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#storyrambles
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well I have just been attacked by a goose for the first time in my life today.
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Hibiki
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Birthday: April 25th
Age: 17
INFJ 5w4
Story: Fear Itself
A new transfer student from the city on the trail of a set of supernatural rumours and her one-time investigative partner, Kyo. She’s an aspiring writer who struggles with depression, but also frequently acts as advisor or voice of reason for her friends.
She finds it hard to find joy in things except for her writing, though even that makes her feel conflicted at times. She also likes potato chips and comfy places to sit, and hates injustice.
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[ID: An edited "I think I forgot something" meme with Fukuzawa and Fukuchi. The last panel is edited to have wan Dazai's face over the kid in the rain, staring blankly ahead with a smile. End ID.]
I can't believe Fukuzawa just forgot about Dazai in Meursault
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[ID: Two panels from the BSD manga. The first shows Fyodor, clear eyed with an open expression, asking "What year is it?". The second shows Dazai looking down at "Fyodor's" corpse, saying "Then who the hell is this?" End ID.]
You guys. You GUYS. I feel so vindicated - it was significant!
And also I'm bringing this potential reference back because I forgot about it until right now.
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[ID: Part of a white book cover. The author is Dostoevsky. The title is The Double. End ID.]
"Constantly rebuffed from the social circles he aspires to frequent, the timid clerk Golyadkin is confronted by the sudden appearance of his double, a more brazen, confident and socially successful version of himself, who abuses and victimizes the original. As he is increasingly persecuted, Golyadkin finds his social, romantic and professional life unravelling, in a spiral that leads to a catastrophic denouement."
"One critic wrote that The Double's main idea is that "the human will in its search for total freedom of expression becomes a self-destructive impulse"."
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[ID: A screenshot of a paragraph from The Double's wikipedia page. The sections of note are highlighted: "The Double is the most Gogolesque of Dostoevsky's works", "a parody of "The Overcoat"", "Dostoevsky alters and wholly repeats Gogol's phrases". End ID.]
...Nikolai, I'm so sorry buddy, but I think you're screwed.
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I'm sorry I'm sorry I can't help myself
[ID: An edited tumblr text post of the cats egg and cheese, with the icons replaced by Fukuzawa and Fukuchi. "egg" is copy-pasted so that there are seven of him, and the faces of the ada minus Dazai are superimposed over each one. "cheese" is alone on the right, with wan Dazai's face over his. The dialogue reads:
Fukuzawa: "My son Ranpo n my daughter Yosano n my son Kunikida n my son Kenji n my son Tanizaki n my son Atsushi n my daughter Kyouka n their coworker Dazai"
Fukuchi: "are they not all your kids? Why is Dazai not given the son title."
Fukuzawa: "I dont ljke him"
End ID.]
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I SENT THE PART WHERE SSK DROP SIGMA ON THE GROUND TO MY MOM AND SHE SENDS ME BACK THIS WITH NO OTHER DIALOGUE
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I’m sorry but I can’t stop laughing at the way Dazai’s manner of speech abruptly changes from his usual fairly polite and in control to just cursing.
Dazai: “yes I am so calm and haha oh man this is the worst how am I ever going to get out of this one??? anyways, hi Chuuya-“
Chuuya: *straight up shoots him in the shoulder*
Dazai: “YO WTF???”
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I’m just going to throw down my thoughts now real quick. Someone is obviously going to get taken over by Fyodor. This takeover seems to require blood to activate. Here are the potential options, rated lowest to highest by my own personal interest.
Random character we’ve never met - the easy and boring answer. Fyodor will body snatch one of the vampire guards he was communicating with. Fair amount of likelihood since he could easily have made the transfer of blood at any point, though I’m not sure yet if it needs to be an instantaneous thing or if his blood can lie dormant. Either way I think it’s a bit of an ass-pull with no stakes on our cast so I’m hoping this isn’t the case.
A named character outside Meursault - Probably someone he’s had a lot of contact with, so Fukuchi. This depends on the blood having a latency period and is also insanely contrived. I actually hate it more than the random guard.
The Catgirl thief - I’m assuming this is extremely unlikely since the host needs to be alive. But anyways. Women lovers here’s how we lose even worse.
Having said this now, I think it’s fairly obvious it has to be one of the other Meursault four. This is appropriately thematic and tragic, given that all of them place a lot of value on free will and self-determination, which a takeover by Fyodor would rob them of.
Chuuya - He spent a lot of time around Chuuya to be sure but there’s no blood on him. If there’s a latency period though, it is possible. I’m not feeling this one though, to be honest. I don’t see what narrative purpose it serves - Chuuya hasn’t had enough of a role in the manga for this to mean much, other than royally pissing Dazai off (which to be fair is definitely in character for Fyodor). I think it far more likely that Chuuya is going to be a witness for whatever comes next.
Sigma - High likelihood. He did get stabbed and had the memory transfer. I can’t remember whether Fyodor touched him with his wounded hand. It would be brutal for this to happen to him after he’d just broken free from his manipulation. But honestly I don’t know that Sigma getting taken over is all that interesting. For one, they’re going to need his knowledge (though that may be a reason for Fyodor to off him truthfully), and for another, I just don’t think Sigma’s… done enough as a character. I feel it would kind of render his arc in Meursault pointless to end his story here.
Nikolai - The most likely possibility to me. He is holding Fyodor’s severed hand, which he touched to his face. Fyodor’s ability probably kickstarts after his death, and Nikolai was the first to get his blood on him. Sadly, I suspect that if this is the case, this will be the end for Nikolai. If he gets taken over, I can’t see a reason or method to restore him to himself. What a horribly tragic end this would be to our favourite clown, his freedom snatched away for good by the one person he couldn’t help but get attached to.
Dazai - I dismissed this off-hand at first. Of course I did, Dazai is immune to abilities. I also want to be clear that I seriously doubt Asagiri will off his favourite boy like this. But oh man. What if Fyodor’s ability isn’t an ability, much like in the first skk manga team up? What if them both being there is a call-back to Rimbaud who snatched corpses, and Lovecraft who could hurt Dazai? What if Fyodor really has become no longer human - and this is the proof? I was kind of hoping the Meursault arc would end with Dazai (temporarily!) out of the picture, and this would be a way to do it - Atsushi and Akutagawa would have to step up, Chuuya could be more relevant. We could even have more Kyouka if what I’m starting to wonder is true - that Fyodor was involved in the death of her parents. At the same time, Dazai’s special boy plot armour nullification and mysteriousness gives us a plausible reason to bring him back. And all the while maybe they could continue their mind games, with Dazai being an annoying little pest in the back of Fyodor’s mind.
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Please do ramble in the tags about why you love that character! :D
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Ok ok I know this sounds deranged and it probably means nothing but please just listen
Atsushi has violet and yellow eyes. Fukuchi has violet eyes which have indeed been shown as yellow in at least one piece of art (cover of volume 21).
Atsushi and Fukuchi have the same hair colour. (It's not because Fukuchi greyed. He had light hair in the flashbacks and the same colour hair in the anime's Untold Origins.)
Fukuchi has three scars on his right cheek, which are clearly the claw marks from an animal. On Shibusawa's skull, there are clearly three claw marks that run down the right side of his face.
Fukuchi has access to and knowledge about powerful ability users and artifacts: Shinto-Amenogozen, the Holy Sword and Bram by extension, and importantly, the Book. Atsushi has a special connection to the Book we are not yet privy to.
Fyodor is a part of the DoA but their leader is Fukuchi (as far as we know). The DoA, or V, have been active many years. Fyodor has known about Atsushi for a long time and sent Shibusawa after him.
I'm just saying, while it's probably coincidence, I would not be surprised if there turns out to be some connection between Atsushi and Fukuchi and/or they end up being related. That's all.
Edit: Because I am a dumbass and wrote "left" side of the face instead of right... :/
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This entire scene emotionally destroyed me but there's one part in particular that was like taking a knife to an already open wound.
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So, Gon shuts down after the reveal that Kite was dead all along and his stunned and racing mind is disjointed and contradictory. Most of his statements fit into roughly three categories of desperate thoughts:
Vehement inability to process that Kite is dead. From the statement being repeated multiple times to the amount of "no"s everywhere on these pages.
Taking the blame for Kite's death, in a frankly horrifying show of self-hatred (especially given the context of what comes next).
Blaming Pitou and proclaiming that he "didn't do it" in an attempt to absolve the weight of his guilt.
Heartbreaking. But there's one thought here that's a bit different.
Throughout all of this, Gon has been adamant that Kite, and by extension the situation, can be "fixed" - after all, most every issue that's come up before on his adventures could be resolved nicely. But now, suddenly, it can't. Gon can't stand feeling powerless or helpless, and now he finds himself more helpless than he's ever been. And we get this.
"Somebody help me."
Gon is independent. Gon has a burning need to prove his worth through his own strength. Gon has a bad habit of equating "taking responsibility" with fixing things all by himself and rejecting help from others.
Gon has never pleaded for someone to save him before.
And it's just. Holy shit. Holy shit - he's a kid. He's just a kid. And in just a few pages, he's going to make a despair-fueled decision to throw away his life just to regain any semblance of power over a situation that was doomed to be unfixable from the start. He says, "Let it end. I don't care what happens to me now.", because this is the only way he can think of to make his pain and his guilt and Pitou all just stop, by losing himself to all of his power instead of his grief.
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well if nothing else this chapter reminded me why chuuya is one of the characters ever. just sits there and watches dazai try to move a heavy corpse from a wreckage with a broken leg when he can manipulate gravity. is as unhelpful as possible while watching this potential new crisis like a spectator sport. gleefully grinning about fyodor being (apparently) dead.
he’s such an asshole (affectionate)
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The Agency's Older Brother: or, Ranpo's Character Development
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I want to talk about Ranpo and the development he goes through in the series, because for as much as Ranpo is an important member of the Agency, his story is focused on in small chunks that may not always, at first read, seem to be overly significant. In fact, Ranpo’s arc is very consistent and I’m fascinated to know where it’s building to, because he’s done a lot of growing in the series. A lot of the themes of his story are to do with responsibility and faith in others.
The Ranpo we meet at the beginning of the story is not the Ranpo we see now. The biggest change is that he’s a lot more personally involved with the struggles of the Agency members, taking it on himself to be proactive and protective, while previously he had to be pushed and bribed into helping much of the time. When did this change?
Well...
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[ID: Two screenshots from a scene in Poe's introductory episode of the Bungou Stray Dogs anime. In the first screenshot, Yosano lies on the carpeted ground, an axe embedded in her chest, blood pooling around her. Ranpo is crouched beside her, supporting her shoulders with one hand and clasping her hand with the other. The second screenshot is a close up of Ranpo's distressed face. End ID.]
The thing is, it's almost easy to overlook the effect this scene had on Ranpo, because Poe’s introductory chapter/episode is such a brief one. Moreover, afterwards, Poe becomes an ally and is a bit of a silly character, so it’s easy to forget sometimes that he was a legitimate threat here - and Yosano nearly died for it. This scene was incredibly significant to Ranpo for a few notable reasons.
It’s the first time someone in the Agency was in serious trouble/died without a backup plan.
It is, unfortunately, kind of on him. (Let me be real clear here: I am not blaming Ranpo. But he probably was blaming himself and that's something to keep in mind.)
To recap: Poe pulls Ranpo into his novel out of revenge, also trapping Yosano, who went with him. Ranpo realizes that they are in a world with no abilities, and importantly, he doesn't have the glasses Fukuzawa gave him.
We know those glasses mean a lot to him. When Ranpo was at his lowest, when he was convinced the world hated him, Fukuzawa gave him those glasses and told him he had a special ability. That he had a gift that no one else did that allowed him to see the truth that no one else could. Untold Origins makes it very clear that if Fukuzawa hadn't reached out to Ranpo when he did, Ranpo may have forever been outcasted. He was a kid kept in a bubble then suddenly and rudely shoved into a world he was unprepared to cope with, where he continued to get rejected and thrown out over and over - and all this on top of the grief he felt from his parents' passing. Ranpo was bitter and terrified of people, and thought everyone was pretending to be oblivious just to hurt him. Fukuzawa saved him the only way he could, in the only way Ranpo would hear him. It's not an exaggeration to say Fukuzawa saved Ranpo's life. And, while cute, it's also telling how quickly those glasses became an intrinsic part of his identity. Only maybe twenty minutes after he first received them, he was already making little doodles of himself wearing them.
Suddenly, the glasses are gone, and Ranpo goes into a funk because he "can't activate his ability without them". Obviously, we know that isn't true, and so does Yosano. Ranpo probably, deep down, knows this too, but to admit that would be to admit the president lied to him, and to uproot the very thing that gave him the means to perceive the world in a brighter light. The reason Fukuzawa had to lie in the first place was because the truth would be to tell Ranpo that his parents lied to him, something he angrily denies could ever be the case. And now, Fukuzawa is very plainly stated to be Ranpo's adoptive father. Ranpo's parents do not lie to him. He does not want to see it - and so he doesn't. This is a recurring thing with Ranpo. For as much as he sees the truth clearly, he also chooses not to see it at times when it would be uncomfortable/go against the intuition of someone he deeply trusts and respects.
And I think it's very easy to just leave it there, and say, "Oh, Ranpo realized at the end of this chapter/episode that he didn't need the glasses, that he doesn't have an ability, and that's a key turning point" but I don't feel that's the full picture or even the focus here, especially since Ranpo still hasn't reached the point where he can properly admit it aloud, even to Yosano.
The thing is, those glasses aren't just of use to Ranpo - they have sentimental value. A heck of a lot of it, for a character who is not very sentimental. The real turning point here is that Ranpo put on Yosano's glasses in order to save her.
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[ID: A screenshot of a panel from the Bungou Stray Dogs manga. Ranpo puts on a pair of glasses. His hair is blown out of his face and he wears an intense expression. End ID.]
Shortly before this, we are informed by Yosano that not only was the Agency specifically formed for Ranpo to make use of his talents, but also that it was Ranpo who invited her to join - which we later learn was a pivotal moment for her to start over after she was completely broken by her experiences in the war. And now, he is watching her bleed out because she had to take over. Because he couldn't solve it. And that, to Ranpo, is unacceptable.
But again, there's more to it. Ranpo is fundamentally a self-centered character - this is not a judgement; I actually love that about him. He's the center of the Agency, the (ostensibly) good guys of the series; a narcissistic guy with little in the way of sensitivity who wants to use his skills to help others. Not for some higher ideal, or because it's "right" necessarily, but because he's good at it, and because he's supposed to protect all the "babies" who can't solve things for themselves. I love it because it highlights a major theme of BSD, which is good as something you do rather than something you are, and also because it explains something about Ranpo himself.
See, if everyone in the world is a "baby" who needs Ranpo's assistance, then the people in the Agency are a little different. They're people hand-picked by Fukuzawa to support him, both through praise and through backup. Remember that Ranpo trusts Fukuzawa's judgement more than anything - this means that he expects the Agency members can handle themselves. So, in chapter 10, when Ranpo doesn't really care that Atsushi has been taken, citing that it's a "personal problem" and he should handle it, I really think this was some odd form of "Atsushi will be fine" and "why should I worry or do anything when I know he'll be fine". And in the past, this has been true - the Agency members always pull through. None of them, up until that point, have been in a situation that they couldn't eventually fix. Ranpo has a bubble of safety in the Agency, that basically amounts to a "villain of the week" type beat from his perspective, where troubles gets fixed up pretty quickly. All in a day's work.
But then Yosano dies in Poe's book, someone he actually had some level of responsibility for when he invited her to join his safe little circle in a world that had no place for people like them. And it's a direct result of Ranpo's refusal/inability to act.
In order to fix this, Ranpo uses Yosano's glasses. The lens he's seeing through has changed. The people in the Agency were initially "his" in that they were meant to support Ranpo, the special one "chosen" by Fukuzawa's glasses, the reason for the Agency's existence in the first place. But now the people in the Agency are "his" in that they are his to protect. He's their big brother they all look up to in a way, and as the big brother, he's got to take responsibility for their safety.
Why did this not stand out in the moment? Well, we learn something about Ranpo from Untold Origins: he's very good at pretending he's doing okay and things aren't bothering him as much as they are. He's able to hold it together up until it all comes spilling out of him during the play. Also, I do think Ranpo cares about people a good deal more than he'd have you believe. A common fanon thing about Ranpo (from what I've seen) is that he tends to forget people, which, I can see how one would come to that conclusion, but I actually think it's completely wrong. I don't think Ranpo's forgotten a single person he's accused. I don't think he's forgotten a single person he's helped.
He lied about not remembering Poe, in fact, he remembered him pretty fondly as a real challenge. He remembers the information on a person from the Special Division he was asked to look into and gave the info to Mushitarou to allow him an in. He recognizes an officer he'd helped, and it's implied he recognizes every single officer who had been present while he was working on cases in the past. Does this mean he cares about all of them? ...eh. Probably not. But it does mean that Ranpo keeps a lot of his cards close to his chest. He's disarming with his intentional childishness. And so it can be difficult for the characters and readers both to notice that events like Yosano's almost-death... actually bothered him a lot more than he let on.
Because it was his fault. Because she was his responsibility. Because he's supposed to be invincible.
And unfortunately, the story from here on out does not get any kinder to Ranpo as his safe bubble that is the Agency is repeatedly targeted in ways that are increasingly hard to repair.
Fukuzawa falls ill and nearly dies in Cannibalism arc.
A girl gets blown up and Kunikida ends up in jail because Fyodor managed to manipulate Ranpo's intel.
Mushitarou is believed to have been shot and killed trying to warn Ranpo about the Decay of Angels plan.
Taneda bleeds out from a stab wound and falls into a coma. Ranpo can do nothing but listen and cannot get him help.
The amount of times Ranpo has seen people nearly die in front of him... bro it's almost as bad as Kunikida.
Much like Kunikida having extreme faith in his lofty ideals which make him fall just that much harder when he fails to uphold them, Ranpo has practically zero self-doubt and complete and utter confidence in his abilities... so when problems arise, Ranpo is very harsh on himself. He takes the blame because he's supposed to be better than that. Because he is the one with the powerful "ability" that should never fail.
In this sense, Ranpo's position in the Agency reminds me a lot of a certain person in the Port Mafia, someone who also has a powerful skill he puts towards protecting his own, someone who also received life changing words from the boss which earned him his loyalty, and someone who would do anything to defend the only place in the world he feels secure.
I think there's definitely a reason Cannibalism arc had Ranpo and Chuuya face off, I'm just saying. Both of them ostracized and thrown out as young teens by people who should've been looking out for them. Both the instigators of that arc, proactive and desperate to protect the person they are most loyal to who changed their perspectives. They've even got the same power stance, look. :P
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[ID: Two panels from the Bungou Stray Dogs manga. The first is a panel of Ranpo with the silhouette of Fyodor behind him. He is standing with his hands in his pockets, facing front with his head tilted back and to the left a little, a fierce expression on his face and his cloak billowing outwards. The second is a panel of Chuuya standing in a similar manner, arms crossed, facing front with a fierce expression as his coat billows out around him. End ID.]
Of course, there's more interesting comparisons and contrasts to be drawn between them, but I'm focusing on Ranpo in this analysis, so I think I've made my point. Chuuya is the Port Mafia's best martial artist. Ranpo is the Agency's strongest man. And that places a burden of responsibility on them that they both believe they must uphold. They're both ready and willing to do whatever it takes.
The thing is though, is that Ranpo doesn't actually have an ability. When up against someone like Chuuya, he is at a distinct disadvantage, and he knows it. "Regular people can't defeat ability users". But he's still going to come up with a way to do it anyways, and why?
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[ID: A screencap from the Bungou Stray Dogs anime. The members of the Agency all stand around Ranpo, who is seated at his desk with a smile, one hand holding his cap, the other held up in a casual gesture. The image is filtered in a soft light. End ID.]
Because his friends think he's invincible.
If Ranpo wants to maintain his safe place in a world of fear, then he has to step up to defend it, and he has to get creative about it. And that's exactly what he does. Ranpo becomes steadily more active throughout the story, which is a huge change from the start, where he had to be practically bribed to help at all. I see a lot of people point out his channeling of Fyodor's tactics to secure Kunikida's release, which is definitely a dark turn for his character, but it's not the only change.
Ranpo is now choosing to place his faith in others, the first obvious instance of this being his use of Poe's novels - which was how he defeated Chuuya. Ranpo knows that he is not going to succeed against people who drastically overpower him all alone, even if he does still take things on as personal burdens. He's also far more obvious about his protectiveness, going on the rescue himself to save the Agency members, driving a car (whereas before he needed someone to take transit with him - another indication of his increased proactivity since he's now literally driving instead of being driven), and bodily shoving Atsushi out of harm's way.
It all culminates in one of my favourite Ranpo scenes where he speaks at the conference to the police, who've worked with him before, where he asks if they will think for themselves - and tells everyone gathered there that anyone can be a detective if they think for themselves and look with their own eyes (!!!). He manages to get half the police force on his side, just through his words and his logic alone! Minoura assumes he somehow knew it would all work out, because, well, it's Ranpo. Ranpo knows everything.
But...
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[ID: An image from the Bungou Stray Dogs manga. Ranpo sits in the passenger seat of a car with an honest, helpless smile. End ID.]
He reveals he didn't know if his ploy would work at all. He had to trust that it would with no solid proof. He had to trust these people would use their heads and look beyond the obvious. He respects these people enough that he thinks at least some of them will make the right call.
Fourteen year old Ranpo, bitter and estranged from other people, would never. For him to have come such a long way is testament to the security that the Agency provided him with. In a way, Fukuzawa forming the Agency allowed Ranpo to "complete" his childhood in relative safety, so that when the world became hostile once again and his family destabilized, Ranpo had matured enough to meet it and defend himself and those he has a responsibility towards head on. The Agency is his family, and Ranpo cares for them enough that he puts his faith, not just in them, but in the people they put their faith in too.
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[ID: A panel from the Bungou Stray Dogs manga. Ranpo is kneeling in front of Fukuchi, who is sitting backwards on his chair to face him. End ID.]
...aaaaand then Fukuchi went and ruined it. Thanks, Fukuchi.
Ranpo again chooses to put his trust in someone without proof because Fukuzawa trusts him, only for that to have gotten thrown back into his face in the worst way possible. And it's in this regard, the trust aspect, that I think we'll see Ranpo develop as the story goes on.
Will he continue to show this tentative faith in people? Or will he begin to hyper-analyze, unwilling to trust again without proof?
If this arc gets resolved decently well, I think Ranpo will have no issue brushing this off as a one-time thing. However, if what I fear might happen does and Fukuzawa doesn't make it out of this arc... Ranpo will be destabilized.
I don't know that Ranpo would go "bad" per se. He likes the other Agency members. He cares about them - that's genuine. But if Fukuzawa dies, then Ranpo may begin to take darker actions in order to keep them safe, almost overprotective and harshly logical, with little room for blind trust or risks in the name of justice or honour. It may put him at odds with Kunikida, in that Ranpo may start to develop a strong "do what's necessary" mentality, even if that may be immoral. He may regress a little into his old trust issues.
However, I really don't think Ranpo will go too far down the path of darkness, even if the worst should happen. He's a lot tougher than he seems, and he has a good support system in the Agency. I guess it remains to be seen where Ranpo's story takes him next.
Until then...
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[ID: A screencap from the Bungo Stray Dogs anime. Ranpo sits in his chair in a cuter art style, having taken a bite from the pastry he has in his left hand. End ID.]
I love one good boy. :)
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What if Fyodor body-snatches every human being on Earth to create the "Fyodor race" just like the Master did in the Doctor Who specials?
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[ID: A screenshot of a room full of John Simm's Master from Doctor Who, who has taken over every human's body. Images of manga Fyodor have been edited over all the faces. End ID.]
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live mafia reaction
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Fukuchi and Fukuzawa’s conflict started when Fukuchi asked Fukuzawa to take on a role that he had no desire to take on and did not believe in, and ended with Fukuchi forcing Fukuzawa to take on a role that he had no desire to take on and did not believe in
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