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#or any reality show
itgirlwife · 1 year
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your f/o’s source material but it’s filmed like the office and during the confessionals they talk about how they have a huge crush on you and the cameras zoom in on their face whenever you enter a room send tweet
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heymacy · 1 month
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IAN GALLAGHER + his journey with bipolar disorder
╰┈➤ “At times, being bipolar can be an all-consuming challenge, requiring a lot of stamina and even more courage, so if you’re living with this illness and functioning at all, it’s something to be proud of, not ashamed of." - Carrie Fisher
#happy world bipolar day to all my bp babies#(more thoughts at the end of the tags)#shameless#shamelessnet#shamelessedit#ian gallagher#cameron monaghan#*macygifs#bipolar disorder#hello pals how are we doin#i made this gif set in july of 2023 and never posted it because 1) i was terrified to share it and potentially see Bad Takes in the tags#and 2) because my hyperfixation was waning. and while both of those things are still mostly true (the fixation comes and goes)#i feel like it's really important to share as ian's bipolar storyline was not only so vital to his character it was a bit of representation#that isn't often given to the disorder and those (like myself) who live with it every single day#world bipolar day is a day where we can both celebrate ourselves and our resilience and also raise awareness of the reality of the disorder#which is both terrifying and beautiful at its core. this disease is not a death sentence or a sentence to an unfulfilled and miserable life#while there are challenges galore when it comes to balancing life with this disorder it IS possible to live a full and productive life#and i think it's really important to have representation of that in media - and while shameless dropped the ball on a LOT of storylines#over the years THIS is the one they really fucking nailed and i am incredibly grateful#i first started watching shameless while in the midst of a major depressive episode and i was later (finally) diagnosed during an extended#hypo/manic episode - this show and ian's storyline got me through so much and made me feel so seen and validated in my struggles#world bipolar day is also vincent van gogh's birthday (happy birthday buddy) who was posthumously diagnosed with bipolar disorder#and who experienced both depressive and hypo/manic episodes during his lifetime (and was regularly institutionalized)#it takes a lot of help and support to keep us going. it takes the support of our family and friends and *most* of all#it takes patience and kindness and understanding - which is so so so easy to give if you are willing to love and listen#so please. be willing. listen to our stories. be patient with us. show us love without conditions. support us in any way you can.#we are worth it#i promise#anyway. that's really all i wanted to say. happy world bipolar day to those who celebrate (me) and may all of us living with this disorder#go on to live happy fulfilling beautiful magical lives
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gummi-ships · 5 months
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Kingdom Hearts Dream Drop Distance - The World That Never Was
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laundrybiscuits · 1 year
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Eddie’s doing some dumb trick with a couple of wooden spoons, clever hands making them move through the air in improbable ways, and Steve’s about to bite his whisk in half. 
He’d thought for sure that Eddie would be going home the first week; Edward Munson, 29, bartender/musician from Brighton with mismatched tattoos and wild hair, seemed like exactly the kind of pretentious asshole who would flame out early with some ill-advised hipster experimentation. If Steve (28, social worker from Indiana, USA) had been a complete asshole, he’d have said that Eddie didn’t have the fundamentals. That he was all sizzle, no steak. 
It’s a good thing Steve’s not a complete asshole, because Eddie’s been blowing the technicals out of the water so consistently it’s actually pretty fucking embarrassing. His signatures and showstoppers are making a very respectable showing too, except for the time he tried to incorporate some fresh pandan extract and fucked up the liquid ratio, leaving him with a dripping mess that Mary’d declined to even try. 
Afterwards, Steve had seen him leaning against a tree and struggling to light a cigarette. Steve went over for no particular reason, flicking on his lighter and holding it out like a peace offering. Eddie looked at him warily, but bent over the offered flame. 
“Can’t believe I made it through this one,” Eddie said after a moment, white smoke curling out of his mouth.
“Yeah, I feel like that every week.” Steve leaned against the tree next to Eddie. It was a big tree, the kind that’s probably been growing in this field since before England was even England. 
“Nah, but—c’mon, you know what I mean.”
“You had some bad luck with your showstopper. Happens to the best of us, man. Your signature hand pies looked sick as hell.” Steve’s own hand pies had turned out pretty well, so he was feeling generous. It had only been the third week; plenty of time for Steve to snag Star Baker, though even by that point, Steve had been getting the creeping feeling that he was being a little too American about the whole thing. Everyone else seemed to think competitiveness was some kind of deadly sin. It was—actually kind of nice, to get the same kind of nerves he’d always gotten before high school basketball games, but know that he wasn’t really fighting against anyone except himself in the tent.
Anyway, the very next week, Eddie had done some kind of kickass gothic castle with a shiny chocolate dragon and gotten Star Baker for the second time. Steve had clapped him on the back, appropriately manly. Eddie had pulled Steve into a real hug, arms tight around Steve’s shoulders and his whole lean body pressed up close and warm. It had only lasted a moment, and then Eddie had bounded over to Mel and Sue, both of whom he’s been thoroughly charming since the get-go. 
Steve thinks that when this season—or, uh, series—airs, no matter where Eddie places, the entire country is going to be just as charmed. Eddie’s going to get whatever kind of cookbook deal or streaming show he wants. Sponsors will take one look at that handsome face and charismatic grin, and a whole world of possibilities is going to open up for Eddie. 
Steve’s not in it for any of that, of course. He’s here kind of by accident, because Robin pushed him to apply, and it’s a goddamn miracle he’s been holding his own. Hell, it’s a miracle he’s in this country at all. When Robin had started looking at the Cambridge MPhil program in linguistics, she’d said wouldn’t it be great if and he’d snorted, yeah right, like I could ever get whatever job I’d need to move to another freaking country, but then—well. Things had happened the way they’d happened, and now Robin’s almost finished with her degree and Steve is taking time off from the London charity he works at in order to be on Bake Off. 
He’s told all this to the cameras, plus the stuff about how baking started as a way for him to connect with the kids he used to babysit in Indiana, blah blah blah. He thinks it’s probably too boring for them to air, but he gets that they have to try to get a story anyway. 
Eddie Munson, on the other hand, is probably going to be featured in all the series promos. Steve is rabidly curious about what Eddie’s story is, but he hasn’t worked up the nerve to just ask. It should be the easiest thing in the world. They’ve got kind of a camaraderie going, the two of them; a bit of a bromance, as Mel’s put it more than once. 
It’s true they get along pretty well, and the cameras have been picking up on it: on the way Eddie’ll wander over to Steve’s bench like a stray cat whenever they get some downtime, how they wind up horsing around sometimes, working off leftover adrenaline from the frantic rush of caramelization or whatever. There’s the time Eddie had hopped up on a stool to deliver some kind of speech from Macbeth, of all things, and overbalanced right onto Steve, who had barely managed to keep them both from careening into a stand mixer. Sue had patted Eddie on the shoulder and said, “Well, boys, that’ll be going in the episode for sure.”
They both get along with the other contestants just fine, of course, but they’re two guys of about the same age with no wife and kids waiting at home. It’s only natural that they’re gravitating together, becoming something like friends, Steve figures. It’s pretty great that he’s getting at least one real friend out of this whole thing.
It would be even greater if Steve could stop thinking about Eddie’s hands in decidedly non-friendly ways. With all the paperwork he’s signed, he can’t even complain to Robin about how Eddie looks with his sleeves pushed up to show off the tattoos on his forearms, kneading dough and grunting a little under his breath with effort. Steve had almost forgotten to pre-heat his oven that day. 
Two benches away, Eddie fumbles the spoons he’s been juggling with a clatter, and he bursts out laughing, glancing over at Steve like Steve’s in on the joke. Steve grins back, heart twanging painfully in his chest, and thinks: well, fuck. Guess this is happening.
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spearxwind · 1 year
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-🏮🏮🏮-
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nbnaruto · 2 years
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For the older grayson brother danny au, realistically Danny would meet all of Dick's younger siblings gradually but the idea all of them meeting him all at once is so funny to me. Even better if none of them knew Dick had an older brother (and 2 older sisters), Dick just mentions he can't hang out with one of them in the gc because he's hanging out with his older brother and all the batkids are like "wtf are you talking about?" Dick swears he's mentioned Danny (and jazz and ellie) at least once but all of them swear they've never heard those names before. Cue the meeting, they've decided to meet at Mcdonald's or sumn and right before they get to the mcdonalds Dick stresses that they should be on their best behaviour cuz Danny and Co aren't from Gotham and they are Normal Civilians TM, they turn the corner and see McDonalds is getting robbed, they rush in to find Danny beating the shit out of the thief with a napkin holder like outta that scene in shameless, Jazz is getting a first aid kit ready and Ellie is cheering in the background
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if-mirrormine · 5 months
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i miss my brother so much it feels more like mourning.
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kiingbiing · 1 year
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The cage… I have a vision
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Not sure if this is where you want your asks to be sent or not, I'm new to your blog so sorry if this is the wrong place
There is another instruction for Wally that I haven't seen you talk about and I want to know your thoughts! Back in november, before the responses, the secret URLs (such as woxyve) had the word "delete" added to the end (ex: woxyvedelete) implying that they wanted Wally to delete the page. After this most recent update it changed again and now says nodelete meaning that Wally refused to do that task. Thoughts?
where else would asks be sent if not the Askbox! inbox! both!
i actually wasn't aware of this until a few days ago, when i saw a post pointing it out - i had never gone directly back to those pages. which serves me right! i'm gonna be double checking Everything from now on lmao
but my fucking GOD is it interesting. thus far Wally has been... fairly cooperative. he's had a moment here and there, such as closing the guest book and losing his patience a lil, but he does his best with the rest! especially with requests! so for him to straight up go "lmao nah" when asked to delete something...
characterization-wise, i think it's very telling. as of now, Wally has been commonly portrayed as a bit of a doormat - getting talked over, sitting off to the side, being a bit of a background character - in in-Home media. less so in his whrp/qa/You interactions, but he's still widely agreeable & willing. but him refusing to delete the urls gives major points to him Having A Spine. he's holding his ground. he knows what he's doing. he's not going to let the whrp shut him up. there's a Thought Process / Plan / Purpose being shown here, or at least hinted at. there's a sense of.... Control. of "this is the way we're doing things, this is what i'm saying and you're going to sit down and listen" it's just... such a shift from the Wally we see in his interactions with the neighbors. which again, lends credence to there being a time discrepancy, with whrp Wally being older and more "experienced" while past Wally is still figuring his shit [being alive] out <3
story-wise it adds some Delightful friction. like obviously there's already tension, what with the staff only page, "Let Me In", the mysterious black stuff, the guest book closing, and the whrp/qa being disturbed by it all. but Wally outright refusing to delete things is a Different sort of conflict. it's more... direct. which makes sense! his interactions with the whrp/qa are becoming more personal, too. but it lends to the feeling of a push-pull. as the whrp/qa investigates Wally and starts treating him like the person he is instead of a long-lost character, they're probably gonna clash (a lot) despite the apparent impulse to pursue Welcome Home. currently, Wally doesn't seem big on compromising. if he doesn't know what to do, it looks like he simply Won't or he'll do his own thing and be like "shrug". if he doesn't want to do something, it also looks like he simply Will Not.
of course, there's the strong possibility that the whrp Were Not Serious about it. the 'delete' command might have them testing the waters, poking the bear, etc. but then were they testing to see if Wally is there, or were they testing his level of compliance? both? a secret third option?
and if they Were serious about it... why? what is it about the marked urls that made the whrp go "get that outta here"? and why couldn't they delete it themselves? i mean, obviously they can't delete anything Wally adds, otherwise the extra stuff he's added probably wouldn't be there (unless the impulse / curiosity driving them is too strong to delete anything added). but there's still a why about it. what changed so fundamentally in the site's code - or laws of physics/reality - that made it impossible to alter Wally's additions?
it's just. i feel that there are a lot of implications in such a small interaction. it shows more than one would expect.
#I JUST. AGH#idk if i said any of this in a way that makes sense#how would/do the whrp/qa react to that? to him being like 'we are Not deleting this <3'#whether they were serious about it or not thats Gotta raise some feelings#were they scared? frustrated? shocked? vindicated?#MAN IM SO CURIOUS#wally said no! the whrp asked and He Said No!#i mean to be fair#from what we know about wally - both from shared trivia/thoughts and the main canon#he doesnt seem hesitant to say No in general#but still. with almost everything else asked of him he Tried. he made an effort. hm#homebogging#rambles from the bog#wh speculation#welcome home speculation#AND THEN - OH THIS IS A TANGENT!#about him flipping sally's portrait. HOW THE FUCK? its technically a 2-d image. there isn't a back#so did wally make a back - or did his Direct Interaction bend reality and make it so that there's one to show?#fucking Fascinating. i mean i already have a lot of thoughts on reality fuckery in this story but mmmmm man. implications.#or - oh or - are the character portraits The Characters. this is a crack theory but hm#the fact that there are tiny versions of some of the neighbors in their houses on the map. trapped inside. multiple franks.#you see what im getting at?#not to say that they're trapped in the site! but what if there's a direct Connection. the character and the art aren't explicitly separate#as implied with wally's 'every time you look into my eyes' / 'you draw mine'#if his art has a direct link to him - Is him in a sense - why wouldn't that be the case for the others#huh. i wonder if they'll ever sense it like he does. will they ever look back? will their pupils slowly start to look at the screen?#i mean the teeny eddie in the post office is looking straight out at us but yk. Inch Resting.
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gabichanwrites · 6 months
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Imagine you have a character, a broken, vicious man who bites and spits venom even at a person he loves the most, who pushes the buttons of his love just because this toxic familiarity is all he knows, just because it's all he feels safe doing. And then his love finds another person who brings out such a different part of them, a part this character never could or maybe just long forgot how to do. He drowns in jealousy, in his bitternes, he hurts his love, he hurts his love's beloved, their crew... And finally gets what he wanted. Finally has his Blackbeard back, finally can forget about the part of Ed he can no longer reach... But suddenly Blackbeard is unpredictable even to this character.
And suddenly everything changes as he slips and can no longer even enjoy the familiar toxicity because he saw something better and kinder and selfishly wishes for it too, despite it all. And suddenly he understands people around him, people who never saw the evil in Edward, and suddenly he realizes it's his fault. All of it, just a part of it - doesn't matter. He caused this and nobody is happy, not even him.
And then, despite everything, others start to care for him. They tell him "We think you're in a toxic relationship" as if they didn't know it was him who brought Blackbeard back and they hug him tight as if he wasn't the once to sentence them to this horror and they hold his hand when he panics. They experience kindness and hope in a miserable place, maybe a glimpse of what made Blackbeard so soft for a moment there. And when everything falls apart, when he takes the final tumble in this horrible dance he has with Blackbeard, somebody is there to hold him up. Somebody is there to criticize his drinking and make him a new leg and call him their unicorn. The character is "their bastard", he is part of them. He is part of something kind and accepting and he shyly embraces the new familarity-that-might-be, even when he still insults and retreats and bottles stuff up because maybe if he seems fine he can help others, maybe in the end he can be loved in a way as kind as theirs. Maybe he can have a family.
So once they are again in danger he takes the chance and speaks boldly and captures the ominous attention of the enemy. He takes a risk for them. He takes a bullet for it. He rests in the arms of his love and tells him he's sorry even when he could never accept the other's apology. He never gets the chance to try more and forgive more and try to be forgiven more. He can only ever serve as a tool for another character, can never evolve to existing on his own, to healing on his own.
You are Izzy Hands. You are drowning in your mistakes and the toxic familiarity you're too afraid to get out of. And once you dare to try...
The show would rather have you die than give you a chance at healing and happiness.
Your death doesn't prove a point and it doesn't mean anything. It's just cruel.
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ctl-yuejie · 8 months
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hmmm something something boston slept with someone's boyfriend but mew actually duplicated revenge porn
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I know multiple of these are likely important to people, but I'm asking in terms of like - which of these do you tend to focus on the MOST, enjoy the most, that is most essential for you to actually care about the media, etc.?
(For example: someone finding "Relatability" most important would likely not enjoy a show much if they have trouble empathizing with the characters/relating to it, even if it were good otherwise. Or, someone might be able to overlook bad acting and ugly costumes, as long as the Character Dynamics are fun to them, because they value that more than Aesthetics- while for others, bad costumes would be a dealbreaker.)
Also feel free to reblog and explain your answer or more information in the tags- I've always been curious about people's relationships to media, how they conceptualize it/what they get out of it, how some people value some parts more than others, how that informs their overall taste and genres they may be more inclined towards, etc. :0c
#I was having a conversation with a friend about our favorite type of media and they said the reason they DON'T like historical or fantasy#media or etc. is because they can't imagine themselves being in those situations like it's too detached from anything that they can relate#to personally. they put themselves in the shoes of the characters and apparently like feel emotions while watching stuff and actually#get into the way the characters are feeling so they kind of judge how 'good' or 'bad' a show's writing/setting/etc. are by how it makes#them feel and if they think the characters reacted realistically based on what they were feeling in the moment/what in their head they#would be feeling if they were in the postion of the character. SO apparently the distance of it being in an unrelatable setting or too#detached from our reality makes it harder for them to relate to and less able to really engage with it on that level. WHEREAS I watch#things exclusively in a very like.. detached way?? I'm INTERESTED.. it's like im intellectually analyzing everyhting that's happening and#can be intrigued by events but it's not in an emotional way? More of like a distant 'intellectual curiosity'. Maybe the premise or the#aesthetics or something about it has piqued an interest for me to observe it. to see what it's like or how it plays out. how the idea#is executed or etc. But like.. I cannot remember EVER really relating to any character or situation or projecting onto a character#or having those sorts of feelings or investment in it. That is just not a central part of why/how I watch things or what I care about#BUT after this I was thinking maybe this is my disconnect? I do not seem to conceptualize media the way some other people do and I often#walk away with an entirely different take on things. etc. So I wonder if maybe it's part of how everyone values different things probably?#maybe I literally just watch stuff and percieve it from a different frame of mind that others. More of a like detached curiosity#vaguely bemused analysis mode. Instead of a 'I am deeply emotionally invested in this and am feeling for all the characters' mode#And also I bet people who care more about plot/story are also the people who mind spoilers. Whereas for me I literally seek out spoilers#intentionally because that element of 'suprise ooh what will happen next!' is not central at all to my enjoyment. I could know literally#everything that will happen and still can find it interesting to observe - since for me#that's not the point. I'd rather know the ending so I can determine whether I want to invest the time in it in the first place. etc.#ANYWAY!! If I had to choose - I would say I'm usually heavily focused on world details and aesthetics. With only a slight preference#towards characters individually being interesting. Group dynamics can sometimes be okay but I get tired of everything being about relations#hips and romance - especially when sometimes it seems to be like. people who could not stand on their own as a character/are fundamentally#boring otherwise lol. I would watch a series of just one guy locked in a closet talking to himself as long as he was interesting and saying#things that were amusing or notable for some reason lol. I actually tend to dislike plot because most 'plot heavy' things like action focus#ed shows ALWAYS feel to me like they're moving so fast just to get from one thing to another that I'm not getting enough details. Part of#why I tend to not like movies. the time limit makes them too quick. I need a 95 hour expostion dump of the history of the entire world#and a series of 17 episodes straight where a guy is trapped in a room & the audience is just psychoanalyzing him. hghj.. Maybe I find all#characters annoying/unrelatable bc people w my personality type make bad characters/are not often represented (or are done BADLY). so then#I'm just picking 'who is the LEAST insufferable? who could i study like a lab rat?' whilst my main focus is the worldbuilding&costumes lol
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My brother works in bookings at Velez Stadium in Buenos Aires and he said it is only about 40% sold for Louis. Do you think he will cancel the show or change to another venue? I hope not 🙏
Any decision will be made by the promoter and not by Louis or his team anon. I do think understanding the structure of the music industry can help a lot with fan anxiety (although at a certain point the continued lack of knowledge suggests that fan anxiety is a feature not a bug).
In a non-indie tour, promoters take most of the risk of touring not an artist. The way it usually is the promoter guarantees a minimum payment per gig, and then there's a bonus if the gig sells out. There may be other bonuses and payment structure (everything is negotiated), but that idea of a guarantee and a sell-out bonus is a pretty common starting point (see this article). Often this bonus is substantial - and tours are based on achieving it (this is why undersells can make sense financially for artists). But in this case - I think it's highly unlikely that from Louis' point of view his South American tour was budgeted on selling-out stadiums, so not selling out won't affect the financial viability from his side.
The promoter appears to be working to sell more tickets (hence the promo hit). But there's no sign they're pulling out. Anything might happen, but to talk as if Louis will be the one to cancel a show for 40% ticket sales shows a willful lack of understanding of how the music functions.
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vicciouxs · 4 months
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sorry for disappearing, but I'm sick and I haven't been able to get out of bed since sunday, but little by little I feel better 🌞🫶
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queerasian · 4 months
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since we’re on this topic, jeremy strong, sarah snook, and brian cox are the main succession cast members who publicly called for a ceasefire in gaza last year (along with a painfully short list of others in the industry). here's brian cox reading "If I Must Die" by Palestinian poet Refaat Alareer who was killed Dec 7.
so if we must spend time on celebrities’ voices (+ disproportionate cultural influence) on the current crisis we should at least elevate the right ones.
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