(SPIDERVERSE SPOILERS)
Something I always really liked about the first movie was the way Kingpin’s design, besides being a Sienkewicz homage and all, complimented the handling of Fisk as a character and the threat he poses, and it’s more than just him being big and terrifying especially by contrast with Miles. Spiderverse Kingpin is a hate volcano tearing open the city and universe in the hopes that doing so is gonna get him his family back, get the only thing that can fill the void inside him that they left when they died, and nothing else matters. Kingpin takes up so much space everytime he’s on screen that every second of screentime he shares with another character is overpowering by default, and the wholly black suit makes it so that everytime Fisk shows up, the movie’s colors and style and everything it has, it all gets punctured to leave room only for him, to the point that in the final battle with Miles, Fisk might as well be part of the background multiverse debris overtaking and suffocating everything.
Doc Ock and Prowler get to have the fun, of sorts, they get to have colors and styles and cool fights, the movie has no shortage of vibrant and lively and colorful characters, but Fisk himself is a walking casket and little else, basic and banal even compared to other versions of the character. He is the Sydney Greenstreet gangster of old blown up to astronomical proportions befitting a danger to the entire entire multiverse, not so much an enemy for Miles specifically as he is one to Spider-Man the concept, The Ultimate Gangster as someone who couldn’t deal with grief responsibly and has to make it everyone else’s problem (that also being kind of an apt description for Miguel O’Hara, who both triples down on the “all-encompassing grief as poison that harms not just you but those around you” part and is also a much more sympathetic character trying his damndest to do the right thing).
It’s only for a few seconds in his flashback that we see what he looks like with colors, and textures, and a little bit of warmth on his face in the life he had, before his family died running away from him, trying to escape The Black Hole Monster that he is. Figuratively, Fisk is not so much a person, as he is a a person-shaped hole in things, losing what little claim he has to personhood right when his family, and all the families he could ever have, leave him again and so he has nothing left but to take away other people’s families.
And I emphasize that figuratively, because it turns out they decided to turn that into a literally, for the villain in the sequel.
The first movie’s villain was a lifeless thug threatening to undo everything and everyone as collateral damage to try and fill the all-consuming void in his soul. The sequel had exactly that, except we got to see The Spot work to get there in real time and on purpose. And so instead of a generalized enemy to Spider-Man, the hero Miles is trying to be, we get the enemy to Miles Morales, the person he is.
The Spot, funnyman nerd sidekick to the previous villain’s number two, just a gag character without even a name to him that we didn’t even know was there, was pushed every step of the way by the frustration of being perceived and put down as a wannabe never-will-be, driven to uncover the multiverse and make himself noticed and respected by his peers, (like a certain someone who was going to define his entire career prospects around the possibility of getting to meet his spidery friends again, and then they did that to him)
turning out to be a anomaly that was never supposed to be and is hunted as such, their spite nipping at their heels to push them forward, twisting themselves to be free from the expectations and scorn of potential-peers-turned-enemies.
And so at the end, obviously Miles must face the worst version of himself, before he can face the worst version of himself, and it has to be right after he finally understands what he’s up against, his own nemesis, and it has to be right after he declares, after embracing himself as a fugitive and someone-that-shouldnt-be-but-will-anyway,
“I beat them all“
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How do you think Laswell met her wife? What's domestic life like for her when she gets to go home?
Have a lovely day!
Hello! A second CoD post today since I was able to write this fairly quickly! This is about how I think Laswell met her canon wife, but everyone can interpret this however they like! I hope this is enjoyable!
Laswell Meeting Her Wife and Domestic Life With Her
If we’re talking about someone inserting themselves into the CoD world, then I’d say it’d be however the person intended to meet her. However, if we’re talking about her canon wife, then I’d likely have to say through work. It’s not uncommon for someone to meet through work. Besides, I can imagine the CIA having a few women working there as well, a few more than just Laswell. So, there’s a chance another one of the women working there was also into girls. And that’s likely one of the main factors that drew Laswell to that specific woman.
Don’t get me wrong, Laswell doesn’t develop crushes easily, she doesn’t now, she didn’t back then, but it would likely be that feeling of unity, of not being alone, that would draw Laswell to her future wife. It’s not often someone would have come out back then, especially not to someone you’re not sure about, so she knows something like that is an honor. And it’s that which would make her subconsciously like that woman more than the other ones, wanting to spend more time with her, get to know her better. And in those years she’d have known her, she’d eventually fall in love with her. Laswell knows what she’s feeling, but she’d test the waters a bit at first. To anyone outside it would be obvious she likes that woman more than anyone else. Given that she gives her lots and lots of gifts to gauge her reaction, takes the time out of her day to spend with her and overall just compliments her, it’s hard to not think there’s something going on here. Laswell doesn’t realize this immediately, but she will eventually.
Afterwards I’d say it was probably her wife who asked her about that sort of behavior. And, a few days later, either of them would have probably confessed they like the other. And thus a few years of dating commence.
After a year or two, Laswell would have proposed to her. Although she sometimes did lie awake at night, thinking about what it would have been like for her future wife to propose to her instead, she was just that smitten by her. As she works for the CIA as well, Laswell knows her wife is just as capable as she is. Maybe she doesn’t know as many languages, but it doesn’t matter to her, once they go on vacation Laswell can play interpreter. And on vacations they went together. Not very often, mind you, since the both of them were stationed anywhere in the world, but they would try to see the nicer parts of the world together. Amsterdam, Kyoto, Vienna. All of that stuff. By that time, they had already long since moved in together.
So, it isn’t often the two of them get to see each other in general, but that’s why they cherish what little time they can spend together. Their love never falters, and when they’re alone behind doors it’s kind of sickeningly sweet how they treat each other. It used to be worse when they were younger, but they’ve since mellowed out a little bit. So, when Laswell is home, her domestic situation can be a bit lonely. But for the sake of this ask we’re going to say her wife is actually home this time.
She doesn’t like to cook very much, so there won’t be too many homemade meals. Her wife can only be convinced to stand behind the stove whenever Laswell eggs her on, promising her a small reward, such as going to the cinema together. Her wife never cooks alone, only with Laswell. All those other times she either eats out, grabs something that only needs to be heated up or orders food. It’s only with Laswell that she can get over her disdain of cooking.
However, other than that, the two of them will take turns doing chores. If either of them just came home from work, then the other will take care of cleaning, washing clothes, putting away stuff and so on and so forth. They usually do their tasks together. So one of them will clean the dishes while the other one cleans the kitchen. If all tasks are done for either of them, then they’ll help the other. Since they’re both aware teamwork is important, something they learned throughout their careers, they would never hesitate to do so.
Laswell’s wife is a more traditionally affectionate woman than Laswell herself. She loves to give her wife a kiss every morning and before work, make her coffee and maybe toast some bread while she’s at it as well. As she usually gets up earlier than Laswell, she usually gets those things out of the way immediately, but won’t wake her up. It’s usually the loud coffee machine that does.
Overall, the domestic situation between the two of them is very loving. They don’t see each other that often, but whenever they do, they make that short amount of time count. With a kiss and a hug from her wife here and there, Laswell never ends up touch starved either. However, the only thing that had been bothering her about her wife would be her nagging about her smoking. That’s why she’s trying to quit now, just to keep her happy. Happy wife, happy life, after all. Whenever Laswell gets to see her wife content, she’s happy as well. She’d go through all nine circles of hell just to protect her and make sure nothing would happen to her. And at some point in her career, she likely has done that already.
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Answering (by far too many) questions about Phoenix to get a better feel for their character. There's no spoilers for 3 in this, either 💕 So the only thing there is to worry about is how comically long it is
Does your muse make decisions with their head or their heart? Perhaps a bit of both?
Phoenix doesn’t get much room to think with anything beyond their head on the job. And more often than not, they are on the job- or at least, they’re stuck in a similar headspace… That being said, during what little time they spend beyond their occupation, that completely flips. In the rare instances they’re allowed to be lax, they’ll be far more likely to let their emotional state guide their behaviors.
Would you say your muse lives up to their potential? Are they trying to, or could they care less?
They’ve surpassed their initial potential, really. They would never say it out loud, but Phoenix absolutely thinks that it’s only downhill from this point onwards. Sure, they survived a hell of a lot, but that doesn’t mean they know how they did it. They sure as hell would like to keep the reputation they’ve gained, but they don’t feel like they’ve earned it themselves. More like fate just tacked it onto them against their will.
Is your muse protective of those they care for? If so, how do they show it?
It’s been a while since Phoenix has even had someone that they’ve cared for. If you were to have asked them before they joined the Agency, they probably would have responded with a shrug. Nowadays though, the bond they’ve developed with their handler is probably the strongest one they’ve ever had. Taking a bullet for him is the least of what Phoenix would do for that man.
Thankfully (for now, anyways), he hasn’t found himself in any sort of situation that would require Phoenix doing that.
Does your muse tend to judge others, or are they more open-minded?
No, Phoenix is absolutely a bit of a judger. Just about anyone who they meet for the first time, they’ve got some internal commentary stirring up in their head the second they lay eyes on them. It happens a lot with Zoraxis operatives especially. Normally it boils down to “ohhh, this guy’s weird”, while actively ignoring the fact that they, too, are very weird. They’re not above being a hypocrite in that regard.
Does your muse have any strange interests? do they keep these interests to themselves, or are they comfortable sharing them with others?
Straying from the somewhat obvious answer of their pyromanic tendencies, Phoenix has a habit of… ‘finding’ stuff out in the field and taking it back with them. It absolutely boggled the Agency the first few times they did it, but nobody stopped them while they had the chance, and they quickly made a habit of it. Sans the handler, they don’t really have great connections with most people in the office, so it isn’t something that comes up a lot. If someone asked them about it, they’d be happy to explain it, but more often than not they’d prefer it if people they didn’t know stayed away from their stuff.
After SatL, Phoenix was devastated to learn that all of the souvenirs they collected were removed from the van- probably discarded somewhere by other faculty. Their handler was equally upset about it, though at the time that he learned what the Agency had done, he was still under the impression Phoenix was dead, so.
Has your muse ever been arrested? If so, what for?
Before embracing the life of an agent, Phoenix had gotten themself caught up in a criminal lifestyle far bigger than they were. They were on the hook for a lot of things, really. Trespassing, grand theft, breaking and entering, second degree murder, and, of course, arson, among a few other things.
… It was actually the Agency who intercepted their arrest… Read over their files, saw their talent, and didn’t figure them enough of a threat to be against ‘hiring’ them for an agent position. Or maybe they were just looking for some cannon fodder who wouldn’t be missed. Phoenix didn’t really know. But between being an agent or going to jail, it was an easy answer.
Does your muse consider themselves a good person? Why or why not?
… It’s a question Phoenix thinks about a lot. They don’t really have an answer- though if they had to choose, they’d lean towards ‘no’. Their past certainly doesn’t help them think very highly of themself and their morality. They’ve left it behind, but that doesn’t mean they don’t think about it… They wouldn’t even be an agent without all the skills they honed during that time of their life. It’s inseparable from who they are now, whether they like it or not.
Phoenix didn’t join the Agency willingly… Not really. Sure, they got used to it- maybe even grown to like it, in a strange sort of way, but they have coworkers who trained and dedicated their lives to their job because they wanted to help people. Because they wanted to save the world- protect the innocent. Phoenix didn’t have a choice. Do they want to help people…? Do they want to protect the innocent? They think they do- they’re pretty sure any rational person would. But they wouldn’t be here if the Agency didn’t snatch them up… Would they even care, if it wasn’t for them?
It’s hard to consider being a good person when the good things you do, ultimately, stem from the debt that you owe.
How important is family to your muse?
Not very. They never really knew their mother, didn’t have a great relationship with their father, and keeping contact with him post joining the Agency wasn’t a very high priority for them. Add being an only child to the mix, and that doesn’t really leave much left.
Does your muse tend to blame themselves or others?
It depends, but normally it's much easier for the blame to fall on Phoenix if something goes wrong in the field. Originally, this was because when something went wrong, it usually was their fault- they touched something too quickly, or threw away something they actually needed, or accidentally gripped something too tightly with the telekinesis they were still adjusting to. Though they’ve gotten better at making less mistakes in the field, it's hard to shake the habit of blaming themself whenever things start to go awry.
What decisions have your muse made that they regret?
Regret is… a strange concept for Phoenix. Oddly, one they get particularly thoughtful about. Of course, they regret a lot of the actions in their past, but without it, they wouldn’t be where they are today… They’ve got a place to live they can call their own, an office full of people who… tolerate them, free lunch every day, and a friend they wouldn’t trade for the world. Not to mention all they’ve done since becoming an agent… They certainly don’t regret any of that.
Ultimately, Phoenix tries not to dwell on things like regret to begin with. If they don’t think about the past too hard- if they enjoy the present for what it is, and leave everything else behind- then it can’t hurt them as much. Right?
What haunts your muse? Is there any event in your muse’s past that they can’t move past?
A lot… But to narrow it to just one, Rising Phoenix clings to them like a dead weight. Not because of the mission itself… Not because of Juniper, or the missile, or Zor (well, okay, maybe Zor a little bit)... But they can’t shake the memory of their handler crying out to them when the elevator cables finally snapped. With the earpiece tucked directly behind… you know, their ear, it felt as if the sound was echoing around in their skull.
They could have died, then. And that wasn’t new, obviously- they nearly died just about every day that week… But having it sink in that even their handler didn’t trust their odds… It was a lot to think about all at once. That they might die. That someone else might care if they die. That his voice shouting their ‘name’ could be the last thing they ever hear him say… The last thing they ever hear period. Revelation after revelation hit in rapid succession, and plummeting to their would-be-death in an elevator certainly hadn’t helped matters much.
Does your muse favor nonviolence? Will they be violent if needed? Do they revel in violence?
Generally, if Phoenix can handle a situation without killing somebody, they will. Physical harm that doesn’t lead to murder is a completely different story, though. They’ll generally do just about anything short of murder to get someone off their back. Phoenix is a pretty big advocate for improvised weaponry, and partnering that up with their telekinesis is quite the dangerous combination. If it’s not bolted to the wall, you’re likely to get hit by it. Hope you have a particularly sturdy skull.
Does your muse prefer to keep the peace or rock the boat? Are they a mediator, or do they tend to make others upset?
Over the years of working for the Agency, they’ve certainly gotten better, but Phoenix has always been a bit of an instigator. It’s a habit they never quite broke. You give them five minutes and they can turn just about anything into an argument. It made them pretty unpopular during their first few months in the office. Nowadays, they’re a lot more playful about it, and they’ve gotten better about learning the limits of those around them (and they’ll only pass those limits if they’re a Zoraxis operative).
Does your muse have any specific fears? Is there a reason why they fear these things?
Phoenix has had a pretty bad case of paranoia even before they joined the Agency. Of course, turning to a life of secrecy pretty much only made that worse. They feel more comfortable meandering through the hallways of an Agency facility than they do walking down the street. They feel safer spending a late night at their office than they do in their own home. There’s a sense of security that comes from being surrounded by their peers that they only really notice once it’s gone… It’s one of the main reasons they’ve stopped asking for vacation days. Not like they’d be very relaxing anyways…
Is your muse happy with their job or career path? Why or why not?
When they started, they couldn’t have cared less about what it ‘meant’ to be a secret agent. They were onboarded to be a dispensable asset, and they knew that full well. Over the years, though, they’ve come around to it… They’re certainly proud of the work they have done (even if they barely know how they even did it), and the sense of community could be a hell of a lot worse. Not needing to fear for their life every time they wake up in the morning would be nice, but you’ve gotta take what you can get, you know.
Does your muse like to travel? have they traveled in the past? Where would they like to go?
Quite obviously, Phoenix travels for work a lot. Before that, though, they never really went too far from their hometown. The concept of traveling for leisure wasn’t really at the forefront of their mind at the time. They can’t deny, though, being an agent has sent them to quite a few gorgeous locations… Though they have no desire to recreationally travel as of currently, they can certainly understand the appeal.
Does your muse believe in an afterlife? If so, what do they believe the afterlife would look like?
They… try not to think about that. If there’s nothing left for them after they die… If everything just cuts to black, and they disappear into the thoughtless ether… Well, there’s plenty of worse things to wake up to, that’s for certain.
Is your muse cowardly, or courageous? what would it take for them to act heroically or selflessly?
It’s a complicated question. If you were to ask Phoenix themself, they certainly wouldn’t consider themself courageous, even despite all they’ve done. Just about every incredibly selfless thing they’ve done- the Death Engine, the stunt in Rising Phoenix, and everything else… Well, they were just about scared shitless the whole goddamned time. Some people would consider it brave to find something heart stoppingly terrifying and still be able to do it anyways. But Phoenix just considers it embarrassing.
They don’t really… talk to other agents very much (they aren’t exactly the most popular operative, even despite their accomplishments). With their limited worldview, it’s kind of hard for the imposter syndrome not to creep in. Other agents would have probably done the same things they did, had they gotten the opportunity. And they probably would have done it faster. Probably wouldn’t have hesitated as much.
What are your muse’s most negative traits? How do these traits influence their lives? (ex. if a muse is aggressive, they may have trouble forming lasting friendships.)
Phoenix is an admittedly dangerous combination of standoffish and impulsive. They listen to themself, and act without thinking. Of course, they’ve been working on that a lot more after establishing a better relationship with their handler, but that doesn’t mean it doesn’t come back to bite them in the ass from time to time.
… It’s so strange that people actually concern themselves about them now. That when Phoenix acts too irrationally, there’s punishments beyond the short term physical, or situational. They get hurt, and their handler gets… scared. They’re not used to that. Even despite their bond, they’ve gotten into a few pretty heated arguments about the matter from time to time. Phoenix still isn’t really used to their actions having consequences for people other than themself. But the world has been relying on them an awful lot, lately… It’s quite the weight on the shoulders.
Has your muse ever felt trapped? by what?
Ultimately- no matter how much they’ve grown used to them, and no matter how much they’ve adjusted to their life as an operative- the Agency is, and will always be Phoenix’s cage. They’re stuck there. They owe a debt, and they can’t really leave if they wanted to. Luckily, they don’t really want to… They’re not really sure what they’d be doing, if not for this… But like most things adjacent to their past, they try not to think too hard about the fact that they’re stuck in this particular career.
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