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thinkingisadangerouspastime · 3 years

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(pt 1) i really enjoy all your atla analyses & you've done a great job breaking down the usual arguments re how eip shows that kataang shouldn't have happened. i'm curious about your take on one specific argument that i just saw today, in an analysis of the show by a zker that was otherwise quite good and respectful (i know you've already talked about eip a lot, so no problem if you don't feel like rehashing). the premise: aang didn't just pressure katara in eip, he threatened her.

(pt 2) they point to when katara joins aang & asks if he’s alright: “aang: no, i’m not! i hate this play! katara: i know it’s upsetting, but it sounds like you’re overreacting. aang: overreacting? if i hadn’t blocked my chakra, i’d probably be in the avatar state right now!” the suggestion is he’s threatening her when he says ‘i’d probably be in the avatar state right now’ to describe his anger. i think this take exaggerates and oversimplifies it, but interested in your thoughts on it.

Hello my friend!! It is true I am Old inside and don’t like rehashing dhdlksjslks BUT your comments on my posts are always incredibly kind and insightful so I am more than willing to do a bit of rehashing for you 🥰 Besides! I’ve seen this general take before a few times and it’s always irked me for the exact reason you point out - it simultaneously exaggerates and oversimplifies the situation (and honestly that’s an impressive duality since it’s seemingly contradictory, so hats off to them lmaooo) - and now is as good a time as any to address it. So, for starters, let’s go ahead and get the excerpt they love to focus on so much:

Cut to Aang standing alone on a balcony. Katara enters and walks up to him.

Katara: Are you all right?

Aang: [Angered.] No, I’m not! I hate this play! [Yanks his hat off and throws it on the ground.]

Katara: I know it’s upsetting, but it sounds like you’re overreacting.

Aang: Overreacting? If I hadn’t blocked my chakra, I’d probably be in the Avatar State right now!

Here’s the thing about so-called analyses of this excerpt: in a manner extremely convenient to the poster, they never seek to contextualize this moment. (I mean, to do so would deplatform their entire “argument” - perhaps that’s why they avoid performing a full analysis?) So let’s avoid that pitfall from the start.

Firstly, below are some links to related posts; I’m going to do my best to summarize the most relevant parts, but for anyone who desires greater detail, I gotchu 😤

This post explains why EIP (the play, lol) is imperialist propaganda and is intended to belittle the entire Gaang.

This post explains how Aang never acted “entitled” to Katara’s affections, particularly in regard to EIP.

This post breaks down the infamous EIP kiss like Snopes Fact Checker, covering common misconceptions, important perspectives to consider, etc.

Alright. With that out the way, it’s time for some context.

Aang and Katara have this conversation on the balcony after watching 95% of “The Boy in the Iceberg,” a play chock-full of Fire Nation propaganda that demeans the entire Gaang in order to prop up the Fire Nation as superior (hence why the play ends with Ozai’s victory). Here is my general breakdown of Aang and Katara’s treatment in particular from a previous post:

- katara, an indigenous woman, is highly sexualized and portrayed as overly dramatic and tearful, because the fire nation objectifies women not of their own people and views them as less intelligent and less emotionally stable

- aang, the avatar, the sole survivor of the fire nation’s genocide of the air nomads who is incredibly in-touch with his spirituality and femininity, is portrayed as an overly-airy and immature woman. the fire nation portrays him with a female actor to demean him (like, that’s classic imperialistic propagandist tactics) and furthermore writing his character as a childish airhead reinforces the fire nation sentiment that the air nomads were weak, foolish people who did not deserve to exist in their world

In other words, these kids have just watched almost an entire play that preys upon their insecurities and depicts them using racist and sexist stereotypes about their respective nations. It is completely understandable that tensions might run a little high and that their interactions would not be as balanced as usual (Katara and Aang have a great track record of communicating well with each other, as it happens!).

So we have to keep that in mind when examining the aforementioned excerpt. But there are other factors to consider, too! Namely: they are kids. Children. Teens. Aang is 12, Katara is 14.

If we want to be scientific, a person’s brain doesn’t finish developing until they are 25, lmao, and the preteen/teen years are when the prefrontal cortex that controls “rationality,” “judgement,” “forethought,” etc. is still developing. This doesn’t mean Aang and Katara are irrational and make poor decisions 24/7 (obviously not), but it does mean that in an intense, highly emotional situation, like after watching a play that intentionally demeans them and depicts them as inferior, they are more likely to overreact, more likely to be emotional, and more likely to make mistakes. Like, I’m serious, lol. “Teens process information with the amygdala.” That’s part of the brain that helps control emotions! It’s why teens sometimes struggle to articulate what we��re thinking, especially in situations that require instinct/impulse and quick decisions, because we’re really feeling whenever we make those choices. Acting more on emotion. Our brains simply haven’t finished developing the decision-making parts, lmao.

In sum: Aang and Katara are both kids, not adults, and should be interpreted as such. This doesn’t negate their intelligence, because they are both incredibly smart and Aang is arguably the wisest of the Gaang, but they are human. Young humans. They have emotions, and we should not be so cruel as to assume they’d never act on them.

So taking that all together, we can now acknowledge the high stress Aang and Katara are under, understand why they might be upset (*cough* imperialist propaganda is hurtful *cough*), and examine how their youth might play into their emotional reactions. And funny thing - all analyses that come to the conclusion of Aang “threatening” Katara here do not usually bother with this context. I can’t imagine why!

And you know what, let’s add one more piece of context: Sokka states that Aang left the theater “like, ten minutes ago,” which is what cues Katara to go look for him on the balcony. The reason I mention this line is because to me, it suggests Aang knew he was more worked up than usual! He chose to separate himself from his friends so he could process his frustration! He did not take his anger at the play out on them; instead, he purposefully took time and space to be alone.

With that in mind, I don’t understand at all how Aang’s Avatar state quote could be interpreted as a threat? Canonly, Aang is someone who was aware enough of his frustration to separate himself from the others - yet the logical next step is him threatening Katara as a result? He knew his intense emotions were because of the play (which he says himself), so the logical conclusion is that he then pinned the fault on Katara? What?? Sorry, that interpretation has no textual basis, lmao. But I digress!

Aang tells Katara, “If I hadn’t blocked my chakra, I’d probably be in the Avatar State right now!” As you said, this is the line people point to in an attempt to justify their (baseless) conclusion that Aang is “threatening” Katara. So let’s bring in the two key pieces of context: imperialist propaganda and age. Given that Aang is 12, and given that Aang has just watched almost a full play that demeans him and everything his people stood for (and let’s not forget it also mocks his and Katara’s love for each other)…

His reaction is understandable. An exaggeration and needlessly dramatic, but understandable. He feels vulnerable and insecure and Aang is human. He is human and flawed and he overreacts here and I love that A:TLA shows how even our heroes, even people who are truly good at heart and in soul, can get overly upset (especially given the aforementioned circumstances!). Would Aang actually be in the Avatar state at that moment, had it been possible? Of course not! He’s young and he’s hurt and as such he says something dramatic to convey his anxieties and frustrations. The line is not meant to be taken literally, and seeing people do so despite all the factors that should be taken into consideration when analyzing it… Cue a long, tired sigh from me and so many other A:TLA fans.

And to be honest? I cannot fathom how people watch this episode and come to the conclusion that Aang is “threatening” Katara. To me, this episode - besides being a recap episode - is one that humanizes our cast even further. Aang snaps at Katara, kisses her when he shouldn’t (which the story appropriately treats as wrong). Katara pushes down her true feelings and retreats into herself, afraid to start a relationship with the boy she loves because she’s already lost him once before and can’t bear to do so again. Zuko further confronts the hurt he’s enacted upon others, especially upon Iroh. Toph practices being vulnerable and accepting vulnerability from others by conversing with Zuko. Sokka witnesses how others have erased his contributions and labelled him as nothing more than the token nonbender in the group. Even Suki learns that she is not the only person who holds a place in Sokka’s heart and that she can never replace what he has lost.

To watch this episode where our heroes must come to terms with how the Fire Nation deems them inherently inferior, with how they have more fights to overcome in the future with the Fire Nation than a single war, and to come to the conclusion that… that what, Aang is abusive? A monster? Irredeemable? That he would threaten his best friend, someone he loves in every way?

Wow. That says more than enough about the viewer, doesn’t it?

#getting back into the swing of things babey ✌️#aang #katara #kataang #kataangtag #the ember island players #atla #avatar the last airbender #amy answers #dramaticowl #amy analyzes #also i am speaking in GENERAL TERMS here lmaooo this is not a direct response to any one post 😂😂

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morievna · 5 years

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Ni-Ti loop curse - Ugetsu’s arc and predictions

I noticed that most of fandom thinks that after chapters 27-28 Ugetsu’s story is finished. It surprised me a little since I have different opinion that in fact he will definitely play role in upcoming final arc and that him getting happy ending is still possible.

Whole Given basically

Spoilers for manga below.

1. Ugetsu compared to rest of characters

Since Ugetsu was introduced I was clearly intrigued by him, but no means I expected him grow to be my favorite character. I was rather surprised that instead of presenting him in a bad-ex trope way he got full-fleshed and nuanced. I like how he is one of mysteries of the story – at first we know that he is responsible for Akihiko views of love as painful thing and we got tidbits of theirs domestic life where they seems to be intimate but we get vibe that there is something wrong. Then we got chapter 17 and we know what went wrong and it is heartbreaking. I think it interesting choice that we simultaneously got both Akihiko and Ugetsu perspective on it and we get why it went that way. Natsuki-sensei not only spent lot of time fleshing out story from his perspective to sympathize with him and clearly puts a lot of effort in showing all emotions on his face. Compared to other supporting characters he got the most of time in manga and we get him to know relatively very well – from little information about childhood, his motivation and so on. Besides, what also distinguish him from them the most is the way he impact main storyline – he is important both to Akihiko’s as well as Mafuyu’s story, while rest orbits primarily around one character.

But what I found truly fascinating is how he is foil and contrast with rest of characters, because he is such extremum when it comes to music and relationships.

Uenoyama – he is called prodigy too; before meeting Mafuyu his life was centered only on music but it didn’t go well for him

Haruki - totally opposite in almost everything from acting towards others, living space, views on music to relationship with Akihiko

Mafuyu – another prodigy who express feelings via music, but who wants to cultivate bonds with others

Yuki – both are dedicated to music at cost of their wellbeing and relationship

Akihiko – since he and Ugetsu are paralleled a lot with Yuuki-Mafuyu I will use Hiiragi’s quote “together, they filled in each other’s missing pieces” – in terms of character qualities and simple things as providing home and support, whose they respectively needed.

By all this I wanted to show you how his story entwines with rest of characters, so cutting him from main plot would be for me at least weird.

2. Ni-Ti loop and CAC song

To be honest I was worried that we may get negative character arc to contrast him with Mafuyu. But after rereading whole story I have more hope about this. So let’s start what is core of positive/negative character arc

“The Central Problem: This is the damaging belief your character must face to complete their arc. They may believe they’re weak or inferior to others, or they may refuse to trust anyone but themselves. This inner struggle will be confronted at the Climax and their ability to overcome it will determine if they succeed or fail in the conflict of your story.”

https://thenovelsmithy.com/positive-negative-character-arcs/

Applying it to Ugetsu he believes that being isolated from others is only way to be dedicated to music, thus pushing away others and acting inconsiderate to them.

It reminds me also of Ni-Ti loop:

“Instead of a healthy balance of introverted and extroverted functions, the INFJ becomes stuck in their introverted processes, keeping them trapped within their own mind in a seemingly endless loop of thought.

As our introverted iNtuition (Ni) ponders theories, concepts and possibilities, it feeds these ideas to our Ti which seeks facts and logic to back up and solidify these thoughts. As it obtains this information, it feeds it back to our Ni which creates even more theories and concepts.

Each time this loop goes full circle, the thoughts become more and more radical and outlandish, pushing us further from reality and deeper into our minds.”

http://www.jennifersoldner.com/2016/02/ni-ti-loop.html

So we get Ugetsu thinking about how they chasing each other and neglecting music, then instead of talking to Akihiko about his insecurities he decided to push him away since prior to their meeting he was alone and fine this way. When declaring breakup didn’t work, he fallen further in this way of thinking and tried to discourage Akihiko by sleeping with other men. However, logic doesn’t apply well to love, so he is conflicted about his feelings constantly. So there is cycle in their relationship of pulling and pushing away resulting only in more pain and violence.

But even after Akihiko leaves him after their argument, it got even worse – he got more isolated from rest of world and depressed. His solution didn’t work at all.

During CAC we can observe that he starts to understand this. He seems to be stunned that not only Mafuyu can perform music on his level and be connected to others and Akihiko’s skill in drums got so much better thanks to Haruki’s influence.

Theoretically this could be end with him failing to change but…

CAC song is about ending and begging. It conveys that positive change is possible. I like how Mafuyu is not only referencing his experience about trauma and healing, but want to help others persons in his life and reassure them that everything will be alright. And there is this frame:

Of course it has double meaning – Mafuyu want to resonate feelings via music like Ugetsu as well as to resonate meaning of song to him.

So concluding – with the both facts that Ugetsu does no longer believe in his previous standpoint and we have positive message of the song, we can discard option that his story ends here. But what comes next?

3. 3-act structure and what it means for the story

Quoting Wikipedia:

“The three-act structure is a model used in narrative fiction that divides a story into three parts, often called the Setup, the Confrontation and the Resolution.”

For Given as whole it would look like that (image from wikipedia, little changed by me):

3-act structure is one of most common used in stories. I think it can be applied to Given too, because of the way stakes are gradually rising and evolution of Mafuyu’s songs (first one about his trauma and past love, second about positive change and final will be most likely about his feelings for Uenoyama – well technically second one mentions it too, but I think it will be explored more). For now I rather want to use that structure as tool to predict what can happen. Let’s look again at what Wikipedia says about final act:

“The third act features the resolution of the story and its subplots. The climax is the scene or sequence in which the main tensions of the story are brought to their most intense point and the dramatic question answered, leaving the protagonist and other characters with a new sense of who they really are.”

How to grow more tension?

For me the most interesting it would be instead of *insert some cliché drama* getting all main four character confronted with someone who foils all of them on both music and personal level. It would cause to challenge their perspectives, disrupt the routine and reevaluate their standpoints. In the end it would be resulting in character grow for all of them.

In less vague terms my theory is that Ugetsu will perform together with Given on debut in festival. To break Ni-Ti loop the best is interacting with people and outside world. To step out of comfort zone and leave basement.

I envision this scenario roughly like that:

Since it is very likely that Mafuyu will write new song (probably together with Uenoyama)

Then he would consult it with Ugetsu

Mafuyu would be concerned about the other wellbeing hence trying to help him the same way it worked for him in begging of the story

Tensions during rehearsals – mainly due to Ugetsu being critical of their skills at music

After some time Ugetsu will start open towards rest of group and genuine wanting to help them performing at their the best – even if it would took some sacrifice from him (like resignation from violin competition or concert)

Thus resulting in final reconciliation with Akihiko (not necessary in romantic sense, more like healing each other wounds they caused before)

Climax at debut

Of course, maybe I went too far with this theory, but it would wrap up things nicely in my opinion. This was written emphasizing Ugetsu’s story, maybe I will expand it in relation to rest characters another time.

Finally I want to point out certain issues that would tie into this from recent chapter:

1. Mafuyu’s hesitation about debut - his fear of taking music seriously is rooted in Yuuki’s death and Ugetsu’s story as well. As chapter 18 showed he want to learn from their mistakes and I think he is afraid of losing himself too much in music and breaking up with Uenoyama in result. In order to move forward he has to make peace with music in some sense like discussing his insecurities with certain some who embodies music basically XD

2. Akihiko pursuing both violin and drums – these two instruments are so loaded with double meaning (drums – fun, escaping pain and violin – passion and lost dreams). But regardless if Akihiko has to choose one of them or not – pursing violin corresponds to confronting why he given up on violinist career earlier and by this confronting Ugetsu

Bonus:

Doesn’t sound it like foreshadowing?

So this is all for today. I don’t remember writing this much since my thesis – I hope it is coherent and that there is not that many errors XD If there is something unclear – feel free to ask.

#given #given meta #given spoilers #murata ugetsu #kaji akihiko #satou mafuyu #given manga

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bolbianddolanhouse · 4 years

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Book 2 FAQ!

Book 1 FAQ Beginning of Book 2

Dang y’all, 14 chapters done for Book 2! It’s been a little bit of a struggle to hash them out on time BUT I deliver. I’ve asked, y’all keyboard smashed in my inbox...let’s get INTO IT!

4 KIDS?!

Yep. And all 4 of them are full of personality! I guess I dreamt them up to convey all of the unspoken parts of the My Hero universe (canon or not).

Are the kid’s names in relation to their abilities?

No unfortunately, they’re names are based on their personalities/the major event that happened around the time they were born (no spoilers about it tho! Gotta read book 3 to know why!). Lili Perla is based off of Pearl from Steven Universe and their character type. Iwata El Roca is a nod to Luchador’s names and a character that passed away in the AU to honor them. Tensei Oro is a play on their family position, Tensei was the first born twin and his uncle was the first born, Oro is spanish for ‘gold’ and it’s a play on being first (ya know, because they give gold medals for 1st place!). Hanaka Rosa is a double trope name, Hanaka (Japanese: hana- flower, ka- power) is a nod to the tough girls with flower names in anime and Rosa (spanish: Rose) is a name used in telenovelas as the woman that causes all the romantic tension. I did the whole Japanese first name, Spanish middle name because thats what I want to do when I do have kids.

Why did Mineta have to be in this AU?

I hear you! The thing is that I DREAMT it like this. He’s the slightly incompetent teacher that gets dunked on by the parents. Good news is that he’s single and isn’t as gross in this part of the AU. He’s this AU’s punching bag if you will.

It was weird when you wrote in hate-crime/dorm incident bc I didn’t think about it that way...Why did you decide to explore it?

That part felt important to me to write. Yes the canon shows like actual crimes of different intensities, but not nessatreily hate-crimes done in schools. As you know, being LGBTQA+ in grade school is a terrifying thing to express if don’t want to stand out. The constant fear of peers judging you, bullies hurting you and teachers that seemingly don’t care about you if you come out is enough to silence anybody. Imagine that but in a hero school?! The hate-crime would be a villainous act and the culprit would have to do desperate measures to make sure nobody rats on them to maintain a clean image/record. Plus on the flip side, any ally that stands up for their oppressed peer is hailed the hero but they wouldn’t have to stand up for them if there were real consequences and punishment for the bullies. So in the AU, I wrote it how I’d want such hate-crimes to be handled. Not only justice but also accommodations for the victim.

The Mcdonalds order cracks me up! What is your Mcdonalds order?

I throughly enjoyed the Mcdonalds order part too. It’s a nod to the proposal in Book 1 when they went to Mcdonalds before the peer over. I wrote it to show that the family goes every now and then. My order is: Triple Cheeseburger, Large fries, Large sweet tea, 2 sausage and egg McMuffins & a cone. And yes, there will be a Mcdonalds order for every child because it drives the plot.

Will there be more interactions with the pro heroes from the canon series?

YES! Though old, theres more interactions planned with them. Of course, it’s all in Book 3 (trying not to spoil anything!).

Is it spoiler if you tell us if your kids (or one of them) becomes a villain?

I’ll tell y’all right now....NONE of my kids becomes a villain. It might look like one or two of them might from the way I wrote them but they’re just latina.

Will one of your kids be the next Ingenium?

Yes but I won’t tell you which one. But I can’t wait to reveal it to y'all!

I see all the call-backs to your self insert character’s past...Is it alluding to the conclusion?

I dreamt it as such and I fixed it in writing as a way to come full circle. Notice that Lili didn’t get any of her mom’s past from her mom? It wasn’t until when she confronted her on the couch in chapter 13. Even then, it wasn’t the full story nor did it fill in all the cracks and time skips after her mom’s time at UA. In Book 3, we explore more of the past. The conclusion is yet to be revealed.

How big is that house?!

It’s a little hard to explain? I want to say its big but parts of the house are disproportionate. It’s a two story house with no attic nor basement, 3 bath room, Master bedroom, 2 large bedrooms, office space, guest room, full kitchen, dining room, large living room, three car garage and a decent size backyard. What I’m trying to say that it’s big enough for that chaotic ass family.

Where’s Aizawa?!

Let the mans rest! He’s alive but he’s busy being a grandpa and taking naps.

Canon villains OwO?

Y’all ate UP the Dabi surrender in Book 1 and his little mention in Book 2. But in this AU (not to spoil anything to anime only and manga dabblers) the League of Villains are still rampant but dispersed. In Book 3 (and part of Book 4) they pop in to drive the plot from a canon storyline. In the series, the rookie Hawks has been seen as a double agent and exposes a corrupt Hero Society. Same concept but in this AU, Hawks has gone missing when he failed to kill Best Jeanist. Here’s where the kids go into play BUT more on that as the plot progresses!

I really want to see art of these OCs! I wanna see how Iida’s genes transferred over to his kids!

I hear y'all! I’ve slid into DM during commission windows and have the means to pay for some line art at least...but with no responses. I’ve got my self insert character done in this post if you wanna check it out plus the artist was super sweet during the whole process. I may commission them again when they got a window of commissions open. But I may do a lineart of the kid’s faces in the near future.

What if....hypothetically....Shinso stayed?

Oh boy, okay so the Shinso stans have BOMBARDED my asks since the last arc of Book 1. So what if Shinso stayed...obviously I wouldn’t have 4 kids, just the one that we were gonna have. We wouldn’t be married and overall just be loveless the more we see our friends get married and start families. The company would still be there but delayed by 5 years or so. Our son would grow up to convince me and Shinso to separate when they get at around High school age. Tenya still wouldn’t have said anything but done the reunited part differently. I would’ve considered cheating but morals would’ve stopped me. Eventually, when our son decides to move out, we’d stay as housemates and basically die alone....aren’t you glad this AU isn’t such a downer?! Luckily things are patched up with my self insert and Shinso, because he comes into play in Book 3!

Eri Nurse! In your AU!

Yup! I’ve actually read some NurseEri! AUs on twitter and Tumblr (btw, some of y’all that like my posts have good taste in fics!) and it manifested in my dreams and created UA Nurse Eri. She shows up a few more times in the AU, so don’t fret if Eri is your fave.

Is it okay if I follow you on a different platform? Do you have another social media that I can follow you on?

You can follow me on Twitter (@oketsusama). It’s my personal twitter that I repost memes and get my news from. So it’s not as poppin as my Tumblr, but at least it’s AU free over there lmao.

What’s you favorite rare pair in the My Hero canon storyline?

Oh! and DON’T hate me, but I stan the Sero x Iida rare pair! There’s crumbs of the pair on twitter and here but the ones that I did read got me in tears. If you haven’t seen this tag on twitter and Tumblr, DO IT! The one on twitter had a lot of angst in it and it got me HOOKED on some of that goofball with their geeky partner energy.

Not a question, but I like your //Palma-sama Speaks in the tags. They’re funny and makes your posts that much more personalized.

I will cry! Thanks for reading that far! I like doing the ‘talking in the tags’ thing to basically point out the callbacks to new readers that stumbled upon that chapter of the AU.

How long is this AU?!

It’s quite long BUT the ending is marvelous, trust.

============================================

Thanks for reading! That’s all the asks for now, keep asking them! I love reading them. Next is the finale of Book 2! Everything will still come out 2-3 days of each other until further notice. Stay safe, drink water!

-Palma-Sama

#bnha #mha #faq 2 #self insert au #not canon #will update regularly #ask me anything #Book 2

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hwallmart · 3 years

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9 Signs Your Bahá’í Community is Actively Involved in Race Unity Work

Note: This was written for a Bahá’í blog, which I edit and contribute to, focused on issues of social justice.

In a letter written on behalf of Shoghi Effendi in 1931 we read that, “He was especially glad to hear that the activities of the friends in eliminating racial differences is daily increasing… Shoghi Effendi hopes that the Bahá’ís will gradually be considered the leading religious movement working for this aim. This forms an important element in the teachings of Bahá'u'lláh and `Abdu’l-Bahá and the world at large should know that it is so.” 87 years later it seems fair to ask, are we considered the leading religious movement in eliminating racial differences? What would it look like to be at the forefront? Here are 9 signs your community is getting there.

1 There are Advent of Divine Justice Study Groups

This letter from Shoghi Effendi to the North American Bahá’í community is essentially the handbook for American Bahá’ís looking to address the problem of racism in a Bahá’í context. In a community dedicated to addressing racism there are study groups, references to it at Feast, Assembly meetings and reflection gatherings. It’s a constant presence, not just a one and done deepening. These deepening sessions also go deep into his words. How many times have you heard people quote the concept of “inherent superiority”? But how many times have you heard white folks ask themselves what that looks like at Feast, in Assembly meetings, or in the core activities? Or what “supreme effort” actually looks like in practice?

2 Core Activities Address Race

The core activities are a powerful tool to systematically develop our capacity to build communities characterized by prayerful action. While eradicating racism and achieving oneness is an inherent part of community development, it has to be done consciously and purposefully. How often is racism discussed in our study circles? In children’s classes and junior youth groups? While it’s not mentioned in the materials, it is a fundamental part of community development. The Universal House of Justice wrote, “Unfortunately, sometimes when approaching such important and deeply felt matters, the friends can create dichotomies where none exist. Thus, for example, it is contended that one must choose between either non-involvement in politics or social action; either teaching the Faith or involvement with society; either the institute process and the community-building activities it fosters or a program for race unity; and so on. Such apparent conflicts can be greatly dissipated by keeping in mind Shoghi Effendi’s advice, conveyed in a letter written on his behalf, to conceive of the teachings as one great whole with many facets. ‘Truth may, in covering different subjects, appear to be contradictory,’ the same letter indicated, ‘and yet it is all one if you carry the thought through to the end.’ A careful reading of the Bahá’í writings and the guidance of the House of Justice can clarify how two matters that appear to be in tension with one another are coherent once the concepts and principles that connect them are understood.” (April 17, 2017)

3 Community Members Are Active in Like-Minded Organizations

It’s easy to be in a Bahá’í bubble, to think we have all the answers. We don’t. There are a lot of things being learned by other organizations and religious communities on how to dismantle systems of oppression. We can learn from them. In a letter written on behalf of Shoghi Effendi we learn that, “Much as the friends must guard against in any way ever seeming to identify themselves or the Cause with any political party, they must also guard against the other extreme of never taking part with other progressive groups, in conferences or committees designed to promote some activity in entire accord with our teachings – such as, for instance, better race relations.” (From a letter written on behalf of Shoghi Effendi November 21, 1948) Are members of the community involved in Black Lives Matter? Missing and Murdered Indigenous Women? Pipeline camps? The NAACP? Or is it mostly interfaith groups?

4 Experiences of Racism are Believed

The single greatest thing you can do to begin the process of race unity work is to believe people experiencing oppression that their experiences are true. Just as with a friend who tells you about a painful experience, you believe them. Imagine a friend who confides that they have cancer and the response is, well I don’t have cancer so you can’t, or, is there something you could have done to prevent it, or, you always think it’s cancer. These are all examples of denial and gaslighting and are very common responses in the Bahá’í community. Why would people of color continue to explore being a part of the Bahá’í community if their fundamental, lived experience is thought to be made up or as being overly sensitive? This is a crucial reason we don’t see Bahá’ís of color at community events.

5 White Feelings are Not Centered

A primary function of white supremacy is to make whiteness the norm, to make white ways of interacting, thinking, seeing the world, language use, and customs the center around which all other cultures and ways of being revolve. This extends of all forms of community life, from the meaning of ‘reverent’ to the disdain for ‘passionate’ discourse. For our communities to grow, however, we need to change this dynamic and imagine what it would be like to have different cultural expressions shape our community life. This can only happen by physically displacing whiteness from the center. In a letter written on behalf of Shoghi Effendi we are told, “He feels it is time that the Bahá’í stopped worrying entirely about the white element in a community, and that they should concentrate on showing the negro element that this is a Faith which produces full equality and which loves and wants minorities.”

6 Community Members See Color

It was, and still is in some places, en vogue to declare one’s self ‘color blind’. This is both untrue and unhelpful. Skin color is an objective reality. We don’t need to erase aspects of the world or people’s identities to achieve justice. Furthermore, the example for all Bahá’ís, ‘Abdu’l-Bahá, consciously saw color and used His privilege to elevate people of color, from the story of the black rose to seating Louis Gregory in the place of honor. That is the example for all white folks.

7 Community Members are Accomplices

The Bahá’í writings are full of calls to action, even to voluntarily suffering for each other. “With reference to your question as to whether individuals can help each other by accepting to suffer for each other’s sake. Surely such sacrifice for our fellow-humans can have helpful results. This law of sacrifice operates in our own lives, as well as in the lives of the Divine Manifestations.” (A letter written on behalf of Shoghi Effendi to an individual believer, March 31, 1938) This concept is what it means to be an accomplice, a step beyond being an ally. It means moving from the sidelines to being directly involved with struggles by Black, Brown and Indigenous people and taking their lead. It means not just saying you feel sorry or bad about injustice, but risking your comfort and life to achieve justice.

8 Understand That Talking About Racism, and Doing so Passionately, is not Disunifying

The Bahá’í writings and recent guidance are full of references to racism as a cancer and an illness. No doctor would counsel you to ignore a cancer you have been diagnosed with. Why would we do the same with social illnesses? Similarly, upon learning that you have cancer, would the doctor refuse to talk with you until you calmed down or would she listen to your fears, worries, and even anger? It’s the same with conversations about racism. White folks, often operating from an “unconscious sense of superiority”, refuse to engage in conversations about racism that come from a place of pain and hurt. In Advent of Divine Justice white folks are told to “master their impatience of any lack of responsiveness on the part of a people who have received, for so long a period, such grievous and slow-healing wounds.” In another letter written on behalf of Shoghi Effendi we read, “Nothing will so deeply affect the hearts of people who have been hurt and offended by the attitude of white supremacy as to consort with them as full equals-as indeed they are….” These concepts are foundational to these conversations – grievous, slow-healing wounds, hurt and offense, equals talking with each other about injustice. People of color have been subjected to hundreds of years of genocide, slavery, injustice and abuse that is still going on. What right could white folks possibly have to now demand that they convey that pain politely and in a way that makes them feel comfortable? None.

9 Deeds, Not Words

The most important element is action. Make an effort. It won’t be perfect. You will make mistakes. You will likely be called out on things you didn’t know you were doing, as individuals and as a community. Reflect, then act. In a letter written on behalf of the Universal House of Justice we are told, “Action is what is needed. The House of Justice is confident that, as the friends arise, guided by the Writings and the instructions of the beloved Guardian, this enduring, seemingly intractable problem will be ameliorated.” (1/20/94)

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