How I picture this conversation would go during the aftermath of the Brooklyn battle in the movie.
Context: *Mario and Luigi are sitting at the table in their families' apartment. Their mother and father listen in while Mario telling them the story, getting near the part of when the wedding took place*
M&L's father: "Wow! You guys went through so much in what, a day? I'm surprised you guys were still standing after all of that!"
Mario: "Yeah, getting that star definitely helped with our injuries. Especially with mine."
M&L's mother, putting a plate of hot food down in front of him: "Well, I'm just glad you boys are safe and sound. If I was there, I would have given that turtle man a piece of my mind for hurting you two."
Luigi: "I'm sure you would have, ma."
Mario: "No doubt about that. I feel like I'm forgetting something else that happened."
Luigi: "Oh yeah, I remember what you forgot. Mario had to put on a bear costume in order to save me."
Mario: 'blushes and coughs awkwardly while burying his head in his plate'.
M&L's Mom: "....he dressed as a bear?"
Luigi, nonchalantly while continuing to eat his food: "Yep. Looked all plush and cuddly, too."
Mario, glaring at him: "Lu..."
M&L's Father: "What? Why the heck did you have on a bear costume?"
Mario, through clenched teeth: "It was actually an animal called a tanooki, and it helped me save Luigi from certain death during the wedding."
M&L's mom: "Ooh! You guys were at a wedding? Was it lovely?"
Mario: "Well, we weren't invited per say. Luigi and the other captured prisoners were going to be sacrificed in "honor" for the wedding to commence, and I was fighting the Koopas in the kingdom below with DK. So, in order to get where they were, I had to get a power up that allowed me to fly up there just in time to save him."
Luigi, grinning smugly: "And he was this close to becoming the ring bear-er."
Mario: "Luigi, I swear..."
M&L's father: "What’s a ta-whoo-ki?"
Mario: "it's pronounced ta-noo-ki, dad, and it's a type of raccoon dog and -"
Luigi, without missing a beat: "And the only thing that he actually can live up to in his name now."
Mario: "Oh, will you SHUT IT?!?"
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If I had the power to become a Disney bitch that can just remake one of their classics because that's what Disney does these days, id remake Aladdin.
It'd still be animated and the goal would be a consistent style trilogy (without the sudden and sharp drop in animation quality preferably please god).
Completely scrapping the 'return of Jafar' plot line, I'd make the second movie in the trilogy about exploring the ramifications of aladdin's wish. He did not wish to *look* like a prince, he wished to BE a prince. Somewhere out there aladdin is the prince of some country or city or something and I would love to explore that as a technicality to aladdin and jasmine trying to get married. Especially if perhaps that kingdom is NOT on good terms with agrabah. They're trying to get all the arrangements done and theres a big joke about paperwork and getting the prince-requirment law squared away and then bam, the "well actually-" comes from genie and the rest of the movie is about exploring this new territory of aladdin. Who is marrying into Royalty and Politics, actually having to deal with some of that.
And then at the end of the movie, when all of that is sorted out, genie drops the second "well actually-" that aladdin was always sort of a prince anyway. Just not the inherited of any kind of land. You see, al, buddy, your dad's a king of thieves.
Movie three is that the wedding is once, again, delayed. Because now we have to deal with the fuckin ramifications of "what the fuck do you mean I'm the son of a famous criminal?" And the revelation that genie actually knows aladdin's parents. Movie three includes returning to the Magic Treasure Hoard where aladdin initially gets the lamp- "only One May Enter Here" being that aladdins father (deceased) left the cave as a sort of will of his treasure trove, a bounty worthy of a King Of Thieves. Including the most valuable artifact of the trove, the Genie In The Lamp, the most valuable treasure that was responsible for aladdin's fathers success as the king of thieves in the first place. We see some stories of Genie and Aladdins father- from rags to riches via crime, maybe the love story of aladdin's parents, (maybe some hints to why genie says "i dont like doing it" as to being able to bring back the dead rather than outright "i cant do it") and plausibly that the genie and aladdins father made the same deal, I'll use my two wishes and then free you, but (possibly following that failed attempt to bring back the dead as in trying to bring back aladdin's dead mother shortly after aladdin is born?) In the grief of that failure aladdin's father decides to use his last wish (possibly to arrange the Cave of Wonders for his sons inheritance or something) and ultimately betrays genies trust.
We get a little heart to heart with aladdin and genie- "I don't think your dad was a bad guy, per se, but-" and the classic Disney "what matters is that you kept your promise, and that's why I've stuck with you even after freedom, it's the magic of friendship"
and then once we work out reparations of the cave of wonders - using all of that stolen fortune inheritance to better aladdin's accidentally aquisitioned kingdom, and provide agrabah a stable fucking childcare system for orphans, and a whole other musical mintage of do-gooding, they FINALLY get their royal wedding- a unity wedding between these two lands and isn't it glamorous.
ON A COMPLETELY UNRELATED NOTE.
The whole big damb deal where Aladdin and Jasmines partnership is weighted against the genies freedom is so stupid when you consider. Aladdin could have just fucking handed the lamp to Jasmine? 3 more wishes. They solve the whole thing in movie one. Jasmine gets the lamp, makes a wish that Jafar will never escape the cave of wonders, wishes that there were bo laws restricting her personal freedoms any more than anyone else (marry who she wants AND go to the market) and then a third wish that argrbah under her rule will know ages of peace and tranquility. Then she hands that damb lamp back to Aladdin, Aladdin wishes the genie free, big happy celebration fireworks scene. (They do the heart to heart thing where they say they'll miss eachother after genie cuts himself off from talking about seeing the world. Obviously. That still needs to happen. They're friends, you honor.)
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hi so i just finished bridge to terabithia and now i’m unwell and my eyes are red because i’ve been crying before i’d even reached 20 minutes of it for i actually knew what was going to happen and by the time i reached an hour something something i just straight up sobbing screaming into my pillow. and now it’s 12 am and i’m still thinking about them. because god, look at them, how they were, the little world they lived in, wouldn’t you just love that, to run away, to escape, to grasp that childhood naivety and innocence that you lost a long time ago, to feel the sun in your skin and the air in your lungs and to paint fantasies and laugh and play and run hidden away from the world and find an old run down tree house and decided to make it your own little shelter and pin up canvases on the worn wood and paint and let your creativity goes wild and have someone understand you and gets you and do it with you, and wouldn’t you just love to have something so constant, so sincere, so genuine, so pure, so real, that there wasn’t anything else. if i knew i was going to cry this much, if i knew how much space this movie would make in my life, i wouldn’t have started this movie tonight. i would have been in peace on the floor of my room, not realizing how badly i actually want something like this even though i would never unironically admit this to anyone in my life or even myself when i’m outside of the familiar place of my mind, for that matters
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