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#Con-Joys
vivisheadspace · 1 year
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Here's something fun I've doodled over the course of the year but never shown - the Con-Joys! Sort of a silly take on making Switch Joy-Con gijinkas(?)! Since the controllers can snap into one holder together, it made sense to me that they could be like robo friends that ConJoin together...!
Here's concepts for the regular Switch Joy-Cons, and styles for 2DS, PS2, GameCube, and PS1, as well as one for my ViviVinya sona! And a bonus Virtual Boy gal since she's really fun too!
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retrogamingblog2 · 10 months
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Legend of Zelda Drawings by Willowstration
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mamath · 11 months
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OG Nurse Joy and Officer Jenny still my favs <3 <3 I enjoy seeing the updated designs with each pokemon generation but the original looks have my heart. Q_Q
I am secretly a bit of a nurse joy simp, I guess. She's cute!! Where's the episode that's just a day in the life of Nurse Joy?? I'd watch that.
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meyerlansky · 7 months
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izzy experiencing genuine joy for two (2) seconds
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candiedgrim-blog · 7 months
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THE FUCKIN CON O’NEILL SAW, LIKED, AND SHARED MY ART
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frooogscream · 7 months
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Con O’Neill out there single-handedly curing thousands of trans men from chest-disphoria 😌
thank you for your service, sir🫡
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halloween-sweets · 6 months
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thesunwillart · 1 year
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jacket back on for one last time </3
thank u madison ;-;
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tenjosan · 3 months
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Princess Peach Joy-Cons
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The pastel pink joy-cons Nintendo is releasing are cute, but I wanted to see what some Peach-themed joy-cons might look like. So, I designed these! 🍑
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More people need to realize that just because a problem doesn’t effect you doesn’t not mean it doesn’t exist. This is especially true for social issues, but even on the smallest level it can have a big impact on the people around you.
Your existence is not everyone’s reality.
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neoyi · 3 months
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Specter had to be paired with Plague because if he'd have been paired with King Knight, there would have been a murder.
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retrogamingblog2 · 7 months
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Custom Nintendo Switch Joy Cons made by GameTraderZero
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I was just scrolling through the Izzy tag and I'm flabbergasted that so many people apparently think Izzy is homophobic and terrible.
Like you don't have to like him but like...that man is queer idk.
Yeah Izzy is a main antagonist but he's so well written and obviously acting out of pain imo...Like as if this show isn't about people working through/acting out of their various traumas? Izzy isn't exempt from that. He's made some bad choices and hurt people but so has Ed and Stede? They're all traumatized and hurt.
I'm not trying to excuse Izzy's behaviour, he was written as an antagonist in purpose, but to act like he doesn't have depth and pain is bizarre imo. He isn't the British Navy.
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sepublic · 6 months
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Nintendo’s refusal to address joycon drift means using a controller is a particularly costly subscription service in all but name. You have to routinely, eternally, pay for the ability to play a game, and that’s not even getting to the games themselves with their ludicrous prices and DLC! It’s evil.
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saers · 11 months
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“Shhh…” He soothes, “It’s alright. Let yourself slip deeper. I’m right here to keep you steady. Let yourself sink.” You do kind of feel like you’re sinking, but it’s so warm and soft that you don’t really mind… not to mention how good the hand through your hair feels. You sigh, and it feels like you literally sink into the mattress, beyond what should be realistically possible. 
Chapter 16 of R&R (Rabble & Rampallians) (M Rating!) by @wishing-stones featuring @megalommi's (18+ only please, cw for unreality and hypnosis!) Sans, Baggs, really round-house kicked my brain into doing Some Shit(tm)! I'm on Chapter 31 now, and am having a great time. I also did not trust Baggs as far as I could throw him at this point, so he came out much more menacing than perhaps needed. 8'D
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yellowocaballero · 7 months
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i simply must ask- what makes an OP character (protag or otherwise) *work* for you, vs what doesnt?
Hi! This is a very astute and good question.
It's tension.
When a character is in a fight scene, the basic question and source of the tension is "Will they win?". Logically, they're probably going to win, they're the hero - but there should be a push and pull within the fight, where the audience pinballs between "he's going to win!/oh no, he might lose!".
You can't do that with an OP character. There's never any question. He's going to win. So the tension has to come from someplace else. You have to ask a different question.
The question can vary. "Will he win under his self-imposed constraints?" (e.g., your OP character is a pacifist and wants to win without shooting his gun). "Will he win without going Sicko Mode, which is bad and distresses all of us?" (e.g., your OP character is only OP when he unleashes the Demon Self, which is bad for him). "Will he win without revealing his identity or secret? (e.g., your OP character has to win a fight without using his OP powers, because otherwise he'll face social repercussions).
Alternatively/in addition, you change the type of conflict. If your character is guaranteed to succeed at every physical fight, then the primary/'real' conflict should be on an emotional, intellectual, or psychological level. The story can no longer be about the physical fights. They have to be won through intellect or cleverness. The path towards victory has to be through intelligence, kindness, self-actualization, etc.
But absolutely most importantly: watching the OP character be OP should be fun. It should make us pump our fists in the air and go 'fuck yeah!'. It should be thrilling, exciting, and a spectacle. We know the detective is going to catch the bad guy - we're watching for the how. We know the clever protag is going to pull one over on the bad guy through sleight of hand and trickery, we're watching for the reveal of what exactly they did. Don't neglect the joys of watching Mr. OP be delightfully OP. But that is the payoff, and we need sufficient buildup to get there. Watching Mr. OP go sicko mode is the joy, but it's not the path. It's no longer about the if they're going to win, it's about the how. And that should be fun to watch.
My friend @lazuliquetzal has good commentary on this, as usual: that when we say "a character needs to have flaws to be interesting", what we really mean is "a story should not bend itself to accommodate a character". A character without flaws is fine, actually. But the story shouldn't backflip to give them everything they want. This is all really simple. For some reason people act as if this is extremely hard.
TL;DR: Watch Mob Psycho 100 and then sit and figure out why Mob Psycho 100 is one of the best anime of all time. Between One Punch Man and Mob Psycho 100, ONE understands how to do this.
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