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#paterson joseph
todayisyourturntolose · 3 months
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since wonka is on digital now that means i can FINALLY post the sweet tooth clip (would've earlier but there were only cam recordings and those are not too good)
(also i hope its not just me noticing this but mat's voice is exceptionally clearer here than it is on the official soundtrack. not complaining though ofc)
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doctor-octiddius · 4 months
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Slugworth and Prodnose: we need to corrupt this cop for our benefit btw
Fickelgruber: seduce a cop ??? YOU WANT ME TO SEDUCE A COP ??????
Slugworth and Prodnose: that is literally not at all what we said
Fickelgruber: I CAN'T BELIEVE YOU'RE MAKING ME SEDUCE A COP.
Slugworth and Prodnose: ... no one is making you do that? we said we need to corrupt-
Fickelgruber: fine. seduce. i'll do it. if i must. for the chocolate cartel.
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cake-and-umbrellas · 3 months
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ok I get it but HEAR ME OUT
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reluctantjoe · 5 months
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WONKA 2023 | dir. Paul King
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acidicalkalia · 3 months
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Can I just say how Felix's facial expression reminds me of an angry kitty showing its teeth and ready to bite (cute cute cute cute cute-) but as soon as Arthur makes a sound he complied immediately. How Dom/Sub is this?? Not to mention what Arthur said sounds more like a polite request which usually won't have such obvious power to result in an immediate change of behavior but clearly Arthur just have this dominance over his colleague.
(Also, when Arthur said 'please', he's looking at Felix)
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chalamet-chalamet · 5 months
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‘Wonka’ Los Angeles premiere- December 10, 2023
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one-fancy-flapjack · 4 months
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Okay so I went to see the Wonka movie yesterday and I just had to say that The Chocolate Cartel is 100% queer. I would even dare to say that they could be in a poly relationship that started as ennemies to lovers.
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"8 year old Emma wanted to know which two flavours that sound horrible together do you think would actually make a tasty Wonka bar? Emma said sushi and peach."
Self-indulget GIFset of Mat saying my name three times, interview linked above.
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fckedupnerd · 3 months
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So I have to credit the wonderful @luxxuryycar with pointing this out to me, but ever since they said it I CANNOT stop thinking about it…
Slugworth canonically IS shown to care, at least a little bit, about Fickelgruber specifically. Slugworth does NOT seem like a man prone to apologies, in fact everything in his onscreen persona would lead the audience to believe he’s the type who never thinks about others except for in terms of business…
EXCEPT, he does actually apologize after saying the word ‘poor’ (referencing Noodle’s mom) and inadvertently making Felix gag toward the end of the film. Yes, I realize his “sorry, Felix” is a throwaway line and yes, I also realize it’s a callback to an earlier gag (pun intended 😏)…
BUT, it’s Arthur Slugworth, and they’ve done everything to establish that this man cares for nothing besides money and he doesn’t NEED to say anything. Felix could just gag after the word and it would still get the JOKE part across… so the tiny addition of that line?? The fact that the ONE time we actually onscreen see Arthur show any real consideration or care or remorse or gentleness toward another person is towards FELIX. 💚💙🥰 oh, my ship SAILS.
The realization that the line is actually unnecessary in terms of script, but included anyway and DOES indicate that Arthur actually cares how he affects precisely ONE other person and that person is Felix. I just… haven’t stopped thinking about how much I LOVE that and how deeply I’m gonna hold onto it to confirm my OTP since @luxxuryycar pointed that moment and it’s significance out to me.
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senso1954 · 3 months
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johnson is... a demonic influence in the world and should probably, like the wickerman, be driven to the edge of a cliff and burnt. i wouldn't want to spend five minutes with him. and i have to spend the rest of my life with him, obviously, because i am johnson.
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fawnonthelam · 4 months
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Finally saw “Wonka” this week (wanted to bring the nephew and neice patrol to see it closer to Christmas but there was some question about whether there would be too-scary parts for the sensitive ones but now having seen it, I think there was nothing that would be particularly scary for even very young children (old enough to sit through a movie, five or six), maybe some close-ups of sneering adults. However; no frightening imagery/characters or sequences.
My main takeaways:
Tenderness and optimism needed to make a comeback in family friendly fare, after the past few years of post COVID upheaval and the lingering bleak vibe that’s been shading culture, since. “Wonka” hits a sincere mark with its sweetness that feels like a cultural catharsis for weary families.
It’s also a gentle education for kids about organized corruption and how it works; what cartels are, how they develop, how people talk themselves into engaging in corruption or “selling out” based on interests and human weaknesses and snobbery. The villains in “Wonka” aren’t just caricatures, even at their most comedically buffoonish; the audience is shown how these figures developed their senses of entitlement and the excuses they make to themselves about why it’s okay to participate in corruption and abuse people (i.e., “it’s legal”, “you signed a contract”, “I have an addiction”, “if we don’t maintain absolute control our companies will collapse”, etc.)
Chalamet’s tone was just perfect for the origin story of this character. I haven’t seen such a convincing presentation of a childlike creative, since Ed Norton’s disarming portrayal of Sheldon Mopes in “Death to Smoochy.” It’s a hard line to walk, to play a character who is eccentric yet sweet, who connects with sincerely pure intentions to the dreams of children, without coming across as (even if only slightly) creepy. Chalamet convincingly comes across as a true friend to “Noodle” (a touchingly weary performance by Caleh Francie Lane) with a guardian instinct who is unwaveringly trustworthy. Wilder’s Wonka has long been known for his gently cynical, slightly demented sense of humor but by the end of the 1971 version, you see Wonka’s quietly bitter, sardonic facade crack and reveal the gooey center often found in those who build a hard exterior shell to deflect the pummeling cruelties of the world. When it’s revealed that all Wonka wanted was a child pure of heart to inherit his factory, “Wonka”(2023) shows us where that came from; his childhood heart had lead him to his dream (supported by the pure and unconditional love he remembered from his Mother). He’d nearly lost faith that such goodness could still exist in a cynical, shallow and materialistic modern world until he saw the sincerity and goodness in Charlie and it brought him back from his doubt. That is the Wonka we see in this film: The Wonka who believes. Overall, visually it was whimsical without being too strictly stylistic. There was an organic feel to costume design and spaces but subtly so. It didn’t feel cartoonishly dark, grimy or graphic as often seems the tendency in these “magical realism” type adaptations and/or productions. The fabrics look just natural enough, the visuals are bright without looking psychedelic or vintage carnivalesque. It just dips a toe into that for the dance sequences, (*Spoilers*!) chocolate shop reveal and zoo visit. There were many strong performances in it with a range of different comedic styles interweaving quite well but this was just my initial hot take on the film. I was most struck by how tender it was, credit Chalamet’s portrayal for setting that refreshing tone. This is indeed the Wonka we need right now and it will even make you like Wilder’s portrayal a little better when you see a continuity of principles and life’s purpose for the character.
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todayisyourturntolose · 4 months
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ik there's like. a one in 10000 chance of it ever happening but. i rlly want to hear the separate vocals for sweet tooth, if that's even possible (mainly cuz i wanna hear mathew but i also rlly wanna hear paterson joseph during the harmonies)
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reluctantjoe · 3 months
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SWEET TOOTH Wonka | 2023
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camyfilms · 4 months
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WONKA 2023
I'm making chocolate, of course. How do you like it? Dark? White? Nutty? Absolutely insane?
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chalamet-chalamet · 5 months
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“He’s a craftsman. He comes on, he has all this stuff he’s got to do. He’s got to learn all these lines, he’s got to learn all this choreography [and] he’s got to sing. He also has to be the life and soul when he’s the character. Timothée never had a moment-you’d almost expect it-where [he said] ‘I can’t do this anymore or I got to go off..’. He’s always there available to us laughing and sort of keeping it going. He crafted a character. That sort of just felt like him. Brilliant.”-Paterson Joseph
“Yeah and there’s not many people who can combine that skillset. There’s some parts where you can kind of cast any actor. There were such specific demands that very few people are going to do all of those things to such an incredible standard. He’s an insane talent.” -Matthew Baynton
“You can absolutely see him growing into that character (Gene Wilder’s version of Wonka) He’s a rare one.” -Paterson Joseph (via Radio Times)
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