you know what really gets to me. is how jack loosens up david’s morals. like how david starts off as a staunch pacifist because of the Optics and strategy of it all, but then later he kicks a cop in the face and threatens him with a swing + tries to punch jack when he scabs. and both instances occur specifically because he cares so deeply about jack. But also there's this tidbit from the 91 script
it's like. up until now, david's interactions with jack have largely consisted of david being openly skeptical/confrontational whenever he detects any kind of bullshit. and while he immediately clocks that all this stuff about santa fe is a lie, for the first time, he decides to let it go. Because there's a kernel of authenticity to the statement, though the authenticity doesn’t lie in factual truth, it’s in how jack desperately "wants it to be true". because. this is david's first time seeing the soft underbelly to jack. because david IS charmed by jack despite not really trusting him
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current thing i keep trying to convince myself of is that making one bad drawing does not mean that im bad at drawing. The big doodle pages have helped with that. They do kind of Harm when i go back and see i was making Better art x months ago but im also a believer of If You Can Draw It Once, You Can Draw It Again so it helps to have a bad doodle surrounded by art i didnt scrap (+ consider "good").
Also trying to just accept sometimes things are left in the past.... I do think if u draw something once u can draw it again but im trying to convince myself its ok if i can never get back the art style(s)/art style elements i had in the past.
In the same way we age and have to accept we look differently than we did when we were younger and That Was and Is Us, but we wont look like that ever again. <- This is a little hard bc i also have trouble accepting/dealing with this comparison example LOL
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sheldon i have Never bad mouthed you Ever. know this
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Tubbo mentioning he wants to make an SMP that's got lore to it..... The ZSMP will be real within 30 days
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just a reminder for you guys that Vivienne Medrano, creator of Hazbin Hotel & Helluva Boss, is notoriously transphobic to transmascs & nonbinary people. there are many workplace allegations regarding intentional deadnaming & misgendering by her & her staff at spindlehorse towards transmasc and nonbinary employees, insinuations that they were not 'really' trans, that they were 'trenders' etc.
and nothing was done about it because her head of HR is just her best friend, who always defends her & does not seem to have any real experience in axtually being an HR manager.
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umineko is r07 begging his audience come play toys with meeeeeee ill make it fun if u make it fun and in this way me and him are the same
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tbh i feel like we're all maybe forgetting that 6A was kind of destined to be a little bit boring or slow-paced from the get-go because of how 5B ended so *perfectly* with everything tied up in a neat little bow. i mean 5x18 was literally called "starting over," and this is a show that (for better or for worse, this specific post is not pro-911s-pacing or anti-911s-pacing but a secret third thing, confused-and-trying-to-make-sense-of 911s-pacing) routinely and consistently takes right around ~10 episodes to cash in on big narrative plot points. not situational or episode specific or more technical plot points, like madney going from unsuccessful house hunting to finding a place within 2 episodes, or buck agreeing to be a sperm donor inside of 1 episode- those are typically resolved pretty quickly, within an episode or two. the show scaffolds these more-quickly-resolved plot points together into larger, more character driven arcs that typically always take around ten episodes for the full emotional fallout and significance to play out. 911 has always been a show where what happens matters a hell of a lot less to the story than how the characters feel about what happens, so because this is such a character driven show, inside of those ten set-up, pawns-on-the-chessboard episodes, it can be pretty difficult at times to figure out what they're angling at, or where they're planning on going (buck! where the hell are you going!), or how any of the plots are going to coalesce into something useful, profound, and cohesive. typically, the B season ends with at least a *couple* of loose threads that carry over into the arc-resolution-conclusion phase in the following A season, giving us an A season that's like 70% setup for new arcs and 30% wrapup of old arcs- but 5B ended on a true blank slate, so almost *everything* in 6A (with the exception of the conclusion to hen's super-drawn-out-but-very-realistically-paced med school arc) has been... scaffolding from the ground up.
and scaffolding looks pretty unimpressive and odd and boring on its own, like a big pile of ugly junk getting in the way of everything, but put it alongside the Sistine chapel ceiling it was built to accomplish, and suddenly it seems a little more worthwhile.
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i KNEW pink would be a great team i SAID THAT when i saw that announcement REDDIT DOUBTED ME!! THEY SAID THEY WEREN'T GOOD ENOUGH!! THEY SAID THEY WEREN'T FAMILIAR ENOUGH WITH EACH OTHER!! well i WATCHED those goldenduo vids from back in the day i SAW that old ass oli + tommy practice vod and i KNEW they could BREAK THE CAPTAIN'S CURSE!!!
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