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#is it a general tbosas theme?
its-tea-time-darling · 5 months
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i need to figure out which theme plays during the scarf sniffing scene
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lucy-ghoul · 2 months
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the only wrong katniss everdeen ever committed is being a cat hater
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ichorai · 5 months
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wool ; coriolanus snow.
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pairing ; young!coriolanus snow x capitol!reader (gender-neutral)
synopsis ; when you laughed, airy and light and reminiscent to that of wind chimes, coryo wished he could bottle up the sound and keep it as his, only his.
words ; 1.5k
themes ; mild fluff/angst, slightly suggestive
warnings / includes ; set before events of tbosas so no actual spoilers, making out, clemensia appearance, mentions of other characters, coryo's paranoia, he's not exactly toxic yet but the seeds are very much planted, i tried to keep him in character as best i could, let's pretend the academy also serves dinner
a/n ; this man has consumed me body and soul. this fic was inspired by the song wool by flatland cavalry on the movie soundtrack! let me know if you guys would like a second part :)
series masterlist. main masterlist.
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Coriolanus Snow was a wolf in sheep’s clothing. He bore an aristocratic last name—yet you noticed that his dress shirt’s buttons seemed to be various different shades of black and slightly misshapen. His voice, so sweetly saccharine, charming, seductive—would whisper falsities like it was second nature. He would often claim that he wasn’t hungry, but you’d catch the longing glint in his pale irises as he eyed the steaming bread rolls Sejanus slathered with generous helpings of butter. 
Control. That was all he needed. 
It crumbled, ever so slightly, when you nudged your slice of apple pie in his direction. His eye twitched, and you pursed your lips, pulling your plate back to you. You ate quietly, and Coryo stared at you all the while, as if he were mentally dissecting your mind—studying you. 
You knew. It was all too clear, even if he wouldn’t tell you. And if he wouldn’t tell his closest friend—or, the closest thing he had to a friend, the two of you certainly did things that friends wouldn’t do—he most definitely wouldn’t let it slip that he was financially strapped to anyone else.
That same day, he met you in the back of the library. The two of you were supposed to be studying history—Professor Demigloss was one of the nicer teachers at the academy, but that didn’t mean he was any less strict with grades. And neither you nor Coryo could afford slipping now. Not if you both wanted to get into university. Being on top meant that there was only greater distance to fall.
But there were… distractions.
Mainly, his foot knocking against yours under the table. Your hand over his jostling knee. His teeth digging into his bottom lip. When you shifted so that your thighs brushed against his, the books spread out over the table were entirely forgotten.
He pushed you against the bookshelves a mere second later, the wood digging into your back uncomfortably, and kissed you until you grew dizzy. You were a welcome distraction—he could taste the apples on your tongue. The way you snaked your arms around his neck, toying with his pale blonde curls, pulling him closer until his body slotted against yours just perfectly—clicking into place like a pair of magnets facing opposite directions. It was desperate and heavy and he could only barely pull away to inhale sharply before cradling the base of your head to tilt your jaw back and kiss you even harder. Coryo swallowed any muffled whimpers that slipped from you when his free hand traveled lower.
Lower, lower, dangerously low—
When Clemensia’s voice echoed through the library in search of her lab partner, the two of you sprang apart, gasping for air.
She rounded the bend, and her dark eyes landed on the two of you. Keen, observant, narrowed. Coriolanus was flushed, hair mussed, lips swollen, chest rising and falling erratically. You were looking anywhere but the two of them, smoothing out your clothes and wiping your mouth with the back of your hand.
“Oh! I guess I’ll just have to find another time to bother you, Coriolanus,” she tittered, sickly sweet. She tilted her head with a tempered smile. “What’re you guys studying?”
Snow rolled his eyes in exasperation. “History,” he said. Curt, simple.
“Right.” She eyed you curiously. When she spoke again, it was directed more to you than him, sounding uncharacteristically void of frigid scorn. “I’d be careful if I were you. You sure he’s not just sleeping with you because you’re the top of the class?”
You stiffened, and Coryo bristled. 
“I’ll be fine, Clem. See you tomorrow.” 
There was another beat of terse silence. Her eyes darted warily between the two of you, and she whisked away in a flutter of red and black.
You blew out a breath. Your mouth tingled with the phantom memory of his lips planted over yours, and your cheeks flushed with heat. The two of you sat back down, both quiet. You worked in fluid tandem with each other, as you always did. His hands kept to himself this time. 
“I’m not using you,” he whispered, eventually. “It’s not like that.”
“I know,” you replied hesitantly, testing the waters. “It’s not like you’d need to. Your grades are just fine as is.”
The two of you kept working until your fingers cramped with overuse and his head pulsed with the beginnings of a migraine. 
“Dinner?” you asked once the clock struck six, nudging him. “I think they’ll be serving mashed potatoes today.”
His stomach clenched at the thought of warm food. Control.
“Sure,” he replied coolly, flicking his books closed and gathering up all the papers to stuff into his bag. “I’m sick of mashed potatoes, though.”
You shot him an incredulous smile, brows quirking up. He was lying, but you didn’t know. “Not even when it’s seasoned with roasted garlic? A dash of the freshest of herbs?”
The blue of his eyes gleamed when they bore into yours. “Not even then.”
“You’re a strange man, Coriolanus Snow.” Your lips twisted downward, but it was more of a smile than a frown. When your eyes darted below to glance at his school uniform, you couldn’t help but notice the unironed creases in the carmine fabric. One of the buttons—the very top one—was oddly shaped and a different color from all the rest. It reminded you of his dress shirt. You quite liked that dress shirt. He looked handsome in it, but you chalked it up to his uncanny ability to look handsome in just about anything.
Your head tilted to the side, molten eyes fixed on the button. You knew. He knew that you knew. Panic seized in his chest, an irrational clawing sensation searing within his lungs. Would you tell the rest of the class? What would you say to them? That he was living as filthily as a District boy? That he skipped meals because he couldn’t afford them? That his cousin mended his clothes for him?
But your frown-smile deepened. Fondness stained your expression, clear as day. Coriolanus found himself surprised, as he often did around you. 
“I love your buttons, by the way,” you mumbled, reaching out to trace it with a finger. He held his breath on instinct. “Is it a stylistic choice? Having them all irregular like this?”
Stylistic. Coriolanus almost laughed.
“Mhm. It’ll be in fashion one day. I’m just ahead of the trends,” he murmured charmingly. A bluff.
When you laughed, airy and light and reminiscent to that of wind chimes, Coryo wished he could bottle up the sound and keep it as his, only his. 
“Maybe I’ll start wearing mismatched buttons now, too. Rebel against uniformity.” You stood up from your chair as you spoke, not catching the way Coriolanus’ expression faltered momentarily with your last three words. It was a joke, he had to remind himself. Just a joke. “Come on. Let’s go have dinner. I’m starving.”
He jerkily stood up. Grabbed your hand just because he could, fingers folding over your wrist. He could feel your pulse, thumping quicker and quicker. You regarded him curiously. Snow’s remaining spindly hand cradled your face and he stepped closer, intuitive eyes roaming over your face, wondering just how much of you was real. How much of you was lying, just as he was?
His lips fell over yours again. This time, the kiss was sweeter. Slower, more languid. His nose brushed over your cheekbone, warm to the touch. You hummed pleasantly against him, before placing a hand flat over his chest—over the crooked button—and pulled away with a dazed smile. It felt dangerously good that you hadn’t tugged your hand out of his grasp yet. His grip tightened in a near possessive manner.
As the two of you began walking out of the library, Coriolanus couldn’t help but think back to your hyperbole—about how far from starving you truly were. You wouldn’t ever know, not when your family was the very epitome of Capitol wealth. But he was glad he wasn’t the only one lying, for once, even if your lie was merely an inflation of the truth. 
After dinner, Coryo worked off the top button of his uniform with repeated tugs to the threads, pulling apart Tigris’ handiwork. He slid it over the table to you, watching the way your countenance softened in endearment. He kissed you again in the dark hallways outside the cafeteria, finding it difficult to get your lips to melt away from your tightly-stretched grin.
He walked home with a mirroring smile and a missing button that night. One less piece of the wolf’s sheeply clothes.
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thestarlightforge · 5 months
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TBOSAS Meta
This started as a couple-paragraphs-long Everlark & Coryo x Lucy Gray rant. It turned into an essay on the politics of systemic oppression and how we illustrate it in fiction, with The Hunger Games and Ballad as case studies. Regardless, I hope others enjoy, lol. This is where my brain lives, now, as I expect it will the rest of 2023. Cheers!
***
It’s been interesting, the last few days, some of the discourse that’s popped up around TBOSAS. FASCINATING political discussions, as I’ve come to expect for a Suzanne Collins release. (#1 in my heart.)
Personally, I always separate books vs. movie canon with her franchise. With the OG Hunger Games, sometimes I felt the films were better—like she got another pass at it and REALLY took advantage, and utilized the hell out of taking it out of Katniss’s first-person POV to develop other characters and the world (still without detracting from her narrative)—while for some details, I preferred the books.
With TBOSAS, though, the book and movie feel almost entirely different to me.
There are MANY shared elements, of course, and I feel either version gels quite nicely with the OG franchise. It’s not even that there’s that many continuity differences—some things cut or altered for time, sure, but the bones of the plot are the same. Both illustrate astute political commentary, Coriolanus’s descent into madness, Tigris’s shift in position on him (foreshadowing her full turn by Mockingjay), and Lucy Gray’s role in his life in both his initial downfall and his defeat by Katniss. The actors and creative team all did BEAUTIFUL work bringing it to life, and I honestly love both versions.
But fans who mainly like the book may be frustrated by the sympathy Coryo garners in the film.
Normally, I’d say this is because the book reveals more internal monologue—and it does. But honestly, one of the things I was most impressed by in this film was how legible the actors’ internal monologues were. It was clear, the amount of work they all did to that end. So I don’t know that it is just more. I think it’s also different.
Book Coriolanus devolves much earlier and more obviously. He starts from the same pressed circumstances and has moments of goodness, but he becomes the villain we know him eventually to be pretty damn fast.
Film-Coriolanus has a much slower descent. Ironic, honestly, given the film has far less time than the book does.
I think as a result of this, I’ve seen discourse comparing beats in his relationship with Lucy Gray to Katniss and Peeta. For example, that beautifully shot/choreographed/performed scene in TBOSAS with him and Lucy Gray on either side of the fence after the bombings that night, where they almost kiss and he asks her, “Is this real? If I’m going to risk everything?” being compared to Peeta’s long game of “real or not real” throughout Mockingjay. Everlark folks (rightfully) pointing out that for Peeta, the refrain is about shared trauma, especially between him and Katniss, and both of them grounding their relationship in mutual trust—while asserting that for Coryo, the same refrain comes from a place of selfishness.
I get where this opinion comes from: President Snow is probably one of the most violent, sadistic, genocidal dictators in modern popular fiction. His relationship with Lucy Gray started as transactional—even more acutely in the book. Nearly everything Book-Coryo does is for his or his family’s personal gain.
But to me, half the beauty and tragedy of the film is this delicious possibility—the hope—they showed us.
THG has always had a strong anti-war philosophy in general, with through-line commentary on showmanship, propaganda, surveillance and performance: The recurrent themes of cameras always bring on them, the arenas and entirety of Panem being a stage/game—and how those things impact authentic human relationships. Everlark hit for so many because of the ways authenticity bloomed out of that hellish, contrived pit. Coriolanus and Lucy Gray’s relationship started out similarly contrived: Thrown together by the politics of the Academy, the uprising, the districts, the Capitol and the Games—helping one another survive. Largely unlike Katniss and Peeta, they both played the game intentionally, to varying degrees. (Personality wise, these four really have almost nothing in common, lol.) Lucy Gray is a good person, both in the end and from her start (unlike the terrorist Coriolanus becomes). But she is a performer. He’s right about that.
So honestly, I don’t see much purpose in reading Peeta’s question as valid while Coryo’s wasn’t. I think that judgment is colored by dramatic irony—us knowing who they each become. But in theatre, we talk about living honestly in imagined circumstances. It’s used in a lot of acting techniques, but particularly for people playing villains. To stay grounded in the truth of it, you have to believe honestly in the imagined moment, not the gestalt; Leslie Odom Jr. was a great Aaron Burr because every performance, he believed in the whole journey, from hope to ruin. Tom Blythe was a great Coryo because he invested in the earnest reality of Snow as a young man, not the devil we know he becomes. And at that point in the story, at the cages that night with Lucy Gray, Coriolanus was honestly grounded in similar struggles as our OG heroes: Trying to provide for and protect his starving family. His family (and the Capitol at large) reeks of privilege, and his prejudices were obviously flawed. But in his developing love for her, he was steeped in starvation, the same political forces as lashed all citizens of Panem, and was clawing his way from beneath just as much Capitol propaganda as people from the Districts—perhaps even more so, given his Grandma’am and how his father died. Because of their given circumstances, politics bled into everything—but eventually, so did feeling, and they had several moments of genuine bonding, trust and connection which the actors invested in beyond their political need for each other. There’s a constant push and pull: Holding hands at the zoo for the cameras was political; her reaching for his hand in the arena visit was less so. The first “Stop treating me like I’ve already lost” in front of everyone was wit-soaked survival, while “Please don’t let me die in that arena tomorrow,” near-whispered and with hands held between them where the camera would struggle to see, bled into real vulnerability. Saving him from the other tributes in the cage-ride to the zoo was about survival; risking her life to go back for him when the arena was bombed was at least a mix. Her motivations for singing in her interview are complex—perhaps guilt that a “rebel” attack nearly killed Coriolanus, his advice she’d get the most money that way—but I feel strongly that a non-zero amount of her was motivated by wanting to demonstrate that she trusts him, which for her is even higher-prized than love. And I also feel that, after the hospital and her “final performance”—leading up to their near-kiss at the zoo—Coriolanus scoped out the arena (and ultimately took all those risks to help her cheat the Games) both because he wanted the Plinth prize, in theory, and because he increasingly desperately wanted her to live.
The waters between them were thoroughly, legitimately muddied—which I believe was intentional, that constant tension between authenticity and politics. And as much as he was falling for her, Coriolanus saw that Lucy Gray was just as clever and good at crowd-work as he was—maybe better.
So to circle all the way back to this Everlark comparison: Given the absurdly multilayered situation, is it really that selfish or unreasonable he would check in with her during that moment through the fence? That this child—wrapped in oppressive patriarchy, violence, starvation and propaganda—would ask for reassurance before he was willing to be vulnerable, or to potentially risk his family’s lives?
Some artists are hesitant to engage with the humanity of “villains,” their origins, because they feel humanizing them excuses them. In real life, I get this: Second chances aren’t always the answer, and people need to be held accountable. But isn’t it more powerful storytelling to demonstrate the corrosive nature of all systems of oppression in our fiction, to show how they can corrupt even those who try, than to condemn people before they’ve even had a chance? Isn’t the beauty of Lucy Gray’s whole thing that everyone starts out good, and it’s our job to choose to stay on the right side of that line?
And when President Coriolanus Snow finally chokes on his last rose, wouldn’t it be a more satisfying victory if we imagined him as a real-feeling person—full owner of sixty years of horrifying choices—rather than a cartoonishly evil cardboard cutout?
Book-Coryo has a more obviously manipulative/evil streak, much earlier on. To make it plain: He’s an ass, and his “love” for her reads more like obsession. But my favorite aspect of the film (and I feel one of the most compelling) was how it illustrated that these systems of oppression can make tragedies of almost anyone: All but those at the very, very top. Suzanne’s anti-capitalist politicking—how classism turns everyone below the 1% against each other, where the “upper middle class” (doctors/lawyers/actors) is vilified to the poor as a red herring while a handful of robber-baron CEOs amass almost all wealth on the planet—strikes again. She, Francis Lawrence, the film’s creative team and these actors came together to put tragically human faces on that struggle—how hard it is to stay a good person amidst intense, violent, systemic oppression.
But none of that sings quite as true if you go into it having decided that Coriolanus was evil in his bones. The stakes are so much higher, richer, otherwise. If his love—for Tigris, for his family, for Sejanus, and yes, for Lucy Gray—was, or became, authentic.
It’s not a descent into madness if he’s already mad. Or, as he put it in the original Hunger Games film: “Hope. It is the only thing stronger than fear.”
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coryothesub · 2 days
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Sinful Desires
So I’ve been dabbling in some more kinky / taboo themes lately which prompted me to write this as a special treat no one asked for. Basically I have no excuse for this and sorry if I got any tbosas lore wrong because I haven't read the book
nsfw / mdni / sub!coryo / stepmom!reader / stepcest / breeding kink / mentions of underage sex work
You married Crassus Snow as soon as you turned eighteen. Looking back you could say that you were truly in love with the tall, handsome general. However for him you were just a warm body to sleep next to and tight pussy to drown his sorrow after the unfortunate passing of his beloved wife. His decision to remarry had definitely come too soon and you were definitely too young to even understand the implications.
After you received the news of your husband's tragic death, you decided to stay with the Snows, because you simply had nowhere else to go. Just like many others, your family had been torn apart by war and even the house you’d grown up in was now bombed to shreds. Your only options were to be poor or to be poor and homeless so you opted for the first one. 
You were always on good terms with Tigris. Daily struggle to sustain the family had brought you two pretty close especially because you both were forced to do the same unspeakable things just to maintain the food on the table and the roof above your heads.
First you categorically refused to bring her into that, but realizing it was getting harder and harder to make ends meet with your own endeavors and after thousands of silent and desperate “I’ll be fine, if you can do it then I can do it too” you finally gave in and introduced her to some men for whom your ripe age of twenty five was already too old to satisfy their needs.
You both didn't have much choice anyways since Grandma’am simply refused to move into a smaller apartment, let alone leave the Capitol. Apart from that and her other weird quirks she seemed to be a pretty nice lady. At least as far as you knew the right patriotic buttons to push in order to stay on her good side. 
Crassus’ son Coriolanus or Coryo, as Tigris used to call him, didn't seem to like you one bit. He considered you an intruder, an unfair replacement to his mother that did nothing but reminded him of his family's tragedy. 
Over the years Coryo seemed to have learned to tolerate you, mostly because he felt somewhat grateful for all your efforts, but still he remained cold and distant. You didn't particularly mind that, because you had no idea how to raise a young man. You felt pretty happy that he didn't ask you any awkward questions and managed to figure out everything himself. 
Sometimes during his teenage years you noticed Coryo secretly watching you while you were changing or getting ready for a bath. On some occasions he even touched himself while doing it trying to suppress his little moans by biting into his fist. You always knew he was there, but you never confronted him. You knew full well it would make your coexistence very awkward for both of you and frankly you found it pretty amusing.
After all, he was just a silly little boy for you until the time his nineteenth birthday came around. It started even earlier if you thought about it. After Coryo returned from his service in District 12 and got his hands on the Plinths' fortune he turned into a completely different man.
Coryo always had the taste for finer things in life and when he finally got the means to fund it, you only saw him wearing tailored dress suits and perfectly polished shoes. Even his whole posture had changed and when he passed you in the dining room followed by an intoxicating wave of expensive cologne, instead of the anxious malnourished boy you had known for most of your life you saw a fit and handsome young man that reminded you of your late husband so much.
Your run down penthouse was completely refurbished to suit your stepson’s taste and he showered all three of you with lavish presents, encouraging you to throw out your old things.
Finally he could have the life he had always envisioned. And every last memory of your humble existence after the war had to be exterminated and written off into oblivion.
Coryo had become confident, strong and ambitious. Some might say even ruthless. It was hard for Tigris to accept those changes and she grew more distant with her younger cousin. They barely spoke, she was mostly just looking at him with sadness and disappointment in her eyes.
Coryo didn't seem to care about that much. He didn't care about other people's feelings in general. But there was one interesting detail. The colder he became to others, the more delicate and gentle he was with you.
He always wanted to be in your vicinity, lighting your cigarette, opening the door for you or helping you to put on your coat. He always had to do a little something just to remind you he was there. He even pretended to care about your opinion, giving you the most dashing smile every time you seemed to agree with what he had actually already decided.
And the weirdest thing about that all was that he had started to refer to you as “mommy”. He had never called you that before and there was no particular reason for starting it now, especially because it seemed to make Tigris extremely uncomfortable.
And it sounded pretty eerie for your ears too, especially because Coryo always accompanied the word by giving you this one specific look that radiated childish naivety mixed with a hint of pure lust.
It always made your heart skip a beat, especially because in some weird twisted way you wanted it too. The sheer hunger in his icy blue eyes made your pussy tingle and after those interactions you always had to go to your room and touch yourself, your pleasure overshadowed by shame.
After all, you weren’t dead yet, you were just a woman in your early thirties and you hadn't been touched by a man since you had stopped selling your body. But for god's sake he was your stepson! You really needed to find some dick, before things spiraled out of control.
One day you returned to your room after running some errands and found a gift box on your bed. It was adorned with a crimson satin ribbon and a single white rose. You found an envelope laying next to it.
You opened it with trembling fingers, the strong rosy scent of Coryo's cologne filling the air. Inside the envelope there was a card with a few words in your stepson's neat handwriting.
From Coryo to Mommy with love…
You sighed and opened the box, finding a snow white, neatly folded piece of clothing inside. You couldn't really call it a nightgown, it was more like a negligee. You lifted the delicate item against the window, seeing the sunlight pass right through it. Of course it was nearly transparent apart from the exquisite hand made lace embroidery.
Coryo's taste was flawless as ever, you had to admit that, but this had to stop! You were gonna tell him tomorrow. But it wouldn't hurt anyone if you tried it on tonight, right? Just for one night, no one would find out, and you would demand him to return it tomorrow morning.
That night you put Coryo's present on and marveled at yourself in the mirror. It looked like a lacy cloud hugging your naked body so nicely the outline of your feminine curves visible through the sheer fabric. You turned around then moved your hips in a suggestive way flirting with your own reflection in the mirror. You couldn't remember the last time you had felt so desirable.
After pairing the negligee with a pair of white cotton panties, you went to bed. Just as you were drowsing off into your sleep, you heard the door creak before someone opened and closed it quietly. You rubbed your eyes and switched on the night lamp just to notice Coryo standing by your bed wearing nothing but his tight white undies and a loose fitting silk robe. His hair wasn't perfectly styled as usual, instead his blonde curls were falling freely around his face.
“Mommy?” He gazed upon you with the most innocent look in his baby blue eyes. “Can I sleep in your bed tonight?”
Coryo had never slept in your bed, even when he was a young boy often haunted by terrible nightmares, Tigris was always the one who comforted him and sang him to his sleep, you were just sitting on your bed listening quietly until you were sure the boy was alright.
You knew full well what his true intentions were. You had to act like an adult.
“I really don't think it's the best idea, Coriolanus,” you tried to sound strict and inexorable.
“Please, mommy! It's so cold and I can't sleep. I feel embarrassed to go to Tigris and ask her for a lullaby, not to mention we’re not on the best terms right now,” he was looking at you, his blue eyes wide and desperate.
“Please, please, just this one time!”
You sighed deeply and gave him a faint nod.
“Alright, just this time!”
To your surprise Coryo threw the robe off his shoulders and pulled down his underwear, revealing his long, handsome half hard cock, its tip looking so velvety and just as pink as his lovely lips.
You were so caught off guard that you didn't even manage to make any protests before he jumped into your bed and glued himself to your side, burying his face in the crook of your neck.
“Mommy…” he whispered against the sensitive skin of your neck, making you shiver. “I’ve been having the worst nightmares… About the war, about all the things we had to do to survive. I’ve tried everything to make them disappear, but they keep coming back…”
You knew this was your last chance to stop this, you had to push him away, order him to leave your room immediately and never come back, but instead sinful words of encouragement just spilled out of your mouth.
“It's alright, babyboy! Mommy's here and you're safe with me,” you hummed gently as your hand caressed his golden curls. 
God, this felt so wrong on so many levels especially feeling your stepson's now fully hard cock pressing against your thigh, waiting for what seemed to be inevitable at this point.
“Thank you, mommy, you’re always so good to me,” you heard Coryo say just before feeling his lips on your neck. He kept kissing your soft skin and teasing it with his tongue, you felt your pulse running wild and you knew he probably felt it too.
Coryo's hand, previously resting on your shoulder, was now traveling down, his fingers dove under the lacy fabric of your negligee and started drawing circles around your nipple making your breath speed up.
“Coryo what are you doing?” Your mind still felt as you had to resist the pleasant feeling although your body was enjoying it so much.
He looked at you ever so innocently.
“I read that fidgeting something with your fingers can be really calming,” he said, playing with your nipples and tweaking them gently. “I just wanted to test that theory, it seems like it truly works…”
You just sighed, feeling your whole body filling with the insuperable feeling of pure lust, your nipples were rock hard under Coryo's masterful fingers and you felt a treacherous wetness pooling up in your panties. You hated that your own body was betraying you like that under your stepson's salacious touch.
“Mommy, you have such beautiful breasts…”
You inhaled sharply as Coryo's lips wrapped around your nipple, starting to suck hungrily, while his hand traveled further downwards. It easily found its way between your thighs and dove under the waistband of your soaked panties.
“Oh,” he cooed, dipping his fingers in your wetness. “Mommy really needs her babyboy to help her out, huh?”
“Shut up, Coriolanus!”
You grabbed a fistful of Coryo's curls and pulled him away from titty to smash your lips together in a passionate kiss, he felt so needy and desperate as he was exploring your mouth panting softly as you felt his erect cock pressing to your thigh, leaving a trail of precum from its leaking tip.
“Oh fuck, Coryo,” you whispered his name against his lips feeling him pushing his long slender fingers inside you. Your wet cunt that swallowed them so easily. You were literally dripping around his digits as you felt the embarrassment slowly leaving your body and getting replaced by a feeling of raw insatiable desire.
“I'm here for your mommy,” Coryo whispered, his fingers deep inside your pussy, curling against your soft walls and teasing your sweet spot.
“I will help you fulfill all your needs. That's what family's for right?”
With one swift move you pulled down your panties and crawled on top of him pinning him to the bed and covering his mouth with your hand.
“Don't mention family, you filthy little boy!  If you want mommy to give you a treat, you need to stay quiet, is that clear?”
Coryo nodded and you took your hand away from his mouth, wrapping it around his throat instead. The young man gasped watching as your free hand steadied his rock hard cock at your entrance before you slowly sank down on him, your wet pussy taking his whole length with ease. A soft moan escaped your lips as he stretched out your tight cunt.
You kept your hand on his throat in a tight grip as you started to move at an easy pace, eliciting a series of moans from his lips. Coryo's pupils dilated as he saw your pussy sliding up and down his length making it glisten from your juices.
You tightened your grip around his throat as you sped up your movements enjoying his little gasps as he was fighting for air completely under your control. The sight before your eyes made you impossibly wet and lewd slapping sounds filled the room as you bounced up and down his shaft faster and faster with each movement.
Chasing your own pleasure you let go of Coryo's neck and threw your head back, letting the straps if your negligee slide down your shoulders revealing your lovely tits bouncing up and down as you kept riding your stepson's cock.
Coryo's eyes widened at the sight and he let out a deep groan as your tight walls clenched around his cock, his tip hitting against your sweet spot as you kept moving.
“Oh mommy, you’re making me feel so good,” Coryo spoke, breathing heavily as you were too busy chasing your release to make him keep up with his vow of silence.
“I want to cum inside you, to put a baby in your belly. To make you nice and round full of new life that would make our family complete and strengthen our ties forever.”
In your mind you realized how twisted these words were and that they could actually become true considering that you weren't on birth control since your sex work days but your brains were completely shut off by pleasure as you kept moving up and down Coryo's wonderful dick your manicured nails digging into his smooth pale chest.
Coryo's nostrils flared, watching your boobs bouncing up and down as he felt his climax approaching.
“I can't wait for those beautiful tits to be swollen and full of delicious milk oh oooooh…” he cut himself off, moaning loudly as thick ropes of cum filled your cunt spurting up against your velvety walls.
You rode him through his orgasm and your red nails dug deep into his skin leaving red scratches. After mere seconds you came hard all over his cock and squelching sounds filled the room as your juices were mixing together with his cum. You collapsed on top of your stepson, his cock still inside you and he wrapped his arms around you, holding you tightly.
“Just let me stay inside mommy's pussy a little longer,” he whispered. “Don't let the seed go to waste.”
“Fuck you, Coriolanus!” You hissed and bit into his neck using his distraction to wiggle out of his grip and crawl off of him making him whine at the loss of contact.
Coryo didn't put up a fight, he just watched you as you pulled the straps of your negligee back on your shoulders and then pulled you into his arms, wrapping himself around you.
You sighed and brushed a stray curl off his forehead looking into his big sleepy eyes. There was no way of denying the fact that you had just slept with your stepson, especially since you could still feel his heart beating softly against your skin and his cum dripping down your inner thighs.
It was so wrong. But still deep down in your heart in some sick and twisted way it felt so incredibly right.
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snowbairdweek · 3 months
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Snowbaird Week Prompts
We have a little over a month before Snowbaird Week! Keep reading (or check the images) for some more information about each of the day's prompts:
Day 1 - Academia:
The created work must involve a school, a place of learning, or similar. This can include canonverse AUs where Lucy Gray goes to the Academy or university in the Capitol, or it can be non-canon modern AUs where they are both students at high school or university. It can even be crossover AUs where Lucy Gray and Coryo are Hogwarts students. All of these fall under the Academia umbrella.
Day 2 - Myths / Folklore:
Mythology and folklore from any culture! For example, this includes retellings of Greek myths, European creatures such as the fae and selkies, or the Korean kumiho. We would love to see inclusions of Appalachian folklore such as the Brown Mountain lights and the Bell Witch! This is probably one category that artists can really go wild. We can’t wait to see what you’ll create!
Day 3 - Canon Divergence:
Basically what it says on the tin. Maybe your work imagines that Coryo stayed in District 12, or that Lucy Gray never left the Capitol. The two of them escape into the woods and find District 13. It could even be earlier, changing something that happens during the Games. It could be much later – perhaps Lucy Gray is captured by the Capitol years later. To be clear, the works for this day’s theme all must be canonverse to fit the prompt.
Day 4 - Free Day:
Free Day is for all works that do not fit with any of the themes for Snowbaird Week. Please do not post any works for Ballads/Musicals, Fortune/Fate, or Non-Canon Modern AU on this day.
Day 5 - Ballads / Musicals:
Remember, “ballads” can also refer to poems. At the simplest definition, a ballad is a narrative poem or song; Annabel Lee by Edgar Allan Poe is a ballad, and of course a number of songs from TBOSAS are ballads! For musicals, any musical is fair game! Phantom of the Opera, West Side Story, Chicago, Hairspray, Moulin Rouge, etc. You can create an AU, a work inspired by (incorporating the themes, tropes, or characterisations of a musical), crossovers, etc. We do not allow songfics.
Day 6 - Fortune / Fate:
This is the most vague prompt (Sorry folks!). Other ways to describe this prompt could be: luck, soulmates, ‘written in the stars’, chance, prosperity, wealth, destiny. Have fun with it!
Day 7 - Non-Canon Modern AU:
This is your coffee shop AU, rival coworkers AU, flower shop AU, Target/Assassin AU and so on. Anything that’s not school-related (that would place it in Academia) but modern AU can be posted on our final day of Snowbaird Week.
**We’d also like to note that we do not accept any AI-generated content, whether images, text, or otherwise.**
Hopefully that explains everything! Let us know if you have any other questions!
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thegreatmelodrama · 5 months
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I just saw The Ballad of Songbirds and Snake film and I have many thoughts, but for now enjoy this spoiler-free review.
The film as a whole is visually stunning with an amazing, albeit familiar, score complete with STELLAR performances. Heavy emphasis on stellar. I think it did a good job of getting the larger themes of the book across in a general sense: human nature, how villains are made not born, etc.
Obviously, it’s a film adaptation and there’s only so much you can include, especially when the source material is as long and plentiful as TBOSAS. So obviously changes were made. Some of these changes worked well, and others didn’t as much. Some people will be relatively pleased and others may feel some disappointment, but overall I would say it’s a pretty decent to good adaptation of the book.
My main issue with the movie is that the pacing is incredibly fast. It’s non-stop and there isn’t a whole lot of room to breathe and absorb some key moments, which does hurt the overall salience of the messages of the film as well as some of the emotional elements meant to be evoked within the audience. And this definitely seeps into the writing for some scenes. The film goes by so quickly that you don’t even realize that it was 2 hours and 38 minutes. So I definitely think it could have benefitted from at least another 10 minutes of run time.
Lastly, I really want to emphasize again just how amazing the performances are. It felt like the character leapt straight out of the book and onto the screen. And I mean nearly every single performance. I never felt like I was taken out of the story.
I can say that at the end of this film I felt nearly the same emotions as I did when I finished the book the first time, which to me is a good thing.
It’s not perfect by any means and the stuff I am nit picky about I can’t include right now because of spoilers. However, see the film for yourself and tell me what you think.
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casualhedonists · 3 months
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Please tell us about all the inspos for this fic. I am begging
you do NOT have to ask me twice nonnie (thank you for enabling me)
slightly long post ahead! 🤍
so i drew some of the initial inspo for the fic and the power dynamics at play (coryo being president, the reader latching onto that power through their arrangement) from a house of cards-like dynamic. i wanted that dark undertone to exist but more glamorous and capitol-ised (?) with fancy balls and displays of excess as we know already exists in the hunger games universe. the very face-value, pawns in a political game reminded me a bit of that show and so i kinda crossed the tbosas universe over with that until it worked. also with it being old fashioned i kinda took inspo from like, a house of cards meets bbc’s war and peace type vibe.
for the power dynamics, the constant push and pull between coryo and reader, it was BIG mr and mrs smith vibes (one of my fave movies ugh such a masterclass). the dinner table scene especially, like that underlying tension in chapter two when he asks her if she’s okay, and then the obvious chapter four scene near the beginning where she’s messing with him. just so so delicious to write that kind of electric power play where you’re on your toes all the time, never knowing when someone’s going to break.
in terms of snow’s manor house they live in, and the housestaff, i was pulling on a bit of a downton abbey kinda vibe (comfort show icl). i tried giving the staff more character through that too (esp lucille my beloved) as they’re just a much more effective plot device when there’s backstory, which panned out super well when i came to write chapter five and suddenly had a plot device in my hands to write them into a Situation!
another big big inspo for the power dynamics/smut/general themes of this fic was based on this oscar wilde quote:
“everything in the world is about sex, except sex. sex is about power.”
it just always kept popping back into my brain as i wrote yknow?? series thesis statement if there ever was one.
moving on! maybe a more niche reference but when reader walks around snow’s room in the later chapters, esp the first time, i was drawing a little on the selena gomez hands to myself video. spraying the cologne etc and just that obsession and fascination with being in someone’s space.
the voyeurism aspect (and i only realised that upon the reread i did to make this post as thorough as possible) actually pulled on a certain scene from crimson peak.
okay nonnie i am gonna leave it at that for tonight, i’m sure i’ll remember more and if i do i’ll add them to this post! thank you again for asking, i love talking about this 🤍🤍
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petruchio · 2 years
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re: movie snow, i suspect that they'll either make him seem like a flat character (since his pov in the book is so focused on internal conflict and What Goes Unsaid) or fail to make cohesive connections between his unsympathetic and sympathetic moments (which would ignore the underlying tragedy conventions of tbosas, and feel inconsistent and jarring). i wouldn't be surprised if most of the character's internality is reduced to a superficial impression that He Lies. the film won't make him "good," but will it make him anything at all? i feel like this is also what happened with katniss -- movie katniss seemed generically cold because there wasn't nearly enough focus on the compassion and love she's forced to hide, and that's not even getting into the ways her trauma was (not) addressed. if the films can't show how katniss gradually learns to trust her so-called enemies, i doubt that they can show how snow gradually learns to distrust his so-called friends. but maybe they can! who knows! i'm actually much more concerned that the portrayals of lucy gray and sejanus will lack nuance and ignore their symbolic roles -- just like how peeta and gale aren't properly developed as philosophical "choices" in the adaptations of the original trilogy. they all have to work well as both symbols and individuals, and tbf that's very hard to balance. i'm sure i'll be getting my hopes up again as usual though lmao
yep i agree pretty much 100% here. like im not really afraid of “hot villain” snow as much as im afraid of “completely thematically barren tbosas” and that fear is founded on… how they handled things last time. im not particularly optimistic for the movies handling the nuanced themes of the book. mostly i just want to look at the costumes and the set design i guess, that’s the only thing i am legit looking forward to lol
honestly i don’t rly have anything to add haha like yes you said it perfectly! this is it lol
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rosaaeles · 2 years
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hellooo! new follower here! I was wondering if you could tell us what your stances on the The Hunger Games movies are? and thoughts on the new TBOSAS movie announcement? very curious!
hey anon!
my stances on the movies are..... HMMMMM
on one hand, i adore the cinematography of THG and CF. in terms of what is physically happening on screen, the first movie in particular is beautiful and poignant and there are so many scenes i love (e.g the opening scene with seneca and caesar, the cornucopia scene, katniss putting flowers around rue's body, her tracker jacker hallucinations). imo the cinematography is one of the strongest qualities the first two movies have going for them. the last two are generally a disaster and i think thats due to a bigger budget and the fact that they feel like blockbusters - they lack the intimacy of movie 1 so i generally find them more boring visually etc etc.
i also think some of the casting was good! namely josh hutcherson as peeta and elizabeth banks and effie. sam claflin was good as finnick and donald sutherland was a fab snow too imo. (stanley tucci as caesar as well! he nailed the balance between the flamboyancy of the capitol and it's more sinister side.)
movie 1 means a lot to me, and it always will so i watch it often BUT that is not to say it's not without fault.i have a lot of problems with the franchise and so it's hard for me to love the movies as much as i think i could.
i don't like the casting of jlaw, liam hemsworth or woody harrelson. and it's nothing against their acting, tbh. it's more about the fact that i have a serious problem with lionsgate saying that only white ppl could audition for the roles of katniss, gale, and haymitch (and greasy sue too which??? weird). i've said this before but by preventing non-white actors for those roles in particular, the filmmakers depoliticised the story to an extent and missed out on a chance to address the idea of "seam" being a race alongside it being a class (i'm just brushing over this topic rn bc whilst it's something im deeply passionate about, i don't want this to become another essay about THG and race bc lord knows i've bored so many people with my ramblings rip :')
beyond that, i'm not too keen on how many of the book's themes were ignored or glossed over. finnick's SA and the fact that he was forced into prostitution by snow, the capitol's hoarding of resources, the nuances of being a career, the careers in the 74th games planning to torture katniss etc etc. these are just some of the examples that im reeling off the top of my mind, and they're topics that are barely shown in the movies.
what i'm trying to say is that there was an opportunity to make such a beautiful franchise that accurately reflected the books and didn't shy away from the heavier themes or the symbolism in the books, but instead we got movies/marketing that focused on "team gale/team peeta" and "what district would you be in?". it frustrates me immensely bc an opportunity was missed!
okay phew let me catch my breath.
in terms of TBOSAS, i don't trust lionsgate to not fuck it up so i'm just very cautious about it all honestly. i want to believe they'll learn from the mistakes the last movies made and improve on them but we'll just have to wait and see! i'd love for lucy baird and sejanus to be played by non-white actors, i'd love to see a return to visuals reminiscent of the first movie and i'd love for the filmmakers not to shy away from heavier themes! but idk how likely any of these things are so i'm just keeping my fingers crossed!
sorry this got so long, anon! i hope it answered all your questions!
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the-sun-and-the-sea · 4 years
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TBOSAS thoughts
So I’ve been seeing a lot of mixed reactions about the Hunger Games prequel. Some people love it, some people hate it. Personally, I really liked it, and here’s why.
This is a book that is driven more by thought than action. It has those fast paced action scenes, sure, but its main themes and purposes are posing moral and ethical questions about society. The original trilogy did this as well, but it wasn’t as obvious. They actually have discussions about the inherent morality of people, and this book allows us to think about issues such as how the media twists our perception of reality.
These moral and social issues are a huge part of this book and are one of its main driving forces. However, not everybody’s interested in reading about that, which is why many considered it to be boring. I did have some issues with the pacing, but I generally enjoyed the rest of it. 
I also really liked the world building that this book gave us. Seeing the Hunger Games in their most basic and primitive state was so intriguing and interesting to me. Being in Snow’s mind (I definitely hate him, by the way) and seeing how he rationalized his twisted decisions was so thought provoking. Everything he did, he did for his own gain, which is so selfish and narcissistic, but also so in character. The way he manipulated everyone around him, even with the slightest things, was so reminiscent of the original trilogy and I loved it so much. You can clearly tell how Snow became the man we meet later on, while still leaving room for more. 
His “romance” with Lucy Gray was also so gross and twisted, the way he wanted to possess her like an object. I don’t ship them at all, because I don’t believe either of them really loved each other. Snow is disgusting and views Lucy Gray as something that belongs to him, which I can’t condone. We don’t know much about what’s going on in Lucy Gray’s head, but I assume she was just doing what she could to survive. 
Lucy Gray as a character was so fun to read about. She was probably my favorite (along with Sejanus). Neither of them deserved the end they got. 
So those are my thoughts on the prequel, let me know if you agree or disagree. :)
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