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smashpages · 6 years

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Nominees for the 2018 Eisner Awards announced

Comic-Con International has announced the nominees for the 2018 Eisner Awards, presented annually in San Diego at the convention.

Monstress by Marjorie Liu and Sana Takeda and My Favorite Thing Is Monsters by Emil Ferris each received five nominations across various categories; other comics with multiple nominations included Mister Miracle, Black Hammer, The Flintstones, Grass Kings, Eartha and Hawkeye.

Check out the complete list of nominees below.

Best Short Story

“Ethel Byrne,” by Cecil Castelluci and Scott Chantler, in Mine: A Celebration of Liberty and Freedom for All Benefiting Planned Parenthood (ComicMix) “Forgotten Princess,” by Phillip Kennedy Johnson and Antonio Sandoval, in Adventure Time Comics #13 (kaboom!) ”A Life in Comics: The Graphic Adventures of Karen Green,” by Nick Sousanis, in Columbia Magazine (Summer 2017), https://ift.tt/2I41VPy “Small Mistakes Make Big Problems,” by Sophia Foster-Dimino, in Comics for Choice (Hazel Newlevant) “Trans Plant,” by Megan Rose Gedris, in Enough Space for Everyone Else (Bedside Press)

Best Single Issue/One-Shot

Barbara, by Nicole Miles (ShortBox) Hellboy: Krampusnacht, by Mike Mignola and Adam Hughes (Dark Horse) Pope Hats #5, by Ethan Rilly (AdHouse Books) The Spotted Stone, by Rick Veitch (Sun Comics) What Is Left, by Rosemary Valero-O’Connell (ShortBox)

Best Continuing Series

Black Hammer, by Jeff Lemire, Dean Ormston, and David Rubín (Dark Horse) Giant Days, by John Allison, Max Sarin, and Liz Fleming (BOOM! Box) Hawkeye, by Kelly Thompson, Leonardo Romero, and Mike Walsh (Marvel) Monstress, by Marjorie Liu and Sana Takeda (Image) The Wicked + The Divine, by Kieron Gillen & Jamie McKelvie (Image)

Best Limited Series

Black Panther: World of Wakanda, by Roxane Gay, Ta-Nehisi Coates, and Alitha E. Martinez (Marvel) Extremity, by Daniel Warren Johnson (Image/Skybound) The Flintstones, by Mark Russell, Steve Pugh, Rick Leonardi, and Scott Hanna (DC) Mister Miracle, by Tom King and Mitch Gerads (DC) X-Men: Grand Design, by Ed Piskor (Marvel)

Best New Series

Black Bolt, by Saladin Ahmed and Christian Ward (Marvel) Grass Kings, by Matt Kindt and Tyler Jenkins (BOOM! Studios) Maestros, by Steve Skroce (Image) Redlands, by Jordie Belaire and Vanesa Del Rey (Image) Royal City, by Jeff Lemire (Image)

Best Publication for Early Readers (up to age 8)

Adele in Sand Land, by Claude Ponti, translated by Skeeter Grant and Françoise Mouly (Toon Books) Arthur and the Golden Rope, by Joe Todd-Stanton (Flying Eye/Nobrow) Egg, by Kevin Henkes (Greenwillow Books) Good Night, Planet, by Liniers (Toon Books) Little Tails in the Savannah, by Frederic Brrémaud and Federico Bertolucci, translated by Mike Kennedy (Lion Forge/Magnetic)

Best Publication for Kids (ages 9–12)

Bolivar, by Sean Rubin (Archaia) Home Time (Book One): Under the River, by Campbell Whyte (Top Shelf) Nightlights, by Lorena Alvarez (Nobrow) The Tea Dragon Society, by Katie O’Neill (Oni) Wallace the Brave, by Will Henry (Andrews McMeel) Best Publication for Teens (ages 13-17)

The Dam Keeper, by Robert Kondo and Dice Tsutsumi (First Second/Tonko House) Jane, by Aline Brosh McKenna and Ramón K. Pérez (Archaia) Louis Undercover, by Fanny Britt and Isabelle Arsenault, translated by Christelle Morelli and Susan Ouriou (Groundwood Books/House of Anansi) Monstress, by Marjorie Liu and Sana Takeda (Image) Spinning, by Tillie Walden (First Second)

Best Humor Publication

Baking with Kafka, by Tom Gauld (Drawn & Quarterly) Batman/Elmer Fudd Special #1, by Tom King, Lee Weeks, and Byron Vaughn (DC) The Flintstones, by Mark Russell, Steve Pugh, Rick Leonardi, and Scott Hanna (DC) Rock Candy Mountain, by Kyle Starks (Image) Wallace the Brave, by Will Henry (Andrews McMeel)

Best Anthology

A Bunch of Jews (and Other Stuff): A Minyen Yidn, by Max B. Perlson, Trina Robbins et al. (Bedside Press) A Castle in England, by Jamie Rhodes et al. (Nobrow) Elements: Fire, A Comic Anthology by Creators of Color, edited by Taneka Stotts (Beyond Press) Now #1, edited by Eric Reynolds (Fantagraphics) The Spirit Anthology, edited by Sean Phillips (Lakes International Comic Art Festival)

Best Reality-Based Work

Audubon: On the Wings of the World, by Fabien Grolleau and Jerémie Royer, translated by Etienne Gilfillan (Nobrow) The Best We Could Do, by Thi Bui (Abrams ComicArts) Calamity Jane: The Calamitous Life of Martha Jane Cannary, 1852–1903, by Christian Perrissin and Matthieu Blanchin, translated by Diana Schutz and Brandon Kander (IDW) Lennon: The New York Years, by David Foenkinos, Corbeyran, and Horne, translated by Ivanka Hahnenberger (IDW) Spinning, by Tillie Walden (First Second)

Best Graphic Album—New

Crawl Space, by Jesse Jacobs (Koyama Press) Eartha, by Cathy Malkasian (Fantagraphics) My Favorite Thing Is Monsters, by Emil Ferris (Fantagraphics) Stages of Rot, by Linnea Sterte (Peow) The Story of Jezebel, by Elijah Brubaker (Uncivilized Books)

Best Graphic Album—Reprint

Boundless, by Jillian Tamaki (Drawn & Quarterly) Fantagraphics Studio Edition: Black Hole by Charles Burns, edited by Eric Reynolds (Fantagraphics) Small Favors: The Definitive Girly Porno Collection, by Colleen Coover (Oni/Limerence) Sticks Angelica, Folk Hero, by Michael DeForge (Drawn & Quarterly) Unreal City, by D. J. Bryant (Fantagraphics)

Best Adaptation from Another Medium

Beowulf, adapted by Santiago García and David Rubín (Image) H. P. Lovecraft’s The Hound and Other Stories, adapted by Gou Tanabe, translated by Zack Davisson (Dark Horse) Herman Melville’s Moby Dick, adapted by Christophe Chabouté, translated by Laure Dupont (Dark Horse) Kindred, by Octavia Butler, adapted by Damian Duffy and John Jennings (Abrams ComicArts)

Best U.S. Edition of International Material

Audubon: On the Wings of the World, by Fabien Grolleau and Jerémie Royer, translated by Etienne Gilfillan (Nobrow) Flight of the Raven, by Jean-Pierre Gibrat, translated by Diana Schutz and Brandon Kander (EuroComics/IDW) FUN, by Paolo Bacilieri, translated by Jamie Richards (SelfMadeHero) Ghost of Gaudi, by El Torres and Jesús Alonso Iglesias, translated by Esther Villardón Grande (Lion Forge/Magnetic) The Ladies-in-Waiting, by Santiago García and Javier Olivares, translated by Erica Mena (Fantagraphics) Run for It: Stories of Slaves Who Fought for the Freedom, by Marcelo D’Salete, translated by Andrea Rosenberg (Fantagraphics)

Best U.S. Edition of International Material—Asia

Furari, by Jiro Taniguchi, translated by Kumar Sivasubramanian (Fanfare/Ponent Mon) Golden Kamuy, by Satoru Noda, translated by Eiji Yasuda (VIZ Media) My Brother’s Husband, vol. 1, by Gengoroh Tagame, translated by Anne Ishii (Pantheon) Otherworld Barbara, vol. 2, by Moto Hagio, translated by Matt Thorn (Fantagraphics) Shiver: Junji Ito Selected Stories, by Junji Ito translated by Jocelyne Allen (VIZ Media)

Best Archival Collection/Project—Strips

Celebrating Snoopy, by Charles M. Shulz, edited by Alexis E. Fajardo and Dorothy O’Brien (Andrews McMeel) Crazy Quilt: Scraps and Panels on the Way to Gasoline Alley, by Frank King, edited by Peter Maresca (Sunday Press) Foolish Questions and Other Odd Observations, by Rube Goldberg, edited by Peter Maresca and Paul C. Tumey (Sunday Press Books) Sky Masters of the Space Force: The Complete Dailies, by Jack Kirby, Wally Wood et al., edited by Daniel Herman (Hermes Press) Star Wars: The Classic Newspaper Strips, vol. 1, by Russ Manning et al., edited by Dean Mullaney (LOAC/IDW)

Best Archival Collection/Project—Comic Books

Akira 35th Anniversary Edition, by Katsuhiro Otomo, edited by Haruko Hashimoto, Ajani Oloye, and Lauren Scanlan (Kodansha) Behaving MADly, edited by Craig Yoe (Yoe Books/IDW) The Collected Neil the Horse, by Arn Saba/Katherine Collins, edited by Andy Brown (Conundrum) Fantagraphics Studio Edition: Jaime Hernandez, edited by Gary Groth (Fantagraphics) Will Eisner: The Centennial Celebration, 1917-2017, by Paul Gravett, Denis Kitchen, and John Lind (Kitchen Sink/Dark Horse)

Best Writer

Tom King, Batman, Batman Annual #2, Batman/Elmer Fudd Special #1, Mister Miracle (DC) Matt Kindt, Grass Kings (BOOM! Studios); Ether (Dark Horse); Eternity, X-O Manowar (Valiant) Jeff Lemire, Black Hammer (Dark Horse); Descender (Image) Marjorie Liu, Monstress (Image) Mark Russell, The Flintstones (DC)

Best Writer/Artist

Lorena Alvarez, Night Lights (Nobrow) Chabouté, Moby Dick (Dark Horse); Alone, Park Bench (Gallery 13/Simon & Schuster) Emil Ferris, My Favorite Thing Is Monsters (Fantagraphics) Cathy Malkasian, Eartha (Fantagraphics) Jiro Taniguchi, Furari, Louis Vuitton Travel Guide: Venice (Fanfare/Ponent Mon)

Best Penciller/Inker or Penciller/Inker Team

Isabelle Arsenault, Louis Undercover (Groundwood Books/House of Anansi) Mitch Gerads, Mister Miracle (DC) Gary Gianni, Hellboy: Into the Silent Sea (Dark Horse) Ramón K. Perez, Jane (Archaia) David Rubín, Black Hammer #9 & #12, Ether, Sherlock Frankenstein #1–3 (Dark Horse); Beowulf (Image)

Best Painter/Multimedia Artist (interior art)

Federico Bertolucci, Love: The Dinosaur, Little Tails (Lion Forge/Magnetic) EFA, Monet: Itinerant of Light (NBM) Jean-Pierre Gibrat, Flight of the Raven (EuroComics/IDW) Cyril Pedrosa, Portugal (NBM) Sana Takeda, Monstress (Image)

Best Cover Artist

Jorge Corona, No. 1 with a Bullet (Image) Nick Derington, Mister Miracle (DC); Doom Patrol (DC Young Animal) Brian Stelfreeze, Black Panther (Marvel) Sana Takeda, Monstress (Image) Julian Totino Tedesco, Hawkeye (Marvel)

Best Coloring

Emil Ferris, My Favorite Thing Is Monsters (Fantagraphics) Mitch Gerads, Mister Miracle (DC) Ed Piskor, X-Men: Grand Design (Marvel) David Rubín, Ether, Black Hammer, Sherlock Frankenstein (Dark Horse); Beowulf (Image) Dave Stewart, Black Hammer, BPRD: Devil You Know, Hellboy: Into the Silent Sea, Sherlock Frankenstein, Shaolin Cowboy (Dark Horse); Maestros (Image) Rosemary Valero-O’Connell, What Is Left (ShortBox)

Best Lettering

Isabelle Arsenault, Louis Undercover (Groundwood Books/House of Anansi) Clayton Cowles, Bitch Planet: Triple Feature, Redlands, The Wicked + The Divine (Image); Black Bolt, Spider-Gwen, Astonishing X-Men, Star Wars (Marvel) Emil Ferris, My Favorite Thing Is Monsters (Fantagraphics) Stan Sakai, Usagi Yojimbo, Groo: Slay of the Gods (Dark Horse) John Workman, Mother Panic (DC Young Animal); Ragnorok (IDW)

Best Comics-Related Periodical/Journalism

Alter Ego, edited by Roy Thomas (TwoMorrows) The Comics Journal, edited by Dan Nadel, Timothy Hodler, and Tucker Stone, tcj.com (Fantagraphics) Hogan’s Alley, edited by Tom Heintjes Jack Kirby Collector, edited by John Morrow (TwoMorrows) PanelXPanel magazine, edited by Hassan Otsmane-Elhaou, panelxpanel.com

Best Comics-Related Book

Deconstructing the Incal by Alejandro Jodorowsky and Moebius, by Jean Annestay and Christophe Quillien (Humanoids) How Comics Work, by Dave Gibbons and Tim Pilcher (Wellfleet Press/Quarto Group) How to Read Nancy: The Elements of Comics in Three Easy Panels, by Paul Karasik and Mark Newgarden (Fantagraphics) Line of Beauty: The Art of Wendy Pini, by Richard Pini (Flesk) Monograph, by Chris Ware (Rizzoli) To Laugh That We May Not Weep: The Life and Times of Art Young, by Glenn Bray and Frank M. Young (Fantagraphics)

Best Academic/Scholarly Work

The Comics of Charles Schulz: The Good Grief of Modern Life, edited by Jared Gardner and Ian Gordon (University Press of Mississippi) Ethics in the Gutter: Empathy and Historical Fiction in Comics, by Kate Polak (Ohio State University Press) Latinx Superheroes in Mainstream Comics, by Frederick Luis Aldama (University of Arizona Press) Neon Visions: The Comics of Howard Chaykin, by Brannon Costello (LSU Press) Picturing Childhood: Youth in Transnational Comics, edited by Mark Heimermann and Brittany Tullis (University of Texas Press)

Best Publication Design

Akira 35th Anniversary Edition, designed by Phil Balsman, Akira Saito (Veia), NORMA Editorial, and MASH•ROOM (Kodansha) Celebrating Snoopy, designed by Spencer Williams and Julie Phillips (Andrews McMeel) Monograph, designed by Chris Ware (Rizzoli) My Favorite Thing Is Monsters, designed by Jacob Covey (Fantagraphics) Will Eisner: The Centennial Celebration, 1917-2017, designed by John Lind (Kitchen Sink/Dark Horse)

Best Digital Comic

Bandette, by Paul Tobin and Colleen Coover (Monkeybrain/comiXology) Barrier, by Brian K. Vaughan and Marcos Martin (Panel Syndicate) The Carpet Merchant of Konstaniniyya, by Reimena Yee (reimenayee.com/the-carpet-merchant) Contact High, by James F. Wright and Josh Eckert (gumroad.com/l/YnxSm) Harvey Kurtzman’s Marley’s Ghost, by Harvey Kurtzman, Josh O’Neill, Shannon Wheeler, and Gideon Kendall (comiXology Originals/Kitchen, Lind & Associates) Quince, by Sebastian Kadlecik, Kit Steinkellner, and Emma Steinkellner, translated by Valeria Tranier (Fanbase Press/comiXology)

Best Webcomic

Awaiting a Wave, by Dale Carpenter and Nate Powell, features.weather.com/us-climate-change/arkansas (The Weather Channel Digital) Brothers Bond, by Kevin Grevioux and Ryan Benjamin, www.webtoons.com/en/action/brothers-bond/list?title_no=1191 (LINE Webtoon) Dispatch from a Sanctuary City, by Mike Dawson, https://thenib.com/dispatch-from-a-sanctuary-city (The Nib) The Tea Dragon Society, by Katie O’Neill, teadragonsociety.com (Oni Press) Welcome to the New World, by Jake Halpern and Michael Sloan, www.michaelsloan.net/welcome-to-the-new-world/ (New York Times Sunday Review)

#comic books #Smash Pages #eisner awards

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starwarsnewsit · 6 years

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Eisner Awards 2018: poco "Star Wars" tra le nomination

New Post has been published on http://www.starwarsnews.it/2018/04/27/eisner-awards-2018-star-wars/

Eisner Awards 2018: poco "Star Wars" tra le nomination

Eisner Awards 2018. Verrà assegnato a breve uno dei premi più importanti del panorama fumettistico. Quest’anno tra le varie nomination c’è anche qualcosa legata a Star Wars, ma veramente poco…

Eisner Awards 2018 – Tutte le nomination

Best Short Story

“Ethel Byrne,” by Cecil Castelluci and Scott Chantler, in Mine: A Celebration of Liberty and Freedom for All Benefiting Planned Parenthood (ComicMix)

“Forgotten Princess,” by Phillip Kennedy Johnson and Antonio Sandoval, in Adventure Time Comics #13 (kaboom!)

”A Life in Comics: The Graphic Adventures of Karen Green,” by Nick Sousanis, in Columbia Magazine (Summer 2017), http://magazine.columbia.edu/features/summer-2017/life-comics?page=0,0

“Small Mistakes Make Big Problems,” by Sophia Foster-Dimino, in Comics for Choice (Hazel Newlevant)

“Trans Plant,” by Megan Rose Gedris, in Enough Space for Everyone Else (Bedside Press)

Best Single Issue/One-Shot

Barbara, by Nicole Miles (ShortBox)

Hellboy: Krampusnacht, by Mike Mignola and Adam Hughes (Dark Horse)

Pope Hats #5, by Ethan Rilly (AdHouse Books)

The Spotted Stone, by Rick Veitch (Sun Comics)

What Is Left, by Rosemary Valero-O’Connell (ShortBox)

Best Continuing Series

Black Hammer, by Jeff Lemire, Dean Ormston, and David Rubín (Dark Horse)

Giant Days, by John Allison, Max Sarin, and Liz Fleming (BOOM! Box)

Hawkeye, by Kelly Thompson, Leonardo Romero, and Mike Walsh (Marvel)

Monstress, by Marjorie Liu and Sana Takeda (Image)

The Wicked + The Divine, by Kieron Gillen & Jamie McKelvie (Image)

Best Limited Series

Black Panther: World of Wakanda, by Roxane Gay, Ta-Nehisi Coates, and Alitha E. Martinez (Marvel)

Extremity, by Daniel Warren Johnson (Image/Skybound)

The Flintstones, by Mark Russell, Steve Pugh, Rick Leonardi, and Scott Hanna (DC)

Mister Miracle, by Tom King and Mitch Gerads (DC)

X-Men: Grand Design, by Ed Piskor (Marvel)

Best New Series

Black Bolt, by Saladin Ahmed and Christian Ward (Marvel)

Grass Kings, by Matt Kindt and Tyler Jenkins (BOOM! Studios)

Maestros, by Steve Skroce (Image)

Redlands, by Jordie Belaire and Vanesa Del Rey (Image)

Royal City, by Jeff Lemire (Image)

Best Publication for Early Readers (up to age 8)

Adele in Sand Land, by Claude Ponti, translated by Skeeter Grant and Françoise Mouly (Toon Books)

Arthur and the Golden Rope, by Joe Todd-Stanton (Flying Eye/Nobrow)

Egg, by Kevin Henkes (Greenwillow Books)

Good Night, Planet, by Liniers (Toon Books)

Little Tails in the Savannah, by Frederic Brrémaud and Federico Bertolucci, translated by Mike Kennedy (Lion Forge/Magnetic)

Best Publication for Kids (ages 9–12)

Bolivar, by Sean Rubin (Archaia)

Home Time (Book One): Under the River, by Campbell Whyte (Top Shelf)

Nightlights, by Lorena Alvarez (Nobrow)

The Tea Dragon Society, by Katie O’Neill (Oni)

Wallace the Brave, by Will Henry (Andrews McMeel)

Best Publication for Teens (ages 13-17)

The Dam Keeper, by Robert Kondo and Dice Tsutsumi (First Second/Tonko House)

Jane, by Aline Brosh McKenna and Ramón K. Pérez (Archaia)

Louis Undercover, by Fanny Britt and Isabelle Arsenault, translated by Christelle Morelli and Susan Ouriou (Groundwood Books/House of Anansi)

Monstress, by Marjorie Liu and Sana Takeda (Image)

Spinning, by Tillie Walden (First Second)

Best Humor Publication

Baking with Kafka, by Tom Gauld (Drawn & Quarterly)

Batman/Elmer Fudd Special #1, by Tom King, Lee Weeks, and Byron Vaughn (DC)

The Flintstones, by Mark Russell, Steve Pugh, Rick Leonardi, and Scott Hanna (DC)

Rock Candy Mountain, by Kyle Starks (Image)

Wallace the Brave, by Will Henry (Andrews McMeel)

Best Anthology

A Bunch of Jews (and Other Stuff): A Minyen Yidn, by Max B. Perlson, Trina Robbins et al. (Bedside Press)

A Castle in England, by Jamie Rhodes et al. (Nobrow)

Elements: Fire, A Comic Anthology by Creators of Color, edited by Taneka Stotts (Beyond Press)

Now #1, edited by Eric Reynolds (Fantagraphics)

The Spirit Anthology, edited by Sean Phillips (Lakes International Comic Art Festival)

Best Reality-Based Work

Audubon: On the Wings of the World, by Fabien Grolleau and Jerémie Royer, translated by Etienne Gilfillan (Nobrow)

The Best We Could Do, by Thi Bui (Abrams ComicArts)

Calamity Jane: The Calamitous Life of Martha Jane Cannary, 1852–1903, by Christian Perrissin and Matthieu Blanchin, translated by Diana Schutz and Brandon Kander (IDW)

Lennon: The New York Years, by David Foenkinos, Corbeyran, and Horne, translated by Ivanka Hahnenberger (IDW)

Spinning, by Tillie Walden (First Second)

Best Graphic Album—New

Crawl Space, by Jesse Jacobs (Koyama Press)

Eartha, by Cathy Malkasian (Fantagraphics)

My Favorite Thing Is Monsters, by Emil Ferris (Fantagraphics)

Stages of Rot, by Linnea Sterte (Peow)

The Story of Jezebel, by Elijah Brubaker (Uncivilized Books)

Best Graphic Album—Reprint

Boundless, by Jillian Tamaki (Drawn & Quarterly)

Fantagraphics Studio Edition: Black Hole by Charles Burns, edited by Eric Reynolds (Fantagraphics)

Small Favors: The Definitive Girly Porno Collection, by Colleen Coover (Oni/Limerence)

Sticks Angelica, Folk Hero, by Michael DeForge (Drawn & Quarterly)

Unreal City, by D. J. Bryant (Fantagraphics)

Best Adaptation from Another Medium

Beowulf, adapted by Santiago García and David Rubín (Image)

H. P. Lovecraft’s The Hound and Other Stories, adapted by Gou Tanabe, translated by Zack Davisson (Dark Horse)

Herman Melville’s Moby Dick, adapted by Christophe Chabouté, translated by Laure Dupont (Dark Horse)

Kindred, by Octavia Butler, adapted by Damian Duffy and John Jennings (Abrams ComicArts)

Best U.S. Edition of International Material

Audubon: On the Wings of the World, by Fabien Grolleau and Jerémie Royer, translated by Etienne Gilfillan (Nobrow)

Flight of the Raven, by Jean-Pierre Gibrat, translated by Diana Schutz and Brandon Kander (EuroComics/IDW)

FUN, by Paolo Bacilieri, translated by Jamie Richards (SelfMadeHero)

Ghost of Gaudi, by El Torres and Jesús Alonso Iglesias, translated by Esther Villardón Grande (Lion Forge/Magnetic)

The Ladies-in-Waiting, by Santiago García and Javier Olivares, translated by Erica Mena (Fantagraphics)

Run for It: Stories of Slaves Who Fought for the Freedom, by Marcelo D’Salete, translated by Andrea Rosenberg (Fantagraphics)

Best U.S. Edition of International Material—Asia

Furari, by Jiro Taniguchi, translated by Kumar Sivasubramanian (Fanfare/Ponent Mon)

Golden Kamuy, by Satoru Noda, translated by Eiji Yasuda (VIZ Media)

My Brother’s Husband, vol. 1, by Gengoroh Tagame, translated by Anne Ishii (Pantheon)

Otherworld Barbara, vol. 2, by Moto Hagio, translated by Matt Thorn (Fantagraphics)

Shiver: Junji Ito Selected Stories, by Junji Itotranslated by Jocelyne Allen (VIZ Media)

Best Archival Collection/Project—Strips

Celebrating Snoopy, by Charles M. Shulz, edited by Alexis E. Fajardo and Dorothy O’Brien (Andrews McMeel)

Crazy Quilt: Scraps and Panels on the Way to Gasoline Alley, by Frank King, edited by Peter Maresca (Sunday Press)

Foolish Questions and Other Odd Observations, by Rube Goldberg, edited by Peter Maresca and Paul C. Tumey (Sunday Press Books)

Sky Masters of the Space Force: The Complete Dailies, by Jack Kirby, Wally Wood et al., edited by Daniel Herman (Hermes Press)

Star Wars: The Classic Newspaper Strips, vol. 1, by Russ Manning et al., edited by Dean Mullaney (LOAC/IDW)

Best Archival Collection/Project—Comic Books

Akira 35th Anniversary Edition, by Katsuhiro Otomo, edited by Haruko Hashimoto, Ajani Oloye, and Lauren Scanlan (Kodansha)

Behaving MADly, edited by Craig Yoe (Yoe Books/IDW)

The Collected Neil the Horse, by Arn Saba/Katherine Collins, edited by Andy Brown (Conundrum)

Fantagraphics Studio Edition: Jaime Hernandez, edited by Gary Groth (Fantagraphics)

Will Eisner: The Centennial Celebration, 1917-2017, by Paul Gravett, Denis Kitchen, and John Lind (Kitchen Sink/Dark Horse)

Best Writer

Tom King, Batman, Batman Annual #2, Batman/Elmer Fudd Special #1, Mister Miracle (DC)

Matt Kindt, Grass Kings (BOOM! Studios); Ether (Dark Horse); Eternity, X-O Manowar (Valiant)

Jeff Lemire, Black Hammer (Dark Horse); Descender (Image)

Marjorie Liu, Monstress (Image)

Mark Russell, The Flintstones (DC)

Best Writer/Artist

Lorena Alvarez, Night Lights (Nobrow)

Chabouté, Moby Dick (Dark Horse); Alone, The Park Bench (Gallery 13/Simon & Schuster)

Emil Ferris, My Favorite Thing Is Monsters (Fantagraphics)

Cathy Malkasian, Eartha (Fantagraphics)

Jiro Taniguchi, Furari, Louis Vuitton Travel Guide: Venice (Fanfare/Ponent Mon)

Best Penciller/Inker or Penciller/Inker Team

Isabelle Arsenault, Louis Undercover (Groundwood Books/House of Anansi)

Mitch Gerads, Mister Miracle (DC)

Gary Gianni, Hellboy: Into the Silent Sea (Dark Horse)

Ramón K. Perez, Jane (Archaia)

David Rubín, Black Hammer #9 & #12, Ether, Sherlock Frankenstein #1–3 (Dark Horse); Beowulf (Image)

Best Painter/Multimedia Artist (interior art)

Federico Bertolucci, Love: The Dinosaur, Little Tails (Lion Forge/Magnetic)

EFA, Monet: Itinerant of Light (NBM)

Jean-Pierre Gibrat, Flight of the Raven (EuroComics/IDW)

Cyril Pedrosa, Portugal (NBM)

Sana Takeda, Monstress (Image)

Best Cover Artist

Jorge Corona, No. 1 with a Bullet (Image)

Nick Derington, Mister Miracle (DC); Doom Patrol (DC Young Animal)

Brian Stelfreeze, Black Panther (Marvel)

Sana Takeda, Monstress (Image)

Julian Totino Tedesco, Hawkeye (Marvel)

Best Coloring

Emil Ferris, My Favorite Thing Is Monsters (Fantagraphics)

Mitch Gerads, Mister Miracle (DC)

Ed Piskor, X-Men: Grand Design (Marvel)

David Rubín, Ether, Black Hammer, Sherlock Frankenstein (Dark Horse); Beowulf (Image)

Dave Stewart, Black Hammer, BPRD: Devil You Know, Hellboy: Into the Silent Sea, Sherlock Frankenstein, Shaolin Cowboy (Dark Horse); Maestros (Image)

Rosemary Valero-O’Connell, What Is Left (ShortBox)

Best Lettering

Isabelle Arsenault, Louis Undercover (Groundwood Books/House of Anansi)

Clayton Cowles, Bitch Planet: Triple Feature, Redlands, The Wicked + The Divine (Image); Black Bolt, Spider-Gwen, Astonishing X-Men, Star Wars (Marvel)

Emil Ferris, My Favorite Thing Is Monsters (Fantagraphics)

Stan Sakai, Usagi Yojimbo, Groo: Slay of the Gods (Dark Horse)

John Workman, Mother Panic (DC Young Animal); Ragnorak (IDW)

Best Comics-Related Periodical/Journalism

Alter Ego, edited by Roy Thomas (TwoMorrows)

The Comics Journal, edited by Dan Nadel, Timothy Hodler, and Tucker Stone, tcj.com (Fantagraphics)

Hogan’s Alley, edited by Tom Heintjes

Jack Kirby Collector, edited by John Morrow (TwoMorrows)

PanelXPanel magazine, edited by Hassan Otsmane-Elhaou, panelxpanel.com

Best Comics-Related Book

Deconstructing the Incal by Alejandro Jodorowsky and Moebius, by Jean Annestay and Christophe Quillien (Humanoids)

How Comics Work, by Dave Gibbons and Tim Pilcher (Wellfleet Press/Quarto Group)

How to Read Nancy: The Elements of Comics in Three Easy Panels, by Paul Karasik and Mark Newgarden (Fantagraphics)

Line of Beauty: The Art of Wendy Pini, by Richard Pini (Flesk)

Monograph, by Chris Ware (Rizzoli)

To Laugh That We May Not Weep: The Life and Times of Art Young, by Glenn Bray and Frank M. Young (Fantagraphics)

Best Academic/Scholarly Work

The Comics of Charles Schulz: The Good Grief of Modern Life, edited by Jared Gardner and Ian Gordon (University Press of Mississippi)

Ethics in the Gutter: Empathy and Historical Fiction in Comics, by Kate Polak (Ohio State University Press)

Latinx Superheroes in Mainstream Comics, by Frederick Luis Aldama (University of Arizona Press)

Neon Visions: The Comics of Howard Chaykin, by Brannon Costello (LSU Press)

Picturing Childhood: Youth in Transnational Comics, edited by Mark Heimermann and Brittany Tullis (University of Texas Press)

Best Publication Design

Akira 35th Anniversary Edition, designed by Phil Balsman, Akira Saito (Veia), NORMA Editorial, and MASH•ROOM (Kodansha)

Celebrating Snoopy, designed by Spencer Williams and Julie Phillips (Andrews McMeel)

Monograph, designed by Chris Ware (Rizzoli)

My Favorite Thing Is Monsters, designed by Jacob Covey (Fantagraphics)

Will Eisner: The Centennial Celebration, 1917-2017, designed by John Lind (Kitchen Sink/Dark Horse)

Best Digital Comic

Bandette, by Paul Tobin and Colleen Coover (Monkeybrain/comiXology)

Barrier, by Brian K. Vaughan and Marcos Martin (Panel Syndicate)

The Carpet Merchant of Konstaniniyya, by Reimena Yee (reimenayee.com/the-carpet-merchant)

Contact High, by James F. Wright and Josh Eckert (gumroad.com/l/YnxSm)

Harvey Kurtzman’s Marley’s Ghost, by Harvey Kurtzman, Josh O’Neill, Shannon Wheeler, and Gideo Kendall (comiXology Originals/Kitchen, Lind & Associates)

Quince, by Sebastian Kadlecik, Kit Steinkellner, and Emma Steinkellner, translated by Valeria Tranier (Fanbase Press/comiXology)

Best Webcomic

Awaiting a Wave, by Dale Carpenter and Nate Powell, features.weather.com/us-climate-change/arkansas (The Weather Channel Digital)

Brothers Bond, by Kevin Grevioux and Ryan Benjamin, www.webtoons.com/en/action/brothers-bond/list?title_no=1191 (LINE Webtoon)

Dispatch from a Sanctuary City, by Mike Dawson, https://thenib.com/dispatch-from-a-sanctuary-city (The Nib)

The Tea Dragon Society, by Katie O’Neill, teadragonsociety.com

Welcome to the New World, by Jake Halpern and Michael Sloan, www.michaelsloan.net/welcome-to-the-new-world/ (New York Times Sunday Review)

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documentaryoncinema · 4 years

Text

Inside Actrices, 2

'Lynda Carter', TBC, VE.

'Yvonne De Carlo. Deslumbrante Lily', Lawrence Williams, 2000, VOSE. ('Familia Munster')

'Elizabeth Montgomery', Hilary Atkin, 1999, VO, SE en YouTube.

youtube

'Jamie Lee Curtis. Hollywood´s girl next door', Caroline Thomas, 2002, VE.

'Nicole Kidman. Icons big star profiles', Switch Int., VE.

'Salma Hayek', TBC, 2005, VE.

'María Félix, VE.

'María Montez', VE.

'María Montez. Reina del Technicolor', Festival de Cine Global Dominicano, 2011, VE.

youtube

'Lana Turner... los recuerdos de una hija', Carole Langer, 2001, VOSE.

'Alice Faye', Elizabeth K. Bronstein, Steven Smith, 1999, VE.

'Gene Tierney', VOSE.

’Harlow. La rubia platino’, Tom McQuade, 1993. VOSE.

'Barbara Eden', Van Ness Films, 1999, VO, SE en YouTube.

youtube

'Jayne Mansfield. Blonde ambition', Ed Singer, 2004, VO, SE en YouTube.

youtube

'Natalie Wood', Prometheus Entertainment, Foxstars Productions, 2003, VE.

'Myrna Loy. So nice to come home to', Richard Schickel, 1991, VOSE.

youtube

'In search of... Kim Novak', Jack Haley Jr., 1964, VO, SE en YouTube.

youtube

'Raquel Welch', VO.

youtube

'Claudia Cardinale. Being', Stefano Mordini, 2005, VE.

'Brigitte Bardot. The icon of France', Lyndy Saville, 2009, VOSE.

'Brigitte Bardot', 2003, VO, SE en YouTube.

youtube

'Sofia Loren. Buscando a Sofia', Roberto Olla, Danila Satta, 2004, VE.

'Elizabeth Taylor. Un retrato íntimo', Pat Shields, 1975, VOSE.

'Recordando a Elizabeth taylor', VOSE.

'Elizabeth Taylor. La otra reina de Inglaterra', Chris Bould, 2003, VE.

'Elizabeth Taylor. Biografía', Prometheus Entertaiment, Foxstar Productions, 2003, VE.

'Vivien Leigh. Más allá de Escarlata', Lisa Jackson, 1990, VOSE.

'Vivien Leigh: Scarlett and Beyond', Gene Feldman, 1990, VOSE.

youtube

'Janet Leigh', Jule Gilfillan, 2003, VE.

'Shirley MacLaine. Instinto de superación', Gene Feldman, Suzette Winter, 1996, VE.

'Carmen Miranda. That girl from Rio', John Cork, Lisa Van Eyssen, 2008, VO.

youtube

'Carmen Miranda', Cristina Fonseca, 1992, VO.

youtube

'Carmen Miranda. The South American way', Elizabeth Bronstein, 1996, VE.

youtube

'Carmen Miranda: Beneath the Tutti Frutti hat', Paul Bullock, 2007, VO, SE en YouTube.

youtube

’Judy Garland. The Hollywood greats’, Elaine Donnelly, 1978, VO.

youtube

'The real Judy Garland', VE.

'Judy Garland. Special Report', 1975, VO.

youtube

'Shirley Temple', VE.

'Doris Day', A&E Television Networks, 1991, VE.

'Louise Brooks', Arena, BBC, 1986, VO.

'Dúos de cine: Pola Negri y Ernst Lubitsch', Laurent Preyale, 2002, VE.

‘Dragon girls! Les amazones pop asiatiques’, Yves Montmayeur, 2016, VOFrancés.

‘Elaine Stritch: Shoot me’, Chiemi Karasawa, 2013, VOSE.

Trata sobre una celebridad que encuentra a Elaine Stritch, leyenda de Broadway analizando su jubilación e igualmente su propia mortalidad.

Con la presencia de Elaine Stritch, Alec Baldwin, George C. Wolfe, Tracy Morgan, Tina Fey, James Gandolfini, Cherry Jones, Nathan Lane, Harold Prince y John Turturro.

#Actriz

3 notes · View notes

lamdeptainha365ngay · 5 years

Text

Những thói quen ăn mặc làm thay đổi nam giới

1. Nắm rõ những căn bản của thời trang

“Từ Steve McQueen cho tới James Dean, những tên tuổi lớn luôn giữ cho phong cách thời trang của mình được tối giản,” stylist Georgia Boal-Russell, người từng cộng tác với những thương hiệu lớn như Tom Ford, adidas và Jigsaw chia sẻ về bí quyết ăn mặc đẹp của nhiều quý ông nổi tiếng. “Họ phụ thuộc nhiều vào những bộ trang phục cơ bản, và cũng chẳng quá quan tâm tới những món đồ quá nổi bật mà không phải phong cách của họ.”

Phỏng theo nghiên cứu của chuyên trang mua sắm dành cho nam giới Thread, cánh mày râu xứ Ăng lê chỉ mặc khoảng 13 phần trăm số quần áo trong tủ đồ của họ. “Tôi nghĩ rằng đàn ông luôn quay về những thứ căn bản nhất và mặc chúng,” Boal-Russell nói thêm, “điều đó chứng minh việc các quý ông nên đầu tư vào những món đồ thời trang cơ bản nhưng chất lương cao, trông vẫn còn tốt sau nhiều năm và học cách phối nó với những món khác trong tủ đồ để có một phong cách ăn mặc đẹp hơn.”

Hãy tự sắm cho mình vài cái áo thun vừa vặn, một chiếc áo sơ mi màu xanh da trời, áo sweater màu xám, áo khoác denim và một vài chiếc quần chinos màu sáng, dáng ôm hoặc ống thẳng.

2. Mua sắm tại cửa hàng nếu có thể

Với hàng nghìn thương hiệu lớn nhỏ khác nhau, lại không phải xếp hàng, cũng không mất công thử, nhiều quý ông chọn cho mình cách mua hàng qua mạng. Nhưng điều gì cũng có mặt trái của nó. Đôi khi, bạn nên dành thời gian để đến cửa hàng và tự tay lựa quần áo cho mình.

“Mặc dù thương mại điện tử rất phát triển, tôi vẫn thích lượn lờ ở các cửa hàng thời trang,” biên tập viên mảng thời trang nam giới Jian DeLeon chia sẻ. “Bạn sẽ có cơ hội nhìn những món đồ thời trang mới ra trực quan hơn, thử và cảm nhận chất liệu một cách trực tiếp. Hơn nữa, các cửa hàng luôn có chuyên viên tư vấn với kiến thức nền tảng tốt để hỗ trợ bạn lựa chọn cũng như phối hợp theo nhiều phong cách khác nhau.”

3. Những quý ông ăn mặc đẹp, họ không ám ảnh về việc phải lên kế hoạch nên mặc gì vào hôm sau

“Tôi ít khi nào dành thời gian chọn trang phục cho ngày hôm sau lắm,”Simon Chilvers, giám đốc mảng thời trang nam của chuyên trang MatchesFashion.com chia sẻ. “Trừ khi nào bạn bắt buộc phải mặc đồng phục, hoặc mặc theo dress code, các quý ông thường chọn trang phục một cách khá thoải mái, và phù hợp với tâm trạng ngày mới của họ.”

Trên thực tế, cũng khá tốn thời gian cho những người mới bắt đầu tự do ngẫu hứng chọn trang phục của họ, vậy nên việc chuẩn bị một vài sự kết hợp cơ bản chẳng bao giờ là thừa cả. “Chỉ cần chắc chắn rằng bạn chọn những trang phục mang lại cho bạn sự thoải mái, phù hợp với sự kiện, công việc trong ngày là được.”

4. Quan tâm tới từng chiếc quần lót

Để có thể ăn mặc đẹp, chỉn chu hơn, bạn cần quan tâm tới những chiếc quần lót giống như cách bạn gìn giữ trang phục của bản thân vậy, kể cả khi chỉ mình bạn nhìn thấy chúng, theo Olivia Francis, nhà sáng lập thương hiệu cao cấp Hamilton & Hare. “Ủi những chiếc quần lót của bạn như cách bạn ủi những chiếc áo sơ mi vậy – với chiếc bàn ủi hơi nước và bạn sẽ cảm thấy ngạc nhiên vì sự tuyệt vời và thoải mái khi mặc chúng vào mỗi buổi sáng.”

Nếu như bạn thấy điều đó là quá phiền phức, ít nhất hay thay mới đồ lót một cách thường xuyên. “Một chiếc quần cũ, giãn thun, xỉn màu thì trông thật lôi thôi, bạn nên thay mới nó sau mỗi 12 tới 18 tháng sử dụng.”

5. Họ không ngó lơ biểu tượng hướng dẫn bảo quản sản phẩm

Có lẽ chẳng gì khó chịu hơn việc mua một chiếc áo len chui đầu sành điệu về và nhận ra nó chỉ có thể giặt khô, hay việc phải dành những ngày cuối tuần quý giá để giặt tay những chiếc áo lụa hay len không thể giặt bằng máy được.

Nếu việc bảo quản quần áo duy nhất bạn có thể làm được đó là phân loại màu sắc sáng tối khi giặt, hãy chọn cho mình những món đồ thời trang tối giản, với chất liệu “dễ chịu” như cotton, hay thậm chí là lông cừu Merino, loại chất liệu không cần phải giặt quá nhiều nhờ vào đặc tính kháng khuẩn đặc trưng của nó.

6. Chọn quần với độ dài phù hợp

Bên cạnh việc để cho đôi giày thể thao sành điệu có “đất” để tỏa sáng, việc chọn chiếc quần với độ dài phù hợp sẽ giúp bạn nhìn trưởng thành hơn, cũng như cao hơn, hình dáng cơ thể cũng theo đó nhìn cân đối hơn.

“Nếu như chiếc quần có độ dài không phù hợp, thì dù đôi giày của bạn có thời trang cách mấy cũng không cứu vãn được”, nhà thiết kế giày Marc Hare chia sẻ. “Đôi giày tuyệt vời nhất là đôi giày không bị che khuất đằng sau lớp vải.”

Khi thời tiết trở nên lạnh hơn, hãy chọn những chiếc quần với độ dài vừa tới mắt cá chân của bạn. Tới lúc trời ấm lên, với một chút sự xắn gấu khéo léo cùng xu hướng thời trang giấu tất, bạn đã có thể khoe một cách triệt để đôi giày cá tính cùng phần cổ chân thanh mảnh rồi.

7. Những quý ông có phong cách ăn mặc đẹp biết tích trữ quần áo hiệu quả

Mặc dù việc mua những món đồ cơ bản cho tủ đồ nghe có vẻ nhàm chán, nhưng đó là cách hiệu quả nhất để duy trì phong độ ăn mặc đẹp trong mọi hoàn cảnh.

“Những món đồ cơ bản là nền tảng cho mọi tủ đồ”, Sarah Gilfillan, nhà sáng lập công ty dịch vụ tư vấn mua sắm cá nhân SartoriaLab chia sẻ. “Một khi bạn đã có những món đồ cơ bản, việc kết hợp thêm với những items phá cách, xu hướng cũng trở nên dễ dàng hơn.”

8. Hạn chế giặt những chiếc quần jeans

Nghe thì có vẻ khó tin, nhưng đôi khi, việc ăn mặc đẹp đến từ những điều đơn giản nhất. Điều này đúng khi nói đến những chiếc quần jeans. Ít nhất trong 6 tháng đầu sau khi mua về, bạn không nên giặt chúng.

“Chúng tôi luôn khuyến khích mọi người chọn quần jeans thô, và để nó tự bạc màu theo thời gian, tạo ra những họa tiết bạc màu rất riêng,” nhà thiết kế Johan Lindstedt của hãng đồ denim Nudie Jeans bật mí.

“Bằng cách hạn chế việc giặt chiếc quần jeans của bạn hết mức có thể, bạn có thể sở hữu một chiếc quần độc đáo của riêng bạn mà không cần phải mua một chiếc đã được làm hiệu ứng bạc sẵn.”

9. Những món đồ may đo thời trang là thứ không thể thiếu

Mỗi người đàn ông có phong cách ăn mặc đẹp đều tường tỏ được giá trị của sự vừa vặn, từ những món đồ thời trang cơ bản tới bộ suit hai mảnh cổ điển trang trọng.

“Dù bạn có vừa dốc cạn cả tháng lương hay chỉ “vui tay” chọn một chiếc áo khoác cho mùa Đông sắp tới, hãy chắc chắn rằng nó được may vừa vặn với vóc dáng cơ thể của bạn,” biên tập viên thời trang nam Tony Cook của chuyên trang FarFetch nhận định. “Trong thế giới của thời trang phái mạnh, một phân như là cả một dặm vậy. Và những sự thay đổi, dù chỉ nhỏ nhất, cũng có thể tạo ra những khác biệt rất lớn.”

Vì vậy, hãy chú tâm tới những chi tiết nhỏ nhất, đặc biệt là những chiếc áo khoác, điển hình là phần khuy, vai và lưng.

0 notes

philjdrums · 7 years

Video

youtube

I added some custom drum parts to the song "Melrose at Midnight" by Light Years away. This video is the drums only version. To watch it with the music go here: https://www.youtube.com/watch?v=BlUOZjbYaMU - Thanks for watching friends! Thanks to Light Years Away and NoCopyrightSounds for releasing this song without copyright restrictions so I could make this video :) P.S. want to help me keep making music and videos (and get your name in the credits)? Check out my Patreon Campaign: http://ift.tt/2hCoGvI Special Thanks to the following peeps for supporting this video on http://ift.tt/2hCoGvI Charlie Irvine Michael Snook Chris Anselmo Nate Sumbot Dale Semple George Ablett Coco Sun Ian Gilfillan Harald Hirsch Nicolette Hawco Francois Goudreault Mike Hakesley Jessica Johnston Austenson Rueter Find the original song on No Copyright Sounds: https://www.youtube.com/watch?v=KLtn2qA7WxE Check out the song's creator: Light Years Away • http://ift.tt/2fOkJEX • http://ift.tt/2lgriod • https://twitter.com/lightyears404 • http://ift.tt/2ktH4rC Sound Recording Gear I use: Audio Interface: (Focusrite Safire Pro 26): http://amzn.to/2bv3QQN Mic Pre-amps (Focusrite OctoPre MkII): http://amzn.to/2bnywlc Kick Mic (Shure BETA 52a): http://amzn.to/2b9KE5O Snare Top Mic (Shure BETA 57a): http://amzn.to/2bEkd9s Snare Bottom Mic and China Mic (Shure SM57): http://amzn.to/2bdCBGY Hi Hat Mic (AKG C1000S): http://amzn.to/2bsmvIu Tom Mics: (Sennheiser MD 421) http://amzn.to/2bnyCJR Overhead Mics: (APEX 185 Matched Pair Pencil Condenser Microphone) Mic Cables: http://amzn.to/2bny9ag Mixed in Logic ProX. Edited in Adobe Premiere. Camera Gear used in this video: GoPro Hero5: http://amzn.to/2iVjck4 GoPro Hero5 Session: http://amzn.to/2iVhmzI Canon G7x: http://amzn.to/2bv2JQZ My Drums: Kit: Pearl Masters Studio, Snare: UDRUM 14x7, Cymbals: Various, Kick Pedal: Single Tama Speed Cobra, Hi Hat Pedal: Tama Speed Cobra Follow me here: Vlogs and BTS: https://youtube.com/philjokay Instagram: http://ift.tt/1IZErba Twitter: http://twitter.com/philjdrums Facebook: http://ift.tt/1fz0iWQ Website: http://philjdrums.com Snapchat Username: philjdrums As always, all drum parts are real as seen and done in 1 complete take. No pre-recording or sound replacing was done. What you see is what you hear :)

#IFTTT #YouTube

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hawaii5ho · 4 years

Video

vimeo

OFFLINE DATING from Samuel Abrahams on Vimeo.

Last weekend my single friend Tom challenged himself to find his next date - OFFLINE.

Facebook - facebook.com/offlinedatingfilm

Webby nominated film by Samuel Abrahams

OFFLINE DATING

Featuring Tom Greaves

Directed by Samuel Abrahams

Produced by Joshua Smith & Samuel Abrahams

Shot by Samuel Abrahams

Edited by Chris McKay

Music by Wilderthorn

Titles by Lewis Kyle White

Graded by Steffan Perry

Sound by Jonny Platt

Assistant Producers Tom Gilfillan & David O'Neill

Planning by Freddie Eaves

Thanks to... Harry Barber, Honey Ribs, All the Ninja’s @ 52, Blink, Cut & Run, Wave, Framestore.

And a special thank you to all the lovely people we met!

0 notes

promomagazine · 4 years

Video

vimeo

River Island | SS18 Lookbook from Pavilion Works on Vimeo.

Production Company: PAVILION WORKS Client: RIVER ISLAND

Directed: Tom Gilfillan Produced: Morgan Faverty DOP: Stefan Yap

Editor: Tom Gilfillan Colourist: Ruth Wardell Grade House: ETC Music By: Reece Baker

0 notes

typogropotamus · 4 years

Video

vimeo

Coast to Coast from Albion on Vimeo.

Coast to Coast is a new short film by Albion, telling the story of a ride across the north of England.

A single continuous ride of nearly 500 kilometres from the east to the west coast, through three of England’s most beautiful national parks.

A single ride with over 10,000 metres of vertical ascent.

Coast to Coast is a love letter to the north, a record of a mountainous journey, and an insight into the mind of someone who would go on that journey.

#Albioneering

Director - Sam Davis Director of Photography - Yannick Hausler Additional Photography - Tom Gilfillan & Sam Davis Music & Sound design - Boxwork Editor - Joe Walton Colourist - Mark Slobodian, Splice Map Design - Jon Smith, Fourfeet Design

Thanks to Angus Morton, Ady Hogan, Rowley Clifford / Wahoo, Toby Willis, Rich Folley, Studio Yes, Whitehouse Post and Tom Ruddock.

0 notes

matagonia · 4 years

Photo

Vintage travel poster for the Caledonian Canal, Scotland. Printed for MacBrayne’s Steamers and the London, Midland and Scottish railway (LMS) ca. 1930s-40s. Artwork by Tom Gilfillan (active 1930s-1950s).

#scotland #highlands #caledonian canal #abbey #monastery #loch #mountains #vintage poster #travel poster #vintage travel poster #railway poster #vintage railway poster #macbraynes #macbraynes steamers #lms #tom gilfillan

6 notes · View notes

dusan · 4 years

Video

vimeo

Coast to Coast from Albion on Vimeo.

Coast to Coast is a new short film by Albion, telling the story of a ride across the north of England.

A single continuous ride of nearly 500 kilometres from the east to the west coast, through three of England’s most beautiful national parks.

A single ride with over 10,000 metres of vertical ascent.

Coast to Coast is a love letter to the north, a record of a mountainous journey, and an insight into the mind of someone who would go on that journey.

#Albioneering

Thanks to Angus Morton, Ady Hogan, Rowley Clifford / Wahoo, Toby Willis, Rich Folley, Studio Yes, Whitehouse Post and Tom Ruddock.

0 notes

whatgregswatching · 5 years

Video

vimeo

Our Game from Pavilion Works on Vimeo.

In the lead-up to the Women’s World Cup, we wanted to know what women’s football looked like across the UK.

From the remote pitches of Scotland to the players of London’s Hackney Marshes, we wanted to get to the know the characters behind one of the most exciting growing sports and what it really means to be a woman in football in 2019.

First stop was Manchester where we spoke with professional players Ellie Roebuck (Manchester City) and Ella Toone (Manchester United) about their experiences as young girls playing on pitches dominated by boys and realising they could have a career as a footballer. We stayed local, speaking with This Fan Girl head honcho Amy Drucquer, and musician and Fulham Ladies player Chelcee Grimes about how the sports changed in recent years. And we travelled to Scotland to hang out with football team East Fife Ladies of coastal town, Leven.

Created by: PAVILION WORKS

Director of Photography: Anna Macdonald & Kurt Riddall Photography: Sam Ashton & Morgan Faverty Sound Recordist: Morgan Williams, Bartek Baranowksi, Louis Tompkins

Editors: Tom Gilfillan, Giacomo Esposito Edit Assists: Greg Mccahon, Neilsan Abbot-bohl

Music: Dale Curtis Sound Design Tatiana Sanches Colourist: Vlad Barin / Cheat

Thanks to: Chelcee Grimes, Ellie Roebuck, Ella Toone, Amy / This Fan Girl, Elizabeth, Pete David and all / East Fife, Gareth and Sharon / Full Ninety, Chris, Tony, Jo, and Sam / Tap Management.

Special Thanks to: Ben and all / Focus 24, Chloe and Vlad / Cheat, Dale Curtis.

0 notes

fashiontrendin-blog · 6 years

Text

Men’s Necklaces Are Going Mainstream. Here’s How To Wear Them With Style

https://fashion-trendin.com/mens-necklaces-are-going-mainstream-heres-how-to-wear-them-with-style/

Men’s Necklaces Are Going Mainstream. Here’s How To Wear Them With Style

Unless you raided your dear mother’s jewellery box when you were younger or ran around South East Asia on your gap year like Leonardo DiCaprio in The Beach, chances are, as a man, you’ve never thought about thrusting a chain over your head.

But with an ever-increasing roll call of the coolest men in the world now opting for the men’s necklace (Gosling, Hemsworth, Rocky – need we say more?) and shifting attitudes towards a much-needed blurring of the previously gender stereotyping in fashion (men wear watches, women wear jewellery – let’s all groan in unison) now is as good a time as any to experiment with a chain over your head. Here we take a look at everything you need to get started, from picking the right pendant and length of chain to how you can fit it effortlessly into your already assembled wardrobe.

Ryan Gosling

The History Of Bling, From Henry VIII To 50 Cent

Men weren’t always so averse to a bit of bling around the scruff. The ancient Egyptians were proponents, studding their sheet gold neck wraps and strung beads with amulets and talismans to protect and bring luck to the wearer. Men of the Renaissance period were also fans with the extremely wealthy lavishing all manner of plaques, chains and pendants upon themselves as well as stupendous gem-laden creations that would stretch to their shoulders. Don’t believe us? Check out Henry VIII in his famous portrait by Hans Holbein, sporting a herculean gold chain that would put Run DMC to shame.

RUN DMC

This male love-in with the necklace died out in the 1600s, but returned in the second half of the 20th century when chains once again went from pious symbols of religion to conspicuous signifiers of wealth. Dog tags, Elvis and disco played their parts, but it was in hip-hop fashion that necklaces became the ultimate symbol of decadence with artists punching through the social hierarchy, the ice hanging around their necks offering proof of how far they’d climbed.

In the last decade men’s jewellery has evolved again, now more of a fashion accessory than anything else. Necklaces have sashayed down the men’s catwalk for the likes of Prada, Balmain and Raf Simons in recent seasons. And from high to low, even those unlikely fellas from reality TV show Love Island have been dolling up their perma-tanned torsos with online jewellery retailer Jewlr reporting a 500 per cent increase in sales of men’s necklaces while the show was on the air.

Balmain

“Men wearing jewellery is definitely having a renaissance,” says Alex Simpson, founder of men’s jewellery brand Alex Orso. “There has been a 1990s streetwear revival in recent seasons, which has seen chains, pendants, medallions and rings rise in popularity. This has been picked up on Instagram and street style blogs, which in turn has influenced the styling of characters on mainstream reality TV to create a self-perpetuating trend which I don’t believe has reached its crescendo yet.”

Picking Your Metal

The first step to making like the Pharaohs and the catwalk waifs is to pick out your necklace – starting with the material of your chain and then the pendant to add the unique styling that has made them so popular. “A necklace should feel comfortable and casual almost like a family heirloom,” says Michael Saiger, founder and creative director of US-based jewellery company Miansai.

An oxidised sterling silver chain offers a more masculine and timeless vibe with the colour shade working best in winter months underneath tailoring and next to navy blues and grey. A yellow gold chain is brighter creating a contrast that really pops against black while complimenting warmer tones like orange and brown.

If you’re looking for a casual necklace to fit with a more dressed-down style, then consider waxed cord which especially suits the summer months and days flaunting around the pool while a beaded necklace might have worrying gap year connotations but can add bulk and width to a skinny neck while drawing attention to a sharp jawline (if you’re blessed with one) and works well in combination with other chains.

David Yurman

There are also plated metals to consider but Saiger recommends sticking to the golden two if you are concerned about your skin reacting to the chain. “It’s always best to stick with only sterling silver and solid gold if you have sensitive skin. Those types of metals are extremely fine, and will not react to your skin regardless if you sleep with them or wear them just for the day.”

Aside from the material, there are also different chain designs with the interconnected oval links of a cable chain being the most common. Different chain designs will alter the feel and look of the necklace like the bulkier mesh chain (several different chains linked together for a textured look), the sturdy curb chain (interlocked links designed to lay flat) and the ever-so-fancy Figaro chain (an alternating pattern of differently sized flattened links).

Alex Orso

Make The Pendant Personal

Now, you can of course just stick with the chain, but adding a pendant brings that oh-so-important personality to your look with the ability to turn heads and get the conversation flowing at a dinner party quicker than you can say “Jam Master Jay”. Proud wearer of the men’s necklace Ryan Gosling, has the tag of his beloved dog George attached to his chain, after he sadly passed away in 2017.

However, there’s no prescription for the pendant and it’d be foolish to just follow the lead of the celebs. Just keep your eye out for something that you connect with or can regale an anecdote through, whether it’s a letter or a diamond-encrusted dollar sign. “Ultimately any purchase is personal and based on a selection process,” says Simpson. “What are you attracted to? What complements your style? And what does it say to others about your character?”

Along with a personal touch, Saiger advises looking towards vintage designs in a pendant. “Something that merges the past with the present will always be in style.” For example, one of the key styles at Miansai is the rolled penny necklace which takes its inspiration from the old penny machines found in museums and amusement parks.

David Yurman

Also, note that particular pendants have different meanings. An anchor is an age-old symbol of strength with obvious ties to the sea, while a popular motif for Los Angeles based jewellery brand Nialaya is the Hamsa hand, which is believed to ward off evil spirits and bad luck in Middle Eastern and North African cultures. Other popular pendant styles are the holy cross with its connotations to Christianity, the skull which represents mortality and the feather which is the universal symbol of peace, pacifism and spiritual unity.

“In all scenarios, it must feel natural and should never make you feel self-conscious,” says Simpson. “Some pendants are quite bold or heavy, so it’s worth thinking about where and how long you might be wearing the product.”

David Yurman

Choose Your Length

The most common length of the chain is between 18 and 22 inches, which will sit just below your collarbone while a long necklace will be around 26 to 30 inches long with the pendant hanging around your chest area. A longer chain will help elongate the neck while drawing attention to a broad chest, while a shorter chain will be more readily visible. Anything shorter than 18 inches and you’re getting into choker territory.

“We offer two lengths of chain with the longer length having a more relaxed feel for a night out,” says Simpson, “while the shorter length is to be worn with more formal pieces like a shirt.”

It’s also worth layering multiple chains and experimenting with varying lengths at any one time, with beads working particularly well in a shorter length against a longer chain.

Daniella Draper

How To Wear It

“Long pendant-style necklaces work well over either a loose crew neck or a V-neck T-shirt so the pendant follows the line of the V,” says Sarah Gilfillan, founder of personal styling consultancy Sartoria Lab. When putting together your outfit and necklace, Gilfallan also suggests matching metals for a more considered and put together look. For example, if you’re stepping out with a silver watch on your wrist and a silver buckle around your belt, go for that metal in your necklace choice too.

When it comes to the rest of your clothing choices, the offbeat addition of a necklace suits a casual look such as a white T-shirt and leather jacket according to Gilfillan. “If you do want to wear it with tailoring, I’d go for an open neck shirt with a simple chain showing at the neck of the shirt. If you want to make more of a statement and go for full-on 1980s look, then wear your shirt done up to the top with no tie but with a chain or pendant that is worn over the top of the shirt. Also, ensure your shirt collar is fairly small and neat, and avoid button downs so your necklace can be the point of focus.”

And to kill off two trends with one stone, Gilfillan regards the men’s necklace as the perfect accompaniment to the laissez-faire attitude of a Cuban collar shirt. “The current open neck camp collar shirt styles are perfect for showing off multiple necklaces. Wear with an extra button open to show off those necklaces, and style with slim cut turned up jeans and trainers, mixing gold and silver pendants and chains together for a contemporary look”.

The Kooples

The Best Brands For Men’s Necklaces

Miansai

Hailing from Miami, the bling bling capital of the world, Miansai offers surprisingly subtle signature pendants on chains or waxed cord. Riffing on nautical themes that include anchors, hooks and long, lost treasure in timeless, elegant designs the brand is also favoured by the celebrity crowd with Hollywood actors Zac Efron and Tom Holland both spotted wearing it.

Buy Now: £115.00

Thomas Sabo

Since its founding in 1984 German jewellery company Thomas Sabo has become one of the leading brands in both women’s and men’s jewellery as well as having their designs legally protected worldwide so no-one can steal them for themselves. Its pendants aren’t for the faint-hearted mind, with Day of the Dead skulls and daggers aplenty as well as chunky and colourful beads.

Buy Now: £139.00

Topman

If you were a British teenager in the 2000s there is every chance you raided the Topman bracelet section during your lunch hour with the high street chains necklace range similarly easy to pick up. Inexpensive, stylish and in a range of sizes and designs they make for good layering options with your more expensive pieces or as an entry point if you just want to dip your toes in the trend.

Buy Now: £10.00

Tateossian

A London jewellery maker where the emphasis is on the men rather than the women, Tateossian has become the go-to place for luxury cufflinks in its 28-year history. That’s not to say it doesn’t make a smashing necklace, with some intriguingly unique designs including a diamond pill crafted in aid of the Elton John Aids Foundation and tiny pieces of meteorite sourced from South America.

Buy Now: £295.00

Alex Orso

Minimalist masculinity is the name of the game for London jewellery brand Alex Orso. With pendants in bold designs from 22-carat bottle caps and Komodo dragon claws to polished stone shark tooths, Alex Orso takes a compelling shape and simplifies it for the man who wants to enhance his look, not complicate it. Each pendant comes with a brass chain which you can choose in a short or long style.

Buy Now: £115.00

Luis Morais

Wanting to ignite your inner Keith Richards hipster pirate? Well, a Luis Morais necklace is the one for you with the Brazilian jeweller’s rock and roll vibe favouring the boho beads, colourful skulls and mystic stones the rocker has built his look on.

Buy Now: $900.00

Emanuele Bicocchi

Of course no men’s style list would be complete without a tip of the hat to the Italians. And so we have Emanuele Bicocchi sauntering in for a welcome spritz of sprezzatura. Sterling silver reigns supreme in the Florence jewellery designers collection who has seen his quite gothic creations being worn by the likes of Zayn Malik and Russell Brand.

Buy Now: €149.00

Nialaya

A Dane in America, less a well-trodden Hollywood story trope, more the perfect setting for Jannik Olander to launch spirituality inspired jewellery brand Nialaya. Handcrafted in a Los Angeles workshop, religious imagery from the East features prominently in the designs (especially from Buddhism) which are bang-on for the cosmo gent who wants it to look like he found himself in the local temple on his backpacking tour but really never left the side of the pool.

Buy Now: $219.00

Northskull

Excuse the name, Northskull is not some Danish death metal group born out of the depths of hell, rather it’s an elegant jewellery brand just for us boys. Based in London, reasonable price points and straightforward designs make it an easy choice for those guys who want the designer look to slot into their daily wardrobe without having to shell out on overpriced rosary beads.

Buy Now: £220.00

Sif Jakobs

If you’re worried that the addition of a necklace will have you come across all wannabe show-off rapper, then take a gander at the Sif Jakobs collection of pendants and tell us there is no subtlety in donning a necklace. The Scandinavian jewellery maker creates all its jewellery out of sterling silver and focuses its design on a similar rectangular design spun through various different twists.

Buy Now: €129.00

Serge DeNimes

The fashion brand of Made In Chelsea star and menswear influencer Oliver Proudlock, Serge DeNimes draws heavily on Proudlock’s taste and penchant for boho-chic necklaces. Ever the pacifist, the feather is a recurring motif in Proudlock’s collection as is the patron saint of travellers, Saint Christopher.

Buy Now: £40.00

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