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cutulisci · 4 years

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1. Broken Blossoms or The Yellow Man and the Girl (Griffith, 1919) USA 2. Das Cabinet des Dr. Caligari [The Cabinet of Dr. Caligari] (Wiene, 1920) Germany 3. Dr. Mabuse, der Spieler – Ein Bild der Zeit (Part 1 - Part 2) [Dr. Mabuse, the Gambler] (Lang, 1922) Germany 4. The Gold Rush (Chaplin, 1925) USA 5. La Chute de la Maison Usher [The Fall of the House of Usher] (Jean Epstein, 1928) France 6. Un Chien Andalou [An Andalusian Dog] (Bunuel, 1928) France 7. Morocco (von Sternberg, 1930) USA 8. Der Kongress Tanzt (Charell, 1931) Germany 9. Die 3groschenoper [The Threepenny Opera] (Pabst, 1931) Germany 10. Leise Flehen Meine Lieder [Lover Divine] (Forst, 1933) Austria/Germany 11. The Thin Man (Dyke, 1934) USA 12. Tonari no Yae-chan [My Little Neighbour, Yae] (Shimazu, 1934) Japan 13. Tange Sazen yowa: Hyakuman ryo no tsubo [Sazen Tange and the Pot Worth a Million Ryo] (Yamanaka, 1935) Japan 14. Akanishi Kakita [Capricious Young Men] (Itami, 1936) Japan 15. La Grande Illusion [The Grand Illusion] (Renoir, 1937) France 16. Stella Dallas (Vidor, 1937) USA 17. Tsuzurikata Kyoshitsu [Lessons in Essay] (Yamamoto, 1938) Japan 18. Tsuchi [Earth] (Uchida, 1939) Japan 19. Ninotchka (Lubitsch, 1939) USA 20. Ivan Groznyy I, Ivan Groznyy II: Boyarsky Zagovor [Ivan the Terrible Parts I and II] (Eisenstein, 1944-46) Soviet Union 21. My Darling Clementine (Ford, 1946) USA 22. It’s a Wonderful Life (Capra, 1946) USA 23. The Big Sleep (Hawks, 1946) USA 24. Ladri di Biciclette [The Bicycle Thief] [Bicycle Thieves] (De Sica, 1948) Italy 25. Aoi sanmyaku [The Green Mountains] (Imai, 1949) Japan 26. The Third Man (Reed, 1949) UK 27. Banshun [Late Spring] (Ozu, 1949) Japan 28. Orpheus (Cocteau, 1949) France 29. Karumen kokyo ni kaeru [Carmen Comes Home] (Kinoshita, 1951) Japan 30. A Streetcar Named Desire (Kazan, 1951) USA 31. Thérèse Raquin [The Adultress] (Carne 1953) France 32. Saikaku ichidai onna [The Life of Oharu] (Mizoguchi, 1952) Japan 33. Viaggio in Italia [Journey to Italy] (Rossellini, 1953) Italy 34. Gojira [Godzilla] (Honda, 1954) Japan 35. La Strada (Fellini, 1954) Italy 36. Ukigumo [Floating Clouds] (Naruse, 1955) Japan 37. Pather Panchali [Song of the Road] (Ray, 1955) India 38. Daddy Long Legs (Negulesco, 1955) USA 39. The Proud Ones (Webb, 1956) USA 40. Bakumatsu taiyoden [Sun in the Last Days of the Shogunate] (Kawashima, 1957) Japan 41. The Young Lions (Dmytryk, 1957) USA 42. Les Cousins [The Cousins] (Chabrol, 1959) France 43. Les Quarte Cents Coups [The 400 Blows] (Truffaut, 1959) France 44. A bout de Souffle [Breathless] (Godard, 1959) France 45. Ben-Hur (Wyler, 1959) USA 46. Ototo [Her Brother] (Ichikawa, 1960) Japan 47. Une aussi longue absence [The Long Absence] (Colpi, 1960) France/Italy?48. Le Voyage en Ballon [Stowaway in the Sky] (Lamorisse, 1960) France 49. Plein Soleil [Purple Noon] (Clement, 1960) France/Italy 50. Zazie dans le métro [Zazie on the Subway](Malle, 1960) France/Italy 51. L’Annee derniere a Marienbad [Last Year in Marienbad] (Resnais, 1960) France/Italy 52. What Ever Happened to Baby Jane? (Aldrich, 1962) USA 53. Lawrence of Arabia (Lean, 1962) UK 54. Melodie en sous-sol [Any Number Can Win] (Verneuil, 1963) France/Italy 55. The Birds (Hitchcock, 1963) USA 56. Il Deserto Rosso [The Red Desert](Antonioni, 1964) Italy/France 57. Who’s Afraid of Virginia Woolf? (Nichols, 1966) USA 58. Bonnie and Clyde (Penn, 1967) USA 59. In the Heat of the Night (Jewison, 1967) USA 60. The Charge of the Light Brigade (Richardson, 1968) UK 61. Midnight Cowboy (Schlesinger, 1969) USA 62. MASH (Altman, 1970) USA 63. Johnny Got His Gun (Trumbo, 1971) USA 64. The French Connection (Friedkin, 1971) USA 65. El espíritu de la colmena [Spirit of the Beehive] (Erice, 1973) Spain 66. Solyaris [Solaris] (Tarkovsky, 1972) Soviet Union 67. The Day of the Jackal (Zinneman, 1973) UK/France 68. Gruppo di famiglia in un interno [Conversation Piece] (Visconti, 1974) Italy/France 69. The Godfather Part II (Coppola, 1974) USA 70. Sandakan hachibanshokan bohkyo [Sandakan 8] (Kumai, 1974) Japan 71. One Flew Over the Cuckoo’s Nest (Forman, 1975) USA 72. O, Thiassos [The Travelling Players] (Angelopoulos, 1975) Greece 73. Barry Lyndon (Kubrick, 1975) UK 74. Daichi no komoriuta [Lullaby of the Earth] (Masumura, 1976) Japan 75. Annie Hall (Allen, 1977) USA?76. Neokonchennaya pyesa dlya mekhanicheskogo pianino [Unfinished Piece for Mechanical Piano] (Mikhalkov, 1977) Soviet Union 77. Padre Padrone [My Father My Master] (P. & V. Taviani, 1977) Italy 78. Gloria (Cassavetes, 1980) USA 79. Harukanaru yama no yobigoe [A Distant Cry From Spring] (Yamada, 1980) Japan 80. La Traviata (Zeffirelli, 1982) Italy 81. Fanny och Alexander [Fanny and Alexander] (Bergman, 1982) Sweden/France/West Germany 82. Fitzcarraldo (Herzog, 1982) Peru/West Germany 83. The King of Comedy (Scorsese, 1983) USA 84. Merry Christmas Mr. Lawrence (Oshima, 1983) UK/Japan/New Zealand 85. The Killing Fields (Joffe 1984) UK 86. Stranger Than Paradise (Jarmusch, 1984) USA/ West Germany 87. Dongdong de Jiaqi [A Summer at Grandpa's] (Hou, 1984) Taiwan 88. Paris, Texas (Wenders, 1984) France/ West Germany 89. Witness (Weir, 1985) USA 90. The Trip to Bountiful (Masterson, 1985) USA 91. Otac na sluzbenom putu [When Father was Away on Business] (Kusturica, 1985) Yugoslavia 92. The Dead (Huston, 1987) UK/Ireland/USA 93. Khane-ye doust kodjast? [Where is the Friend's Home] (Kiarostami, 1987) Iran 94. Baghdad Cafe [Out of Rosenheim] (Adlon, 1987) West Germany/USA 95. The Whales of August (Anderson, 1987) USA 96. Running on Empty (Lumet, 1988) USA 97. Tonari no totoro [My Neighbour Totoro] (Miyazaki, 1988) Japan 98. A un [Buddies] (Furuhata, 1989) Japan 99. La Belle Noiseuse [The Beautiful Troublemaker] (Rivette, 1991) France/Switzerland 100. Hana-bi [Fireworks] (Kitano, 1997) Japan

Akira Kurosawa’s List of His 100 Favorite Movies

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allthingsgoodanime · 6 years

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.:.Our Future [Sabaku no Gaara].:.

The news Kankuro had told you not two hours ago crippled your happiness. Being an Iwa-nin and in love with the Fifth Kazekage was hard enough on both you and Gaara, but now the Suna Council was trying to force Gaara and Kankuro to marry, so there would be a successor for the Kage position. The elders in the council knew about Gaara's relationship, but even after the Fourth Shinobi World War they were adamant on upholding old traditions. And those involved bad blood between Iwagakure and Sunagakure. Even Onoki had given up the old feud, holding more respect for Gaara than the whole of Suna.

It was after the Great Ninja War that you decided to sell your house in Tsuchi no Kuni and move in with Gaara, who had built a home for just the two of you. However, now you weren't so sure it was a good idea. You were afraid what the Suna Council might do to keep you apart. You decided to head back home to ask Onoki what you should do. “Will you be back soon?” You snapped out of your thoughts and forced a smile to your lips as you faced Gaara, “yes. Of course. I just... I need to take care of things with the house and... Don't worry.” You wrapped your arms around his neck and planted a passionate kiss on his lukewarm lips, taking him by surprise. It was over before he could react, watching you leave the premises.

Kankuro saw his little brother sitting on the sofa in turmoil, face twisted in worry and agony. “Gaara, what's wrong?” “Something is wrong. She said she needed to take care of things with the house in Iwagakure. But her house has already been sold.” “How do you know that?” “I checked.” Kankuro nearly tripped over himself and fell off the sofa, groaning at his brother's actions. “You can't spy on your girlfriend. Fiance, even!” “She has been acting strange, that's why.”

“Well, I guess I should tell you. Before you do something you shouldn't.” Kankuro leaned back and stretched his arms over the back of the sofa, Gaara's suspicious gaze narrowed in on him. “She overheard snippets of the conversation between you and the Council. She begged me to tell her what was going on, so I did.” “That wasn't your business to tell, Kankuro.” “I'm sorry, I think she deserved to know. She's afraid.” Gaara stood up, a hardened gaze on Kankuro; “Inform the Suna Council about my decision. I'm going to find her.”

Once Gaara entered Iwagakure, people on the streets bowed in respect and greeted him jovially. He still wasn't used to such friendliness from anyone. He found you at your favourite cafe, sitting far away from everyone, silently observing the couples all around. Your eyes were bloodshot. Gaara sat down beside you, your eyes widening at the sudden appearance. “G-Gaara...” “You wanted to leave.” “I... Of course I wanted to leave. To Suna.” You figured you would lie and he would drop the subject, but you were wrong. His gaze hardened and grew cold, making you cower in shame. “You wanted to leave me, thinking it would make it easier on me to simply marry a girl from Suna and continue my lineage with her. Well, you were wrong. I won't allow you to leave.” “But Gaara... I only bring trouble.” “Then become a Suna-nin.«

The tension between the two of you suddenly grew visible, Gaara knowing you were a proud Iwa-nin. And you never wanted to become a Shinobi for another country. Not even for love. But it was Gaara and a large part wanted you to agree him. Tears started running down your reddened cheeks. “I love you... So much, Gaara. I've loved you since the day I met you. I would never want to hurt you. That's why I want us to become friends, I want you to marry someone from Suna and have a child with her. I want-” “How about what I want?” The atmosphere dissipated to a mellow vibe, your lip trembling and vision blurring. Gaara took your hand and stood up, pulling you with him. His forehead touched yours in a comforting notion. “I want to live the rest of my life with you because I've loved you just as long. I may not be the same person you met as a child, but I want to be even better. I want you to have everything you've never had in your life.” He took a deep breath, “I want to marry you and make you happy. I know I'm the only one who can do it.”

“But... The Suna Council...” “Kankuro was stupid to tell you. I am the Kazekage, they are my council. What they say has no absolution. I will not lose you.” This time Gaara was ready for your passionate kisses, his arms holding you tightly to him as lips moulded to one another like two perfect puzzle pieces.

#Sabaku no Gaara #Sabaku no Gaara x Reader #Sabaku no Gaara Imagine #Fifth Kazekage #Fifth Kazekage Imagine #Fifth Kazekage x Reader #Godaime Kazekage

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nosukekei · 4 years

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なんばに12/1開業したホテルロイヤルクラシック大阪1Fのカフェ「food cafe bar tsuchi【ツチ】」。海と大地のDailyランチはスムージー、りんごバター付きのパン、ローストビーフに生ハムやエビも豪華な前菜オードブルに、選べるメイン、ドリンク付き！鱈の白子と春菊のパスタペペロンチーノ！muse系列 https://t.co/ef1S2QYitr decorxxx http://twitter.com/decorxxx/status/1201699627109474304

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the-insanity-of-mojiru · 7 years

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A Fantastic Beasts AU where William is a wizard from England with a suitcase full of creatures of the old world Japan. His ultimate goal in coming to the island is to set free a sky kujira in Hokkaido. This is a terrible idea for multiple reasons, but please no one tell him.

Also not pictured is Momiji, a wizard who is part of the Japanese Imperial Wizardry Committee, his brother, the Legilimen, Doll Maker, and Kirisame, who just wanted to open up a cafe. (Nori’s an Obscurus thanks to his unlikely orochi heritage, and Hanamori needs everyone to stop because as the head witch of the Wizardry Committee, she can’t handle anymore surprises in Japan.)

I was on a plane and still thinking about the stupid AU so I typed this up on my phone during the long ride. Well, yeah. Here’s basically as close to a Harry Potter AU as I can come.

BONUS STORY:

“Well?” William was half inside his suitcase, his lower half practically eaten up by the leather case. He glanced back at Kirisame to follow him. The brewer, however, still couldn’t fully comprehend the wizard’s limitless space inside a suitcase, and promptly stayed put. “Are you coming, or no?”

“It’s a suitcase,” Kirisame said again, as if it wasn’t obvious. William rolled his eyes. This was why he didn’t like Humans much; they were too simple minded. What he wouldn’t give to just push the man into the suitcase.

“Listen to me,” William sighed, hopping out of the suitcase to standing. “First and foremost, you have to let me treat that baku bite before you start suffering from amnesia. Second, they may seem like nice people, but those two outside are going to obliviate you in the morning, no questions asked.” He gestured back at his suitcase. “So, last time, get in the case.”

Not liking the sound of “oblivion”, Kirisame quickly hopped down into the suitcase, followed by William, who closed it. The case was, as expected, much bigger on the inside. An entire room was fit into it, loose papers all over the floor and strange plants lining the walls.

“What… is this place?” Kirisame asked, looking around in amazement.

“It’s my study,” William said, heading straight for his desk. He stripped it of the books and notes atop its surface, replacing it with what looked like a chemistry set. “Sit down anywhere.” He started tearing a few leaves from a nearby plant. Kirisame picked a spot with the least amount of notes, dusting it off a bit before setting down. “So, Elderwood and, let’s see, I guess…” The wizard continued muttering to himself. “Belladonna? No, no, that’s poisonous to humans.” He grabbed some nearby white blossoms, grounding it up before putting it in a beaker.

Kirisame stared blankly out a nearby window. To his surprise, there was an entire plain out there, where deer with strange looking faces and antlers galloped. He rubbed his eyes, thinking it was a mistake. It wasn’t. Was there more to the suitcase than just the room?

“Tsuchi? Tsuchi, you’re in here right? I need you to spit in this!” William’s yell suddenly threw Kirisame off, and he turned back just in time to see a large spider trying to escape from a crack under the door. “No, no come back here. I need your venom for a second.” With a fellow swoop, William grabbed the spider and hoisted it up by a leg. The spider hissed and crossed its forearms, not wanting to listen to the wizard at all. “We talked about this. If you’re going to hang out in my study then you have to let me drain your fangs every so often.“

"I’m sorry, venom?” Kirisame interrupted, feeling sick. “You’re putting venom in that?”

“It’s harmless, really,” William reassured. “I just need to dilute it enough where it’ll still cause paralysis of toxins but be readily consumable.” With that, he grabbed a test tube and slowly touched the large spider’s fang with it. A dark liquid spilled into the test tube, and when it was half full, William released the spider from his clutches. It hurried out the door. “Don’t eat the drakon pups!” William yelled after the spider before letting it go. He threw the solution into the previous mixture, not saying anything else. It wasn’t long before he finished up the dark blue antidote, with the texture of butter.

“Turn,” William gestured to Kirisame, who got up quickly and showed the spot on the back of his neck where he’d been bitten. The wizard brushed the solution onto his fingers before applying them to the bite. It felt cold on Kirisame’s skin. “Okay, you’re good.” William grabbed a towel to wipe his hands. “Now come help me.”

The wizard opened the door of his study, revealing a great grassland, with blue skies above. Kirisame peered out the door, unable to contain his surprise. It was like entering a whole other world, just by stepping in a suitcase. Just beyond the grassland, the brewer could just make out the plains he had seen earlier. It was, all in all, an inter-dimensional pocket.

“Hold this,” William handed Kirisame a basket filled with seeds. “The yosuzume are probably waiting for dinner, so feed them a handful each. I have to attend to the uwabami and see who got out when you opened the case.” With that, the wizard gave Kirisame a pat on the back and went off in a different direction. Kirisame looked at the basket, back at where William was disappearing off to, and shrugged. There was no way he was dreaming. He didn’t have the capability to dream this sort of stuff up.

He, at first, didn’t exactly know what yosuzume were, but it didn’t take long for him to suddenly feel something swoop down and land on his shoulder. He turned, seeing a brilliant black bird. It came with a whole group, each eyeing the basket hungrily. “A handful…” Kirisame muttered, grabbing a fist full of hay and offering it to the bird. It let out a happy call, eating the offering before flying off. The next bird followed, also expecting some sort of reward. Kirisame continued offering each bird a handful of the hay, until there was nothing left in the basket.

“…Pretty,” he muttered, stroking the head of the last bird. The murder flew off again, disappearing into the skies where they came from. Kirisame dusted his hands off, wondering if he should follow after William. As he thought this, something quickly stomped past him, and the brewer only caught a glimpse of dark grey skin. “Whoa…” Kirisame blinked, wondering if it was some kind of stallion.

He ran after it, as if it could possibly take him somewhere new. It galloped through a grove of trees, easily blending in with the stumps. It was easy to lose sight of, and eventually, Kirisame slowed down, giving up. There was a strange looking caterpillar the size of a person slowly crawling around at the base of a tree. It didn’t have eyes, but it seemed very aware Kirisame was in his place of residence. The human slowly walked towards it, running a hand along its back. It didn’t feel slimy, as he’d expect it to. Instead, it felt warm and hard.

“I wonder what you eat,” Kirisame speculated. Just as he said this, a cat with a split tail jumped down from a tree, attracting the attention of the overgrown caterpillar. In one fast motion, it opened its large mouth and nearly ate the cat whole. Kirisame yelled out, lunging for the cat and throwing it, without thinking. It let out a screech before landing on a tree trunk, scrambling up and away from the ground. The caterpillar ended up backing off once it realized something bigger than its mouth was in front of it, slowly crawling away.

Kirisame let out a sigh, watching the twin tail cat hop onto another tree and run away. That was too dangerously close. “What strange things he keeps here…” Kirisame continued past the trees into a clearing. There was nothing but water before him, yet he was sure he saw a figure standing on the surface. Kirisame shrugged, feeling like he might as well give it a test. His foot rippled the water, but it held his weight.

“Amazing…” he muttered, hurrying over to the figure. Beneath him, the water was full of exotic sea life he’d never seen before. William was up ahead, staring into the clouds above. When he heard Kirisame splashing around, he turned back and stretched his hand out.

“Don’t. Move.” The wizard warned. He went back to staring at the sky. “She’s really shy and doesn’t like strangers.” Kirisame immediately stood still. If what William was expecting was anything like the caterpillar in the forest, Kirisame didn’t want to be accidentally gobbled up. A few breaths later, a magnificent call echoed through the clouds, almost clearing up the sky. What looked like a pale whale broke through the clouds, to which William replied with a call of his own.

The whale took a sudden dive, heading for the two standing on the water. It dived straight down into the sea below, barely visible on the surface, before breaching again and flew upwards. It circled once before settling before William. The wizard gently stroked the whale’s face, winning a kind cry from the beast.

“This,” William explained without turning his attention, “is why I’m really in Japan. This tenkujira needs clear skies to fly freely in, and there’s no better place than home.” The wizard let a small smile slip. “I’m taking her to Hokkaido.” William finally turned to face Kirisame, slowly gesturing him over.

Kirisame gave him a doubtful look. “No, no, come on.” William insisted. “She won’t hurt you. Everything here is harmless.” Kirisame felt like he could beg to differ, but instead, decided to trust William, taking a step forward. The whale didn’t seem to care either way. “Gently stretch your hand out. Like that,” William instructed. “Just put your hand right between her eyes.” Kirisame did as he was directed, feeling the cold surface of the whale. The beautiful beast made the tiniest of cries before nudging into Kirisame’s touch.

“Hah…” Kirisame flinched a little, but soon found that it wasn’t a problem at all. It was like nothing he’d ever experienced before. He found himself smiling, even laughing a little, as the tenkujira turned slightly. “This… this is really amazing…"

"Most humans would never get such an opportunity to see these,” William sighed. “Wizards too. They don’t understand, so they turn to action.” He waved to the tenkujira, who let out a loud call before launching itself back towards the clouds. “I found her in Switzerland. You wouldn’t believe what those wizards were doing to her, keeping her in a cage. It’s too cruel even for words.” William shook his head, smiling when he saw that the pale whale had returned to the skies.

After that, William brought Kirisame to another area, where rain fell lightly over some tropical looking plants. The wizard was taking inventory, or sorts, trying to figure out who had escaped. He counted at least two, so far. Kirisame wondered how William even kept track of all these beasts. There were so many different areas in which they were kept, and so many different species Kirisame never knew existed. As the wizard continued to inspect his creatures, Kirisame noticed something on the back of the man’s collar. It was like a small scorpion, his tail clinging onto the fabric.

“Um,” the brewer started, causing William to turn suddenly. The scorpion let out a tiny shriek, alerting the wizard of its presence.

“Oh, not again…!” William sighed, reaching behind his neck and grabbing the scorpion. “Come on, Kichan, we talked about this. If you cling to me too much, the others will accuse me of favoritism.” He displayed the scorpion in his hand. It shook its head desperately when William tried to put it down. “Your family is going to miss you,” William insisted, though it was of little use.

“What, um,” Kirisame started, pointing to the scorpion.

“Oh, this is Kichan,” William said, giving up and putting it on his shoulder. “This amikiri has attachment issues, though.” He glared at his side, and the scorpion quickly hid in a pocket. “I keep telling him that he has to let go, but he never listens.” He let out an exasperated sigh, before hearing a screech that ripped his thoughts away.

“What was that…?” Kirisame glanced around, suddenly feeling jumpy. It came again, but this time with more than one voice.

“Hold on,” William said, hurrying in the direction of the yelling. He then yelled louder. “Hold on, I said! I’m coming!” Kirisame chased after him, wondering what could be letting out such a sad call.

Eventually, the two came upon a nest of branches held up on what looked like stilts. Kirisame peered inside, seeing about five strange snake-like creatures with a bird’s beak and wings. There was no way, and yet Kirisame was certain they were small itsumade. Even he’d heard of that legend before.

“Shush, sh. It’s okay. No more crying,” he hushed them, sticking his head in the opening of the nest. When he looked out, he frantically searched the ground. “Where did your babysitter go?” He asked. “Great… she escaped too."

"Who?” Kirisame asked.

“Myo,” William sighed. “Great. She’ll be the hardest to find.” He crossed his arms, making a serious expression. “Myobu should be safest out there, though. It’s not like anyone will see her.” William uncrossed his arms, turning to Kirisame again. “If you were a kirin lost in Kyoto, where would you go?”

“A… what?” Kirisame asked.

“If,” William put a hand on his head. “If you were someone who liked beautiful hanging trees, ate flowers, and rarely ventured near humans, where would you go?”

“A park,” Kirisame answered. “I guess. I guess Haradami garden.” William, as soon as the location was mentioned, started off in some direction, not waiting for Kirisame.

“We have to go there, now,” the wizard yelled over his shoulder. “Come on!” The brewer looked around one more time, just to make absolute sure he wasn’t dreaming, and hurried after William. He was not sure what kind of mess he was getting into, but he supposed it would not be that bad. It was not like he had anything else to do anyways.

#Can we just talk about how William is a wolf who loves whales?#The alliteration is not lost on me #I can't even explain Nori properly in this AU #I never wanted to make a Harry Potter AU for my kids but low and behold Fantastic Beasts came out and now here it is #Because William is basically Newt what with his 'I love all animals equally and humans are the worst' shit #And the little guy on his shoulder is an Amikiri #Because I could have used actual Fantastic Beasts but no #I had to fucking use yokai #Insanity Draws #Insanity Writes Stories #Insanity of Mojiru #透明な無名世界

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oldmogg · 6 years

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1. Broken Blossoms or The Yellow Man and the Girl (Griffith, 1919) USA 2. Das Cabinet des Dr. Caligari [The Cabinet of Dr. Caligari] (Wiene, 1920) Germany 3. Dr. Mabuse, der Spieler – Ein Bild der Zeit [Dr. Mabuse, the Gambler] (Lang, 1922) Germany 4. The Gold Rush (Chaplin, 1925) USA 5. La Chute de la Maison Usher [The Fall of the House of Usher] (Jean Epstein, 1928) France 6. Un Chien Andalou [An Andalusian Dog] (Bunuel, 1928) France 7. Morocco (von Sternberg, 1930) USA 8. Der Kongress Tanzt (Charell, 1931) Germany 9. Die 3groschenoper [The Threepenny Opera] (Pabst, 1931) Germany 10. Leise Flehen Meine Lieder [Lover Divine] (Forst, 1933) Austria/Germany 11. The Thin Man (Dyke, 1934) USA 12. Tonari no Yae-chan [My Little Neighbour, Yae] (Shimazu, 1934) Japan 13. Tange Sazen yowa: Hyakuman ryo no tsubo [Sazen Tange and the Pot Worth a Million Ryo] (Yamanaka, 1935) Japan 14. Akanishi Kakita [Capricious Young Men] (Itami, 1936) Japan 15. La Grande Illusion [The Grand Illusion] (Renoir, 1937) France 16. Stella Dallas (Vidor, 1937) USA 17. Tsuzurikata Kyoshitsu [Lessons in Essay] (Yamamoto, 1938) Japan 18. Tsuchi [Earth] (Uchida, 1939) Japan 19. Ninotchka (Lubitsch, 1939) USA 20. Ivan Groznyy I, Ivan Groznyy II: Boyarsky Zagovor [Ivan the Terrible Parts I and II] (Eisenstein, 1944-46) Soviet Union 21. My Darling Clementine (Ford, 1946) USA 22. It’s a Wonderful Life (Capra, 1946) USA 23. The Big Sleep (Hawks, 1946) USA 24. Ladri di Biciclette [The Bicycle Thief] [Bicycle Thieves] (De Sica, 1948) Italy 25. Aoi sanmyaku [The Green Mountains] (Imai, 1949) Japan 26. The Third Man (Reed, 1949) UK 27. Banshun [Late Spring] (Ozu, 1949) Japan 28. Orpheus (Cocteau, 1949) France 29. Karumen kokyo ni kaeru [Carmen Comes Home] (Kinoshita, 1951) Japan 30. A Streetcar Named Desire (Kazan, 1951) USA 31. Thérèse Raquin [The Adultress] (Carne 1953) France 32. Saikaku ichidai onna [The Life of Oharu] (Mizoguchi, 1952) Japan 33. Viaggio in Italia [Journey to Italy] (Rossellini, 1953) Italy 34. Gojira [Godzilla] (Honda, 1954) Japan 35. La Strada (Fellini, 1954) Italy 36. Ukigumo [Floating Clouds] (Naruse, 1955) Japan 37. Pather Panchali [Song of the Road] (Ray, 1955) India 38. Daddy Long Legs (Negulesco, 1955) USA 39. The Proud Ones (Webb, 1956) USA 40. Bakumatsu taiyoden [Sun in the Last Days of the Shogunate] (Kawashima, 1957) Japan 41. The Young Lions (Dmytryk, 1957) USA 42. Les Cousins [The Cousins] (Chabrol, 1959) France 43. Les Quarte Cents Coups [The 400 Blows] (Truffaut, 1959) France 44. A bout de Souffle [Breathless] (Godard, 1959) France 45. Ben-Hur (Wyler, 1959) USA 46. Ototo [Her Brother] (Ichikawa, 1960) Japan 47. Une aussi longue absence [The Long Absence] (Colpi, 1960) France/Italy 48. Le Voyage en Ballon [Stowaway in the Sky] (Lamorisse, 1960) France 49. Plein Soleil [Purple Noon] (Clement, 1960) France/Italy 50. Zazie dans le métro [Zazie on the Subway](Malle, 1960) France/Italy 51. L’Annee derniere a Marienbad [Last Year in Marienbad] (Resnais, 1960) France/Italy 52. What Ever Happened to Baby Jane? (Aldrich, 1962) USA 53. Lawrence of Arabia (Lean, 1962) UK 54. Melodie en sous-sol [Any Number Can Win] (Verneuil, 1963) France/Italy 55. The Birds (Hitchcock, 1963) USA 56. Il Deserto Rosso [The Red Desert](Antonioni, 1964) Italy/France 57. Who’s Afraid of Virginia Woolf? (Nichols, 1966) USA 58. Bonnie and Clyde (Penn, 1967) USA 59. In the Heat of the Night (Jewison, 1967) USA 60. The Charge of the Light Brigade (Richardson, 1968) UK 61. Midnight Cowboy (Schlesinger, 1969) USA 62. MASH (Altman, 1970) USA 63. Johnny Got His Gun (Trumbo, 1971) USA 64. The French Connection (Friedkin, 1971) USA 65. El espíritu de la colmena [Spirit of the Beehive] (Erice, 1973) Spain 66. Solyaris [Solaris] (Tarkovsky, 1972) Soviet Union 67. The Day of the Jackal (Zinneman, 1973) UK/France 68. Gruppo di famiglia in un interno [Conversation Piece] (Visconti, 1974) Italy/France 69. The Godfather Part II (Coppola, 1974) USA 70. Sandakan hachibanshokan bohkyo [Sandakan 8] (Kumai, 1974) Japan 71. One Flew Over the Cuckoo’s Nest (Forman, 1975) USA 72. O, Thiassos [The Travelling Players] (Angelopoulos, 1975) Greece 73. Barry Lyndon (Kubrick, 1975) UK 74. Daichi no komoriuta [Lullaby of the Earth] (Masumura, 1976) Japan 75. Annie Hall (Allen, 1977) USA 76. Neokonchennaya pyesa dlya mekhanicheskogo pianino [Unfinished Piece for Mechanical Piano] (Mikhalkov, 1977) Soviet Union 77. Padre Padrone [My Father My Master] (P. & V. Taviani, 1977) Italy 78. Gloria (Cassavetes, 1980) USA 79. Harukanaru yama no yobigoe [A Distant Cry From Spring] (Yamada, 1980) Japan 80. La Traviata (Zeffirelli, 1982) Italy 81. Fanny och Alexander [Fanny and Alexander] (Bergman, 1982) Sweden/France/West Germany 82. Fitzcarraldo (Herzog, 1982) Peru/West Germany 83. The King of Comedy (Scorsese, 1983) USA 84. Merry Christmas Mr. Lawrence (Oshima, 1983) UK/Japan/New Zealand 85. The Killing Fields (Joffe 1984) UK 86. Stranger Than Paradise (Jarmusch, 1984) USA/ West Germany 87. Dongdong de Jiaqi [A Summer at Grandpa’s] (Hou, 1984) Taiwan 88. Paris, Texas (Wenders, 1984) France/ West Germany 89. Witness (Weir, 1985) USA 90. The Trip to Bountiful (Masterson, 1985) USA 91. Otac na sluzbenom putu [When Father was Away on Business] (Kusturica, 1985) Yugoslavia 92. The Dead (Huston, 1987) UK/Ireland/USA 93. Khane-ye doust kodjast? [Where is the Friend’s Home] (Kiarostami, 1987) Iran 94. Baghdad Cafe [Out of Rosenheim] (Adlon, 1987) West Germany/USA 95. The Whales of August (Anderson, 1987) USA 96. Running on Empty (Lumet, 1988) USA 97. Tonari no totoro [My Neighbour Totoro] (Miyazaki, 1988) Japan 98. A un [Buddies] (Furuhata, 1989) Japan 99. La Belle Noiseuse [The Beautiful Troublemaker] (Rivette, 1991) France/Switzerland 100. Hana-bi [Fireworks] (Kitano, 1997) Japan

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shikikira · 7 years

Text

Tanabata Fundraising Foundation

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The Tanabata Fundraising Foundation (TFF) International is a non-profit charity founded by Masami Ryu and Shigeru Miyakazu. The organization raises money for various causes by hosting an annual party on July 7th and auctioning various art pieces that have been donated to them by famous artists, photographers, designers, and etc. The foundation also hosts a variety of other charity events throughout the year. The TFF was established when the two founders were respectively 14 and 16 years old, and are currently in the process of preparing for their 8th annual party and auction.

With the ever increasing number of guests invited to each year’s party and the members all being introverts or ambiverts, Shigeru and the other core members of the TFF have jokingly asked Masami if she was planning to kill them with over stimulation.

Information

Founders: Masami Ryu and Shigeru Miyakazu

Established On: 2104 December 8

Age: 7 years -> 8 years

Headquarters: Sky Hills - Tower B, 77th Floor

Required Languages: English, Japanese

Name Reason:

Tanabata is not only the East Asia holiday for lovers such as the story of Orihime and Hikoboshi, but it is also the holiday of wishes.

Core Members

Masami Ryu

Shigeru Miyakazu

Hideyoshi Ryu-Toujou

Haruitsuki Ryu-Tsukimiya

Youichi/Yangyu Lucas Ryu/Liu

Daiki Tsuchie

Takumi Nicolas Ryu

Aleric Anthony Mason

Hercule Holmes

Emi Ichijouji-Kirizaki

Yukichi Hoshizora-Ryu | Seizaburo Ryu

Aaron James Vincent Philip Richard Grosvenor, Duke of Westminster

Benjamin “Benji” Lyon

Jacob Ernest Stidolph

Teizen Ichijouji

Kazuhiko Miyuki-Ryu

Kenshin Kirizaki

Jihyun Kim

Mingxiu Casper Yang

Mingqiu Brendon Yang

Leadership

Masami Ryu | Masai Ryu [劉雅美 | 龍正意, 21/22] - Co-Founder, Chairman, Guest and Event Coordinator

Shigeru Miyakazu [宮和茂, 23/24] - Co-Founder, Executive Director

Hideyoshi Ryu-Toujou [劉-搭乗秀吉 , 23/24]- UK Branch Director, Head of Public Relations

Haruitsuki Ryu-Tsukimiya [劉-月宮晴齋, 26/27] - France Branch Director, Head of Culinary Affairs

Youichi Lucas Ryu | Yangyi Lucas Liu [劉陽一, 24/25]- China-Hong Kong Branch Director

Daiki Tsuchie [土惠大貴, 35/36] - Head of Security

Hercule Holmes [28/29] - UK Branch Deputy Director, Head of Legal Affairs

Emi Ichijouji-Kirizaki [一乗寺-貴理崎恵美, would be 33/34; 28 at time of death] - Guest Coordinator, Deceased

Takumi Nicolas Ryu [27/28] - USA Branch Director

Hedwig Saloman - Germany Branch Director, Non-founding Member

Anton Nikiforov - Russia Branch Director, Non-founding Member

Jihyun Kim - South Korea Branch Director, Suspended

Branches

Japan | Main Headquarters - Opened 2104

Masami Ryu - A-List Actress, Musician, Singer, Songwriter, Artist, Choreographer, Model, Maître Pâtissière (Master Pastry Chef), Honey Dreams Confectioneries & Pâtisserie Chairman/President, Dreams Entertainment & Productions Chairman, University Student

Shigeru Miyakazu - Neurosurgeon, Neurologist, Medical & Environmental Researcher, Biochemical & Environmental Engineer

Daiki Tsuchie - CEO of Ryu-Tsuchie Security Firm

Emi Ichijouji-Kirizaki - Professional Musician, Songwriter/Composer

Soichiro Ryu [劉壮一朗, 40/41] - Professional Chef, Chef de Cuisine of Setsuna

Mitsuyoshi Ichijouji [一乗寺光良, 41/42] - Elite Bureaucrat at Japan’s Ministry of Finance

Shokichi Ichijouji [一乗寺翔吉, 38/39] - A-List Actor, Dreams Entertainment & Productions President/CEO

Yumi Ichijouji nee Hoshizora-Ryu [星空-劉 / 一乗寺由美, 36/37] - Fashion Designer, Former Secret Agent/Assassin

Yukichi Hoshizora-Ryu | Seizaburo Ryu [星空-劉裕吉 | 龍精三郎, 33/34] - Bodyguard, Author, Nobel Laureate, Former Secret Agent/Assassin

Kei Hoshizora-Ryu [星空-劉蛍, 28/29] - Game Developer, Ryu Group Executive Director, Former Secret Agent/Assassin

Kenshin Kirizaki [貴理崎健信 44/45 ->47/48] - Bodyguard, Former Secret Agent Status Unknown, presumed dead

Satoru Ryu-Hoshigami [劉-星神覚, 23/24] - Public Security Intelligence Agency - Security Police/Secret Agent

Teizen Ichijouji [一乗寺帝善, 21/22] - University Student, Professional Musician, Songwriter, Idol

Kazuhiko Miyuki-Ryu [御幸-劉和彦, 21/22] - University Student, Professional Baseball Player

Tomoe Fuji [福慈巴衛, 21/22] - Idol, University Student

Ryuji Hisakata [久方竜持, 21/22] - Idol, University Student, Fashion Designer

Reina Koizumi [古泉麗な, 21/22] - University Medical Student, Medical Scribe

Naoki Mitsui [光井尚樹, 23/24] - Professional Swimmer, Olympian

Chihiro Asakura | Emma [朝倉千寛 | エマ, 21/22] - Art Student, Graphic Designer, Photographer

Katsuyuki Matsuoka [松岡勝雪, 18/19 | 19/20] - Competitive Figure Skater, Olympian

Saeran Choi [최 세란, 21/22 | 22/23] - Professional Taste Tester, Pâtissier-in-training

Others

United Kingdom - Opened 2104

Hideyoshi Ryu-Toujou - Co-Owner & Head Designer of HIDE (HTR), MI6 Agent

Hercule Holmes - Employee of the Foreign & Commonwealth Office

Koharu Oshiba [大柴心治, 23/24] - Professional Model, Photographer

Aleric Anthony Mason - Fashion Company Executive Director

Carina Tsuchie nee Leclair-Yoshida [土惠カリーナ | カリーナ・ルクレール・吉田, 33/34] - A-List Actress

Julien Cho [趙 줄리안, 27/28] - A-List Actor

Wallace Bones - MI6 Agent

Ailise Blakesley - MI5 Agent

Aaron James Vincent Philip Richard Grosvenor, Duke of Westminster [27/28] - British aristocrat, Physics Professor, Businessman (TFF’s Royal Patron)

Benjamin “Benji” Lyon [27/28]- Bodyguard, Aaron’s Chief Assistant/Secretary

Jacob Ernest Stidolph [27/28] - Art Consultant & Inspector, Lawyer

Mingxiu Casper Yang [楊明秀, 25/26] - Professional Gamer, Former Actor (also Hong Kong member)

Mingqiu Brendon Yang [楊明秋, 25/26] - A-List Actor, Former Competitive Ballroom Dancer (also Hong Kong member)

Others

France - Opened 2106

Haruitsuki Ryu-Tsukimiya - Professional Chef, Owner of Haru’s and Tsuki’s, Chef de Cuisine of Haru’s

Éliane Miyamoto - Winemaker/Vigneron

Grace Chevalier

Reinald Séverin

Demetri Kim

Amelia Bellamy

Clément Voclain

René Dufort

Estelle Zhou

Albert Rudolph

Suzu Tominaga

Others

China/Hong Kong - Opened 2107

Youichi Ryu | Yangyi Lucas Liu/Lau - A-List Actor

Xiurong Cherry Liu/Lau - A-List Actress, Singer

Lan Sara Chen

Huifang Vivian Zhu

Qiaoyu Elise Wong

Lihua Monique Yeung

Bingwen Christopher Sun

Mingzhu Lillian Zhao

Huizhong Michael Yuen

Airi Wu

Mingxiu Casper Yang [楊明秀, 25/26] - Professional Gamer, Former Actor (also UK member)

Mingqiu Brendon Yang [楊明秋, 25/26] - A-List Actor, Former Competitive Ballroom Dancer (also UK member)

Nene Akamine - Idol, Singer

Others

South Korea - Postponed for TBD

Jihyun Kim [Suspended] - Professional Photographer

Postponed because of incident during the 3rd Tanabata Party

United States of America - Opened 2109

Takumi Nicolas Ryu - Ryu Hospitality US Executive Director, Imperial New York Hotel Owner

Kazumi Fujiwara - United Nations Lawyer

Katsuyuki Matsuoka - Competitive Figure Skater

Aimie Lin

William Donovan

Collette Walker

Evelyn Aston

Julie Song

Penelope Choe

Valerie Moon

Others

Germany - Opened 2110

Hedwig Saloman

Viktor Fromm

Mika Yamazaki

Anina

Louise

Albririch

Zenzi

Johan

Eduard

Russia - Opened 2111

Anton Nikiforov

Anastasia Solovyov

Sofiya Plisetsky

Elena Volkov

Ivan Lebedev

Gennadi Morozov

Irina Belinsky

Nikolai Genrich

Mission | Causes

Suicide Prevention

Mental Illness Awareness, Education, Care, and Treatment

Child Abuse Recognition, Prevention, Care, Treatment, and Education

Domestic Abuse Recognition, Prevention, Care, and Treatment

Education and Protection of Underprivileged and Vulnerable Children

Promotion and Conservation of the Arts (Art, Theater, Calligraphy, Music, Dance, and etc.)

Cancer and Medical Research

Environmental Research, Protection, and Conservation

Animal Protection and Conservation

Feminism | Women’s Rights | Equal Rights

LGBTQ Rights, Support, and Protection

Support, Treatment, Rehabilitation, and Protection of Abuse Victims

Restoration and Renovation of residences in Low Income areas

Assisting Low Income and Struggling Families and Individuals

Awards

Royal Society of Arts (RSA) - Albert Medal

World of Children - Humanitarian Award

Conrad N. Hilton Humanitarian Prize

AAMI Foundation & ACCE - Robert L. Morris Humanitarian Award

Nobel Peace Prize

Helen Keller Achievement Award

Events

Tanabata Party - Black Tie Party and Auction

Largest event the TFF holds annually

Party Date: July 7th, 16:00-24:00

Auction: 21:00

Auction Preview: July 6th, 15:00-18:00; July 7th, 10:00-14:00

Party Venue: Imperial Shining Hotel, Tokyo Prefecture

The Grand Ballroom

Max Capacity: 2000 (Banquet style), 2500 (Reception style)

Annual Revenue: 18+ million USD

1st Party Revenue: 2 million USD

The first party was held in London, England, United Kingdom

Dream Festival - Charity Music Concert/Festival

Concert Dates: August 29th-31st

Art Exhibitions - Multiple tours throughout the year

Works showcased are auctioned off at the Tanabata Party

Art pieces are donated by a series of famous artists throughout the world including artists within the TFF members

Charity Runs/Walks

Fashion Shows

Cooking Shows

Competitive food shows

All food is donated to homeless shelters

Celebrity cook offs

Cooking Class

Venue: Honey Dream Cafe - Sky Hills, Tokyo

Holiday sweets cooking classes

Only offered the two weeks prior to Christmas, Valentine’s Day, and White Day

Hosts: The Fallen (Masami and Teizen) + Kazuhiko + Honey Dreams Confectioneries + Haruitsuki and Soichiro (sometimes) + O☆SIS (Nene, Suzu, Mika, Masami, and Yui)

10 Students per class, 10 classes

Different recipes are set for each class; a poll is set up for the 2 most popular classes

Seats in the top 2 picks are auctioned off the month prior

Seats in the other classes are on first come, first served or chosen by lottery

Figure Skating Shows - 2 week tour

Theater

Multiple plays and musicals throughout the year

1st Party - 2105

Host and Head: Masami & Shigeru

Items with Highest bid price:

And Her Wish Filled the Sky - oil painting by Shigeru Miyakazu

New Hope - photograph by Masami/Ami Ryu

Guest Total: 125

2nd Party - 2106

Host and Head: Masami & Shigeru

Items with Highest bid price:

Dying Breath - photograph by Koharu Oshiba

Cat’s Glory - sculpture by Wallace Bones

Handwritten copy of “Expert Playboy” Volume 1 by Yukichi Hoshizora-Ryu | Seizaburo Ryu

Guest Total: 268

3rd Party - 2107

Host and Head: Masami & Shigeru

Item with Highest bid price:

Lighting the Way - oil painting by Shigeru Miyakazu

Warrior’s Pride - photograph by Masami/Ami Ryu

Guest Total: 371

Tragic Incident: One of the guests assaulted and injured multiple members of the TFF, resulting in the death of one founding member and the comatose state of one of the co-founders. The incident also resulted in the cancellation of the South Korean branch and the suspension of member Jihyun Kim.

4th Party - 2108

Host and Head: Masami & Shigeru

Items with Highest bid price:

Rising from the Ashes - oil painting by Shigeru Miyakazu

The Dancing Dawn - photograph by Demetri Kim

Handwritten copy of “Skills of Love” Volume 1 by Yukichi Hoshizora-Ryu/Seizaburo Ryu

Guest Total: 484

5th Party - 2109

Host and Head: Masami & Shigeru

Items with Highest bid price:

And She Waits - oil painting by Shigeru Miyakazu

Ever Dreaming - sculpture by Airi Wu

Guest Total: 622

6th Party - 2110

Host and Head: Masami & Shigeru

Item with Highest bid price:

Innocence - oil painting by Shigeru

Supernova - graffiti piece by Colette Walker

Guest Total: 740

7th Party - 2111

Host and Head: Masami & Shigeru

Item with Highest bid price:

Silent Tears - oil painting by Shigeru

Guest Total: 882

8th Party - 2112

Host and Head: Masami & Shigeru

Item with Highest bid price:

Eclipse - oil painting by Shigeru

Guest Total: 1097

Main Guests:

International Gourmet Society [x7]

Health Researchers Association [x8]

Art and Culture Organizations [x8]

Environmentalists Organizations [x6]

Tokyo International Film Festival

Celebrities’ Rights Association [x8]

Artists of the Future Association [x7]

Animal Welfare and Protection Societies

Mental Health Organizations [x8]

Clean Water Organizations

International Photographers Associations [x8]

Minister of Health (Foreign and Domestic)

Minister of Environment (Foreign and Domestic)

Minister of Education (Foreign and Domestic)

Chairman of Fair Trade Commission (Foreign and Domestic)

Minister of Agriculture (Foreign and Domestic)

C&R International - Chairman Han [x5]

Ryu Group - Chairman Ryu and CEO Choe (Masami’s parents) [x8]

Tsukiba Culinary Academy ]x8]

Professional Gamers Association

International Debutante Ball Committee

Multitude of Celebrities and Social Elites

Rika’s Fundraising Association [x1]

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