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#I do really wish she got to be the antagonist character like she was in concept tho :(
shesalittlelost · 10 hours
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I've noticed this that most Nesta stans treat Nesta less like a character and more like a vehicle that they can use to be as misogynistic as possible and live their own mean girl fantasy on the internet. And the saddest thing is that it's not just her fans who do it, the author did the same to her so I'm gonna talk to about the latter first.
Nesta in ACOTAR wanted to go out and carve her life on her own because the realisation that she still hadn't found a purpose for herself while her sister already did and that she owed her whole life to her chafed at her. That's why their reunion in the first book was so touching. I was so looking forward to see what Nesta does with her journey but she isn't allowed that. Fast forward to ACOMAF, she's just... a mean girl, unnecessarily poking at her sister for no reason at all. This scene is used as a way to start Nesta and Cassian's “banter” and “romance” (lol) and in order to do that SJM basically walks back and kills whatever little but extremely significant development Nesta had in book 1. Her concern for her sister that made her risk her own life is forgotten and instead she's made to be petty, antagonistic and stupid and incredibly shortsighted even (when in book 1 she was the only one in the family who listened to Feyre & understood the threat Fae posed to the humans) to Feyre for no reason other than to clash her with Cassian. And since then it's been like this. SJM keeps obliterating everything that made Nesta, Nesta. Her ability to resist glamour? forgotten. Her not wanting to become a warrior? LOL her whole personality is just being fandom's cookie cutter sword and armour girl now. Her being averse to casual sex? Well.... you see... she lavvvvsss sex so muchhh that she starts daydreaming about having a threesome with her bf and his brother to a point that her brother-in-law can tell that from her face and gets awkward (🤮). Her wishing to explore this world on her own? Yeah lol that's not happening. Like ever.
This girl really just got moulded into someone that Miss Maas can conveniently use to live her own fantasy in the ACOTAR world. Maas is known to not get along well with other women in the field who are as popular and successful (if not more) than her and allegedly called one an ableist slur. It's public knowledge that she was horrible to her other author friends until they cut her off. She now lives in her own bubble and picks some two or three new people, less popular than her to befriend, who just hype her up. Sounds familiar? Yeah. Nesta too can't ever get along with any other major female character who is as equally relevant in the story as her. Elain was her best buddy until she stopped being Nesta's side chick. Feyre, she was always jealous with, in her own words. She looks down at Mor for not being dressed modestly causing the men to laugh at that insult (Sara, you're very obvious). That scene where Rhys aka SJM gasses her up by calling her an illyrian (warrior) as a compliment while comparing her to Elain and implying Elain doesn't count coz she just isn't one. Like there is such a big “she's not like the other girls! she is ✨different✨” energy going on with the way she's written, especially her relationship with every other women in the story, except for the two girls who are written solely to be her hype girls, that I literally can't stand it.
It starts to make sense why she appeals to a certain kind of fans here who also suffer from the “i'm not like the other girls” syndrome. A lot of these people don't even like or care about Nesta's character or story that much no, they just latch onto her to hate on every other character, especially the female ones, that they can't self insert as. Calling Feyre the nastiest things, hating on Elain for being a selfish bitch and Mor for idek what. Like these people are physically incapable of talking about her or praising her without comparing her with or bringing down other women in the series. I wonder if they realize how crazy they look to others coz they are very transparent.
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candiecarousel-art · 11 months
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She’s the silly ever
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follow up to that last post, i can not overstate how much I do not care that lilith did evil things. she was an antagonist. thats what they do
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eldragon-x · 1 year
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well anyway
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eponastory · 3 months
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Ah, Sarcastic Chorus...
Let's break down the 'I'm going to fix you' argument for Katara.
First off, no one can 'fix' anyone. Going into a relationship thinking you're going to change somebody and make them different is going to make that relationship bad. It's not necessarily toxic, but bad. Why? Because it's not your job to 'fix' the other person. The only one who can do that is the other person. You can only 'fix' yourself.
A lot of relationships fail because of these expectations.
I'm going to talk about fanfiction here for a moment since I've been writing a Zutara story. Since Zutara isn't Canon (but we really wish it was) and all, I only have what does happen in Canon and what happens in fanfiction tropes I see a lot.
In the show we get these wonderful little moments where Zuko and Katara are fighting each other (book one), and it sets a nice theme of opposites attract. The motifs are there with all the color symbolism... it's nice. That does immediately set our brains to 'oh they are so going to get together'. There are a lot of nuances to that, and it's lovely.
I'm not going to lie, Katara is in that group dynamic of 'The Heart' role, and yes, it does put a little pressure on her character to care for everyone. It's my least favorite role for a character and it's a bitch to write when you want that character to be independent.
Anyway, back to Katara. She's the mother figure, the caring and nurturing one that has to help everyone else sort out their problems while she has to internalize her own. It sucks. It really does. So when we get to TSR in Book 3 and she is practically berated by everyone for not acting like herself... she gets pissed, rightfully so because she had to help everyone else with their bullshit until Zuko finally joined. This is where Zuko becomes a foil for her.
Just to be clear, a foil is basically a character that encourages change to happen within a dynamic. It can be a group or a pairing. Usually, that character had opposite goals or a different personality. Zuko started out as the antagonist, but when he joined the Gaang, he's now a foil for the entire group.
Back to what I was saying... what was I saying? Oh yes!
So Katara is rightfully pissed because she needs to deal with her trauma when everyone is suddenly 'this isn't who you are'. No, this is exactly who she is. She is very much like her element. Water is fluid, it can be calm and it can be a torrent... which is exactly the way she is written. It's always been her, she just put everyone else's problems above her own. Now that she has to deal with her problems, it's chaotic for everyone else.
And yes, she does have survivors guilt.
That is her main problem, so now she has to deal with it. And Zuko gives her that chance.
This is getting pretty long, so I'll try to wrap everything up here.
Zuko doesn't need to be 'fixed' he's already done that himself by himself. Joining the Gaang was essentially a fresh start for him (I use that term lightly) which is why he is so awkward when he goes to talk to them at the Western Air Temple (or is it Eastern? I don't remember ahhhh. Fibro brain!) And it's so cute and I just want to hug him. I digress, but it's great.
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He's got a shitty past, but he is trying to change himself even further by accepting responsibility for what he did to them individually. In Katara's case, he has to work hard for her. It's lovely, and the payoff is great. I know for sure that is what I see in their relationship. He cares so much about her that he works hard to win her trust again. Why? Because she showed him compassion in CoD, and that struck a chord in him. Her strength is her compassion when he was taught by his sociopathic narcissist father that emotions like that are a weakness.
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That my dear Kat*angers is why we love this ship.
It's a beautiful dynamic between them that I would have loved to see Bryke explore, but they just gave us the most vanilla bland version of a romance they could find by pulling a D&B (Game of Thrones writers) and subverting expectations. It sucks.
TLDR version.
Katara doesn't have to fix Zuko.
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byoldervine · 4 days
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Characters as People VS Characters as Characters
It’s no secret that people like villains, but why? And what about heroes that people generally don’t like? The answer is that you can like characters in two different ways; as a character and as a person. But what’s the difference?
You (generally) like a character as a character if you like them for:
• Their appearance
• Their voice acting
• Their role in the plot
• The way they’re written
• They’re interesting to watch/read about
• They’re funny to watch/read about
• They’re cathartic to watch/read about
But you (generally) like a character as a person when you like them for:
• Being someone you would get along with in real life
• Having moral values that align with real life moral values
Honestly, that’s largely all it is, and you can also like a character in one way without liking them the other way. I’ll give some examples based on the way I feel about certain characters
• I like Katara from ATLA as a character because she’s determined, resourceful and fun to watch, and I also like her as a person because she does her best to do the right thing and I share a lot of similar interests with her
• I like Valentino from Hazbin Hotel as a character because his voice acting is really good, he can be very funny to watch and he’s generally a villain that you really love to hate. However, I dislike Valentino as a person because he commits acts I strongly disagree with morally and takes pride in causing pain and trauma to others
• I dislike Octavia from Helluva Boss as a character because at times her writing can feel very repetitive and one-note since all of her appearances are generally just her putting the sole blame of her parents’ divorce onto her father despite knowing to some extent that her mother has also acted antagonistically towards him, which can be frustrating from a viewer’s perspective. However, I like Octavia as a person because she’s trying her best with the information we can confirm she has, she’s got similar interests to me and I think we’d get along if we met in real life
• I dislike Gabriel Agreste from Miraculous Ladybug as a character because he’s written as though he’s sympathetic and not an abuser to his own son despite his actions speaking very clearly otherwise, and writing him as the unspoken hero is complete tonal dissonance from the story we’ve actually been shown. I also dislike Gabriel as a person because his actions are morally reprehensible and not something I would ever wish to involve myself with
There is a huge difference between liking a character as a character and liking a character as a person, and we shouldn’t treat other people liking characters as characters to be indicative of immorality or an agreement with their negative actions. Additionally, this also explains why we can excuse murder and other horrific crimes from characters while still liking them, but if they annoy us rather than intrigue us then we drop them like a hot potato even if they’ve never done anything actually wrong in their life
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myths-tournaments · 7 months
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Awful Characters Round 4 (2/4)
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Propaganda under the cut!
BENNY
The first thing that happens in new vegas is that benny fucking shoots your character in the face, steals your shit and leaves you in an open grave. Benny is by all accounts a bastard. He kills you, steals from you, he killed his last boss, he is the single most duplicitous man around. His gang are all about honesty- except him. He's a lying, cheating bastard. The guys who helped him catch you? He skipped on paying them and left them to get shot to death. His new boss, mr.house? He stole his robot, broke it open, got someone to reprogram it and decided to use it to TAKE OVER THE WHOLE OF VEGAS. Benny literally kills people, lies to people, steals their shit and takes charge. That's all benny does. He gets fucking CRUCIFIED if you don't help him out just because so many people fucking hate him. And yet. And yet. Benny is the single most compelling character in the whole game to me. He's just a little guy! He's just there! You can get shot in the head and come back and he goes "what in the goddamn" and then if you try and flirt with him he's like "uhhh sure? Okay?" And leaves you a polite note in the morning. He's fancy. He wears a stupid suit. He has a tiny gun with shitty bullets. He's catholic. He talks like an old timey news presenter. Literally nobody else in the entire game does that. He's got an intelligence of 3. He's my funtime boy. My silly little man. He's so funny. The antagonist in this game is a guy dressed like a tablecloth who looks at all times like a confused dog who doesn't understand what a tv is. And like. He's compelling. He robs from you, shoots you, but…. he never seems to actually wish you harm. He kills and robs and lies but like. He apologises for doing it to you. When he sees you again he doesn't attack you, he's just… confused. He tries to defuse the situation. You can convince him to talk to you, alone, with no guards and it's not that hard. If you spare his life, he doesn't go after you, like. Even if you sleep with him he doesn't take advantage of that and kill you, even if you try to. He… he just leaves. He gives you an apology. If he gets kidnapped by Caesar He just… apologizes again. He tells you his whole plan to take over the city, too. He thinks he'll die, and he wants something of him to survive. He's happy that you made it. And if you let him free, he just… leaves. He knows he's beat, he doesn't want to cause any more trouble. He walks out and leaves. The NCR will kill you if you cross them. The legion will crucify you. House? He'll blow you the fuck up. But benny, the guy who lies and cheats and schemes, he's honest. He's polite. He's… harmless. You can kill him with a single shot if you want. And he can't kill you. He doesn't kill you the first time, and he'll never really hurt you again. Benny just wanted to win. When he knows he's beat he just leaves. No lingering, no harm, he's off, off into the desert heat, and never seen again. Isn't that just insane? like have you ever known an antagonist so polite? He just leaves!! He offers you a drink!! His plan is genuinely probably the best one for the people of new vegas!!! He's. Benny is Benny. Anyway if you want to see some REAL propaganda go to the blog letmebegaytodd and look in the #benny tag. You'll Understand < https://www.tumblr.com/letmebegaytodd/717051175751614464/in-another-life-i-wouldve-really-liked-just> <- look at this shit man
AZULA
Azula explicitly considers herself a monster. She says needlessly cruel things to her brother and friends. She kills the show's twelve-year-old protagonist and masterminds the idea of burning down the entire Earth Kingdom to force them to submit to Fire Nation rule. I have absolutely seen people get called abuse apologists for thinking she's a cool character. But she's also a (canonically) mentally ill fourteen-year-old who was raised by her father to see her ability to be weaponized as her only value. Her mother, arguably the only adult in her life who could have had a positive impact, had a strained relationship with her because she was more difficult than her brother, and then disappeared when she was nine. Her uncle, who was her brother's main healthy role model, took absolutely no interest in her. She watched her father belittle her brother for years and eventually throw him away when he failed to meet his expectations, so that was a threat she was always facing. She really had no chance. And she also has moments that suggest she wants some sort of meaningful connection with another person. She lets her brother take credit for killing the Avatar so he can come back from exile, even though it means she'll be bumped back in the order of succession and offers him advice that seems genuine. Her spiral into a mental breakdown starts when her friends betray her. She's just a much more interesting and multifaceted than a lot of the fandom gives her credit for.
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atopvisenyashill · 12 days
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Worst things GOT did casting wise:
- making Dany too beautiful (+ styling her in a way that she never has a hair out of place, always wears BLUE - which makes her look peaceful and soft and angelic, not making her burn her hair off etc). I just think of that one official art piece that's in the illustrated AGOT book where dany is bald, with the dragons and sparks and frames around her and its so striking instead of the "beautiful angelic blonde women stand empowered with her tits out" scene we got
- casting Iain Glen as Jorah and not like. a random Lannister (like. Come on. He is a burly and ugly man... why are you casting one of the most beautiful men to play him.... this is how we ended up with dany/jorah shippers)
-making Joffrey too unattractive (this is not meant to disparage JG who is a great actor and seems like a really cool dude and i'm not saying he's ugly but I think from his very first scene Joffrey looks very punchable and it would have been so much smarter to make the audience .. relate to Sansa's infatuation with his golden looks. In my head (and in all the official art) Joffrey looks like a male version of cersei/a younger version of Jaime.)
- making Dany, Jon, Robb, Marg, Brienne etc 10+ years older than Sansa and the younger starklings .... It's not "the main characters and arya (who is so cool and can kill people) + the little children" it's ONE AGE group of equally important characters
Like I know people are upset at Ned/Jon etc being too attractive, WHICH I GET, but I feel like those were very vibe based casting decisions and i'm ultimately fine with that (I also think it's easier for the audience to root for someone if they're attractive so like. I guess they had to do it) but these other things resulated in people's perception of the characters being so wildly different from what they're supposed to be. The real reason people get so angry whenever someone says they wish tamzin had stayed is because they don't like the idea of daenerys not being this ethereal beauty (TM is beautiful but not in a conventional way) that they can fully root for without issue.
1. NO YOU ARE SOOOOOO RIGHT ABOUT THEM REFUSING TO LET DANY LOOK UGLY. it’s not to say tamzin isn’t clearly beautiful, but i think she’s beautiful in the same way gwendoline christie is, which is that she’s very striking and she has a strong presence but she’s not exactly what people picture when they say “typical hot lady” (which is Crazy these are all able bodied white women, like the definition of “beauty” is soooooo fuckijg narrow that tamzin merchant is ~atypically beautiful) vs emilia definitely is, and YES like everything from not burning her hair off to emilia being,,,,,fuller in figure than dany as a fourteen year old would be is just very clear that they saw dany different than the way she is On The Page. i mean i know people whack george for saying that she’s like a sexy funny lady or whatever but george never lets go of the fact that she’s incredibly young whereas d&d completely miss that part of her character.
i will say i Get the criticism of tamzin perhaps not picking up on the conlangs easily because one thing you can say for emilia is that she had a decent head for the conlangs, she’s even still partially fluent in dothraki lmaooo. but all the other stuff they said about why they recast dany it’s like. hmmmmmmmmmm.
2. absolutely right about iain especially because he’s similar to idk paddy in that he’s got CHARISMA but unlike viserys, they didn’t intent to portray him as a deeply flawed, antagonistic character they went in portraying him as like an objectively Good Guy dedicated to dany. he’s just so much less creepy and pushy in the show and has several scenes where he shows some moral backbone - that “yet here you stand” “yet here i stand” scene is sooooooo good for example, the fact that he actually apologizes for spying on dany, giving him the greyscale story & not having him fuck a valyrian looking woman in a brothel 💀, etc etc - and you also just lose some of the creepiness here because emilia is clearly a grown if young woman and ian is handsome, so it’s like. welll of Course you want to root for them to be together! and never mind that this is a Massive departure from their book characterizations!! again, they have this idea of jorah in their head that doesn’t match up with what’s on the page even a little.
3. i do get your point re: joffrey and i think this is my problem with aidan as littlefucker too - they’re too obviously villains and it makes ned and sansa look stupid. like, in the books we have that moment where robb almost decks joffrey which does seem to signal something bad but the crown prince being full of himself doesn’t mean he’s going to threaten his betrothed’s sister with a sword then get his ass handed to him by a toddler. in the show we get QUITE a number of scenes where joffrey is shown to be a brat AND as you say, just like aidan, jack has a Certain Look, he looks like a shitty jock who has allegations against him ajsjdj like irl when jack smiles he’s so adorable!! but in the show they REALLY play up his ability to channel a greasy aura ya know aksjd. when the point of asoiaf is often that villains don’t LOOK like villains, but some of our Main Villains clearly resemble typical villains in the show.
4. “it’s ONE age group of characters” NO YOU ARE SO RIGHT. like, there’s several years difference from robert to ned to cat to the twins to tyrion but they’re all the same generation of characters. there’s that exact same age difference from brienne to robb, dany, jon to sansa, arya, bran, with theon kind of similar to characters like jorah, who are old enough to remember The Before Times but aren’t quite in either generation. but because they wanted dany, brienne, jon, robb, and margaery to be more of a Typical archetype rather than an exploration of that archetype, they aged everyone up and essentially invented another generation between the “adult” characters and the “kid” characters. not to be super nerdy here but one of my favorite worked shoots in wrestling is one cody rhodes did where he was ranting about the way young wrestlers get put through the grinder and he has this amazing line where he sums it up as “old men talking, young men dying” and it’s not to say there aren’t a lot of old dudes Also dying lmao but you really see this where young leaders are often unprepared for their responsibilities and used as puppets by older men and you just MISS THAT when that whole generation is so grown!
it’s like they looked at those themes of war being terrible and all consuming and brutal no matter how justified you feel you are and went “wow war is brutal 😍” LIKE PLEASE????
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oodlyenough · 2 months
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apollo justice: ace attorney thoughts
over the weekend I finished playing AA4 so I wanted to try to put my thoughts in order. much to think about etc
spoilers for the whole game obv, but i haven't played AA5 or AA6 yet so any mention of those are speculation lol
I had heard some pretty mixed reactions to AA4 and I had a lot of reservations going in. It's also probably the AA game I've played that I've been the most spoiled for, which is a shame but probably an unavoidable consequence of waiting for the port while engaging with the fandom. I don't usually like being spoiled but I think knowing the broad strokes of what to expect actually helped here. I can imagine an AU where I blitzed through the first trilogy and onto 4 with no idea of what was coming and being... very upset and disappointed by the direction it took. Having several months to brace for things like Phoenix's disbarment, the 7 year gap, Trucy, etc definitely softened those blows and made me more amenable to them than I would've been otherwise.
Cases
For the most part I thought the puzzle solving was good and the pacing was solid. The puzzles were mostly challenging enough to be satisfying to solve but not so challenging as to be infuriating, and I don't think I needed a walkthrough at all. 4-1 is one of the best tutorial cases in the franchise so far (though I'd give the edge to 3-1) and 4-4 was a really cool finale. The middle two cases tbh I also found fairly charming, and there's usually a least one case in the middle that seems to drag forever, so that was a pleasant surprise. I played Investigations 1 right before this, and I thought both the puzzles and pacing in that game were frankly horrible, so AA4 won a lot of points just with that.
I did think Turnabout Corner and Serenade would be more relevant in the grand scheme of things. The half-spoilers I knew had me expecting a much bigger web of conspriacy than we ended up with -- I expected it to be more than coincidence that Phoenix got hit by a car, more than coincidence that the Borginian egg coccoons are related to poison etc ... like... I fully assumed this was going to tie into the atroquinine plot. But I guess not ... ? Lol
Characters
The new main cast are all very likable, despite my initial reluctance to have a new main cast to begin with. Klavier was an interesting change of pace as prosecutor, in that he wasn't particularly antagonistic outside of the court, nor was he particularly preoccupied with winning, but he was still fun and challenging enough to face off against. Trucy was fun and delightfully bonkers as all assistants should be. Apollo's longsuffering exasperation was hilarious. Ema is the BEST I loved having her as the detective I wish she was there all the time.
I loved Beanix, for the most part. I can see why he rubs some people the wrong way, and tbh I'm glad his last canon outing isn't ... this. But I didn't find him wildly out of character, or at least, when he was feeling "out of character" vs the trilogy it made sense given the intervening events. I also thought it was fun to see him from the outside and see what a galaxybrain 5d chess master he is. I do wish we'd gotten to see more genuine moments of him with Trucy.
Kristoph was fun as a villain, though I have to say fandom led me to believe he was much more of a mastermind puppeteer than he seemed to be in reality. I was expecting a whole decade worth of conspiracies! Instead he fucked up once and struggled to fix it for seven years, lol. I also found the Kristoph/Phoenix relationship a) very fascinating, b) not really what I'd been led to believe by fandom (shocker). I like the canon more though -- I like that instead of being a retread of the Dollie betrayal-from-someone-you-love it was two guys who hate each other being forced to play nice as part of their own schemes.
Criticism
I think it's fairly obvious AA4 was meant to be a soft reboot of the series, to pivot away from the trilogy cast and set up our new heroes in Apollo, Trucy, and I guess Klavier. I think this is probably the entire explanation behind Maya and Edgeworth (and others but lbr those are the big two)'s conspicuous absence... but that doesn't make their absence any less conspicuous. I can squint and forgive neither of them being there when Phoenix is accused of murder, even though I find that insane. I can squint around Maya maybe being off in Kurain during the Enigmar trial, even though I think they could've used a line of dialogue to explain it. But then we started playing past-Phoenix for huge portions of investigation and that started to fall apart for me. Sure, maybe he's pushing his friends away because he's depressed, or maybe he wants to keep Maya out of things because he thinks it's dangerous, or whatever -- you could at least throw in a line or two saying as much. Not mentioning them at all and setting AA4 so closely after AA3, where Phoenix fell through a bridge to save Maya and Edgeworth chartered a private jet, just feels ridiculous.
I also think, at the end of the day, the story here was focused on and pivoting around Phoenix. The core question of the game is "what the hell happened to/is up with Phoenix Wright?" I love Phoenix, so that alone isn't a negative -- except that I think it meant Apollo, Klavier and even Trucy felt underwritten. Trucy and Klavier have such personal stakes in the unfolding events with the Gramaryes and Kristoph, but we only spend a little time and hints on how that might influence Trucy, who mostly falls into the AA weird girl pattern of brushing off major trauma instantly. (Maya got this a lot too in the original trilogy.)
Klavier ... I like Klavier, but they did not do much with him. How did he feel about Kristoph going to jail? He doesn't seem to hold it against Apollo, which is uh, noble, but perhaps not believable. He says he values honesty and truth but do we know why?
Apollo, likable as he was, felt like a passenger in his "own" game, rather than a major character. He doesn't even solve much of the stuff happening in the big overarching mystery -- he is Phoenix's avatar in court, presenting evidence and clues Phoenix left for him. Unlike Trucy and Klavier, who I am pretty sure take a back seat from now on, I guess Apollo still has two more games to try and flesh himself out ... lol but I also know fan reception of those two is not great, so my expectations there are minimal.
Overall
A really solid game that I enjoyed playing, though I can see why it's controversial and not some people's favourite, if they really loved the trilogy. I think it's debatable whether this was the best/only way to continue the series after AA3. And I am excited to read and write a billion 7 year gap fics now.
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blinkpen · 6 months
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i've seen actually a few different people/users leave comments or tags about wanting to check out scavenger's reign after seeing my glowing praise of it, but also being very nervous to do so, because they're excited for a lesbian who looks like them (azi), but despite my gushing, i keep mentioning how the show is full of body horror, brutal deaths and characters having a bad time;
this is a very valid concern to have, given how a character like azi might be treated in another show, i was going in with tempered caution as well
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without spoiling too much, you can lay those worries down. the show treats her very well.
if you'd like some more elaboration, i've put it under this readmore!
azi is put into stomach-churningly dire "an alien is about to eat you/do a big big body horror/assimilate you" situations the least of any of the characters, and not even because she's being given a lack of stuff to do/experience in the plot!
i think we only see her get "afflicted" by something the way sam does once, and its very mild compared to everyone else (basically she gets a really bad itchy rash after successfully prying some weird would-be paralytic puffballs that get stuck to her) and even this one instance is quickly resolved by other fauna, in a very nice sequence of scenes that is clearly a healing/relaxing experience for her.
while she is put into danger and is trying to survive like everyone else, she gets tossed about in action setpieces she makes it through with minimal injury, more than enduring The Horrors;
she gets to have better luck because more of her narrative screentime is, by design, already dedicated to emotionally bonding with her robot buddy, levi, as they suddenly and rapidly attain self-awareness, and levi encourages her to find the beauty and harmony in this nightmarish nature documentary they got marooned in.
this helps her lighten up just in time, too, because she is, very understandably, stressed almost to her breaking point by the point the show starts, having one of the better crash landing sites of any of the survivors, and i bet the other survivors all wish they had a robot tagging along to help, but being stranded and lonely and trying to not lose hope of rescue. she misses her girlfriend, and is feeling increasingly vulnerable (negative) and afraid, especially when situations occur where she gets reminded she does need help. azi starts the series being kind of mean to levi, and having to balance her confusion, worry, and then awe of levi's transformation, and let herself accept she does need that help.
azi is not the gruff grr nothing phases me nothing hurts me the writers dont have to try giving me depth i'm just the badass butch who exists to fill the death quota later so a lighter/more fem character can survive;
her vulnerability reveals itself without much fuss, and is eventually tended to both by herself and others. we get flashbacks that show she was naturally introverted, but clearly wanting to overcome that in order to socialize and get closer to someone (girls...)
she goes through it for other reasons, but i promise you, the show treats her very well, i feel. she and levi are probably-nah, definitely, my favorite characters in it, and the show would not have blown me away the way it did without them here
SR has 3 main story threads; Azi and Levi, Sam and Ursula, Kamen and The Hollow. of the three, Azi and Levi's is the heart, and is the most romantic, in multiple senses of the term. i might right a breakdown of what i love most about all three threads? but yeah
now, if you still need the "okay but does she or her gf die" y/n:
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azi and her girlfriend both survive the events of the show, and reunite in one piece! they may or may not throuple up with the robot.
i sure hope they do.
you can't tease us with scenes like this and Not
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OH: also, when a new antagonist shows up later in the form of a lethally pragmatic blonde woman named Kris who tries to boss azi around, i did get nervous, but Azi soured to max on her and spoke exactly what i hoped was the intent at the exact moment i felt it was critical to avoid me going "hrrmmm don't like these Implications" (the Instant azi detects blondie is trying to haze her into being a new teammate to be bossed around, azi immediately gets rightfully pissed and rejects it, and schemes to get the tagalong kid to see this also and on azi's side in the long run, which plays out and kris gets rapidly shuttled out of the plot and then pretty damn well humbled in the only blatant Sequel Hook present. i Appreciated that. Would have loved to love you Kris I love evil women but then you pulled That Stunt and now you can go wither alone in the corner
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annabelle--cane · 16 days
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okai renfield 2023 thoughts: the critical consensus is correct, this is not a very good movie, but I found it a lot of fun and if you're a dracula enjoyer who doesn't mind constant action scenes that are gory to the point of farce then I'd recommend giving it a watch.
and for some longer thoughts (ft spoilers):
not a whole lot of black characters for a movie that takes place in new orleans.
I liked how they leaned into the bela lugosi pastiche, they really went for it with dracula's design and the few re-made scenes, I found that really fun.
like many other tumblr users I have Problems with the way "narcissism" has entered the pop psychology lexicon, but I like the overall premise of reading dracula as a very mundane and recognizable kind of abusive boss.
I don't think this could have been handled well in a movie like this so I'm glad they didn't go for it, but I personally think there was room to do something interesting if they had adapted in renfield's psychosis. like, psychotic people are particularly vulnerable to getting trapped in abusive relationships and dracula wields a lot of "the outside world will hate you, only I truly care" over renfield's head, I think a more indie project with a similar premise could have really gotten into the weeds with that and said something meaningful about ableism and this "simpering minion" archetype which renfield has been assigned by pop culture.
I don't usually care about this too much but I noticed some fairly poor shot-to-shot continuity across a few scenes. ex., before the restaurant fight kicks off, rebecca steps directly up to the barrel of ted's gun and almost presses it directly into her forehead in a big emphasized act of defiance, but when we cut to different angles she's standing a good few inches farther away.
there was some fun set up and pay off, ex. the ant farm, the cocaine magic circle.
I enjoyed the evil milf, I must say. wish we got more of her but she just kind of disappears at the end
the fight scenes bored me at first but eventually they crossed the gore event horizon and became hilarious. sure, the sense of stakes kind of gets lost when our protagonists are regularly dropping like twice the bodies of the antagonists, but more importantly, renfield ripped a guy's fucking arms off.
I am absolutely begging to know what the thought process was behind the quinc(e)y morris allusions. I would assume that the implication is that rebecca and her family were distantly related to book quincey somehow, but then why do they have his first name as a last name and not his actual last name? why was her dad called morris quincy? I am flummoxed.
would love to do a proper comparison with bit 2019, focusing on how they play with the dracula mythos and portray vampirism as power imbalance, but that would require brain cells and I am sorely deficient on those.
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rosiethedragongeek · 2 years
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Rating HTTYD antagonists/villains because I can
Stoick the Vast
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8/10
He was an antagonist in the first movie change my mind. His conflict with Hiccup was super interesting and compelling, definetly one of my favorite parts of the movie
The Red Death
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6/10
It did it’s job ig? It felt like a video game boss lol
Mildew
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-100/10
I hate this greasy shit stain of a man and I have no clue how he got three wives
Fungus deserves better tbh
The Whispering Death
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7.5/10
Fucking terrifying dude, absolute nightmare fuel, I love it (and it’s history w Toothless is a cool addition)
The Screaming Death
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6/10
Not as scary as the whispering death, honestly, it was alright
Alvin the Outcast
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7/10
Pretty basic, but he was solid. Really enjoy most of the episodes he’s in and I like the tie in w his history with Stoick
Savage
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3/10
The greasiest man alive. He discovered free will halfway through Race to the Edge and even then he succeeded and literally nothing he tried. He’s kinda funny sometimes ig.
Heather the Unhinged
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3/10
She was just so slimy and annoying in rob I didn’t like her at all lol
Beast (The Skrill)
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8/10
I love all of the Skrill episodes so much omg. She’s so cool, I wish there was more of them
Dagur the Deranged
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20/10
He’s actually insane and for that he’s my favorite. He’s just so good he’s so much fun
Berthel
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1/10
He adds nothing to the story and I don’t particularly like him
Amos
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2/10
His first episode is meh but I like some of his lines in Sandbusted
Ryker Grimborn
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5/10
He’s alright. I like him well enough, but he’s certainly not my favorite HTTYD villain
Viggo Grimborn
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15/10
Obsessed with this man. Easily the best HTTYD villain in the franchise and he creates the best conflicts in the series by far. I love the way he mirrors Hiccup’s character, I could honestly go on for a while about how much better he is than all of the other villains in the whole franchise lol
Krogan
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7/10
His overall vibe is super cool and I really enjoyed that episode where he and Viggo were looking for ways to kill each other. His design is awesome
Trader (Traitor) Johann
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10/10
Ruined the way I looked back on the hours in my childhood I spent watching ROB/DOB, I have never felt so betrayed in my life and I never will again, this man gave me trust issues
Drago Bludvist
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3/10
He was alright, but I was never really scared of him. I liked how he killed Stoick, and he put Hiccup in an interesting situation, but other than that, he just didn’t do it for me
Grimmel the Grisly
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0/10
Knock-off Viggo Grimborn. ‘You’ve never seen anyone like me’ yeah, alright. I hate his face and did not care about him. He shouldn’t have been the last straw for sending the dragons away, honestly
Spitelout Jorgenson
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-100000000000000000000000/10
I hate him. This garbage man is an antagonist and you can’t change my mind. The Worst.
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ivy-is-fine · 4 months
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Reacting to the Wish soundtrack!
before I watch the movie!
At All Costs
:o a love song?!
title feels more like a villain song
pretty good
Love characters that are ride or die for each other
cant be a Disney movie without a classic love story
cute, but a little repetitive
This Wish
it doesn’t really have good rhythm
”throw caution to every warning sign” ?
wait hang on what are you wishing for
ooo so the town is suffering!
gasp, is she gonna lead a revolution?!
oh sudden change in tempo. Ew.
hm. So there must be a tyrannical leader causing “us” to suffer and/or lack the ability to thrive
I’m A Star
meh
not a fan of the background instruments compared to the voices
i I have no clue what’s happening
main character feeling down and the “us” are helping her get back up?
no freaking clue
”so your dust is my dust, fantastic!” Lmao
idk it just feels really plastic
sounds like something I would hear in vacation bible school
no
This Is The Thanks I Get?!
A villain song! :0 I love villain songs. Let’s hope this one measures up
funky aaa beat
egomaniac
HOLD UP
”I got these genes from outer space” IS THE ANTAGONIST AN ALIEN WOAHHHH SUPER HYPED NOW
low key kinda cringe tho
hang on, what about clothes on Benito’s back???
whos henry
“I let you live here free and I don’t even charge you rent” you just said the same thing twice buddy. Villain not bad? Villain… give free housing to people?
I know it’s an unreliable narrator, but like. if he’s doing what he’s doing I don’t think he’s that bad
maybe not final boss?
just wants respect? Hang on, why aren’t you getting respect?
main chorus isn’t bad, kinda meh
egomainac
disneys poor attempt at using recent slang
background chorus is getting on my nerves
shut yo bitch ass whining up
maybe this is the song where he snaps
oop
hes snapping
suddenly chill? BUT SUPER SPOOKY HUH
meh
I’ll make part two in a little bit, hopefully this doesn’t leave me disappointed in the great monopoly Disney has become.
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Wish list for CBS ghosts season 4
Make Patience a recurring antagonist for at least 2-3 episodes before that story gets resolved and she gets regulated to a background character.
Patience character to be 50% good religious farm girl, 50% crazy witch. She also needs to have a wicked(ly cool) ghost power
More of Isaac loving dinosaurs
More solo development for Isaac
More of Isaac and Hetty's awesome friendship
No Nigel for a while. I do not like him. He did a lot of things in his and Isaac's relationship that are textbook abusive partner behavior.
I think it is about time for Jay's restaurant to start up, and I would like that to actually become pretty successful/profitable. Mostly because I would like Sam and Jay to have a bit more disposable income to do things around the manor, and I know the B&B is unlikely to become super busy next season (unless the show is ending , which I really do not want).
The difference in treatment between the above ground ghosts and basement ghosts to be addressed. I know after season 3 that they aren't going to move them all up stairs. But it would be nice if Sam and Jay could like furbish the basement , and then more Basement ghosts than just Nancy got invited to come upstairs for games or discussion.
Just to be clear I still want Nancy to keep making her frequent visits up stairs and hang out with the man 8. I just also would not mind seeing Stuart or another nameless basement ghost standing or walking by in the background on the occasion.
Explore Pete's power more. He does not need to hop on a plane and go across the country or anything, but let him keep going out into town and having adventures. Also let him keep going on dates with other random ghosts outside of the house.
I know that Pete&Alberta will probably happen at some point in season 4. The thing is though while that ship was cute in season 1, the way the ship was handled in season 2 soured it like milk to me. Both characters need a lot of development, and separate explorations of what they want out of a relationship, before I can ship them again.
H-Money is still a couple I kinda like. I do not expect them to get back together in season 4 (Please not another season that is fully devoted to coupling up all the character), but I would like them to start scheming together again. Let them figure out how to interact together as friends, and build a stronger foundation to eventually, in season 5 maybe, try again.
I have heard people suggest that Pete's power could maybe be extend to getting the other ghosts through the barrier if they are like holding onto Pete's hand. I want this. Now I know Sass will want to visit a Pizza Hut, and Issac a dinosaur museum, but I would say the most important thing to do with that would be to take Thor and Flower over to the Farnsby manor to visit Bjorn and his girlfriend Judy. It would also be cool if there was a lesbian ghost living there they could set up Nancy with. Since Nisaac is on a "respite" and queer representation (preferably healthy queer representation) is important.
Everyone remember in season 2 when we learned about Flower's super protective, formally MIA, army vet brother : Rob. You remember how the show's staff said they would love to have Rob come to the B&B for a visit, and were already considering actors who could play him? I want this episode. Also if you cannot directly tell Rob his sister is a ghost on the property, then can Trevor or Alberta use their powers to help Flower send a message to Rob. To say that she still loves him. I cannot deal that both siblings spent like 50 years thinking the other hated them when neither did. It is to sad.
It would be cool if we could also have Ira visit once too. I know Flower did not love him like she did Michael or does Thor, but he was still someone who was a big part of her life for a while, and knowing her cannonly had a large impact on his. Maybe we find that while he has done charities in her memory, trauma over watching her be killed by a bear has also lead him to sponsor bear hunts or poaching. Flower is horrified. Then Sam and Jay have to spend his visit looking for a way to convince him that is not what Flower would have wanted.
Four standard episodes for each season are a Halloween episode, an episode where Bela visits, one where Stephanie wakes up, and one where Crash appears and is slightly relevant. I have no idea what to do for an episode with Crash, but for the others
-Ghost animals on Halloween
-Home theater night for ghosts and guests on the night Stephanie wakes up, complete with all the drama of set up and shenanigans that going to the movies encores.
- Bela is broken up with Eric, she does not even like him. This time her and Jay's parents come with her for the visit. Bela wants all the latest gossip surrounding the ghosts, but they have to tip toe around the parents. Jay's dad does not fully support the B&B even without the knowledge that it is haunted, and Sam does not want to give her mother in law another reason to suspect that she might be crazy.
Owning back to the "Can Pete take the other ghosts off the property" theory, can Thomas Woodstone be a ghost who died visiting a neighbors property. We have no reason to see Elias again since he has decided to stay put in Hell. But Thomas reappearing could be interesting for both Hetty and Alberta. If he does show up though I want the twist to be that he is actually severally cognitively impaired (think Lenny from oMaM)... I mean the man was from an inbred family, played with lead based toys as a baby, had a cocaine addict mom, and a father who was a lot of things. He could not have been all there. Also address more on if Earl ever actually cared for any of the people he was two timing (again development that needs to happen to make Alberta want to go from dating an Earl to a Pete).
A Sasappis based episode that is not his death story. I feel like he needs at least one more episode exploring what his life alive was like, to be appropriately gutted when we learn about his secret death.
Actually maybe we can hold off on Sass's death and Hetty's ghost power until season 5. let's keep the element of mystery in the show for a little longer.
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Rick and Morty S7 Ep. 10: Fear No Mort
(A bittersweet end to a great season)
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If you are not ready to conquer your fear of spoilers, go no further…
My Favs
Diane!
Overall, I’m pleased with how the writers handled the character of Diane and Rick’s interaction with her. They don’t portray either Diane or their marriage as flawless. There is definitely a bite to her personality and we see them have conflict like any married couple but there is still a lot of love and affection there, assuming Morty’s version of the relationship is accurate. It is certainly open to interpretation. In my mind, the only thing that was inaccurate is Diane’s disdain for her grandson. In actuality, I think she would have loved Morty to death and have absolutely spoiled him rotten as a grandmother should.
I also love that the writers confirmed that she was a scientist or was on the path to become one. She was definitely some sort of biologist, maybe a zoologist or a ornithologist. I don’t know about you but my heart went pitter-patter when Rick said her master’s thesis inspired him to create a ray to hear duck’s talk.
Lastly, I’d like to say that while I thought we might have somehow had the real Rick interact with the real Diane through some sort of sci-fi resurrection or afterlife break-in, I’m ultimately glad this is the work around the writers came up with. Anything else would have cheapened Diane’s death and Rick’s grief.
Rod Serling/Twilight Zone homage
Confession time. I’ve never seen the original Twilight Zone or the reboot, but I’m aware of the premise of the show and how it ties with this episode. I know I’m missing out and it’s on my list of shows to watch. Sometimes, I wish I could get a Night Person to watch all the television shows I don’t have time for in my waking hours.
Tide and Time
Really enjoy the newest Ryan Elder song. He is incredibly skilled at finding or creating the perfect soundtrack to convey the emotion we need for a particular episode.
Morty’s fear of relying on Rick
I will expound on this further in “My Thoughts”
Rick choosing Morty
Not only does he do it once, but twice. Once in Morty’s fear simulation and once in the real world.
Not my Fav
Product Placement
I know capitalism has got to capitalism, but could we please leave ads for shitty restaurants out of my story of a grandfather and his grandson navigating the human condition in a infinite, nihilistic universe that is incapable of caring! Thanks.
Besides, the fear hole should have been at a Shoney’s
My Thoughts
Morty’s codependency, fear of change, and learning to not live for the dead but to live for the living.
Seasons 6 and 7 has seen a gradual shift from Rick being a drunk asshole who is incapable of creating any real attachments because there are infinite versions of everyone (except for the one person he most cares about) to someone who is less drunk, ever so slightly less of an asshole, but a little more willing to open his heart to the version of his family he has chosen to live with. Unmortricken closed the chapter on Rick’s life purpose of getting revenge on Rick Prime and now with Fear No Mort we see Rick resist the temptation of clinging to the past and choose the grandson living in the present. The finale doesn’t give us much to chew on in regards to what is in store next for Rick, but in some way, I think the show is taking a bit of a pause on Rick as it shifts to Morty.
As the twist reveals, this episode focused exclusively on Morty’s psyche and his recognition and fear of his codependency with Rick. I recommend if you haven’t, to rewatch the episode a second time with this knowledge in tow. What sticks out to me is the antagonist relationship he has with Diane. They never speak to or acknowledge each other. I don’t think she even makes eye contact with him and in the scene at the school play, Diane belittles him and delivers an ultimatum to Rick. Choose her or choose Morty. Maybe the show wants us to take this literally, and it is really Diane he resents and that Rick will never choose the family in the present. Rick will never choose Morty. In my mind, I have a more metaphorical interpretation. I think Diane is symbolic of a future Rick that is, at last, happy and mentally healthy. Morty fears that if Rick gets better he will need his grandson less and that scares the shit out of him. He can’t imagine a life without Rick by his side, even envisioning a future where Rick follows him into adulthood, de-aging himself so he’s around forever. Both interpretations work and they both reveal the incredibly unhealthy mindset that Morty harbors.
We see a sort of ships passing in the night as Morty accepts that Rick will never see him as irreplaceable and he should just rely on himself at the same time Rick is finally ready to claim this Morty and only this Morty as his grandson and a legitimate part of his family on equal footing as Diane and Beth C-137.
The finale doesn’t give us much insight into what we might focus on in season 8, but I suspect it might be more Morty-focused. We have seen Morty start to develop some independence in the past, but it would be nice to see Morty develop an identity outside of Rick while also learning that Rick truly sees him as part of his family.
Also, the boy desperately needs some friends his age.
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kinda-indecisive · 6 days
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I just don't understand why people who already hated the original story of Hades and Persephone even bothered reading a retelling of it in the first place...
Of course there is an age gap...
Of course the main characters are bougie, rich, and disconnected from the problems of piddly little mortals...
Of course Hades is a dry, grumpy, depressed, jerk before meeting Persephone...
Of course Persephone has anger issues and of course Hades is going to let her do as she damn well pleases in the realm he made her the queen of...
All of the gods in the original myths were flawed and, ironically, extremely human. To insist the characters in the retelling be anything otherwise is bizarre.
And yeah, some of the other Deities got screwed over in this one. But was there not supposed to be any antagonists?? And for me, in a society that tends to turn Zeus into the Christian idea of God (but with a lightning bolt!) and Hades into the Christian idea of the Devil, I was happy to see different Deities in a different light.
Lore Olympus was originally intended to be a Super Soapy Soap Opera, and that was perfectly okay. The Gods are perfect fodder for that kind of story. And I still think Rachel was goaded into turning it into a think piece. And then when the think piece wasn't as deep as people wanted, they turned into an angry hoard on tumblr, reddit, etc., completely swarming the story's tags with negativity (there is a difference between genuine criticism and simply being nitpicky).
I genuinely beg y'all to create your own retelling. Or write a fanfic that fixes everything you don't like! One, because it's not as easy as you think to write and draw a story on a deadline all while keeping everyone happy. And two because, hey, I'm excited for any content about the Greek Gods! If you think you can do better, give it a shot! And if it's good, I'll happily admit it. I might even become your number-one fan lol
I dunno. I'm just extremely sad that I couldn't even fully enjoy the ending of a series that really meant a lot to me because I knew before it even came that people were going to tear it to pieces...
And I don't want to block the "lore olympus criticism" tags because I'm not anti-criticism and some people have genuine points; there is a list of things I wish were included in the story and there are things that I didn't particularly love.
But dang... some of y'all are vicious. It kinda feels like y'all enjoy making fans of the series feel like idiots...
A bunch of Anton Ego's from Ratatouille lol
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