happy TWO YEAR anniversary to everyone who attended the destiel wedding!
and happy valentines day to the rest of you guys <3 click the image for a surprise!
if you’ve ever seen that one post (i’ll link it in the replies) about the parallels between the rodeo scene in 12x11 and the movie “urban cowboy” and it entirely broke your brain, then this post is for you. and also i’m kissing you on the mouth
[ID. Digital art of Dean Winchester done in black and white. He’s is laid back on top of an electric bull. One hand rests on his hip while the other hovers in mid-air, fingers slightly curled, and he seems to be looking at it. When clicked, the transparency shows Castiel standing behind him. Castiel is holding Dean’s hand to his lips, while his other hand supports the back of Dean’s head. Castiel has a visible halo and wings that he has curled protectively around Dean. End ID.]
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Short Moderate Length List of Small(ish) Things I Appreciate About The Wettening
Dib being conspicuously absent from the opening pan of the classroom, only to cartoon-teleport into existence at Zim’s desk the second Zim starts expressing mild apprehension at the sight of unfamiliar weather. This kid spends his time just hanging around staring at Zim, waiting for him to show the slightest sign of discomfort, confusion, or unease in order to immediately taunt him about it—and the surrounding chaos, if anything, is just an opportunity to come watch even more closely. We all already knew this, but it still kills me to see it in action.
Also, he’s animated popping up from below, and like… were we meant to interpret this as him just chilling underneath Zim’s desk? No, absolutely not—but is it funny (and, to add to the hilarity, miraculously somehow not completely unbelievable within the context of the show) to imagine that he was? Yes. Yes it is.
Zim confidently walking out into a downpour he has already confirmed to be acidic just because Dib implicitly dared him to—no one’s looking, Dib hasn’t even said anything or made a claim against his humanity, Zim just can’t stand to give Dib the satisfaction of seeing him vulnerable or afraid of something (which backfires pretty spectacularly, since I’m pretty sure ‘writhing on the ground shrieking in indescribable agony’ is a significantly worse look in terms of appearing vulnerable, but all’s well that ends in Victory For Zim, I guess).
Also Zim's little baffled gesture right beforehand like he's silently asking Dib to confirm he's not hallucinating the rain dance (he does not receive an answer)
Gaz presumably seeing Zim sneaking up behind her brother, saying nothing and making no reaction that’ll tip Dib off… only to immediately be made to regret her choices when she gets caught in another splash. Shows her for trusting Zim to be at least a little bit cool about tormenting Dib (honestly, we see her exact fitting justice on Dib at the end of the episode, but I cannot imagine she wasn't still planning to do something equally petty to Zim).
The faucet drip scene and the underlying awareness that this is just what Zim and Dib do to each other during class. Every day. It is, in fact, probably one of the least disruptive forms their constant warfare takes on a routine basis. Suddenly I understand a little bit of why their entire class hates them.
Also Dib’s happy face while he's terrorizing Zim into a shell-shocked stupor is absurdly cute and heartwarming. If I cropped that picture no one would ever guess what he's smiling about. This kid? A sadist? Impossible.
“I don’t even feel good about winning this one,” and it's said with his hands clasped together, practically vibrating with glee, his expression vaguely reminiscent of a teenager in the throes of hormonal infatuation (the hypothetical object in this case not so much being Zim himself as a personified abstraction of Zim’s suffering). If someone hit him with the Return of Keef happy goo in this exact moment, I am completely certain it would kill him. His statement is only true insofar that a more accurate term for his current state of being would probably be euphoric. I take back everything I’ve ever said about Zim being unreasonable in this episode—he was merciful.
Also this face the moment Zim gets up and starts threatening him. Zim still isn't even all that intimidating at the moment, but Dib knows he just fucked up. Maybe he's getting flashbacks to Dark Harvest.
Dib’s ridiculous water balloon device. Seriously. I feel like it gets (reasonably) overshadowed by the sheer absurdity of Zim’s entire operation, but it really is so amazingly stupid and pointless in a way that is… not dissimilar to the ultimate Irken water balloon. Not only is it really not necessary for the task it's meant to accomplish, it's actively detrimental in that it slows Dib down, blatantly telegraphs his attacks, and reduces accuracy by a significant degree. The only actual benefits I can think of would be the exponential increase in force and range and the instant accessibility of a water supply—the former of which is totally unnecessary in this scenario and the latter being possible to accomplish with a much simpler device (or even just… a water tank). To summarize, it is an incredibly impressive feat of both skill and creativity in design that is also completely and utterly useless! Which is just the perfect demonstration of what I mean when I say Dib really does share nearly all of Zim’s flaws, just to a less obviously ridiculous degree—he comes off just calm and clever enough to pass as moderately reasonable at a glance, and in some ways, that makes him more of a potential flight risk than Zim. At least that's a lunatic you see coming.
Irkens are collapsible, apparently
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So, what with Goncharov (1973) dir. Martin Scorcese having such a renaissance on Tumblr right now, I dug out my dad’s 1993 VHS copy that came with a special booklet for the 20th anniversary. One of the things included in said booklet was Matteo’s original screenplay of the final sequence. So, I’ve scanned it in for you lovely people! Obviously a lot got changed in the final cut, but damn if the homoeroticism isn’t front and center here. Fun fact! This was written with Pacino in mind as Andrey, since filming was actually underway before Scorcese decided he was better cast as Mario and he and Harvey swapped roles.
Idk, just thought the gonch fandom might appreciate this. Probably not the first person to have found this, but I haven’t personally seen it posted anywhere yet, so figured I may as well contribute something.
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"Durge came back different", "Durge didn't really come back", "the person who Durge originally was is dead" are all good takes, but what if.
If Durge came back exactly as they were? The brain damage, additional trauma and memory loss are the big altering factors, but underneath that it's still them.
They didn't change drastically, their former self is not dead.
How about one single fragile mortal soul still keeping a hold on itself, how about Durge who was never allowed anything for themselves still retaining them.
How about Durge who has lost everything: power, memories, purpose, sense of self, still being themselves, despite it all.
How about not even Orin's daggers, tadpole and Bhaal combined being able to rob them of their core? How about all of that just revealed who Durge has always been underneath all those expectations Father dearest put on them?
How about: "After all this time, it's still you."
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I've complained so much about the orange book I feel like y'all deserve to see the final product... Anyway, final stack / first page / display 🍊💛
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