Finally, here is the submission results:
PRELIMINARY POLLS WILL BE UP TUESDAY 7/25 @ 12PM EDT
tags:
preliminaries
matches (the actual polls, not including any reblogs)
bracket info
propaganda
INFO UNDER CUT
✨✨There were a couple of submissions that were openings, rather than endings, so those have been removed. (So there were 700 valid submissions, 702 total submissions)
✨✨Songs that only got 1 or 2 votes will not be advancing.
✨✨At most 2 songs per series will be allowed in the bracket.
✨✨There were five series that had more than 2 qualifying songs (Chainsaw Man, Fullmetal Alchemist, Hunter x Hunter, JoJo's Bizarre Adventure, and Naruto).
✨✨There will be FOUR preliminary polls for these series. They will be a week long.
✨✨There will not be a preliminary round for Fullmetal Alchemist, because Uso and Shunkan Sentimental had many more votes than the other three submissions so I will just be putting those in the bracket automatically.
✨✨For HXH, JJBA, and Naruto, I will be putting the top voted song in the bracket, and the rest will battle to the death for the other designated spot. (I didnt do this for CSM bc it was a three way tie lol.) The endings that will be advancing for these series are:
"Hyouri Ittai" by Yuzu
"Roundabout" by Yes
"Wind" by Akeboshi
✨✨The Preliminary Polls will be:
💥Chainsaw Man (2 winners)
"Fight Song" by Eve
"First Death" by TK from Ling Tosite Sigure
"Hawatari Nioku Centi" by Maximum the Hormone
"In the Back Room" by syudou
"Tablet" by TOOBOE
"Time Left" by ZUTOMAYO
💥Hunter X Hunter (1 winner)
"Hunting For Your Dream" by Galneryus
"Just Awake" by Fear, and Loathing in Las Vegas
"Reason" by Yuzu
💥JoJo's Bizarre Adventure (1 winner)
"Akuyaku♢Kyousoukyoku ~ Oingo to Boingo~" by Various (Makoto Yasumura, Motoko Kumai, Hidenobu Kiuchi)
"I Want You" by Savage Garden
💥Naruto (1 winner)
"Broken Youth" by NICO Touches the Walls
"By My Side" by Hemenway
"Rainbow" by Vacuum Hollow
"U Can Do It!" by DOMINO
✨✨With the prelims, the total number of songs that will be advancing to the bracket is 62. I will not be doing any other preliminary rounds to fill in the last two spots, because I'm busy, and I really dont want to do polls for the 55 songs that got 2 votes, only for 2 spots. I will either have the bracket just be 62 songs OR i will use my godly powers to just put in two of the other songs that i like. its a surprise teehee.
✨✨The endings that are guaranteed a spot in the bracket are:
"About a Voyage" by Sayuri [Boku No Hero Academia]
"Aishiteru" by Callin' [Natsume Yuujinchou]
"Akatsuki" by Akiko Shikata [Yona of the Dawn]
"aLIEz" by Sawano Hiroyuki [Aldnoah.Zero]
"Aoi Honoo" by ITOWOKASHI [Black Clover]
"Chou Cream Funk" by Philosophy no Dance [Mashle: Magic and Muscles]
"Comedy" by Gen Hoshino [SPYxFAMILY]
"Daisy" by STEREO DIVE FOUNDATION [Kyoukai no Kanata]
"Datte Atashi no Hiro" by LiSA [Boku No Hero Academia]
"Don't say 'lazy'" by Youko Hikasa [K-On!]
"Fly Me to the Star" by Starlight Kuku Gumi [Shoujo Kageki Revue Starlight]
"For the Love of Life" by David Sylvian [Monster]
"Fuyu Biyori" by Eri Sasaki [Yuru Camp]
"gravity" by Maaya Sakamoto (Composer - Yoko Kanno) [WOLF'S RAIN]
"Groovy!" by Kohmi Hirose [Cardcaptor Sakura]
"Hare Hare Yukai" by Aya Hirano, Minori Chihara, Yuuko Gotou [Suzumiya Haruhi no Yuutsu]
"Hectopascal" by Yuuki Takada, Minako Kotobuki [Bloom Into You]
"homework never ends" by Mawatari Matsuko (JPN), Sara White (ENG) [Yu Yu Hakusho]
"Hyouri Ittai" by Yuzu [Hunter x Hunter]
"I'm Alive" by Becca [Black Butler]
"Infinity" by Yuuri [Sk8 the Infinity]
"Kimi No Shiranai" by Supercell [Bakemonogatari]
"LOST IN PARADISE" by ALI feat. AKLO [Jujutsu Kaisen]
"Magia" by Kalafina [Puella Magi Madoka Magica]
"Mashi Mashi" by NICO Touches the Walls [Haikyuu!!]
"Memosepia" by sajou no hana [Mob Psycho 100]
"Mephisto" by QUEEN BEE [Oshi no Ko]
"Nomic" by ACCAMER [I'm the Villainess, So I'm Taming the Final Boss]
"OverThink" by Fan Ka [Link Click]
"Prayer X" by King Gnu [Banana Fish]
"RED" by Survive Said The Prophet [Banana Fish]
"Red:birthmark" by AiNA THE END [Mobile Suit Gundam: The Witch from Mercury]
"Refrain Boy" by ALL OFF [Mob Psycho 100]
"Roundabout" by Yes [JoJo's Bizarre Adventure: The Animation]
"Sayonara Bye Bye" by Mawatari Matsuko (JPN), Stephanie Nadolny (ENG) [Yu Yu Hakusho]
"Sayonara-gokko" by amazarashi [Dororo (2019)]
"Shiki no Uta" by Minmi [Samurai Champloo]
"Shikisai" by yama [SPYxFAMILY]
"Shissou" by LAST ALLIANCE [Ouran High School Host Club]
"Shubidubi☆Sweets Time" by Miyamoto Kanako [Precure: KiraKira Pretty Cure A La Mode]
"Shunkan Sentimental" by SCANDAL [Fullmetal Alchemist: Brotherhood]
"Sore wa Chiisana Hikari no Youna" by Sayuri [Erased (Boku Dake Ga Inai Machi)]
"SPLASH FREE" by STYLE FIVE [Free!]
"Stand By Me" by the peggies [Sarazanmai]
"Sugar Song and Bitter Step" by UNISON SQUARE GARDEN [Kekkai Sensen]
"Tenchi Gaeshi" by NICO Touches the Walls [Haikyuu!!]
"The Real Folk Blues" by The Seatbelts feat. Mai Yamane [Cowboy Bebop]
"Torches" by Aimer [Vinland Saga]
"Trust Me" by Yuya Matsushita [Durarara!!]
"Truth" by Ruka Yumi [Revolutionary Girl Utena]
"Uso" by SID [Fullmetal Alchemist: Brotherhood]
"Virtual Star Embryology" by Maki Kamiya [Revolutionary Girl Utena]
"Wareta Ringo" by Risa Taneda [Shin Sekai Yori]
"Wind" by Akeboshi [Naruto]
"You Only Live Once" by Hatano Wataru [Yuri!!! on ICE]
"Zetsubou Billy" by Maximum the Hormone [Death Note]
"Zzz" by Sayaka Sasaki [Nichijou]
36 notes
·
View notes
THE SAIMON FAMILY CASE recaps [1/13]
These will be full recaps of the latest JDC book, The Saimon Family Case (彩紋家事件) from 2004, which is a prequel taking place in the late 70s. While it’s a prequel, it can be read without any knowledge about the series. (It does spoil one death from Carnival at the end, but I feel like everyone already knows about this particular one).
It won’t be obvious in the recaps, but the book consists of seven parts seven chapters each (similar to Maijo’s Tsukumojuku) with two additional parts at the end.
The novel is light in terms of content warnings (for a murder mystery, anyway), but small kids WILL die in this, and we’ll be talking a lot about a specific type of systemic xenophobic violence near the end.
See that big family tree above? Save it somewhere for future reference. Believe me when I say you will need it. (Also, as always in the recaps, family name will be given first, Japanese-style.)
Well then—has everyone found their seats? Is everyone ready to witness the most splendid illusion?
Let's start the show.
PART 1
A note at the beginning informs us that soon 20 years will have passed from the end of the famous Saimon Family Murder Case, often called the “Crime Revolution” because of its impact on the future of similar complicated incidents. The details of the case have been hidden from the masses, but the time will soon come when everyone will learn the truth.
--
It’s the very last day of the year 1999. The mysterious first person narrator of the framing device is an older gentleman attending a New Years celebration in Las Vegas with his wife. They watch a fairly young blond magician perform close up magic for the guests. The magician borrows a 10,000 yen bill from the narrator, seals it in an envelope, sets it on fire, and it suddenly turns into a rose in his hand. When the narrator is asked to check his wallet, inside he finds a bill with the same denomination and serial number, but of a noticeably larger size… among a few other stunning differences.
“Happy New Millenium!” the magician exclaims.
This little illusion awakens memories from that case in both the narrator and his wife. As the world heads towards the new century, they are the only people left who were so closely involved in those tragic events of old.
--
It's September 19th 1977, and the entire Saimon family celebrates the 99th birthday of their old matriarch, Saimon Tamako. The celebration takes place on a performance stage next to the family's main residence in Tsuwano, Shimane Prefecture. Tamako’s daughter Akiko pushes the matriarch’s wheelchair towards the stage.
A perceptive guest may notice two other old women in the crowd who look astonishingly like Saimon Tamako, though they are a little younger (97). These are twin sisters called—if you can believe it—Tsukumo Tamako and Tousen Tamako. The three Tamakos look near identical, and in fact once used that similarity for their magic acts: all secretly shared the single stage name of Soga Tenju. That was decades ago, of course. The Tamakos no longer look like the beautiful young woman (actually women plural) known from her most famous illusion, Courtisane and Bell.
Once Akiko and Tamako take their place on the stage, all the lights suddenly go out for just a second, and in that brief darkness two things happen.
One: the red-and-white stripes of the celebratory curtain decorating the stage suddenly turn into black-and-white stripes of a funeral curtain.
Two: Saimon Tamako dies.
--
Saimon Tamako is ruled to have died of natural causes, not unusual at her age, and the curtain changing color must have been just someone’s attempt at a distasteful joke.
However, the threat of something darker going on still seems to lurk in the background. There’s a lot of people with bad intentions in this world. As part of the Saimons, Akiko is well aware of that. She recalls what she knows about the family's past.
Back at the beginning of the 20th century, Saimon Tamako made her living performing magic with a traveling circus group. Eventually she met a rich man, married him, and with his financial help established the Soga Tenju troupe.
Of course, the magician Soga Tenju was actually three women, all looking identical, all having similarly unclear pasts and wandering with the same group, all being called simply Tamako because no one even knew their real names.
It happened that three rich men of Tsuwano, who all have been friends—Saimon Taishin, Tsukumo Taigen, and Tousen Taikun—fell for the same “Soga Tenju”, and upon discovering the secret behind the magician decided to marry one member of the trio each. Since this was the era it was, the women didn’t really have a say in the matter. (Akiko hopes for more emancipation in the future and feels sad that she probably won’t live to see it; she’s over sixty herself.)
The tendency for similar names came with all sides of the family, it seemed. The three rich men were themselves a little weird, and that shared “Tai” in their names was something they added intentionally to show their bond. Their respective firstborn children—Tsukumo Haruko, Tousen Natsuko and Saimon Akiko—were given names referring to haru (spring), natsu (summer) and aki (fall). Since the Tamakos were so similar looking, their daughters also looked close enough that one could mistake them for triplets.
Akiko herself has three sons—Taishi, Akio, and Takayoshi—but now that they are all adults, they no longer feel so close to her, especially the youngest Takayoshi, who never felt inclined to stage illusion and broke all contact with the family. He didn’t show up for Tamako’s birthday and even now, a month later, hasn’t contacted them yet.
On October 19th, Akiko is busy sewing new props for a magic routine, the Five-Ball Cascade, in which juggled balls seem to change colors between red and white in mid-air. Remembering her times as the young magician Soga Tenshuu, she attempts the act just one more time. As she throws the balls in the air, she feels a stabbing pain in her chest and suddenly sees familiar faces in the balls—her mother, her husband, her sons—changing from white to red, like a bloody cascade. As they fall to the ground, Akiko does too.
--
A month later, on November 19th, a few members of the Saimon family are combing the Tottori sand dunes in search for young Saimon Yuuta, who went missing the previous day after announcing he’d like to show them something at the site. Everyone’s on edge; it’s barely been a month since Akiko's death.
A rope is found sticking out of Umanose, the famous “horse-back” dune, and several people pulling on it manage to unearth what looks like a giant card—four of diamonds—and Yuuta’s corpse tied to it.
--
--
Not even a few years have passed since JDC’s founding when young detective Ajiro Souji and his wife Mizuki take part in Saimon Tamako’s tragic birthday celebration.
The couple feels at home in Shimane, both because Mizuki was born in the prefecture, and because Ajiro has been friends with the Saimon family ever since receiving their help during the Ajiro Family Murder Case—the experience which prompted him to create JDC in the first place.
That case, as usual, was solved by his grandfater Soujin and mentor Shiranui Zenzou [and if you want to know more about it, read Carnival]. Both of them are splendid detectives, but decided young Souji should be the one to become JDC’s representative instead.
...but we keep saying "JDC" here, and the truth is the tiny group doesn’t call itself by the fancy English name Japan Detectives Club yet. It goes simply by Nihon Tantei Club and occupies the third floor of an office building filled with boutiques, clinics and the like.
Aside from Ajiro the representative, the staff consists of six office workers and twelve detectives (not counting Soujin, who is almost always out on business). The detectives are divided into the Shiranui Section and Kirigirisu Section, named after their respective leaders. There is some tension between the sections: the Shiranui part puts more value on past experience and doesn’t approve of choosing young Souji as their representative, while the Kirigirisu part praises his potential and thinks of the organization’s future.
So far Nihon Tantei Club is pretty unknown, no dramatic and giant solved cases to their name, and everyone has a strange conflicting feeling: at once wishing for the peace to never end and wishing for the inevitable tragedy to just happen already; to just get to the point where what should be unusual becomes the new normal, because everyone knows deep down it has to happen one day.
On November 22nd, Kirigirisu Tarou as usual takes the train to work, thinking about how the world will inevitably change as the new century comes around—though, of course, he can’t be sure he will actually get to see it, as nobody knows what will have happened in over twenty years.
Maybe he’s mulling over the passage of time and worries about the future so much because he's a man without a past. Kirigirisu lost all his memories to head injury a few years ago, at the same time when he was wrongly accused of murder. Fortunately, he was proven innocent thanks to both Ajiros, could begin new life as a detective, and even found a wonderful wife called Kano. He would love it if this usual everyday life could continue indefinitely… although without crime, a detective like him would be out of a job. For now he wants to focus on helping the Ajiros as he can.
Kirigirisu arrives at the office, which is mostly empty this early in the morning. Well, except for the delinquent detective Raiouji Rokenrou, looking just like you’d expect a punk named after rock’n’roll to look like (sunglasses, a lot of hair gel…) and taking a nap on the couch. Apparently Ajiro Souji had a long meeting with him about something last night, and now wants to talk to Kirigirisu.
Ajiro Souji is a sharply dressed 29-year-old man, easy to mistake for a normal office worker in the crowd. (Kirigirisu always flinches a bit seeing his elegant tie; he himself has a strange phobia of wearing anything around his neck, which he suspects has to do with an unknown event forever hidden behind his amnesia).
They each light a cigarette and have a friendly conversation. Ajiro mentions that he recently tried to switch to cigars, but alas, it seems that it’s still “too early” for him to appreciate them; about forty years too early, according to grandpa Soujin. [Seeing as Ajiro is a huge cigar fan in most of the series, grandpa miscalculated by at least two decades.]
Soujin is a thin man of short stature who hardly looks like someone in their seventies, although his hair is just as white as his usual suit, with just a black bowtie breaking the color. He always gives off the air of a mafia boss, his sheer power of personality taking hold of everyone around. Soujin apparently feels constant wanderlust, so he almost never shows up at the office. In fact, Kirigirisu hasn't seen him in over two months now. Who knows what he’s doing.
But back to the situation at hand, Ajiro wants Kirigirisu's help. For the next few days, they will investigate a case together in another prefecture, Rokenrou taking care of Kirigirisu’s section in his absence.
The case surrounds a strange series of deaths. First, Saimon Tamako dying (seemingly) of old age on her birthday on September 19th. Second, her daughter Akiko suffering a (seemingly) accidental death on October 19th, when a misplaced sewing needle stabbed into her heart. And third, a very strange but (seemingly) accidental death of another Saimon family member that has just happened on November 19th. Ajiro and Kirigirisu are to investigate whether or not the perfectly spaced string of incidents may be an act of serial killing.
The case is of personal importance to Ajiro. After all, the person who requested their services is the same man that helped solve the Ajiro Family Murder Case: Saimon Ryuusui, known better as the great magician Soga Tensui.
--
(The third person narration swaps here to a completely different font, and informs us helpfully: but ah, before the two detectives could head to Tsuwano, they would go to Yamaguchi first, to watch the magic show of the Saimon family, a marvelous experience that Ajiro has already had a few times because of his friendship with the family, and that Kirigirisu would witness for the first time.
And from the very moment they were invited to see the show first, they felt uneasiness settle inside them. Only much, much later would one realize just how deep the hidden meaning of the show really was, and that solving all its mysteries was crucial to solving the Saimon Family Murder Case.
You could even say that the show itself, filled with so many wondrous mysteries to solve, was the true Saimon Family Murder Case. If so, then the magician Soga Tensui could be defined as its culprit—and if so, then Ajiro and Kirigirisu have just walked right into a marvelous illusion indeed.)
--
[>>>NEXT PART>>>]
7 notes
·
View notes
Winners announced for the 2019 Eisner Awards
The winners were announced last night for the 2019 Will Eisner Comic Industry Awards.
Tom King and Mitch Gerads, partners on the Mister Miracle series from DC, took home five awards between them. John Allison’s Giant Days and The Prince and the Dressmaker by Jen Wang also took home multiple awards.
The Eisner Awards also inducted 10 people into the Hall of Fame last night: the judges chose Jim Aparo, June Tarpé Mills, Dave Stevens and Morrie Turner, while voters chose José Luis García-López, Jenette Kahn, Paul Levitz, Wendy and Richard Pini, and Bill Sienkiewicz to join the class of 2019.
Other awards given out last night included the The Bill Finger Excellence In Comic Book Writing Award, which was presented to Mike Friedrich and the late E. Nelson Bridwell, and the Russ Manning Most Promising Newcomer Award, which went to Lorena Alvarez.
The 2019 recipients of the Bob Clampett Humanitarian Award were Edgardo Miranda-Rodriguez, for his work on Ricanstruction: Reminiscing & Rebuilding Puerto Rico, and comic artist Tula Lotay, AKA Lisa Wood, for creating the UK-based Thought Bubble Festival. And La Revisteria Comics in Argentina won the Will Eisner Spirit of Comics Retailer Award.
You can see all the Eisner winners below, in bold.
Best Short Story
“Get Naked in Barcelona,” by Steven T. Seagle and Emei Olivia Burrell, in Get Naked (Image)
“The Ghastlygun Tinies,” by Matt Cohen and Marc Palm, in MAD magazine #4 (DC)
“Here I Am,” by Shaun Tan, in I Feel Machine (SelfMadeHero)
“Life During Interesting Times,” by Mike Dawson (The Nib), https://thenib.com/greatest-generation-interesting-times
“Supply Chains,” by Peter and Maria Hoey, in Coin-Op #7 (Coin-Op Books)
“The Talk of the Saints,” by Tom King and Jason Fabok, in Swamp Thing Winter Special (DC)
Best Single Issue/One-Shot
Beneath the Dead Oak Tree, by Emily Carroll (ShortBox)
Black Hammer: Cthu-Louise, by Jeff Lemire and Emi Lenox (Dark Horse)
No Better Words, by Carolyn Nowak (Silver Sprocket)
Peter Parker: The Spectacular Spider-Man #310, by Chip Zdarsky (Marvel)
The Terrible Elisabeth Dumn Against the Devils In Suits, by Arabson, translated by James Robinson (IHQ Studio/ Image)
Best Continuing Series
Batman, by Tom King et al. (DC)
Black Hammer: Age of Doom, by Jeff Lemire, Dean Ormston, and Rich Tommaso (Dark Horse)
Gasolina, by Sean Mackiewicz and Niko Walter (Skybound/Image)
Giant Days, by John Allison, Max Sarin, and Julaa Madrigal (BOOM! Box)
The Immortal Hulk, by Al Ewing, Joe Bennett, and Ruy José (Marvel)
Runaways, by Rainbow Rowell and Kris Anka (Marvel)
Best Limited Series
Batman: White Knight, by Sean Murphy (DC)
Eternity Girl, by Magdalene Visaggio and Sonny Liew (Vertigo/DC)
Exit Stage Left: The Snagglepuss Chronicles, by Mark Russell, Mike Feehan, and Mark Morales (DC)
Mister Miracle, by Tom King and Mitch Gerads (DC)
X-Men: Grand Design: Second Genesis, by Ed Piskor (Marvel)
Best New Series
Bitter Root, by David Walker, Chuck Brown, and Sanford Green (Image)
Crowded, by Christopher Sebela, Ro Stein, and Ted Brandt (Image)
Gideon Falls, by Jeff Lemire and Andrea Sorrentino (Image)
Isola, by Brenden Fletcher and Karl Kerschl (Image)
Man-Eaters, by Chelsea Cain and Kate Niemczyk (Image)
Skyward, by Joe Henderson and Lee Garbett (Image)
Best Publication for Early Readers (up to age 8)
Johnny Boo and the Ice Cream Computer, by James Kochalka (Top Shelf/IDW)
Petals, by Gustavo Borges (KaBOOM!)
Peter & Ernesto: A Tale of Two Sloths, by Graham Annable (First Second)
This Is a Taco! By Andrew Cangelose and Josh Shipley (CubHouse/Lion Forge)
Tiger Vs. Nightmare, by Emily Tetri (First Second)
Best Publication for Kids (ages 9–12)
Aquicorn Cove, by Katie O’Neill (Oni)
Be Prepared, by Vera Brosgol (First Second)
The Cardboard Kingdom, by Chad Sell (Knopf/Random House Children’s Books)
Crush, by Svetlana Chmakova (JY/Yen Press)
The Divided Earth, by Faith Erin Hicks (First Second)
Best Publication for Teens (ages 13–17)
All Summer Long, by Hope Larson (Farrar Straus Giroux)
Gumballs, by Erin Nations (Top Shelf/IDW)
Middlewest, by Skottie Young and Jorge Corona (Image)
Norroway, Book 1: The Black Bull of Norroway, by Cat Seaton and Kit Seaton (Image)
The Prince and the Dressmaker, by Jen Wang (First Second)
Watersnakes, by Tony Sandoval, translated by Lucas Marangon (Magnetic/Lion Forge)
Best Humor Publication
Get Naked, by Steven T. Seagle et al. (Image)
Giant Days, by John Allison, Max Sarin, and Julia Madrigal (BOOM! Box)
MAD magazine, edited by Bill Morrison (DC)
A Perfect Failure: Fanta Bukowski 3, by Noah Van Sciver (Fantagraphics)
Woman World, by Aminder Dhaliwal (Drawn & Quarterly)
Best Anthology
Femme Magnifique: 50 Magnificent Women Who Changed the World, edited by Shelly Bond (Black Crown/IDW)
Puerto Rico Strong, edited by Marco Lopez, Desiree Rodriguez, Hazel Newlevant, Derek Ruiz, and Neil Schwartz (Lion Forge)
Twisted Romance, edited by Alex de Campi (Image)
Where We Live: A Benefit for the Survivors in Las Vegas, edited by Will Dennis, curated by J. H. Williams III and Wendy Wright-Williams (Image)
Best Reality-Based Work
All the Answers: A Graphic Memoir, by Michael Kupperman (Gallery 13)
All the Sad Songs, by Summer Pierre (Retrofit/Big Planet)
Is This Guy For Real? The Unbelievable Andy Kaufman, by Box Brown (First Second)
Monk! by Youssef Daoudi (First Second)
One Dirty Tree, by Noah Van Sciver (Uncivilized Books)
Best Graphic Album—New
Bad Girls, by Alex de Campi and Victor Santos (Gallery 13)
Come Again, by Nate Powell (Top Shelf/IDW)
Green Lantern: Earth One Vol. 1, by Corinna Bechko and Gabriel Hardman (DC)
Homunculus, by Joe Sparrow (ShortBox)
My Heroes Have Always Been Junkies, by Ed Brubaker and Sean Phillips (Image)
Sabrina, by Nick Drnaso (Drawn & Quarterly)
Best Graphic Album—Reprint
Berlin, by Jason Lutes (Drawn & Quarterly)
Girl Town, by Carolyn Nowak (Top Shelf/IDW)
Upgrade Soul, by Ezra Claytan Daniels (Lion Forge)
The Vision hardcover, by Tom King, Gabriel Hernandez Walta, and Michael Walsh (Marvel)
Young Frances, by Hartley Lin (AdHouse Books)
Best Adaptation from Another Medium
Anne Frank’s Diary: The Graphic Adaptation, adapted by Ari Folman and David Polonsky (Pantheon)
“Frankenstein” by Mary Shelley, in Frankenstein: Junji Ito Story Collection, adapted by Junji Ito, translated by Jocelyne Allen (VIZ Media)
Out in the Open by Jesús Carraso, adapted by Javi Rey, translated by Lawrence Schimel (SelfMadeHero)
Speak: The Graphic Novel, by Laurie Halse Anderson and Emily Carroll (Farrar Straus Giroux)
To Build a Fire: Based on Jack London’s Classic Story, by Chabouté (Gallery 13)
Best U.S. Edition of International Material
About Betty’s Boob, by Vero Cazot and Julie Rocheleau, translated by Edward Gauvin (Archaia/BOOM!)
Brazen: Rebel Ladies Who Rocked the World, by Pénélope Bagieu (First Second)
Herakles Book 1, by Edouard Cour, translated by Jeremy Melloul (Magnetic/Lion Forge)
Niourk, by Stefan Wul and Olivier Vatine, translated by Brandon Kander and Diana Schutz (Dark Horse)
A Sea of Love, by Wilfrid Lupano and Grégory Panaccione (Magnetic/Lion Forge)
Best U.S. Edition of International Material—Asia
Abara: Complete Deluxe Edition, by Tsutomu Nihei, translated by Sheldon Drzka (VIZ Media)
Dead Dead Demon’s Dededede Destruction, by Inio Asano, translated by John Werry (VIZ Media)
Laid-Back Camp, by Afro, translated by Amber Tamosaitis (Yen Press)
My Beijing: Four Stories of Everyday Wonder, by Nie Jun, translated by Edward Gauvin (Graphic Universe/Lerner)
Tokyo Tarareba Girls, by Akiko Higashimura (Kodansha)
Best Archival Collection/Project—Strips
Pogo, vol. 5: Out of This World At Home, by Walt Kelly, edited by Mark Evanier and Eric Reynolds (Fantagraphics)
Sky Masters of the Space Force: The Complete Sunday Strips in Color (1959–1960), by Jack Kirby, Wally Wood et al., edited by Ferran Delgado (Amigo Comics)
Star Wars: Classic Newspaper Strips, vol. 3, by Archie Goodwin and Al Williamson, edited by Dean Mullaney (Library of American Comics/IDW)
The Temple of Silence: Forgotten Words and Worlds of Herbert Crowley, by Justin Duerr (Beehive Books
Thimble Theatre and the Pre-Popeye Comics of E. C. Segar, edited by Peter Maresca (Sunday Press)
Best Archival Collection/Project—Comic Books
Action Comics: 80 Years of Superman Deluxe Edition, edited by Paul Levitz (DC)
Bill Sienkiewicz’s Mutants and Moon Knights… And Assassins… Artifact Edition, edited by Scott Dunbier (IDW)
Dirty Plotte: The Complete Julie Doucet (Drawn & Quarterly)
Madman Quarter Century Shindig, by Mike Allred, edited by Chris Ryall (IDW)
Terry Moore’s Strangers in Paradise Gallery Edition, edited by Joseph Melchior and Bob Chapman (Abstract Studio/Graphitti Designs)
Will Eisner’s A Contract with God: Curator’s Collection, edited by John Lind (Kitchen Sink/Dark Horse)
Best Writer
Alex de Campi, Bad Girls (Gallery 13); Twisted Romance (Image)
Tom King, Batman, Mister Miracle, Heroes in Crisis, Swamp Thing Winter Special (DC)
Jeff Lemire, Black Hammer: Age of Doom, Doctor Star & the Kingdom of Lost Tomorrows, Quantum Age (Dark Horse); Descender, Gideon Falls, Royal City (Image)
Mark Russell, Exit Stage Left: The Snagglepuss Chronicles, Green Lantern/Huckleberry Hound, Lex Luthor/Porky Pig (DC); Lone Ranger (Dynamite)
Kelly Thompson, Nancy Drew (Dynamite); Hawkeye, Jessica Jones, Mr. & Mrs. X, Rogue & Gambit, Uncanny X-Men, West Coast Avengers (Marvel)
Chip Zdarsky, Peter Parker: The Spectacular Spider-Man, Marvel Two-in-One (Marvel)
Best Writer/Artist
Sophie Campbell, Wet Moon (Oni)
Nick Drnaso, Sabrina (Drawn & Quarterly)
David Lapham, Lodger (Black Crown/IDW); Stray Bullets (Image)
Nate Powell, Come Again (Top Shelf/IDW)
Tony Sandoval, Watersnakes (Magnetic/Lion Forge)
Jen Wang, The Prince and the Dressmaker (First Second)
Best Penciller/Inker or Penciller/Inker Team
Matías Bergara, Coda (BOOM!)
Mitch Gerads, Mister Miracle (DC)
Karl Kerschl, Isola (Image)
Sonny Liew, Eternity Girl (Vertigo/DC)
Sean Phillips, Kill or Be Killed, My Heroes Have Always Been Junkies (Image)
Yanick Paquette, Wonder Woman Earth One, vol. 2 (DC)
Best Painter/Multimedia Artist (interior art)
Lee Bermejo, Batman: Damned (DC)
Carita Lupatelli, Izuna Book 2 (Humanoids)
Dustin Nguyen, Descender (Image)
Gregory Panaccione, A Sea of Love (Magnetic/Lion Forge)
Tony Sandoval, Watersnakes (Magnetic/Lion Forge)
Best Cover Artist (for multiple covers)
Jen Bartel, Blackbird (Image); Submerged (Vault)
Nick Derington, Mister Miracle (DC)
Karl Kerschl, Isola (Image)
Joshua Middleton, Batgirl and Aquaman variants (DC)
Julian Tedesco, Hawkeye, Life of Captain Marvel (Marvel)
Best Coloring
Jordie Bellaire, Batgirl, Batman (DC); The Divided Earth (First Second); Days of Hate, Dead Hand, Head Lopper, Redlands (Image); Shuri, Doctor Strange (Marvel)
Tamra Bonvillain, Alien 3 (Dark Horse); Batman, Doom Patrol (DC); Moon Girl and Devil Dinosaur, Multiple Man (Marvel)
Nathan Fairbairn, Batman, Batgirl, Birds of Prey, Wonder Woman Earth One, vol. 2 (DC); Die!Die!Die! (Image)
Matt Hollingsworth, Batman: White Knight (DC): Seven to Eternity, Wytches (Image)
Matt Wilson, Black Cloud, Paper Girls, The Wicked + The Divine (Image); The Mighty Thor, Runaways (Marvel)
Best Lettering
David Aja, Seeds (Berger Books/Dark Horse)
Jim Campbell, Breathless, Calexit, Gravetrancers, Snap Flash Hustle, Survival Fetish, The Wilds (Black Mask); Abbott, Alice: Dream to Dream, Black Badge, Clueless, Coda, Fence, Firefly, Giant Days, Grass Kings, Lumberjanes: The Infernal Compass, Low Road West, Sparrowhawk (BOOM); Angelic (Image); Wasted Space (Vault)
Alex de Campi, Bad Girls (Gallery 13); Twisted Romance (Image)
Jared Fletcher, Batman: Damned (DC); The Gravediggers Union, Moonshine, Paper Girls, Southern Bastards (Image)
Todd Klein— Black Hammer: Age of Doom, Neil Gaiman’s A Study in Emerald (Dark Horse); Batman: White Night (DC); Eternity Girl, Books of Magic (Vertigo/DC); The League of Extraordinary Gentlemen: The Tempest (Top Shelf/IDW)
Best Comics-Related Periodical/ Journalism
Note: There was a tie in this category
Back Issue, edited by Michael Eury (TwoMorrows)
The Columbus Scribbler, edited by Brian Canini, columbusscribbler.com
Comicosity, edited by Aaron Long and Matt Santori, www.comicosity.com
LAAB Magazine #0: Dark Matter, edited by Ronald Wimberley and Josh O’Neill (Beehive Books)
PanelxPanel magazine, edited by Hassan Otsmane-Elhaou, panelxpanel.com
Best Comics-Related Book
Comic Book Implosion: An Oral History of DC Comics Circa 1978, by Keith Dallas and John Wells (TwoMorrows)
Drawn to Purpose: American Women Illustrators and Cartoonists, by Martha H. Kennedy (University Press of Mississippi)
The League of Regrettable Sidekicks, by Jon Morris (Quirk Books)
Mike Grell: Life Is Drawing Without an Eraser, by Dewey Cassell with Jeff Messer (TwoMorrows)
Yoshitaka Amano: The Illustrated Biography—Beyond the Fantasy, by Florent Gorges, translated by Laure Dupont and Annie Gullion (Dark Horse)
Best Academic/Scholarly Work
Between Pen and Pixel: Comics, Materiality, and the Book of the Future, by Aaron Kashtan (Ohio State University Press)
Breaking the Frames: Populism and Prestige in Comics Studies, by Marc Singer (University of Texas Press)
The Goat-Getters: Jack Johnson, the Fight of the Century, and How a Bunch of Raucous Cartoonists Reinvented Comics, by Eddie Campbell (Library of American Comics/IDW/Ohio State University Press)
Incorrigibles and Innocents, by Lara Saguisag (Rutgers Univeristy Press)
Sweet Little C*nt: The Graphic Work of Julie Doucet, by Anne Elizabeth Moore (Uncivilized Books)
Best Publication Design
A Sea of Love, designed by Wilfrid Lupano, Grégory Panaccione, and Mike Kennedy (Magnetic/Lion Forge)
The Stan Lee Story Collector’s Edition, designed by Josh Baker (Taschen)
The Temple of Silence: Forgotten Worlds of Herbert Crowley, designed by Paul Kepple and Max Vandenberg (Beehive Books)
Terry Moore’s Strangers in Paradise Gallery Edition, designed by Josh Beatman/Brainchild Studios/NYC (Abstract Studio/Graphitti Designs)
Will Eisner’s A Contract with God: Curator’s Collection, designed by John Lind (Kitchen Sink/Dark Horse)
Best Digital Comic
Aztec Empire, by Paul Guinan, Anina Bennett, and David Hahn, www.bigredhair.com/books/Aztec-empire/
The Führer and the Tramp, by Sean McArdle, Jon Judy, and Dexter Wee, http://thefuhrerandthetramp.com/
The Journey, by Pablo Leon (Rewire), https://rewire.news/article/2018/01/08/rewire-exclusive-comic-journey/
The Stone King, by Kel McDonald and Tyler Crook (comiXology Originals) https://cmxl.gy/Stone-King
Umami, by Ken Niimura (Panel Syndicate), http://panelsyndicate.com/comics/umami
Best Webcomic
The Contradictions, by Sophie Yanow, www.thecontradictions.com
Lavender Jack, by Dan Schkade (WEBTOON), https://www.webtoons.com/en/thriller/lavender-jack/list?title_no=1410&page=1
Let’s Play, by Mongie (WEBTOON), https://www.webtoons.com/en/romance/letsplay/list?title_no=1218&page=1
Lore Olympus, by Rachel Smythe, (WEBTOON), https://www.webtoons.com/en/romance/lore-olympus/list?title_no=1320&page=1
Tiger, Tiger, by Petra Erika Nordlund, (Hiveworks) http://www.tigertigercomic.com/
41 notes
·
View notes