have to say I really loved how Shiv brought up the waiter. Does she give a shit about him, or that Kendall killed him? Nah, not really. Will she weaponise it to appear more moral in the moment? Yeah, absolutely.
It's like she said to Mencken: she's flexible. She LARPed as progressive to get her career in politics and genuinely believed she believed all these things--it's easy to believe you believe nice things, when the shit you actually do care about isn't in conflict with those beliefs. But then she wrangled Gil and Logan into a handshake, and she played her card as a woman to silence a victim--and, by shooting the one with her head above the parapet, many more victims--of institutional sexual abuse. She has even hurt herself by sailing too close to the wind in her girlboss liberal lean-in shit sometimes, with her dinosaur cull comment at Argestes, or with overplaying the hand she thought she had at Tern Haven.
She was viscerally angry at having to take the photo with Mencken, and perhaps angrier still when ATN called the election for him. Not because he's a fascist, although he is, and not because she dislikes him--although she does! She was angry primarily because the photo nuked any chance of a political career for her going forward, and because the call for Mencken hurt her chances with Matsson.
Did she ever make any of that clear in the moment, though? No. She talked about fascism and morals and things do happen, Rome. It is easier to wear that cloak that sometimes helps her--the woman cloak, where she claims to care for the group that she belongs to and steps upon its members at the same time--than it is to admit personal rage or vulnerability. That would be hysterical, and grasping, and not CEO material.
Shiv's relationship with womanhood is like Peter Pan's with his shadow. She used to be able to cast it off, or feel like she could, and now it is sewn in to her very fabric: it's everywhere she fucking walks.
She hates that there is not a play she can make that will separate her from the group of women-who-experience-misogyny. And still she makes use of that group, because it's one of an increasingly limited set of options she has. She was never allowed to gain experience--so she's inexperienced, and implausible, and shut out. It's the treehouse, again, Kendall up there playing king of the fucking castle. Shiv must have spent some holidays like that: Roman might have stayed with his mom in England on shorter breaks from military school, and Shiv was left to snotty, whickering horses and fucking tennis, throwing rocks up at Kendall whenever she saw a limb emerge from a window or doorway.
Anyway, if Shiv can't have the high ground, at least she can try to claim the moral one when it suits her. That's what I see as the context for her jab about Andrew Dodds.
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I have so very much to catch up on, my sincerest apologies, seriously— there's been mental madness going on behind the scenes, including this weekend. Please, let December be the month where normality starts and stays.
And on a more IC note, I often talk about solitude and isolation (and its origins in a very specific kind of loneliness) that is chosen and accepted, but I don't know if I ever talk about what that looks like exactly, and why, quite frankly, it's a little... for lack of a better word, concerning. Do me a favor, if you're in Genshin, turn your clock to nighttime, then go out into any of the cities, villages, camps, footholds and look up, no matter the nation you're in. How many characters are able to do that, and see a night sky that is nothing but void of any and all bounds and limitations? How many of them see that endless array of stars that illuminate it, and how many feel the cool fresh air that tickles their skin? For many, they can leave the four walls that house them, and experience that sight and sensation, because all of us to an extent, crave that. And honestly, so can Yelan— but she also, if not more often so, chooses to see something else. And the unusual concept of choosing that, is a driving force to my decisions for her and why I deem them so incredibly important: it's about the state of mind, it's about the mental that drives her.
On many days and nights especially, this is what she sees, and this is only if she doesn't descend further into the Chasm (which we know that she does), closer to the Abyss and to the Celestial nail itself that rests at its heart. And yes, it is beautiful in its own way, a pathway illuminated by the light of the moon and the nail, but it's also a cruel reminder of just how far the surface, and humans that live there (that she is by all accounts a part of, of course), are. But then, when she returns her gaze to the ground, her surroundings are void of light and dare I say, void of hope. The Chasm isn't just one of the places where you can get the closest to the Abyss, but it also consists of ruins of more than just one civilization. We see glimpses of Khaenri'ah (which we explore more closely through Dain's quest), but we know there is 'fauna' down there, even deeper, that is referenced as belonging to an even more ancient civilization that predated it. The Chasm is surrounded by reminders of death, ruin, and in that, it feels as if it's the direct foil of the world above it. The Chasm was almost the end of Liyue five-hundred years ago during the fall of Khaenri'ah, just as it had, apparently, once been to a civilization before it (please remember, the impact of the meteorite/fallen star that created the Chasm occurred roughly 6000 years ago), and its creatures wouldn't have stopped at its borders. The Chasm is the engulfing darkness in direct opposition to the light of life overhead, and the hope that humanity holds in the palms of its hands. It's dark, it's grim, and it's cold in more ways than one (See one, two, three, four).
And this place is a choice that Yelan makes to venture to and stay in, yes, yet calling it a choice is where it gets so interesting. Once upon a time, long before she got her vision, she was part of a team that surveyed the surroundings of the Chasm, and like many others before them that have descended into it, all members of this team, excluding her, died. The circumstances aren't clear, but following Yelan's line to Ning, I'm lead to believe that the Chasm's surroundings, which are all rather clearly threats to non-vision holders in specific (which Yelan also was at the time), were directly responsible for their demise. I'll note my hypothesis on what could have happened to them in a different post in the future, as I don't want to go far off-topic, but despite having likely witnessed what occurred to them, seeing the ruins of the Chasm, the threat of the Abyss and barely understanding what the Abyss even is, she continues to venture down there because the possibility of what could happen to the people of Liyue, is more important than her own existence and/or survival. And this bears even more weight following the events of Perilous Trail part 2, where she witnessed just how much the Chasm is capable of. Is this walking engima of a woman also drawn to equal or greater mystery than herself, much like a moth to a flame? I think that's part of it, but I definitely think it's infinitely more multi-layered.
Mostly, I think that this plays into the heart of what Fontaine has shown us that 'hydro' seems to represent: it's not merely a sense of responsibility (and/or justice) or selflessness, but a semblance of self-sacrifice either during the duration of one's life or at its end, either literally or figuratively. But keeping that in mind, what I really want to shine a spotlight on, is what kind of self-sacrifice seems to be the case with Yelan, and the way in which she seems to not just be at peace with it, but has truly accepted it almost as something akin to normality. And more importantly, note how this isn't normal behavior. An acceptance of solitude in such depressing surroundings is incredibly saddening, because it's not something that we ever crave by any means or should ever come to crave. Any regular individual, even most vision-holders surely, would find what she does insane to some extent. And yet, she walks the depths of the Chasm, of all places, with a similar routine as a Millelith guard patrols the outskirts of the harbor. Regardless of her clear reason for it— god, I have difficulty explaining what I'm trying to say; how does someone get to a point where they no longer do something so depressing out of necessity, but because it's... normal? That's her. The Chasm isn't... as eerie to her as it is to others, even if she knows better than most what these surroundings are; the Chasm it isn't as dangerous, even if she knows that it is and it's why she's there in the first place, to her as it is to others. Perhaps it's simply an acceptance that regardless of its dangers, that her fate lies in those depths as it did for her ancestors, that the Chasm's ruins will include her own legacy one day. But again, how does one come to terms with that? How do you come to make the decision that you will sacrifice yourself for others, especially when it means resigning yourself to a place like the Chasm, a place that is home to a pathway to the Abyss, which inherently holds the power to drive mortals to madness and death. Many wouldn't do this, or rather, many couldn't do this, not until they had no other choice and even then, think of Boyang, and even Bosacius, granted the latter had lost his mind by then. And that's where I think she's unique, because she technically has a choice, unlike individuals like Xiao whose... direct 'responsibility' and contract it is to do what he does. She could walk away tomorrow if she willed it, but she doesn't. Yes, responsibility plays into it, but the Chasm really hits differently when you tie it into that.
Now, I do need to note that I firmly stand against any believe that she a death wish or is thoroughly depressed. She isn't going down there over and over because she seeks an end to her life in some way or because she believes her life to be worthless. Quite the contrary, actually, and one could argue that the reasoning for that lies with her survivor's guilt. But all in all, before I get sidetracked again: Yelan embraces solitude to a rather extreme extent, and yet she doesn't seem to harbor a dissociation from the rest of humanity or dislike of it, but she does seem to place a firm line between non-allogenes and herself (and others who hold a vision). But what I mean with embracing solitude, is that while she is social, and she understands the laws and diplomacy of social behavior, she isn't one to always engage in it, simply because many don't seem to quite... share her headspace.
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