I'M GLAD YOU AGREE WITH BILL. I LITERALLY SHIP HIM AND RYAN LIKE CRAZY
I mean, like,
Okay. So we know how Ryan is kinda some way about relationships. He's like "I like you but you're too much work but I'm not gonna tell you that because then you'll leave me and sometimes I want to leave you but I'm not gonna because then I'd be lonely and a loser so I'm not gonna tell you anything so you'll stay and I'll pretend to like you always in the best way I can even" about people and ends up an asshole most occasions. He's genuine multiple times but not enough and to not enough people in his self imposed rolodex and you can see that in the games and the book, and it's not just Diane or Cohen. He's like that with Sullivan, who I think he cares for, but because he can't understand Sullivan all of the time and wishes he would stop being Sullivan on some occasions, he ends up undermining and underestimating his judgement. And it hurts him when Sully dies, you know, or at least that's what I gather from the book; whether that's a blow to his pride that the rolodex is thinning out or because of actual genuine emotional attachment is up in the air, but the blow is a blow.
Bill is the same. Bill, maybe Greavy too before he died. Ryan likes Bill a hell of a lot more than almost everyone else. Bill's death is the same clinical detachment as all other deaths in the games with Ryan, but in the book, well. Karlosky says it best:
He didn't see Bill die, like he didn't with Sullivan, but this time it was voluntary. This is more than a blow to pride. Bill was like his safe space, in some instances. Like in the dinner scene at Kashmir at the start, when he isn't thinking about going off to Jasmine, he's wishing Bill were there at the table and is even elated when he gets called away, presuming Bill is already on top of the situation.
(also in this scene is the tidbit where Ryan laments on having already been married and "Never again," is his end to that narration, and nobody talks about that I am chewing through drywall—)
Bill is the closest thing Ryan has to a friend, which is still a long ass stretch. Ryan likes Bill, but Ryan is Ryan, and that is the entire tragedy on the matter. No matter how much he's gone and loved, gotten himself attached, genuinely feels for a person, pride comes first. Pride, not even Rapture, not even the ghosts he was running from from the outside world, he doesn't even care when he becomes the very monster that killed his aunt and uncle on that train platform and forced him and his father into hiding, if only under a different name, which is entirely too fitting. Bill, Diane, Greavy, Sullivan, Jasmine, and even Cohen, presumably, end up dying because Andrew Ryan is a man who does not buckle, does not compromise even when he should.
You would wonder if he were a different man, maybe the sort who would build a city under the ocean not to run from taxes, but from the biased and alienist regimes of the government above, who didn't value capitalism over humanity, who actually lived up to the whole "no gods, no kings" bit, if we could have had him and Bill in that office where Bill quietly admits to himself that Ryan is lovely when he's just sitting at his desk with his glasses lost in work, if he would have let go of Diane and didn't hang her on a string, if he listened to Sullivan about the plasmids and Fontaine and Culpeper.
But that is the tragedy of Rapture, and I'm a sucker for tragedies and alternate timelines where things are different and Ryan reads fairytales to Jack in his native tongue and tells him about the things he will never have to face ever so long as Ryan is alive as he falls asleep, whilst Bill watches from the door, reminiscing on how far they've come.
Or alternatively where he meets a stranded Robert House in 1933 and gets his ass handed to him by an apocalypse approved civil engineer and Rapture looks like an art deco reef instead of just New York on green filter.
Or he's a vessel for some kind of Cthulu and Bill has to handle that and Fontaine is freaking out because the feds didn't tell him this op has eldritch monsters peeking in from the windows and half of everyone is stuck here under Ryan's dead eyes being slowly fattened up to feed to some kind of monster lurking just under Persephone and who's like "alright yes you can have the plumber and all these others for yourselves pet, but remember you have to feed the slugs." and the little sisters once turned become his children. you know. usual shenanigans.
TLDR; yes, I love the lion and plumber ship because the lion is just a big awkward nervous housecat when the plumber walks in the room and the plumber is surprisingly territorial like wow Bill, chill, Cohen's like this with everyone, hold your wrenches—
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hii everyone sorry ive been insane recently here is my to do list
finish the essay thing [redacted] uni wants from me
do english homework 1
english homework 2
english homework 3
english homework 4 (overdue) (i lied about doing it)
revise for chem test
find my zines (i forgot where i put them)
answer asks (!!!!)
get normal (listen to wbn episode 16) (this is the only thing im living for)
interview prep
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