You know, I think what really bugs me about the "Dadworth" dynamic applied to Kay and Edgeworth's relationship is that it usually makes Kay out to be this hyperactive, slight problem child (in the 'stealing and pranking' sense rather than the 'moody and abrasive' sense), occasionally with deep-rooted daddy issues like Edgeworth has, when that's... the opposite of her character.
(This post got away from me, so TL;DR: Kay is a quick-witted and independent young woman who has worked very hard to be both emotionally and practically intelligent enough to be seen as a legitimate successor to her father's legacy. Making her out to be the traits mentioned above, so she functions as Edgeworth's daughter rather than his investigative partner and equal, undermines her character and semi-conflates her with Maya [the deep-rooted issues bit]. Also I don't like it wksgskaj)
Kay is very, very sharp.
The thing about Kay is that she's not actually in the series as much as it feels like she is, which makes it easy for her character to be altered to suit the needs of the story (which I think happens in The Forgotten Turnabout, but I won't talk about that here). She turns up in two cases as herself in AAI (as in, teenager Kay whom we're most familiar with) and shares her role with Gumshoe, Ema and Franziska when she does, lessening her appearances even further. Nevertheless, there are still concrete elements to her personality that we're made aware of right from the beginning, and the first major one which I feel gets overlooked in favour of her hyperactive characterisation is this:
In terms of mainline assistants, I'd consider her the sharpest of all (maybe after Trucy? But I don't remember enough of AJ to comment on that). Yes, she's shown to be reckless and impulsive, but, when it comes to actual investigating and reasoning, she is solid. With Nick and Maya, you sometimes get the impression that they're both fumbling along until Phoenix catches on (most of the time with Maya's usually a little accidental help, and he still has to explain things to her near every time [not Maya's fault. Following Phoenix's reasoning is like being on a rollercoaster in a minecart]), but Kay is very rarely like that with Edgeworth. Within minutes of meeting him, she can predict what he's going to say (or 'steal his lines', as the game puts it), and there are several moments after he uses Logic and is about to explain what he's connected where Kay interrupts with the correct conclusion herself:
Edgeworth: A second Blue Badger that shouldn't exist... Clearly, the true identity of the person underneath is...
Kay: Oh, I know! It's one of the kidnappers, right!?
There's even a point where she tells him off for overexplaining things to her:
Kay: Yeesh, I told you I got it! Do you feel the need to explain everything!?
And, near the end of their first case together, he acknowledges that's she's generally quite quick:
Kay: OK, what should I re-create first?
Edgeworth: ...You haven't figured it out yet?
Kay: Heh, maybe I have, and maybe I haven't.
Even if you don't take these points into consideration, the fact that she comes up with a new way to use Little Thief, and knows how to use it at all actually, shows you that she's a really intelligent girl! Continuing on a bit from the point I made earlier about her being brash, Kay may be reckless, but she isn't irresponsible. Whenever she rushes into situations, she doesn't expect other people to come save her; she's quite assured that she can and will get herself out of them on her own, and, if she needs help, she asks for it in advance. She treats Edgeworth less like her guardian and more like her investigative partner:
Kay: I didn't get permission to enter Allebahst... so we're going to go gather whatever info we can over on the Babahlese side, OK!?
Edgeworth: Alright, I'm counting on you two.
Kay: Right, and I'm counting on you and Ms. von Karma to sniff out clues in Allebahst!
...
Edgeworth: A number of pieces connect in a very complicated way in this case... It's almost enough to make one completely mentally exhausted.
Kay: Let's not over-complicate matters, OK, Mr. Edgeworth? We've been so focused, like a laser, on only what seems strange and out of place... it's no wonder nothing's clicked and we haven't unlocked anything yet. But, if we think things through calmly, the answer should come to us!
There's an independence to her proactiveness that kind of forces Edgeworth to meet her on equal grounds, and this too is an element that gets lost when the Dadworth dynamic comes in because it involves making Edgeworth responsible -- or feel responsible -- for her actions and general wellbeing when Kay has never expected nor wanted that. She does things on her own terms, and she walks the path she's chosen by herself:
Edgeworth: Preposterous! On what grounds do you suspect her of such a thing!?
Shih-na: The fact that she calls the Yatagarasu. That in itself is a more elegant proof.
Kay: Ms. Shih-na.
Shih-na: Yes?
Kay: I... have no intention of taking back any of what I've said.
Shih-na: ...?
Kay: I am the Great Thief Yatagarasu. And I refuse to allow some imposter to claim that name as their own! The path of justice that my father pointed me towards... I will walk it the best I can!
Her relationship with Edgeworth works as an inverse to that of Nick and Maya's in the way that, where Nick and Maya have deep respect for one another beneath layers upon layers of playful insults and messing about, Kay outwardly respects Edgeworth first (and expects that respect to be returned) and razes him second -- that, too, never to an extent she wouldn't with anyone else or that crosses a certain boundary. Her messing with Edgeworth is shown to be more an attempt to get him to lighten up or not take himself too seriously than an act of (platonic) intimacy as it is with Nick and Maya (which makes sense because Nick and Maya have spent years together, while she's known Edgeworth for all of two weeks) or genuine obliviousness/silliness (although it definitely sometimes is). This is pretty obvious simply from the fact that she always calls him 'Mr Edgeworth', though she's perfectly comfortable calling Gumshoe and Badd, people whom she is more familiar and comfortable with, 'Gummy' and 'Uncle Badd' respectively. Also Kay, in general, is quite polite? Edgeworth calls something she said rude at one point and she gets insulted, and, when you ask for her opinion, she doesn't go 'What?' or 'What is it?', she specifically says, 'Yes?' (this changes in AAI2, which I promise I'm not discussing here) Upon meeting Oldbag, she has this exchange with her, where Kay chooses a more formal mode of address than what is actually offered:
Oldbag: My name is Wendy Oldbag. But you can call me "Wendy", or "Granny", or whatever suits your fancy.
Kay: Nice to meet you, Ms. Oldbag! I'm Kay Faraday.
She's also had moments where she calls Edgeworth out for being 'tactless', and she's shown to feel very strongly about rudeness throughout the whole game. I'm not saying she isn't mischievous or playful, she very much is, but the point is that she's really quite respectful, and this extends to her relationship with him. Her characterisation in Turnabout Ablaze, where she's considerably more excitable/high-strung than in Kidnapped, seems largely due to them chasing down Calisto Yew. Edgeworth even comments on this:
Edgeworth: Kay, you need to look before you leap. You tend to lose your cool when it comes to anything related to that woman.
Generally, though, you can tell that she was obviously raised with an adherence to certain formalities. She's not looking for another parental figure (because she doesn't need one, which I'll go into after this), but, if she was, she'd make that clear.
Kay's a very straightforward person at heart; she doesn't hide any part of herself, even the part that should be hidden (i.e. the Yatagarasu). There are points where she suggests that Edgeworth reminds her of her father, but, in AAI, she specifically mentions that it's both Edgeworth and Gumshoe who remind her of her father and Detective Badd. It's not about her seeing Edgeworth as a father figure; it's about their and her own dedication to the truth. Even in AAI2, where her comments could be read as leaning more towards the former angle, she doesn't get cut up about him not picking up on that or really paying it much emphasis at all, because it doesn't matter. The fact that he reminds her of Byrne is just that: a fact.
Returning to the point about Kay not needing/wanting another parental figure, I think it's pretty self-explanatory, but to put it succinctly: Kay has the guidance she needs without him.
To put it less succinctly, Edgeworth's possibly the worst candidate to go for for emotional support and guidance in the first place, and by the time she meets him again, she's basically processed her father's passing and has a better handle on herself emotionally than Edgeworth does (not a brag; most characters have higher EQ than Edgeworth); what she wants isn't necessarily closure for Byrne's death in the emotional sense but in the I-want-answers-to-this-mystery-that-will-restore-my-family's-honour sense. You could make the argument that Kay becoming the second Yatagarasu and shaping her entire future around continuing her father's work prove that she isn't over his death, but I don't think that's true and more of a result of conflating her with Maya a bit.
With Maya, becoming the Master isn't something she chooses; it's given to her by Misty and Mia. With Kay, it's the opposite. Kay's decision to become the Yatagarasu and pursue the truth is wholly her own, and her approach to that goal reflects that. While Maya uses her cheery, upbeat attitude to conceal a lot of self-doubt and vulnerability (and Franziska does the same with her hostility), Kay does not. Her cheerfulness is precisely who she is; it's not a mask so much as it is a distraction. It keeps people from looking at her too closely and realising exactly how capable she is, and, while I don't think it's fully intentional (again, she believes in living her life in a straightforward and upfront manner), she does imply that it's sort of her (or the Yatagarasu's) MO:
Kay: Well! By the time everyone notices, it's already gone! That's the Yatagarasu way!
Interestingly enough, this unintentional tactic of using humour and cheeriness as a distraction from her abilities makes her a mirror to Calisto Yew, who also uses her seemingly always light-hearted nature as a disguise for what she's actually capable of (Calisto's joviality is her true self, too, or at least as 'true' as she can get). The difference between them is that Calisto delights in ironically mocking the world around her, whereas Kay finds joy in life itself, and she's stronger for it.
The only part where we see Kay attempt to mask her feelings is when she's a child, and even then she admits that she feels better after crying, which, I believe, led to her becoming more open with her emotions later in life (see how her older self has a teary sprite which makes pretty frequent appearances where her younger self does not). In any case, to me, this shows that she has people in her life already who are helping, and have helped, her confront and process her trauma. She's not looking to Edgeworth to help her make sense of her father's death and she definitely isn't looking for a replacement (again, literally dedicated to continuing her father's [and Badd's] legacy). Whenever Edgeworth even gets close to becoming parental with her, she dismisses it, unless she acknowledges that she is in the wrong:
Edgeworth: ...Kay, it's not good for you to stay up late, you know.
Kay: Yes, gramps!
...
Edgeworth: ...I appreciate your sense of justice, however... I would appreciate it if you wouldn't go running into the heart of any more raging fires.
Kay: Nngh... Yes, Mr. Edgeworth... I'll try...
Despite her buoyancy and bright attitude, Kay is quite firm that she be treated as an adult (she doesn't see her cheeriness as a mark of youth; it's joie de vivre, it's who she is, and that's that), and, throughout the game, she gets annoyed when people don't respect that (her arguments with Lang are largely over how he calls Little Thief a toy and her crow-girl). She holds her own and relies on herself while being unafraid of asking for help.
Anyway, this post has gone on for long enough and I think I've addressed the points I wanted to. I should mention that I realise that a lot of how many people portray/interpret their relationship is validated by AAI2 but that's honestly a discussion for a separate post HAHA I feel like, when it comes to AAI, the father/daughter interpretation can maybe be argued with regards to the way Edgeworth treats her? Honestly, though, I think he'd treat any young lady who suddenly becomes part of his team/responsibility in pretty much the same way. And, like, he drops the ball almost every time he's supposed to give "fatherly" advice because he's just not that great with it/children!! It's actually hilarious HSKSDHSK
Either way, yeah! I just think Kay is actually given a lot less credit than she's due when the Dadworth card gets played and I just! Want better for her!!
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"the moment the f1 boys realised you were the one"
Charles Leclerc
being able to cry around you: charles has a bad habit of bottling everything up. it was three months into your relationship when he had a particularly bad race, a stroke of bad luck. he was met with pats on his back and mutters that he would do better. numbness flooding his veins, they did nothing to ease the anxiety in his chest. he met your eyes across the room and watched as you stepped closer. with extended arms, you'd told him to let it out. never once has anyone ever told him that before, and so he had instantly broken down, exhausted from having to hold it all together. there was nothing needed but your presence. he sobs messily into your shoulder and the next morning, he had wished that he'll always have you around.
Carlos Sainz
when he realised you knew him better than he did himself: "how did you know?" were his first words, when he came home one night, only to come face-to-face with a pair of Airpods on the nightstand, addressed to him. he had sorely needed a new pair after losing them on the plane but hadn't had the time to purchase them. "because i know you" was your answer, beaming up at him from the side, where you were preparing dinner. you had missed the deep look in his eyes, rambling on; first his sister's wedding anniversary present in the coat closet, then the watch his father had wanted mended for a while now all fixed. and there it was: that was the moment where carlos finally understood the fluttering in his heart.
Danny Ricciardo
making the best out of life: when you had agreed to go out with danny solely because he made life feel that much brighter, but what you didn't know was that he felt the same way about you. you were always up for anything, the easygoing aura you carried with your being influencing him, especially when he had suggested sharing the singular umbrella left in the store — the unexpected downpour having caught you both off guard. nonetheless, you huddled under the umbrella, both your shoulders getting soaked the second you left the safety of the grocery store shelter. eyes meeting across the umbrella handle, you both break out into chuckles at your plain misfortune. that's when he realised — there was no one else he wanted to be stuck in a bad situation with.
George Russell
inside jokes: it was a small thing, minuscule even, the earliest memory of the joke being one of your first few dates, before you were even official. it was just a simple coincidence that the situation you were called for it. in the group dinner with your mutual friends, george's eyes had shot to yours, searching for the only being who could possibly understand him. and in that flash of a moment when his blue gaze met yours, your bodies had naturally leaned towards their other halves, giggles muffled into your hands. if your friends were surprised at the sudden laughter, he doesnt even notice, too preoccupied with how gorgeous you looked in the candlelight and how fast his heartbeat has gotten.
Lando Norris
shared comfortable silence: your boyfriend loved people, befriending strangers and great conversations. it all came easy to him, possibly due to growing up a middle child, he mirrored a little ray of sunshine. but as much as he adored socialising, lando found that he equally enjoyed quiet time with you, especially on lounge chairs by the beach while you flipped through your book, absolutely taken by the words. lando admired the expression fluttering across your features with each passing page. something strange settled in his tummy as he continued staring, something he could only allude to how peace might feel like. perhaps this is how life was meant to be lived, he thought.
Lewis Hamilton
sharing tattoo meanings: lewis has had a lot of art done on his body over the years and he's proud of all of them; memories and meanings forever part of him. with the orange glow of your nightlight at 3am, he watched as you traced the patterns on his skin, telling you stories and what each of them meant. you had soaked up the words, mesmerised by the deep lull of his voice as he opened up his heart to you. never has anyone been so interested in him as a person, all they wanted to know was his career and business and he appreciated it. to you, he was just a man — someone you wanted to know more about.
Max Verstappen
his pets greeting you: as the provider for his cats, he expected a touch more loyalty from the feline beings. still he remained seated, fixated on how jimmy and sassy nuzzled at your calves, the warmth of their tiny bodies against his legs previously lost. the silence was broken by the sound of grocery bags tossed on the kitchen counter as you stooped down to scratch their fuzzy chins. a light purr emanated from sassy while jimmy rolled over, also meowing in a bid for attention. his heart strangely light, he watched you indulge them like the spoiled brats they were. was it because of how much love was within you or the care you held for the things he held dear? either way, max couldn't tamp down the urge to cross the room and wrap you in his arms, much like you did with his pets now, the three little words in the back of his throat.
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