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#sarah manners
forensicated · 6 months
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Smithy: "You were like Lewis Hamilton going mental. [looks back to the other officers in the van behind them] I'm not even sure he should be driving now!" Callum: [shrug] "Who made the arrest?" Smithy: "Only because you drove like a lunatic. You were on the kerb, you were on the pavement…" Callum: "If you were fitter… like if you went to the gym you might have caught him." Ben: "Why don't you two just kiss and get it over with?" Callum: "I was in complete control at all times." Smithy: [winks back at the others] Yeah. Course he was.
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~ Respect - Part 1
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kidneys-and-custard · 7 months
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Do you ever just watch a show with David Tennant and see how he acts and think how David Tennant that is of him because he just acts like that
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the-vampire-queer · 5 months
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The Vampires Digital Media Poll: Round 2, Bracket 4
Please reblog for a bigger sample size.
Results get posted on December 20th. at 5PM CST.
<- Previous poll |
If you wish to learn more about your options, either as a refresher or an introduction, press the "Keep reading" button.
What is Dracula (1931) about?
Summary: "The dashing, mysterious Count Dracula (Bela Lugosi), after hypnotizing a British soldier, Renfield (Dwight Frye), into his mindless slave, travels to London and takes up residence in an old castle. Soon Dracula begins to wreak havoc, sucking the blood of young women and turning them into vampires. When he sets his sights on Mina (Helen Chandler), the daughter of a prominent doctor, vampire-hunter Van Helsing (Edward Van Sloan) is enlisted to put a stop to the count's never-ending bloodlust." Source: Rotten Tomatoes
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Source: Dracula (1931)
Cast:
Bela Lugosi - Count Dracula
David Manners - Jonathan Harker
Helen Chandler - Mina Harker
Dwight Frye - Renfield
Edward Van Sloan - Van Helsing
Note: Cast lists provided here are not complete lists of people and characters featured in the media being listed. These are partial lists that include some of the main characters and their actors.
Additional information: Bela Lugosi's performance as Dracula is one of the most, if not most, famous adaptations.
What is Buffy the Vampire Slayer about?
Summary: "Sarah Michelle Gellar takes on the role of Buffy Summers in this TV version of "Buffy the Vampire Slayer," based on the film of the same title, which starred Kristy Swanson. Buffy is a Slayer, one in a long line of young women chosen for a specific mission: to seek out and destroy vampires, demons and other forces of darkness. Unlike her predecessors, Buffy establishes a group of supportive friends who aids her in her battles with evil, including Willow, Xander and Cordelia. Her battles with evil are frequent, since Sunnydale, where Buffy and friends live, sits atop a gateway to the realm of the demons." Source: Rotten Tomatoes
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Source: Buffy the Vampire Slayer
Cast:
Sarah Michelle Gellar - Buffy Summers
Nicholas Brendon - Xander Harris
Alyson Hannigan - Willow Rosenberg
Anthony Head - Rupert Giles
Note: Cast lists provided here are not complete lists of people and characters featured in the media being listed. These are partial lists that include some of the main characters and their actors.
Additional information: Before the show, there was a movie of the same name that takes place before it. There is a spin-off series titled Angel based on a character from the show by the same name.
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thoodleoo · 2 years
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recreating the "romani eunt domus" scene with my latin one students as i force them to properly conjugate their verb while they try to come up with how to say "the barber kills the old man"
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the-engdyssey · 11 months
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Day 4 OC-centric
Title: In Misery
This is a fanfic I don’t really have time to write, but I thought it would be interesting to share the idea with everyone and see what they think! I've tried to add as much detail as I can for this, and I hope you enjoy it!
Gif credits:  Tangerine: @peachyspaceslvt Elizabeth Olsen: @may0osh and @elizabethlailolsenfan
Tag List: @bullettrainpromptweek @phantom-wolf
Prompt filled: Mainly OC centric prompt, pre-canon, and butterfly effect prompts. It’s also an opportunity to flesh out some headcanons about Tangerine that have developed because of the course of this story. 
Pairing: Tangerine x Sarah (Female OC)
Warnings: Major character death, canon typical violence (there's a scene with a stabbing) 
Note: I have included gifs for some visual reference/inspo. My “face claim” for Sarah is Elizabeth Olsen which might be an odd choice to some people. But for context: I didn’t know that Aaron Taylor Johnson  and Elizabeth Olsen had played siblings in a Marvel movie before. I first saw them and really enjoyed their acting together in the 2014 Godzilla movie where they play husband and wife. I thought they were really cute together, and I was disappointed that they didn’t get more screen time with each other. I like their chemistry together, and I hope they act together again sometime. So, when my brain thought of a fic where Tangerine has a girl he’s in love with, I thought of her character looking like Elizabeth Olsen. That said, here’s a bullet point run down of my Tangerine and Sarah fic! (Partly under a cut due to length not necessarily content.)
Sarah meets Tangerine purely by coincidence. She is not involved in the world of assassins or the criminal underworld whatsoever. In some regards, it’s almost as if she “cleans up their mess”. She’s a young doctor for the NHS, and she works in A&E (the emergency room). She often deals with trauma patients, but she encounters just about any kind of sickness or injury in the emergency room of a hospital. She has a few friends lovingly drag her out to a pub one night to let off some steam, because she constantly works, and they fear she never has much fun. She meets Tangerine in that pub, and perhaps she’s a little tipsy, and he’s very handsome. Tangerine on his part clocks onto Sarah instantly. He can’t help himself—she’s exactly the kind of girl he likes. She’s sweet, a little shy at his open flirting but incredibly receptive, the cocktails have her a bit tongue tied (but it's also her nerves at talking to him), but she’s well spoken and intelligent. She’s pretty and cute. He likes her smile, he likes her laugh, and he simply has to have her. Which is fine with Sarah, because he’s the kind of guy she dreams of but thinks she’ll never have because he’s too good looking. There’s instant sparks, instant chemistry, and they wind up sleeping together that first night. And it’s incredible for both of them. Tangerine is an attentive lover in her opinion. He checks before he does anything, but he knows how to navigate his way around a woman’s body. Sarah feels safe with him, which means a great deal to her because she's never slept with anyone she just met, she always waits. She feels confident and sexy with him, and it’s a reminder of how it’s supposed to feel to be with someone. But surprisingly for the both of them, there’s an innate intimacy to being together which neither of them was expecting. There’s a care and a passion for each other that catches them both off guard, but it’s not entirely unwelcome. Despite thinking it’s a bad idea, Sarah slips her card into Tangerine’s shirt pocket and says he can call her anytime before she heads home that night. She assumes he won’t. But he does the next day wanting to take her out on a real date. He promises that he'll be just fine with giving her a kiss goodbye if she wants to take things slower. He really likes Sarah, he wants her, and he’s all in. It doesn’t take long for him to make her feel the same. 
Personally I love the duality of Tangerine dating a doctor, someone who spends their life trying to ease the suffering of others or preserve life, when Tangerine is primed to do the exact opposite. He doesn’t mind hurting or killing other people, the only thing stopping him is an increased likelihood of getting caught. Sarah is an inherently good person who tries to navigate her life according to the edict of “do no harm”. Tangerine most certainly doesn’t. Sarah doesn’t know what Tangerine does for money as their romance blossoms, but her kindness and compassion is what draws Tangerine in further. She is everything he’s never had in his life; true romantic love, friendship, loyalty, compassion, care, tenderness, support. He’s not looking for a woman to take care of him, but part of her loving him is doing exactly that, while he takes care of her. (Being a doting and consistently caring boyfriend is part of his love language, but it’s also him knowingly struggling with his abandonment issues having grown up in the foster care system. He feels like he has to prove to his lovers why they shouldn’t leave him, prove himself worthy of them, but Sarah silently and patiently reassures him that she’s not going anywhere.)
Tangerine is honest with Sarah about a great many things, honest to the point that Lemon thinks he’s an absolute idiot. He tells Sarah his real first name which is Tom. (Yes, I imagine his name is actually Thomas, and everyone who actually knows his name calls him Tom for short. Because Aaron Taylor Johnson was in a movie called ‘Tom & Thomas’ when he was little and because Bullet Train likes to make references to actors' previous roles in other films, this is the hill I’m dying on. Especially because it makes his annoyance with Lemon’s Thomas the Tank Engine obsession all the more infuriating as adults, and because Sarah can harass him by calling him her ‘Tom Cat’, and it makes him cringe so bad his stomach hurts while she’s crying with laughter. To which he inevitably runs after her fully intent on tickling her until she can’t breathe as revenge.) He makes up a last name for him and Lemon to go by, but he also tells her his actual birth date, he tells her honest stories about when he was younger and the people who mattered to him in the past. He even opens up about some of his worst experiences in school and foster care. He tells her the truth of who he is as a person, something that no one really knows except Lemon. Everyone else who does has left him behind in one way or another. He does not tell her anything about his real work, he hides that incredibly well from her. But he actually feels like this girl could be in his life long term, something that he never thought would actually come about, and not lying to her feels important to him even if there are certain key details that he leaves out. 
If I could summarize this story in a single sentence it would be this: No matter how deeply and truly Tangerine loves Sarah, he is nothing but an absolute poison in her life. Because Sarah is inherently good, and Tangerine is someone who is morally gray at best. He is the very antithesis of what she is, what is important to her, despite the fact that he matters to her dearly. Despite cherishing and wanting to protect her gentle and kind nature in a world that easily makes people become jaded, he is an incredibly selfish and manipulative man. He wants Sarah in his life because he loves her. That's the simplest and honest truth. But he also explains to Lemon that having a doctor as a wife would come in handy for the both of them. No more shitty patch up jobs themselves, or hoping that established organizations will take pity on them and let them utilize their resources for a fee, they’d have a trained medical professional to help them out. (And I’m not entirely sure of the legalities of it in the UK, but sometimes spouses can’t testify against each other in court, and if that’s the case, that's an added bonus). So, Tangerine asks Sarah to marry him. Because he loves her, and if Lemon asks him about it, she’s useful. And Sarah, none the wiser and utterly adoring him, says yes. 
But a relationship with a man like Tangerine is not sustainable. The violence that he so desperately tries to keep under control around her exposes itself more and more over the course of their relationship. Getting in the face of someone here. Shoving someone or nearly getting into a fight there. It’s subtle at first, to the point where Sarah doesn’t question it. He's had a past where picking fights was a way of coping and oddly enough, protecting himself. He's always been protective of her as well, but it's become more intense. It’s something she notices, but she misses it for what it really is. She’s never had any reason to believe that Tangerine is a truly violent man. Until she finally sees it for herself one day. She sees the man she’s going to marry kill another (for a quick local contract). It’s not an accident, it’s not a mistake. It’s something bloody and brutal, something she was never supposed to see. Something that brings her whole world shattering down around her.
Tangerine knows that Sarah knows. He realizes too late that she saw what happened, and he rushes over to her flat to try and talk to her when he can't catch her on foot. He’s a tad arrogant enough to think that it’ll take some time and effort, but he should be able to soothe this one over. He thinks Sarah is probably shocked and scared, but he can calm her down, surely. Tangerine underestimates the effect this has on Sarah. He underestimates the Pandora’s Box seeing such an act of violence opens within her. She’s got a head start on Tangerine. She’s able to get to her flat and barricade the door before he gets there. She’s panicking and rightfully begins to question everything. As she begins to look through Tangerine’s belongings that he’s brought over to her flat (he's essentially been living with her for some time), she realizes just how deep the lies run. Fake passports and driver's licenses, numerous burner phones, foreign cash, dozens of weapons all hidden carefully in various pockets of his duffel bags in the bottom of the closet. All things lingering in her space, her life, right under her nose, and she never had a clue. She realizes the man she loves is an illusion. The man she loves is in fact a total stranger, someone violent, a killer, and seemingly a professional no less. Tangerine isn’t stupid enough to leave copies of the contracts or mission briefs around, but she doesn’t need them to understand how dangerous Tangerine is. He’s a murderer, and she’s a witness. So Sarah does the only thing she can think of: she runs. 
It is because Sarah still loves Tangerine, despite knowing that everything he’s ever told her or shown her could very well be a lie, that she runs and instead of contacting the police. She’s scared, but more than that her heart is broken. She doesn’t realize that what Tangerine always showed her was his real self, but the darker, more violent side of himself is his real self as well. While wrestling with the realization that the man she wanted to have a future and a family with wasn’t real, she also begins to question and berate herself. How could she be so stupid? How did she not have any inkling of what he was? What kind of woman loves a man like that? Is she not as bad as he is? He makes a wave of guilt wash over her for loving a man who causes the very harm to others she tries to fix in her profession. Her phone has been buzzing non-stop since Tangerine came back to the flat to find it empty and his things rifled through. Sarah is in a taxi on the way to the airport to catch the first flight out of the UK. She answers though she can’t even see the screen with the tears swimming in her eyes. She should yell at him, curse at him, do anything but already miss him terribly. She can’t. Before Tangerine can even say anything, she simply says, “I’ll never say anything to anybody. I still love you, Tom. I'll always still love you, but I can't stay. Take care of yourself.” She pulls the SIM card out of her phone and chucks it from the taxi cab. Her plan is to head back home, her actual home. Her dad is English, but he met Sarah’s mother and settled down with her in Canada. Sarah has dual citizenship, and the only thing she can think of or wants to do is go home in her time of greatest need. 
Sarah makes a prudent decision by running away from Tangerine, but the problem is she’s not good at running away. Why would she be? That’s not a skill set most people learn. And while Tangerine and Lemon are not as skilled or “professional” as they are by the time they step on that bullet train, they have no trouble figuring out how to track Sarah down. Between budding connections to other operatives with handlers or “independent contractors”, and the fact that Tangerine enabled things like ‘find my phone’ on Sarah’s electronics without her knowing, it doesn’t take long for them to find her. Lemon has had about enough of all of this. He’s met Sarah, he actually likes her very much, he appreciates that she listens to him talk about his interests, he's grateful that she loves his brother like she does, but according to him, “I’m the one thinking with my brain. Unlike you. I don’t know what you’re thinking with, mate, but it’s gonna get us both in trouble.” Tangerine either needs to win Sarah back or he needs to take care of her, because leaving a witness behind is bad for business. Tangerine understands the situation they’re in, but he also refuses the idea of doing anything to Sarah. He can frame it in the context of wanting to preserve her usefulness, but it’s because he loves her. It’s as simple as that. And Lemon isn't stupid, he knows that.
Sarah leaving causes Tangerine’s emotions to go all over the place. He’s stressed because of the implications to his and Lemon’s safety and freedom. He’s a little angry, but more than anything he's hurt that she left. She promised him she never would. And though logically he understands why, it still feels like a rejection of some sort. And he misses her. Her leaving reminds him of all the other times he's been left behind. That same feeling of being a scared little boy who will never see those he cares about again settles in his chest. He hates it, but it shows him how not having Sarah in his life just isn’t an option. It’s a rather warped and selfish way of loving her at this point. When he finds Sarah the first time, he doesn’t confront her right away. In fact, he spends a great deal of time simply observing her from afar as she tries to navigate a life without him. He sees her parents and wishes he could have met them and tried to impress them properly. He sees her settle into new work. He watches her interactions with those around her. He sees the smile on her lips doesn’t reach her eyes anymore, he feels sick that it’s his fault. He sees Sarah safe and helping people as her true calling encourages her to do, and for some time, he considers leaving her be. Trusting her word and letting her have a life without him. But then he sees that she’s still wearing the engagement ring he bought her (and he did buy it, it felt wrong to steal it, he has a sense of pride that he actually bought it in an honest transaction for her), and the choice is made for him. When she’s out, he sneaks into the flat she’s renting. And he sees that she still has room for him in her life. She’s wearing the ring he gave her. There’s space in the closet for his suits to hang up. The double sink in the bathroom has everything sequestered to one side. He can tell she's only sleeping on one side of the bed. He likes to hope she is waiting for him and will be glad to see him. 
She was, and she’s not. She’s been waiting with baited breath for Tangerine to come find her, terrified that he’ll kill her if he does. She hasn’t stayed with her parents because she doesn’t want them to get hurt. When he’s there in her flat when she comes home, she immediately tries to run, but Tangerine is faster and stronger than her. He overpowers her, but he doesn’t hurt her. He tells her to be quiet, but his voice is gentle and loving as always, his warmth is reassuring, the strength in his hands and arms is familiar and comforting. When she goes limp in his arms, crying and defeated, he thinks he might be able to finally reach her. She asks what he plans to do, and he says he wants to take her home. He wants things to be like they were. He loves her, he would never hurt her, and he’s never lied to her. But he continues to lie by omission, never really answering the questions she demands of him about what she saw, what he does, who he is. She asks him if he loves her, and he says yes. She asks why she should believe him, how can she possibly know he’s not lying. He kisses her because he doesn't have the words, and she knows. She knows deep down that maybe he does really love her, but that doesn’t change anything. But she lets him love her for that night. She makes love to him again and again, telling him that she’s missed him, she still loves him, that there’s no one else for her but him. She means every word she says, they're a declaration of love and a confession. But they're also a goodbye. When he wakes up in the morning, she’s not there. She’s not even in the same province anymore. Tangerine is simultaneously furious and amazed that she managed to slip away from him again. He steals something small from her apartment, a little trinket that reminds him of her, and heads out to find her again. 
Every time Sarah runs away, she gets a little better at it. A part of Tangerine is proud of her, but he’s also getting sick of this game. Especially when other men start showing their interest as soon as she's settled down somewhere. Sarah rebuffs them every time. She doesn't want anyone else, her heart still belongs to Tangerine. She also knows full well that if Tangerine caught her with another man, that other man won’t survive the interaction. And after her father has sent a private detective to look into this man he sees as harassing his daughter, Sarah realizes that she might not survive him either. She learns more about Tangerine than she ever wanted to. She knows about the murders he’s been suspected in, she’s seen his previous arrests, mug shots, learns about his dealings with the fringes of organized crime, and it's enough to knock the wind out of her. She knew it was bad, but she never dreamed it was this bad. The private detective, a retired cop, looks at Sarah and asks her, “Honey, how’s a girl like you gotten involved with a man like that?” She takes the silver chain holding her engagement ring off from around her neck and places it on the table. “I said I would marry him.” The private detective just sighs and closes his eyes despairingly, but he’s a decent man and wants to help. “That’s okay. We have places that can help. There are damn good women’s shelters around here, we can protect you—“ “I think you’d better go.” “I’m sorry?” Sarah just looks at him as she places the necklace around her neck once more, resigned to the fact that it’s too late for her. The only thing she can do is try to make sure no one else gets hurt. And this man being here is putting his own life in danger. He leaves very reluctantly, but he can’t force Sarah to do anything. And he promises that if he doesn’t hear from Sarah within a certain time frame, he'll give a letter to her parents telling them that she loves them. After that, she cuts off contact with everyone she cares about, and goes as off-grid as possible. She has to get serious about hiding and running now. 
Tangerine can still find her. He finds her a total of three times. She manages to slip away two. Each time he tells her that he loves her, he’ll never hurt her, he wants her back. Upon discovering that she knows everything, he assures her that he’s never truly lied about anything. But he’ll tell her everything from now on. He won’t keep anything from her if she wants to know, but he won’t say anything she doesn't want to hear. She knows everything now, she sees him in his entirety, will she please come home with him again. And Sarah does see the real him. She sees the man that utterly adores her, and the monster that makes her question her own morality. She’s never taken kindly to people accusing doctors of playing God, and she doesn’t think it right for him to play God with other people’s lives. She doesn’t like the pseudo moral righteousness of Tangerine more often than not killing those involved with organized crime, men who often sell, beat, rape, and murder women and children. He kills men who are scum, and thus his actions could be framed as some sort of service unto humanity. But she doesn’t enjoy the notion of justifying murder– for do those same men not have wives and children who will mourn their loss? It's not her right to place a value on another life or to end it, her calling is to ease the suffering of others. She still questions herself, berates herself for still loving him like she does though she's helpless to stop it. She’s still trying to fight the inevitable, but it’s a losing battle. The fear is waning every time he comes to her, the longing for him is ever growing, the relief at seeing him is near overwhelming. It’s getting harder to leave every time. So when he finds her at a train station that final time, both of them have reached the end of their rope. Tangerine catches up to her but keeps his distance lest he spook her. He's out of breath from running, his three piece suit a disaster in his rush to get there before she slips away once more. And he finally tells her, “I’m sorry! I’m sorry for all of this! I never wanted this for you. Please, love, I want you with me… But I…I understand if that’s not what you want. I love you, but if you step onto that train, I promise you’ll never see me again.” He means it, and he’s willing to keep his word. For the first time, he is willing and able to love Sarah unselfishly, and in turn Sarah is finally willing to be selfish. “Do you still love me, Tom? Really love me. Not because you want me to keep quiet. You really did before, didn't you?” Tangerine can’t help but snap a bit because, “Of course I fucking do! I never stopped! Bloody hell, woman, why do you think I’m here chasing after you?! Why do you think I asked you to marry me?! Sarah, I love you!” She can’t help but smile even if the tears are running down her cheeks. Tangerine prepares himself for his heart to leave with her on that train, only for the girl he loves to run and jump into his arms. The cold air of the train speeding past washes over them as does the relief and elation of finally coming together. He kisses her slowly, adoringly, and asks again if she’ll be his wife. She says yes. He tells her to be a good girl and put her ring back on then. She laughs and waggles her ring finger in front of him, showing that she’d been wearing it the whole time. 
Sarah and Tangerine begin to settle back into their life together in London, though it takes time for Sarah to put the pieces of the life she left behind back together again. There was always open communication between them before, but this time it's easier with no secrets. Sarah can establish the boundary that if Tangerine is going to continue with his work, she'll never help him and Lemon with a job. She'll never be a part in harming someone else. But she will always patch them up when they come home, and he better not get himself killed or he'll have her to answer to. She's got a cute little stern frown on her face and her hands on her hips as she tells him this, and Tangerine just melts. He agrees, because he doesn't want Sarah involved in his world. She's too good for that. But taking care of others, especially those she loves? That's just who she is. Yet a man like Tangerine in Sarah's life is a poison, regardless of how much he tries to protect her. Lemon and Tangerine tend to not see the long term consequences of the various jobs they take. To them, each job is an isolated incident. They feel as outside contractors, they retain the right to bounce from contract to contract without any sort of comeuppance from the various crime syndicates they interact with. Things don't work that way. The Twins work in the fringes of organized crime, but mob bosses do not take kindly to losing their underlings at the behest of another mob. Tangerine and Lemon can take contracts from the Italian/Russian mobs and the Yakuza all they want, but they really are foolish to think there won't be consequences. Especially when they have people in their lives they care about. So when Tangerine and Lemon take a contract to get rid of some Russian mob members for other organized crime bosses, they set off a sequence of events that seals all their fates.
After Tangerine and Lemon kill a group of Russian mobsters in London, the mob’s first instinct is to kill them. Until the local Russian boss (naturally someone who falls under the umbrella of the White Death's control) realizes they're talking about The Twins. This guy likes The Twins, they've done good work for him in the past. It's a shame that they accepted a contract against the Russians. Instead of killing them and losing their future value completely, the boss decides to remind the Twins why loyalty to a good paycheck should never be broken. To not bite the hand that feeds them. The order is given to hurt the people close to them as a reminder to behave themselves. (Can't have Tangerine and Lemon badly beaten, then they'll be useless for any upcoming jobs.) After a couple of the Russian mobsters have been tailing the Twins for a while, the only person they see with them consistently is Sarah. And considering the one with the mustache is the one who seems to be in charge of accepting contracts and she's his girl, all the better. 
Sarah never saw it coming, and Tangerine wasn't there when it happened. Sarah has just finished her shift at the hospital and is just about to pop into one of the shops, before heading to where Tangerine and Lemon plan to pick her up. Sarah walks along a little side street, a short cut to the closest convenience store. A route she has traversed dozens of times without incident. A sudden large hand on her shoulder forces her to turn around, two hulking men with tattoos before her. Before she can pull away and run, before she can fight back, or yell for help, one of the Russians has a knife buried in her belly. The shock of the injury leaves her dazed at first before the knife is pulled out, warm blood following in its wake. She's stabbed again, the agonizing pain that suddenly hits her would make her scream. Instead, it steals her breath as does the force of the blade being driven into her. Five stabs in total, four in her abdomen and one in her chest. Sarah collapses after she staggers away a few steps. The other man roots through her purse taking her ID as she struggles to breathe, struggles to speak past the searing pain with every movement. Her scrubs are soaked in her own blood, and she focuses on not passing out. She hears the two men speak in Russian, doesn't know why her mind latches onto that detail. She tries to look at their faces, but it's a fog, and she knows it's because her blood pressure is dropping. She also knows the signs of various organs and blood vessels sustaining damage during a stabbing. She knows that her injuries aren't good. But she just has to wait for them to leave, wait until they assume she'll be dead soon, and then she can properly put pressure on the wound, call an ambulance, call Tangerine– her phone smacks onto the pavement before a heavy boot crashes down onto it. A heavily accented voice tells her, “Tell him he should have known better. Tell him to be on his best behavior. We know where you live.” Sarah nods weakly and finds herself alone. If not for her injuries, she'd question whether or not those men had even been there at all, or were they just phantoms from the shadows? She yells for help as best she can. She tries to get her phone to work to no avail. She tries to get up but realizes that sensation in the lower half of her body isn't as good as it should be. She can't rise to her feet, and she doesn't have the strength to drag herself along the pavement. Her breathing sounds suspiciously wet. The only warmth she can feel is her own blood. She puts pressure on the wounds with what little strength she can muster, forcing herself to stay awake. It's a losing battle. She's slowly dying. 
Despite Lemon’s rebukes of needing to trust Sarah more, that she's just running late, she hasn't run off again, Tangerine can feel something is wrong in his gut. As Lemon is chastising his brother, Tangerine pulls up the tracking app that he's once again put on Sarah's phone. The one she still doesn't know about. Lemon is about to tell Tangerine off further when the look on his face makes him pause. He glances at the phone. The little dot signifying Sarah's phone is stationary. Lemon assumes it's because she's in a shop, while Tangerine feels his heart drop into his stomach. She's stationary in an empty side street at night. Tangerine can't help himself from rushing out of the car to where Sarah is according to his phone. He keeps calling her, and she doesn't pick up. A visceral fear takes hold of him, worse than the turmoil he felt the mornings he would take up to discover Sarah had run away from him again. He gives up using the phone to call her and yells out for her instead. It's a flash of teal, the color of her scrubs, in his peripheral vision that allows him to find her in the dark and quiet of the side street. He's on his knees beside her in a second, and his heart is pouring out over the pavement along with her blood. He doesn't even recognize the tears in his eyes as he dials 999 and tenderly takes Sarah in his arms. He gently encourages her to wake up, holding her close to give her his warmth, her blood soaking into his clothes. She's pale and clammy, she's groggy and her eyes are a little unfocused, but she's alive. She's looking at him and saying his name, and therefore she's as beautiful as she's always been. His lips are all over her face and though Sarah can't return the affections, she's appreciative of the warmth. He asks Sarah to tell him what to do to help her while they wait for the ambulance. Instead, she tells him about the men who attacked her. All the fragmented details she vaguely recalls and the warning they had left her with. Sarah asks Tangerine to be careful, and the fact that the woman he loves is dying in his arms but her kind heart is more worried about his safety, breaks him. She's never seen him cry. Very few people have. But he holds her close and weeps in worry and regret, kisses her lips to cease the gentle reassurances falling from her lips. “It's supposed to be me telling you it's okay, not the other way around.” “Tom, tell me everything is going to be okay.” “Everything is going to be fine, love. You're going to be fine.” And he makes a silent promise that he'll kill them for this, but saying it out loud will make her worry. “Love you. Always have. You know that right? Love you so much Tommy.” “I know. I love you too. So much that I won't get mad at you calling me Tommy.” It makes her smile but barely. His voice is barely above a whisper as he continues, “I've never loved anyone like I love you. You're my dream girl, you know. I've…I've wished for you my entire life. Please don't leave me yet. Stay awake for me Sarah.” Her eyes fall closed, her breathing shallow. Lemon comes to his side as the sirens draw closer. Tangerine’s desperate pleas for Sarah to wake up go unanswered. 
Lemon has to help the EMTS to get Tangerine to let her go so they can get Sarah in the ambulance, and he drives them both to the hospital. He sits with Tangerine the entire time as they wait for updates of Sarah's condition, squeezing his brother's shoulder or neck in reassurance. Tangerine lets him do it more than once, a sign of how distraught Tangerine is. Lemon apologizes to the nurses at reception when Tangerine snaps at them if they refuse to give him any information for privacy reasons. Lemon helps ease the burden of the brief encounter with the police asking initial questions about the incident. But they won't know more until Sarah is out of surgery. Lemon urges Tangerine to clean himself up in the bathroom, because Sarah will hate to see him look like such a mess. Lemon is also right beside Tangerine as one of Sarah's closest friends at the hospital comes out to speak to them. The look on her face says everything before the words tumble from her lips. Lemon is there as his brother's heart shatters before his eyes. Sarah died during emergency surgery due to the severity of her injuries. Lemon takes hold of him as a grief so profound overtakes Tangerine that he nearly sinks to the ground. The last of Tangerine's strength is the only thing keeping a scream erupting from his throat and sobs wracking his frame. Tangerine never liked to cry, not even when they were kids. Lemon never had that problem, and he still doesn't. His eyes shine with tears for this brother and the girl who he looked forward to having as a sister in law. His friend. Lemon pulls Tangerine to a quiet place and says nothing as his brother falls apart. It's the first and last time Lemon has ever seen Tangerine mourn anyone in their lives like this. And he realizes with the greatest despair, that Sarah was the first and last woman that Tangerine had ever or would ever truly love. 
Tangerine is never the same after he loses Sarah. His hurt morphs into anger, a wrath against others that reaches new levels. Tangerine was not Sarah's husband legally. He was not her next of kin. He had no say in where she would be buried. He was certainly not welcome at her funeral. Regardless, he lingers in her Canadian home town to visit her grave, leaving flowers every time, often as he can before he leaves again. He and Lemon have another job coming up. Lemon thinks it's a bad idea. Tangerine has to work otherwise his grief will swallow him whole. It's wet work. And a part of him realizes that Sarah would be disappointed to know it's work that demands he takes the lives of others. But the ember of compassion Sarah fostered within him left along with her. The next job the Twins take is the Bolivia job. Tangerine accepted it because the group down there supposedly had connections with the Russians. The Bolivia job was an absolute blood bath due to his rage born from grief. A showcasing of his wrath. There was no compassion. No humanity. The rumors spread about The Twins begin to refer to them as “insane” and “psychopaths”. Tangerine likes that. The Bolivia job made him start to feel better, though it can never begin to fill the empty space inside his soul. The only regrets Tangerine has about the Bolivia job is how unprepared Lemon seemed to be for it. And that his newfound reputation as a psychopath was not given to him in time to save Sarah. He often thinks that if they all knew what he was really capable of, then maybe they would have thought differently about touching what was his. Maybe Sarah would still be alive. 
The butterfly effect of Sarah's death leads to Tangerine being how he is by the time he and Lemon step on the bullet train to Kyoto. His anger lingers. He snaps at Lemon much more than he used to, but Lemon doesn't really take it to heart. He knows when to push back and when not too. Tangerine’s fuse is a lot shorter than it used to be. He's polite for the most part, but cold with others. He's always attracted the attention of women, and even a few men, but his overall demeanor shows that he is completely unavailable. Tangerine can't even begin to think about being with someone else. But Lemon also knows that Tangerine's heart has not gone cold, it's broken. Where Lemon forgot the innocent civilian they caused the death of, Tangerine remembers. Mainly because he thinks of how upset Sarah would be over it. What little conscience he has left is the small piece of Sarah that lives on inside him. But at the same time, he can be derisive towards the pain of others. He's remarkably callous when talking about the fatal accident of the White Death's wife. Tangerine understands that pain, to him Sarah was his wife, but he doesn't feel sorry for the White Death. To Tangerine, he's part of the Russian mob, so there's a sense of vindication. A sense of ‘it sucks to lose her, doesn't it?’ But the irony is, Tangerine couldn't possibly know how full circle things have come. The Russians took Sarah away from him, he played a part in the chain of events that lead to the White Death's wife dying, and by stepping on that train, he's signed his own death warrant. Tangerine also holds no sympathy for the White Death not having left his compound because Tangerine has a thought process of ‘Well I got over it and got back to work. And you have kids. You've no excuse to hide yourself away.’ It's a thought process that holds the bitterness and anger of grief and a distinct lack of self awareness. Sarah's death is also why Tangerine frets over Lemon like he does. He wasn't there for Sarah. So when Tangerine finds Lemon knocked out in the silent car, he assumes the worst. It causes the seed of anxiety to bloom in his gut. By the time Tangerine gets kicked off the train and has to punch his way back in, his fear of it happening again has run away with him. He knows Lemon can take care of himself, but Lemon is the only person Tangerine has left. Tangerine's worst fears are realized when he finds Lemon in the bathroom. Lemon has been shot, and Tangerine wasn't there. He wasn't there again. He failed those he loves again. He's lost a loved one again. He's all alone. And something inside him snaps, the last link in the chain of events leading to the end of his life. 
Lemon has Tangerine cremated after his body is recovered from the crash site. He thinks about keeping the urn so he doesn't have to let his brother go. He thinks about spreading his ashes in numerous special places in England. They never talked about what to do if one of them died. Talking about it made it seem too real, but Lemon thinks that's silly now. He just wants to do what his brother would have liked, and the only thing he can think of is to let Tangerine finally be with Sarah. To let them both rest. Lemon goes to Canada, goes to Sarah's small town and sees it with different eyes than when he accompanied Tangerine with the intention of getting Sarah back. It feels like a lifetime ago. He almost breaks down at the realization that for Sarah and Tangerine it truly was a lifetime ago. He goes to the cemetery in the evening with a shovel, intent on burying the urn with Tangerine's ashes on Sarah's plot. An unmarked grave, but not alone. Lemon is interrupted by Sarah's mother. He hurriedly explains that he knew Sarah. That they were friends. Recites details about her that make her mother's face melt from confusion and horror to a bereaved smile as Lemon says a silly little phrase that Sarah used to say all the time. Someone else who really knew her daughter, bore witness to the wonderful person she was, gives her an odd comfort despite the bizarre circumstances. She nods at the urn, “Who's that?” “His name was Tom. He was in love with Sarah. He wanted to be her husband.” “Is he the Tom she was running from?” Lemon can't look at her as he nods and says, “Yes, Ma'am. But he loved her. He really really loved her, and he never hurt her. I promise you that.” “I know. I could tell by the way she talked about him. She was just as crazy about him. Even when she was scared of him, she adored him.” Lemon can't speak due to the tears, and Sarah's mom comes closer. “Were you going to leave him here with her?” He nods. “Yeah, but…I'm sorry, I'll go–” “Don't go,” she gently reaches out to touch Lemon's arm. Loss is a universal language, the companionship and understanding of another going through it a precious commodity. “I don't mind if you let him stay with her. I'd like that. I think they would have too.” Lemon is amazed at how kind she is, how giving and forgiving. But he realizes Sarah must have gotten it from somewhere. He can see Sarah in her mom, and as she helps Lemon dig a small hole to nestle Tangerine's urn into, he thinks about how he would have enjoyed getting to know her family. Would have loved the idea of him and Tangerine having a family with Sarah and her relatives. When they're done, and before he can awkwardly shuffle off, Sarah's mother asks if he'll come have dinner with her and her husband. A friend of Sarah's is always welcome in their home. Though she also asks that this be their secret for now, Sarah's father isn't ready to forgive Tangerine. And she also asks that Lemon keep the fact that Tangerine was his brother a secret for now once she finds out. Sarah's father isn't ready yet, but in time he will be. For now, it's important for those that loved them to be together. Because for Tangerine and Sarah to be remembered by the ones that love them is the surest reminder that they existed. 
Thank you so much for taking the time to read this! I hope you liked it! I swear I do love Tangerine and I do love Sarah despite the ungodly levels of angst. They are together forever at the end, and Lemon and Sarah's family have each other from that point on. In the spirit of Bullet Train, something good always comes out of something bad. 
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sarah snook as shiv does this thing, i’ve sometimes noticed, where when she she’ll lower the pitch of her voice and/or the volume in which she speaks
sometimes it’s for emphasis and then other times it’s her being snarky
maybe i’ve lost my mind from watching this show (and not sleeping at all shhh) but it seems like her version of trying to intimidate or patronize someone
it feels like maybe she was trying to replicate this? from logan? from the other men she’s constantly been surrounded by in this fucking environment and has probably been threatened and diminished by them and is does this to feign an air of calm and collected and like she has it together???
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frostcorpsclub · 9 months
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What pussy from a girl who's kind of stupid and has a zest for life does to a mf
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m0tel6mxzzy · 1 year
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SHIV WHIMPERING INTO TOMS ARMS OVER HER DAD IM WEAK
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wolves-etc · 2 years
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so I'm rewatching Orphan Black at the moment and there's this really understated thing in 1.7 where (spoilers, obviously) sarah's going into a tense situation to help paul, who is during this entire conversation zip-tied to a chair, and who goes from being stubborn and resolved and on top of the situation (in an "I'm gonna be interrogated but I can deal with it" way) to quietly panicking because she's there too.
paul is, to be clear, a badass. paul has been through some shit. paul has an understanding of situations that are military and clandestine etc, and specifically told sarah to run and protect herself. and sarah's badass as well - adaptable and resilient, and a hell of a general grifter, and she's not in there without a plan.
so it doesn't suck as much as it could. but it sucks. the dude there who's in charge (olivier), who is dangerous in ways we don't yet fully understand, is taking the opportunity to give off distinct sexual harassment vibes. it doesn't go far, and I shan't go into details.
and sarah takes the time during this conversation, as soon as she's relatively unobserved, to turn her back slightly on olivier and draw close enough to paul that he can lean towards her. he touches his forehead to her coat and her side; she rests her hand on the back of his head, stroking very briefly.
the second time, when olivier's left his jacket draped over paul's leg and turned away to take a phone call, sarah moves back in to tug the jacket onto the floor and stays close enough that paul can lean slightly against her arm again.
('scuse the awkward screenshots, but they're very short moments.)
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and it's interesting to me. we don't see these characters much when they're clearly on the same side, and this is probably the first time both of them can be sure of it. we only see them truly (emotionally) intimate a few times. and this is a clear moment not just of intimacy but physical reassurance, and something that sarah (who is not soft, and not often kind) recognises as important to do. it's a quiet I'm here and I'm looking out for you.
(and it shows something, something pretty wrenching, in how readily he leans towards her too.)
it's a small thing. the subtlety of it always got lost for me before - I always thought sarah was trying to signal something with the jacket, but no, I think now that was about anger and about comfort, for herself and for paul. and these moments really caught me by surprise.
(later, when they're both safe, the first thing paul does that isn't practical - and the thing that draws them together again - is take sarah's hand and just look at her. I really do think that's the only way they know to be there for each other in a way that works.)
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celebsinlingerie · 1 year
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Sarah Manners
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forensicated · 4 months
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Starting to wonder if I've been watching TB too long now I'm starting to pick up on all the little weird things Leon does in the background of scenes 😂
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high3ver · 7 months
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mannerisms wise sarah bolger in the tudors is a+ elissa content, not even gonna lie
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coloursofaparadox · 10 months
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mm
#i miss my dog#long story short my first baby that was my own was a puppy that i adopted with my ex#her name is Sarah and she was a rottie/german sheperd mix and was absolutely beautiful#and since ex was recovering from surgery when we got her i raised her from a baby#and did all her training and took her out to parks and new places and just totally threw myself into taking care of her#she was so well trained and so sweet and so nervous all the time. i worked on confidence building with her and she trusted me so much#she listened to me over anyone else and ran to hide behind me when she was anxious and would let me do things she wouldnt let anyone elsedo#and then. of course. when we split up my ex took her with her.#i got the second puppy we'd been raising for a few months at that point.#her logic was that she picked Sarah out so she was hers and I picked Lucas out so he was mine#and it's not that I don't love him but I miss that dog so so much. she's reactive and hard to deal with and my ex just. never dealt with it#when we were together i was the one working on it and taking her out in public even though it was hard and walking her#so i know shes not getting the kind of care she needs. which makes it even fucking harder.#just. im trying to love the dog that I have and i do love him. i do! but she was my baby and i miss her so so much and i know shes not okay#ive been trying to give myself grace and know that i wont have as much of a bond with Lucas as i did with her right away and thats okay#but i know that i resent it a little bit every time im reminded that he's not her. and its going away#but slowly. and im trying to lean into doing the kind of things i did with her like training and confidence building and bonding#but ive been avoiding it because it makes me sad every time. but the lil fucker deserves better. and he needs some manners.#so im gonna work through it and just. do it with him. treat him with as much love as i did her when she was growing up.#itll either get better with time or it wont and ill deal with it when i get to it#but fuck do i miss her so much
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noburden · 2 years
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i have a teacher who is exactly like Emily from Gilmore Girls and i’m obsessed with her
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mariocki · 2 years
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Doctor: There's nothing wrong with him medically.
Phaedra: Medically?
Doctor: He's just very unpleasant. And therefore incurable. I'm sorry.
Phaedra: I don't know what to do.
Doctor: Get over him.
-
Sarah Kane, Phaedra's Love (1996)
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psychedelic-ink · 7 months
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𝐓𝐇𝐀𝐓 𝐏𝐑𝐄𝐓𝐓𝐘 𝐆𝐈𝐑𝐋𝐅𝐑𝐈𝐄𝐍𝐃
pairing: joel miller x f!reader
genre: explicit smut, minors dni, childhood bestfriends to lovers, tlou'verse, jackson era, mild hurt/comfort
word count: 4.9k
summary: When your boyfriend is desperate to win back what he lost, he bets on you this time without your knowledge. And everyone knows you don't go back on your word when it comes to Joel Miller.
warnings: okay so technically not cheating because your boyfriend literally gambled you buuut if that's not your thing I totally get it, piv, dirty talk, choking, spitting, size kink, soft!joel & feral!joel, he likes hearing how big he is, affectionate whore calling™, a hint of analplay, oral (receiving and giving)
a/n: another joel fic inspired by p.orn, we love to see it
a special thank you to @nothoughtsjustmeds for the beta! 💕
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Joel was never that into gambling. 
Back before everything had gone to shit, that had always been more Tommy’s forte than his own. Joel doesn’t remember the amount of times he’d had to bail his brother out, either by protecting him while putting himself in the middle or by giving him loans he’d never ever see again. Joel hadn’t minded. Tommy was his baby brother after all. As long as he was safe Joel was happy—annoyed, for sure, but happy. 
He was surprised when he learned that Jackson had a pretty heavy gambling scene and that Tommy wasn’t a part of it. He didn’t know why that was, because even on the nights where he had to go bail him out and bring him home all bloodied and bruised, Tommy just made the same mistakes. Not even Sarah’s worried expression, while she peered from between the wooden stair railing, deterred him from it. 
Guess it was different when your own kid was on the way. 
However, despite his lack of interest in gambling, he found himself betting away what little he had for someone else—someone he thought he would never see again. But honestly, he wasn’t half bad at it so he didn’t mind it that much. His only complaint was when he had to get messy hunting down those who didn’t pay up. 
One by one the men around the table folded, only leaving Joel and Liam. A huge stack of weaponry lies in the middle of the table, Liam’s eyes constantly flit between the stack and Joel. They stare at each other long and hard. Joel knows that he’s going to win. He usually did with these face-offs. 
Liam folds. 
A small smile tugs at the corner of Joel’s lips. There’s nothing better than to take what someone he absolutely detests wants. 
“Let’s go again,” Liam grunts, his forehead shining with sweat. 
Joel raises an eyebrow, “You don’t have anythin’ else to bet on.” 
“Come on now, Miller,” Liam leans back into his chair. “There must be something that you want.” 
Joel’s eyes bore into his long enough for the man to grow uncomfortable and nervous. Only then did he speak. 
“You still have that pretty girlfriend?” 
Someone Joel didn’t bother learning the name of pipes up from his right, “I thought we were only betting huntin’ supplies this time.” 
“Come on, let the man try to win his rifle back.” Joel grins. 
“Fuck you, Miller.” 
“Careful now,” he slowly places his elbows on the old table, his weight on it enough to let out a threatening creak. He cocks his head to the side, his smile small but still there. “My kindness wears thin.” 
Liam’s an addict. And of course, he says yes. 
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“You fucking gambled me away?!” your voice is shaking, body trembling all over as you pace back and forth in front of the couch Liam was nestled on top of. At least he has the decency to look guilty. “What the fuck is wrong with you, Liam? I’m your girlfriend, not some kind of deer hide you can put on the table.” 
“Look I said I was sorry alright?” He stands up fast enough to make you flinch. He holds you by the shoulders, thumbs moving in a soothing manner. “Won’t happen again, I promise.” 
You scoff, “We both know that’s a lie.” You lift your chin up in defiance. “I won’t do it. I have free will. You can’t make me.” 
That makes Liam sweat. You can’t blame him, you’ve heard of Joel’s. . . outbursts. But honestly, that’s the least of your worries. You’re mostly confused as to why Joel asked for you specifically. You’re positive that he’d been avoiding you ever since he came into Jackson, only talking to you a handful of times. Why now? And why like this?
“Baby,” Liam whines, snapping you away from your thoughts. “You have to. He’s crazy, he’ll kill me.” 
“You should’ve thought of that before.” 
“Please. All you’d have to do is entertain him for the night, make him happy.” 
“So to be his plaything? Is that what you want?” 
“Maybe he’ll ask you to cook him dinner, hell if I know.” 
“Sure,” you roll your eyes. “I’m sure he’ll just want something to eat.” 
You give him one more look before slipping away from his gentle hold. Your heartbeat is slow, hours spreading across every beat, making your chest feel heavy and lightheaded.
“Fine,” you cave, wrapping yourself with your shaking arms. “But after this, I’m done, Liam. I’m so tired of bailing you out.” 
“You can’t leave, where would you go?” 
The soft tone he used while begging you to spread your legs for Joel quickly turns into a tone with sharp, dagger-like edges. You don’t say anything. Don’t answer him or agree with him. You’re lost in a broken world. 
And now, amongst all the things you’ve been through, you have to see the pity in your childhood best friend’s eyes. 
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You don’t want to be here. You don’t. It’s embarrassing. 
Your boyfriend is in the other room, brooding on his couch, examining his life choices. You’re not doing any better. Your robe loose over your shoulders, the chill of the bedroom settling over your skin. It’s especially embarrassing because it’s Joel for crying out loud. You’ve known each other since you were kids causing mischief all around the neighborhood. You still remember the time you fell and scraped your knee, how he kissed it better and placed a pink bandaid over it because it was your favorite color. 
Why the hell had he asked for you? To humiliate you? Well, he definitely succeeded. 
The door opens and you jolt. His presence is large in the room, making you shudder despite yourself. Your pulse quickens. You shouldn’t be afraid of him yet here you are, trembling like a newborn doe. He closes the door with a gentle click, the wood creaking and solidifying your fate. 
You haven’t known him for years. Even before the outbreak had torn the world apart. You had moved away two years prior and after everything went down you never expected to see him again. When he showed up in Jackson you barely recognized him. He looked rugged, more salt than pepper in his beard, his eyes drained of life. He had scars that ran deep and he had found a kid along the way. You were surprised but relieved to see he still had a big heart. 
You were ashamed the first time you two sat down after years. Everyone knew of Liam’s gambling problem, he couldn’t help it, and you knew that Joel knew. You hated the idea of him pitying you, of him seeing the world weighing down on you. You’ve heard from around that Joel also started to place bets. Nothing too big though, unlike your boyfriend who would bet on almost anything in the house. You knew those bets could turn out violent and people feared Joel. Even in a safe utopia like Jackson, the kind of man he’d become traveled from ear to ear, striking fear. And when someone that owed him money ended up with a bloody nose and broken jaw. . . no one dared to deny him of anything. 
And it seemed like you were no exception. 
Joel stands in front of you, his sleeves pulled up to his elbows, exposing sinewy muscle. He stands close. Close enough that you feel his breath on your lips. Your eyelids flutter before you avert them, tears stinging the corners. 
You drop the robe, the old fabric pooling at your ankles. You’re left in a decent enough-looking bra and somewhat matching underwear. 
“Not interested,” Your entire body goes taut, eyes wide. You hear the blood rush in your ears. Joel moves past you and takes a seat on the bed, crossing his arms over the expanse of his broad chest. You stare at him and a thick knot forms in your throat. He gives you a brief look before explaining. “I only wanted to teach your boyfriend a lesson. He’s reckless. One of these days he’s gonna be in real debt to me and, darlin’, I don’t want you gettin’ caught in the middle.” 
Your heart drops. You don’t know what you’ve been expecting but it certainly isn’t this. Tears blurring your vision, you quickly bend over and scoop up your robe, throwing it over your shoulders. Somewhere along memory lane, you forgot to remind yourself that Joel was your first; first crush, first love, first kiss, first time. But it just hadn’t worked out. You had stayed close friends until you moved away, he had Sarah, you had a promising career. You were planning on getting back to him. It just never came to be. Liam didn’t know you knew Joel, only Tommy knew about the connection you two had, mainly because he was there. 
And now you had Liam—Boyfriend who calls you names because he hates everything, Liam. Shitty boyfriend, Liam. Boyfriend who put you up as a prize, Liam. 
It’s just too much. All of it. Your heart can’t handle how unfair it all is. The pity Joel shows you, the way Liam treats you. He loves you, you know that much, but he just doesn’t care enough to treat you right or tend to you when he’s so broken himself. He doesn’t understand that you would take care of him just as much. 
And now you’re just a shell. A shell of your former self. 
The first salty tear slips from your lashes, it’s followed by another and then another. 
You manage to reach the end of the bed on shaky legs, collapsing, you cover your face, heaving silently into your palms. You don’t want Liam to hear you cry, deep down you want him to think Joel is fucking you this very instant. You want him to feel guilt, or at least a sliver of the way you feel. 
There’s a gentle hand on your shoulder. Your brain doesn’t even register that Joel is pulling you into his chest, wrapping solid arms around your shaking frame. He holds the back of your neck, squeezing tenderly just like he did when your mom yelled at you and he wanted to calm you down. 
“Why are you cryin’?” he mumbles. “I told you I’m not gonna do anythin’ to you. Or to him. I just wanted him to think before he put you in any danger. What if it wasn’t me there? Not everyone is as they seem in this town.” 
After all this time Joel Miller is still looking out for you. 
“It’s not that,” you answer, between sniffled and muffled hiccups. “I’m embarrassed and so fucking tired. I don’t want you thinking I’m some damsel in distress, even though me crying isn’t really helping,” you take a deep breath and peel yourself unwillingly from his chest. “I don’t feel good about myself. I never do with him. I just feel like shit with some more shit thrown over. And well. . . now I know that you don’t want me either. It’s just too much. But I’ll be okay, thank you for looking out after me even though I’m a mess.” 
He suddenly grips your chin and pulls you close enough that your noses almost touch, “What the hell makes you think that I don’t want you?” 
“You. . .” with a sigh, you look away. “You didn’t want to fuck me.” 
“You want me to fuck you, sweetheart?”
Squeezing your chin, he forces your gaze back to him. His lips are parted, pupils wide enough to hide the chocolate brown of his eyes. He seems just as surprised as you feel. Arousal pools between your legs, heat dripping down the curve of your spine. You press your thighs together and swallow. 
Joel’s hand moves up to your cheek and cups it gently, thumb toying with the corner of your lip, “I just never thought you’d be interested if I’m bein’ honest. Especially not after. . . everything I’ve done.” 
“You’ve done what you’ve had to do to survive,” you kiss the curve of his palm and he shifts, coming even closer. “I always wanted to come back to you, you know? You’re my first love, Joel Miller. Deep down I always wanted you to be the last.” 
Joel was never an emotional guy. He always had trouble expressing what he thought and felt, thinking he always had to hide behind large invisible walls. The outbreak had put a magnifying glass over that quality of his. You can only tell that your words affected him by how the crease between his brows softens and his cheeks gain a subtle red hue. 
He only grunts as he forcefully brings your hand to his crotch, his cock hard and throbbing under your palm. His lips skim down your neck, kissing where your pulse beats frantically. Joel grinds into your palm, “You still want to fuck with your boyfriend waiting in the living room?” 
“God, yes.” 
You stand up and he parts his legs for you, allowing you to take your rightful place between them. Looking up, his fingers dance up your shoulders, pushing off the robe so it once again pools at your feet. The fabric of your bra has worn away with time, meaning that your nipples meet no resistance as they stiffen under his gaze. Joel licks his lips and brings both thumbs to the peaks, rubbing them until they’re fully hard. 
Then he suddenly shoves you closer to him, your aching nipple met with his wanting mouth. He sucks through the fabric. Saliva darkens the color. He sucks and moans each individual nipple until both are hard like diamonds and only then do you find yourself on the bed, his mouth still on you, starving for more. Your back forms the perfect arch, the sheets feeling like silk against your skin despite them being years old—almost rotten.
He drags his lips down your body, rough facial hair tickling your skin, your hips helplessly stutters into the air. Two large hands pin your hips down. You can’t help the noises that tumble from your lips. For the first time, you’re feeling whole. He lays soft kisses against your inner thighs and finally, he reaches where you want him most. 
Joel sucks your clit through the fabric and your body jerks, seeking the heat of his mouth against your bare cunt instead. He smiles, digging his blunt nails into your flesh. 
“Patience,” he licks a stripe down your clothed folds. “I want you to be loud, sweetheart. Make noise for me. If you want me to fuck you, that’s my price—your sounds.” 
Liam never liked the sounds you made. Unless you were mimicking porn and whispering how close you were, which was a very rare occasion. 
Joel slides his hands up to the softness of your stomach, squeezing gently. Like you might fade away at any given second. He kisses the lips of your pussy and his eyes flutter closed. 
“Doesn’t it feel good,” he begins, his southern drawl more prominent as his voice grows deeper. “To have that prick in the next room listenin’ to me fuck you, riddled with guilt because he bet on his pretty girlfriend?” 
It does feel good. “You think I’m pretty?” 
“‘Course I do,” his brows furrow, eyes finding yours. “Prettiest girl I’ve known since the first day my dick got hard.” 
The words send a tingle up your spine but Joel doesn’t allow you to linger on them for long. He slides your underwear to the side. The fabric sticky with slick, he immediately presses his lips deep into your cunt, tongue swirling around your entrance and teasing it by pushing in the tip. You cry out and grip his head, your legs pressing against his ears. Your heart hammers within the confinements of your ribcage. 
“Gonna ruin you,” he groans, licking himself deeper and rutting the bed. Your eyes roll back, your body melting with every fat stroke of his tongue. 
Joel takes you apart slowly. His jaw moves, head lazily going from left to right. You feel so wet, soaked, from both his mouth and your slick. It’s almost like he goes slower the more soaked you are. He draws various shapes around your throbbing clit. You're left withering under him, shaking, begging, and moaning his name loud enough that the entirety of Jackson could probably hear. The wet smack of his mouth is followed by loud slurps and groans, and your stomach coils tight. 
After all these years, Joel Miller had certainly learned a few new tricks. He wasn’t that same teenager anymore, though, neither were you. He feels different, yet he also feels the same. Like a familiar wind stroking your skin. 
“So damn wet and sweet like honey, fuck.” 
He moves away and you nearly cry out of frustration, fingers burrowing into the old sheets. You only move when you hear the deafening sound of a belt buckle coming loose. Joel’s pants drop to his ankles, cock painfully hard and slightly curving to the side. Your mouth waters, “No underwear?” 
“Got too lazy to wash’em last Sunday,” he lazily strokes himself. Today is Tuesday. He’s been going commando all this time. More saliva fills your mouth, you don’t know why but the thought excites you and he seems to notice. “You always did get turned on by the weirdest things,” he mutters. “Now get on your knees, sweetheart. Been waitin’ a long time to feel those lips again.” 
You pout, “Forearms are sexy, ask anyone.”
Joel sighs and shakes his head, his dark gaze makes you clench around nothing. He ignores your comment entirely.  “Don’t make me say it again.” 
You sink to your knees immediately after that. 
He’s so much thicker than you remember. The bulbous head a beautiful shade of red, shiny beads of precome gathered at the slit. You notice the vein meandering down the underside of his cock and you trace it with the tip of your tongue. The blood pumps harder in response, his length twitches and smears the shiny pearls against your cheek. 
You moan as you finally take him between your lips. The corners of your mouth sting from how wide you need to open to accommodate him. You manage to take him half way in, swirling your tongue, you hollow out your cheeks. 
“That’s it—That’s it, fuck—suck me harder, sweetheart, please—” his hips rock forward, his cock filling your mouth until the head is hitting the back of your throat. You choke on him and his head falls at the way your throat constricts around the width of him. He then pulls out, prompting you to look up. His hair is a mess, lips swollen and parted. “Use your spit, need you to wet my cock good if you want me to fit darlin’. I ain’t that teenager anymore.” 
You kiss the soft crease between his balls, rolling them with your tongue. You’re delighted to witness how he shudders at the soft caress of your lips, “I can see that.” 
“Get on with it then.” 
Joel sounds almost annoyed—no, not annoyed, but eager, desperate—to have your mouth wrapped around him with Liam in the other room. You don’t want to make him wait so you slowly allow a thin line of saliva to drip from between your lips. His thighs tense when it touches the head of his cock. 
“Is his dick as big as mine?” he asks, jaw locked, words bouncing off of clenched teeth. 
“No,” you gasp, dragging your lips down the length of him while staring at him through heavy lashes. “No, it’s not as big as yours.”
Suddenly you’re lifted to your feet, your body nothing but a ragdoll as he pushes you to the bed, the old mattress creaking with protest at the added weight.  
“Play with that fuckin’ pussy for me, I want to see it.” He wraps a hand around his weeping cock, his strokes hard and calculated. Your breasts tingle as you push a hand between your thighs, he clicks his tongue in disapproval, approaching the end of the bed. “Spread your legs wide, honey.” 
As soon as you open your legs and spread your folds for him to see how soaked you are, he’s quick to climb up the bed. Turning you to your side, he gets right behind you. Joel wets his own fingers, sucking on them with a loud groan before replacing yours with his own. He rubs your clit with precise movements, each stroke hitting the mark and making you see bright, dazzling stars. Your body moves on its own. Heat pools between your legs, your hips grinding back to feel the heft of him on your ass. 
“Joel, please,” you whimper. “Please, fuck me, please—” 
His lips touch your cheek and he breathes heavily, his chest heaving and rattling with every exhale. You feel the head of his cock slowly sinking into you, stretching you wide as his lips decorate your sweaty skin with fleeting kisses. 
“You’re takin’ me so fuckin’ well, honey,” your eyes roll back, a mild pain blossoming from where you two connect. He brushes his fingers over your clit, the sharp pleasure shortening your breath. “That’s it. That’s my girl takin’ my big cock so well. So good. So good for me.” 
Your jaw drops as you take him inch by inch. He continuously plays with your clit, kissing you and whispering words of praise while his tongue plays with your earlobe. You feel like mush. Like dough that only he can mold. Your lashes grow wet with tears, your heart beating so wild that you swear he can hear it as well. Joel slightly pulls back his hips and pushes back in, your breath catches in your throat, and soon enough he begins fucking you with shallow thrusts. 
“Is this what you wanted, huh?” he mutters into your ear. You nod helplessly, your body burning from the inside out. “Tell me, louder, come on,” a smack echoes in the small room, and pain blossoms over your ass cheek. “Come on, louder.” 
“Yes!” you cry out. In a weak attempt to meet his thrusts, you roll your hips. “Yes, this is what I wanted. I’ve never stopped thinking about it—never stopped thinking about you.” 
“Is this pussy mine?” 
“Yes, it’s fucking yours.” 
Your voice must’ve come out too much like a whisper because Joel’s pace quickens. He fucks you hard, deep, hammering into you until you’re struggling for air. He wraps thick fingers around your neck, squeezing until there’s pressure building under your eyes, your lungs burning. 
He loosens his grip around your throat, “I wanna hear it, come on now, don’t make me beg for it. Tell me, is it mine?” 
“Yours! It’s fucking yours!” 
Suddenly Joel is underneath you and you’re on top, his hips relentless as he snaps his hips up into you. It feels even better now. The way his cock massages your walls shooting crackles of electricity up your spine. He holds your ass with both hands and spreads you for his liking. 
You moan his name and when you look down, seeing him staring at your face, a sudden gush of embarrassment overwhelms you and with a small whimper, you cover his eyes with both your hands. Joel grits his teeth at that. He fucks you harder, the vicious way he presses inside making you gasp and drop your hands so you can brace yourself by flattening your palms over his chest. His eyes flash with anger. 
“Why the fuck—” he growls, “would you cover my eyes?” 
“I–I got embarrassed—” you squeeze your eyes shut and open them back again. You push down your hips, taking him to the hilt as a form of apology, but he doesn’t seem to accept it and holds you still. Your head falls back with his every thrust. 
“If you ever pull that stunt again, I’ll take you over my knee,” he rasps, ignoring the way your pussy clenches at his words. 
His finger teases your asshole and beads of sweat gather at your tailbone. Joel’s grin is dangerous, something you’d run away from rather than run towards. But you can’t help it. A wanton moan rattles your throat, your pussy clenching hard around his cock. He presses forward, burying his finger down to the first knuckle. You shudder over and over, your body building tension and releasing it simultaneously. 
“You like that, wildflower?” he groans, thrusting his finger in and out while snapping his hips up. “You enjoy it when I play with your tight little asshole?” 
“Fuck, fuck—Joel—yes, yes I do.” 
His other hand snakes around the back of your neck and yanks you down. His damp lips touch your ear, “Gonna fuck this hole one day, pretty thing. . . gonna fuck it so hard you’re not gonna be able to stand for weeks.” 
Before you can catch your breath, you’re being hauled towards the closed door, the emptiness you feel sudden and cold. He pulls your hips up, presses your cheek against the barely standing wood. Your hard nipples graze against the surface, a jolt of pleasure shooting up your spine. Again, Joel thrusts forward, filling you to the brim. The mild pain tingles within your lower abdomen and you melt against him, eyes rolling back as you wiggle your ass for him. 
With every rock of his hips, your body hits the door with a thud and you’re sure Liam can hear every forceful fuck, “Tell him how fuckin’ bigger I am than him—I wanna fuckin’ hear, it come on.” 
“He’s so much bigger than you!” you groan, bracing your palm against the door. “You hear me, Liam? Never had a bigger cock in my life, I’m soaked.” 
Liam’s muffled voice follows through, “Jesus fucking Christ, what the hell is wrong with you? You fucking whore!” 
You know it shouldn’t, but his words still jar you. 
“I’ll fuckin’ break his hands for that, don’t you worry darlin’,” Joel mutters into your skin, his words marking you as something untouchable. “And I’ll make it fuckin’ hurt.” He then kisses your shoulder and shouts towards the door, slamming especially hard this time so the thud of you hitting the door echoes. “You’re the one who gambled her like some kind of prize you dickhead. Don’t blame her for feelin’ good about it!” 
“You could never satisfy me,” you say barely above a whisper, like you’re not entirely sure you’re allowed to feel good about this. About finally having him all to yourself. 
“That’s it, tell him,” Joel growls, pushing his cock even deeper. You swear that if you looked down at your stomach, you’d see a bulge, as impossible as that sounds. “Tell him.” 
You desperately grab at Joel’s forearms, feeling the sinewy muscle tense. Your slick drips down his length and wets the inside of your thighs. With a loud moan you repeat your words and it feels delightful. 
You only smile when you hear the outer door close shut. Liam is gone. 
“Yes yes yes,” Joel murmurs into your neck, ramming into you harder. “That’s it, come on my cock, sweetheart, please—I wanna feel it—” 
Your breath catches in your throat, body seizing, “B—Bed,” you manage to choke out. 
If he pulled out, you’re not aware. His body is a constant presence against your back, lips always latched on to a patch of skin, tasting the salt. Joel lays you down gently and pushes your legs high enough that it grazes your forehead with every desperate snap of his hips. 
“Is this what you want?” he groans, the wet noises of him fucking into the tight fist of your cunt bouncing off the walls. 
“Yes, Joel— this is what I want.” 
“My whore,” he leans over and grinds into you. He slips his tongue into your mouth, sucks on your tongue. The back of your thighs ache with protest but you whimper into the kiss anyway. Breaking the kiss, Joel breathes into you, “My good sweet little whore,” and another kiss. 
Your eyes roll back, “So deep,” you groan, breaking the kiss. 
“Deeper deeper deeper,” Joel mocks you by mimicking your dazed tone with his drawl. He slowly pushes in, holding himself there, he halts your breath. “How’s that, wildflower? Deep enough for you?” 
“Oh god, Joel—” you choke. You fist the sheets, your cunt fluttering and throbbing. He doesn’t move, he flexes his cock and the pressure of that is enough to break you. 
Joel wasn’t expecting it, this much your muddled brain is able to realize from the shocked groan he lets out. His lips find purchase on your forehead, kissing and mumbling praise as your entire body clenches and releases, your pussy gushing around him. You feel the trickles of fresh wetness ripping out of you and all you can do is take it when Joel resumes his thrusts, fucking you through your messy orgasm. 
Despite your insistent begging of wanting him to come inside, Joel pulls out, coming undone instantly as he does so. He rubs himself over your mound, thick ropes of come spurting across your stomach and even the underside of your right breast. He releases your legs and they fall limply to his sides. 
Joel kisses you long and deep, his weight comforting above your trembling body. When he finally pulls away, he lets out a low chuckle and brushes your noses together. 
“I think he left, sweetheart.” 
“Good,” you mumble and press a quick kiss to his flushed lips. “All I want is you.” 
Liam’s not your boyfriend anymore. 
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