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#or send any emails for them I mean if they talk about the remake that's fine I haven't really seen that one I know Sebastian stan is in it
rainbow-burst · 3 months
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I being so fucking normal about this fit on him rn I'm beingsofuckingnormal I'm beingsofuckin nor-
#you have no idea how fucking long I've been drooling crying begging and just screaming for them to do a Lost boy kill count#like I just watched the podcast maybe like a week ago and I'm just like rocking back and forth on my bed like they're going to post a video#<--real soon#and oh my God I watched the video of the kill count in there's so many things I wish they talked about on there but I'm grateful to get it#they did talk about the sequels and.....ekkkk... I mean it's only based off of high demand so let's hope to God no one talks about it#or send any emails for them I mean if they talk about the remake that's fine I haven't really seen that one I know Sebastian stan is in it#oh my God I feel like I'm about to be so fucking annoying about the movie again I think I'm going to just start posting random shit about it#also lately I've been more happy to be posting and drawing again than usual#so I might be back on doodling and drawing random shit or actually I've been having more confidence in myself to start posting doodles#why do I bring that up because oh I don't know...wink wonk 🤫🤫🤫🤫🤫🤫🤗🤗 😉😉😉😉😜😜😜#my laptop kind of sucks now so I'm going to buy a new one probably this month or next month so I'll be drawing and posting doodles#I'm also thinking about posting some of my recent sketches I have in my notebook but don't expect any Picasso or Vince Van Gogh for me#I know I'm good but like I'm not that good lol im jking kinda sorta maybe not relaly okay yeaj am BUT!!!#I feel like I'm back on my drawing shit again and if I don't finish your drawing I'll just still post it because why the fuck not I'm young#let's fuck around and have some fun why not huh#man I can't believe I'm actually really rambling here but yeah I'm happy to say that I'm going to be back on my stupid shit ❤️#kill count
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achliegh · 3 years
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Happy
Alright my chickpeas, my little garbanzo beans (Wtf am I even saying) I am here to bring you the “Happy we-did-it Ending”. This one was really difficult for me to write because when it comes to good endings my mind just calls them fake. Which… I mean this is fiction so why can’t it be happy. Sorry if this sucks I tried my best. Please Read at your own risk! This is a triggering fic.
Love, Your Trash Monster
CW/TW: Past Abusive relationship, Anxiety, Depression, Panic Attack, past age difference relationship (Illegal)
Part1 Part2 Part3
Characters belong to @lumosinlove
Besides Luka, I made him up, don’t care for him tho
Leo's leg was bouncing uncontrollably, he and Sirius waited for Coach outside his office, He was grateful for Sirius like he felt indebted to him even though they only talked for maybe a half hour. He runs his hands through his hair for what feels like the millionth time.
“What if he doesn’t believe me?” He didn’t mean to say it out loud but when his captain turned and gave him a soft look, he realized he did. He looked down at his hands in his lap and picked at a bandaid. It was one of the Hello Kitty ones Logan bought on accident. “I mean I have no proof of any of this happening, What if Coach thinks I just dislike Luka for no reason and am trying to ruin his life or something like that… It wouldn’t be the first time an adult hasn’t believed me. I mean, there's that double standard that “Men don’t get sexually abused and if they do they don’t cry about it” it's why I never even told Finn and Lo until a few weeks ago. I didn’t want them to think less of me.” He smiles a little at the bandaid he was messing with and thinks about how lucky he is that his boys still love him. “I’m so lucky”
“I get it.” Sirius looked up just in time to see Arthur walking towards them. He smiles a little and stands with Leo next to him.
They follow Arthur into his office and sit down.
“So, is this about all the concerned people who have been telling me something is wrong with Leo?” His brushy red eyebrow lifts and he crosses his arms leaning back in his chair. “I was also told by a little Russian bird that there was an argument in the locker room between you and Luka. Leo whatever is going on it has a lot of people worried.” He leaned forward and set his hands on the arms of his big office chair. “Leo, you know I treat everyone of my players like my sons.”
Leo takes a shaky breath and clutches his hands together tightly in his lap. Gulping down the fearful frog in his throat he meets Coaches eyes. “ What I'm going to tell you is something I’ve only told to a few people. I don’t have any proof anymore, but I need you to believe me Coach.” He feels Sirius put a hand on his arm as a comforting I’m here motion. He told Arthur and Sirius everything, not leaving out any detail that he was comfortable enough to share. It was everything from the good, loving parts of the relationship that made him sick to his stomach now. To the horribly, hellish parts of the relationship that made him choke on his own tears. Leo didn’t think much of it back then (he was a little preoccupied trying not to break) but he remembered that most of Luka and his friend would film things with Leo because they thought it was funny to see him suffer or to save for later to use as blackmail on anyone in the videos.
“Wait, you said he filmed these things?” Arthur, who had turned white as a ghost and had a furious glint in his eye, started drumming his fingers. “Do you think he would have kept these videos throughout the two years you’ve been apart.?
“I know for a fact he's kept them” They both look at him with wide eyes and a silent invitation to explain. “He would ask me if I wanted to see them… or remake them” Talking about all this as making him feel like he was gonna puke. He had a foul taste in my mouth. Arthur put his head in his hands, he's devastated that he let such a fucking asshole interact with his team. That he let his youngest player suffer like that.
Sirius had stood abruptly from his chair and was pacing behind Leo’s chair with his hand interlocked on the back of his neck. He exhales deeply, seething with anger. How could he let this go on so long, he had picked up on Leos habits because Remus had pointed out how similar the two of them were at times. He feels like he failed as a Captain for not doing something sooner.
“Is there anything we can do, Coach? I mean, can we at least fire him?” He stopped pacing and ran a hand over his face, taking a deep breath as he looked at the young kid next to him. How was he so good at hiding his pain? People would say that Sirius was good at that too but everyone on the team has seen him crack and spiral. Leo was always this calm, collected, cool support. He acted so mature for being so young and it was all clicking in his head. Everything about this 19 year old goalie was formed from the love and support of his family, but also the hate and abuse from a lover. He has experienced more than most people on the same team as him that are older than him.
“We can fire him, and if we do call the police, they can seize his electronics. If he really does still have those videos they could lock him up for CP because you were underage at the time. Nothing is guaranteed though.” He's deep in though, sometime during the processing of everything Leo had told them he had grabbed his laptop and was furiously typing an email to the Lead of the Organization. He hit send and looked up to the two hockey players. “I’m going to talk to Mr. Godic and Luka together. I already had a meeting with Mr. Godric today about next year's fundraisers but this is a more important topic.” he stands up and looks at Leo “Thank you for telling me Nut. That was very brave of you” He smiles weakly and Ruffles Leo’s hair. “If you ever need anything just let me know, okay?” He nods towards Sirius and walks out the door to his meeting.
“We should get you home, your boys are waiting.” He smiles softly as Leo stands and is taken by surprise when Leo pulls him into a tight hug mumbling “thank you” into his shoulder.
Leo was so happy, he felt lighter than he has in the last two years. He gets squeezed by the man he wrapped himself around and laughs wetly. When they pull away they both wipe their eyes and smile at each other. This was a new chapter to both their lives.
Sirius dropped Leo off at home after a stop at a drive through for an ice cream cone (that he may or may not have dropped on Sirius’ floor and got an annoyed glare) he walked in the front door and was talked into a pile of limbs and smothering kisses. He laughed freely and kissed both his boys sweetly and conveyed so much love.
As the Cubs made dinner together and sang to a random playlist. Logan burned half the food and Finn dropped a third of it. Good thing Leo tripled the recipe so they had enough to eat for the night. Putting on a mind numbing cooking show they just waxed poetically about how much they love each other. Around 7:30 pm Leo's phone started vibrating and a picture of Arthur sleeping on the bus with Talker doing a thumbs up flashes on his screen.
“What happened?” He is very anxious about everything that could go wrong, all of that melted away when Arthur shared the news.
“He's been taken down to the station and his phone has been seized. He was angry when confronted and actually tried to take a swing at me before security was called. If this ends up going to court would you be able to, you know, stand trial. I mean telling your coach is one thing but a room of strangers is different. Especially because the media will be all over this case.”
Leo had to think about this, if he didn’t go and testify this case would only air on the local news. Then again, he could change people's lives. He could be a role model for people who are too afraid to tell about their experiences. That's worth more than anything. He may be shamed online but it doesn’t matter. He Needed to do this.
“Yeah, this is something I need to do.”
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neurosengarten · 4 years
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• Learn how to learn from those you disagree with, or even offend you. See if you can find the truth in what they believe.
• Being enthusiastic is worth 25 IQ points.
• Always demand a deadline. A deadline weeds out the extraneous and the ordinary. It prevents you from trying to make it perfect, so you have to make it different. Different is better.
• Don’t be afraid to ask a question that may sound stupid because 99% of the time everyone else is thinking of the same question and is too embarrassed to ask it.
• Being able to listen well is a superpower. While listening to someone you love keep asking them “Is there more?”, until there is no more.
• A worthy goal for a year is to learn enough about a subject so that you can’t believe how ignorant you were a year earlier.
• Gratitude will unlock all other virtues and is something you can get better at.
• Treating a person to a meal never fails, and is so easy to do. It’s powerful with old friends and a great way to make new friends.
• Don’t trust all-purpose glue.
• Reading to your children regularly will bond you together and kickstart their imaginations.
• Never use a credit card for credit. The only kind of credit, or debt, that is acceptable is debt to acquire something whose exchange value is extremely likely to increase, like in a home. The exchange value of most things diminishes or vanishes the moment you purchase them. Don’t be in debt to losers.
• Pros are just amateurs who know how to gracefully recover from their mistakes.
• Extraordinary claims should require extraordinary evidence to be believed.
• Don’t be the smartest person in the room. Hangout with, and learn from, people smarter than yourself. Even better, find smart people who will disagree with you.
• Rule of 3 in conversation. To get to the real reason, ask a person to go deeper than what they just said. Then again, and once more. The third time’s answer is close to the truth.
• Don’t be the best. Be the only.
• Everyone is shy. Other people are waiting for you to introduce yourself to them, they are waiting for you to send them an email, they are waiting for you to ask them on a date. Go ahead.
• Don’t take it personally when someone turns you down. Assume they are like you: busy, occupied, distracted. Try again later. It’s amazing how often a second try works.
• The purpose of a habit is to remove that action from self-negotiation. You no longer expend energy deciding whether to do it. You just do it. Good habits can range from telling the truth, to flossing.
• Promptness is a sign of respect.
• When you are young spend at least 6 months to one year living as poor as you can, owning as little as you possibly can, eating beans and rice in a tiny room or tent, to experience what your “worst” lifestyle might be. That way any time you have to risk something in the future you won’t be afraid of the worst case scenario.
• Trust me: There is no “them”.
• The more you are interested in others, the more interesting they find you. To be interesting, be interested.
• Optimize your generosity. No one on their deathbed has ever regretted giving too much away.
• To make something good, just do it. To make something great, just re-do it, re-do it, re-do it. The secret to making fine things is in remaking them.
• The Golden Rule will never fail you. It is the foundation of all other virtues.
• If you are looking for something in your house, and you finally find it, when you’re done with it, don’t put it back where you found it. Put it back where you first looked for it.
• Saving money and investing money are both good habits. Small amounts of money invested regularly for many decades without deliberation is one path to wealth.
• To make mistakes is human. To own your mistakes is divine. Nothing elevates a person higher than quickly admitting and taking personal responsibility for the mistakes you make and then fixing them fairly. If you mess up, fess up. It’s astounding how powerful this ownership is.
• Never get involved in a land war in Asia.
• You can obsess about serving your customers/audience/clients, or you can obsess about beating the competition. Both work, but of the two, obsessing about your customers will take you further.
• Show up. Keep showing up. Somebody successful said: 99% of success is just showing up.
• Separate the processes of creation from improving. You can’t write and edit, or sculpt and polish, or make and analyze at the same time. If you do, the editor stops the creator. While you invent, don’t select. While you sketch, don’t inspect. While you write the first draft, don’t reflect. At the start, the creator mind must be unleashed from judgement.
• If you are not falling down occasionally, you are just coasting.
• Perhaps the most counter-intuitive truth of the universe is that the more you give to others, the more you’ll get. Understanding this is the beginning of wisdom.
• Friends are better than money. Almost anything money can do, friends can do better. In so many ways a friend with a boat is better than owning a boat.
• This is true: It’s hard to cheat an honest man.
• When an object is lost, 95% of the time it is hiding within arm’s reach of where it was last seen. Search in all possible locations in that radius and you’ll find it.
• You are what you do. Not what you say, not what you believe, not how you vote, but what you spend your time on.
• If you lose or forget to bring a cable, adapter or charger, check with your hotel. Most hotels now have a drawer full of cables, adapters and chargers others have left behind, and probably have the one you are missing. You can often claim it after borrowing it.
• Hatred is a curse that does not affect the hated. It only poisons the hater. Release a grudge as if it was a poison.
• There is no limit on better. Talent is distributed unfairly, but there is no limit on how much we can improve what we start with.
• Be prepared: When you are 90% done any large project (a house, a film, an event, an app) the rest of the myriad details will take a second 90% to complete.
• When you die you take absolutely nothing with you except your reputation.
• Before you are old, attend as many funerals as you can bear, and listen. Nobody talks about the departed’s achievements. The only thing people will remember is what kind of person you were while you were achieving.
• For every dollar you spend purchasing something substantial, expect to pay a dollar in repairs, maintenance, or disposal by the end of its life.
•Anything real begins with the fiction of what could be. Imagination is therefore the most potent force in the universe, and a skill you can get better at. It’s the one skill in life that benefits from ignoring what everyone else knows.
• When crisis and disaster strike, don’t waste them. No problems, no progress.
• On vacation go to the most remote place on your itinerary first, bypassing the cities. You’ll maximize the shock of otherness in the remote, and then later you’ll welcome the familiar comforts of a city on the way back.
• When you get an invitation to do something in the future, ask yourself: would you accept this if it was scheduled for tomorrow? Not too many promises will pass that immediacy filter.
• Don’t say anything about someone in email you would not be comfortable saying to them directly, because eventually they will read it.
• If you desperately need a job, you are just another problem for a boss; if you can solve many of the problems the boss has right now, you are hired. To be hired, think like your boss.
• Art is in what you leave out.
• Acquiring things will rarely bring you deep satisfaction. But acquiring experiences will.
• Rule of 7 in research. You can find out anything if you are willing to go seven levels. If the first source you ask doesn’t know, ask them who you should ask next, and so on down the line. If you are willing to go to the 7th source, you’ll almost always get your answer.
• How to apologize: Quickly, specifically, sincerely.
• Don’t ever respond to a solicitation or a proposal on the phone. The urgency is a disguise.
• When someone is nasty, rude, hateful, or mean with you, pretend they have a disease. That makes it easier to have empathy toward them which can soften the conflict.
• Eliminating clutter makes room for your true treasures.
• You really don’t want to be famous. Read the biography of any famous person.
• Experience is overrated. When hiring, hire for aptitude, train for skills. Most really amazing or great things are done by people doing them for the first time.
• A vacation + a disaster = an adventure.
• Buying tools: Start by buying the absolute cheapest tools you can find. Upgrade the ones you use a lot. If you wind up using some tool for a job, buy the very best you can afford.
• Learn how to take a 20-minute power nap without embarrassment.
• Following your bliss is a recipe for paralysis if you don’t know what you are passionate about. A better motto for most youth is “master something, anything”. Through mastery of one thing, you can drift towards extensions of that mastery that bring you more joy, and eventually discover where your bliss is.
• I’m positive that in 100 years much of what I take to be true today will be proved to be wrong, maybe even embarrassingly wrong, and I try really hard to identify what it is that I am wrong about today.
• Over the long term, the future is decided by optimists. To be an optimist you don’t have to ignore all the many problems we create; you just have to imagine improving our capacity to solve problems.
• The universe is conspiring behind your back to make you a success. This will be much easier to do if you embrace this pronoia.
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flying-elliska · 4 years
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Hey so I'm gonna confess I only watched season 3 and currently season 6 of skam fr so I was wondering why people hate so much season 4? Like I know most of remakes has failed to deliver but the amount of hate and criticism for imane season is very noticeable. Could you tell me why? 🥺
Hey ! So if you have watched s4 of the OG you know a lot of the problems started there : the love triangle that overshadows Sana's season centered on a white girl, this idea that you can solve racism and Islamophobia by just being nicer to each other, making Sana the bad guy and the messy plot, Isak trying to whitesplain prejudice and how to act to Sana, etc among other things. While Skam France did better in some aspects, it also made a lot of things worse. So specifically:
- I think a lot of the enormous disappointment is rooted in the fact that the first five episodes were pretty solid : Imane and Sofiane's cute courtship with him being very respectful of her boundaries, showing a loving Muslim family, bringing up some issues like racist microagressions that are rarely acknowledged on French TV etc. But after that the season really completely blew it.
- A core problem is how much time the love triangle takes. Sofiane decides to kiss and date Manon (one of her best friends!) right after Imane rejects him, which makes him seem very petty and mean. And Manon, whom Imane confided a lot of her issues and loneliness to earlier in the season, and has given signs she knows Imane is into Sofiane, just does noooothing, making her appear like a selfish, terrible friend. And then Charles, the rape apologist, appears, is violent, and we are just supposed to accept Manon getting back to him as a good thing? The storyline sucks up so much air and again makes Imane the bad guy by having her send the email to ask Charles to come back. (Not to mention we see Elu having trouble in the background but it’s never properly adressed either.)
- After which the girls turn their back on her. After a season of them being inconsiderate of Imane and regularly lowkey (or not) racist, this rightenousness is very hard to take. A lot of people hated the girl squad this season. After siding with Ingrid, who is repetitively racist, they never really properly apologize or show any real growth. On the contrary, in one of the most offensive scenes of the show, it's Imane who has to apologize and the girls' reconciliation with her is very bland and without them making any big effort. Microagressions are shown in a way that feel pretty relevant - but they’re never adressed, when Imane explains the root of why it’s an issue she’s told she’s too angry, and the white characters never actually show they’ve understood or that they want to do better. It’s on Imane’s shoulders to make an extraordinary effort to be the bigger person, and yes, while her faith teaches her forgiveness and high mindedness, it’s a very problematic way to show it because it puts all the responsibility for growth on her. It’s a pattern in media to show Black women as having to always take care of the white characters, be more accomodating and nurturing, shoulder their burdens, curb in their anger, etc, and it’s ...well, a racist trope. It should not be the burden of minorities to be patient with and educate their oppressors.
- On top of that I’ve read from several Muslim viewers that they felt the season didn’t show their faith with as much care as it should : Imane’s hijab is carelessly tied, her praying and faith in general is presented more as something constricting and a burden that prevents her from being happy, there aren’t many lived details of what the Muslim experience means, etc. Imane kissing Sofiane during Eïd no less was also very controversial. The trope of ‘Muslim girl falls for non-Muslim guy and has to let go of the strictness of her faith to be happy’ is also a trope the repetition is also very problematic, indicating this idea that Muslim women are oppressed by their faith and need to be ‘liberated’.
All in all, as I said before, as a white non-muslim fan I feel like I should talk about the problems but spare the vitriol and anger because some Black/Muslim fans did enjoy the season and it’s not up to me to decide if it’s good representation or not (and in fandoms that attitude often ends up being directed at the characters themselves or ignoring them completely which I also don’t think is good). There are no other main Hijabi Black women as main characters in French TV. And it does introduce some very lovable characters. Assa and Lais were very proud of their work and I feel we should also respect that. The season has the merit of starting a conversation that is almost never had in France, who is still very much stuck in ‘racism doesn’t exist if we don’t talk about it!!!’ mode. But in the end it’s a conversation that Skam France doesn’t know how to have, and it ends with the same platitudes as the OG, ‘everyone should be nice and kind and racism/islamophobia will be solved’ which is bullshit, because those things are deeply rooted in systems of oppression and they’re not solved by niceness, ever. 
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sanguinepeccatorum · 4 years
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OOC: Okay  -  Story time with Lyrieux. 
Now - some of you will probably know that I have been experiencing hate across most of my blogs for years, all sent by one person; Rai. She has followed me for near enough eight years now and always managed to find my new blogs, no matter what I do to try and make it appear as if another blog isn’t me. 
She has literally always been my stalker - she has always tossed nastiness at me whether through anon or not; the blogs she uses are deleted almost as soon as they are created; I’ve blocked blog after blog after blog but she always comes back. 
Recently, Rai threatened to start sending messages to my followers, to people I interact with the most, to start giving bad word about me with the intent to turn those I adore away from me because they would associate me with receiving bullshit messages constantly. And I mean, it would have been CONSTANTLY.  What happened to cause this? I hear you ask? Well, re-wind just over eight years and you will find an almost 17 year old me who had a blog or two on tumblr mainly for roleplay - I’d been doing it for a few years. Me and Rai clicked instantly on some blogs of ours and had a number of threads, used to stay up talking plots, the whole shebang. One day, when she asked if we could ship our muses, I said no - I just couldn’t see it, personally, wasn’t comfortable with it and then said that unrequited love kind of threads could be interesting to try. 
Rai reacted explosively. All over her blog did she slate me, did she say how I lead her on with my character, how I had “betrayed” her. Honestly, it was massively petty and after all of the stress from it I just deleted my blog, never looked back. When I finally felt comfortable enough to return to Tumblr a few months later, I re-connected with a few old blogs and then carried on, with a new muse. 
Not long after I started getting hate. Message after message, on and on and on and it really weighed on my mental health  -  when I made another blog, I would receive it there, too; it just spread. Like wildfire among all of my muses and I found myself deleting blogs and remaking them under a new URL just to try and escape it but it always found me again. 
A few months after - the anonymous hater made a mistake and forgot to press the anon button - so an actual blog came through and once I looked, the writer was written as “Rai”. So I messages, asked if it was the same one; and I received a very nasty response. 
Ever since, she has followed me, made new blogs so she could get through; gone as far as using her brother’s computer and internet connection to get through to me; over and over again. Eight years I have put up with this. 
A recent call out from my precious beb over at @axgmented halted Rai in her tracks; I didn’t receive anything on any of my blogs for a while until the other day when more came through; that she wouldn’t target my other blogs if I promised I would delete this one, my Vincent Valentine muse and I’ll tell you, I nearly did it out of desperation for a conclusion. But I didn’t. Why should I?
Admittedly, I haven’t had much muse for him lately because of the hate sat in my inbox but then I reminded myself of all of the love and lovely messages that are in there, too, that I hoarded just to re-read when feeling low. 
I emailed Tumblr support, thought it was an entirely lost cause; I explained my situation, how long it had been going and how I was desperate for her not to be able to reach me. This was about a week ago - and nothing has been received from Rai since. Nothing. Not on any of my blogs.
I don’t want to hold my breath - but I think I might actually be free from her. She’s gone.  And slowly but surely I’m convincing myself to go back onto blogs I was frightened to log in to in fear of seeing what was in my inbox.
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nightkitchentarot · 4 years
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68 Bits of Unsolicited Advice
From Kevin Kelly, editor of Wired Magazine...
It’s my birthday. I’m 68. I feel like pulling up a rocking chair and dispensing advice to the young ‘uns. Here are 68 pithy bits of unsolicited advice which I offer as my birthday present to all of you.
• Learn how to learn from those you disagree with, or even offend you. See if you can find the truth in what they believe.
• Being enthusiastic is worth 25 IQ points.
• Always demand a deadline. A deadline weeds out the extraneous and the ordinary. It prevents you from trying to make it perfect, so you have to make it different. Different is better.
• Don’t be afraid to ask a question that may sound stupid because 99% of the time everyone else is thinking of the same question and is too embarrassed to ask it.
• Being able to listen well is a superpower. While listening to someone you love keep asking them “Is there more?”, until there is no more.
• A worthy goal for a year is to learn enough about a subject so that you can’t believe how ignorant you were a year earlier.
• Gratitude will unlock all other virtues and is something you can get better at.
• Treating a person to a meal never fails, and is so easy to do. It’s powerful with old friends and a great way to make new friends.
• Don’t trust all-purpose glue.
• Reading to your children regularly will bond you together and kickstart their imaginations.
• Never use a credit card for credit. The only kind of credit, or debt, that is acceptable is debt to acquire something whose exchange value is extremely likely to increase, like in a home. The exchange value of most things diminishes or vanishes the moment you purchase them. Don’t be in debt to losers.
• Pros are just amateurs who know how to gracefully recover from their mistakes.
• Extraordinary claims should require extraordinary evidence to be believed.
• Don’t be the smartest person in the room. Hangout with, and learn from, people smarter than yourself. Even better, find smart people who will disagree with you.
• Rule of 3 in conversation. To get to the real reason, ask a person to go deeper than what they just said. Then again, and once more. The third time’s answer is close to the truth.
• Don’t be the best. Be the only.
• Everyone is shy. Other people are waiting for you to introduce yourself to them, they are waiting for you to send them an email, they are waiting for you to ask them on a date. Go ahead.
• Don’t take it personally when someone turns you down. Assume they are like you: busy, occupied, distracted. Try again later. It’s amazing how often a second try works.
• The purpose of a habit is to remove that action from self-negotiation. You no longer expend energy deciding whether to do it. You just do it. Good habits can range from telling the truth, to flossing.
• Promptness is a sign of respect.
• When you are young spend at least 6 months to one year living as poor as you can, owning as little as you possibly can, eating beans and rice in a tiny room or tent, to experience what your “worst” lifestyle might be. That way any time you have to risk something in the future you won’t be afraid of the worst case scenario.
• Trust me: There is no “them”.
• The more you are interested in others, the more interesting they find you. To be interesting, be interested.
• Optimize your generosity. No one on their deathbed has ever regretted giving too much away.
• To make something good, just do it. To make something great, just re-do it, re-do it, re-do it. The secret to making fine things is in remaking them.
• The Golden Rule will never fail you. It is the foundation of all other virtues.
• If you are looking for something in your house, and you finally find it, when you’re done with it, don’t put it back where you found it. Put it back where you first looked for it.
• Saving money and investing money are both good habits. Small amounts of money invested regularly for many decades without deliberation is one path to wealth.
• To make mistakes is human. To own your mistakes is divine. Nothing elevates a person higher than quickly admitting and taking personal responsibility for the mistakes you make and then fixing them fairly. If you mess up, fess up. It’s astounding how powerful this ownership is.
• Never get involved in a land war in Asia.
• You can obsess about serving your customers/audience/clients, or you can obsess about beating the competition. Both work, but of the two, obsessing about your customers will take you further.
• Show up. Keep showing up. Somebody successful said: 99% of success is just showing up.
• Separate the processes of creation from improving. You can’t write and edit, or sculpt and polish, or make and analyze at the same time. If you do, the editor stops the creator. While you invent, don’t select. While you sketch, don’t inspect. While you write the first draft, don’t reflect. At the start, the creator mind must be unleashed from judgement.
• If you are not falling down occasionally, you are just coasting.
• Perhaps the most counter-intuitive truth of the universe is that the more you give to others, the more you’ll get. Understanding this is the beginning of wisdom.
• Friends are better than money. Almost anything money can do, friends can do better. In so many ways a friend with a boat is better than owning a boat.
• This is true: It’s hard to cheat an honest man.
• When an object is lost, 95% of the time it is hiding within arm’s reach of where it was last seen. Search in all possible locations in that radius and you’ll find it.
• You are what you do. Not what you say, not what you believe, not how you vote, but what you spend your time on.
• If you lose or forget to bring a cable, adapter or charger, check with your hotel. Most hotels now have a drawer full of cables, adapters and chargers others have left behind, and probably have the one you are missing. You can often claim it after borrowing it.
• Hatred is a curse that does not affect the hated. It only poisons the hater. Release a grudge as if it was a poison.
• There is no limit on better. Talent is distributed unfairly, but there is no limit on how much we can improve what we start with.
• Be prepared: When you are 90% done any large project (a house, a film, an event, an app) the rest of the myriad details will take a second 90% to complete.
• When you die you take absolutely nothing with you except your reputation.
• Before you are old, attend as many funerals as you can bear, and listen. Nobody talks about the departed’s achievements. The only thing people will remember is what kind of person you were while you were achieving.
• For every dollar you spend purchasing something substantial, expect to pay a dollar in repairs, maintenance, or disposal by the end of its life.
•Anything real begins with the fiction of what could be. Imagination is therefore the most potent force in the universe, and a skill you can get better at. It’s the one skill in life that benefits from ignoring what everyone else knows.
• When crisis and disaster strike, don’t waste them. No problems, no progress.
• On vacation go to the most remote place on your itinerary first, bypassing the cities. You’ll maximize the shock of otherness in the remote, and then later you’ll welcome the familiar comforts of a city on the way back.
• When you get an invitation to do something in the future, ask yourself: would you accept this if it was scheduled for tomorrow? Not too many promises will pass that immediacy filter.
• Don’t say anything about someone in email you would not be comfortable saying to them directly, because eventually they will read it.
• If you desperately need a job, you are just another problem for a boss; if you can solve many of the problems the boss has right now, you are hired. To be hired, think like your boss.
• Art is in what you leave out.
• Acquiring things will rarely bring you deep satisfaction. But acquiring experiences will.
• Rule of 7 in research. You can find out anything if you are willing to go seven levels. If the first source you ask doesn’t know, ask them who you should ask next, and so on down the line. If you are willing to go to the 7th source, you’ll almost always get your answer.
• How to apologize: Quickly, specifically, sincerely.
• Don’t ever respond to a solicitation or a proposal on the phone. The urgency is a disguise.
• When someone is nasty, rude, hateful, or mean with you, pretend they have a disease. That makes it easier to have empathy toward them which can soften the conflict.
• Eliminating clutter makes room for your true treasures.
• You really don’t want to be famous. Read the biography of any famous person.
• Experience is overrated. When hiring, hire for aptitude, train for skills. Most really amazing or great things are done by people doing them for the first time.
• A vacation + a disaster = an adventure.
• Buying tools: Start by buying the absolute cheapest tools you can find. Upgrade the ones you use a lot. If you wind up using some tool for a job, buy the very best you can afford.
• Learn how to take a 20-minute power nap without embarrassment.
• Following your bliss is a recipe for paralysis if you don’t know what you are passionate about. A better motto for most youth is “master something, anything”. Through mastery of one thing, you can drift towards extensions of that mastery that bring you more joy, and eventually discover where your bliss is.
• I’m positive that in 100 years much of what I take to be true today will be proved to be wrong, maybe even embarrassingly wrong, and I try really hard to identify what it is that I am wrong about today.
• Over the long term, the future is decided by optimists. To be an optimist you don’t have to ignore all the many problems we create; you just have to imagine improving our capacity to solve problems.
• The universe is conspiring behind your back to make you a success. This will be much easier to do if you embrace this pronoia.
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thedeaditeslayer · 5 years
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Groovy! Bruce Campbell finally shows up to Rock and Shock at DCU and Palladium.
Here’s a short article style interview with Bruce Campbell on Ash vs. Evil Dead.
WORCESTER — All right, you primitive screw-heads, listen up!
“Groovy” Bruce Campbell is coming to Rock and Shock this weekend (Saturday and Sunday only) at the DCU Center to bury Ashley “Ash” Williams, not to praise him.
The chainsaw-wielding,“boomstick”-carrying, wisecracking, Deadite-slaying hero of the “Evil Dead” movies and Starz network’s original series “Ash vs Evil Dead” is no more, according to the 61-year-old Michigan.
Last year’s finale of “Ash vs Evil Dead” marked the end of Ash and the “Evil Dead” universe, as far as Campbell is concerned, so much so that he added a “Requiem for Ash” chapter in the paperback version of his New York Times best-selling autobiography, “Hail to the Chin: Further Confessions of a B Movie Actor,” in which he says, “Out of respect for my ability to properly portray a particular character, I’m retiring Ash, not retiring from acting. I’m retiring from a very technically demanding type of acting, not the craft itself.”
In 1979, Campbell, his high school pal (and future A-list Hollywood director) Sam Raimi and fellow Michigander Rob Tapert scraped up $350,000 and went out into the woods to shoot the low-budget film, “The Evil Dead,” which took them four years, on and off, to finish.
Not only did it become an instant cult classic and one of the most successful independent films ever made, “The Evil Dead” spawned two sequels, 1987′s “Evil Dead 2: Dead By Dawn” and 1992′s “Army of Darkness.”
And, when “Evil Dead” fans were clamoring for 20 years for a installment, Campbell, Raimi and Tapert gave them an “Evil Dead” remake (without Ash) instead.
“Unmercifully, for years, it was ‘Evil Dead 4’! ‘Evil Dead 4’! ‘Evil Dead 4’! People wouldn’t shut up about it,” Campbell said during a recent phone interview. “We gave them a remake. Some people thought it was OK. Some people thought it was too serious. Some people were pissed there was no Ash. So, all the remake did is poked the zit. So, we went, OK, let’s give Ash his final hurrah.”
Rock and Shock info:
After decades of saying it’s never going to happen, Campbell suited up (with chainsaw as hand) as Ash — not in “Evil Dead 4” but for three unrated seasons of “Ash vs Evil Dead,” a series that ran from Oct. 31, 2015, to April 29, 2018, on Starz.
“No studio is going to give you multi-millions of dollars to make an unrated movie,” Campbell said. “So, in this case, we thought, OK, let’s bring it back as a TV show. We can do a lot more material. So you get 15 fresh hours. If those were movies, it would have taken us 20 years to put out that much.”
Filmed in Auckland, New Zealand, with the same creative team that worked on the “Lord of the Rings” trilogy, “Ash vs Evil Dead” was a step up in quality from the early, low-budget “Evil Dead” films.
“These craftsmen were able to finally silence all the people who were like you and your low-budget effects,” Campbell said. “Our art direction, all of the design, the effects, the stage work, I put up against any show out there, perhaps with the exception of ‘Game of Thrones.’”
In addition to the creative behind-the-scenes crew, Campbell praises his two, game-for-anything co-stars, Ray Santiago and Dana DeLorenzo, who played Pablo and Kelly, respectively.
“We got lucky,” Campbell said. “I don’t use that word much but we were very fortunate in that we got two actors at the right time. They were very game. They were very ready. They had some experience but not too much experience. And they left it all on the table. Ray and Dana, it was great to watch them do their stuff.”
“Ash vs Evil Dead” also reunited “Xena: Warrior Princess” (Lucy Lawless) with Autolycus, the “King of Thieves” (Campbell).
“We knew we wanted Lucy desperately. And I don’t know if we served Ruby (Lawless’ “Ash vs Evil Dead” character) as well as we should have. That’s my only regret,” Campbell said. “I never saw her have a bad day on set. She’s always polite, always professional, and she kept me in line. I mean, she really did. I get a little pissy on set. I look over at her and she’s like, ‘C’mon, same team, same team.’ I would use her in anything. She can do anything.”
Campbell said his inner fanboy was very excited working opposite Lee Majors, aka “The Six Million Dollar Man,” who agreed to play Ash’s potty mouthed, womanizer dad on “Ash vs Evil Dead.”
“Lee got the joke and he loved the fact that he could play a guy that was so not Lee Majors,” Campbell said. “It couldn’t be any better than this, doing a scene with Lee Majors, talking about your bionic hand. And he goes, ‘It looks like some piece of (expletive) made in China.’ Those are the little golden moments that made the drudgery worthwhile. I still call him dad.”
Campbell said his favorite “Ash vs Evil Dead” episode is “Delusion,” in which Ash wakes up from a nightmare only to find himself in an asylum with a demonic “Ashy Slashy” puppet.
“Honestly, that (expletive) puppet is haunting me to the end of my dreams,” Campbell said.
As for the sickest, most disgusting and depraved scene he filmed on the show, Campbell said it was when Ash’s head goes up a cadaver’s butt.
“It wasn’t intended initially,” Campbell said. “Ash was just going to have a fight with a colon and then our trusted producer, Mr. Rob Tapert, said, ‘I know what you got to do. You got to go up butt.’”
While fans are forever hopeful for another installment of the further misadventure of Ash and his faithful “boomstick,” Campbell said he had to put the kibosh on it because the role is too much physical wear and tear on the middle-aged actor.
“I would send a series of emails to the director about the upcoming episode warning them of my infirmary would get worse as the season went on,” Campbell said. “And, honestly, if we did a season four, you know people would have said, ‘Hey, if we only had a season five.’ Then, you do a season five. They’d go, ‘If only we had another movie.’ So you have to accept the fact that ‘Evil Dead’ fans will never ever be satisfied and that’s OK and that’s why we love them.”
In fact, Campbell said likes the way they ended the series.
“You finally let the schmo have his day,” Campbell said. “Ash’s not just a guy in a crappy trailer home. He’s actually is a guy written up in an ancient book (the ‘Necronomicon’). So he goes off to battle evil in the future with a hot robot chick. What the hell wrong with that? It’s perfect.”
If they had a season four of “Ash vs Evil Dead,” Campbell said he would have killed off Ash once and for all.
“I’m sure Sam Raimi or Rob Tapert would have had a heart attack but Ash would have fulfilled his destiny,” Campbell said. “He would have battled evil in the past, present and future. That’s fulfilling his destiny. Hands the mantle to the new man or women, child or beast, dies heroically saving the day ... So it’s a big sacrifice, total Luke Skywalker, Joseph Campbell. I’d go all the way.”
Campbell is not only the most requested guest at the popular horror convention in its 15 years of existence, “Rock and Shock” organizers have been trying to get the Ash actor since day one. So why now?
“Every year is different in this roadshow called Bruce Campbell,” the beloved B-movie actor and New York Times best-selling author said. “It was due. And I’m selling a paperback version of ‘Hail to the Chin: Further Confessions of a B-Movie Actor.’”
Campbell said he can’t wait to finally meet his “Rock and Shock” fans.
“A lot of them are very shy people,” Campbell said of his fans. “They wait two hours in line. They come to the table and they can’t say anything. And I feel for them. So I torment them.”
For those who dish out their hard-earned dough for a photo-op, Campbell offers these friendly words of advice.
“Bring props. Props are good. Bring ‘Evil Dead’ books, axes, chainsaws. Let’s spice up your photo. Wear something kooky. Dress up. Wear a shirt with a collar,” Campbell said. “If you’re going to get a photograph that’s’ going above the mantel, come on man, put some pride in it.”
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starlin · 4 years
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On his 68th birthday, Kevin Kelly offers 68 bits of unsolicited advice...
It’s my birthday. I’m 68. I feel like pulling up a rocking chair and dispensing advice to the young ‘uns. Here are 68 pithy bits of unsolicited advice which I offer as my birthday present to all of you.
• Learn how to learn from those you disagree with, or even offend you. See if you can find the truth in what they believe.
• Being enthusiastic is worth 25 IQ points.
• Always demand a deadline. A deadline weeds out the extraneous and the ordinary. It prevents you from trying to make it perfect, so you have to make it different. Different is better.
• Don’t be afraid to ask a question that may sound stupid because 99% of the time everyone else is thinking of the same question and is too embarrassed to ask it.
• Being able to listen well is a superpower. While listening to someone you love keep asking them “Is there more?”, until there is no more.
• A worthy goal for a year is to learn enough about a subject so that you can’t believe how ignorant you were a year earlier.
• Gratitude will unlock all other virtues and is something you can get better at.
• Treating a person to a meal never fails, and is so easy to do. It’s powerful with old friends and a great way to make new friends.
• Don’t trust all-purpose glue.
• Reading to your children regularly will bond you together and kickstart their imaginations.
• Never use a credit card for credit. The only kind of credit, or debt, that is acceptable is debt to acquire something whose exchange value is extremely likely to increase, like in a home. The exchange value of most things diminishes or vanishes the moment you purchase them. Don’t be in debt to losers.
• Pros are just amateurs who know how to gracefully recover from their mistakes.
• Extraordinary claims should require extraordinary evidence to be believed.
• Don’t be the smartest person in the room. Hangout with, and learn from, people smarter than yourself. Even better, find smart people who will disagree with you.
• Rule of 3 in conversation. To get to the real reason, ask a person to go deeper than what they just said. Then again, and once more. The third time’s answer is close to the truth.
• Don’t be the best. Be the only.
• Everyone is shy. Other people are waiting for you to introduce yourself to them, they are waiting for you to send them an email, they are waiting for you to ask them on a date. Go ahead.
• Don’t take it personally when someone turns you down. Assume they are like you: busy, occupied, distracted. Try again later. It’s amazing how often a second try works.
• The purpose of a habit is to remove that action from self-negotiation. You no longer expend energy deciding whether to do it. You just do it. Good habits can range from telling the truth, to flossing.
• Promptness is a sign of respect.
• When you are young spend at least 6 months to one year living as poor as you can, owning as little as you possibly can, eating beans and rice in a tiny room or tent, to experience what your “worst” lifestyle might be. That way any time you have to risk something in the future you won’t be afraid of the worst case scenario.
• Trust me: There is no “them”.
• The more you are interested in others, the more interesting they find you. To be interesting, be interested.
• Optimize your generosity. No one on their deathbed has ever regretted giving too much away.
• To make something good, just do it. To make something great, just re-do it, re-do it, re-do it. The secret to making fine things is in remaking them.
• The Golden Rule will never fail you. It is the foundation of all other virtues.
• If you are looking for something in your house, and you finally find it, when you’re done with it, don’t put it back where you found it. Put it back where you first looked for it.
• Saving money and investing money are both good habits. Small amounts of money invested regularly for many decades without deliberation is one path to wealth.
• To make mistakes is human. To own your mistakes is divine. Nothing elevates a person higher than quickly admitting and taking personal responsibility for the mistakes you make and then fixing them fairly. If you mess up, fess up. It’s astounding how powerful this ownership is.
• Never get involved in a land war in Asia.
• You can obsess about serving your customers/audience/clients, or you can obsess about beating the competition. Both work, but of the two, obsessing about your customers will take you further.
• Show up. Keep showing up. Somebody successful said: 99% of success is just showing up.
• Separate the processes of creation from improving. You can’t write and edit, or sculpt and polish, or make and analyze at the same time. If you do, the editor stops the creator. While you invent, don’t select. While you sketch, don’t inspect. While you write the first draft, don’t reflect. At the start, the creator mind must be unleashed from judgement.
• If you are not falling down occasionally, you are just coasting.
• Perhaps the most counter-intuitive truth of the universe is that the more you give to others, the more you’ll get. Understanding this is the beginning of wisdom.
• Friends are better than money. Almost anything money can do, friends can do better. In so many ways a friend with a boat is better than owning a boat.
• This is true: It’s hard to cheat an honest man.
• When an object is lost, 95% of the time it is hiding within arm’s reach of where it was last seen. Search in all possible locations in that radius and you’ll find it.
• You are what you do. Not what you say, not what you believe, not how you vote, but what you spend your time on.
• If you lose or forget to bring a cable, adapter or charger, check with your hotel. Most hotels now have a drawer full of cables, adapters and chargers others have left behind, and probably have the one you are missing. You can often claim it after borrowing it.
• Hatred is a curse that does not affect the hated. It only poisons the hater. Release a grudge as if it was a poison.
• There is no limit on better. Talent is distributed unfairly, but there is no limit on how much we can improve what we start with.
• Be prepared: When you are 90% done any large project (a house, a film, an event, an app) the rest of the myriad details will take a second 90% to complete.
• When you die you take absolutely nothing with you except your reputation.
• Before you are old, attend as many funerals as you can bear, and listen. Nobody talks about the departed’s achievements. The only thing people will remember is what kind of person you were while you were achieving.
• For every dollar you spend purchasing something substantial, expect to pay a dollar in repairs, maintenance, or disposal by the end of its life.
•Anything real begins with the fiction of what could be. Imagination is therefore the most potent force in the universe, and a skill you can get better at. It’s the one skill in life that benefits from ignoring what everyone else knows.
• When crisis and disaster strike, don’t waste them. No problems, no progress.
• On vacation go to the most remote place on your itinerary first, bypassing the cities. You’ll maximize the shock of otherness in the remote, and then later you’ll welcome the familiar comforts of a city on the way back.
• When you get an invitation to do something in the future, ask yourself: would you accept this if it was scheduled for tomorrow? Not too many promises will pass that immediacy filter.
• Don’t say anything about someone in email you would not be comfortable saying to them directly, because eventually they will read it.
• If you desperately need a job, you are just another problem for a boss; if you can solve many of the problems the boss has right now, you are hired. To be hired, think like your boss.
• Art is in what you leave out.
• Acquiring things will rarely bring you deep satisfaction. But acquiring experiences will.
• Rule of 7 in research. You can find out anything if you are willing to go seven levels. If the first source you ask doesn’t know, ask them who you should ask next, and so on down the line. If you are willing to go to the 7th source, you’ll almost always get your answer.
• How to apologize: Quickly, specifically, sincerely.
• Don’t ever respond to a solicitation or a proposal on the phone. The urgency is a disguise.
• When someone is nasty, rude, hateful, or mean with you, pretend they have a disease. That makes it easier to have empathy toward them which can soften the conflict.
• Eliminating clutter makes room for your true treasures.
• You really don’t want to be famous. Read the biography of any famous person.
• Experience is overrated. When hiring, hire for aptitude, train for skills. Most really amazing or great things are done by people doing them for the first time.
• A vacation + a disaster = an adventure.
• Buying tools: Start by buying the absolute cheapest tools you can find. Upgrade the ones you use a lot. If you wind up using some tool for a job, buy the very best you can afford.
• Learn how to take a 20-minute power nap without embarrassment.
• Following your bliss is a recipe for paralysis if you don’t know what you are passionate about. A better motto for most youth is “master something, anything”. Through mastery of one thing, you can drift towards extensions of that mastery that bring you more joy, and eventually discover where your bliss is.
• I’m positive that in 100 years much of what I take to be true today will be proved to be wrong, maybe even embarrassingly wrong, and I try really hard to identify what it is that I am wrong about today.
• Over the long term, the future is decided by optimists. To be an optimist you don’t have to ignore all the many problems we create; you just have to imagine improving our capacity to solve problems.
• The universe is conspiring behind your back to make you a success. This will be much easier to do if you embrace this pronoia.
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skookworks · 4 years
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Gallery – Half Hour Sketches 31 to 60
From last year, the second set of thirty daily/half hour sketches. Do you have any favorites?
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Story Seed #45 A Bad Seed Blooms
Karren was always a difficult child. Demanding, clingy, prone to throwing tantrums when she didn’t get her way. Dealing with her on a daily basis was enough to convince her parents that they didn’t want to have another child. Yes she was often charming. Yes she was usually very entertaining and she could seem very loving but, damn, she was awfully narcissistic.
When Karren was eight, her mother became pregnant (their contraception method failed) and her parents decided that they’d keep the baby. Karren would adapt, she’d have to. Right? And for a while it seemed like Karren would. She was delighted by the idea of having a sibling. She had fun playing nursemaid and helper to her mother and she revelled in the appreciation that her parents showed her for her new attitude.
The baby came, a little sister. Karren played doting big sister, giving cuddles, helping with bottles and rocking her to sleep. But, her parents had less attention for her and got crankier form lack of sleep, the old Karren resurfaced. She was jealous of the baby, angry that it just wouldn’t behave. Her play became meaner and rougher. One morning her mother caught her holding a pillow over the baby’s face. She wasn’t trying to kill the baby, she was just trying to make it stop crying, she didn’t know what she was doing, did she?
Her parents made arrangements to send Karren to a boarding school. Until she could depart her parents never left her alone with the baby and they locked her room at night.
Two days before Karren was to depart her mother took her and the baby to run errands. Karren had been behaving. She seemed contrite. Maybe safe? As they returned to the house their car was blocked in by a pair of black SUVs and armed men pulled them from the vehicle.
Karren’s parents were comfortably upper middle class. Karren’s grandfather, her father’s father, was rich and had made a lot of enemies getting that way. The kidnappers were in the employ of a Russian gangster that Grandfather had doublecrossed.
Karren, her mother and her little sister are taken to a remote location. Karen’s mother is forced to record a ransom plea. Karren pouts, Karren yells, Karren is not a cooperative hostage. The kidnappers beat her, tie her up, cut off one of her little fingers and send it with the ransom demand.
Karren’s father is in shock and desperate. Grandfather is disappointed. His son was always a weak thing. Grandfather harrumphs and takes charge. He has his security chief put together a team to rescue the kidnapped mother and her girls. But Grandfather didn’t get rich by giving a shit about anyone but himself. The team is to rescue the family if it’s convenient but it’s more important to him that they kill as many of the Russians as they can. The “girls” are expendable.
And Karren? Karren is very, very mad. Her parents could be boring. Her parents could be strict. Her parents often spoiled her fun. But they’d never hit her. They’d never hurt her. And now these smelly men have dared to hurt HER and threaten HER mother and HER little sister?
Karren is clever. Karren will get out of her bounds. Karren will make them all very, very sorry.
Recommendation
I am behind on my newsletters. I have a virtual stack of them waiting to be read and, at the moment, I can’t remember which ones I’ve already recommended. So this week I’m recommending a youtube channel: Cartoonist Kayfabe. Jim Rugg and Ed Piskor are veteran comics creators and they regular post a lot of videos about comics. I’ll let them introduce themselves –
Local News
I don’t have heroes. When I was a kid I kept discovering that the folks my history classes promoted as role models were often pretty horrible people. Even the ones the weren’t horrible were usually … human. That is, they weren’t necessarily nice, they weren’t always faithful and they often did things that were sloppy and stupid. As a kid, I was looking for perfect heroes to model myself after and real humans just kept failing provide me with the examples I wanted.
As I grew up I came to admire the people who stood up, who took action to make the world a better place, regardless of whether they were also shitty spouses, terrible parents or lousy friend. Rather, I’ve learned to admire the noble actions they took and accept that the rest of their lives and behaviors were probably pretty messy.
I’ve been following and reading Warren Ellis‘s work since I encountered his columns at 9th Art back in the 90s. I posted some art in the Remake/Remodel challenges in the FreakAngels forums. I found a lot of interesting newsletters (and was inspired to do this one) because he recommended them.  I don’t get many regular comics these days but I did pay attention to what he had coming out next. I mostly heard about that when I read his latest newsletter. I only heard about the controversy when he posted his last one. This essay gives the pertinent details with links to more info.
Of all the bad actors who have come in to light in the last few years, Ellis is the first one whose work really matters to me. After a few days passage I’m still … I don’t know. I believe the women. You don’t get 30 or more artists to agree on something unless there is truth there. And they’ve got the emails. (And being a whistleblower is never about money unless you’re already rich and famous. Being a poor whistleblower means you, at best, become a famous and poor whistleblower. Anyone who thinks that someone calls out injustice for fame and glory and wealth is someone who doesn’t actually care about injustice.)
I admire his work. I’m sorry he’s behaved poorly and kind of relieved that he didn’t behave worse. I sympathize more with the women who had to put up with his shit than with him for what’s happening now. What struck me, in his statement, was this –
“I have never considered myself famous or powerful, to the point where I’ve made a lot of bad jokes about it for twenty-odd years.”
  It’s a reminder to me that our perceptions of ourselves are often off the mark. You might think that someone in Ellis’ position, who has had the accomplishments and influence that he’s had, would have a better perception of his place in the world. But most of us don’t. Most of us hear our internal dialogues, our fears and our doubts, much louder than the feedback we get from the outside. We rarely perceive ourselves accurately. 
It’s a reminder that I/we have much more power in the world than I/we think I/we do. It’s a reminder to be more aware, to think before speaking and acting. It’s a reminder to talk more about perceptions and expectations even when doing that seems like it’s going to kill the flow of an interaction. I may think things are hunky dory but the person I’m with might just be being polite. 
I don’t think I’m currently in a position of power. In previous jobs I have been a supervisor and an assistant manager and a manager. As I moved up in responsibility I became conscious of having a responsibility to model “professional” behavior. Getting wasted and flirting with one’s coworkers isn’t a good look for the boss. Now I’m just one mail carrier in a station of about a hundred other carriers. I go to work. I don’t really socialize. I just want to put the hours in so I can get paid and go home and draw. Do I have power? Of course I do. I’m an older white guy who, to the new hires at least, probably seems like I’ve been around forever. Postal carriers have a union. Carriers advance by seniority. There’s a culture of not ratting on your fellow carrier when they misbehave. So I maybe could fuck with the new hires and get away with it. I’m pretty sure that veteran carriers already do that.
I have gotten tired. I have withdrawn. But I’m not dead. It’s time to pay a little more attention at work and in the world. I am not a hero. But I do have power and I can take a few noble actions now and then.
Tuesday Night Party Club #25 Gallery - Half Hour Sketches 31 to 60 From last year, the second set of thirty daily/half hour sketches.
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angelofberlin2000 · 5 years
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by Natalie Finn | Fri., May. 17, 2019 3:00 AM
When Keanu Reeves was asked the other night, "What do you think happens when we die?" interviewer Stephen Colbert probably wasn't expecting such a deep—or assured—answer from the movie star.
"I know that the ones that love us will miss us," the 54-year-old actor said sagely, rendering the Late Show host unusually speechless.
It was a sincere, thoughtful response—vintage Reeves, really—from someone who's had reason to think about such things.
"I haven't really thought about my career future, or what was going to happen, until really recently," he also told GQ in February. Asked why he started thinking about it, he replied, "Death!"
Watch https://www.eonline.com/videos/289305/how-keanu-reeves-training-for-john-wick-3-compares-to-the-matrix
How Keanu Reeves' Training for John Wick 3 Compares to The Matrix
The still eerily youthful-looking Reeves, who's back in theaters Friday in the third installment of the blockbuster John Wick franchise, has become a brand unto himself, the name "Keanu" signifying not just movie stardom but also a certain kind of performance and even a state of mind: chill, zen, blissfully checked out ("Sad Keanu" meme notwithstanding). His name—which has lent itself to a comedy about a cat and a recent hit song by Logic, and which of course a studio exec wanted him to change when he first came to Hollywood—does mean "cool breeze over the mountains" in Hawaiian, after all.
But still waters run deep, and despite being in the public eye for more than 30 years, he's one of the least-known people whose chiseled face you would recognize anywhere. Few play it as close to the vest as Reeves, who, though he does the occasional interview and shows up to fulfill his side of the bargain in promoting his films, does not talk about his personal life. And not in the way that most celebrities don't really talk about their personal lives.
As in, it's entirely unclear if he even has one, although—look at him—he must.
"I came to Hollywood to be in movies," Reeves told Parade recently. "I feel really grateful that I've had that opportunity, but I'm just a private person, and it's nice that can still exist."
He doesn't even publicize his charity work, but his causes include children's hospitals, fighting cancer, the arts and the environment. 
"I always find it surreal that complete strangers come up and ask me personal questions," he told Parade back in 2008. "I don't mind speaking about work, but when the talk turns to 'Who are you?' and 'What do you do off-screen?' I'm like, 'Get out of here.' I've been in situations where people have felt they had a relationship with me or something and I didn't even know who they were."
Not that Reeves is an anti-star. He lives in the hills above West Hollywood, spent plenty of time enjoying the local nightlife in his youth and has starred in countless quotable action movies—and gets paid handsomely for them, enough so that he can take off and do passion projects like his first (and only, to date) directorial effort, 2013's The Man of Tai Chi, or show up unheralded on a Swedish sitcom (Swedish Dicks, now on Pop) or in any indie film he so desires, like the recent Destination Wedding, an acerbic comedy that reteamed him with Bram Stoker's Dracula co-star Winona Ryder.
He's perfectly congenial yet usually looks somewhat serious, but not because he's taking himself seriously—more as if he wants to answer even the most lighthearted of questions with respectful gravity. But hey, as Stephen Colbert just found out, if you ask Reeves a potentially loaded question, prepare to get an answer.
Asked by Parade in 2008 if he believed in aliens, because he was playing the alien Klaatu in a remake of The Day the Earth Stood Still, he replied, "Some days I do. Some days I don't. There's so much unexplained and unexplainable phenomena that's presented to us. But beyond that, the cosmos is so vast. We can't be the only sentient entity. It might not look like us, but it's going to be out there."
His signature Keanu cadence used to be mistaken for a sign of vacuity, but Reeves attributed however he came off in interviews to his overall discomfort with talking about himself.
"I've never played stupid to keep someone distant," he told Vanity Fair in 1995. "I don't play stupid. Either it's been a failure on my part to articulate, or my naivete, or ingenuousness, or sometimes it's the nature of the form... And you know, I find myself more able to give an explanation of a project five years later than in the middle of it. It's so present-tense! I can tell you how I feel, but its context is harder to explain... Sometimes when I'm interviewed I'm not ready to do that. So you say...'excellent!' And you know what, man? It's OK."
It certainly was.
Ted Theodore Logan, Johnny Utah, Jack Travern, Neo, John Wick: all characters that had to be played by Reeves. He's done everything from Shakespeare to sports flicks to A Scanner Darkly, and soon you'll be hearing his voice as Duke Caboom, a motorcycle-riding stuntman with a wistful backstory, in Toy Story 4, which will probably sneak in to top The Matrix Reloaded, which made $742 million worldwide, as his single highest-grossing movie.
"So I made Duke a little more gravelly but still tried to give him energy and a big personality," Reeves shared with Entertainment Weekly in March. "I just thought that Duke should love what he does. He's the greatest stuntman in Canada! I wanted him to be constantly doing poses on the bike while he was talking, to have this great extroverted passion."
He turned down Speed 2 to play Hamlet onstage in Canada. He was one of the first big stars who memorably jammed on the side with his own band, Dogstar, in the '90s and now he co-owns a custom bike shop called ARCH Motorcycle in Hawthorne, Calif, because he loves motorcycles as much as you think he does.
"Riding can be a place to think and feel. It's a way to work things out," he recently told Parade, noting that inclement weather doesn't stop him. "I like riding in the rain. It's a little more sketchy." He rides mainly alone, but he and the ARCH crew cruise Pacific Coast Highway on Sunday mornings.
And if motorcycles provide one soul-soothing salve for Reeves, acting provides another.
"In acting, you're constantly discovering new feelings and thoughts and exposing yourself to them," he told Parade in 2008. "I guess it could be considered psycho-therapy. All I know is that, as an actor, I can tell you a story that you'll listen to. Maybe it won't just entertain you, it might also teach you something. I think film has the power to change your life if you want to let it.
Combine his real-life inscrutability with his is-it-genius-or-does-he-just-do-the-same-thing-every-time approach to acting, and he's become more myth than man—and that, too, is a huge part of his appeal. He's just so Keanu.
"I don't own a computer and I don't e-mail," he said in the 2008 
Parade
interview. "I'm fascinated by people who freak out when they don't get an instant response to an e-mail. It's like they expect as soon as they send an email to get the answer back and if they don't it's like awful. I just hope people won't totally lose the ability to write letters because it's a good way to communicate."
He preferred typewriters, Reeves said—and we can only hope he and Toy Story star Tom Hanks had a chance to talk about typewriters together.
"I only have good things to say about him," Swedish Dicks star Peter Stormare, who met Reeves doing Constantine in 2005, which led to the actor's role on his show, told GQ. "Once a year, we'll have a beer together and talk about life and things. He's very private. He leads his life the way he wants to lead it. And I guess it can be lonely sometimes. But I think he's just like me. There's a comfort in being alone sometimes, especially when you're working on something."
"We bonded over motorcycles, bass guitar, and Harold Pinter," Alex Winter, the Bill to his Ted, also told the magazine. "Reeves had a really good book collection."
Reeves was born in Beirut, to a Hawaiian father and English mother, but they divorced when he was about 2. Mom Patricia remarried in the US., but after that didn't work out she settled with a 7-year-old Keanu and his younger sister, Kim, who was born in Australia, in Toronto. Reeves reportedly hasn't spoken to his dad since he was 13. 
"We were latchkey kids," he told Esquire in 2017. "It was basically 'leave the house in the morning and come back at night'. It was cool." But, he told Parade, "Even for a runaway English girl, my mother gave us a proper upbringing. We learned manners, respect for our elders, formal table settings. I also learned a nonprejudicial, nonjudgmental acceptance of other people."
His favorite part of school was doing plays and studying Shakespeare in English class, so he dropped out at 17 to try his hand at acting.
"My attendance record was very bad. I was lazy," Reeves told Vanity Fair. "I knew I wanted to act when I was halfway through grade 11, I guess, and school wasn't important."
His first acting job came on the Canadian series Hangin' In in 1984. Then he moved to Los Angeles and made his big-screen debut in the Rob Lowe-starring drama Youngblood in 1986. Later that year he won his first major role in the gritty teen crime drama River's Edge, which went on to win Best Feature at the Independent Spirit Awards.
So it was off to the races for Reeves, who in the next five years made a wildly diverse array of movies, including the very-'80s comedy The Night Before, Dangerous Liaisons, Bill & Ted's Excellent Adventure (and its sequel, Bogus Journey), Parenthood, Point Break and My Own Private Idaho.
He was very much living the fast Hollywood life, and it wasn't all charmed.
In 1993, River Phoenix died of an accidental drug overdose—another painful thing Reeves didn't want to talk about, but he spoke fondly of his friend and My Own Private Idaho co-star.
"I enjoyed his company. Very much," Reeves told Rolling Stone in 2000. "And enjoyed his mind and his spirit and his soul. We brought good out in each other. He was a real original thinker. He was not the status quo. In anything."
As for Phoenix's death, "It's something he thinks about all the time, something he never really talks about," a friend told People. "Friends know not to go there with him."
In 1994 his estranged father, Samuel, was sentenced to 10 years in prison for drug possession in Hawaii, but was released in two. "Jesus, man. No, the story with me and my dad's pretty heavy. It's full of pain and woe and fucking loss and all that s--t," he told RS around that time. In 1995, he told Vanity Fair, when asked why he didn't want to know more about his dad's case, "Why would I want to find out what I didn't know?" He called the situation "pretty incredible," and that was that.
Reeves has a massive scar on his abdomen from when he suffered a rupture spleen in a motorcycle crash while riding in L.A.'s Topanga Canyon in 1988. He went into a hairpin turn going about 50 mph.
"I call that a demon ride," he reflected to Rolling Stone. "That's when things are going badly. But there's other times when you go fast, or too fast, out of exhilaration...I remember saying in my head, 'I'm going to die.'"
"I remember calling out for help," he continued. "And someone answering out of the darkness, and then the flashing lights of an ambulance coming down. This was after a truck ran over my helmet. I took it off because I couldn't breathe, and a truck came down. I got out of the way, and it ran over my helmet."
Also while his star was on the rise, his sister Kim battled cancer for years starting in the late '80s. "He helped me through," she told Vanity Fair about her brother. "When the pain got bad, he used to hold my hand and keep the bad man from making me dance. He was there all the time, even when he was away."
Actor and Dogstar bandmate Roger Mailhouse told Rolling Stone about Reeves in 2000, "He's a really giving person. He'd give you his last shoe. Really smart, too. He's incredibly booksmart. He's a really interesting person who doesn't talk a lot of s--t."
Asked how his friend had changed over the past decade, i.e. the '90s, Mailhouse said, "I don't worry about him as much. I used to worry about him. Because I think of him as one of my best friends in the world, was he going to crash his motorcycle, or this or that. We did some wild things. I guess it's just growing up. I don't know—maybe it had something to do with River Phoenix, maybe. Losing someone close to him. But now I'm just proud of him. He's getting to do it the right way."
For years you'd be much more likely to see Kim or Patricia on Reeves' arm at a premiere or other big event—such as when he got a star on the Hollywood Walk of Fame in 2005—than any girlfriend, and the actor hasn't been publicly involved with anyone for years.
Not that he hasn't been linked to a bevy of his co-stars, including Sandra Bullock and Charlize Theron, but if he's in a serious relationship, it's not with a celebrity.
On The Tonight Show Starring Jimmy Fallon in 2013 he was wearing what anyone would take for a wedding band on his left ring finger, but no revelations ever sprang from that accessory choice.
When Parade asked recently if he remained a bachelor, Reeves replied (squirming a bit, according to the magazine), "Well, I'm not married."
Through the interviews he's given over the years, a theme running through them is the visible discomfort he starts to evince when the conversation veers toward the too-personal. And some topics are just off-limits altogether.
Reeves started dating actress Jennifer Syme after meeting her at a party in 1998 and they were expecting a baby together—but the child, a girl they named Ava, was stillborn at 8 months. They laid her to rest in January 2000, according to People, and broke up weeks later.
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Sandra Bullock Almost Starred in The Matrix Instead of Keanu Reeves
They remained close up until Syme, who suffered from severe postpartum depression, died in 2001 when she crashed her Jeep Cherokee into several parked cars on a L.A. street and was thrown from the vehicle. In 2002, her mother, Maria St. John, sued Marilyn Manson, who had thrown a party that Syme attended that night, for wrongful death, alleging he had given Syme  the cocaine that an autopsy found in her system. 
"After Jennifer was sent home safely with a designated driver, she later got behind the wheel of her own car for reasons known only to her," Manson, who knew Syme through filmmaker David Lynch and had worked with her on Lost Highway, said in a statement.
The rocker continued, "This lawsuit, which is completely without merit, will not bring back Jennifer's life. It serves only to reopen the wounds and the pain felt by all who loved Jennifer. It is a pity that St. John sullies her own daughter's reputation by filing this baseless claim."
They reportedly reached a settlement out of court, but Manson maintained he had nothing to do with Syme taking drugs that night. 
Reeves has never spoken publicly about his relationship with Syme, which certainly fits right into how he was before, let alone since. But he grieved. And he eventually had something to say about that.
"I think, after loss, life requires an act of reclaiming," he told Parade in 2006. "You have to reject being overwhelmed. Life has to go on."
The actor continued, "Grief changes shape, but it never ends. People have a misconception that you can deal with it and say, 'It's gone, and I'm better.' They're wrong. When the people you love are gone, you're alone. I miss being a part of their lives and them being part of mine. I wonder what the present would be like if they were here—what we might have done together. I miss all the great things that will never be."
So he knew exactly what he was talking about when he told Colbert, "I know that the ones that love us will miss us."
Calling it "unfair" and "absurd," Reeves told
Parade
, "All you can do is hope that grief will be transformed and, instead of feeling pain and confusion, you will be together again in memory, that there will be solace and pleasure there, not just loss."
"Much of my appreciation of life has come through loss," he concluded. "Life is precious. It's worthwhile."
He said at the time that he would like to have a family, and reiterated the sentiment a couple years later, but Reeves told Esquire in 2017 with regards to "settling down": "I'm too… it's too late. It's over." Asked to clarify, he added, "I'm 52. I'm not going to have any kids."
Famous last words from a litany of 50-something men, and he was reminded of that. Reeves just said, "That's a whole other… But no. I'm glad to still be here."
"I'm every cliché," he continued. "F--king mortality. Ageing. I'm just starting to get better at it. Just the amount of stuff you have to do before you're dead. I'm all of the clichés, and it's embarrassing. It's all of them. It's just, 'Oh my God. OK. Where did the time go? How come things are changing? How much time do I have left? What didn't I do?' I'm trying to think of the line from the sonnet… 'And heavily from woe to woe tell o'er / The sad account of fore-bemoaned moan / Which I new pay as if not paid before.'"
"So, yeah," he added, reportedly with a smile. "I'm that guy."
In turn, Reeves can't help but come off as the solitary figure he so often plays in his films, from Constantine to The Matrix to John Wick. Heck, even Duke Caboom sounds a little melancholy.
At the same time, you're just as likely to see him in a romantic tear-jerker or a quirky comedy as a shoot-em-up. He's played heroes and hustlers, sweethearts and cruel villains, teachers and  slackers, doctors and lawyers.
"For me, it's just continuing to be able to work with great artists and tell stories that people enjoy," Reeves told Parade. "I was always hoping, even when I was young, that I could do different things," he says. "I'm really grateful for that. I'm
Though he had no idea John Wick would be such a hit, Reeves was in top form in the 2014 action extravaganza as a retired hit man who goes on a revenge spree after gangsters kill the beloved dog that was a gift from his late wife.
It made almost $89 million on a reported $20 million budget. Sequel time!
"You hope and you dream but the reality is even sweeter," he told E! News in 2017 about the first film's surprise success when he was promoting John Wick: Chapter 2. "It's great to be involved in a project that has so much affection."
Chapter 2 made $172 million worldwide.
Now back for John Wick: Chapter 3—Parabellum, Reeves has revealed that he started training heavily about three months before filming began to get back into dynamo shape, and he still goes whole-hog (or horse, in this movie's case) in the action sequences, right up until a car runs into him.
"I'll do some fight scenes and then John Wick will get hit by a car," Reeves explained to Colbert on The Late Show, "and that's Jackson Spidell, who's an amazing stuntman." Spidell has been Reeves' stunt double in all the John Wick movies. "He gets hit by the car, then I'll get up from the car, then I'll do a whole bunch more of, like, gun-fu and whatever, jujitsu, judo—and then, if I get thrown off something, Jackson does his thing."
Even more exciting for some fans, however, depending on whether you like your Keanu dark or more dude-like, is the news that he and Alex Winter are finally set to start shooting Bill & Ted Face the Music, the much-discussed follow-up to 1989's Bill & Ted's Excellent Adventure and sequel Bill & Ted's Bogus Journey, which came out in 1991. The years-in-the-making comedy is tentatively due out in 2020.
And so on his latest press tour, Keanu Reeves left his usual trail of breadcrumbs. They may not lead you straight to his door, but they'll definitely keep you on the path.
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yszarin · 5 years
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see below for thoughts on Sculptor’s Tool
- oh, hello Trexel! you’re The Worst!
- that sounds like pain noises. still feeling a bit stabbed, Jon?
- oooooh! I was hoping when we found out the title that it’d be about the Spiral’s Worker of Clay, and it’s starting to look that way!
- ah, yes, Spiral indeed! I love the description of the fish, they’re all so - well, so Spiral-y. poor little not-fish.
- “he couldn’t complain” oh Bill
- “all faces were twisted on the inside” wow thanks. and look at Gabriel, so pleased he’s managed to do a teach.
- awwww, I’m sure Michael - well, not Michael yet, just the Distortion - will love it. but oooh, having a name would confuse them - has that been the issue with Michael and then with Helen? too much of the human identity is being retained? and Gertrude saw that?
- “assistant”, ngh
- oooh the fingerprints going, that is an excellent detail.
- I mean. it is probably best to stay away from the community centre.
- “moving away from my humanity” - and yet he’s still all upset by that, by losing Tim and Daisy, not becoming the Archivist as Elias thinks he should, and I’d presume Elias knows as that’s his job - so what is he becoming? Jon+? are the feelings just going to take a little longer to go or are they not going to go at all? I doubt remaking the world in the Watcher’s Crown is going to be hugely compatible with trying not to hurt people.
- I’m glad Melanie’s still letting Basira near, she really doesn’t need to be alone right now.
- “too late again”, ah, yes, the long fun list of people Jon’s been too late for - Sasha, Martin or so it probably feels though if he gives up on Martin I’m going to fight him, Helen...
- ... there should be at least one tape - Martin’s visit in the trailer - so where’s that gone? Does Peter have it?
- Martin! :D Hello! to be honest I would happily listen to him doing admin for a long time so long as he still sounds like himself while he does it. And he does! Listen to him, talking to the tape recorder. Someone get this man a pet.
- “You missed him, didn’t you? Yeah. Yeah, me too.” just leave me here.
- welp, Peter’s static continues to be the actual worst available
- Martin sounds so defensive, especially of Jon but also just in general and it’s good.
- Martin. Martin, sweetheart. You’ve been being manipulated this whole time, I would bet my sparkliest dice on it. 
- sounds like they’re trying to stop another ritual? I’d assume Power 15, based on the Dekker mention - are we going to get Martin reading his statements? Is Jon going to end up hearing this tape or any of the others? I imagine it’s in Peter’s interest to keep them and everything else well away from him. But what’s Martin supposed to be balancing? Lonely and Beholding? he’s still pretty much afraid of everything (this boy can fit so many fears in!), but given those are the two currently involved...
- I have my own pet theory about Power 15 that it’s people, too many, overcrowding, population increase, what’s happening to the place as a result, etc, and I can see why the Lonely would be extremely against something like that, but given how little we still know it’s very hard to say anything at all at this point. 
- “so cryptic about everything”, so, he’s told you pretty much only what he needed to to get you involved with his plan, which despite all Peter’s spouting about the bigger picture is probably going somewhere bad for everyone except the Lonely. So Martin’ll likely get blindsided and screwed over. Jon. pls rescue. well, anyone really, I’m not fussy, but. gestures at dinghy.
- “you won’t want to” - nope, nope, hissing, extended hissing noises but also angstwise - this presumably started while Martin was suffering with what Elias made him know, and grieving for Tim, possibly Daisy though as far as I can tell he really didn’t like her, and, given that he’d been told Jon was never going to wake up, Jon too? how appealing must a state where he wouldn’t feel that so strongly if at all have sounded?
- he’s dealing much better with Peter now? aside from the intake of breath when he staticked in, he doesn’t seem quite so afraid of him anymore - there’s even some outright resentment on display. It’s a far cry from the behaviour in Monologue, and I want to say I’m proud of him but to be honest I might prefer Martin being very reasonably terrified of the scary thing.
- ... has Martin been sending all of Peter’s emails, if Peter hates computers that much? (Peter, dictating: and tell them if they don’t they’re going in the Lonely. Martin: ... I’ll put “please”.)
- “that’s why I have an assistant” no, no you don’t that’s not allowed
- I am so glad to hear that Martin’s still Martin, though - he’s still salvageable, for the moment, and that was my very low yet still impossibly high bar for all these characters.
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rewolfaekilerom · 3 years
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thoughts on the beguiled.
I’ve wanted to watch The Beguiled since I saw the trailer for it in 2017, but I never ended up seeing it. I also didn’t hear much hype around it in the 19C US lit academic community, which I was definitely a part of at the time of its release. I saw–I think–a Vogue article on it, and a few articles came out about the costuming or historical setting. It was directed by Sophia Coppola, so that carries some weight–or it should have. I can’t speak much to the film’s popular success, but I can say that it wasn’t a thing in academia. That surprises me now, especially given how popular the recently released Green Knight movie has been in the medieval academic internet. Maybe The Beguiled didn’t get much buzz because it’s a remake, so anyone who would’ve hyped a movie in 2017 had already seen the original, or maybe it’s just that 19C US lit academia hasn’t come to fully appreciate films about that time period (I’m not sure I buy that because everyone had something to say about the most recent Little Women adaptation). Basically, I’m surprised the 2017 The Beguiled wasn’t required viewing for every PhD student in 19C US lit in the same way that literally any single one of the Little Women or Anne of Green Gables adaptations has proven to be. Is it because The Beguiled focuses on the South? Is it because it’s a remake? I don’t know, and now that I’m not in academia, I’m not sure I really care. It’s just a casual thought that prompted this post.
If you haven’t seen or heard of The Beguiled, it’s like Misery meets Little Women but set in the Civil War-era South. The recent adaptation stars Kirsten Dunst, Nicole Kidman, Elle Fanning, and Colin Farrell. The basic premise is that Colin Farrell’s character is a Union (Northern) soldier (originally of Irish descent) who is wounded in battle and hides in the woods to die or … recover? He’s found by a young Southern girl who’s attending an all-girl’s boarding school in the area; she’s out picking mushrooms, finds him, and brings him back to the school so the headmistress can care for him. The five or six other female students at the boarding school–and the headmistress–quickly become enamored with Colin Farrell and begin competing for his affections. They heal his leg, and he begins reciprocating everyone’s attention. He tells Kirsten Dunst he loves her, he shares a few heavy emotion moments with Nicole Kidman, and he flirts repeatedly with Elle Fanning–all while the other girls and women are in the room. It’s bold behavior, but what does he have to lose? Well, actually, a lot because Kirsten Dunst finds him one night in bed with Elle Fanning, and when he approaches her to apologize or explain (honestly, what is his goal????), she pushes him away from her–and down the gigantic plantation house’s stairs. He’s knocked unconscious and his sutured leg injury reopens, so Nicole Kidman decides to amputate because he’s losing a lot of blood (but actually because she’s jealous that he went to Elle Fanning’s bedroom). He awakens from the surgery and is BIG MAD. He calls everyone on their bullshit but also goes into a drunken rage because he only has one leg and the amputation was performed for, frankly, illegitimate reasons. Kirsten Dunst tries to calm him down by having sex with him, but the other women plot how to get rid of him (oh yeah, he grabbed a weapon–I missed how he got it. Did he already have it? I thought Nicole Kidman had one too?), and they decide to have Mushroom Girl go get the bad mushrooms. They feed them to him, he dies, and the leave his body outside the gate for whichever army to pick up as they pass. That’s it. That’s how the movie ends.
I liked this movie; it was fine. Was it what I’d hoped for from Coppola? Not at all. Marie Antoinette is one of my favorite movies and I always how Coppola will make films in that same style. The Virgin Suicides has a lot of that same energy, and I love that film too. The Beguiled definitely feels like a Coppola movie. It has a similar dreamy and ethereal quality, but here there’s a darkness and underlying tension that some of the (literally) brighter films don’t always have–visually, at least. Or, maybe a better way of putting it is that the true bright, dreamy, and ethereal scenes are fewer and further between in The Beguiled than they are in the other two films I mentioned. Whereas the dark, saturated tones appear pretty much throughout in The Beguiled (except in a few very key moments), Marie Antoinette and TVS are dominated by those bright, dreamy, ethereal tones, and the darker, saturated tones appear in very strategic moments to signal Serious Business happening. As a viewer, I don’t mind the difference, but I’m not sure if the dark, saturated tones in The Beguiled always accurately reflect other depths of the film–most notably, its plot. But more on that in a second.
To get the thing out of the way that I’m supposed to talk about as someone with a PhD in 19C US lit, the historical stuff in this film works. It’s not trying to be irreverent or fanciful with historical tropes like, say, Marie Antoinette. That’s not a value judgment; it’s just a comment. Frankly, I don’t really have too much to say about this film’s historical aspects. Whereas I usually have some opinion of costuming (the recent Little Women adaptation is wonderful but there are … things I don’t love) or how historical subject matter from the period gets treated in films, in this case, I really wasn’t distracted by any significant historical inaccuracies and there were only a few times that I was like “wait a second, is this right???” Honestly, the biggest cause for that question related to some of the evening wear, which looked a little cheap, but that’s whatever; also, Civil War-era garments aren’t something I know especially well, so who am I to judge?
I appreciated the film’s take on women’s–well, some women’s–concerns during the Civil War, including the threats posed by roving military troops on both sides of the conflict, the loss of loved ones (and the sense that their lives are halted but also must go on), the mindless regurgitation of stereotypes about enemy soldiers, etc. I also love the way the film portrays some of the more mundane aspects of these women’s lives–the monotony of sewing, housework, and learning French to speak … with one another–and some of the unique situations caused by wartime population changes, including middle- and upper-class women’s need to perform outdoor labor (I was surprised to see them using shovels, for instance).
I was, frankly, extraordinarily disappointed to see that the film pares the household economy down to a group of middle- and upper-class white women with a casual comment about how all of the enslaved workers left prior to the film’s opening. I understand that this detail further emphasizes how alone and isolated this group is, but for a film released in 2017, it frankly felt like a cop-out. It’s unfathomable to me that a Southern Gothic film set during the Civil War wouldn’t have one single Black character and could write an entire population off in a throw-away line at the beginning of the film. Black Americans played essential roles in the US economy during this period–in all periods, but I’m talking about this one specifically here–and they were pivotal figures in the Civil War itself. They held especially pivotal roles in the South’s (really, the nation’s) economy, and their relationships with domestic life in that region were so complex, rich, and, frankly, worthy of all the attention in the world. Did the film’s producers not want to hire more actors, or did they think a group of white people having old-timey white people problems was enough to bring in audiences? The 19C was full of a million different stories of how enslaved southerners responded to the war and how their lives changed–especially in the South–because of it, so to not depict even one of those stories strikes me as … well, representative of what’s wrong with this film.
Okay, so I lied when I said I didn’t have an opinion on the historical stuff in this film.
My big issue with the film–well, other than (or connected with) the fact that it completely ignores literally the most important population of society during the historical moment it depicts–is that this film’s content doesn’t seem to live up to its visual richness and depth. What I mean by this is that the film’s deep and rich visual style–the color saturation and tones mentioned above–don’t mesh with the plot and characters, which are collectively underdeveloped. I think the underdeveloped plot is fairly straightforward–I didn’t need to leave much out in my summary above, and that paragraph is shorter than most emails I send. This is a film without subplots, which has made me realize how important subplots actually are for fleshing out a fictional world–even a fictional world I know a lot about and am able to imagine my own depth for. The story is a love triangle (with a few extras) in the South during the Civil War. That love triangle could take place literally anywhere and anytime else and it’d have basically the same tension. I’m not even sure you really even need the enemy soldier dimension of Colin Farrell’s character because it’s barely an issue; the majority of the tension comes from the threat a man poses–even an injured one–to a group of women, and that’s timeless. We, as a society, are also obsessed with the idea of women fighting for a man, a storyline I’m getting a bit sick of because it’s just another way we pit women against one another. But that gets to something else, which is the lack of character development. The characters–all seven of them or whatever–are stereotypes. Kirsten Dunst is the shy one who underestimates her beauty, Colin Farrell is an undercover Casanova (a 19C fuckboy, shall we say?), Elle Fanning is a flirt, and Nicole Kidman is a stern (and vindictive) older unmarried woman. We also have the spoiled rich girl and the silly sweet (but also unexpectedly vicious) girl. And Mushroom Girl is the nature-lover, who we know will be expected to conform to societal expectations the second the war ends and she reaches a certain age.
Frankly, the most interesting part about this film is imagining what is happening and will happen outside of what it shows on screen. I spent the entire time I was watching it wondering what these girls’ families were doing, how the soldiers just beyond the camera shots were faring, what the home’s previous (enslaved) domestic laborers were up to and where they had gone (and what their lives were like here before the war), what would happen to the girls in the days and months following the events of the film, etc.
TL;DR: It’s a flawed film that wasn’t terrible to watch, but left me wanting more–a lot more, and not in a “oh, make a sequel!” kind of way but in a “what was left on the editing room’s floor?” kind of way.
xoxo, you know.
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your-dietician · 3 years
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Why A Lincoln Nebraska-Based Insurance Company Launched A Podcast Focused On ‘Good Business’
New Post has been published on https://tattlepress.com/business/why-a-lincoln-nebraska-based-insurance-company-launched-a-podcast-focused-on-good-business/
Why A Lincoln Nebraska-Based Insurance Company Launched A Podcast Focused On ‘Good Business’
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Assurity CEO Tom Henning says the company is “built on the concept of people coming together to help … [+] one another for the common good. This transcends insurance protection and moves into every facet of how we conduct business and build relationships.”
Bill Sitzmann
Since writing Better Business: How the B Corp Movement is Remaking Capitalism I have been invited to be a guest on many podcasts to discuss the book and the importance of sustainable and equitable business in the post-Covid world. One of the more interesting invitations came from Assurity, a life insurance company headquartered in Lincoln Nebraska to be a guest on their Good Business podcast. This raised the question for me of why an insurance company hosts and produces a podcast on good business. 
To understand this better, I interviewed Tom Henning, President and CEO, Assurity. He described to me that “at Assurity, we believe business can be an agent of positive change.”  And that “A large part of Assurity’s 130-year heritage is our mutuality. We were built on the concept of people coming together to help one another for the common good. This transcends insurance protection and moves into every facet of how we conduct business and build relationships.” As he told me, a podcast that amplifies the message of sustainable business is thus a natural extension of the broader company’s mission. 
For more on Assurity and what it means to be a “good business,” in the insurance industry and beyond, please see below for my edited email discussion with Tom. 
Christopher Marquis: What is Assurity’s social mission and why does an insurance company care about this?
Tom Henning, President and CEO of Assurity
Bill Sitzmann
Tom Henning: There’s an old saying – “We first make our habits and then our habits make us.” For companies, an apt corollary is, “First we choose our values, and then our values establish our culture.” Values become the compass that will guide associates in making decisions.
For us, values like sustainability and generosity are more than just good ideas – they’re in the interest of preserving mankind. Being a Certified B Corporation – using business as a force for good – requires us to be a leader in demonstrating and promoting sustainable business practices. It’s about more than money. Of course we care about our policyholders, distributors and home office associates; but we also care about the environment and the greater community. The two aren’t mutually exclusive. 
It’s important to us to be a B Corporation. B Corps are for-profit companies that pledge to achieve social goals as well as financial ones. There are now 4,000 B Corps like us in 150 industries and 74 countries. Patagonia, New Belgium Brewing, Ben & Jerry’s and Amalgamated Bank are all leading examples of B Corps, and over the past four years many states have passed laws allowing companies to incorporate themselves as “benefit corporations.”
At Assurity we need to be profitable, but we also want to build a business that does good in the world. In today’s fiercely competitive environment, one might assume that a company that thinks and acts altruistically is doomed to failure. To a total free-marketeer, a B Corp is shareholder money wasted on do-gooding. The rise of B Corps reminds us that the idea of corporations as lean, mean, profit-maximizing machines is dictated neither by the inherent nature of capitalism nor the nature of humans. As individuals, we strive to make our work not just profitable but also meaningful. 
Marquis: It was great to be a guest on a recent episode of the Good Business podcast. But a podcast on “good business” is not a typical product of an insurance company. Why is interviewing other social-focused business leaders an important set of work for you? 
Henning: A large part of Assurity’s 130-year heritage is our mutuality. We were built on the concept of people coming together to help one another for the common good. This transcends insurance protection and moves into every facet of how we conduct business and build relationships. This video does a good job of summarizing who we are – what it means to be a mutual organization, how we make buying insurance easy, and why practicing sustainable habits is important to us. 
As a Certified B Corp, we’re accountable to the interests of our customers, employees, our community, and the environment. It was important for us to connect with other leaders who are making business better for the world to add our voices together and make a bigger difference – it takes a lot of people to make a change, but together we can do more good. That’s the ultimate goal of the podcast. 
In Assurity’s Good Business podcast, we’re sharing some of the best stories from companies like Ben & Jerry’s, Whole Foods Market, Arbor Day Foundation, B Lab and more, including some of their successes and the challenges they’ve faced along the way to building more sustainable businesses. Episodes release every few weeks, and you can follow us wherever you get your podcasts. 
Marquis: Why does being a ‘good business’ matter and what does that even mean? What’s the impact if you don’t do business this way?
Henning: What should be the goal of any business?
For a long time, the prevailing view in corporate America was that advanced by the economist Milton Friedman in a September 1970 New York Times article, “The Social Responsibility of Business is to Increase its Profits.” I used to believe this true. I was wrong. 
Fortunately for the world, the thinking of many business leaders, myself included, has changed.
In 1994, John Elkington, the famed British management consultant and sustainability guru, was ahead of his time when he coined the phrase “triple bottom line.” The triple bottom line, in economics, suggests that companies should commit to focusing as much on social and environmental concerns as they do profits. Triple bottom line theory posits that instead of one bottom line, there should be three: profit, people and the planet. A triple bottom line seeks to gauge a corporation’s level of commitment to corporate social responsibility and its impact on the environment over time. The idea was that a company can be managed in a way that not only makes money, but which also improves people’s lives and the planet. 
Larry Fink, the CEO of investment giant BlackRock, created quite a stir with his 2018 missive titled, “A Sense of Purpose.” In this letter he advocated that, for a company to prosper over time, it must deliver not only financial performance but also demonstrate how it makes a positive contribution to society. 
Eighty-nine percent of executives surveyed in an E&Y survey said a strong sense of collective purpose drives employee satisfaction: 84 percent said it can affect an organization’s ability to transform, and 80 percent said it helps increase customer loyalty. Across corporate America the Environmental, Social and Governance movement – commonly known as ESG – has gained traction. Most large publicly traded companies now feel compelled to annually file a “Corporate Social Responsibility Report,” commonly known as a CSR. 
Customers and employees gravitate toward companies that are trying to make a positive impact on the world. Millennials, who will comprise an estimated 75 percent of the workforce by 2025, especially want workplaces with social purpose. Millennials have high expectations for the actions of business when it comes to social purpose and accountability; and they want to work for companies that uphold these values. In other words, they want a company which is about more than just making money – they want a company with purpose.
There’s a growing understanding among business leaders of the need to revise their social contract with society. Corporate leaders today have the challenge of envisioning how to renew the corporate-social contract in the twenty-first century so firms contribute in distinct, relevant ways to societal well-being. To use business as a force for good!
It’s a great journey becoming a purposed-based organization, a journey which I believe more and more companies will embark on in the years ahead. Embracing an authentic purpose requires a higher level of maturity in a company’s own awareness.
Marquis: How can businesses get started with a social mission, especially small businesses?
Henning: I like what the Rhythm Systems Consulting Firm offers to help business leaders define their purpose. They share that purpose doesn’t describe your products or services, establish profitability or financial objectives or focus on achieving specific long-term business goals. Instead, purpose should be inspirational – it should make you feel proud of your company. And you can envision this purpose being as valid 100 years from now. They explain that a good purpose helps you decide which opportunities and activities to say YES to and which ones to say NO to. A purpose is authentic and will be greeted with enthusiasm rather than cynicism by company stakeholders.
So what does management need to do to make purpose come alive in their company? I like Rhythm System’s six key principles in making that a reality. 
First, communication. By discussing the purpose frequency, the message will be constantly reinforced. 
Second, walk the talk. By far the most important way to make core values and purpose come alive in an organization is to ensure that leadership lives them out every day. Saying the environment is important but then not backing a comprehensive recycling program sends the wrong message. 
Third, associate alignment with the company’s purpose. We need to be sure and recruit people who align with the company’s purpose, and we need to be sure each individual associate is able to clearly see how what they do every day contributes to the achievement of the company’s purpose. 
Fourth, be consistent. The purpose of an organization should not change. The tactics may. It is critical for leaders to be consistent in how they discuss the purpose of the organization internally and externally. 
Fifth, recognition. We need to recognize and reward those individuals who are living out our purpose every day. At Assurity, every quarter we recognize an associate with our “Living Our Values” award. Others many prefer recognition which is less public. 
And finally, measure what you can and learn from what you measure. We all know that what gets measured get done. But how do you measure progress on living a company’s purpose? A place to start is to think what data and evidence are critical to understanding your organizations total social, environmental and financial impact. And what metrics does your performance-management systems take into account? Seventh Generation, a maker of cleaning and personal-care products, recently built sustainability targets into the incentive system for its entire workforce, in service of its goal of being a zero-waste company by 2025.
Ultimately a shared purpose should create corporate clarity on what is really important. 
Why should customers support/buy from businesses who invest back in their communities, the planet, etc.?
Henning: People don’t buy what you do, they buy why you do it – your purpose. 
A book that had a powerful influence on my thoughts on the importance of purpose was Simon Sinek’s book “Start with Why.” Mr. Sinek started a movement to help people become more inspired at work, and in turn inspire their colleagues and customers. Since then, millions have been touched by the power of his ideas, including more than 28 million who’ve watched his TED Talk based on “Start With Why” – the third most popular TED video of all time. Mr. Sinek recognized the reality that there are only two ways to influence behavior: you can manipulate it, or you can inspire it by stressing the company’s why, or its purpose. Mr. Sinek said inspiring leaders start with why. 
Assurity’s ‘why’ is helping people through difficult times. By helping the communities our customers, distributors and associates live in, and the planet we all share, we are doing more good to help them and their families thrive.At the end of the day, I don’t think there’s a better reason than this: we all share in the future we create.
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13knave · 3 years
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68 Bits of Unsolicited Advice
It’s my birthday. I’m 68. I feel like pulling up a rocking chair and dispensing advice to the young ‘uns. Here are 68 pithy bits of unsolicited advice which I offer as my birthday present to all of you. - Kevin Kelly
• Learn how to learn from those you disagree with, or even offend you. See if you can find the truth in what they believe.
• Being enthusiastic is worth 25 IQ points.
• Always demand a deadline. A deadline weeds out the extraneous and the ordinary. It prevents you from trying to make it perfect, so you have to make it different. Different is better.
• Don’t be afraid to ask a question that may sound stupid because 99% of the time everyone else is thinking of the same question and is too embarrassed to ask it.
• Being able to listen well is a superpower. While listening to someone you love keep asking them “Is there more?”, until there is no more.
• A worthy goal for a year is to learn enough about a subject so that you can’t believe how ignorant you were a year earlier.
• Gratitude will unlock all other virtues and is something you can get better at.
• Treating a person to a meal never fails, and is so easy to do. It’s powerful with old friends and a great way to make new friends.
• Don’t trust all-purpose glue.
• Reading to your children regularly will bond you together and kickstart their imaginations.
• Never use a credit card for credit. The only kind of credit, or debt, that is acceptable is debt to acquire something whose exchange value is extremely likely to increase, like in a home. The exchange value of most things diminishes or vanishes the moment you purchase them. Don’t be in debt to losers.
• Pros are just amateurs who know how to gracefully recover from their mistakes.
• Extraordinary claims should require extraordinary evidence to be believed.
• Don’t be the smartest person in the room. Hangout with, and learn from, people smarter than yourself. Even better, find smart people who will disagree with you.
• Rule of 3 in conversation. To get to the real reason, ask a person to go deeper than what they just said. Then again, and once more. The third time’s answer is close to the truth.
• Don’t be the best. Be the only.
• Everyone is shy. Other people are waiting for you to introduce yourself to them, they are waiting for you to send them an email, they are waiting for you to ask them on a date. Go ahead.
• Don’t take it personally when someone turns you down. Assume they are like you: busy, occupied, distracted. Try again later. It’s amazing how often a second try works.
• The purpose of a habit is to remove that action from self-negotiation. You no longer expend energy deciding whether to do it. You just do it. Good habits can range from telling the truth, to flossing.
• Promptness is a sign of respect.
• When you are young spend at least 6 months to one year living as poor as you can, owning as little as you possibly can, eating beans and rice in a tiny room or tent, to experience what your “worst” lifestyle might be. That way any time you have to risk something in the future you won’t be afraid of the worst case scenario.
• Trust me: There is no “them”.
• The more you are interested in others, the more interesting they find you. To be interesting, be interested.
• Optimize your generosity. No one on their deathbed has ever regretted giving too much away.
• To make something good, just do it. To make something great, just re-do it, re-do it, re-do it. The secret to making fine things is in remaking them.
• The Golden Rule will never fail you. It is the foundation of all other virtues.
• If you are looking for something in your house, and you finally find it, when you’re done with it, don’t put it back where you found it. Put it back where you first looked for it.
• Saving money and investing money are both good habits. Small amounts of money invested regularly for many decades without deliberation is one path to wealth.
• To make mistakes is human. To own your mistakes is divine. Nothing elevates a person higher than quickly admitting and taking personal responsibility for the mistakes you make and then fixing them fairly. If you mess up, fess up. It’s astounding how powerful this ownership is.
• Never get involved in a land war in Asia.
• You can obsess about serving your customers/audience/clients, or you can obsess about beating the competition. Both work, but of the two, obsessing about your customers will take you further.
• Show up. Keep showing up. Somebody successful said: 99% of success is just showing up.
• Separate the processes of creation from improving. You can’t write and edit, or sculpt and polish, or make and analyze at the same time. If you do, the editor stops the creator. While you invent, don’t select. While you sketch, don’t inspect. While you write the first draft, don’t reflect. At the start, the creator mind must be unleashed from judgement.
• If you are not falling down occasionally, you are just coasting.
• Perhaps the most counter-intuitive truth of the universe is that the more you give to others, the more you’ll get. Understanding this is the beginning of wisdom.
• Friends are better than money. Almost anything money can do, friends can do better. In so many ways a friend with a boat is better than owning a boat.
• This is true: It’s hard to cheat an honest man.
• When an object is lost, 95% of the time it is hiding within arm’s reach of where it was last seen. Search in all possible locations in that radius and you’ll find it.
• You are what you do. Not what you say, not what you believe, not how you vote, but what you spend your time on.
• If you lose or forget to bring a cable, adapter or charger, check with your hotel. Most hotels now have a drawer full of cables, adapters and chargers others have left behind, and probably have the one you are missing. You can often claim it after borrowing it.
• Hatred is a curse that does not affect the hated. It only poisons the hater. Release a grudge as if it was a poison.
• There is no limit on better. Talent is distributed unfairly, but there is no limit on how much we can improve what we start with.
• Be prepared: When you are 90% done any large project (a house, a film, an event, an app) the rest of the myriad details will take a second 90% to complete.
• When you die you take absolutely nothing with you except your reputation.
• Before you are old, attend as many funerals as you can bear, and listen. Nobody talks about the departed’s achievements. The only thing people will remember is what kind of person you were while you were achieving.
• For every dollar you spend purchasing something substantial, expect to pay a dollar in repairs, maintenance, or disposal by the end of its life.
•Anything real begins with the fiction of what could be. Imagination is therefore the most potent force in the universe, and a skill you can get better at. It’s the one skill in life that benefits from ignoring what everyone else knows.
• When crisis and disaster strike, don’t waste them. No problems, no progress.
• On vacation go to the most remote place on your itinerary first, bypassing the cities. You’ll maximize the shock of otherness in the remote, and then later you’ll welcome the familiar comforts of a city on the way back.
• When you get an invitation to do something in the future, ask yourself: would you accept this if it was scheduled for tomorrow? Not too many promises will pass that immediacy filter.
• Don’t say anything about someone in email you would not be comfortable saying to them directly, because eventually they will read it.
• If you desperately need a job, you are just another problem for a boss; if you can solve many of the problems the boss has right now, you are hired. To be hired, think like your boss.
• Art is in what you leave out.
• Acquiring things will rarely bring you deep satisfaction. But acquiring experiences will.
• Rule of 7 in research. You can find out anything if you are willing to go seven levels. If the first source you ask doesn’t know, ask them who you should ask next, and so on down the line. If you are willing to go to the 7th source, you’ll almost always get your answer.
• How to apologize: Quickly, specifically, sincerely.
• Don’t ever respond to a solicitation or a proposal on the phone. The urgency is a disguise.
• When someone is nasty, rude, hateful, or mean with you, pretend they have a disease. That makes it easier to have empathy toward them which can soften the conflict.
• Eliminating clutter makes room for your true treasures.
• You really don’t want to be famous. Read the biography of any famous person.
• Experience is overrated. When hiring, hire for aptitude, train for skills. Most really amazing or great things are done by people doing them for the first time.
• A vacation + a disaster = an adventure.
• Buying tools: Start by buying the absolute cheapest tools you can find. Upgrade the ones you use a lot. If you wind up using some tool for a job, buy the very best you can afford.
• Learn how to take a 20-minute power nap without embarrassment.
• Following your bliss is a recipe for paralysis if you don’t know what you are passionate about. A better motto for most youth is “master something, anything”. Through mastery of one thing, you can drift towards extensions of that mastery that bring you more joy, and eventually discover where your bliss is.
• I’m positive that in 100 years much of what I take to be true today will be proved to be wrong, maybe even embarrassingly wrong, and I try really hard to identify what it is that I am wrong about today.
• Over the long term, the future is decided by optimists. To be an optimist you don’t have to ignore all the many problems we create; you just have to imagine improving our capacity to solve problems.
• The universe is conspiring behind your back to make you a success. This will be much easier to do if you embrace this pronoia.
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theliterateape · 3 years
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Election 2020: Swimming in Sewage Toward a Different Kind of More Hopeful Cesspool
by Don Hall
8:00 a.m.
I wake up a few hours ago. Slept like the dead. I read through the same bullshit with poll numbers and predictions with the same combination of hope, certainty, uncertainty, and boredom as I did yesterday and the day before. Yeah. Trump is a full-blown dickhead. Biden is a truly nice guy. Will Texas go blue? Do I even know anyone from Texas anymore?
My wife wakes up. She’s helping friends move to North Carolina by helping them drive their shit for the next week as if today is not anything big. She gives me a blowjob and gets a bagel.
I’m not worried about the results of today. I truly am confident that the nation will tip back into some semblance of rationality and dump Trump. I’m more interested to see how it all unfolds and if the deposed Mad King will take a shit on the desk in the Oval as a parting gesture in three months.
I have this image of he and his whole skeleton crew, fully repudiated by a massive and historic blue wave, sitting in the White House like squatters, selling off pieces of our national history on Ebay and hiding from His Majesty as he stomps through the hallways screaming at portraits of presidents past about the unfairness of it all.
In tandem is the image of the cultural left sharpening their knives to go in full attack once Biden is sworn in to remake the country into some bizarre Maoist Shangri-La doing what the Left always does — cannibalize it’s own — while the defeated Republicans pretend they were never in league with Trump but held hostage by him like the rest of us.
Fuck me. This is going to be a long day, isn’t it?
10:00 a.m.
I’m not terribly worried that Trump & Co. will steal the election.
I remember years ago a prominent Chicago poet who dressed and spoke like a rap star telling me “It ain’t the n****rs who talk about shit you have to worry about. They’re all bark and no bite. It’s the quiet ones you need to keep an eye on.”
Trump has been barking about stealing the election for months now and I’m pretty certain a man so overwhelmingly incompetent as the one who completely blew both his debate appearances and fucked up a national response to an epic pandemic so horribly that a retarded child could’ve done better is not going to suddenly reveal that he is an evil genius capable of stealing one of the most televised elections in history.
I’m likewise less concerned about the rabid, angry Trumpers wreaking havoc on the country. They were never in this for a long campaign. They couldn’t even take COVID seriously enough to wear masks. They’ll make some noise, get into some melees for a few days and then slink home and grouse just like their hero.
I wonder what the Antifa crowd will do once Trump is deposed? Start an emo band? Go back to working at Starbucks and REI? I hope they decide to occupy Kentucky and reign terror on Mitch McConnell. It’s a terrible thing to say but the party I’ll throw in my semi-quarantined apartment when Trump loses tonight (this week? Next month?) will be nothing when compared to the full-on Mardi Gras parade I’ll throw when the Evil Senator from Kentucky dies. I’m known to say that I can’t hate someone unless I’ve met them but I fucking hate Mitch.
I read a weird op-ed online that essentially thanks Trump for giving us four years reprieve from the cultural warriors of the Far Left. I wish I read it in a paper so I could wipe my ass with it because an iPad makes for an uncomfortable symbolic gesture.
I shower and get dressed. I’m on shift tonight at the casino so I’ll be dealing with the regular crowd while history unfolds like a soiled sheet and you can’t quite tell if that’s a bloodstain or merely ketchup. 
For our sixth anniversary, Dana got me my eleventh tattoo. She came up with a cool design concept: a Chicago tattoo for my right back shoulder that included the baby in the clamshell from the City of Chicago flag, a light blue background and three of the red six-point stars of Chicago, each representing one of my three decades there. She booked an artist in a very chic studio who happened to be a great trace artist but not so much with the original design thing.
As it stands, it’s a fine tattoo with some elements that look like a child drew them with a Sharpie. Not great but growing on me. But the odd thing is that it being being on back, I don’t see it so I forget it’s there. Reminds me that as Americans we tend to dwell on history but not what is directly behind us. We’ll send Trump packing and immediately forget how embarrassing he was and set into attacking the new administration because it isn’t as brazenly Marxist as we fought for (I use ‘we’ although I actually voted for Biden’s moderation).
12:00 p.m.
Dropped Dana off for her trip. Ran some stuff home. I’m now actively avoiding anything news related. I receive an email that our division of casinos is not putting the election coverage on the screens in our Sportsbooks and I’m relieved.
2:00 p.m.
At the casino now. It’s pretty empty and I’m unsurprised. I’m informed that the larger properties and on the Strip there are special task force groups of LVMPD set up at every location to stem any bad partisan behavior in the casinos. For our property, I’m the task force.
I recall clearly the night four years ago when so many of us were so certain Hillary had it in the bag only to be gut-punched around 9:00 p.m. with the news that Trump had won the thing. Unlike so many, I accepted the result regardless of fact that she won the popular vote. Until we sack up and remove the Electoral College, that’s a legitimate win.
5:25 p.m.
I checked. I couldn’t help myself. The only thing that pisses me off is that Mitch won Kentucky, that sour, putrid fuckface.
Yeah. I really want the Dems to sweep this up. The question I’m asking myself is if we repeat 2016, why? The answer so many gravitate to is that half the country is racist but I’m not buying that reductive bullshit. If I had to guess, half the country doesn’t buy into the identity politic of the Far Left.
Alright. Enough. Optimism. Fucking optimism.
7:30 p.m.
At this point I have to remind myself that Dems voted overwhelmingly early and so many of those votes are still to be counted. I’ll admit, I’m surprised that Trump is even competitive but given my disdain for the Wokesters I guess I shouldn’t be surprised. If I can’t take them someone from the rural side of Texas probably hates them as much as I hate Mitch.
I was hoping for a blow-out but it’s looking more and more like this thing will get decided in the courts over mail-in votes.
On the floor, no one is talking about the history unfolding. By now, the place is about half-full and people are far more concerned with getting their comp drinks and hitting payouts. I overhear a couple of guys at the blackjack table. They think the Dems are going down. One thinks it’s because of Kamala Harris. I walk away without saying a word.
If there’s anything we should have learned from 2000 is that, under no circumstances should the Blue concede until every last vote is counted. Every last fucking vote.
I’m finding a bit of Zen. We aren’t going to know who won tonight. In some ways this is a good thing. It means Trump will be wrapped up battling the process rather than losing and tearing shit apart out of petulance. We still have a raging pandemic and our economy is shredded.
The divide in this country is not one of race or racism. The divide is between city mice and country mice. As the picture emerges, the urban centers of almost every state skews left in statewide seas of rural red. It also demonstrates how deeply unpopular the extremes are with the opposing sides. The racial identity politics of the Far Left — you know, the folks who flatly state that all white people are racist — and the strident authoritarianism of the Far Right — you know, the ones who love the police and lotsa guns — are so toxic that equal measures of citizens will vote with little more than a passionate hatred for one or the other despite a host of rational reasons to vote the other way.
9:40 p.m.
We won’t know until later in the week. 
Votes are still uncounted in Michigan, Wisconsin, and Pennsylvania. We wanted a decisive repudiation of Trump and, once again, half the country (and much closer to half than four years ago) took that away.
From one angle, this is the best outcome. Uncertainty as to who won means all those businesses boarded up can breathe a sigh of relief. With no clear winner so far, there isn’t a reason to riot in the streets. A couple weeks of legal battles and ballot counting and the assholes on both sides will get bored. 
I was humbled in 2016. I thought I knew how it would go because I was so certain my worldview was so obviously right that how could anyone not see it so? I’ve been ready for this. Like so many, I felt the surge of certainty once again with the polls and how incredibly monstrous Trump became in the last days of his campaign. Fool me once, shame on you. Fool me twice, shame on me.
Don’t get me wrong. I still believe Biden will be our president on January 21st, 2021. I just wish it had been an easier road.
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yesyunniechan · 7 years
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Detective Conan File 1004 [Japanese to English Translation]
Finally, the 1004 that exploded the fandom!
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There's something he wants to ensure while he's still Shinichi...
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[The next day]
A: Anyway...
A: Since we found another cipher on Ihaya-san's body yesterday... 
A: The criminal is probably still plannin' to kill one of ya!
A: That's why, until the check-out... ya ought to stay put inside yer respective rooms, okay?
Ag: O-okay...
A: Just to be on the safe side, we'll put a police guard next to yer room...
M: Got it!
H: Oi, Kudo, is yer body OK?
S: Yeah, kinda... I drank the medicine late this morning...
Se: Medicine?
Se: What medicine?
S: T-the cold one...
M: What a terrible grave-visiting it turned out to be...
Ag: Yeah... we weren't able to visit Dekuri's grave after all...
K: Well, we can always do that next time...
[Shinichi drank the antidote for a third time. And the case is...]
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K: A dream?
K: So that's a dream of yours, Dekuri-kun!
D: Yeah! To see that line, 'Original Manga: Dekuri Michio', on the big screen...
D: Really? You'll really put my name in the credits?
M: Of course! The manga is originally yours, after all!
D: I regret it all the time... I was so frustrated that that graduation project had turned out to be so super awesome, that I spoke without thinking back then...
D: Sorry...
A: Oi, what's up, Dekuri?
A: The preview room will close soon!
D: How weird...
D: No matter how long I waited, my name didn't show up...
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P: Hm? Where are ya goin'?
M: T-the restroom... The one in my room is in bad condition...
M: So I decided to use the one in the lobby... I'll come back right away...
M: To Kiyomizu temple...
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A: Yes, hello?
M: Oi, Agata, how long should I wait for you?!
A: Wait for me? What are you talking about?
M: Didn’t you just send me an email?
M: "I'm the one that killed Nishiki and Ihaya... There’s something I want to talk about before I'm arrested by the police, come to the Kiyomizu temple's stage...'
A: What? Such message isn’t possible! Did you check the address?
M: Address says "Chestnut@"... 
A: Chestnut... Isn't that Dekuri's address?
M: Eh?
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[I'm the one that sent you that e-mail...]
M: Eh?!
[Dekuri...]
M: T-that's not possible!! 
M: Aren't you dea...
[I came back from the afterworld to settle the score...]
[You tricked me...]
[I won't forgive you...]
[I won't forgive you!]
[I won't forgive you!!]
M: N-no... Y-your name... Really...
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M: Eh?
A: Make sure you apologize to Dekuri properly...
A: In the afterlife!!
A: W-what?! 
S: The height of this stage is around 12 m...
S: So if we prepare the air mattress beforehand...
S: Then his destination won't be...
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S: The afterlife... Agata Riki-san?
A: W-why are you here?!
A: Y-you managed to solve the cipher?
S: Yeah... the hint was the white cross, which was constructed using those black squares at the beginning of the cipher...
S: It represented Kyoto's wards and the kanji were parts of Kyoto streets' names...
S: The placement of the kanji signified which ward the street belonged to and how to read those kanjis!
S: Using this method, the start of the cipher Nishiki-san received is...
S: Kamigyoku's Kontakacho's "kon"!
S: Nakagyoku's Tourouyamacho's "rou"!
S: Kamigyoku's Sujikaibashicho's "suji"!
S: Ukyoku's Adashino's "no"!
S: Sakyoku's Kamihatecho's "hate"!
S: If we only read the first syllables of those kanjis...
S: "Ko Ro Su No Ha"... Which means "Korosu no wa... (I will kill)...
H: And the reversed "saki" kanji...
H: Signified Nakagyoku's Pontocho.... But since it was reversed, it was "Npo", and only the "n" was supposed to be read...
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H: And so the first cipher is "I will kill three people...
H: The first one is the scriptwriter"!
Se: And if we check the second cipher, found in Nishiki-san's pocket...
Se: "I will kill two more, next one is the lead role"...
Se: While the third cipher, which was in Ihaya-san's pocket...
Se: "I will kill one more. At the end, I will fall from the stage"...
Se: Well, after making it look like Mayama-san commited suicide by leaping to his death...
Se: You planned on saying that you'd figured out the means by which to read this cipher...
Se:You'd intended to make the third cipher Mayama-san's suicide note...
Se: Since you noted the suicide spot, we were able to prepare for it!
A: A-a curse...
A: I was trapped under a curse that made me do all of this!!
A: You saw it for yourself, didn't you?! The ceiling in Nishiki's room! A human can't possibly do that in less than 10 minu...
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S: Magnetic notes! Nishiki-san used them during the remaking of the script, so you likely used those, right?
S: With enough static electricity, those notes would stick to any wall without the use of any glue...
S: You first stayed in this room a day ago, drew all the bloody splatters and footprints on the ceiling, and let it all dry...
S: You then covered it with those notes you placed on the ceiling... 
S: Of course, you didn't forget to reserve this smoking room the next day too...
S: But at the same time you reserved all smoking rooms...
S: And if you cancel the room with the paint in the middle of Nishiki-san's call... Nishiki-san is able to reserve this room!
S: Then, after stabbing Nishiki-san, you removed the notes from the ceiling with some sort of pole... 
S: And mixed the notes in with the script, thus tricking us...
S: While you used a syringe to take Nishiki-san's blood and then spray it in the middle of what looked like the blood splatter on the ceiling, right? 
A: T-then the tengu?
A: That huge tengu that suddenly appeared in my room and then burnt and disappeared...
A: What was that all about?!
H: When everyone wanted to help Dekuri-san with his manga, ya were the only one of any use, because ya had some artistic talent... so a handy guy like ya coulda made it, dontcha think?
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H: With flash paper...
H: That huge tengu...
H: Since flash paper is light, ya stuck it to the celing with some glue...
H: And since ya painted it with markers that contained alcohol... Once the cigarette's fire touched it, it burnt up in the blink of an eye!!
S: The evidence supporting this are the 3 cm sized burn marks... 3 cm means that you had started smoking it just right before throwing  it at the tengu....
S: So you basically must've lit up your cigarette the moment you screamed and the bellboy opened that door for us...
S: Could a person who's supposedly being terrorized by a tengu really afford to waste that much time?
Se: What's more, you put those traces on that inuyarai the night before....
Se: And then covered it up with another inuyarai, which was one size bigger, right?
Se: Then, after committing the crime, you removed that inuyarai to reveal some traces... 
Se: And then put that one over the inuyarai of a different restaurant...
Se: We were able to find a lot of things under that one...
Se: The murder weapon, the raingear used to avoid blood splatters...
Se: I bet you wanted to wipe off your fingerprints and make it look like the crime had been committed by Mayama-san...
A: W-what are you saying?!
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A: You saw it too, right? Mayama wanted to climb over the railing himself!!
I bet he was also possessed by something!!
H: Looks like there are transparent magnetic notes with red foorprints drawn on'em...
H: And ya covered that up with layers of notes that are colored like the wooden floor...
H: Ya attached a thin fiber thread to those notes and tore 'em off sheet by sheet...
H: So that it looked like Mayama-san had the bloody footprints approachin' him...
S: On top of that, only Mayama-san could hear that dreadful voice, because you used that directional speaker...
S: No wonder he tried so hard to escape it...
[I won't forgive you...]
S: Let's see... You were planning to retrieve those notes and this speaker amidst the fuss that the suicide would cause...
S: So it should still have your fingerprints...
A: Shit!!
A: Out of the way, brats!!
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A: Eh?
A: Ehh?!
Ay: My apologies, but in order to lower yer guard...
Ay: The Kyoto prefectural police  had been asked to wear their old uniforms and pretend to be a group of students on a school trip...
A: Shit... shit...
H: What I still don't understand though... Why'd ya put two lumps on all the dead bodies?
A: Kobutori-jiisan...
A: When the bad jii-san tried to imitate the good jii-san, and invoked the wrath of a tengu... he put two lumps on him...
A: Well, when I saw Keiko fall during the shooting and growing a lump...
A: I came up with this plan for the murder...
Se: So the motive was that that Dekuri guy's name was not in the credits after all?
A: Yeah! Dekuri was sitting there in the preview room dumbfounded... And when I told those three who were at the celebration party, they laughed and said this...!!
I: Really? He was that surprised?
M: We did it!
N: What a great success!
S: But wasn't that an accident?
A: I was bewildered when I asked the staff afterwards...
A: They didn't remove anybody's name, and just fixed the spacing...
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A: That means that those fuckers weren't even planning on putting Dekuri's name there... And called Dekuri to the screening room just to ridicule him!!
K: You're wrong, Agata-kun!!
K: They shouldn't have fixed that space!!
A: Eh?
M: This is the credits page that was supposed to be shown!
M: The names of all 5 of us... And me and Keiko-chan changed our names... And the irregular spaces...
M: All in all, it creates Dekuri Michio's name!
M: So that it will show his name at the same time as ours!!
M: We really wanted to include his name under original author, but the producers said it would be troublesome to pay the fee for this change, so we did this instead...
K: We thought that he, who likes ciphers, would notice it for sure...
A: N-no way...
K: We actually did the same in that graduation movie project to express our gratitude to him...
M: We wanted to surprise you as well, since you were his best friend, so we didn't say anyhing...
K: Sorry...
A: W-what have I done...
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[The lamenting of a murderer shaken in the Kiyomizu temple...]
[While the autumn leaves surrounding the temple burned red...]
[As if withering away...]
R: What? Those voices... Did you catch the criminal?
S: Don't worry about it, Ran...
S: It was an unpleasant case after all...
So: Wha-at? Even though we changed course to follow you around?
Se: We've still got some time, so where should we go?
R: Well, how about Kitano's Tenmanguu? Okita-kun told me about it earlier!
So: Nice! Let's go, let's go!
Se: It's pretty far...
So: Yeah... and the way there...
S: Oi... Hold on a sec...
S: So... how do you feel?
R: "Feel"? 
S: About me! Apparently you met Okita yesterday...
S: You didn't forget...
S: That I confessed to you in London..
S: Did y...
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[This is Ran’s (feelings) answer]
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