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#kinoshita ichiro
damnednyx · 2 years
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The average Kei × Yaku experience is just watching Ichiro getting the shit kicked out of him every ten minutes and then immediately cutting to 🎶Ooh Baby It’s a BOP🎶
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cercasinomeworld · 7 months
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FAVORITE ANIME AND MANGA SHIPS pt.23
Junichiro Kubota x Tomo Aizawa - Tomo-chan Is a Girl!
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Saejima x Komori - The Ice Guy and His Cool Female Colleague
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Himuro x Fuyutsuki - The Ice Guy and His Cool Female Colleague
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Hyoma Kunato x Botan Nagatsuki - Malevolent Spirits: Mononogatari
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Ichiro Kuga x Shiori Goshiki - A Galaxy Next Door
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Usami x Hoshio - Heavenly Delusion 😭
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Ganta Nakami x Isaki Magari - Insomniacs After School
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Akito Yamada x Akane Kinoshita - My Love Story with Yamada-kun at Lv999
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simply-whump · 2 years
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Kei×Yaku: Abunai Aibou - Whump List
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Whumpees : Kunishita Ichiro played by Suzuki Nobuyuki and Hanabusa Shiro played by Inukai Atsuhiro
Synopsis : Three years ago, a disappearance known as the Joker Case went unsolved, and the file closed. Renewed interest in the case demands a second examination of the evidence. Investigator Kinoshita Ichiro from the Public Security Bureau of the Tokyo Metropolitan Police Department is called on for a reunion of the investigation. However, he is assigned a completely different mission. His assignment is to spy on a gang clan led by its young head, Hanabusa Shiro. (MDL)
Genre : Action, Thriller, Mystery, Bromance (maybe more than bromance)
Other names : Kei×Yaku: Dangerous Partners , ケイ×ヤク -あぶない相棒-
@love-me-a-lotta-whump, you wanted it, here it is !
Warning ! Possible spoilers below !
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Kunishita Ichiro
Ep 1 : Punched, lips bloody — Intense and difficult fight against a boxing champion, remembering traumatic past, ears ringing, punched a lot, knocked out— Wakes up on a couch, face and body bruised — Wakes up from a nightmare
Ep 2 : Attacked, tased, beaten — Dropped half conscious at Shiro’s house, concern for him, face bruised — Wounds treated, talking about his past
Ep 3 : Surrounded by motorcycles, chased — Exhausted, out of breath — Wakes up from a nightmare — Talking about his painful past 
Ep 4 : Worried for Shiro, receives a video of Shiro getting beat up — At gunpoint, shocked, crying
Ep 5 : Getting angry at Shiro — Crying
Ep 6 : None
Ep 7 : Falls out of bed — Worried for someone — Worried for Shiro
Ep 8 : At gunpoint — Shocked
Ep 9 : Emotional, Teary-eyed
Ep 10 : Learning the truth about his parent’s death, very emotional, crying
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Hanabusa Shiro
Ep 1 : None
Ep 2 : Worried for Ichiro, angry — Feeling guilty about Ichiro’s injuries, talking about his past
Ep 3 : None
Ep 4 : Tied to a chair with a bag on his head, hit multiple times, chair with him on it toppled, kicked — Caught a cold, has a fever — Doing yakuza business even though he’s sick, almost collapses, at gunpoint, kidnapped — Repeat of first scene (tied to chair, beat up) — Waterboarded multiple times, hallucinates, unconscious — Saved, half-carried — Wakes up, shocked, emotional
Ep 5 : Face still bruised, looks like he’s about to cry after being scolded by Ichiro
Ep 6 : None
Ep 7 : Razor blade put on his neck — Teary-eyed
Ep 8 : Gun pointed at his head — Fighting, punched hard in the guts, collapses — On the ground, at gunpoint, saved at the last second — Shocked
Ep 9 : Sad, crying 
Ep 10 : None
More Whump Lists
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byneddiedingo · 1 month
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Masayuki Mori in Love Letter (Kinuyo Tanaka, 1953)
Cast: Masayuki Mori, Juzo Dosan, Yoshiko Kuga, Jukichi Uno, Kyoko Kagawa, Shizue Natsukawa, Kinuyo Tanaka, Chieko Seki, Ranko Hanai, Chieko Nakakita, Keisuke Kinoshita. Screenplay: Keisuke Kinoshita, based on a novel by Fumio Niwa. Cinematography: Hiroshi Suzuki. Art direction: Seigo Shindo. Film editing: Toshio Goto. Music: Ichiro Saito. 
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staydandy · 2 years
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Kei x Yaku: Dangerous Partners (2022) - ケイ×ヤク -あぶない相棒- - Whump List
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List by StayDandy Synopsis : 3 years ago, a disappearance known as the Joker Case went unsolved, and the file closed. Renewed interest in the case demands a second examination of the evidence. Investigator Kinoshita Ichiro is called on for a reunion of the investigation. His assignment is to spy on a yakuza clan led by its young head, Hanabusa Shiro. Their undercover operation gradually leads to an incident sure to shake up both the nation and their destinies. (MDL) AKA : Kei × Yaku: Abunai Aibou
Whumpee : Kunishita Ichiro played by Suzuki Nobuyuki
Country : 🇯🇵 Japan
Notes : This is a Partial List - I didn't list every bit of whump, just what caught my attention the most • Adapted from the manga "Kei×Yaku: Abunai Aibou" (ケイ×ヤク -あぶない相棒-) by Kaoruhara Yoshie (薫原好江) • Shiro (the blond) gets a lot more whump than Ichiro, but my heart fell to Ichiro so that's all I focused on 😁 .. but it's a good show to watch for whump in general
Episodes on List : 1 Total Episodes : 10
*Spoilers below*
02 : Kunishita Ichiro is beat up
More Whump Lists for this show: simply-whump
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origamidotme · 5 years
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Brick Fireplace (Kinoshita) (3/3) by mr.origami https://flic.kr/p/8MT4T1
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kansassire · 3 years
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Kinoshita es un cineasta que siempre me pareció un tanto sentimentaloide, pero tiene pelis estupendas, y ésta lo es. Qué bien narrada está la adolescencia, cuando empiezas a darte cuenta que tus padres no son la perfección y cuestionas injustamente sus comportamientos.  Es muy buena contando esos años de perdida de la inocencia y de la infancia, en plena Japón sumergida en una guerra, todo representado en el personaje de Ichiro, el adolescente que observa su mundo convertido en caos .
Shônenki aka Boyhood, 1951, Keisuke Kinoshita
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crazyasianlove · 2 years
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Proyectos invierno 2022
Itoshi Uso ~Yasashii Yami~
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Título: Itoshi Uso ~Yasashii Yami~ Episodios: ¿? Género: thriller, misterio, romance Cadena de emisión: TV Asahi Horario de emisión: viernes Período de emisión: enero 2022 - ¿? Dirección: Kinoshita Naomi Guion: Ushio Kentaro SINOPSIS Imai Nozomi hizo su debut como mangaka hace 3 años. Sin embargo, no ganó mucha popularidad y ahora trabaja como asistente de manga sin un futuro brillante a la vista. Un día, 14 años después de su graduación del instituto, de la nada, se celebra una reunión de clase. Aquí es donde se encuentra de nuevo con su primer amor Amemiya Shuichi. El genial y atractivo Shuichi destacó en sus estudios y en el deporte y era como el príncipe perfecto para todas las estudiantes en ese entonces. Ahora es CEO de una empresa de informática y sigue siendo popular entre las mujeres. Mio había pensado que sus sentimientos por él eran unilaterales, pero esta reunión de clase es el resultado de la activa búsqueda que Shuichi realizó por Mio. Luego, entre todas las cosas, los miembros del grupo de seis buenos amigos que asistieron al evento se ven envueltos en incidentes y comienzan a morir uno tras otro. Cada uno de ellos esconde algo soprendentemente oscuro que desencadena un sinfín de mentiras y una imparable y hormigueante tragedia de amor-odio. CAST Haru como Imai Mio Hayashi Kento como Amemiya Shuichi Mizobata Junpei como Fukasawa Ryo Motokariya Yuika como Honda Reiko Kurokawa Tomoka como Nose Yumi Tokushige Satoshi como Nose Masaru Matsumura Sayuri como Okazaki Rie Shinkawa Yua como Iwasaki Nanae
Fight Song
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Título: Fight Song Episodios: ¿? Género: comedia, romance, drama Cadena de emisión: TBS Horario de emisión: martes Período de emisión: enero 2022 - ¿? Dirección: Ishii Yusuharu, Okamoto Shingo, Murao Yoshiaki Guion: Okada Yoshikazu SINOPSIS La alegre y tenaz Kisara Hanae creció en un orfanato y aspira a representar a Japón en el kárate. Sin embargo, su sueño se interrumpe repentinamente. Después de perderlo todo, la vida de Hanae toca fondo y ha estado sobrellevando el cansancio cada día. Hanae tiene un encuentro con Ashida Haruki, el compositor de la canción que siempre escuchaba antes de sus combates. Pero Ashida resulta ser un genio de un solo éxito. Hanae se ha dedicado al kárate todo este tiempo y nunca se ha enamorado, mientras que Ashida está a punto de ser despedido, ya que no puede escribir buenas canciones sin comprender el corazón de la gente. Los dos se dan la mano inesperadamente y deciden tener un romance falso, pero real. El coqueto amigo de la infancia de Hanae, Natsukawa Shingo, a quien siempre le ha gustado, se involucra y esto pronto se convierte en un triángulo amoroso. Pero Hanae tiene un "secreto" que no puede contarle a nadie y decide que este será el último amor de su vida. CAST Kiyohara Kaya como Kisara Hanae Mamiya Shotaro como Ashida Haruki Kikuchi Fuma como Hatsukawa Shingo
Kei x Yaku ~Abunai Aibou~
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Título: Kei x Yaku ~Abunai Aibou~ Episodios: 10 Género: acción, thriller, misterio, BL Cadena de emisión: NTV, YTV Horario de emisión: jueves Período de emisión: 13 de enero, 2022 - 17 de marzo, 2022 Dirección: Hatano Takafumi Guion: Sakai Masaaki, Kaname Keiko SINOPSIS Kunishita Ichiro, de 28 años, investigador de la oficina de seguridad pública del departamento de policía metropolitana de Tokio, no ha podido aceptar el rápido cierre de un caso de personas desaparecidas que estaba investigando hace 3 años y continúa negociando una reanudación. Pero su jefe le ordena una misión completamente diferente, quiere que lleve a cabo una vigilancia secreta a Hanabusa Shiro, el joven jefe de un grupo del crimen organizado. Un hombre de muchos misterios, Hanabusa había sido un trabajador a tiempo parcial hasta hace 3 años cuando se infiltró en el grupo con un propósito determinado y llegó a la cima a una velocidad notable. Hanabusa no teme la muerte y vive el momento. Mientras se acerca a Hanbusa para su misión, Kunishita descubre una verdad sorprendente. Él y Hanabusa deciden formar un pacto de amantes falso para ocultar su colaboración. Mientras investigan en secreto un caso que ha sido envuelto en la oscuridad, se ven arrastrados a una gran conspiración que sacudirá gradualmente al país y también está ligada a sus propios destinos. CAST Suzuki Nobuyuki como Kunishita Ichiro Inukai Atsuhiro como Hanabusa Shiro
Muchaburi! ~Watashi ga Shachou ni Naru~
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Título: Muchaburi! ~Watashi ga Shachou ni Naru~ Episodios: 10 Género: negocios, romance Cadena de emisión: NTV Horario de emisión: miércoles Período de emisión: 12 de enero, 2022 - 16 de marzo, 2022 Dirección: Inomata Ryuichi, Kariyama Shunsuke Guion: Watanabe Mako SINOPSIS Takanashi Hinako, de 30 años, es la secretaria personal de Asami Hiroto, el guapo y carismático CEO de una empresa emergente que ha estado creciendo a un ritmo vertiginoso. Ella ha trabajado para él durante 4 años y es una rutina para ella recibir una gran cantidad de peticiones irrazonables de este hombre que actúa por instinto. Debido a esto, nunca ha habido un día de paz para ella. Hinako no ha tenido novio en 6 años o tiempo para pensar en su futuro. Todo lo que puede hacer al final de cada día es dejar escapar un largo suspiro con una cerveza en la mano y decir que es imposible que valga la pena hacer este trabajo. Sin embargo, Hinako recibe la solicitud más irrazonable de Asami cuando es nombrada CEO de una filial de la empresa. Además, hay una "pizca de amor" en el aire cuando se encuentra atrapada en medio de dos hombres con pesonalidades muy diferentes: su carismático jefe y su subordinado impertinente más joven Taiga Ryo. Pero ambos son problemáticos. ¿Cómo se desarrollará su romance? CAST Takahata Mitsuki como Takanashi Hinako Matsuda Shota como Asami Hiroto Shison Jun como Taiga Ryo Arakawa Yoshiyoshi coom Miyauchi Tsuyoshi Kasamatsu Sho como Nogami Go Yamada Maho como Miyama Wako Oshinari Shugo como Tanabe Kazuma Jinbo Satoshi como Koga Michio Tsubokura Yoshiyuki como Kuzuhara Keijiro Katayama Yuki como Mizushina Yuzu Matsuoka Koudai como Hagio Kei
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Road Taken (Roar) - Fire Emblem Warriors Original Sound Version
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DAY 1453) One Piece Pirate Warriors 3 - Pass through Lightning
Composer: MASA, Hiroaki Takahashi, Yosuke Kinoshita, Takashi Yoshida and Shin-ichiro Nakamura
just some chill 5/4 all the way through this one~!
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mkayswritings · 5 years
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Fandom OCs
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byneddiedingo · 1 year
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Akiko Tamura and Akira Ishihama in Boyhood (Keisuke Kinoshita, 1951) Cast: Akira Ishihama, Akiko Tamura, Chishu Ryu, Renaro Mikuni, Toshiko Kobayashi, Mutsuko Sakura, Takeshi Sakamoto, Ryuji Kita. Screenplay: Keisuke Kinoshita, Sumie Tanaka, based on a novel by Isoko Hatano. Cinematography: Hiroshi Kusuda. Art direction: Tatsuo Hamada. Music: Chuji Kinoshita. It's easy to see why Keisuke Kinoshita was one of Japan's most popular directors: He had that audience-pleasing ability to create identifiable characters and familiar situations, along with a sincere desire to make a statement about ordinary people caught up in the sweep of history. Like his Twenty-Four Eyes (1954), Boyhood is about people in wartime but not where the conflict rages most fiercely -- the conflicts in Boyhood are interpersonal and internal, not international. Ichiro (Akira Ishihama) is a 15-year-old boy, too young to fight in the war. When his family -- mother, father, two younger brothers -- relocates to the country during the war, Ichiro chooses to stay behind in Tokyo so he can continue his studies. But the first air raid finds him on a train to see his family, and when he returns to school he finds that he has fallen behind the other students and is stigmatized for his flight. So he joins his family in the country and starts at a new school, where he is an outcast, in part because the rural people treat the refugees from the city with scorn. He also feels at odds with his father (Chishu Ryu), an intellectual who tacitly disapproves of the war, and is disturbed by the fact that his mother (Akiko Tamura) does most of the work to keep the family fed and housed, while his father continues with his studies. Ichiro is regarded as a weakling by his fellow students, and the teachers, most of whom preach the militaristic virtues of strength and self-sacrifice, do little to help. When the lake freezes over in winter, for example, Ichiro finds that he is incapable of learning to skate, and though he makes a determined effort, he's mocked for his failure. Not as wrenchingly sentimental as Twenty-Four Eyes, Boyhood still elicits strong feeling because Kinoshita sticks with Ichiro's point of view -- his desire to fit in, his closeness to his mother, and his confusion about his father's distance from the reality of what is happening around them. At the conclusion of the film there's a measure of triumph in the defeat of militarism at the war's end, but there's also a feeling of a lack of resolution to Ichiro's story.
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byneddiedingo · 2 years
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Chieko Higashiyama, Kuniko Miyake, and Ichiro Sugai in The Portrait (Keisuke Kinoshita, 1948) Cast: Kuniko Igawa, Eitaro Ozawa, Kamatari Fujiwara, Ichiro Sugai, Chieko Higashiyama, Kuniko Miyake, Yoko Katsuragi, Mitsuko Miura, Keiji Sada, Toru Abe. Screenplay: Akira Kurosawa. Cinematography: Hiroshi Kusuda. Production design: Motoji Kojima. Film editing: Yoshi Sugihara. Music: Chuji Kinoshita. Keisuke Kinoshita's The Portrait deserves to be a little better known, if only because its screenplay is by Akira Kurosawa. Not that it's a masterpiece, or even a particularly felicitous example of Kurosawa's screenwriting, but it's one of the better films of the enormously prolific and sometimes misguided Kinoshita. At the core of the film is an old trope: the portrait that reveals the truth. In this case, it reminds Midori (Kuniko Igawa), the mistress of real-estate hustler Kaneko (Eitaro Ozawa), of her innocent past, causing her to break off their relationship. Kaneko has entered into partnership with Tamai (Kamatari Fujiwara) to buy a rather rundown and ill-planned house, make some renovations, and flip it for double the price. The problem is the tenants, an artist named Nomura (Ichiro Sugai) and his family. Kaneko is reluctant to evict them outright -- this guy is in real estate? -- so he concocts a plan: He will move Midori, who has somewhat of a temper, into the upstairs room of the house, and she'll prove such a torment to Nomura and his family that they'll be glad to leave. But things start to go awry almost immediately: The family think that Midori is Kuneko's daughter instead of his mistress. Naturally, she's somewhat flattered by this misconception. She softens even more when Nomura wants to paint her portrait, and falls completely when the family downstairs prove to be kind and affectionate people. Watching Yoko (Yoko Katsuragi), the daughter, dance with her boyfriend under a full moon, and then be joined by Nomura and his wife, Midori starts to turn against Kaneko. But then even Kaneko is softened by the tenants and abandons his scheme. This is typical movie sentimentality, a fault Kinoshita (and sometimes Kurosawa) was often guilty of, but there is a bittersweet touch to the ending when Midori, having seen her portrait on display at a museum, walks away into an unknown future.
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byneddiedingo · 2 years
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Ryo Ikebe in Apostasy (Keisuke Kinoshita, 1948) Cast: Ryo Ikebe, Yoko Katsuragi, Osamu Takizawa, Jukichi Uno, Eitaro Ozawa, Sachiko Murase, Kenji Susukida, Ichiro Sugai, Akira Yamauchi. Screenplay: Eijiro Hisaita, based on a novel by Toson Shimazaki. Cinematography: Hiroshi Kusuda. Art direction: Isamu Motoki. Film editing: Hisashi Sagara. Music: Chuji Kinoshita. The title of Keisuke Kinoshita's film Apostasy is generally acknowledged to be a mistranslation of the original, Hakai, which has a variety of meanings, including "destruction." The film is not about someone abandoning his religion, which is what the English "apostasy" means, but instead it's about the discrimination against Japan's feudal pariah class, the burakumin, literally, "people who live in villages." Which is again misleading if we think of villages as small communities of farmers, artisans, and merchants, all of whom had acceptable roles in feudal society. The burakumin were considered untouchable because their work associated them with death: butchers, tanners, undertakers, executioners, and so on, who, unable to associate with the "respectable" classes, formed communities and villages of their own. The taint of their work extended to their children's children -- even to those who managed to improve themselves with education and work in other fields, like the protagonist of Kinoshita's film, Segawa (Ryo Ikebe), who loses his job as a schoolteacher because he has hidden the fact that he's a "villager," as the English subtitles call him. His secret is exposed when he goes home to his village, remote in the mountains near Nagano, for his father's death. The action of the film takes place in 1901, well after American influence had caused the Japanese government to lift the legal restrictions placed on the burakumin, though without erasing the deep-seated prejudice against them. But Kinoshita has a more contemporary purpose for his film: After World War II, Japan was adopting a new, and of course again heavily American-influenced, constitution, guaranteeing civil rights to all Japanese citizens. So Apostasy is a heavily didactic film about tolerance -- not unlike some of the preachier American films that promoted better race relations in the aftermath of the war. Its bigots are despicable and its heroes -- including a descendant of the burakumin who has become a lawyer and a crusader for equality -- are noble. There's a love threatened by prejudice that triumphs, and a tear-filled ending in which the children Segawa has taught come out to wave goodbye as he departs the town that scorned him. In short, it's Kinoshita at his most sentimental.
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Twilight of the Gods (Reprise) - Fire Emblem Warriors Original Sound Selection
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Justice RIP (Nohrian Storm) - Fire Emblem Warriors Original Sound Selection
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