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#katsuragi kazuhas ancestor????????
lotusmuses · 2 years
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katsuragi was kazuha's ancestor- they both have that fluffy red hair strand. don't know if that means scara would go into sad mode or rage mode if he ever met kazuha :')
"my family... my friend. consumed by fear, he saw me as an abomination."
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timdrakeslawyer · 2 years
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can we talk about how perfect his cutscene was?
I love how it’s obviously an unreliable narrative because we already know the “betrayals” he’s talking about didn’t exactly play out that way literally.
ei let him go because she felt it was too cruel to make him store the gnosis, katsuragi was killed during the whole mishap after warning scara to not reveal his identity (and we know scara destroyed the raiden gokaden as revenge before finding katsuragi & kazuha’s ancestor), and the last kid who died obviously didn’t “literally” break his promise as death isn’t something in his control
yet i think it makes perfect sense why he’d even view them as such as anyone “leaving him” in any form after ei is obviously a “betrayal” in his eyes. more so, it could be that he doesn’t even know how to describe his sadness as anything other because that’s all he knows…i love how the cutscene makes you sympathise and understand how he came to be, but it doesn’t take away from everything he’s done. how he doesn’t understand mortality, and how the gnosis still seems to be viewed as his “purpose” (it’s what he was made for, and he got thrown out because in his eyes he was too fragile to handle it, of course he wants to prove ei and himself wrong and show he can fullfill his ‘purpose’). i love him so much i’m so excited also big props to the eng va because the way his voice broke when he called ei his mother…
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Wanderer and the Acceptance of Past Sins
SPOILERS: This post contains spoilers from the recent Interlude quest. Please finish it before reading. Thanks!
The Tatarasuna incident remained a mystery for four hundred years until today. According to historical records, Niwa Hisahide fled along with his family from Tatarasuna while Katsuragi was slain by Miyakoshi Nagamasa, his lord. Seen among the records was the word "kabukimono", an Inazuman term referring to someone who was dressed in the nines. It also refers to someone who is an eccentric. This kabukimono then unleashed hell upon the five great swordsmith clans of Inazuma, the Raiden Gokaden, as revenge for Katsuragi's death. But little did he know, his whole life was a lie.
The Interlude quest reintroduces Scaramouche, the 6th Harbinger. After his defeat in the hands of the Traveler, the Dendro Archon Nahida asked him to investigate a matter inside Irminsul. Since he still has traces of its power during his brief stint as Sumeru's deity, Scaramouche can access the Irminsul even without a Gnosis. As a precaution, Nahida requested for us to join him to keep an eye on him.
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While looking for information about the Descenders, Scaramouche told the Traveler that their sibling arrived in Khaenri'ah during their first time in Teyvat. He came by this information through Pierro who turned out to be a royal mage of Khaenri'ah before the Cataclysm. This confirmed what many Travelers have speculated: Pierro is a survivor of the Khaenri'ah Cataclysm and the one who sent Scaramouche to many trips to the Abyss. But that's not the only information that we got from the Irminsul. It also revealed through Irminsul the truth about what happened during the Tatarasuna incident.
Niwa, the second-in-command in Tatarasuna (and possibly Kazuha's distant ancestor), was seen having a conversation with Escher, a mechanic from Fontaine. He was the one who introduced innovations that improved the process of smithing in Inazuma. However, this came with a price. Over time, the workers began to take ill due to exposure to the dark source in Tatarasuna. Niwa has his suspicions about this and decided to confront Escher. It turns out that he was no mechanic at all but a Fatuus. And not just any Fatuus, but the 3rd Harbinger, Il Dottore. He killed Niwa and took out his heart. In his final moments, Niwa asked Dottore to tell the kabukimono that he will always be one of his people.
Scaramouche was outraged. He couldn't believe that Dottore was the one behind the incident in Tatarasuna. Out of revenge and possibly guilt, Scaramouche entered the Irminsul to erase his existence in order to save the people of Tatarasuna. However, his plan was a failure. Though the details of the disaster changed, many still died. The Traveler went to Inazuma to confirm what changes Scaramouche had brought after his trip to the Irminsul. The history of the Tatarasuna incident and the fall of the Raiden Gokaden hasn't changed much...except for the fact that Scaramouche and the Balladeer's existence is erased from people's memory. The kabukimono vanished from the records as well, and was replaced by a crazed lunatic who exacted revenge upon the Raiden Gokaden. Scaramouche was not able to save Niwa nor Katsuragi.
After our trip to Inazuma, we came across Scaramouche, now going by the name Wanderer, helping a store owner in the Grand Bazaar. Unlike his previous incarnation, Wanderer is gentle and kind, and a bit of a weirdo. We took him back to Nahida and discovered that she managed to keep a record of Wanderer's past incarnation. It was in the form of an allegory (and Kitty Scaramouche is so cute). Which means that any form of alterations done on Irminsul's records can still be bypassed through songs and stories. Unlike the rewritten version of history, these accounts kept by Nahida and the Traveler are not affected.
Despite the discomfort Wanderer felt as he perused his previous memories, he forged on and confronted his past. By doing so, he was able to reconcile his past and present. The gods rewarded his efforts with an Anemo vision, a sign that his ambition to unshackle himself from his past is recognized by the heavens. Wanderer did not let it define him. He accepted it as a part of him, rather than something to be discarded. In my opinion, it is a hard thing to do, especially for someone with a really bad record like Scaramouche. Regardless of what happens next, Wanderer is ready to face whatever comes his way. It was admirable of him in a way, even though he is still a bit of a prick.
I think that the key takeaway us Travelers we can get from Wanderer's story is that it is our choice to be what we want to be. Our choices should define us. Not our past. And whatever decisions we make now and in the future, we must held ourselves accountable in order to move forward.
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willfulabyss · 1 year
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Preview of my piece for Denn die Todten reiten Schnell, the Genshin Gothic horror zine!
But hear me out.
I wrote 15k words of KuniKatsu angst only for MHY to retcon Katsuragi out of relevance and curse him with a basic NPC model, leaving a trail of plot holes in their wake. Therefore, I choose to Irminsul their retcon and substitute Scaramouche’s original, pre-3.3 backstory in its place. Katsuragi is Niwa and Kazuha’s ancestor, Mikoshi Nagamasa is a Tatarigami-addled lunatic, and Dottore wasn’t even a twinkle in Pierro’s eye < 500 years ago, let alone a full-fledged Harbinger. No, I’m not accepting constructive criticism at this time.😤
Preorders are open until May 31st, so please do check it out! I put my sweat, blood, and especially tears into this thing, and MHY’s already slapped me hard enough for my efforts. 😭
Help us unlock story bookmarks for all physical orders by sharing the Twitter post! 💕
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osteichthyens · 1 year
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have you completed the interlude quest yet 👁️
i have.. and i literally read it all in leaks and then played it all the second version 3.3 dropped.. and i just.. gjdjfjjs dottoscara i love you so much 🫶
but i hate the irminsul erasure part with a passion though... as a jojo stan, i've got a deadly allergy to memory erasure tropes, because that stone ocean ending killed 14yo me really fucking hard.. so i felt ill for the entire day afterward 😭😭😭
(more thoughts and lots of spoilers after the divide gndnnd)
but anyway... lemme just.. more precisely lay out my thoughts :
- i kinda hate how niwa wasn't really mentioned anywhere before 3.3, except twice (once indirectly, in i don't remember what, and once in a flashback during the irodori festival, which was a limited time event), but then.. oh, apparently he was an important guy and is actually kazuha's ancestor that we saw in the cutscene.. like aight...??? still shipping nameless eccentric scara with npc ass katsuragi, though. he's the one who rescued him from his lovely prison, and who did a sword dance with him.. and i wanna draw him climbing that guy like a tree gkdkfkdk
- mihoyo are just cowards again and should fuck off with that 'ball joints that disappear with time' bullshit
- i love how much of a poor little meow meow scara truly is, and i could write a whole ass essay on how much i love the toxic waste of a relationship he had with dottore. unhealthy ships like that are just... my raison d'être 😭😭
and for poor little meow meow scara, well... la signora said, 'you're only sixth because you're better than humans at enduring dottore's abuse and torture...' ❤️❤️❤️❤️❤️
and ough. 'if he proves to be useful, let's make him one of our comrades, and if he isn't, let's turn him to dust' or something... he wasn't a harbinger, he was an asset.. 🫶
- scara and childe are both abyss connaisseurs, which is really funny, because scara, literally a puppet made by the electro archon, came back broken af everytime, while childe, a normal human kid, came out of there with only a newly acquired thirst for blood and some heretical teachings from the abyss under his wing, thanks to skirk. and also no more light in his eyes, but that's just a small detail.
- and speaking of no light in his eyes, scara without the trauma was so airheaded and baby.. and i understand dottore there, somewhat, because i also wanted to ruin him
- but again, the memory erasure kinda ruined a big part of the story for me. like,, guy just has the option to never face the consequences of his actions, ever, now. and also, even if he wants to take revenge on dottore for all the shit he made him go through, he's probably just gonna be faced with a 'who are you again??' so. meh. dislike that part a lot. especially so soon after the same happened to rukkhadevata. so, unless mihoyo make the harbingers remember him somehow, in a later quest, i'm gonna keep being salty
- last but not least, because i'm shit at sorting out my thoughts and i've got a lot more i'm leaving out to make this answer Not a whole ass novel : i love how people are finally realising that miko was literally never the 'evil mother in law' that some people in the fandom thought she was. i despised seeing her mischaracterised so much, and as both a miko and scara stan, i just.. guys why
but now it's good and i hope people learn to read and to not just hate women for no reason gnejfj ❤️
and ok now i've run my mouth way too much, so p.s.
trans and bpd-haver scara real 🫶
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lo-cinno · 2 years
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Wait
What if
Scara is a sword user because of Katsuragi
Because Katsuragi was one of Kazuha’s ancestors, no? And we learnt it from the Irodori festival along with how Kazuha’s clan was the one who had the blueprint for the blade from the five weapons which Scara destroyed
So what if it was something he picked up from Katsuragi..?
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czowwlart · 2 years
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lotusmuses · 2 years
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Hey everyone!
Here's all of Scaramouche's lore + explanations/analysis for anyone who wants to understand his story more. My comments/analysis are in purple and references are in blue! Everything in white is the Husk of Opulent Dreams Artifact Set. Edit: UPDATED AFTER 3.3 INTERLUDE QUEST
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This post is very long so everything is under Keep Reading! I hope you enjoy, this took multiple hours and going through and evaluating anything with relevant information to Scara and the people mentioned in his lore.
Tales of the Opulent Mansion, Awakening from a Dream, and the Soulless Body
Era of Splendor
A small golden ornament with six petals that shall never wilt. It symbolizes the transience of mortal glories.
What he saw in his dream was a phantom dancing to the music under the moonlight, Just like the young man in the distant past, who was akin to a blank sheet of paper, And like a pure yet fragile persona, Emerging once the resentment and suffering had dissipated.
The wanderer did not know that he had any faculties for dreaming, Thinking that this must have been the researchers' little trick, Or perhaps it was the infinitesimal resistance of that bygone heart.
"You once acquired the 'heart' that you always dreamed of," "But it was but a mere prop for lies and deception." "Now, you will finally obtain what belongs to you," "And this false construct of a body can at last aspire to power over this world."
"Yet, this is all but a fleeting dream of glory." "And it will all one day drift away amidst the sighs of a suffering earth..." Was it a "him" from the past who said this? Or "him" from the future? The vagrant cared not, for when he awakened, It was not he, but that ethereal future that dissipated.
This entire section can be seen as The Balladeer dreaming of either his past self telling him that his vengeance is worthless or his future self telling him this. The ending seems to allude that it was indeed his future self or, perhaps, his true self. This section also seems to be directly preluding to the 3.3 interlude chapter. The Balladeer learns of the lies created by Dottore during the Tatarasuna Incident. He gains a vision. His past was transient and he must live on.
Feather of the Opulent Mansion
A feather-shaped token that was brought forth from a secluded hall. The compassion of its creator led to it being left within that mansion along with a certain slumbering form.
The long-wandering eccentric no longer thinks about this, But when he closes his eyes, he can still see the moonlit nights over Tatarasuna and the burning furnace flames.
The kind young deputy said: "This gold ornament is a proof of identity granted by the Almighty Shogun," "But as you travel the world, please bear this in mind," "Never to reveal your identity to others."
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The deputy is the yoriki Katsuragi who would introduce Kabukimono to Nagamasa and Niwa (Niwa is the ancestor of Kaedehara Kazuha's great-grandfather, Kaedehara Yoshinori, formerly Niwa Yoshinori)
“The second was a human. My family... my friend. Consumed by fear, he saw me as an abomination”  (The "Divine" Will)
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The upright Inspector said: "This gold ornament may be a proof of identity granted by the Almighty Shogun," "But you are neither man nor mechanism," "And so I can only deal with you in this fashion. Do not hold this against me!"
Katsuragi* is the only person to specifically tell Scara to hide this identity, it is likely that Scara saw this as his friend being ashamed of him. It also explains the ‘misconduct’ that Nagamasa used as justification for killing Katsuragi: for hiding this truth, though the other members of their group believed that Katsuragi had only good intentions — We later learn that it was a joint effort from Katsuragi and Nagamasa to hide the death of Niwa
(*the quote may have been referring to Niwa instead, i can’t tell. but katsuragi is still relevant in the explanation because the quote is about the Tatarasuna incident members)
The Inspector is Mikoshi Nagamasa (Katsuragi’s daimyo: his boss, and murderer) - Kabukimono and Nagamasa were at odds around the time Katsuragi was killed. Their previous relationship was good-natured.
The wanderer who has left yesterday in the dust no longer thinks about it, But when he covers his ears, he can still hear the wild winds that roared that year.
This seems to allude to his anemo vision as a playable character.
A pair of expectant eyes said: "This gold ornament is a proof of identity granted by the Almighty Shogun," "It must surely be able to save the people."
This is the Nameless Child from Kabukimono’s backstory
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The intelligent, lovely shrine maiden said: "This gold ornament is a proof of identity granted by the Almighty Shogun," "And she will not abandon you." "As for me, I shall do my best to send for help immediately..."
This is Yae Miko
...But in the end, the golden arrow-feather were covered in dust, And all tales were incinerated in karmic flames till nothing remained.
Kabukimono literally burned the house that the child died in and figuratively burned away his longing for emotional bonds
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The Song of All Living Things
As far as Inazuma is concerned, this is some small object from overseas. The heart of this mechanism has been removed, and its hands no longer turn.
He was originally born to be a vessel for a "heart." But he shed tears in his dreams. His creator observed thus: He was too fragile, whether it be as a human or as a tool.
Yet his creator would not destroy him, and so allowed him to continue slumbering. In her latter works, she would also consign designs that might store such a heart to obsolescence. Not long after, that noblest and most prestigious "proof" in the world would come to have no home, And thus was sent to the great shrine at Mt. Yougou.
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His sleeping form was placed in Shakkei Pavillion along with the feather that he wears.
‘A feather-shaped token that was brought forth from a secluded hall. The compassion of its creator led to it being left within that mansion along with a certain slumbering form.’ (Feather of the Opulent Mansion Description)
Deep within these rocky mountains is a sight that does not belong to this world. Many of those drawn to it do not belong to civilization. — This magnificent mansion was built by an ancient ascetic warrior in the depths of the earth using scenery borrowed from the outside world. In latter days, a deeply disheartened eccentric would be discovered within. (Shakkei Pavillion Description)
This masterless mansion has become the haunting ground of monsters from the rift. Those who can wield the eternal lightning to conquer this trial will obtain the artifacts within. — This great hall stood when Seirai Island neither had the name it has now, nor had it yet been stained with the color of thunder. The scenery within will probably never change, either. (Slumbering Court Description)
Ei began designing a “perfected” puppet, the Shogun. There was no further use for the prototype and the Lord of Electro did not want to intefere in his fate.
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Ei conducted countless experiments to this effect, discarded a great many failed products, and spent an unimaginable amount of time and resources—But at last, by her dogged pursuit and warrior's spirit, she was able to create a flawless puppet. (Raiden Shogun: Character Story 2)
“The first to betray me was a god. My creator... my mother. Valuing strength above all, she saw no worth in me, and I was discarded” (Story Teaser: The "Divine" Will)
He was a transcendent being, divinely created, but he was cast aside like worthless dross. (Artifact Set: Pale Flame)
Later, the beautiful puppet awoke and began his wanderings. He observed many a heart, Good ones, upright ones, strong ones, gentle ones... The puppet, too, desired a heart.
This is when he met humans after Katsuragi brought him to Nagamasa, Niwa, and the others of the Tatarasuna group- heart in this context seems to be referring to individuals’ personalities and emotional bonds
Yet, due to an error that cannot be known, he roused himself from slumber, And began to wander the mortal realm. (Artifact Set: Pale Flame)
Later, the lovely puppet would finally obtain that "heart." It was, after all, his purpose for being, the very reason he existed. Yet, it was not what the puppet truly desired, For it did not contain any blessings, But was instead a sacrifice brimming with selfishness, hypocrisy, cunning and curses, All wrapped in an amiable husk.
He literally gained a heart: It was Niwa's heart that The Doctor put into a device after he murdered him and lied to the eccentric. This heart saved Kabukimono, yet he was disgusted at what he believed to be Niwa's wrongful acts and abandonment
“It took three betrayals for me to finally understand: The world is just an elaborate tapestry of lies. My fury will never be quelled” (Story Teaser: The "Divine" Will)
Good and evil were the song of sentient life, useless and cacophonous. But if he were to wrench this "heart" out, He would no longer be able to feel anything at all…
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“Humans... they can't be trusted. And the gods fill me with pure loathing. So I said good riddance! I denounce the world and laugh in its face. My chest will never again be defiled by worldly filth. I will scrub away every last trace of human emotion. Then it will be empty, a blank slate. And ready to receive a supreme Gnosis, brimming with pure divinity” (Story Teaser: The "Divine" Will)
Before the Fatui found him, he had drifted for countless years. And in that time, this is what his experience had taught him: "I am a 'human' who surpasses all others." "Even the gods daren't meddle in my fate." "Neither mortal nor god, nor fate itself, is qualified to be my judge." "I am free to choose how I wish to spend the remainder of my days." (Artifact Set: Pale Flame)
Calabash of Awakening
A gourd that has been adorned with powdered gold and black paint. Its original color can no longer be discerned, but its main use seems to be as a performance prop.
Amenoma, Futsu, Isshin, Hyakume, Senju. These were, once upon a time, the five branches of the Raiden Gokaden, But today, only Amenoma still maintains its line of succession. While the Isshin line can just barely be said to have extant descendants. In the eyes of the people, this is just the natural result of the ravages of time. They never once suspected that such sudden falls from grace might have some hidden mystery behind them.
These were the 5 bladesmithing arts of Inazuma. All of which were associated with the Yashiro commission. The Isshin Art included the Niwa Clan, Kaedehara Clan, and the Akame school. 100 years ago Scara destroyed all but 2 of the Arts as an act of revenge against the ‘bladesmith’ (ie. revenge against Niwa). Scara only stopped after he met Kaedehara Yoshinori and learned that Yoshinori was originally from the Niwa clan before adoption. The remaining members of the Akame school fled to Snezhnaya before ultimately dying there. Yoshinori stopped the Isshin Art to protect his family in case Scara came back and the only remaining member of the Isshin Art is Kaedehara Kazuha. The Amenoma Art is the current Inazuma blacksmithy.
The wanderer would never admit to this. He would never admit that he had done this as an act of revenge against the bladesmith. Nor would he ever mention the truth, That he had abandoned his schemes halfway because they had suddenly become dull. He would only say, in that tone of voice he had learned from a certain researcher: "It was all just a little experiment into human nature."
The researcher mentioned is Il Dottore who brought Kabukimono into the Fatui (through a well organized devious plan)
In Inazuma's traditional theater, there is a certain character known as "Kunikuzushi." Such characters are often schemers and usurpers of nations. At the end of his wanderings, he chose this name as an act of his own will. And as for the name he had once used, even he no longer remembered it.
The Kabukimono revealed this as his name when he met Kaedehara Yoshinori. The character known as Kunikuzushi is based on the character of the same name and role in real-life Kabuki theatre.
It is a norm in Inazuma's traditional theater to join the names of a play's three acts together to form the play's name. For example, "Sumirezome," "Sangetsu," and "Kogetsukan" come together, Thus forming the play "Sumirezome Sangetsu Kogetsukan." Perhaps a day will come when this body's adventures, its experiences, Will become tales to be passed along by mortals, distant memories that flow through the ley lines. But for now, his third act is still ongoing.
This is based on the real life Kabuki theater in Japan. The first form focuses on samurai and historical events. The second form focuses on domesticity such as family and commonfolk. The third form focuses on dance to convey emotion.
Often the actors in Kabuki need to know how to act as one personality to a completely opposite personality as the first one shown was only a fake.
Emotions are also expressed through the colors of the costumes, a key element in kabuki. Gaudy and strong colors can convey foolish or joyful emotions, whereas severe or muted colors convey seriousness and focus.
Kabuki involves the concept of jo-ha-kyū (序破急), a pacing convention in theater stating that the action of a play should start slow, speed up, and end quickly. Nearly every full-length play occupies five acts. The first corresponds to jo, an auspicious and slow opening which introduces the audience to the characters and the plot. The next three acts correspond to ha, where events speed up, culminating almost always in a great moment of drama or tragedy in the third act, and possibly a battle in the second or fourth acts. The final act, corresponding to kyū, is almost always short, providing a quick and satisfying conclusion.
Kabuki is known to sacrifice drama and even the plot to highlight an actor's talents. It was not uncommon in kabuki to insert or remove individual scenes from a day's schedule in order to cater to an individual actor—either scenes he was famed for, or that featured him, would be inserted into a program without regard to plot continuity.
Skeletal Kasa
A hat that once shielded a wanderer from sun and rain. It eventually became a convenient tool with which faces might be hidden and expressions obscured.
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"Where are you going, wanderer?" The roving youth was stopped by a child's shout. That was a child of a Tatarasuna crafts-person, and while he was ill, his eyes were still clear. The youth told the child that he was bound for Inazuma City. "But it's raining really hard right now. They say that the people who left haven't returned!" The youth opened and closed his mouth a few times... But at last could only give the child a small smile. The next time he set foot upon that island, that child was nowhere to be found.
The Nameless Child from the Kabukimono’s backstory again.
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I'm going to assume that he went to Inazuma City because Konda Village is right outside of the city and that's where lavender melons were:
"They say that Konda Village once planted Lavender Melons and that they were famed for their secret "Konda Dye" art, by which they produced truly lovely fabric."
The Lavender Melon is mentioned in Volume 6 of Someone's Diary. According to the author, lavender melons tastes astringent and eating the skin turned his teeth and tongue purple.
Despite not being flowers at all, Lavender Melons are often used in the making of "Flower" paints, one of the two types of paint traditionally used in Inazuma.
Another interesting thing is that the fruit was likely based on the Japanese fruit Akebia which children like to gather and is also made into medicines and teas.
"Some people recollect in idyllic terms how they foraged for it in the hills as children."
“The third was one exactly like me. A hope for the future... a fledgling barely out of the nest. Powerless before his mortality, he broke his promise to me”
"Where are you going, Inazuman? This boat is not for you!" The wandering young man was halted at the harbor by a boatman. But before the youth could draw his blade, a man in his company stopped him. The man told the mariner that the outlander youth was with him. "Ah, so he's your guest, sir? My apologies for my presumption." The man gave the youth a coat to keep the cold out, but the youth shook his head. He had no need of such things — he only wished to know what interesting things he might find on this long journey.
Il Dottore brought Kabukimono to Snezhnaya; Kabukimono joined the Fatui and became Scaramouche "The Balladeer".
"Since these mask-wearing people are so fun to be around..." "I think I'll become one of them.”
"Lord Harbinger. Where are you headed?" The youth, hating chatty humans the most, gave his subordinate a backhand slap. But he also loved watching expressions of terror and helplessness play across human faces, And it was perhaps precisely because of this imbecilic underling's expressiveness that he had kept them around. He told the groveling, quailing figure that they were headed east, for Mondstadt. "I understand! I'll get your bodyguards ready right now!" He had no need of guards, of course, but he was lazier still to barter words with cretins. Donning his wanderer's hat, he headed eastward alone.
This takes place immediately before the Unreconciled Stars event.
"Child, where are you going?" Returning home, the youth was stopped at the roadside by an old woman. He told her that he was going west. "To Yashiori Island, then? What business are you on?" She had said this thoughtlessly, knowing only that things had not been peaceful of late. The youth thanked her for her concern with earnest smile and told her that he was bound for an appointed meeting. As the boat gradually approached the shore, a lady in foreign garb could be seen standing by the shoreline, And she threw a small crystal sphere at the youth from afar. Catching it with ease, he lifted it up to the dying, bloodied sun.
Takes place during Inazuma Archon Quest. The Lady in foreign garb is La Signora entering Inazuma. The crystal sphere is unknown, possibly a delusion from the factory.
Sources:
Artifact Set: Husk of Opulent Dreams
Artifact Set: Pale Flame
Domain, Shakkei Pavillion
Raiden Shogun’s Voice Over: About Kunikuzushi
Raiden Shogun Character Story 2
Yae Miko Character Story 5
Story Teaser: The “Divine” Will
Interactable, Rather Aged Notes
Event, Unreconciled Stars
Event, Labyrinth Warriors
Event, Hues of the Violet Garden
World Quest, Equivalent Exchange
Archon Quest, Chapter II, Act III, Part 9: Wishes
Story Quest, Acer Palmatum Chapter
Weapon, Kagotsurube Isshin
Weapon, Katsuragikiri Nagamasa
Archon Quest, Interlude Chapter, Act III, Inversion of Genesis
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