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yaboylevi · 4 years

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[Fugou Keiji Balance:UNLIMITED]

Interview with Miyano Mamoru and Oonuki Yuusuke - Newtype (2020/5/10)

Translator: yaboylevi Follow my fkbu only blog if you'd like :) ※ do not reupload in its entirety. credits with link to this post attached if parts of it are reposted.

Q: Only 2 episodes of Fugou Keiji Balance:UNLIMITED were broadcasted but can you tell us your impression of the characters that you two play? First of all, the billionaire son of a distinguished family, Kambe Daisuke, who was assigned to the Modern Crime Prevention Headquarters. What’s your opinion of him?

MIYANO: Daisuke, who is voiced by Oonuki-san, is the type of character that constantly makes you change your opinion of him. If you look at him through Kato’s eyes, at the beginning he was someone you couldn't like. But Daisuke was transferred to his same division and Kato ended up having to teach him the ropes. Daisuke, in his own way, is facing cases earnestly, but it seems like Kato still hasn’t understood this. There are still lots of things that weren’t revealed about Daisuke, so I’m curious about that.

OONUKI: Daisuke knows nothing of the real world, he’s a bit clueless, or more like, he has always lived in a world of wealth, so he just does things in his own way. His air of arrogance and wealth was quite hard to portray in the beginning. But thanks to being alongside Kato, he will learn various things, so from now on, he will grow as a person. I’m looking forward to that.

Q: So, what about the hot-blooded detective Kato Haru, who was once part of the First Division, and is now working at the Modern Crime Prevention Division?

MIYANO: Kato has strong beliefs. He is a person who holds his ideals of justice very dear. He used to be the ace of the First Division but fell down all the way to the Modern Crime Headquarters. Because of that, he’s frustrated at the fact that he can’t do the things he wants to do. He’s a character who’s got a certain realism as part of the middle management (T/N: middle management people are not part of the top managers, they are their subordinates, but they are in charge of the actual workplace and have their own subordinates they are responsible for).

OONUKI: To someone like Daisuke who knows nothing of the everyday life of a normal person, Kato is someone who will make him grow more aware. I’m curious about how their relationship will evolve.

Q: As recording proceeds, what kind of opinion have you gained of this series?

MIYANO: Even if I’m the one saying this… our duo is pretty good, right?! (laughs) It feels really good! Daisuke and Kato’s personalities are opposites, but when we perform together, it feels just right.

OONUKI: Thank you. As for me, I really like the music in this series, it’s reaaaally cool! Music starts with such perfect timing that you unintentionally go “Wooh!”.

MIYANO: I totally get it!

OONUKI: Also the character design chosen by Sasaki-san is so cool. In the story, there is also a mystery that will be unveiled a bit at a time. The direction of Director Itou-san is also very stylish and exciting. And amongst it, there are parts that make you laugh, too. The balance is really nice, every recording session is fun!

MIYANO: At the end of every episode there is a receipt showing how much Daisuke’s investigations cost, and that’s exactly the type of entertainment the directing is going for.

Q: Miyano-san, Oonuki-san, the cast gathered in your group of voice actors is also quite amazing. Is there someone who left a strong impression on you when you were recording together?

MIYANO: Every character has a very strong individuality, so they all have a great presence, but I never thought in my life as a voice actor that I’d have the chance to record alongside Kamiya Akira-san (T/N: Cho-san’s voice actor, also Conan's Kogoro's VA and City Hunter's Saeba Ryou). I was so happy it felt like a dream. The weight and dignity of each of Kamiya-san’s words are just that great.

OONUKI: I also wanted to talk about Kamiya-san. There are certain lines he said that are so very impressive they just remain with you. I was deeply moved by their power, the core of his voice.

MIYANO: He’s a very modest person and it was a precious experience to be able to be in the same workspace and witness the wonderful form of such a role model. Also, Shioya Kozo-san, who voices the chief, was also great. He made the chief sound kind but you also feel like he’s someone who is a lot wiser than everyone else (laughs). You will worry if this guy is okay, but at the same time, it feels like there is something hidden in his past… Even Cho-san, who at first glance sounds like an empathetic detective, the way he’s voiced by Kamiya makes it sounds like there is more to him after all. Each character has their own backstory, there is still a lot that hasn’t been revealed yet.

Q: I’m also curious about the AI butler that Daisuke has.

OONUKI: Through HEUSC, a terminal in the form of an earring, Daisuke can give out orders. Of course, payment of billions of yen, but speaking of technology, I’ve heard it’s also able to make gadgets a reality. I’m looking forward to all sorts of cutting edge gadgets that will appear from now on.

Q: At last, what are you two looking forward to, in regards to future developments?

MIYANO: I want to see more cooperation. This story is centered around Kato and Daisuke’s work partnership, but the scenes where they cooperate are still very few. I’m excited about future developments from now on.

OONUKI: When it comes to Daisuke, it seems like there is "something" concerning the Kambe family, so I’m looking forward to finding out what this mystery is.

MIYANO: (Once that secret comes to light) I want to see the moment in which the calm and collected Daisuke is shaken.

OONUKI: Oh, he will definitely get upset. (laughs)

MIYANO: So yeah, I am looking forward to recording for the second half of this season (T/N: he doesn't mean a second season or a second part, it's just that they still haven't dubbed half of the episodes).

Fun Fact: The old man yelling at Daisuke in EP1 is a cameo: he’s supposed to be Tsutsui-san (the author of The Millionaire Detective novel).

Translation of the front page (sooo much pandering, read till the end ahah)

One is unheard of, while the other is hot-blooded, one is an unconventional man and the other has a one-track mind, one is eccentric and the other is driven by common sense.

The brains who use freely infinite assets, and the brawn whose shoe soles grew thin because of constantly running around. Different in everything, the two detectives met on the crime scene. The two of them chase criminals in different ways. Where one of them gathers testimonies by bribery, the other is persistently on the lookout and gains information through his own efforts. A brand-new button-down shirt and a worn-out layered one.

One is the cool and collected Kambe Daisuke, who dashes forward with the classic car he just purchased. The other is the emphatic and hot-blooded Kato Haru, who rushes up to it with all of his strength.

The two butt heads, and have different opinions, each with their own way of dealing with things, they finally reach the truth. Their way of living, their acquired way of thinking, their chosen way of doing things, they’re different up until now.

But because they are so different, they fit together well.

The two of them, who may look too far-removed and yet they could be so close*, can face any case. When they establish an emotional bond and take each other’s hand, the door to the hidden truth will open quietly for sure.

*It’s an expression impossible to translate. It is used for a relationship between a man and woman who may seem too different to get along but they unexpectedly end up happy and married. lol

#fkbu #Daisuke kambe #Haru kato #daiharu #harudai #miyano mamoru #oonuki yuusuke #the millionaire detective #fugou keiji #fugou keiji balance unlimited #fugou keiji balance: unlimited #vivitranslates #kambe daisuke #katou haru

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sambart93 · 6 years

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2018.01.01 Kuroshitsuji Musical: Tango on the Campania [Review!]

Official Site here Official Twitter here Press Coverage 1, 2, 3, 4, 5, 6 Video Coverage 1, 2

CAST and CHARACTERS

Furukawa Yuta as Sebastian Uchikawa Reo as Ciel Uehara Takuya as Grelle Mikata Ryousuke as Ronald Harashima Motohisa as Snake Okazaki Momoko as Elizabeth Takagi Shun as Fred Abberline Terayama Takeshi as Sharpe Hanks Utsumi Akiyoshi as Edward Akisono Mio as Francis Nasu Kozo as Alexis Kawai Ryunosuke as Ryan Stoker Izumi Shuhei as Undertaker Sasaki Yoshihide as Druitt

Non-Spoiler Review

This is a very HIGH production with very HIGH production quality. It's also very faithful to the original story. The dancing and ensemble are super professional, the singing and song have some amazing moments, the setting and the apparatus' and how they've moved around the scenes and used in different scenes are great. The projection mapping was great also. I thoroughly enjoyed the story, the characters, the costumes, the funny moments. It was a very, very enjoyable stage. This stage is loved by so many people for many different reasons; the production value, the fans of the actors (especially HideSama and Uehara, they both got woo'd at the end when I went), fans of the anime and manga like myself. This series has been in the works for almost ten years (apparently ten years this year) so of course you're not going to be disappointed by what they produce. I am thoroughly pleased with the performances and characters of Ciel, Snake and of course, the ridiculous Druitt! Also the dancing ensemble are absolutely phenomenal in this; I could not stop watching them; their dances were either very very fluid like a dead corpse would be (because that's what they were playing) or very robotic (just like a zombie would be) and it all fit perfectly. While I was originally upset that Tamaki wouldn't be coming back at Snake, I immediately fell for Harachan's Snake; he did perfect! And damn Ciel's Reo is just a phenomenal actor and he will go far; some of the notes he him in the songs actually gave me goosebumps and impressed me a thousand times over. I could go on, but I don't want to spoil anymore for you. If you're already a fan then you're gunna watch it regardless of my review right? xD And if you're not a fan yet, seriously, just give the manga a shot and if you sort like that, then watch the first season of the anime and then if you're sure you like the world and characters enough, (while I do love the absolutely mess and ridiculousness of the first few stages) start from the 2015 stage! You won't be disappointed. Rating: 8/10

SPOILER REVIEW!

As I mentioned in my 2018 Resolutions, I realised how shitty, critical, and negative I was getting in my reviews, so this year I'm being more objective and writing more about the positives; also, every　time I see a play I'm going to ask on twitter what things YOU want me to focus on and write about too so it's more balance and not only pleasing me, but then you're also getting stuff you want to know about the stage out of me, so follow @sambart93 for those! Now to the review!

STORY

Also mentioned above, the stage is very faithful to the original material, so if you want to know the plot to this one either read the Luxury Liner Arc or just go to the synopsis here. This is probably my SECOND favourite Arc that I've read (to be honest I haven't kept up with any of my manga series these past 13 months or just including Kuroshitsu... I'm sorry!) in the Kuroshitsuji series and for the stage to be so faithful to the original material made me so happy!

THE POSITIVES

PART ONE [About 1 hour]

My seat was Row V, which actually ended up not being bad at all! It was a lot closer than I thought.

There's a scene where the doctor shows an audience of him bringing a corpse back to life, and the dancing by the ensemble girl in that scene is absolutely amazing! I can't describe it but it was so fluid and matches the music perfectly, I was so impressed!

There's a titanic pose with Ronald and Grelle was great! Ronald really didn't want to do it but was forced to. And then soon after (or during this scene) Grelle is singing, and Ronald is just clapping behind Grelle so unimpressed - I was dying with laughter.

Most of the songs this time around are very good too! Some of my favourites from the first part is the main Campania song, Druitt's solo and I quite liked Ronald's solo too! Sebastian’s solo song is amazing too! He has a LOT of high notes to his in it. He sings the song about 3 or 4 times throughout the stage, or at least it feels like that.

I really like how this stage is gruesome too and not holding back on the projection mapping blood spurts and lots of red colour and use of red fabric to show that it's just pure blood shed going down on this boat - maybe I enjoyed it a bit too much? xD

Even when I first read the manga, I've always loved Lizzie’s badass moment and it did not disappoint on stage ever - it was great seeing her kick ass.

I really really do like this Ciel. I felt this way the first time I saw him last year but this time around really solidified it for me! He has a lot of potential and I think he will go very far if he continues to pursue acting. A part of me really hopes his voice doesn’t break and that he doesn’t grow for like another ten years so he can constantly be our Stage Ciel xD

A small thing, which is also in the main story (to my memory), I love how Ciel is in pretty-decent-sized heels throughout this, whereas Lizzie is just in flats xD I found it totally adorable!

For those who were worried about Hidesama - because I personally haven't seen him since he was on crutches for K-Stage - HideSama is walking, kneeling, and such smoothly and fine so I guess he's pretty much okay now. Although I do feel like he was limited in the types and amount of dance moves he got so I guess he's still not 100% and/or he's just be cautious for a decent amount of time, which is a good idea! And of course he was absolutely ridiculous as Druitt! I was most impressed with his voice! I knew he was good at voice acting since I've seen how different his voice is in real life compared to in TouStage compared to in HakuMyu, but he ONCE again changed his voice for THIS stage and I was so surprised and impressed! He's really talented with his voice! No wonder he also gets voice work too! But yes, his character was ridiculous as ever and had my cracking up with the things he did even when he wasn't the center of the stage or story at the time.

Oh and I really, really like the new Snake too! I didn't realise when it was first announced who the hell it was. But about 10 minutes into the stage I realised who the damn actor was and I got super excited straight away! I should never have doubted or been pissed at him! He's such a great actor and he did not disappoint at all as Snake! I ended up super super liking him like straight away! AND it was his birthday today! So HAPPY 25TH BIRTHDAY!!

The stage and the apparatus’ are flawless as usual. I was fascinated at watching the ensemble pull the apparatus' around and seeing how they had used every inch of the parts to make something relateable and useful for the actors. The staging and parts of the set were amazingly well done - which is expected I know...

Also, the outfits are great!! I think that's just me really like the Victorian Era and clothing but I love the clothing from this series and seeing it in the flesh is always so great to see!

The way Mikata, Uehara and Izumi swung their weapons around with so much control but also with such smooth motions was so amazing!

PART TWO [About 1 hour]

Druitt had two solo songs; one in each part. but his solo in part two had me cracked up! Especially the opening of it which his hip thrust and the echoing of his high voice and the colourful, flashing lights. It was so funny and ridiculous. It was also the only song which had audience participation and it got all of the audience clapping which I enjoyed and was fun. He danced and moved more in this solo compared to his Part One solo which made me even less worried about his leg ^_^

Grelle forced Ronald to do the titanic pose at the end again and he was so reluctant, it was so funny! I also think this is how they END the play which is just the best way to end it >.<

The Undertaker Scythe's is SO badass and looks so good in real life! I was so fangirly inside when I finally saw his Scythe IN THE FLESH! I've been waiting for this Undertaker reveal in the stage series for a while! Also I LOVED how he swapped out a normal blade for his Scythe behind his back, it was so smoothly done!

Going back to how much I love this Ciel; Reo hit some seriously BIG notes towards the end! I was so freaking impressed!!! If he keeps up with all this training and such, his voice is going to be amazing! It's already amazing because I didn't think 12 year olds could hit such high notes but he did, and he blew me away when he did it!

I really, really, really loved the dance ensemble in this one! I was so fascinated and enticed by them and their fluid and robotic movements really matched the whole dead bodies and zombie theme very well! They totally added to the whole thing and made the stage so much more entertaining and fun to watch thanks to their talents! There was one particular female dancer (she got a lot of the main dance parts) which was so damn good, I couldn't take my eyes off her. I need to find out which one it is. But the dancers all have blindfolds on for most of the stage - being dead bodies and all - so it'll be difficult to find out WHO.

Ciel always has the best outfits! I've always wanted to cosplay him. I've always wanted to own his clothing. This stage didn't change my feelings about his outfits at all; only increased them xD

The scene/moment just before Ciel and Seb's back story was so great! The ensemble were holding Reo and Yuta mid air and it was like a slow motion of them trying to grab each other's hands before Ciel gets consumed by the zombies and just as Seb gets stabbed in the back with the scythe. It was an amazing moment! I loved it!

CURTAIN CALL

Three rounds of applause, speeches after the second round, and standing ovation at the third round.

It was Harachan’s birthday so we sang Happy Birthday to him, and he was yelling thank you at the Undertaker who was right next to him (xD) and deep bowing on the floor to the audience in thanks. He was so sweet! He was like 'I've never had so many people wish me happy birthday! I think this will be a great year!'

HideSama spoke at the curtain call and a bunch of the crowd wooooo’d when it was announced he'd be the one speaking. He spoke about how he saw the circus one last year and felt, at the time, that he wanted to return to the world, and said he's glad he’s back after two years. And at the end he put on his Druitt voice and yelled 'TADAIMA/I'm home'.

Yuta also mentioned that apparently it’s their 10th anniversary for KuroMyu this year!

THE NEGATIVES

I try and keep a positive spin on the points somewhat:

While I did love the Elizabeth badassery scene, I couldn't help but notice that it was lacking in TouStage/HakuMyu/KStage-level-like sword fighting choreography. To a normal viewer, they probably wouldn't notice but in my eyes, the choreography was simplier and slower and looked a lot more like acting-fighting (like the ensemble obviously running into her swords to land the hit rather than it feeling like a flawless move from the character) to what my eyes are used to seeing. It doesn't take away from the fact that Elizabeth is really a sword fighting badass and that's the moment in the manga I really started like Elizabeth.

Unfortunately, the only ones I couldn't warm up to is Lizzie’s family. For some reason I just didn't take any liking to Francis or Alexis. I think I least liked their song too - oopsies. Her brother was okay though, and I liked how protective he was of Lizzie because it got really funny, like when Ciel safely brings her to her family and he's like 'take her and make sure she gets off safely' and he's like 'of course I will! I'm her brother! But I won't mind if you don't make it out alive okay? *bye*' it cracked me up!

Final note; I felt the first part was a lot stronger than the second half. Especially because a large chunk of the second half was dedicated to Ciel and Seb's back story and once again we got that contract scene at the start of the back story. Personally, I wish they wouldn't redo this scene every stage. Also I felt the crowd getting restless around me when the backstory starting going for like 20 or so minutes. I think a large majority of us wanted to get back to the main, present story. It wasn't a bad backstory at all; the song Ciel and Seb did during it, with the use of the projection mapping, was really good and creative, and Seb's 'kuso gaki / this little shit/brat' bitching was amusing, but it was a little too long.

GOODS

I only bought the pamphlet and the photobook and I've already put a lot of the photos throughout the review, but I'll put the rest of the others that I liked here:

And that's all! Did I do well keeping positive and objective?! Now the real challenge is, can I hold this up?! We're only one day into 2018!

Anyway, hope you enjoyed it!

#furukawa yuta #uchikawa reo #uehara takuya #mikata ryosuke #harashima motohisa #utsumi akiyoshi #kawai ryunosuke #izumi shuhei #sasaki yoshihide #kuroshitsuji #kuromyu #namashitsuji #黒執事 #生執事 #review

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