the part of the storm over cruciat confrontation where clem lets slip in her anger “you were quite happy to make this fucking- make this fucking boat disappear. you waved your hands, the boat disappeared- as soon as- as soon as i stop being useful to you, i- who took this fucking vessel for you?” makes me so 😵💫 thinking about it being reflected in crysanth’s “in death she could be something she never was in life: useful.” attitude that she was reared by and has never stopped not only attempting to emulate but attempting to surpass… the way she treated the rapid evening and now the witch treats figure in bismuth and likely more resurrected residents of the crown of glass…. her ass is not breaking that cycle!!! the wheel turns!!!!
ok so IDK how much I've talked about my Special Interest in the Bronze Age on here. At one point (like nanowrimo of 2003 or so) I was trying to write a novel set in the British Isles Bronze Age and I researched as much as I could and there just wasn't much information and I wrote some stuff anyway but it petered out. And ever since then I've kept checking back on various avenues of research and every time there's a new find I'd read as much as I could find about it. And then they discovered the remains of a pile-dwelling settlement in the Fens in England and they've finally just now published the results of that? Well of course I've been obsessively reading about it. (I had actually emailed the Cambridge Archaeology Unit a couple of months ago to ask where I could find the publications, so the timing was good.)
I mean the long and short of it is, they've got a site exposed by modern quarrying activity, which consists of five remaining buildings, which burned down and collapsed into the river channel with all their contents in the 9th century BC; the inhabitants escaped with very few of their possessions, and the rest of the assembly of the items they used in their daily lives are largely present, very well-preserved; whole sets of pots and woodworking tools, as well as textiles and textile-processing materials, foodstuffs, wooden tools, and enough building materials to almost entirely reconstruct their dwellings; a enormous wealth of information about their diets, their ways of living, even some feel for their aesthetic sensibilities. The circumstances of the buildings' collapse even means we know how they laid out their living spaces.
So I am going to infodump about what I've pulled out of these rather dense and dry reports (I have zero complaints, they're perfectly appropriately-written), so buckle up.
Firstly, if you want to read these yourself, the publications are open access PDFs hosted on the Cambridge Archaeology Unit's website here.
There are also a fantastic series of blog posts both from during the excavation and from during the initial analytical "post-ex" phase on the site's website, which I devoured while waiting for the final reports.
I admit I was first drawn to the whole thing, when I first saw stories about it, because of the mystery. It seems to have been a whole settlement, a village maybe, and it all burned down at once, and no humans seem to have died in it, but everyone left everything behind, even leaving a dog in one of the buildings, and some penned little lambs in a couple of them-- what caused this? Were they attacked? Were they forced out of it? It had a palisade around it as if for defense, did they build it because they were afraid, and rightfully so?? Why did they not come back to try to salvage anything? The water would have been shallow, surely they could at least get their axe-heads and things back.
But the thing that has sustained my interest now is that it appears to have been an unexceptional village after all. There's no evidence that these were elite people living here. There weren't any unambiguous weapons found-- part of a broken sword, in what was obviously a recycle bin (a wooden bucket), waiting along with some broken chisels and a bent axe and part of a broken bronze bucket for a trip back to the nearest metalworker. Some spears, but likely used for hunting, stored outside the houses all together leaned up against the palisade under an overhanging roof eave. Axes, but the sheer quantity of woodworking in the site means they were very obviously woodworking tools, and weapons only by technicality.
Other contemporaneous sites are preserved so incompletely that there are always "was this a place people dwelled or was it a ceremonial gathering place" kinds of questions. Artifacts are found either discarded in middens, broken, or deposited in hoards, "ceremonially?". But all this stuff is in-context, in the house, which burned down and collapsed straight down. This was the kitchen area, obviously; all the houses had most of their pots in the same approximate spot, caches of grain in the same area. This corner is where we find stuff they were working on-- one house has probably a loom, and tons of textile-related stuff scattered around it. (There's only evidence for a loom in one or maybe two of the buildings, but there are spindle whorls and bobbins of thread in three; several spinners providing one weaver, as is common throughout history.)
Some of the pots had been broken before the fire, and some of them had been partially discarded and partially kept, like for example a well-shaped broken bit of rim was being used as a scoop or something, while the little unusable shards had gotten chucked into the river where they threw their trash; the archaeologists could reunite fragments to prove this, and could derive the information that these shards would all be associated with the same house; they weren't shared, they were using the broken pot in the same house where they'd used it before it was broken; they seem to have cooked their meals separately, and kept separate inventory of basic household necessities. But the extra stuff seems to have been stored in the communal storage shed, so they could all get to it.
There's a large but incomplete sheet of bark that in places has a second sheet adhered to it with moss in between, which was likely bedding.
There are textiles, not just woven ones but also weft-twined ones made from lime bast cord-- mats, or hats, or capes. There's a knotted fishing net that was rolled up and in a pile with other things in an area that seems to have been a storage shed of sorts. (Near the "recycle bin" full of broken metal.) There's a collection of prepared fiber, ready to be made into cordage or spun into thread, and it's all prepared the same way in standard-sized bundles-- tantalizingly, regular enough as if for trade, stored in that storage shed next to a nested set of new pots-- like somebody had bought or made them and they weren't put to use yet, OR someone had made extra they intended to trade offsite for stuff they couldn't make themselves.
The whole sets of pots are broadly the same among households-- similar numbers of large vs. small, coarse vs. fine. They all resemble one another, though some are better-made than others-- as if several people made them, but under the guidance of one experienced worker.
Several pots and wooden containers have food residues. Hauntingly, there's a ceramic pot that was still half-full of porridge, with a wooden spatula/spoon still stuck in it. The porridge was made of ground wheat cooked in a liquid containing animal fats from a ruminant-- either sheep/goat or red deer-- possibly an early example of frumenty.
Enough of the structural timbers remain from the buildings, many with markings on them from where other structural elements were touching them and alternately exposed/protected them from fire so it is possible to reconstruct shapes and connections in more detail than if they were unburnt ruins, that the buildings can be nearly completely reconstructed, which is novel because most buildings of this era are known only from footprints/post holes. Almost no material survived from the walls, but because of these ghost "protection marks" it's possible to know that the walls existed, how wide they were, that they were attached in a particular spot, that they were made of a series of small uprights-- and to then surmise that some of the fragments of "wattle", woven panels, must have come from the walls in some cases. And it's possible to reconstruct the innovative, never-elsewhere-seen sprung floor system of bowed joists that kept the floors securely above the water below.
Anyway, I've devoured Vol I and am most of the way through scouring Vol II for interesting tidbits.
Yes of course I want to write a novel with this as the setting but I also am just completely fascinated.
Lot 404 has picked up a kind of reputation. It's a punk house. It's an all night studio. It's a long dark party where the smoke rises higher than high, and if you knock on the right door at the Santa Teresa or ask the right doorman along Electric Avenue they'll tell you there's a payphone you can call from and the old man always answers.
Sometimes the people that show up? They're people the master of the house recalls.
Three months ago - six months ago - nine months ago - somewhere in the year of last-ditch madness that's gone by, three monsters hit up the Troubador and caught this local band. Schöne Maschine.
They weren't ready for the Trouabor. They weren't ready for outside their fuckin' garage. The singer was so drunk she couldn't stand, the drummer was older than the rest of them put together and dropped his goddamn sticks twice in one song, and by the end of the set Orpheus had their so-called manager outside on the balcony, sucker-punched mid-cigarette and bitten while he was too empty to scream. Deep. Ragged. Tongue driving into the wound; this has got to look good when they find him, 'cause they're gonna find him, jaw deep on the railings.
Nobody gets the Bite that don't deserve it. A guy who puts these half-cut kids on stage and sets them up to crash and burn deserves it. Orpheus' morality has a softer centre than you'd think; a lot of room to decide that tonight, actually, this or that is bad enough.
They hadn't played since. They hadn't been paid. They hadn't had a goddamn drummer: they'd fired Leo after Sammy turned up with a hole in his jaw. They'd known they'd played a shit-ass show and they'd dragged their asses back to school and now, summer in the sky and the livin' easy, they were just about ready to play again, and they'd asked around.
So they walk up the Venice Canals, this slice of the old world on the ragged edge of the new, between one-two-three-four million dollar mansions. 404/402 squats on a corner near the southern edge; high palisade walls, steel gate, no smoke that Laura or Mikey or Peter can see - but there's a rich floral smell, and someone's guitar doesn't so much weep gently as snarl with a certain elegance. Choke chain. Whoever's playing is pulling up tight and hard, keeping control.
When they touch the bell there's a distorted squeal of feedback, and a voice; deep but nasal, a SoCal drawl with a hint of elocution in it. Expensive voice. They look at each other. Peacock blue and green spikes, bleached flat top, sideshave; striped socks and holed combats and T-shirts that were new when their parents bought them. They look at each other, and they say hi, hesitant, and they heard this was... a place to go if you wanted to make it underground, keep it real, play music the way it was meant to be played and even, God willing, get paid for it.
Footsteps. For a second, heavy, then ratta-ta-ta across gravel. The gate opens. There's a drive, with a glossy black car; there's a cypress tree, blooming lemon-and-lime in the soft evening light. There are big, loose, mauve flowers planted dense and deep along the insides of the walls. There's the house itself, white stone and low colonial lines below, pale wood and dark glass up above. And there's a man.
Faded chestnut hair falls around a lean, hollow face. The lips are thin, but mobile, quirking at something he finds amusing about all of this. The look is all black everything - leather and lace, Chelsea boots, mirror shades. Silver gloss stares back at them. Peter swallows; this old man's giving him a bad vibe. He holds out a hand, palm up, and asks them: what's occurring? And it all comes out of them in a gush: no manager, no drummer, no shows, but they want to try again: double or quits, right?
They're young, and they're pretty, and they're real cut up about it, and Orpheus can practically taste bittersweet melancholia rolling off their skin, crystallising there like salt. So he does what any good producer does, when a desperate band shows up begging for a second chance. He invites them inside.
There's a spoonful of sugar for each of them, a faint lavender tinge in the jar, thank you Beetlej- never mind - and a graceful demurral from him, he's already halfway there, he'll catch them up later. The acid's good shit, home-made, and Laura's laughing and smiling by the time he coaxes her and Mikey into the hot tub and runs his razor down her wrist. Kisses down the inside of her arm - clean cut, warm and ocean-salty, drifting drifting drifting back out onto the Pacific deep - and Orpheus lies back with them and purrs: sure. Sure, he can help them out. Now they're taking this shit seriously. There'll be a price, of course. There always is. Nothing they can't afford.
Something momentous was in the air in the south of Britain about 4,500 years ago during the dying days of the Neolithic era, the final chapter of the Stone Age. Whatever it was—religious zeal, bravura, a sense of impending change—it cast a spell over the inhabitants and stirred them into a frenzy of monument building.
In an astonishingly brief span of time—perhaps as little as a century—people who lacked metal tools, horsepower, and the wheel erected many of Britain’s huge stone circles, colossal wooden palisades, and grand avenues of standing stones. In the process they robbed forests of their biggest trees and moved millions of tons of earth.
如今,隶属于纽约城市大学(City University of New York)的布朗克斯社区大学拥有约11000名学生和1600名教师,校门有保安人员看守,校园周围有巡逻车巡逻;2012年,由Robert A.M. Stern Architects设计的新北楼和图书馆落成剪彩。目前,学校还在翻修主广场。
市价单位确实存在,比如位于Sedgwick Avenue的River Hill Gardens,这是一座由Goldfarb Properties拥有的五栋砖砌综合楼。校园北面还建有优雅的七层砖砌公寓楼,其中一些是装饰艺术时期的产物。
经纪人说,总的来说,University Avenue(也称Dr. Martin Luther King Jr. Boulevard)以西的公寓楼最古老,也最时尚。
除此之外,还有零星的砖砌独户住宅,如West 179th Street的独户住宅,它们面对的是带前院的半独立式住宅。少数共管公寓包括位于Grand Avenue和Davidson Avenue的一些公寓。但有些共管公寓受到住房发展基金公司(Housing Development Fund Corporation)的限制,根据该公司的规定,购房者的收入不能超过上限。
Aqueduct Walk沿着老克罗顿水渠(Old Croton Aqueduct)的顶端延伸,从19世纪40年代到50年代,这条水渠一直将饮用水从威彻斯特县(Westchester County)输送到这座城市。如果想重温美国历史,布朗克斯社区大学的名人堂也许值得一去。10月18日,布朗克斯社区大学将参加全市范围的"纽约开放日"(Open House New York)活动,届时还将参观由马塞尔-布劳尔(Marcel Breuer)设计的粗野主义(Brutalist)风格建筑。
该地区划入了几所小学,包括Andrews Avenue上的Public School 291、Sedgwick Avenue上的Public School 226和Jerome Avenue上的Public School 33。这三所学校都教授幼儿园到五年级的课程;P.S. 226和P.S. 33还设有学前班。
A Pittsburgh man was arrested Tuesday in connection with the deaths of two innocent bystanders during a fatal shooting last month, according to a story from TribLive.
Jaylone D. Hines, 21, is accused in the deaths of Jacquelyn Mehalic, 33, and Betty J. Averytt, 59, who were standing at a bus shelter. Police told the news outlet in a criminal complaint that Hines was shot in the calf during the gunfire.
Police said several people were involved with the shooting, which happened around 10 p.m. Oct. 15 in the area of Cedar Avenue and Pressley Street near Allegheny Commons in Pittsburgh.
John Hornezes Jr., 20, of Pittsburgh, was also killed during the shooting. Citing court records, TribLive said Hornezes was involved in the shooting and was pronounced dead at a hospital after being found wounded in West Park near a playground. Police said they found a gun in the grass next to him.
Hines is not accused in connection with Hornezes’ death but rather is charged with conspiring with Hornezes during the shooting, the news site said.
Six people were shot outside of a church in Brighton Heights Oct. 28 during a funeral for Hornezes. Two teenagers have been charged in connection with that incident thus far.
Reviewing surveillance footage, investigators said they spotted a Hyundai Tucson and Hyundai Palisade that were both at a gas station at the same time just before the Oct. 15 shooting.
Hines can be seen getting out of the Palisade and going to the gas pumps where the Tucson was parked, police said. One of two men in the Tucson then showed Hines a gun.
Hines then ran to the park and is seen on video, along with Hornezes and a third man who has not been identified, shooting at the Tucson as it leaves the gas station. The third shooter left in the Palisade while Hines was driven to the hospital, police told the news outlet.
Both the driver and passenger of the Tucson are seen on video leaning out of their respective windows and firing shots into the park, according to the complaint. Neither have been charged. One of the men is facing a weapons violation stemming from an Oct. 31 incident and was jailed without bail, TribLive said, citing court records.
It isn’t clear from the complaint which suspect killed Mehalic and Averytt, but police said their deaths happened during a “concerted assault stemming from gang activity.”
Hines is being charged with two counts each of homicide, attempted homicide and aggravated assault and single counts of conspiracy and a weapons violation. He currently at the Allegheny County Jail without bail. His preliminary hearing is set for Nov. 18.
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Persian Rug Pros
501 Gayley avenue #11
Los Angeles CA 90024
(310) 893-0616
Website URL:
https://PersianRugPros.net
Enhancing Elegance: The Pros of Persian Rug Services in Los Angeles County, CA
In the vibrant tapestry of Los Angeles County, the allure of Persian rugs adds a be next to of sophistication and cultural richness to homes and businesses alike. These exquisite floor coverings are not just elements of decor; they are treasures that request meticulous care and attention. carpet enthusiasts in Los Angeles County and its surrounding cities are lucky to have right of entry to a range of professional services that cater specifically to the cleaning, repair, and restoration of Persian rugs.
One of the primary advantages of utilizing Persian carpet services in this region is the expertise offered by capable artisans and technicians. Los Angeles County boasts a community of specialists who comprehend the intricate designs, delicate fabrics, and historical significance of Persian rugs. bearing in mind it comes to cleaning, these professionals employ techniques that not deserted refresh the melody of the carpet but as well as preserve its native charm.
Rug repair is another place where the pros shine. Persian rugs, often passed all along through generations, may acknowledge wear and tear greater than time. Whether it's a frayed edge, a drifting thread, or a more significant issue, the experts in Los Angeles County possess the skills to amend these rugs to their former glory. Through cautious craftsmanship, they seamlessly mend damages, ensuring the carpet maintains its value and integrity.
The cultural significance of Persian rugs cannot be overstated, making restoration services crucial. capable professionals comprehend the importance of preserving the descent woven into these textiles. From color correction to reweaving intricate patterns, the restoration process breathes supplementary cartoon into aging rugs, allowing them to stand the test of time.
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501 Gayley avenue #11
Los Angeles CA 90024
(310) 893-0616
Website URL:
https://PersianRugPros.net
Enhancing Elegance: The Pros of Persian Rug Services in Los Angeles County, CA
In the full of beans tapestry of Los Angeles County, the allure of Persian rugs adds a adjoin of sophistication and cultural richness to homes and businesses alike. These exquisite floor coverings are not just elements of decor; they are treasures that demand meticulous care and attention. rug enthusiasts in Los Angeles County and its surrounding cities are fortunate to have entry to a range of professional facilities that cater specifically to the cleaning, repair, and restoration of Persian rugs.
One of the primary advantages of utilizing Persian rug facilities in this region is the skill offered by competent artisans and technicians. Los Angeles County boasts a community of specialists who understand the intricate designs, delicate fabrics, and historical significance of Persian rugs. in the same way as it comes to cleaning, these professionals employ techniques that not on your own refresh the proclaim of the rug but in addition to preserve its original charm.
Rug repair is other area where the pros shine. Persian rugs, often passed the length of through generations, may receive wear and tear higher than time. Whether it's a frayed edge, a purposeless thread, or a more significant issue, the experts in Los Angeles County possess the skills to remodel these rugs to their former glory. Through cautious craftsmanship, they seamlessly mend damages, ensuring the rug maintains its value and integrity.
The cultural significance of Persian rugs cannot be overstated, making restoration facilities crucial. competent professionals understand the importance of preserving the stock woven into these textiles. From color correction to reweaving intricate patterns, the restoration process breathes extra computer graphics into aging rugs, allowing them to stand the exam of time.
For residents and businesses in Los Angeles County and its adjoining cities, investing in professional Persian rug facilities goes higher than mere maintenance; it is a duty to preserving the legacy and beauty of these unchanging artifacts. As the demand for vibes rug care grows, the availability of specialized facilities ensures that the Persian rug tradition continues to thrive in this culturally diverse region.
Persian Rug Pros
501 Gayley avenue #11
Los Angeles CA 90024
(310) 893-0616
Website URL:
https://PersianRugPros.net
Enhancing Elegance: The Pros of Persian Rug Services in Los Angeles County, CA
In the lively tapestry of Los Angeles County, the allure of Persian rugs adds a be adjacent to of sophistication and cultural richness to homes and businesses alike. These exquisite floor coverings are not just elements of decor; they are treasures that request meticulous care and attention. rug enthusiasts in Los Angeles County and its surrounding cities are lucky to have admission to a range of professional facilities that cater specifically to the cleaning, repair, and restoration of Persian rugs.
One of the primary advantages of utilizing Persian rug facilities in this region is the triumph offered by proficient artisans and technicians. Los Angeles County boasts a community of specialists who comprehend the intricate designs, delicate fabrics, and historical significance of Persian rugs. in imitation of it comes to cleaning, these professionals employ techniques that not unaided refresh the flavor of the rug but afterward preserve its indigenous charm.
Rug fix is other area where the pros shine. Persian rugs, often passed by the side of through generations, may consent wear and tear on top of time. Whether it's a frayed edge, a floating thread, or a more significant issue, the experts in Los Angeles County possess the skills to revolutionize these rugs to their former glory. Through careful craftsmanship, they seamlessly mend damages, ensuring the rug maintains its value and integrity.
The cultural significance of Persian rugs cannot be overstated, making restoration facilities crucial. proficient professionals comprehend the importance of preserving the origin woven into these textiles. From color correction to reweaving intricate patterns, the restoration process breathes other moving picture into aging rugs, allowing them to stand the test of time.
For residents and businesses in Los Angeles County and its neighboring cities, investing in professional Persian rug facilities goes on top of mere maintenance; it is a duty to preserving the legacy and beauty of these perpetual artifacts. As the request for mood rug care grows, the availability of specialized facilities ensures that the Persian rug tradition continues to be plentiful in this culturally diverse region.
Persian Rug Pros
501 Gayley avenue #11
Los Angeles CA 90024
(310) 893-0616
Website URL:
https://PersianRugPros.net
Enhancing Elegance: The Pros of Persian Rug Services in Los Angeles County, CA
In the busy tapestry of Los Angeles County, the allure of Persian rugs adds a be next to of sophistication and cultural richness to homes and businesses alike. These exquisite floor coverings are not just elements of decor; they are treasures that demand meticulous care and attention. carpet enthusiasts in Los Angeles County and its surrounding cities are lucky to have entrance to a range of professional facilities that cater specifically to the cleaning, repair, and restoration of Persian rugs.
One of the primary advantages of utilizing Persian carpet facilities in this region is the capability offered by talented artisans and technicians. Los Angeles County boasts a community of specialists who comprehend the intricate designs, delicate fabrics, and historical significance of Persian rugs. subsequent to it comes to cleaning, these professionals hire techniques that not isolated refresh the look of the carpet but plus maintain its native charm.
Rug fix is different place where the pros shine. Persian rugs, often passed down through generations, may believe wear and tear beyond time. Whether it's a frayed edge, a lost thread, or a more significant issue, the experts in Los Angeles County possess the skills to amend these rugs to their former glory. Through cautious craftsmanship, they seamlessly mend damages, ensuring the carpet maintains its value and integrity.
The cultural significance of Persian rugs cannot be overstated, making restoration facilities crucial. talented professionals comprehend the importance of preserving the origin woven into these textiles. From color correction to reweaving intricate patterns, the restoration process breathes additional moving picture into aging rugs, allowing them to stand the test of time.
For residents and businesses in Los Angeles County and its adjoining cities, investing in professional Persian carpet facilities goes beyond mere maintenance; it is a duty to preserving the legacy and beauty of these everlasting artifacts. As the demand for setting carpet care grows, the availability of specialized facilities ensures that the Persian carpet tradition continues to flourish in this culturally diverse region.