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#my milgram thoughts
iqmmir · 2 months
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THIS IS A YUNO POST ABOUT HOW YUNO IS LITERALLY JUST SOME GIRL!!!!! TRUST ME GUYS!!!!!
also thank you tsumi @74n5n for reading this for me i love talking about you with the milgram sillies forwve
Have you ever spoken to spoken who is clearly in a bad situation but they refuse to accept it?
I'm going to give an example of my mother, because it's easier to explain with an example.
My mother has an elder brother who has polio. My grandmother was very protective of him because of that and also due to the way they (my grandmother and her friends, people of that generation) were raised, there was a certain way she treated her children differently.
My grandmother expected everyone in the world to be against my uncle because of his disability. So she was very protective of him. Simultaneously, there are certain things I remember her saying to me that I'm pretty sure she said to my mother also. 'Once you're older, your brother will take care of his family, so you have to take care of your parents' 'Who is the mother supposed to rely on, if not the daughter?' 'You're the girl, you're more mature than your brother, so understand this'
Things like this are very common here. I personally do not believe this, but I'm talking about my mother here. She (and my grandmother) automatically believed that the '(Elder) Son' is someone who the 'Parent' and, if applicable, '(Younger, usually girl) Sibling' must help and take care of so they can become their 'own person' with their 'own family'. It's a certain concept. I'm just telling this to explain something else trust me guys okay.
My mother was treated horribly. I can see that, my brother can see that, my father can see that. My mother herself however lives in denial. My grandmother, to raise her son, treated her daughter like an adult when she was a child. Expecting her to be the 'mature' one. 'You're the daughter, you'll be stuck taking care of kids, other girls deal with this too, so you should get used to it, this is the norm.'
Being the 'mature' one is a matter of pride for her. Being the one understanding others, devoting herself to others, denying yourself of what makes you happy, that makes her proud.
But, see, this is normal. This is how everyone here lives. I'm not saying it's right.
A wife, a mother, a sister. Wake up before everyone else, clean the house, make breakfast for your children, send them to school, do the housework, make breakfast for your husband, go to your own job, come back, make lunch, clean the house, take care of your children. It's too much work. But it's the regular for most women her age.
It's normal. So whenever I or my brother point out how 'being only for others' is really disturbing and stuff, my mother's reply is usually along the lines of 'Everyone lives like this.' This is normal, see.
Now, I know nothing about japan and its system. But the way Yuno behaves reminds me of my mother, and other girls Yuno's age that I have met. Let me elaborate.
Yuno detests the idea of being a victim. She believes a victim to be someone weak, not someone like her. Someone without any choice, not someone like her. Someone who is hurt, not someone like her. Someone who needs to be helped, not someone like her. She is normal. She is not a victim.
Yuno is the eldest daughter of a house with no father. Whatever she's doing, it's all expected of her. For her, this is normal. Taking care of her younger siblings, it's normal. Minimising her own expenses so much that the most expensive thing she ever bought was a teddy bear, it's normal.
The way she is behaving, it's all expected of her. She's the girl, she must be more mature. She's the sister, she must take care of her siblings. She is mature, she does not need help or anything of the sort. She is independent. She is not a victim.
Do you know why most people deny having depression or anything? It's because of how everyone views them. A victim of abuse, a victim of neglect, treating them with pity, not as a person. They've probably done that themselves. Seeing the 'victims' as someone helpless and not capable of taking care of themselves. Someone that needs someone else.
The system, society, capitalism, whatever you want to call it, encourages this mindset. Treating victims as someone with no autonomy, viewing it as a 'bad' thing will stop people from looking for help. If everyone is similar, it will be normal. Being a 'victim' is a very.. isolating thing. People begin treating them as 'concepts of victims'. Constantly treating them with pity, looking down on them. No one will want that right? Being treated like a 'victim' is equivalent to being treated like an idiot. For a better example, being treated like a toddler.
I'm going to talk about Muu here, to explain my thoughts a little more. The moment 'inmf' dropped, I wasn't here, I wasn't part of the fandom, but from the posts and things I have seen, Muu became someone.. 'manipulative'. Everything she did in Trial 1, she was only doing it for pity. Now she has too much ego. The idea of a victim, she isn't fitting there anymore. She has done something wrong. She is in the wrong too. But a 'victim' can't be in the wrong. It's either a victim or a bitch, you can't be both. A 'victim' can't be held responsible for their actions. She was bullied, it was wrong. It was wrong of her to bully others too (I have more complicated thoughts about this, but this isn't a muu post). But for some reason, the fandom.. can't accept it properly.
'She regrets killing Rei' she views herself as a monster because she doesn't regret killing Rei. 'Shes manipulative' She was behaving like any other teenage girl who has been kidnapped from her house and being told that she's a murderer. For some reason, Muu simultaneously being a victim and being a bitch is very difficult for people to comprehend.
Being a victim of domestic abuse does not give you the right to abuse your children, right? But when the idea that Amane's mother is also a victim was brought up, everyone was so uncomfortable with it. BEING A VICTIM DOES NOT MEAN YOU ARE IMMEDIATELY FUCKING FORGIVEN, IT'S NOT A FREE PASS, YOU SEE? A 'victim' is a person with a whole personality, you can't see them as black and white because it's not who the person is.
This is something many people, including Yuno don't understand. Once you're labelled a 'victim' everyone begins to make excuses for you, those who you have hurt need to 'understand that you were hurt too'. So for Yuno, who strongly believes in society and its ideals, 'if im a victim it means i had no choice it means the people i have hurt [im shooting an arrow in the dark here, trust me bro please] need to understand, if im a victim i owe nothing to anyone'. The concept of victim is something like this to her.
This is how many, many girls I know think. In their mind, because of how they were raised and how everyone else thinks, they are being normal. They aren't victims. Yuno is literally just some girl.
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linabirb · 3 months
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milgram season 1 and season 2 mv art style comparison!
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clownsalot · 7 months
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kirisaki shidou is the normalest doctor ever who has committed zero crimes. i would trust him with my life i would put my life in his only mildly suspicious gloved hands
oh yea and his delusion tax cover is a banger
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asherasgayagenda · 25 days
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shes connected the dots guys
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thechibilitwick · 2 months
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there needs to be more slightly fucked up shidou tbh
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laniemae · 6 months
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The sexualisation of Mikoto, stalking, and how the fandom is repeating this.
CW: Stalking, sexual harassment, fanservice, murder
I’ve been thinking a lot about Double’s thumbnail, and especially the stalking theory. And if you think about it a lot basically everything fits up and that his victim was likely his stalker. Although a lot about what happened I never really have seen discussion on the why or how it’s been happening, so I just want to give my thoughts and theories on this all before Double.
The fanservice in MeMe:
The fanservice in MeMe has always felt really off to me. Milgram never has any fanservice-y stuff, minus Yuno in Tear Drop, but it’s only just her revealing outfit and nothing to do with strange camera angles or whatnot, and it’s very important to her character. For me and what I’ve think the consensus in the fandom has been, is it’s nothing more than that. That the fanservice is only there to appeal to thirsty fans or whatever. But I’ve been thinking a lot, and with the music videos extracted from prisoners minds, everything has a meaning in one way or the other. So for the creators to just throw a bunch of fanservice scenes in MeMe with no meaning apart from just plain fanservice feels really counter intuitive to the whole point of the MVs. And especially how this has never happened before makes it really strange to me. And with this idea in mind and going back to the stalking theory I mentioned earlier, I think it’s disgustingly clear what has happened to Mikoto.
Mikoto being watched:
I think what’s going on is that Mikoto was stalked for sexual reasons. The constant scenes of him in embarrassing moments (taking of his shirt, having a shower, having a bath) is what the stalker has been seeing and this subconsciously put itself into MeMe from Mikoto’s POV. Camera imagery in MeMe is very prevalent, from at the beginning him grabbing the camera and at the end him picking it up and punching it. I think this is supposed to represent him realising he’s being stalked and trying to hunt down who’s been doing it, and the destruction of the camera at the end to represent him killing the person. 
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Also around the middle of the song, we see security cam footage of him entering his apartment and crying on his couch, with Mikoto hyperventilating and gasping in the background. I feel like with everything I’ve said before this scene makes it extremely clear, that someone put up a bunch of camera around his house to catch him in those moments, if we’re taking that scene literally.
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Then it cuts to him laughing at the screen in darkness, and the aforementioned fanservice scene right after this sequence of events really makes things scary to what was happening in his house. And also like I said before about the hyperventilating during this scene. I could mean multiple things such as him having a panic attack, being actually attacked or worse.
And the imagery of being watched doesn’t stop at just the camera stuff. At the beginning of MeMe in the scene at the train station, the camera moves around from behind a wall to reveal Mikoto sitting there holding a bat, like someone is watching him directly. To further back this up there’s a vignette around the edge of the camera and wee see it blink, like from a POV shot. And after the blink Mikoto disappears, and then we see him outside swinging a bat at the POV (just want to note this is outside and is probably in a different place than the train station, but I don’t know what to make of that right now, and how also the vignette I pointed out before isn’t present here). Then it cuts back to the scene in the train station, now with Mikoto holding a bat and walking towards someone on the ground, attacking them. Noticeably the vignette is still here in this scene, so the person Mikoto was attacking likely wasn’t his stalker, perhaps he just thought they were.
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Wait I suddenly just got a theory from this. I just mentioned how the vignette in the scene I just mentioned likely means that Mikoto attacked someone else and the stalker was watching on. Me and basically everyone else has assumed that guy was his victim, but then what about the stalker? I’ve always strongly believed that Mikoto only killed one person but now I’m just starting to doubt that. If MeMe is to be taken in chronological order in this part, he probably killed that guy then realised that he was continuing being stalked. And as I said at the beginning of my analysis I mentioned that Mikoto punching the camera at the end could be representative of him killing the stalker and ending it (also to mention he gets the death card right before hand). And I didn’t think of it when I wrote that but what if he did actually kill multiple people in an attempt to kill his stalker. Hmm.
And going back to what I was talking about before, he probably entered his apartment afterwards and switched to Bluekoto after it was assumed everything was safe now. (Just saying I’m using Mikoto interchangeably to refer to all of the alters as it’s not clear who’s doing what, but this takes the theory of that blue was the murderer and not the other/s into account, because there’s a part of me that feels it wasn’t him attacking those people as red/green has a strong desire to protect blue and hide him from the traumatic events taking place).
I feel like I’ve gone way off track with what I’ve been saying here because while writing this I just keep noticing more and more stuff to write down and I just thought of someone thing again.
Every time it appears that Mikoto killed someone (the train scene, the garbage scene although the bag doesn’t look like a human body just saying), it cuts to a fanservice-y scene right after, maybe implying that the person he killed wasn’t the stalker, and he’s still being watched afterwards. Although this makes the bath scene kinda out of place as it doesn’t take place after a murder I think, and someone mentioned it was before the shower scene which kinda debunks this but I just wanted to mention this because why not.
Mikoto’s mindscape in MeMe:
Another thing I’ve been thinking about a lot is every character’s “mindscapes” as I call them. Yuno has an empty pink void with a tower, Fuuta has a fantasy land, Mahiru has a room inside a birdcage ect. And all of these places represent an aspect of their characters. Yuno’s representing her feelings of emptiness, Fuuta feeling that everything he’s doing is for justice and that he’s a cool hero, Mahiru being trapped and sheltered in an ideal concept of love and stuff like that. I’m going to make a theory on this in the future as it’s very interesting to me but Mikoto’s mindscape is always something that’s confused me.
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Mikoto’s mindscape is a parallel of his apartment. Down to the couches, tables and everything, but lacking the bookcase and tv being buried in the water for whatever reason.
(Also I just noticed but there’s a blue thing behind the couch that Mikoto laid his head down on before which could be a bed or whatever. But in the mindscape and this other shot we don’t see it???)
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(Actually maybe we do if we squint, oh well)
Okay, okay back to what I was actually going to say. The furniture from the apartment appearing in the mindscape makes sense, but what about everything else? The broken, tiled walls, the mirror, how everything is covered in a thin layer of water, the clear blue sky. There’s a bunch of this stuff I could analyse in my future post about mindscapes but I’ll just say the stuff that relates to what I was talking about earlier. But to say it right now, I think all that other stuff is supposed to be the bathroom we see him in.
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Notice here the tiles are exactly the same, and we even see the same mirror he looks at himself in, in real life then Mikoto in the mindscape.
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Also to point out how the Mikoto we see looking into the mirror here is wearing a sleeve and likely in the mindscape and as someone mentioned, since the ahoge is backwards it’s likely a reflection. Although it’s strange that it has the same green filter both ways.
After this we see bluekoto (presumably) fall backwards into the water. And another strange thing I noticed is that this mirror is behind the couch, but when he falls down the couch is tipped over.
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Don’t know what it make of this but again I’m just constantly pointing stuff out I notice as writing this.
So basically I think the mindscape is a mix of the living room and the bathroom. The furniture from the living room and the water, mirror and tiles from the bathroom. But this makes things confusing, why the bathroom? Why would Mikoto project imagery of his bathroom into his own mindscape? This brings me to what I was saying before. The walls in the mindscape are completely collapsed, providing no closure or privacy to this “room”. The sky is also out, so his mindscape feels very exposed. And what I said earlier about my staking theory. It’s likely that someone placed cameras up in/around his bathroom to record him naked, a complete breach of privacy and that’s why this mindscape is so exposed and has elements from there. Even in this world that he created, he still doesn’t feel safe at all.
The audience and the repeating of Mikoto’s trauma:
Basically to sum it up from what I’ve said. Mikoto was being stalked and sexualised by someone. Cameras were placed up around his house to record him in embarrassing situations and he figured out, and attempted to kill the stalker.
But here’s one thing, that story we likely see in MeMe is happening again. But with the audience.
When MeMe came out everyone went ballistic. Lots of people were very surprised in how violent it was, how compared to the calm preview we saw it instantly started off with death metal and destroyed every idea we had about him, and kept switching between being calm and violent. But what I want to walk about right now is the reaction to the fanservice.
As we all know, when MeMe released a horde of thirsty tiktokers came over and started absolutely obsessing over Mikoto and all the fanservice scenes we see. Things got so out of control that people tried to vote him innocent just because he was hot and even jackalope bought this up. But thinking about this, it’s getting dangerously close to what I think happened in his story. Being filmed in embarrassing moments without consent, and having people obsess and sexualise you for that. The music videos are representative of the prisoner’s minds, and in no way would have Mikoto known how he was shown naked and shirtless for a huge chunk of MeMe. Same as him being stalked and recorded in his story if I’m right.
The fandom here is doing exactly what his perpetrator did to him down to a T. It’s almost like what happened with Amane when people tried to reverse her brainwashing by showing her tough love by not forgiving her, exactly like what the cult did to her to try and make her obey them more. This thing is happening to Mikoto as well as Amane and repeating their traumas. And also to mention how Mikoto has DID which is a result of repeated childhood abuse so it’s likely this has been happening to him alot and just can’t escape from this reality. And for the alters to take in all the trauma and leave the host blissfully unaware of everything’s that’s happening.
This brings into account how the guilty prisoners can hear the voices of the audience judging them. Fuuta completely broke down as he was constantly harassed with strange voices judging him and denying his actions. And he’s mentioned a lot of times how he can’t stand this feeling of being watched and this manifests through the eyes in Backdraft. And with Mikoto from everything I’ve been saying before it’s very likely he has trauma from this. And now feeling like he’s being watched and hearing the voices of the audience, who we know constantly sexualises him. It’s likely he’ll have to relive his trauma once again that he thought he finally escaped…
Conclusion / TL;DR
To sum this whole theory up I believe that fanservice in MeMe actually has importance besides just fanservice. And it’s likely Mikoto was being stalked by someone and recorded in those situations, and he ended up hunting the person down and killing them. And now because of the audience’s constant thirsting over him and how the guilty prisoners can hear everything we say about them, Mikoto will have to relive his suffering again.
Other things I’d like to briefly mention but didn’t have any space to put in, Is how since Mikoto rides a bike instead of a train to work as he said but we see lots of train imagery. And I think what happened is that he was probably being harassed on the train and switched to going to work alone. And the thumbnail in Double we see him looking depressed, on a train surrounded by destroyed mannequins.
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mukuberry · 6 months
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"Ah, ahhh!! Because, I did it for your sake...! Because you would break apart!!"
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mannequins already broken apart... different mannequins representing mikoto and potentially other alters. thumbnail mikoto and his weapon have no blood on them.
alters cannot die, but they can split up or go dormant when faced with stress they can't handle.
orekoto has said time and time again that his main and only motive is protecting our host mikoto. if he's been around for a long time, i wonder if he's failed before to protect other alters, and is terrified of it happening again? maybe those mannequins next to him aren't victims, but past headmates who broke apart.
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viewingthevoid · 5 months
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You know, if I don't think about how much the fandom is already mischaracterizing and vilifying her because of Deep Cover, I actually love how Kotoko is portrayed. She is the ultimate example of what Milgram as a prison represents. She unintentionally shows a lot of the hypocrisy in some of the voting. I mean, if beating up criminals was okay in Harrow, why would it be bad now? If Amane is one of the unforgivable murderers and is mature enough to understand what this verdict means, why should Kotoko treat her differently from the others? If we can choose the fate of the prisoners based on the little, vague information Milgram gives us, why can't she do the same? If we trust Milgram, why can't she?
And for Deep Cover specifically, if it's wrong for her to dehumanise, insult, and disregard the other prisoners, why is it okay that we do it to her?
I hope this doesn't come off as me excusing all she did, because it's not and she did a lot of fucked up things. I just really like how she's written as a foil to the prison itself and how that ties into the themes of Milgram. This idea that if we do something that was encouraged/told to us by this institution or authority, it's okay and excusable. But if an individual chooses to do something similar, they're evil and unredeemable.
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purgemarchlockdown · 1 month
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Muu's such a great character. She's so trapped in this horrific cycle of idolization and victimhood and especially the idea of "ideal victimhood" and power gained from pity that she dooms herself to this constant cycle of being hurt over
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and over
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and over again.
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She's drowning in it, this idea of being everyone's perfect victim. This perfect role model of what a true victim should be like. The most acceptable person in the room because if you were upset at her you'd be a monster who likes hurting people.
Muu: So, in other words, I should just become someone you’re fond of. And, if I do that, you’ll forgive me, right?
Muu: No matter the circumstances, it’s always the bullies who are in the wrong! Isn’t that obvious? Warden-san, you’re so smart, but you don’t even know things like that? Maybe you should take some lessons on morals or something.
Why should She take responsibility if She's the one getting hurt?
T1Q9: Do you have apologetic feelings for who you killed? A: The person who did the wrong thing first should apologize.
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Sure she might hurt others but it's right if She does it because she's the victim in this situation and everyone else are the bullies.
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Muu: So if I paid back what my bullies did to me, that would be revenge, right? And if you feel like I had no other choice than that, then don’t you have to forgive me?
But is it really?
Hold on. It’s not my fault You knew it, right?
It's easy to squash bugs, their just vermin, any power they Could have comes in sheer numbers really. (I can confirm I have too many ants living in my home.)
She's powerful as long as she's pitiful, but she can't be pitiful if she's powerful. She's just eternally trapped moving in circles. Great Character I love her dearly.
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blueepink07 · 6 months
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The battery percentage of Mikoto's phone is 29!
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2 as in Double -> 9 (Mikoto and John - the only ones shown directly in the MV)
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Combining these two numbers together -> 2 (double) 9 (suffering) = double suffering
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Also, an another interesting thing!
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Mikoto's favourite food is Horse meat sashimi!
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noscomnias · 8 months
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madoka magica x milgram
i'm always repeating yesterday, though it's important to know when to give up
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iqmmir · 4 months
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I want kotoko and amane parallels
amane in her mind is so strong and powerful (and shes beating herself up) and irl shes a child getting abused its only when she wears the uniform irl that shes able to um “return the judgement given to her”
i want kotoko wearing the warden's uniform to punish a weaker (maybe younger) kotoko okay? i want the warden to take the place of the weaker one
Do you see my vision please say yes
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good-beanswrites · 3 months
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My thoughts on how the Milgram mv machine works based on the evidence we have:
(I know there’s been discussion about where exactly the interrogations take place, but wherever they are,) the prisoners are made to sit in a specific chair near the wall that houses the machine.
It’s ordinarily hidden, but the wall panels shift aside to reveal it when the mechanical sounds play in the dramas. As well as the walls moving, the chair transforms to restrain the prisoner and attach whatever it takes to access their brain. The fact that none of the more frightened prisoners try to run or break it makes it seem like they physically cannot. This is why Fuuta sounds so panicked, and why Amane is suddenly helpless in front of Es in their T1 vds.
(My mind conjures very classic sci-fi mad scientist machines with wires, pipes, lights, nodes, needles, etc, but I’d love to hear how other people visualize it.)
In some vds (maybe all? I’d need to check,) you can hear Es take some steps right before their iconic line -- it would make sense that for safety reasons, the power mechanism is placed across the room. Once again it could be anything, but the sound effect makes me think of one of those giant wall-mounted levers you have to pull down.
The voice dramas don’t really provide the type of crime details that an actual interrogation would reveal, and it’s odd that they’re placed before the extraction rather than after Es gets to see the new details. This leads me to believe the machine functions with priming. All Es needs to do is get them talking about their murder, so it’s on their mind.
The video produced is much like a (non-lucid) dream. Even if the prisoners figure out that this is how it works, they can’t control it just by thinking really hard about something else. The murders produce the strongest emotional affect, and that’s what it picks up on. If someone else used the machine, it would default to whatever gave them the strongest emotional reaction in the ~15 minutes beforehand, hence why Es’ video focuses on their daunting task ahead. (The Undercover theory is still a bit loose, though, given the private shots that Es wouldn't have known about). It’s why the videos are usually closely linked to the vd topics/beats. I also like to think that the reason their prisoner colors appear so much is because they’re looking at those colors on their uniform 24/7.
The bell rings to inform Es that it’s the optimal time to use the machine -- the prisoner has been thinking about things for long enough that the video will be about their crime, and if the conversation lasts much longer they’ll start thinking of other things. It’s at a different time for each prisoner because it’s based on the specific conversation. I guess Jackalope is listening in to the interrogation, timing it perfectly. (The only one that kind of messes with this theory is Yonah, because they just keep talking afterwards lol, but it could just show that the interrogation is still in Es’ control.)
Their “Sing your sins” is the final priming nudge to get them to think of their actions as a sin, revealing their guilt.
Once activated, the prisoner enters a sort of trance/sleeping state. It’s very much like REM sleep, with the machine forcibly activating neurons and recording the output. The prisoners have asked Es what they saw, meaning they don’t remember the mvs. I like to think the prisoners do experience the mv in real time, acting as the major version of themself that appears, but can’t remember it afterwards. It’s when you experience a dream, but as soon as you wake up you’re just left with fleeting emotions and memories right on the tip of your tongue.
The video plays immediately upon extraction -- whether on a huge projection or little screen depends on which room it’s in. It simultaneously saves the memory so that Es can rewatch it later (on those old TVs in the jailbreak mix). The machine downloads the song and video together, but requires special parts to retrieve them. The technology is pretty new and fragile, so if one is broken, there might be a delay between when Es can hear the extracted song and see it with the video. (That’s my justification for Kotoko’s delays -- after 9 prisoners the parts wear out, or maybe Mikoto himself overheats it with his complex situation.)
Based on the lack of conversation we get afterwards, I picture Es leaving before the prisoner wakes from the trance. The machine adjusts their brain back to normal before they awaken, restraints freed and able to return to the rest of the prison.
It’s very much like a dream, so it’s not harmful despite the amnesia/head injuries the prisoners have. It does, however, exhaust them. Brain activity alone takes a lot of energy, so forced brain activity with added emotional strain would cause them to feel pretty drained the rest of the day.
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plan-3-tmars · 3 months
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Is this what Happiness is?
- hey so I haven't seen an interpretation of the bar scenes in Half that I fully agree with, so I wanted to throw my own two cents out there into the void and pray that it makes sense !!!
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so, in the bar scenes in Half we see what I interpret as a hangout with old friends (or, hangout with old friend + his wife.) These scenes used to be the biggest piece of evidence for the cheater theory, but now that that's been debunked by the man himself, I have a new way of looking at them
~ before I go any further, I just wanted to say that I'll be calling the brown-haired woman whiskey for simplicity's sake
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In this scene, Kazui turns to look at Whiskey, saying the lyrics:
"laughing together, side by side, this distance in our relationship is misleading me, is this what happiness is?"
With my guess (cuz that's really what it is there's no evidence for it) that Whiskey is the Bartender's wife i think this scene is Kazui being conflicted with what he's been told is true, that marrying Hinako is "true love", versus what he feels is true, that marrying Hinako has brought distance into their relationship.
He looks at Whiskey, a woman happily married, and wonders why his relationship with Hinako isn't like that.
~ shout out to @prisoner-000 for the following screenshot
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in this post he points out that Hinako and Kazui's rings are silver in Cat, not gold like they were in Half, yet Bartender's ring colour stays the same.
For the sake of this writing I'm going to go with the first meaning they put out, that Bartender's ring is gold because his marriage is genuine.
But wait!! I hear you ask. This is Half and Kazui's ring is still gold in Half!! EXACTLY MY FRIEND!!
Kazui's ring IS still gold in Half because at the time of these scenes he's still fooling himself that this relationship is good, that he will eventually garner real romantic feelings for Hianko.
"laughing together, side by side, this distance in our relationship is misleading me, is this what happiness is?"
Remember this lyric that plays during the Whiskey -> Hinako scene. You know what other scene in Half this lyric reminds me of?
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laughing together, side by side,
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this distance in our relationship is misleading me,
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is this what happiness is?
He's beginning to doubt if what he believes is true, he's beginning to believe the feelings telling him something's wrong (and remember, the scene right after this one is when he confesses (?) his secret to Hinako) ARE infact true, and that maybe the logic he's been following for so long has a couple holes in it.
I think these scenes are meant to show Kazui gradually realising that his relationship with Hinako will not work out. It just won't, no matter how hard he tries.
He's able to laugh together and talk with Whiskey because she's his friend, yet he can't do the same with his own wife? Even though, according to his gold ring, their relationship is supposed to be real and true and genuine?
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polarmary · 2 months
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10-03??? BLORBOS DAY!!!
Aftermath.....
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He's fine
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the-dragon-girl-27 · 1 year
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this is one of those things where it was funny in my head but now that i drew it i realize it was probably not worth the effort  but no point in not posting it i guess i find watching the Mu saga unfold extreamilly funny for some reason i wish i had a quality pic of the % being even lower
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