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@dire-kumori MMMM. EVIL. pure, unadulterated evil you have brought unto my dash, I love it.
Just. Evan trying so hard to reconcile the image of this stranger covered in blood beside him in the next loop, except the memory is so hazy he doesn't know what to make of it. At first he wants to hope that he was wrong and this stranger isn't actually working alongside the animatronics, but the more Ev tries to remember that cycle, the hazier the memory gets. And Evan can't stop thinking about how the very next thing that happened after he saw the stranger bleeding beside him, was getting attacked by the monsters. He opened his eyes and saw the stranger beside him-- just lying there, not even PRETENDING to be trying to help him anymore; the stranger killed himself just to get away from Evan, and he just left Ev alone to die.
When Evan wakes in the next loop, he can't even muster the energy to get out of bed. He knows the monsters will drag him out of bed if he doesn't get up, even without the stranger yelling that particular fact at him, but he can't help but just lay there.
The stranger tries keeping the doors shut alone, apparently having decided to keep pretending to help. Evan still can't get out of bed. He only has the effort to sob: "I can't do this anymore. I don't want to do this anymore. Please just stop!"
Maybe, eventually, Mikey gives up and curls up next to Evan in the bed with his arms wrapped protectively around his little brother. Or Maybe Michael scoops Evan up and tries running them both out of the house. Either way, Evan doesn't have the energy to fight against the stranger's hands on him. Either way, they both end up dead.
And speaking of Evan’s memories being confusing jumbles. Before Mikey tries revealing himself, back when Evan still thinks of Mikey as some stranger, maybe Michael has to listen to Evan beg for "Mikey" to come save him.
Evan doesn't remember who this "Mikey" that he is screaming for is anymore. When Evan was alive, he thought of his big brother Mike as being the adult he was supposed to be able to turn to for help, the person who would make everything okay. Now, dead and stuck in this nightmare, Evan has the vague sense that there was a Mikey in his life, someone who was supposed to be there for him and make everything better. Evan holds onto that single memory, that one vague hope that his mysterious Mikey might help him.
It encourages Mike to risk telling Evan the truth in one cycle, except when Evan learns that the Mikey he's been begging for help from and the cruel Foxy-mask boy in his memories are one and the same...
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Evan is *outraged.* He's dealt with a lot of pain and suffering and betrayal, but THIS?
Evan is in the middle of screaming at Mike thay he can try to be a good person all he wants but will NEVER make up for what he did when one of the animatronics gets past their defenses. Evan doesn't even notice at first; he's still mid-sentence screaming at Michael as the animatronic tears him apart.
Then Evan dies, and the cycle restarts, and Evan Forgets. Except, Michael can't help but notice that Evan never screams for "Mikey" to save him ever again.
And don't get me started on THIS.
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After getting so offended at me calling you a monster, I offer you the chance for a happy ending where Mikey and Evan resolve their issues and move on, and you teAR IT TO PIECES?? FOR SHAME
i mean, don't get me wrong, it's a beautifully horrific ending and i love it, but holy heck. I am going to need 3-5 business days to emotionally recover!!!
Michael slowly fading as he is FORCED to realize he can't save Evan after all. Evan’s hope of finally being at peace savagely crushed, as he is forced to remain stuck in the simulation until the software and hardware his spirit is attached to slowly crumbles with time and too much use.
And the idea of him (and Mike) getting recorded onto Help Wanted is PHENOMENAL.
I'm just imagining Evan cowering inside the Night Terrors/Fnaf 4 section of the game. Despite the lifetimes worth of awful memories he has inside that room, it's the first familiar place that Evan stumbles across, and he craves the comfort of the familiarity of his prison. He much prefers it to the unknown, and he's been stuck in this room for so long that the outside world (or, well, the other virtual recreations of the various games) are too big, too scary, too overwhelming. Besides, Evan has learned from his father’s simulation that bad things happen when he tries leaving this room.
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me when i'm tired and hurting and scared and angry and no one is coming to help me and i don't say that to be negative or guilt anyone who might see this vent i say it as a fact because no one is going to help i have to help myself and i don't want to i don't want to help myself i want to lean on someone for once without being taken advantage of and i want to talk about my anger and express it and get it out in a healthy manner and i want to talk about how scared i am how my health terrifies me and i don't really know what's going on and i know my body to the best extent i can i and i have worked endlessly trying to conserve energy so i can do basic tasks like dishes and bathing myself and i have been working so fucking hard to fight the internalized ableism in me that screams that everything shouldn't be this hard and i should just Be Able to do these things and i don't have anything to actually fight these thoughts! because i don't actually know what's wrong and i have tried for the past three years. three fucking years. to make this one appointment. just one. to talk to a different professional and tell them i need help i and living less than half my life and i can't take it most days i can't take this cycle of deteriorating physical health into deteriorating mental health and round and round. i'm exhausted. i can't do the things i enjoy. i work so hard to try to do them occasionally. and i work hard to try and appreciate and enjoy it. and it's just hard.
i just want to vent tonight. i'm stressed. we've been having small bug problems lately. and then there's the waterlogged part of the carpet where we don't know where the water is coming from. and tonight i saw what might have been a roach and. i grew up between my mom and aunts place, and my aunts was beyond covered with bugs. at night it was horrifying and finding a place to sleep sucked ass. so it just. fucking triggered me, and i'm so tired and hurting but i pulled out appliances and things and sprayed down bugs and spots i've seen them in and. so i sat down and i was already overwhelmed and i couldn't find the remote so i could put something on and relax. and i did find it. but i just had to sit and work on breathing and cry a bit. i'm home all the time and i constantly am thinking about this. i'm so stressed about it. OH and it was made sooooo much worse because for the first time i saw one in our room. and. that nearly sent me into a panic attack. we have been so strict with having no food or anything like that in the bedroom. and it didn't do anything. there was still a bug. where there's one, there's so many more. i am. going to try and fucking relax.
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Do you know smtg about why the character design for k&7 stories different from K S1, KMK, and K S2? It's so hard to watch it TT. I like the story but at the same time the design make me sad. Somehow it look hilarious. I need the elegant design back.
I feel you anon, the 7 Stories art style makes me sad too -_- I blame GoHands for this one, the more rounded style seems to be the 'house style' that they're going for and honestly I don't think it works at all (I watched Project Scard and the animation had the same issues, I'm told Handshakers was even worse). My general feeling is that GoHands wants to be known for the cool, slick style that the first season of K had...but that's expensive, so they didn't want to do that and thus have been slowly working their way towards basically 'budget K.' You can kinda tell watching the series how even in season one the budget seems to be decreasing a but towards the end but they mostly manage to cover it well enough using tricks that are common in anime – the big battle between S4 and Homra at the school, for example, is largely done via panning still shots of people fighting rather than actual movement, and there's some re-used animation with Fushimi and Yata fighting that was taken from episode 5 but it's not hugely noticeable. Missing Kings as a movie seems to have gotten a bit more budget but there's still some reused animation there, most notably I distinctly remember Yata falling off his skateboard and then doing the breakdance move to get back up which was taken from episode 5. ROK is where they start to go a bit more on the cheap, the look isn't quite as bad as 7S but everyone's eyes I think are a little bigger and their faces a bit rounder, and there's a lot more obvious reused animation to the point that for me it dd occasionally detract from the episode – specifically in episode 12 and the S4 Big Damn Heroes moment, having the alphabet squad rush in with animation that we just saw back in episode one I think really made that moment a little less of a 'hell yeah' than it should have been.
Then in 7S we basically get the final form of unfortunate animation, where everyone has giant anime eyes and the designs look a little flatter and some of the backgrounds look really off. I couldn't get through more than one episode of Handshakers but I've been told that series had a particularly bad habit of having characters standing on computer generated backgrounds where they didn't look quite on the same plane as the places they were supposed to be occupying and while I don't think 7S is terrible on this some of the backgrounds are just mystifying. Fushimi's house in LSW in particular is coming to mind here, there's a shot of Fushimi talking with Kisa and behind them are these absolutely gigantic arching doorways that are like doors for elephants and like I know they're rich but why does it look like they live in a museum (Scard also does this with the weird backgrounds and it's even worse, because it's supposed to take place in this lawless rundown area and the main character is supposed to be scrambling to survive but apparently he lives in an IKEA catalog. The cafe also has these really weird shelves and just a general nonsensical layout that honestly made me appreciate the look of Bar Homra even more). I don't think there was any real intentional change in style in the sense of 'we think this looks better,' I really think the change was just GoHands being cheap and trying to ape the much more successful style of S1 but without any of the budget behind it.
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Speaking of fashion, I will eventually have the appropriate amount of time to dedicate myself to a proper attire headcanon post. For now, I only have examples for silhouettes pertaining to dresses gathered. Which at this point can ultimately be narrowed down in explanation as Muu holding preference for a bodice that does not require even just a modest breast size.
Although he does wear bralettes (which is not out of gender dysphoria or euphoria on any account actually. Instead, it is more so like a running joke with himself at this point due to the fact he's actually had an infatuation with wearing them since he was a sixteen year old boy that found a bra lying in the street) he doesn't do so with the intent of applying padding to them-- especially when considering the fact he has some minor gynaecomastia due to stubbornly persistent baby fat going on. He can deal with those, but he definitely doesn't want to even so much as imply he has "real breasts."
He also isn't one to gravitate towards those built around the necessity for breasts due to the fact that he does not wish for the attire adorning his body to appear as though something (or somethings) is missing. Which is also the given reason why even in his decision to wear what is considered women's underwear underneath the dresses similar to above, he does not engage in the act of tucking. Yes, that does come within treacherous territory per the fact that he is then advertising himself as a flamboyantly youthful individual with an occasionally visible (and not incredibly well endowed, mind you) genitalia outline in his attire. That's not even to mention the detectability of his disabilities on establishing conversation with him.
Beyond that, he's not too partial to much else. Length and material is otherwise irrelevant as long as he can freely move within it to accommodate an in-between active and sedentary lifestyle. He would also best appreciate those that are not overwhelming to the senses in one manner or another-- this includes itchiness, heaviness, lack of breathability, and so on. Textures usually aren't too worrisome to him, however, as he has been raiding the closet of his female friends (such as Hannah of @kannojo predominantly) for years, so by now he knows what he does and doesn't like with enough ease that even unexpectedly finding something is unappealing to him van be easily remedied without any fit.
The bottom line with all of this is while Muu strictly wears what is primarily marketed as women's clothing, he does not do so out of the desire to be a woman. In fact, he's asked that question within himself many times only to come up with the same conclusion each time: He is simply an aged up boy caught up in having to navigate too many things at once, therefore eccentricities intended to lighten his load have transpired. Being that 99% of abusers have been men throughout the years, and women his sanctuary from them, it became sensible at some point for him to cease one struggle for favor of mirroring his safety while he sources through another. Muu has no idea even how to be a person yet, let alone a gendered one.
That is also not to say he wishes to abolish entirely in favor of utilizing they/them pronouns. In fact, it still remains quite the opposite. At this time in his life, he's not looking to be othered more than he always has acquired for himself. Being gridlocked into a perpetual state of regression in his present has been isolating enough as is that he doesn't wish for more beyond that. It also has intriguingly been almost beneficial in keeping some of his identity centered, though, as being so interwoven with his inner teen provides connection with the perspective of character held back then.
When he was sixteen, he was very self assured in nearly all aspects in life until led to second guessing the bulk of them. Of those is one of which where he was well adamant that he was a boy with a preference for he/him pronouns to demonstrate that. And while he's been able to find appreciation for femininity that he'd have otherwise mocked in his youth, that is as far as it goes for the time being. Working beyond the semantics of that just isn't on the table at this time in his life.
Where he might go with it during Pride Month is still up to him, but, really, his focus is far more centered on fulfilling and answering other aspects of his person at this time. Generalized comfort and safety are of the utmost importance to his emotionally led manner of living. Once that is established, whether or not he opts for reintroducing what is considered men's attire back into his wardrobe is completely up in the air.
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