#joy episalla

[llovelymoonn]

Webweaving request for ghosts or a kind of haunting feeling (metaphorically)? Like the vibes you sometimes get from looking at liminal spaces, or being alone in a usually crowded area. Just being haunted by a lack of something rather than a presence. (iirc this concept is called hauntology)

joy episalla (via @slack-wise) \\ @sawasawako \\ sara pedigo whispering to the moon (2020) \\ john waller haunted wood \\ joy episalla (via @slack-wise) \\ mark strand the continuous life: poems: "orpheus alone" \\ @catilinas \\ jake adam york a murmuration of starlings: "the crowd he became" \\ joy episalla (via @slack-wise) \\ john waller haunted wood

kofi

#on hauntology #ooo i love this concept #asks #anonymous #sawasawako #sara pedigo #whispering to the moon #joy episalla #slack-wise #hauntology #on haunting #webweaving #web weaving #mine #my webweaving #webweave #web weave #webs #ww #web #parallel #parallels #parallelism #compilation #compilations #intertextuality #john waller #haunted wood #jake adam york #a murmuration of starlings

[modalities-of-care]

Artistes Les Ami·e·s du Patchwork des noms, Bambanani Women’s Group, Bastille, yann beauvais, Black Audio Film Collective, Gregg Bordowitz, Jesse Darling, Moyra Davey, Guillaume Dustan, fierce pussy, Nan Goldin, Felix Gonzalez-Torres, Hervé Guibert, Barbara Hammer, Derek Jarman, Michel Journiac, Zoe Leonard, audrey liebot, Pascal Lièvre, Santu Mofokeng, Jean-Luc Moulène, Henrik Olesen, Bruno Pélassy, Benoît Piéron, Lili Reynaud-Dewar, Jimmy Robert, Régis Samba-Kounzi & Julien Devemy, Marion Scemama, Lionel Soukaz & Stéphane Gérard, Georges Tony Stoll, Philippe Thomas, David Wojnarowicz & arms ache avid aeon: fierce pussy amplified (Nancy Brooks Brody, Joy Episalla, Zoe Leonard, Carrie Yamaoka, fierce pussy and Jo-ey Tang)

Curator François Piron

Scientific advisor Elisabeth Lebovici

Curatorial assistant Clément Raveu

Exhibition assistant Rose Vidal

#derek jarman #David war #david wojnarowicz #Jesse darling #palais de tokyo

[artbookdap]

Spreads from 'Tony Feher: Drawings,' launching tonight, Wednesday, March 15 at 7 PM EST, at 192 Books. Author Josh Pazda will appear in conversation with Nancy Brooks Brody, Joy Episalla, Zoe Leonard and Carrie Yamaoka, moderated by Kim Conaty.⁠ ⁠ This live event will take place in person at 192 Books, 192 10th Avenue, New York City, between 21st and 22nd Street. The event is free, with no reserved seating. Seating is extremely limited and will be first come, first served. Books will be available for purchase at the store. The event will also be available virtually and will be streamed directly on PCG Studio at 7 PM EST. (see link in bio) There is no login or rsvp required. A recording will be archived.⁠ ⁠ Tony Feher: Drawings Panel⁠ 192 Books⁠ 192 10th Avenue⁠ New York City, between 21st and 22nd Street⁠ ⁠ #tonyfeher⁠ @192books⁠ @paulacoopergallery⁠ @gregoryrmiller⁠ @josephlogan.biz⁠ @zoe_leonard_studio⁠ @jepisalla⁠ @carrie.yamaoka⁠ #nancybrooksbrody⁠ @sikkemajenkins⁠ @anthony_meier_⁠ @rebeccacamachopresents https://www.instagram.com/p/Cp0B6ewOlQi/?igshid=NGJjMDIxMWI=

#tonyfeher #nancybrooksbrody

[slack-wise]

Joy Episalla

#Joy Episalla #artists #photographers #screens #monitors #tv screens

[fitzcarralda]

Joy Episalla

#Joy Episalla

[contemporaryartdaily]

arms ache avid aeon at Beeler Gallery

#Beeler Gallery #Carrie Yamaoka #Columbus #Exhibitions #Group Show #Institution #Jo-ey Tang #Joy Episalla #Nancy Brooks Brody #United States #Zoe Leonard

[artspotting]

Joy Episalla, pillow , 2014

#Joy Episalla

[sysk-ehess]

JOY EPISALLA & CARRIE YAMAOKA

Mercredi 17 octobre 2017

De 19h à 21h à la MSH, 16-18 rue Suger 75006 Paris (Métro Odéon ou Saint-Michel)

Cliquez ici pour la version filmée.

Something You Should Know fait sa rentrée sous l’égide de l’art et de l’activisme, recevant deux artistes, Joy Episalla et Carrie Yamaoka, qui vivent ensemble et travaillent séparément, tout en ayant également une pratique activiste collective, d’abord dans la lutte contre le sida - au sein d’ACT UP New York, où elles sont des militantes de longue date- dans le collectif fierce pussy depuis sa création au début des années 1990 jusqu’à aujourd’hui, et qui se prolonge également dans l’activisme anti-Trump.

Joy Episalla travaille dans les interstices de la photographie, la vidéo et la sculpture depuis une perspective queer et féministe. Plus récemment, elle repositionne les dynamiques de la photo dans le champ de l’abstraction sculpturale. « Les photographies de Joy Episalla occupent un terrain plus qu’ambigu, décrivant un espace qui est toujours déjà posé comme n’étant ni public, ni privé ; un champ transitionnel placé, de façon ambivalente, entre des catégories stables, qu’elles soient spatiales ou sociales. » (Tom McDonough). Joy Episalla expose aux Etats-Unis et en Europe depuis les années 1980, plus récemment dans  Greater New York (2015) au MoMA PS1, et à Participant Inc. New York. Elle siège actuellement au conseil d’administration de TAG (Treatment Action Group), groupe de recherche sur les traitements issu d’ACT UP New York.

Carrie Yamaoka, de la même façon est une activiste historique au sein d’ACT UP New York et elle fait également partie du collectif queer activiste fierce pussy, Artiste, elle travaille dans le champ étendu de la peinture. « Ses efforts instillent une cure de jouvence au Minimalisme, aiguillés par de nouveaux matériaux, des techniques raffinées, des idées fraîches. » (Roberta Smith). Elle a notamment exposé dans le cadre de Greater New York (2015) au MoMA/PS1, galerie Lucien Terras, à New York, ainsi qu’au Mannheimer Kunstverein, CAN Neuchatel, MMKA, le Wexner Center, le musée Albright-Knox, le MassMOCA et Artists Space.

[EN] Something You Should Know resumes under the sign of art and activsm, with two artists, Joy Episalla and Carrie Yamaoka, who live together and have autonomous art practices, while being involved in activist collectives. Longtime members of ACT UP New York, and founding members of fierce pussy, they are also active in current anti-Trump movements. Joy Episalla is a multi-disciplinary artist working in the interstices of photography, video and sculpture, while engaging a queer/feminist perspective. Her most recent work re-positions the dynamics of photography and video into the realm of sculptural abstraction. Episalla has exhibited widely in the United States and in Europe since the 1980s, most recently in Greater New York at MoMA PS1, and a solo exhibition at Participant Inc. in NYC. In an essay about her work, the art historian Tom McDonough wrote: “… Episalla’s photographs occupy much more ambiguous terrain, depicting a space that is always already not public and not private, a transitional realm ambivalently posed between stable spatial and social categories. … .” A long time AIDS activist and member of ACT UP New York, she currently serves on the board of TAG Treatment Action Group and is a founding member of the queer art collective fierce pussy. Carrie Yamaoka is a New York-based visual artist working in the expanded field of painting. Exhibiting widely in the US and Europe since the 1980s, Yamaoka’s work has been featured in Greater New York 2015 at MoMA/PS1, and in exhibitions at the Mannheimer Kunstverein, CAN Neuchatel, MMKA, the Wexner Center, the Albright-Knox, MassMOCA and Artists Space, among other venues. Roberta Smith of the New York Times has written: “her efforts intimate a rejuvenation of Minimalism, spurred by new materials, more refined techniques and fresh ideas.” Ken Johnson, also in the New York Times, called her work “ a seductive marriage of voluptuous materialism and rigorous formalism.” She is a founding member of the queer art collective fierce pussy.

Programmation et prochains rendez-vous sur ce site ou par abonnement à la newsletter : [email protected]

Pour regarder les séminaires antérieurs : http://www.vimeo.com/sysk/

Séminaire conçu et organisé par Patricia Falguières, Elisabeth Lebovici et Natasa Petresin-Bachelez et soutenu par la Fundación Almine y Bernard Ruiz-Picasso para el Arte.

#something you should know #SYSK #Ehess #artist #producer #Joy Episalla #Carrie Yamaoka

[epifizz]

Ev Halleri

Ev korur, ev hapseder, ev yutar, ev ısıtır, ev tedirgin eder, ev yuvadır, ev kayıptır. Ne çok hali var evlerin. Ev tüm dünyanın pencereden içeri bakarak izlediği bir ufak aynadır. Ev; özlem duyulandır, sürgün edendir. Ev mi? Kutsanan alçak bir değerdir ev. 

Eve gitmek istiyorum…

TV series, Joy Episalla

#epfz #art

[doragarciathebook]

She has many names. Posted @withregram • @roseartmuseum Today we’re featuring #5womenartists currently on view at the Rose for you to experience virtually! In these powerful works we are presented with Dora Garcia’s focus on the concept of love as a political tool, a feeling of tender incompleteness conjured by Joy Episalla’s photo triptych "pillow 2,” a translation of clothing worn by protestors at women-led marches in Ellen Lesperance’s "The Path of Feminye," a self-portrait by Myra Grenne using wet-plate collodion, a process that dates to the nineteenth century and is linked to practices of ethnographic classification, and Caroline Woolard investigation into systems of collaboration and cooperation. . . . . . . #womenshistorymonth #roseartmuseum #roseartcollection #themeeting #lovewithobstacles #yesterdaystomorrow #brandeis #brandeisuniversity #waltham #walthamtourism #boston #bosarts #museumfromhome #bosart #virtual #virtualart #doragarcia #joyespisalla #myragreene #ellenlesperance #carolinewoolard https://www.instagram.com/p/B-FjjCgKVkG/?igshid=1bjkm0yfkbct2

#5womenartists #womenshistorymonth #roseartmuseum #roseartcollection #themeeting #lovewithobstacles #yesterdaystomorrow #brandeis #brandeisuniversity #waltham #walthamtourism #boston #bosarts #museumfromhome #bosart #virtual #virtualart #doragarcia #joyespisalla #myragreene #ellenlesperance #carolinewoolard

[i-n-t-o-t-o]

Joy Episalla

[forkadelphia]

Drawing on the themes of individual spirit and collective power, this panel will explore the resonances between the individual practices of Nancy Brooks Brody, Joy Episalla, Zoe Leonard, and Carrie Yamaoka and their collective artistic output as fierce pussy in the context of ICA’s presentation of arms ache avid aeon: fierce pussy amplified, the fifth chapter of a cycle of exhibitions originating at the Beeler Gallery at Columbus College of Art and Design. Perspectives from art historians and the exhibition curators, as well as the presence of the artists themselves, will lend insight to the artists’ practices and their continued efforts toward challenging boundaries and visibility.

Panelists: Jill H. Casid, Professor of Visual Studies at the University of Wisconsin-Madison

Anthony Elms, Daniel and Brett Sundheim Chief Curator at ICA

Jeannine Tang, Assistant Professor of Modern/ Contemporary Art History and Visual Studies at Eugene Lang College of Liberal Arts at The New School

Jo-ey Tang, Director of Exhibitions at the Beeler Gallery at Columbus College of Art and Design

[micaramel]

Artists: Nancy Brooks Brody, Joy Episalla, Zoe Leonard, Carrie Yamaoka

Venue: Beeler Gallery, Columbus

Exhibition Title: arms ache avid aeon: Nancy Brooks Brody / Joy Episalla / Zoe Leonard / Carrie Yamaoka: fierce pussy amplified

Curated By: Jo-ey Tang

Date: October 2, 2018 – March 17, 2019

Note: Wall texts associated with each chapter of the exhibition are available to download as pdfs: Chapter One, Chapter Two, Chapter Three, Chapter Four.

Click here to view slideshow

Chapter Three Nancy Brooks Brody

Full gallery of images, videos, press release, and link available after the jump.

Images:

Videos:

Joy Episalla, shadow vine, 2001-2018, digital video, 13:01

Joy Episalla, Removed (3 channel), 2001-2002, 3-channel video (excerpt 1 of 3)

Joy Episalla, Removed (3 channel), 2001-2002, 3-channel video (excerpt 2 of 3)

Joy Episalla, Removed (3 channel), 2001-2002, 3-channel video (excerpt 3 of 3)

Joy Episalla, Les Psychanalystes et le Marché, 2010-2015, 1-channel video, audio installation, aluminum benches, 78:29 (excerpt)

Images courtesy of Beeler Gallery, Columbus. Photos by Stephen Takacs.

Press Release:

Beeler Gallery dedicates Season ONE to the individual art practices of the four original core members of fierce pussy, the New York-based queer art collective – Nancy Brooks Brody, Joy Episalla, Zoe Leonard, and Carrie Yamaoka.

arms ache avid aeon: Nancy Brooks Brody / Joy Episalla / Zoe Leonard / Carrie Yamaoka: fierce pussy amplified tracks each artist’s work from the late 1980s to the present and draws upon their collective power, shared tactics, and diversity. Installed as four movements, each chapter includes works and new commissions, from the four artists in different constellations to amplify their art practices as living, breathing entities. Attuned to the notion of “slow programming” to foster new modes of attention and engagement, it is the first time their works are put into direct inquiry. A gallery containing artifacts and documentation of fierce pussy is on view.

Formed in New York City in 1991 through their immersion in AIDS activism during a decade of increasing political mobilization around gay rights, fierce pussy brought lesbian identity and visibility directly into the streets. Low-tech and low-budget, the collective responded to the urgency of those years, using readily available resources: old typewriters, found photographs, their own baby pictures, and the printing supplies and equipment accessible in their day jobs. fierce pussy was composed of a fluid and often shifting cadre of members. Four of the original core members — Nancy Brooks Brody, Joy Episalla, Zoe Leonard, and Carrie Yamaoka — continue to work together.

The season’s title — arms ache avid aeon — comes from Yamaoka’s A is for Angel (1991), which features words gathered from typewriter correction ribbons she collected from friends. This early text-based work serves as a powerful metaphor for making visible what has been erased in our daily lives, culture, and society. It stands as a fortifying paean to resistance, intimacy, through grief, desire, hope, and time.

To contextualize their practices and affinities, Beeler Gallery works closely with the artists to conceive various public events. Trans-genre artist Mx Justin Vivian Bond performs a concert at the historic Southern Theatre on Nov. 15, 2018. A symposium with the artists takes places on March 2, 2019. Commissioned writing and participants include: Jill H. Casid, Jonah Groeneboer, Thomas J. Lax, Elisabeth Lebovici, Alhena Katsof, Ian Ruffino, and Jo-ey Tang. A publication dedicated to the project is forthcoming.

arms ache avid aeon: Nancy Brooks Brody, Joy Episalla, Zoe Leonard, Carrie Yamaoka: fierce pussy amplified is conceived and curated by Director of Exhibitions Jo-ey Tang, and co-organized with Assistant Director of Exhibitions Ian Ruffino, and Registrar Marla Roddy.

arms ache avid aeon: Nancy Brooks Brody, Joy Episalla, Zoe Leonard, Carrie Yamaoka: fierce pussy amplified travels to Institute of Contemporary Art, Philadelphia, University of Pennsylvania (Sept 13, 2019 – Dec 22, 2019) as Chapter Five.

Link: arms ache avid aeon at Beeler Gallery

Contemporary Art Daily is produced by Contemporary Art Group, a not-for-profit organization. We rely on our audience to help fund the publication of exhibitions that show up in this RSS feed. Please consider supporting us by making a donation today.

from Contemporary Art Daily http://bit.ly/2LDRRRr

#micaramel

[kleidersachen]

Joy Episalla, pillow , 1999

#Joy Episalla

[sysk-ehess]

JO-EY TANG

Mercredi 22 avril 2020 à 18h (heure de Paris)

Wednesday April 22 2020, 6pm (Paris time) Captation / Recording : click here

Jo-ey Tang peut être un curator, un artiste, un auteur. Il travaille avec et aux côtés des artistes et de leur production, en donnant la mesure des temporalités de leur engagement sur la durée. Pour ce séminaire, il aimerait réfléchir sur ses travaux récents : la notion de lenteur, le travail de celle-ci, ses contingences, les proximités et les distances. C’est ainsi que s’est engagée, depuis 2015, avec Nancy Brooks Brody, Joy Episalla, Zoe Leonard et Carrie Yamaoka, quatre artistes formant le noyau dur du collectif queer newyorkais fierce pussy depuis 1991, l’exploration des résonnances entre leurs pratiques individuelles et leur activisme commun. Pendant un an, cinq chapitres de ‘arms ache avid aeon: Nancy Brooks Brody / Joy Episalla / Zoe Leonard / Carrie Yamaoka: fierce pussy amplified’ se sont succédés à la Beeler Gallery at Columbus College of Art & Design (2018-2019), dont Jo-ey Tang a été Directeur des expositions ; puis à l’Institute of Contemporary Art, Philadelphie (2019). Le chapitre 6 prendra la forme d’un livre. 'Follow the Mud' (2019-2020) était structurée comme un processus d’accumulation en neuf  “instances”, proposant de découvrir et d’activer des histoires éradiquées et invisibilisées : avec  Michel Auder, Laëtitia Badaut Haussmann, Heide Hinrichs, Laura Larson, Michael Stickrod, Julia Trotta, Vier5, et C. Spencer Yeh. Jo-ey Tang a également été curator au Palais de Tokyo (Paris) et a régulièrement contribué en tant qu’éditeur artistique eu projet n+1, un journal/magazine littéraire basé à Brooklyn.

[EN] Jo-ey Tang can be a curator, an artist, and a writer. He works with and alongside artists and their output, and calibrates the temporality of their engagement over time. He will reflect on his recent endeavors: the notion of slowness, its labor and contingencies, and proximities and distances. A project since 2015, with Nancy Brooks Brody, Joy Episalla, Zoe Leonard, and Carrie Yamaoka, original core members of New York-based queer art collective fierce pussy, explores the resonances between the artists’ individual practices. Over a year, five chapters of''arms ache avid aeon: Nancy Brooks Brody / Joy Episalla / Zoe Leonard / Carrie Yamaoka : fierce pussy amplified' were sited at Beeler Gallery at Columbus College of Art & Design (2018-2019) where Tang served as Director of Exhibitions ; and Institute of Contemporary Art, Philadelphia (2019); Chapter six will take the form of a book. 'Follow the Mud' (2019-2020) was structured as a process of accumulation in nine "instances" to uncover and activate suppressed and hidden histories: with Michel Auder, Laëtitia Badaut Haussmann, Heide Hinrichs, Laura Larson, Michael Stickrod, Julia Trotta, Vier5, and C. Spencer Yeh. Tang was also curator at Palais de Tokyo and arts editor at n+1, a literary journal/magazine based in Brooklyn.

Photo : JiaHao Peng

Programmation et prochains rendez-vous sur ce site ou par abonnement à la newsletter : [email protected]

Pour regarder les séminaires antérieurs : http://www.vimeo.com/sysk/

Séminaire conçu et organisé par Patricia Falguières, Elisabeth Lebovici et Natasa Petresin-Bachelez et soutenu par la Fundación Almine y Bernard Ruiz-Picasso para el Arte

#something you should know #SYSK #Ehess #artist #producer #jo-ey tang

[epifizz]

Bulanık, Joy Episalla (2011-2014)

#epfz