[shows up at your door at 2AM] hey can we go through that last D&D session scene by scene and discuss the symbolism and the narrative themes and their implications, and how each character has grown and evolved? But in a normal way?
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Losing my shit about this article in which a transphobic Tory was so busy panicking about existing in the vicinity of a Trans that she almost certainly misheard "jeans" as "penis" and decided that not only was this a problem with the other woman, but also that the world must be informed of this pressing danger.
"a trans woman! I had to stand directly behind her....I thought, 'this is going well', I'm handling The Situation fine'..."
translated: I saw a tall woman with broad shoulders. How would I get out of this alive? I thought. she has a PENIS. PENIS PENIS PENIS. through some force of PENIS I mean will I managed to PENIS behave normally towards her. My hands were PENIS PENIS PENIS shaking as I tried to dry them. summoning up all my PENIS courage I said 'dryer's crap innit'. she turned to me and said " yeah I'm just goiPENIS PENIS PENIS"
It's been a week and I'm still shaking. This proves trans women are the problem and I'm not weird. I'm fine. It's fine. If you think about it I'm the hero hePENIS!!!!!
very this
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reminder that the only reason the "ADHD is actually demigod BATTLE STRATEGIES" and "dyslexia is DEMIGOD BRAINS HARDWIRED FOR ANCIENT GREEK" things exist in the PJO universe is because it's a very direct reference to early 2000s teaching/parenting techniques for neurodiverse and disabled children, which aimed to frame childrens' disabilities and hardships as a "superpower" or strength so that the children would feel more positively about their disabilities or situations. This technique has fallen out of favor since then for the most part since more often than not it just results in kids feeling as though their struggles are not being seen or taken seriously.
Yes, demigods are adhd/dyslexic (and sometimes autistic-coded) in the series. This is extremely important and trying to remove it or not acknowledge it makes the entire series fall apart because it is such a core concept. Yes, canon claims that their adhd/dyslexia is tied to some innate abilities, which is based on an outdated methodology. It's important to acknowledge that and understand where it comes from! But please stop trying to apply it to other pantheons in the series like "oh, the romans have dyscalculia because of roman numerals!" or "the norse demigods have dysgraphia for reasons!" - it's distasteful at best.
A better option is to acknowledge the meta inspiration for why that exists in the series, such as explaining potentially that Chiron was utilizing that same teaching methodology to try and help demigods feel more comfortable with their disabilities and they aren't literal powers. In fact, especially given Frank, there's implication that being adhd/dyslexic isn't a guaranteed demigod trait, which means it's more likely to be normally inherited from their godly parent/divine ancestor as a general trait, not a power, and further supports the whole "ADHD is battle strategy" thing being non-literal. It also implies the entire greco-roman pantheon in their universe is canonically adhd/dyslexic - and that actually fits very well with the themes of the first series. The entire central conflict of the first series fits perfectly as an allegory about neurodiverse/disabled children and their relationships with their undiagnosed neurodiverse/disabled parents and trying to find solutions together with their shared disability/disabilities that the kid inherited instead of becoming distant from each other (and this makes claiming equivalent to getting a diagnosis which is a fascinating allegory! not to mention the symbolism of demigods inheriting legacies and legends and powers from their parents and everything that comes with that being equivalent to inheriting traits, neurodiversity, and disabilities from your parents).
anyways neurodiversity and disability and the contexts in which the series utilizes representation of those experiences particularly during the 2000s symbolically within the narrative is incredibly important to the first series and the understanding of what themes it means to represent. also if i see one more "the romans have dyscalculia instead of dyslexia" post in 2023 i'm gonna walk into the ocean.
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I really wish we'd teach about seasons based on where the kid lives and not on this midwestern/northeastern ideal of spring/summer/fall/winter.
My kiddo is learning about leaves changing color and falling off trees while she lives in Florida. She asked us when the leaves would fall here and I had to break it to her: never.
What I wished she'd learn instead, and which she will:
Autumn isn't falling leaves in Florida -- it's hurricanes and wildflowers. We tend to the monarch butterflies passing through and don't clear out the brush lest we clear out their chrysalises. We reclaim the evenings from summer's last grasps and await every cold front.
Winter isn't snow and ice here -- it's enjoying the beauty around us, exploring the woods, going outside without risking exsanguination by mosquito. Winter is our season of bounty, of relief. And sometimes, yes, we have to cover the plants to protect them from frost and we leave footprints on the grass in the morning. Here is our season of abundance, of frost-kissed oranges and lemons, of strawberries picked with your breath clouding your hands, of blueberries gathered in skirts. Kale and lettuce, beets and greens, it's all here for us in winter.
Spring isn't the season of hope it is up North. It's an end, a swelling of heat so sudden you swear by it. Florida kids need to know it's lovebug season and every bug season, it's gator baby season, it's beach before tourists season, and it's also fire season. The air is sticky but the trees are dry and an early thunderstorm could ignite it all, so be careful. Be careful.
Summer is our winter and it's shit. You step outside and you melt. It's hurricane season, but not really. More like hurricane preparatory season. They should teach kids here to check their supplies and how to chart a hurricane's movement. Summer is about wearing a jacket inside, because everywhere has the a/c cranked up. Kids need to learn how to cover themselves head to toe in insect repellant and sunscreen.
Instead of learning all that, my kid's gonna come home this week sad again that we don't have snow.
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You're the only person I know of who still has Luca on their pfp never change I miss 2021 Luca fandom so bad
He’s just so special to me!!!
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what's the threshold theory
There was a post about how Tom is the only crew member who isn't really affected by the Borg, and there's a theory that he has so much luck because he saw the past and the future when he crossed the transwarp threshold. He saw the past and the future, all of time and space. There's some subconscious part of him that remembers that experience. In fact, Tom refused to play a part in Chakotay indulging Annorax's temporal incursions, probably because a part of him knew nothing good could come of it.
If we extend that same theory to Janeway, some of her wild luck with time travel and other crack plans starts to make sense. She doesn't verbally hate time travel until after the events of Threshold, since it happens in Time and Again without complaint. Janeway has an uncanny knack for time travel, as evidenced every time she deals with it. She hates time travel, but it might be because part of her knows exactly how to manipulate the timeline. She manages to avoid the "inevitable" temporal explosion in Future's End, saving both Voyager and Braxton. She resets the entire timeline in Year of Hell, and no one else followed her reasoning. She pulled it off flawlessly. In Relativity, she senses the incidents are all related, despite it being just one reading that connects them. By the time she's involved, she has a temporal incursion factor of .0036 and a time travel protocol named after her, even if that may just be Braxton's personal grudge. Then there's Endgame, where she intentionally changes the timeline. Up until this point, she has been dragged into time travel, but for the first time, she jumps in on purpose. How does Admiral Janeway know how to get them home sooner in a way that completely avoids the Temporal Integrity Commission? It's because she has seen all of time, and part of her knows exactly what needs to happen so she can get Voyager home and do it in a way that becomes baked into the prime timeline. Maybe she doesn't consciously remember what happened during her transformation, but the experience lives in her mind somewhere, guiding her decisions.
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a lot of (contemporary) books suck because authors are too preoccupied with plot, too little with discourse
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I hate how YouTube video essays always focus on the absolute worst parts of dnp and the phandom. Nobody ever talks about how much they trailblazed mainstream recognition for online content creators. Why are they always diminished to “omg their fans were such annoying weirdos lol” as if the phandom going to tatinof en masse wasn’t a big part of why YouTuber tours started to be taken more seriously. I actually think that nobody who isn’t in the phandom currently should get to speak about them or us ever because they never actually get what it’s all about.
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