separato, conciosiacosaché i corpi corrotti, li quali in essi sono, siano turpissima cosa a vedere. Perché «avello» si chiami, è detto davanti. Chiamasi «arca», percioché assai, essendo di pietra e di marmo, hanno quella forma che hanno l'arche del legno, nelle quali molti conservano il grano e le cose loro; ed è detta questa «arca», percioché ella ha a rimuovere il vedere delle cose che dentro vi sono, o il ladro da poterle tôrre, e di quinci viene «arcano», la cosa segreta. Chiamansi «tombe», percioché, essendo sotterra luoghi concavi, par che risuonino o rimbombino; e perciò si dice «tumba», quasi «tumulus bombans», cioè cosa rilevata che rimbombi. Chiamasi «monimento», percioché «ammoniscono» la mente de' riguardanti, recando loro a memoria la morte o il nome di colui che in esso è seppellito. Chiamasi ancora «locello», quasi «piccol luogo», per rispetto del grande, il quale vivi vogliamo occupare e occupiamo, e poi, morti, in picciolissimo luogo capiamo. Chiamasi «tumulo», quasi «terra gonfiata e rilevata», sí come talvolta veggiamo sopra i corpi che nuovamente sono seppelliti in terra; e, oltre a ciò, solevano gli antichi fare sopra i corpi de' nobili uomini alcuno edificio alquanto rilevato, il quale avesse a dimostrare il luogo dove quel cotale fosse stato seppellito; de' quali noi veggiamo ancora oggi per lo mondo assai. Chiamasi «sarcofago», percioché in esso si consuma la carne di chi v'è dentro seppellito, e dicesi da «sarca», graece, che tanto vuol dire quanto «carne», e «paghos», che tanto vuol dire quanto «mangiare»; e in essi i vermini mangiano la carne del seppellito. Chiamansi ancora «mausolei», e questa è nobile spezie di sepolcri, sí come son quegli de' re e de' gran principi; e chiamansi cosí da Mausolo, re di Caria, al quale, morto, Artemisia reina, sua moglie, fece una mirabile sepoltura. La quale, secondo che l'antiche storie testimoniano, fu di spesa e di grandezza e d'artificio maravigliosa; percioché Artemisia, ogni femminile avarizia posta giú, fece chiamare a sé i quattro maggiori maestri d'intaglio e di edificare che al mondo avesse a' suoi tempi, i nomi de' quali furono Scopas, Bryaxes, Timoteo e Leochares; e fuori d'Alicarnasso, sua real cittá, comandò loro che ordinassero, senza avere riguardo ad alcuna spesa, il piú nobile e il piú magnifico sepolcro che far si potesse. Li quali, preso uno spazio quadro, la cui lunghezza fu sessantatré piedi, la larghezza non fu tanta, l'altezza fu centoquaranta, il circúito del quale cinsero di trentasei maravigliose colonne; e quella parte, la quale era vòlta a levante, dicono che intagliò Scopas, e quella che era a tramontana Bryaxes, e quella che vòlta era in ponente lavorò Leochares, e la quarta Timoteo; li quali in intagliare istorie e immagini, ovvero statue, posero tanto studio e tanta arte, per dover ciascuno apparere il migliore, che, molti secoli poi, assai agevolmente apparve agl'intendenti questi maestri avere lavorato per disiderio di gloria, e non per guadagno; e cosí infino al disiderato fine il produssero. Appresso a' quali vi venne un quinto artefice, di non minore ingegno che i quattro primi, chiamato Yteron, il quale per ventiquattro gradi ragguagliò la piramide, cioè la punta quadra superiore; e poi vi s'aggiunse il sesto, chiamato Pythis, il quale nella sommitá di tutto il dificio fece una quadriga, cioè un carro con quattro ruote, tirato da quattro cavalli, con maraviglioso artificio composta. E in questo finí il lavorio di tanta bellezza e sí magnifico, che lungo tempo fu annoverato l'uno de' sette miracolosi lavorii, li quali in tutto il mondo essere allora si ragionavano. E da Mausolo fu «mausoleo» nominato; e cosí, come detto è, ancora si nominano le maravigliose sepolture de' re. Chiamansi ancora i sepolcri, «busti», e questi son detti da' corpi «combusti», cioè arsi, sí come anticamente far si soleano. E chiamansi «urne», le quali erano certi vasi di terra e d'ariento e d'oro, secondo che color potevano che ciò facevano, nelle quali, con diligenzia ricolta, la cenere d'alcun corpo arso dentro vi mettevano. E questo basti aver de' sepolcri detto. Séguita: «son piú e men caldi», secondo la gravezza maggiore e minore del peccato della eresia di quegli eretici che dentro vi son tormentati.
Giovanni Boccaccio - Esposizioni
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While the korkors and jiejies are working on their individual art pieces, Ryan got himself occupied doodling away with markers.. while Reon and Graece worked on a princess minion.. taking the opportunity to teach the kids about sharing and teamwork. They even had fun posing & jumping for the camera.. Saturday 16 September 2017 #jnah #jnah2017 #jnahroyce #royceemmanuel #royceschoollife #royceemmanueltan #roycekindergarten #jnahreon #reontheodore #reontheodoretan #jnahryan #ryanmatthew #ryanmatthewtan #sgparents #singapore #stanneschurchkindergarten #birthdayparty (at Compass One)
#reontheodoretan#royceemmanuel#roycekindergarten#ryanmatthew#ryanmatthewtan#jnahroyce#stanneschurchkindergarten#reontheodore#jnahryan#birthdayparty#sgparents#royceemmanueltan#jnah#royceschoollife#jnahreon#singapore#jnah2017
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hello tumblr
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for my friend, who enlightened me with the idea of butch deimos
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