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#I feel like my takes are pretty basic especially this part feels a bit pretentious but I had fun
hexiquin · 6 months
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Sano & Haru:Chronically Connected
THE END...FOR NOW!!!!
We reached the end my fellow yohaji enjoyers~ Hope you all enjoyed my ramblings about my favorite duo.
(Chapter 83-92)
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☆Chapter 83。.。:+* ゚ ゜゚ *+:。.。:+* ゚ ゜゚ *+:。.。.。:+*゚
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Throughout this whole chapter Sano shows that he will the first one to run after Haru. When haru runs towards the shrine he doesn't stop to wonder what is going on. Choosing to go after him and be the first to be there.
When Haru gets his soul taken, he was the first one to snap out of his shock to try to get his soul back. And in turn this gets the rest of the students to instantly kick into gear and follow his lead.
When Haru's body falls, he goes after it, again all instinct and no plan. He even seemingly turns their bodies so that he would take the bulk of the impact.
☆Chapter 84。.。:+* ゚ ゜゚ *+:。.。:+* ゚ ゜゚ *+:。.。.。:+*゚
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Sano, desperately trying to get keep Haru's soul safe accidentally has his powers get of control and her shatters his soul. You can see the boy trying his best to keep his seimei-sensei safe. And when you see his face after and see how devastated he is you can tell how far we've come.
Old Sano would feel horrible about hurting someone this bad with his powers, but current Sano feels even more horrible that it is someone who he so obviously cares about. Someone he was will to sacrifice his own wellbeing for, being hurt by him.
(Side note-it was really heart warming to see even students who don't get as much time to show their relationship with Haru still show that they love this man, such found family vibes!)
☆Chapter 87。.。:+* ゚ ゜゚ *+:。.。:+* ゚ ゜゚ *+:。.。.。:+*゚
And now for the Haru version of "tragic moment in this relationship during this arc".
Haru, currently in a state where he only has his physical capabilities and his desires, as soon as he see Sano clings to him. He stays clinging to him this chapter and it's very cute. But also it's kinda sad, even with no responses, no memories, not even his intellect/powers to protect him, he still tries to be there for Sano, he kept his promise that he offered him when Sano admitted to being a god. Haru tries to give him his same comforting aura that he use to have.
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In this dulled state he even does what Sano has been doing for him just a couple chapters ago, and tries to take a hit for Sano's wellbeing. He is practically a walking doll with an antenna that responds to sailor uniforms, yet he still chooses to sacrifice himself for the first person to know his secret in the class, someone who doesn't treat him like he needs to be babied, someone who has grown with him to be a better version of themselves.
A person who is closer to being his first, though reluctant and annoyed by the notion, friend at the school.
☆Chapter 90。.。:+* ゚ ゜゚ *+:。.。:+* ゚ ゜゚ *+:。.。.。:+*゚
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Another moment were Sano puts himself down but now it's for his inability to properly control his powers. He talks about how he doesn't have faith in his misfortune powers not backfiring and landing on his target.
But, just like when he was lamenting for being an outcast, Haru steps in to comfort Sano again. Haru, the one who has shown that he trusts and knows the true potential of Sano, tells him simply that he believes him. Haru effortlessly gives Sano the same ease that got him out of all his previous "bad feelings spirals". He so genuinely and enthusiastically cheers and reminds Sano that he know he can do it.
☆Chapter 92。.。:+* ゚ ゜゚ *+:。.。:+* ゚ ゜゚ *+:。.。.。:+*゚
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And now its Haru's turn to have a lowest point. Faced with patching up a hole in an ancient barrier, he gets overwhelmed about how he can quickly fix the problem.
And sano quickly asserts that Haru can do. He chooses to pay Haru back for continuing believing in him. He knows Haru can do it.
And this really shows how well the two know each other. When Haru was cheering on Sano, he was doing a very passionate cheer, constantly showing full support and belief in Sano.
But with Sano cheering on Haru, he knows how to motivate him and keep his mind on track. He treats him like an adult who just needs to be reminded a bit.
They both know the best ways to help the other in these moments. And really that just shows the natural evolution of this relationship that you can see naturally growing over the whole course of the manga. I may not know where they go in the future but I do know that this a bond that won't easily break!
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Finally were done!!! OMG these boys and their relationship with each other!!!!
Again hoped you enjoyed it!!!
Bye~☆
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i love this project, and i wanna do something similar with converting all my old fantasy models into genestealer cultists.
whats your process like for converting?
Why thank you!
Personally I would recommend watching Pete the Wargamer's content on YouTube. Whilst I've enjoyed Warhammer since the 90s, watching him recently was what fuelled my resurgence, and his conversion videos were what gave me a large amount of extra finesse in the process.
He's extremely good at illustrating exactly what and why he is doing each step of his conversions, he takes his time to explain things he might have already explained in other videos, and he has a great presentation style. I'd also recommend most of his recommendations in tools and resources too, they're pretty much what I use!
I already had a bits box with a fair amount of existing components, but the bulk of my conversion parts have actually come from eBay. You can get some extremely good bargains on parts (especially parts for less popular armes) by keeping an eye on auctions - auctions specifically, not the fixed price items, though those can be good for 3rd party printed parts to add flair. If you're converting fantasy to sci fi, much as I am doing a lot, you'll primarily need guns. Fortunately those aren't hard to come by!
For specifically Genestealer Cultists, I'd recommend actually getting one of the official boxes of said Cultists. I know it sounds counterintuitive but one box can go a LONG way, considering you'll be spreading out the Cultist parts across your existing models. I would also recommend looking on the aforementioned eBay auctions for specifically Tyranid parts - the nid box sets come with a hell of a lot of spares, and so they often get sold cheaply online, and a few talons and freaky heads can easily make something humanoid into something more sinister.
As for my process - I start by taking about 10 of my existing models (chosen in order of priority with how many of each type I have to convert left, which is why I'm always doing a lot of the LOTR ones) mostly at random. If I prioritise the models I REALLY want to convert, I'll be left with boring ones after, so I make sure to spread it out. It's good for the imagination. Then it's pretty much the following:
Soak them in isopropyl for an hour or two to weaken old paint.
Strip paint with a soft toothbrush and rinse them.
Remove mould lines and any easily removed paint remnants.
Choose parts I might want to use, think of a vibe to meet.
Dry fit together to see how parts match.
Assemble, with a lot of drilling and pinning for strength.
Fill any gaps or additional features with putty.
Undercoat
Paint
The creative process is a little harder to define because it's something that varies per person! Pretty much I either get taken by a vibe for a model that I want to fulfil - for example, I want to turn a specific guardsman into a slavering mutant because I don't like how pretentious his pose looks - or I have parts I want to use, like a specific weapon or customisation piece.
I do only choose to do this part when I have energy and am feeling creative - if I don't, I struggle, and the model ends up being bland. When I'm low energy, I chose to work on existing models, or do basic painting, something less taxing. :)
It's all for fun - I have no deadline. No required quota to meet. If I did, I wouldn't enjoy this process. I'm not trying to do this as fast as I can, I'm simply enjoying the ride. Attitude is a huge part of it!
I hope this helps a little, more questions are absolutely welcome!
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lucy90712 · 2 years
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Jack Miller- Journalist
Working for a big news company has its pros and cons because you get to meet some really great people but also it's a lot of pressure to write the best piece anyone has ever read each time which is pretty much impossible. I love my job though I really do especially after getting transferred to the sport department because the people I meet are much less pretentious than the a list celebrities I dealt with before, these people are just much more real and are always so passionate about what they do which makes writing about them so much easier. Just this week I've been put in charge of covering all news on MotoGP which is a sport I wasn't too familiar with until I did some research after finding out about my new position. We don't have many people to write about the sport it's just me so it's going to be a lot of work but I'm so excited because part of the job is travelling to all of the races for interviews and press conferences . This means that instead of spending my time going back and forth from LA then having to sit in my office for the next week and then repeating the process I get to go to different places and see new scenery and I'll be writing while I'm there which I think will drastically improve what I write and my motivation.
This weekend is my first weekend getting to go to one of the races which is in Spain at Jerez the 4th race of the season because someone else was covering the first 3 races until they sorted the new team. I'm a little nervous to be responsible for everything and to be doing this all alone especially when I don't really know what I'm doing but I have been assured that there will be someone there to guide me for the first couple of races which is easing my nerves slightly. Something that is going to take a while to get used to is my new schedule because now I travel on a Wednesday for the press day on Thursday and stay until Sunday evening or Monday morning depending on flights which leaves me to be able to work from home Monday and Tuesday before going back Wednesday, I will also be able to be at home for non race weeks and will just report on anything from there. Getting out of the big office building is like a blessing because that place was filled with miserable people who hated seeing me succeed over them even though they didn't put in half the work I did so getting out of that horrible environment I think will be good for me creatively and mentally.
~~~~~~~~~~
After waiting all week it is finally Wednesday and I get to head out to Spain and leave the drab scenes of London where I have been living for the past 4 years. My flight wasn't till the afternoon so I had time to get some more 'research' in which is basically stalking the riders Instagrams to find out little bits about them because I don't want to be that new person who is clueless about who these people are and makes things just awkward because I've been there before and it wasn't fun. By the time I was happy with what I knew it was time to leave for the airport which has become kind a monotonous task but this time it felt new and exciting even though the airport is the same as always it feels different, the feelings of the first time I travelled to LA came flooding back though my veins that pure joy of getting to do something new that you've been looking forward to which I haven't felt in a long time. Even though you couldn't see it under my mask there was a huge smile on my face which I'm pretty sure is going to stick around all weekend.
The flight was nowhere near as long as the one to America but it was just long enough for me to watch a movie and relax a little before work takes over which is more than I got before so it's already an improvement. At the airport once I landed I got a taxi to the hotel I would be staying it which luckily is very close to the circuit so I can walk there each day instead of having to try and find another way to get there. It felt so odd to not be going to the hotel I always had to stay in in LA and to see new scenery which wasn't just big highways and tall buildings, there was actually trees and big areas that didn't contain any buildings which is almost unheard of in the California city.
Once I was at the hotel I had a meeting with my manager who sent me the schedule and exactly what I was going to be doing as well as locations for everything which was useful but I know I'll still get lost at some point over the weekend. There was a lot going on in such a short amount of time but most of it is easy things where I just have to go and listen to press conferences but I do have a few interviews to do which I'm actually really looking forward to as it will be my first interaction with anyone in the paddock, although I haven't been told who the interviews are with just when and where they are.
My afternoon was completely free after that meeting so of course I had to go for a walk in the sunshine and although I had no idea where I was going I just kind of walked around wherever I felt like going and somehow ended up right by the circuit. Seeing as I was there I looked at as much as I could see from outside and from what I could see there was a whole load of trucks and people building things and just setting up, it was mesmerising seeing all of these parts go back and forth that would turn into garages that I've seen when watching the last race. Eventually I had to turn back and this time I paid more attention to where I walked so that in the morning I can remember how to get there.
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I was woken up bright and early by my alarm this morning which did make it difficult to get up at first but as soon as I remembered what today entailed a burst of energy washed over me and I suddenly had motivation to get up and get ready to I could go to the circuit and get to know my way around. Luckily we don't really have any form of uniform at work and the company is ok with us wearing most things but they do prefer when we wear a plain black which is mostly what I packed so that I don't stand out too much as I don't need any attention on me when I'm walking around aimlessly trying to find out where I need to be. Being the person doing interviews is great because you don't have to be on camera in any way which means no fancy makeup everyday and having to worry about how I look and usually I use this to my advantage and wear very minimal makeup but I really want to make a good impression seeing as it's my first day so I made sure that I looked presentable or more presentable than normal.
For it being so early it wasn't as cold outside as I thought it might have been but I guess that's what comes from living in London where it's pretty much cold year round. The walk to the circuit was actually made very pleasant because of the sun that was slowly emerging from behind the nights clouds and after yesterday there was no stress about trying to work out where I needed to go which is helping my nerves ever so slightly. When I arrived there was security who checked my ID before giving me my pass for the weekend which allowed me to enter the paddock which looked much bigger than it did yesterday despite there being more trucks around and obviously more people. Supposedly someone is meant to meet me but there is no one around other than people clearly doing their job so I guess I'm on my own.
Not having any guidance whatsoever is making me a little anxious as I have a press conference to be at in 15 minutes and for all I know it could be at the complete other side of the paddock to where I am. In my slightly panicked state my brain told me to walk round and see if I could find a sign to point me in the right direction but I just ended up back where I started now with 5 minutes until the conference. Someone must have seen the panic on my face despite the mask because a guy on a moped dressed in Ducati clothing approached me.
"You alright there you look lost" he said
"I need to be at the press conference but I don't know where it is can you point me in the right direction?" I asked desperate to get any idea of where I was going
"I was just heading there hop on the back and I'll take you" he offered
The journey wasn't long but on the way I tried my best to remember the things we went past which included other buildings I have interviews in later and over the next few days. This stranger with a very noticeable Australian accent has really helped me out which is why I thanked him about a million times on our few minute journey.
"Thank you so much..." I began to say realising names were never exchanged
"Jack" he finished
"Well thank you Jack" I said
"Glad to be of service I'm assuming your new here" he said making conversation as we walked towards the entrance of the building
"Yeah it's my first day actually" I replied
"Well welcome it's a lot of fun round here once you learn your way around" he said just before he went down a separate corridor
In the building there was signs to tell me where to go so I followed them and entered a room with a lot of chairs and other reporters as well as a stage with 6 chairs which I gathered were for the riders. No one was sat on the chairs yet so I took the opportunity to get my things ready and take a sip of water. Just as I had a mouthful of water they began to announce the riders and the mention of one name in particular almost had me spit out my water. Jack Miller. The Jack that has just dropped me off here how did I not recognise him? I guess in my flustered state my brain didn't connect the dots but now that it has I think I'm even more flustered. All I wanted for my first day was not to make a fool of myself and yet here we are and I've made myself look like an idiot in front of one of the best riders in the class. What are the chances?
After the conference I had about 20 minutes to get myself together before I had an interview. Those 20 minutes went by incredibly quickly and before I knew it a familiar face entered the room along with another man who I did recognise and Francesco Bagania. They both came and sat down across from me introducing themselves and I did the same.
"I see you found your way here alright" Jack joked while Francesco looked at him confused
"Yes I did not too difficult to walk about 5 meters in a straight line" I remarked
"Wait do you two know each other?" Francesco asked
"We met earlier it's her first day and she didn't know where the conference was being held so I gave her a ride" Jack explained
With that we got on with the interview where I tried to ask them questions that would be slightly different as well as the usual questions to make their days a bit more interesting. I had been given an hour to do the interview but it didn't take anywhere near as long so when I finished I expected them to leave and take the time to do whatever but no they both stayed where they were and talked with me and we got to know each other on a more personal level. Both of them were so sweet wanting to get to know me and how I ended up with my job which was by no means exciting but they liked hearing the story. Jack also offered to give me a bit of a tour during the lunch break which I took him up on because I definitely need it but also I'm quite enjoying spending time with him so why not spend a little more time together before he forgets that I exist and goes back to his regular life.
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All weekend most of my spare time has been spent with either just Jack or the whole Ducati team because he's asked me to, each day I see him in the morning and he will check that I'll be joining him for the lunch break and for dinner after the day is done. He's always interested in what I've been doing all day and what I'm writing and even offering me a bit more information to add to make my articles better which has been great. Of course I have met some of the other riders like Fabio Quartararo and Joan Mir who have also been very nice to me but I always look forward to seeing Jack after everything is over. I've also found myself having the sessions playing on my phone while I work because I feel the need to know how Jack is doing and whether he'll be happy with his performance or not which so far is pretty good as he qualified 3rd.
There is no media conferences or anything this morning which has meant I've been free to watch each race from a building that overlooks the start finish straight. So far the action has been great and I've really enjoyed it but now that it's time for the MotoGP race I'm a little nervous because I so want Jack to do well but there has already been some crashes in other races and people that have dropped back as they just couldn't compete which I'm hoping won't happen to Jack but it's always a possibility. I must look really weird sat on my own staring out the window nervous beyond anything while all these other people are busy typing away at their laptops, but honestly I don't really care because to me this is all part of the experience of the job and we should appreciate the sport we are here to write about and the riders we talk to just like any one else here would do.
Despite all of that I was the only person watching as the race began and throughout the entire thing to be exact, on the odd occasion I would see someone look out the window for a moment but mostly people were too absorbed in their work to care. I on the other hand was gripped especially in the last few laps as Jack was leading and I was so desperately willing the race to just end but alas it continued until every lap was over but Jack still won. The first thing I wanted to do was celebrate but seeing as it was so quiet restrained myself and decided to celebrate with Jack later as I'm going to see him after we are both done with media.
As soon as all the races ended things were manic with a million different events to talk to winners and there was so many more people around then there has been every other day making it hard to get around, my day was made easier by knowing where I was going the the quickest ways to get there which Jack had told me on our tour on Thursday. While running round like a lunatic I have seen Jack for a few seconds but only long enough to wave at each other from a distance or give a thumbs up to each other but that's what's been giving me the motivation to keep going no matter how stressful it all is.
The last thing on my schedule is a post race press conference for MotoGP which is where I'm sat waiting for the riders to come out. While sat there looking around the room where I started this weekend it's weird to think just how much has changed even over these few days, I mean it started with me incredibly lost and all in my own to knowing all the shortest routes around the place and being super close with one of the riders and spending all my spare time with him. It's crazy how complex our lives are as humans and how one small seemingly insignificant event can lead to such big changes that will have effects for months or even years.
After the conference I waited at mine and Jack's usual meeting place for just a few minutes before he came riding over on his moped and encouraged me to get on so that we could go to dinner. Often I sit on the back of the moped but today Jack scooted backwards and got me to sit in front of him meaning his arms touched my waist as he drove, it was lucky that I was sat in front of him because I was definitely blushing as over the last few days I have definitely grown feelings for Jack and although I'd never pursue them having him be so close felt nice and I felt comfortable with his touch. When we arrived at our destination Jack got off first and held out his hand to help me up and lead me inside where we got some food and sat down to catch up. Finally I was able to congratulate him on his win and then we talked a little more about the race and how he felt throughout but he was quick to move on and ask me how my day had been and how I'd managed to cope with how hectic things were.
We hung out for a long time after it had gotten dark simply just talking because there is so much we don't know about each other meaning there is a lot to talk about. The conversation was nice and I saw really enjoying myself but it quickly got to the time when I really should be heading back to the hotel as I have a flight early in the morning so need some sleep before I go. So as much as I didn't want to leave I knew I had to say goodbye to Jack and wait until the next race in two weeks to see him again.
"I'm really enjoying spending time with you but I really should be heading back to the hotel because I have a flight early in the morning" I said gathering my things
"Wait let me take you back to the hotel so you don't have to walk" he said
There was no trying to argue with him because he had already gotten up and so I followed him and we went back to the hotel together where we had to actually part ways but not before he pulled me into a hug which was very unexpected but when I realised what was happening I hugged back.
"Y/n sorry if this seems too forward but would you maybe like to go on an actual date before the next race?" He asked completely by surprise
"I would love that" I managed to say despite my surprise
"Great see you then and be ready I don't do normal dates" he warned as he walked away to head back to the circuit
Oh boy if I was excited for the next race before I'm a thousand times more excited now but also a little nervous after Jack's last statement. Overall I'm on cloud 9 that the feelings aren't just one sided and I won't have to worry about the friendship getting complicated as my feelings grow. Turns out taking this job as stressful as it seemed has turned into a pretty good career move as well as a good thing for my normal life.
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ghostietea · 3 years
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Furuba autistic headcanons
With it being April, or autism acceptance month, I wanted to finally drop my list of characters from Fruits Basket that I read as autistic! This is based a lot on my own experience, as well as that of other autistics I know or have seen talk online. I hope some people can get something out of it, feel free to tell me what you think 😊, though please refrain from getting upset that I would dare suggest your fave is autistic.
Hanajima
Before becoming able to better control her powers, she would be constantly overwhelmed by the things she heard to the point that she couldn't even really go out in public. This reads a lot like sensory overload.
Constantly picked on in school because other kids thought she was weird. Eventually reclaimed this weirdness and turned it into a whole persona.
Seems to talk usually in a relatively flat tone.
Had trouble socializing with no friends outside her family until middleschool.
Has a very funny, dry sense of humor that I find very similar to a bunch of autistics I know, including myself.
Hatsuharu
Listen. You have seen the funky little man, you have seen the way he talks, the way he acts around others. He is, and I mean this in the best way, a weirdo. I do not know how you could look at him and see a neurotypical.
Once again, like Hana, Haru is funny in a way that feels very autistic.
Very flat, dry, tone delivery. Sometimes just Says Things that make everyone else go huh??? Suuuuper blunt. Doesn't emote facially a lot of the time.
When this man sees a social norm he doesn't get he WILL NOT follow it. Pierces his ears just because his hair got flak, defends Momiji wearing whatever he wants because sometimes y'know the social rules are just dumb and don't make sense. Especially dress codes.
Sometimes says things not befitting the current tone of the situation.
Represses (masks) a lot of his emotions, leading to outbursts that seem uncharacteristic.
His main childhood trauma revolves around adults branding him as "dumb" and ridiculing him. Haru, however, is super smart and wise!! Just in an offbeat way that not everyone may get.
Machi
Reads as very "flat" emotionally to the point that others would call her boring. Also has a flat vocal delivery.
Relies on specific habits or ways of doing things or else she gets super upset (her hatred of imperfection.
Has trauma surrounding adults completely misconstruing her intentions and thinking she's doing something malicious when she's not.
Generally behaves in a way that's hard for others to understand, one of her formative moments with Yuki was him saying he wanted to "see how the world looks" through her eyes.
Once again, trouble socializing.
Tries super hard to please her parents but in the end they still see her as somehow inherently "defective."
Listen. A lot of this one and the last two are mostly vibes, hard to verbally define. You just have to look at them and trust me.
Tohru
Displays behavior very reminiscent of masking throughout the story, a huge part of her arc is about how she hides a lot of herself and has a very controlled persona. I think it would fit very well if she had other autistic behaviors that she suppresed also it helps explain why she is relatively socially adept, it's learned behavior to make people like her more.
Yes she is very good at saying what others need to hear, but especially early on she is pretty blatantly imitating her mother's words. She only gets better at getting through on a more personal level later on (see her with Rin and Akito v. early series Tohru). She does this by relating her own experiences, a very autistic way of showing empathy that often gets us written off as self centered. The way she relays things her mom said could also be seen as this, and she even worries at a few points that she's being insensitive for going on about things like that.
While emotionally repressed she is hyper empathetic and feels other's emotions so strongly she cries.
Her speech patterns are all imitated from her father and she often copies verbal things from others (see Ritchan-san). Noted in canon that people think her way of speaking is slightly off/not befitting of someone her age. Additionally, her father was polite more sarcastically, while she plays it straight and sometimes takes things very literally or fails to get the message, indicating trouble with reading tone. Has numerous strange verbal tics, including saying parts of her internal monologue out loud without context.
Very expressive with her hands including waving them around and flapping them up and down.
Does have a bit of trouble with accidental insensitivity in social interactions, like how she constantly fixates on her mom and realizes that might bug the Sohma.
Has trouble paying attention in school since it doesn't have much to do with her interests
Her only friend until she was a middle schooler was her mom
Has a pretty unique outlook on things compared to others, people seem to think she's pretty eccentric. There's always a "this girl is nice but in an odd way, she's our weirdo and we love her" vibe.
Sometimes has an "inappropriate" emotional response to situations
Has a lot of trouble with change, similar to Akito. Which oh, look at the time, next hc coming up.
But first, a disclaimer. It is cathartic for me to read Akito this way, but with that reading comes the baggage that she would, mayhaps, be showing a more negative side of things... It doesn't bother me since it's a joint hc with other characters and she does develop at the end but yeah, general villain hc baggage. This is in no way me trying to excuse her being The Worst being autistic doesn't absolve you of being able to do wrong . Also, a lot of these points can and do have other explanations related to her upbringing, but things can be for more than 1 reason. With that said, she really strongly comes off as autistic to me, in a way that's sorta hard to explain. I wrote a lot more for her than the other, both because I felt I needed more to convince people and that this headcanon was more sensitive and I needed to be careful in my explanation. Also hey! She's my special interest within a special interest.
Akito
Shown to have a dislike of summer weather due to heat and brightness, could be due to sensory issues in tandem with sickness things. Also covers her ears when people raise their voice sometimes which is partially her trying to shut down opposition but also 🤔 can read a different way. She'd also avoids louder Juuni like Ritsu and Ayame because she can't handle them.
Wears pretty much the same outfit every single day. Said outfit is also pretty loose fitting.
Always seen sitting in a pretty unconventional way. Evidence:
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Of course this is also the isolated in a cult thing and there is a level of her purposefully doing things to intimidate but: doesn't follow a lot of social rules (overly touchy with strangers, legit doesn't get that what she's doing is wrong, ect.). Repeatedly confused when people indicate she should act otherwise without explanation. Has a breakdown when this comes to a head and approximately says that "they" shouldn't expect her to know "common sense" if "they" never explained it to her, that the way that she was was her "common sense."
Often talks in a way uncharacteristic of her age when shown as a child in a more faux mature/pretentious way. Might just be the translation and idk how to explain it but her speech as an adult also seems off from what one would normally use in conversation. Additionally, when she tries to fake being friendly in her intro chapter, it comes of as extremely stiff and unconvincing.
Generally displays behavior that could be thought of as childish as an adult, but a lot of this behavior could also read as autistic (covering ears, emotional deregulation and meltdowns, ignorance of basic social norms, ect.). It's also important to note that she knows that this behavior makes her seem younger and more helpless to the older zodiac and uses it as a manipulation tactic. Has issues regarding people treating her like a child or only hanging out with her because of pity. While she does weaponize it, we can tell that this grates on her, as seen with her finally blowing up on Kureno, which is partially triggered by the maids saying some sorta infantalizing stuff about her. Irl, a lot of autistic adults and teens struggle with being infantalized for our behavior generally or treated as little babies that can do no wrong. Even in fandom, you see people doing stuff like jumping to call autistic adult characters, such as Entrapta from Shera, "minor coded." It is also common for us to have at least one bad experience with someone hanging around us out of pity. This is something that really gave me a similar feeling in Akito's arc. She's not a baby and she can understand and do better if she is given the chance to learn and break from all the freaky cult indoctrination she's been subjected to instead of just being constantly enabled. In the end, a lot of her growth is represented by her showing that she is capable of changing and being independent.
Shows particular difficulty with socialization, often sits by herself spacing out at social events. A lot of her fear is rooted in the fact that she doesn't know how normal relationships work, becoming overly reliant on the curse because she doesn't know how to make friends.
Clings desperately onto the notion of being "special" and in some way superior to others to be worthy and to make up for perceived inherent "flaws." It's the nd gifted kid burnout vibes for me.
Easily bothered by things that don't bother others. Feels emotions very strongly to the point of getting physically ill and has bad emotional regulation.
Relatively good at reading others in an analytical sense (though has more trouble when it comes to seeing how they feel about her since she's wildly delusional) but brings up her observations in a very cold, detached way and hurts people even on the rare occasion she didn't mean to. Has extreme trouble connecting to others and understanding their point of view. This makes her come off as pretty unempathetic even though that might not fully be the case. Also thinks that people like Momiji are trying to look down on her when they try to empathize with her. A lot of why Tohru can get through to her is that she manages to convince Akito that she's not condescending by relating shared traits and experiences. As I said earlier, autistics often empathize by sharing their own experiences with someone, and I know I often have an easier time confiding in other autistics because of a fear of being seen as lesser by those that don't understand me. I think the connection between these charachters and the way that Tohru manages to reach Akito like that while others couldn't makes a lot of sense through an autistic lense!
Additionally, when Akito herself gets around to trying to help others instead of just projecting trauma, she tries to reach out to the old maid by relating back to her own experiences. This however, doesn't work.
Has "cold" emotional reactions sometimes even to things that do make her upset. For example, how sort of calm and detached she acted after her father's death can make her seem uncaring. However, we know that this event did mess her up a lot and she is still (poorly) dealing with a lot of grief from the death of her father years later.
Copies mannerisms from others, the most blatant example is with Ren, who she directly parrots lines from as a child to Yuki.
Partly just her posturing, but gestures a lot with her hands when she talks. Also seen several times clutching her hands in her hair.
Deals extremely poorly with the idea of things changing to the point that it is a driving force of the story.
Does not understand when people tease her.
Ect. Ect. Ect. Listen, I could go on for ages but just trust me, the mean gremlin lady is autistic.
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ineffablebooklover · 3 years
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Oh goodness, I'm terrible at writing prompts, hmm......
Are you familiar with D&D/Pathfinder/tabletop RPG's in general? I'd love to see The Crows rolling up characters and playing a one-shot. I can't decide if I'd rather Kaz or Jesper be the GM. Both sound horribly great. 😆
Otherwise, in a very un-original but beloved AU, I'd love to see HP Drarry and Romione + SoC Kanej, Wesper, and Helnik in some kind of Coffee Shop setting (I owned my own shop for the better part of a decade, so I love those).
And Matthias always being alive, please, if you do either of these. ;)
And I don't care about fic length; whatever you feel inspired to do!
💜
The Crow Cafe Coffee Shop AU~ with the Crows, Ronmione, and Drarry
authors note: I got a bit carried away with the idea, and I added some plot. There’s going to be multiple parts to this (yay!) so I guess keep in tune!
Part 1. Kaz’s Crow Cafe
There is a cafe, down some streets in Downtown Ketterdam’s Stave, run by a boy and his friends. There, you can find stories, romance, and most importantly, a decent cup of coffee.
“Not for my coffee, you podge,” Kaz scoffed, slapping away Jesper’s offer of sugar with a glove-clad hand. “I’m just saying sugar prices are getting higher. We need to compensate for this fact.”
Kaz waited for questions, looking around the table. No one said anything. Kaz looked directly at Jesper, who sighed, taking back the sugar and dumping it in his own coffee.
“And how do you want us to do that?”
It was a chilly Saturday morning in early-September, and Kaz was giving his Saturday morning pre-opening briefing.
“Kaz, people come here for the low coffee prices. We can’t hike the prices really high,” Inej added. Jesper nodded, grabbing another packet of sugar.
Kaz sighed. “I know. I’m working on it. Just thought I’d let you two know.”
“Don't mind if I do,” Jesper cut in, pouring the sugar in his overly-caffeinated drink, “but shouldn’t good old Mr. Haskell be thinking about this instead of us?”
Kaz sipped his coffee, shrugging. “‘Old Mr. Haskell’, as you say Jesper, is old and inert.” Kaz sent a glance Inej’s way. “He won’t be doing much about it.”
Jesper just chugged his coffee, bouncing up and ready to start the day.
“Jesper, was it wise to take in that much sugar and caffeine?” Inej inquired as Jesper bounced around the shop.
“Probably, not,” Jesper grinned, flipping the sign to ‘Open’ as a few early-risers started to form a line in front of the Cafe.
A girl with tied back light brown hair entered the cafe first, a stack of textbooks and notebooks in her arms. She ordered a coffee and a pastry, and started working at a table.
She was followed by a tall, burly, blond male who Kaz was sure he’d seen before. Trailing him was Nina, a girl Kaz knew from previous jobs he had done with her to help keep up the profits. Next to the composed blond dude, Nina looked dead tired.
“Why do we even have to get up this early?” Nina whined.
“I have to do things later today and Sunday, this is a good time to work on the project,” the blond replied.
Nina groaned. “Good for you. I was going to get my beauty sleep.”
“Well you get to have a beautiful coffee instead,” Jesper said cheerfully. “Good morning, Nina! What will it be for you and your…” Jesper looked the blonde up and down. “...this hunk of a man, here?”
Nina smirked tiredly. “Yeah, that’s my hunk of a man to you,” she pointed a lazy finger at Jesper.
The blond huffed. “So impudent and improper. My name is Matthias. I will have a black coffee.”
Jesper typed it into his screen quickly. “And no cream, no sugar, nothing sweet?”
Matthias shook his head.
“Anyways, I’ll have a mocha, like 10 shots of coffee and lots of creamer,” Nina cut in.
Jespers slender fingers flew across the board. “Okay so that’s one coffee as bitter as Kaz’s soul, and a mocha with 4 shots of espresso and half of it basically milk. Is that all for today?”
Nina scanned the pastry rack and ordered two chocolate chip muffins. The two sat down, getting stuff out for a project.
Meanwhile, Inej bounced around in her athletic wear, preparing coffees. She finished one for the girl named Hermione, grabbed the apple strudel she wanted, and headed over.
“Hermione?”
Hermione turned, and greeted Inej with a smile. “Thank you. I’ll take those.”
Inej noticed the bigger table Hermione had chosen, and tilted her head. “Are you waiting for someone?”
Hermione nodded. “Yes, my friends. They’re supposed to be here in about an hour, I’m just catching up on studying before they come. Is that alright with…” Hermione stared into the distance, where Kaz stood ominously staring at Inej.
“Oh he… he’s alright.,” Inej lifted a hand to wave at Kaz, who noticed and looked away. “That’s Kaz for you,” she mumbled under her breath.
“Pardon?” Hermione asked.
Inej just laughed nervously, brushing it off. “Enjoy your breakfast!” Inej went back to making coffee behind the counter watching Jesper chat up customers left and right. Inej was glad for his enthusiasm so early in the morning, she never liked taking Saturday morning shifts at 6AM, especially if they had meetings at 5:45.
“How’s it going Jesper?” Inej asked while preparing another cup. Jesper nearly jumped out of his skin.
“Holy- oh Inej. Oh Inej don’t sneak up on me like that. Besides that, I’m doing fine!”
Inej nodded and disappeared behind towers of cups and spouts of coffee. She prepared Nina’s things and brought it over. The two seemed to be arguing.
“I’m just saying- ooh, food!” Nina gasped, sitting up straight for the first time that morning. Inej smiled, placing the coffee and muffins down on the table. Matthias just watched her, arms crossed.
“Enjoy the food,” Inej smiled, then went back to the counter.
Kaz watched her silently from the side, then, noticing the line, straightened his gloves and walked over to help make coffee. They went through orders silently, Inej doing all of the walking, but they enjoyed each other's company. Inej and Kaz would work on an order or two, Kaz would place his finished ones on a counter for Inej to take. While Inej was gone, Kaz would get started on the next thing, and so on.
Eventually, Kaz went into the back and disappeared for a while, leaving Inej with the coffee work.
By this time, Hermione’s friends had come, and their study group looked like they were having a great time, though only ⅓ of them seemed to actually be doing any studying.
By 8, Inej and Jesper switched spots. Inej found that Jesper still loved people-watching, even behind the counter. Or... was he looking for someone?
Her suspicions were correct when a boy walked in, with ruddy, orange-brown curls. Jesper leaned into her, pointing him out. “I think he’s starting to be a consistent customer. At least on weekends. Have you seen him around school?”
Inej had in fact seen him around school. His name was Wylan and he was in Kaz’s math class, and in her Art and Gym class. During lunch, he was usually just drawing something or doing math homework by himself.
Inej nodded, then went back to a customer, leaving Jesper to speculate by himself.
When the boy with golden-brown curls stepped up, she asked what he wanted.
He looked up at the board for less than a second, then back to Inej. “I’ll have an iced coffee. With the cream.” Inej nodded and punched it into the computer.
“Your name?” She asked.
“Wylan,” Wylan smiled. Inej pretended to punch it in as if she hadn’t already.
“And… if you want, the Crow Cafe is thinking of starting a sort of rewards club for regular members. There’s more info up on the board, but all we need is your number,” Inej added effortlessly.
Wylan looked up at the board and back to Inej. “Uh… sure,” he said tentatively. He gave her his number and she pretended to type it in, instead writing it down on a piece of paper after he left the counter. She then looked up at the board to confirm her suspicions. There was nothing about a rewards club. So he can’t read, and yet he still pretends…
She tucked that information away, smirking as she slid the paper into Jesper’s back pocket.
Everything was going pretty smoothly (besides Nina and Matthias’ constant bickering) until the door opened and in walked the most pretentiously blond man Inej and seen, with an even blonder son.
_end of part 1_ thanks for reading, and for the commission!
next commission: Sleeping Beauty AU :)
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comradesummers · 3 years
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Top 5 books or anything I should read
Hi, thanks for asking!
I’m an English major, so I can’t remember the last time I read a book that wasn’t for class. But I’ll try to recall what it was like to read books solely for pleasure. Also, I’m not going to be ranking the books because I don’t want to and I’m going to have 6 books instead of 5 because I feel like it. (Fair warning: I could write a lengthy content warning for every single one of these books, so if you’re worried about that sort of thing, I do recommend you look them up before you read them. You’re also welcome to ask me about it.)
Catch 22 by Joseph Heller
So this book was extremely written by a white guy in the 60′s. It’s the kind of novel that galaxy brain dudebros are constantly recommending to their girlfriends. But given that I put a David Foster Wallace book on this list, I might just have to accept that I’m a galaxy brain dudebro at heart.
Anyway, this novel is a brilliant deconstruction of the absurdity and tragedy of war and capitalism. It’s hilarious, clever and heartbreaking. I think a lot of authors do the non-chronological timelilne thing just to seem more interesting than they actually are, but in Catch-22, the non-linear timeline is used perfectly. The narrative works on an emotional level (even if it’s a bit confusing on the linear level) so that a lot of plot points that are initially presented as funny and absurd become such emotional gut punches later. For a book that’s known for being so clever and above it all, it is also unabashedly emotional and Heller truly cares about his characters in a way that very few satirists do. It’s a book that will make you laugh and cry and care a whole lot more than you were expecting to.
The Ocean at the End of the Lane by Neil Gaiman
So this is kind of a weird one for me. It’s really short, more like a novella than a novel, which isn’t usually my thing. Also, the characters aren’t really characters, they’re archetypes (which is done on purpose, because that’s how a lot of short stories work, but I know that’s a turn-off for some people). I’m also not a huge horror fan and this is one of Gaiman’s more horror-y outings. So why do I love it so much? Well, it’s basically Childhood Trauma, the book, and it does that really really well. Like, through it’s archetypes and its horror tropes and its general use of shorthand, it captures this really specific atmosphere of nostalgia and fear. It’s like one short but perfectly constructed dose of pain and catharsis and it achieves that through restraint. It’s a brilliant little piece and I love it a whole lot.
Beloved by Toni Morrison
So, if it’s not clear by now, I love me some good emotional storytelling and there’s no genre more beholden to emotion than the gothic novel. And, with all due respect (and love) to the Bronte sisters, Beloved is the best gothic novel of all time. I’m honestly struggling to explain why it’s so good. Partially because everyone already knows its good. I mean, it’s a classic for a reason. But partially because talking about this book and its contents is really difficult. This is the saddest book I’ve ever read. There’s no other book that destroyed me quite as much as this one. I’ll probably never reread it because it was so hard to get through the first time. Morrison’s prose truly takes you to the depths of the pain of her characters. It presents the horrors of slavery mostly through the trauma of the aftermath and it does so with such care and brilliance. This book is truly a masterpiece and if anything on this list is required reading, especially for my fellow clueless white people, it’s this one.
Brief Interviews With Hideous Men by David Foster Wallace
I was considering leaving this one off the list, just because I was embarassed to admit that I’m the kind of person who likes David Foster Wallace. I mean, I might as well start vaping and mansplaining while I’m at it. But I decided to be honest instead, so here we are.
Anyway, I was never able to get through DFW’s headier stuff. Like I really did try to read Infinite Jest, but I could not get through it. But Brief Interviews is a short story collection, which is great, because if DFW gets too far up his own ass in one of the stories, you can just skip to another one. And to be honest, I do think there are some shitty stories in this one (wtf is that Tri-Stan shit David?). But the ones that work? Holy shit do they work. I’m not even remotely kidding when I say that The Depressed Person is what finally convinced me to go to therapy. Like I read it and I realized that if I related to the character that much, I really did need help. It’s such a good story and if you don’t want to read the whole book, at least read that one. Personally, I think it’s the best thing DFW has ever written. And the interviews themselves are almost as brilliant. Like, I know that DFW is most well known for his post-modern experimental style and his weird obsession with tennis, but honestly, I think he’s at his best when he writes character studies. He’s really good at creating uniquely shitty human beings and then truly getting to the core of why they are that way. And Brief Interviews is the crowning achievement of that.
Go Tell It on the Mountain by James Baldwin
So James Baldwin is a genius, obviously, and there are plently of novels of his I could have chosen for this list. I went with this one because I love books that follow multiple generations of one family, and this book is easily the best version of that that I’ve ever read. It’s a novel about the cycle of abuse, religion, racism, segregation, poverty, police brutality, coming-of-age and sexuality. And even though the book is pretty short, it covers all of these themes brilliantly and thoughtfully and with such love and care. It’s also semi-autobiographical, which is probably why it feels so personal and gut-wrenching. Objectively, it’s probably the best book on this list. It truly is a masterpiece from beginning to end. Also, no offense to Umberto Eco, but it has the best religion based hallucination/vision from God (depending on how you choose to read the scene) scene in any book ever.
The Amazing Adventures of Kavalier and Clay by Michael Chabon
So I know I said I wouldn’t rank anything, but this is probably my favorite book ever. The best way I can think to convey my love for it is to tell you that I’ve associated it with an unrelated song (The Only Living Boy in New York) and there are few things I care about more in the world than making sure that that song will be used in one particular scene in the inevitable TV adaptation, even though I know that’s never going to happen because it would be a completely anachronistic song choice.
It’s hard for me to describe why I love this book so much. Part of it comes down to a really specific personal connection. My grandpa, like Joe, escaped the Holocaust and went to New York and had a really close relationship with a distant cousin of his because the Nazis had killed most of his extended family. So yeah, as a Jew, this book hits pretty hard. But also, as is probably pretty apparent by now, I love pretentious prose that uses way too many big words. I also love emotional and thematic stortytelling and oh boy does this book have that in spades. And the character work is so gorgeous and I care about these people’s relationships so much and the comic book sequences recapture the feeling of golden age comic books so perfectly and god I love it so fucking much.
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irkimatsu · 3 years
Text
Okay, after way too much delay - it's my Eurovision 2021 Final Ranking! This took me a while for a lot of factors - took extra hours at work to make sure I could get time off this week, some recent family events... and most relevantly, the fact that this year is so damn good that no matter what, I knew someone was going to get ripped off by ending up somewhere in the bottom half. Just know that being toward the bottom of the list doesn't necessarily mean I dislike it, especially this year - it just means I like other things more. This year is going to be an absolute bloodbath. I am both excited and terrified.
Try not to take my ranking too seriously, by the way - I'm an American who unironically listens to stuff like Scooch and Dolly Style. I'm not exactly a seasoned music critic. I just know what sort of music makes the happiness center of my brain light up, what the hell is music theory
Ranking made with the sorter at http://esc.gerbear.com/sorter2021.htm, then slightly adjusted when it put some songs concerningly low on the list. Okay, so I cheated a little
Firstly, in the interest in completion - if Belarus didn't get disqualified, they'd be in the big fat 40 rank, with a big bold "Hate" right above. Fuck that song. I've only listened to it once and am so glad I have no obligation to acknowledge it any further. Those fucking lyrics. Mother of Christ. Fuck you guys.
I also offer my condolences to Armenia for their having to bow out this year. I'm sure whatever you guys sent, it couldn't have possibly been worse than "Chains On You".
Now, for the songs that actually matter:
Indifferent:
39 – Spain - “Voy a quedarme” by Blas Cantó: Welp, already I’m gonna get shot. I can’t remember how this song sounds at all. I know it’s tender and genuine and sweet and everything… I just… kinda don’t care. Nothing to say. I liked his entry last year even more, and even that was pretty damn dull. Just not destined to be a Blas Cantó fan, I guess!
38 - North Macedonia – “Here I Stand” by Vasil: I’m with most other rankings I’ve seen; what the hell is this? I at least kinda remember it, which is more than I can say for poor Spain, but oh my god it’s so boring. I really liked “You” last year! What the hell happened, Vasil?
37 – Albania - “Karma” by Anxhela Peristeri: Another “oops” from me, huh. It’s another one I immediately forget about the instant it ends. I at least don’t remember it boring the crap out of me, hence it placing higher than Spain and Macedonia, but I still can’t say anything nice about it – or anything at all, really – so I’ll leave it this low. I acknowledge that I’m in the minority, I won’t protest if it qualifies, but personally, it’s not my pick.
36 – Georgia – “You” by Tornike Kipiani: Give him points for passion, I suppose! At least I’m not laughing at him like I was last year. On the other hand, less ridiculous also means more boring. Points for earnestness, but this is just another song that goes right over my head.
35 – Portugal – “Love Is On My Side” by The Black Mamba: An English song from Portugal? That’s new. Too bad it hasn’t rescued the song from the darkest depths of Boring. I will confess that I spice it up a little by associating it with Homura from Osomatsu-san, thus rescuing it from the deepest pits of my ranking list… but it’s still stuck down here. Portugal and I have never gotten along well Eurovision-wise. I’ve come to accept that.
34 – Slovenia – “Amen” by Ana Soklič: I’m gonna call this a song that I respect more than I like. She’s got a great voice, I can’t deny that… but when I’m ranking this purely based on what I’d go out of my way to listen to, this one falls flat. I warned you at the beginning that I have no taste! I’m not normally into straightforward ballads, the religious connotations are lost on me… this isn’t the song for me.
33 – Austria – “Amen” by Vincent Bueno: Back to back “Amen”s! Tip for getting me to like your Eurovision entry, apparently, is “don’t call your song Amen”. It’s a ballad, earnest and trying but overall not my type of music. I’m running out of ways to say that. Breakup song, a tad bitter, we’ve all heard this sort of song so many times before. It doesn’t stand out, and I think it’d be a waste of a spot in the final.
At least, I thought this was a breakup song when I first wrote this, but apparently it’s about the death of a loved one…? I would say that makes me hate the bitterness, but… given how I’m handling a death in my own family right now… god, I don’t know. I just can’t handle this song, not at any time but especially not now. It doesn’t even provide catharsis like a song later on in the list. It stays this low regardless of its meaning, I just don’t like it, I’m sorry, moving on.
…” 'Cause it all feels like you didn't even try to save us, all this time wasted on a lie”… ugh, my personal problems…
32 – Switzerland – “Tout l'Univers” by Gjon’s Tears: Another one I respect more than I like, and another opinion I’m gonna get my ass beaten for, I’m sure. I respect the artistry, but this is so far removed from anything I’d ever listen to on purpose. It might have landed even lower if I wasn’t afraid of pissing people off. I’ll understand if it wins, but I’ll also be hoping for most anything else.
31 – Russia – “Russian Woman” by Manizha: I don’t get it. Sometimes it’s pleasant enough to listen to, but overall I don’t get it. It’s unique, I’ll give it that! I understand why it won its national final, and why so many people enjoy it! But for me, it doesn’t quite cross that line between “interesting” and “enjoyable”. I'm not Russian - this isn't for me, and it wasn't supposed to be. Though I will confess that there may be some bias at play here. God, I miss Little Big…
Okay:
30 – Estonia – “The Lucky One” by Uku Suviste: The voice is okay, the music is okay, I like how the bitterness is handled here more than in Austria’s… but this is still as high as I can go on this one. It’s serviceable, but this year has so much better to offer.
29 – Sweden – “Voices” by Tusse: Sweden really does like sending the same song over and over again, huh? I don’t hate it, but it does strike me as a lesser “Too Late For Love”, sound wise. Sweden almost never takes risks, and it’s causing me to look over them more and more with every year. I respect it too much to put it in the “Indifferent” category, but given how the rest of my ranking played out, this the best I can do for it. (But again, do not trust the opinions of someone who teethed on cheesy Europop and fondly remembers when Sweden was flooded with the stuff…)
28 – Belgium – “The Wrong Place” by Hooverphonic: Once again, Hooverphonic help Belgium fill the role of Eurovision’s “Most Likely To Appear In A Bond Movie” song. It’s fine. It’s a song! I don’t know what else to say about it! It does its job well enough, it’s just not really a job I care for that much.
27 – Ireland – “Maps” by Lesley Roy: It’s cute enough! A cute little radio tune. It’s no “Story Of My Life”, though. If “22” couldn’t qualify then this probably won’t, either, and I can’t say I’ll miss it all that much. Still pleasant enough when it comes up on the shuffle.
26 – Bulgaria – “Growing Up Is Getting Old” by Victoria: I admit it, this ranks as high as it does because of anime and that’s basically it. If I was still doing plain category sortings this would have landed straight in “Biased”. My favorite anime is about a bunch of 20-somethings learning that growing up sucks and trying as hard as possible to avoid it, and I first heard this song around the same time that I watched that show’s relatively melancholy season finale, so it ended up sticking with me on that note. Don’t have much to say about it musically, just that it makes me picture sextuplets crying and that’s one of my hobbies, so I’ll grant it an “Okay”. (It may also worth noting that if I heard this song before 2019, in the state my life was in before then it would have probably left me too inconsolable to listen to it more than once. Growing up is growing old indeed!
…it’s also worth noting that after I wrote this blurb, a major event happened that really enforced that growing up is getting old, so I listened to this quite a bit for a few days, among some other non-Eurovision songs. I’m probably gonna have an emotional breakdown on Thursday when this one starts. So, um, look out for that, guess. Between this one and Austria’s, I swear to god…)
25 – Italy – “Zitti e buoni” by Måneskin: I’ve been trying to get this one to rank higher, I really have, but its inability to crack the top 20 just says a lot about how damn good this year is. It sounds great, it’s very well done, and I wouldn’t hate to see it win! It’s earned its popularity. Everything holding it back in my own personal ranking is just that, personal – I do lose something when I can’t sing along or understand the lyrics, and there’s another rock song this year that I like way better. Still wishing you guys the best!
24 – Netherlands – “Birth Of A New Age” by Jeangu Macrooy: This song has a great style that I respect a lot. The message, the vibe – even if it’s not a culture I’m a part of, I feel and appreciate the hell out of it, and I really hope it does well. I don’t understand why so many people seem to think it’s not interesting! It may not be the sort of thing I’d go out of my way to listen to, but I’m glad it’s here. Catch me singing out “Yu no man broko mi” on Saturday! It’s been a while since I’ve given a shit about a host country’s entry, so I’m really glad for this one.
23 – Romania - “Amnesia” by Roxen: I’ll admit something else unpopular – I hated “Alcohol You” last year. Didn’t see what the big deal was at all. It sounded okay, I guess, but the lyrics were so pretentious and awful, and I’ve never liked the topic of “I love you even though you have no redeeming qualities whatsoever and you make me feel like shit”. But it seems like in that year, Roxen has discovered that self-love is important, actually, and it’s not worth it spending your time on some shitbag who consistently disappoints you. I appreciate it for that alone. Character growth! Plus, I feel the whole thing of “forgetting how to love yourself because everyone around you sucks”. It’s not the perfect song, not by a long shot, but it has a nice melody, and Roxen has a nice voice. It’s good to hear her using that voice on something I don’t find obnoxious.
22 – Norway – “Fallen Angel” by TIX: Okay, I’ll admit it, this is one where I watched the live video the first time I heard the song, and I was too busy laughing at his outfit to take the song seriously. Jesus Christ, dude, what the hell. Well, that’s Eurovision for you, and the more I listened to it, the more I admitted to myself that I’m a sucker for “I love you but letting you go for your own good, not sure what I ever offered you in the first place” type songs. Knowing the song is inspired by his own disability and self-loathing really twists that knife, to the point where I feel bad that I almost threw this at an anime character. I know I’m usually cold on songs that try to evoke emotions about the singer’s personal problems – Germany 2018, and this year’s Austrian entry – but this one really works for me. Only reason it’s in “Okay” tier is because of its competition – it’d rank way higher in a weaker year.
21 – France – “Voila” by Barbara Pravi: I like a good waltz, I guess! It’s a unique number, and the French language sounds nice, especially with the music. It’s yet another example of how this year is filled with so many interesting entries that I appreciate the hell out of. God bless this diverse year! (Or maybe everything just sounds so good to me because last year’s cancellation left me in withdrawal.) I expect a really nice performance for this one – this song isn’t one you can perform while just standing there, especially not during that speedup toward the end.
20 – Australia – “Technicolour” by Montaigne: That song that sounds like it’s about stripping if you don’t know that she’s saying cloaks. (Guilty as charged.) It’s catchy and fun, and I really love it when it first starts… but unfortunately, it does wear out its welcome toward the end of things. It’s a good party song, just a little repetitive. I still like it just fine, and wouldn’t mind seeing her in the final this year! Hope the performance is colorful and sparkly, it’d suit the song well
Like:
19 – Germany – “I Don’t Feel Hate” by Jendrik: I know stereotyping is bad but I was not remotely surprised to find out that Jendrik is gay. This song is pure gay sass, and god, I love every minute of it. I fully expect it to fall on its ass – this wouldn’t make it to the final if it wasn’t an automatic qualifier – but I’ll have a grand old time watching it! The sarcastic lyrics, the cheerful little ukulele, the middle finger costume… this song is a delight. Only thing that I think really brings it down is that weird spoken bit that interrupts the song. That’s so annoying, brings me right out of it. And I did purposely rank it below songs that aren’t complete shitposts. But thank you for your existence, Jendrik, your contribution to Eurovision is much appreciated.
18 – Israel – “Set Me Free” by Eden Alene: I said it this year and I’ll say it again this year, Eden Alene is a goddess of a woman. Absolutely gorgeous. Appreciation for pretty women aside, it’s a fun party song in a sea of fun party songs! I really do like it, I like her voice, but there’s so much else this year that drowns it out – not much stands out here compared to later entries on the list. Still a good song, though.
…and I do not expect for an instant that this is going to make it to the final. …my personal ranking is based on how the song sounds, okay? Just the song. Just the song. Nothing else. Just the song. Anyway…
17 – United Kingdom – “Embers” by James Newman: What’s this? A UK entry I don’t find bland as off-white paint? That doesn’t happen often! I didn’t like his entry last year, romantic ballad bla bla bla whee, but I’m always down for a good party song. It’s a little generic and radio friendly, sure, but that doesn’t mean it’s not fun as hell to sing along with!
16 – Greece – “Last Dance” by Stefania: I really liked last year’s “Supergirl”, but figured it didn’t have too much of a chance because it struck me as being a little too teen poppy to be taken entirely seriously. It seems like Greece thought so, too, because they’ve ramped it up with this year’s entry. They’re not playing around anymore, sending a grand, powerful song that, like “Embers”, is fun as hell to belt. This is another one I’m really looking forward to the live performance for – the music video is gorgeous, and I hope they capture that same majesty on stage!
15 – Moldova – “Sugar” by Natalia Gordienko: Oh, Moldova, I’m so glad you guys decided to be completely batshit again this year. I’ve missed your nonsense so much. Dancing ice cream cones. Cake men. This video is glorious. And the song goes well with the insanity! A catchy dance tune that can only be improved with downright insane staging. Please let the dancing ice cream cones be on stage, I’m begging you
14 – Latvia – “The Moon Is Rising” by Samanta Tina: A unique electronica number backed with a powerful as hell voice. I can see where all the wubbing would get on people’s nerves, but personally, I love it! I love the voice, I love the attitude, Samanta just oozes confidence, and if she doesn’t make it to the final it’s not gonna be because she didn’t give it her goddamn all.
13 – Poland – “The Ride” by RAFAL: Why is this one so unpopular? You people don’t know how to have fun. Yeah, yeah, last year’s “Empires” was a powerful song… but I like my club nonsense much more, so I’m favoring this one. Yet another song that gets me pumped – this whole Contest is gonna leave me with a smile on my face, there’s so much good party music
12 – Azerbaijan – “Mata Hari” by Efendi: Yeah, they’re basically just sending “Cleopatra” again, but “Cleopatra” was so goddamn good that I can’t even blame them for it. This song needed a chance to compete, and I’m glad it’s getting it again this year. I like it so much that I can even forgive the line about being a “godless”. Oh, Europop, don’t you ever change.
11 – Cyprus – “El Diablo” by Elena Tsagrinou: Huh, I didn’t know Cyprus had perfected their Lady Gaga cloning technology. Neat. More seriously, the early 2010’s club vibe of this song is exactly my jam, enough that I can forgive the “I’m in love with a horrible person” theme. (I think I forgive that theme a lot more from catchy party songs than heartfelt ballads I’m actually supposed to feel for.) Hell, I even like the creepy chanting! Sure, it’s a little cheesy, but cheese is always a good ingredient when used in moderation.
(How many songs are we going to get this year, not just in Eurovision, about wanting to fuck devils? I mean, not that I don’t get it… mmm, Akuma Ichimatsu… um. Anyway.)
10 – Czech Republic – “Omaga” by Benny Cristo: And here we enter the top ten of a strong year, where I’d love to see any of them win! Benny, what is with that title. Why. Ah well, like I said earlier, I do like moderate amounts of cheese, and this song is more than fun enough to have earned itself a ridiculous lyric or two. It’s unique, I’ll give it that! The song is just so bouncy and fun that I manage to ignore how pushy the singer is. Another one I expect big things from the staging for.
9 – Lithuania – “Discoteque” by The Roop: Ignoring the current events that surely inspired the song, I do love the more generic “party song for introverts” read on it – if only you knew how many one-person dance parties I’d had in my own house. This song speaks to me deeply. I can’t even begin to call it a joke song; I think it’s doing exactly what it set out to do, and it’s doing it oh so well. God, those synths. Totally okay with dancing alone!
8 – Iceland – “10 Years” by Daði og Gagnamagnið: I want Daði Freyr to adopt me. I don’t even care that he’s younger than me. He’s just such an earnest, fun guy, and I love his 8-bit aesthetic! And come on, he submitted a song about how much he loves his wife! If I ever stop loving this song it’s because my heart shriveled and died. Love isn’t dead, it’s just in chiptune now. I will throw things if this doesn’t make it into the final, do you all have no souls, this is too damn cute
7 – Serbia – “Loco Loco” by Hurricane: Another group I am so excited to see return, because I adored “Hasta La Vista”. I don’t know if I like this one quite as much, but it’s still catchy as hell! I love trying to sing along with it despite not knowing a word of Serbian.
6 – Croatia – “Tick-Tock” by Albina: Another catchy-ass club song! What more can I say? I love how much of this stuff we got this year. I will absolutely be screaming “Don’t go, don’t go, don’t go!” Oh god that was cheesy… I’ve been working on this ranking for too long. Don’t know what else to say about this one, just that I adore it. Just barely missed the top 5.
Love:
5 – Malta – “Je Me Casse” by Destiny: This girl’s got pipes– not surprised to hear she won the Junior contest before! I get major “Toy” vibes from this song, and you all know just how much I adored that one. Aaa, those horns! Expecting big things from you, Destiny! We may have our winner!
4 – San Marino – “Adrenalina” by Senhit – As much of a soft spot I had for last year’s “Freaky”, I don’t think it was gonna make it into the final, unless Senhit had the blessing of the same angels who were looking out for Serhat in 2019. This one, though? San Marino tasted the final two years ago and they are never giving it up again! This song goes hard! Love the song, love the video’s aesthetic, I even kinda like Flo Rida’s rap, even though I’m still baffled by the idea that I have been regularly listening to a song featuring Flo Rida on purpose. I don’t know what he’s doing here but I’m glad he is. Please, please make it to the final, San Marino! You clearly want the hell out of it this year! Favorite club song in a year of amazing club songs.
3 – Finland – “Dark Side” by Blind Channel: After spending about five seconds disappointed that Finland wouldn’t be sending Pandora this year, I gave this song a shot, and was not expecting what it gave me. I feel like an angsty middle schooler again, and it is bliss. This is everything Hatari wanted to be, but unlike Hatari who just confused me, I absolutely love the hell out of this song. …some of those lyrics, though. “27 Club, headshot, we don’t wanna grow up”? Yikes. But as dark and questionable as it might be, I can’t help but get pumped when I hear it. Definitely my favorite rock song of the year – sorry, Italy!
2 – Denmark – “Øve os på hinanden” by Fyr & Flamme: I love you, 1983. I don’t care how dated it is when my entire soul consists of a disco ball. The song’s so damn cute! This is the one member of my top 5 that I’m most terrified of losing – I know it’s not popular, with everyone calling it dated, but my top 5 always has that dated song that I love the hell out of becauseit sounds so classic. The translated lyrics are adorable, too. Even if you guys flame out in the semi, you’ll live on in the disco in my heart.
Favorite:
1 – Ukraine – “Shum” by Go_A: Holy fucking shit. There’s something about the blending of traditional and electronic that gets me hyped – see KEiiNO – and this one does not disappoint. The last minute of this is the best minute of Eurovision this year, and god, the buildup! I don’t even know Ukrainian but I am trying my damnedest to get the lyrics down, phonetically, at least. You know that “dancing goths” meme video? That’s me whenever this song comes on, especially during that speed up. Love the hell out of it. Could Ukraine be on its way to another victory already? I sure hope so, because this song fucking rules. Definitely checking out the rest of the discography someday, if all of their songs are in this folktronica style then they’ve gotta be a treat to listen to. Go Ukraine!
Ideal Qualifiers (favorite of each semi in bold):
Semi 1
Australia
Azerbaijan
Croatia
Cyprus
Israel
Lithuania
Malta
Norway
Romania
Ukraine Semi 2:
Czech Republic
Denmark
Finland
Greece
Iceland
Latvia
Moldova
Poland
San Marino
Serbia
This is definitely not what's going to happen - there is no universe where Switzerland and Sweden don't make it - but it'll be interesting to compare the reality to my hopes.
Let's go, Eurovision 2021
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atxlxs · 3 years
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Beyond The Veil: Chapter 5
The assessment test was pretty consistent.
Those that had the quirks suited for it at first glance had dominated while the rest all seemed to get variations of the same base score. Some slightly better, some slightly worse. This made it pretty easy for Muska to just, consistently get good scores.
When your quirk, *cough* and other things *cough*, essentially affects anything and everything as long as the energy itself isn’t being used by something else it becomes easy to just enhance everything.
Ball throw? More like sniper propulsion. Long jump? Ha, more like flying to the opposite side. Grip strength? She doesn’t even need to touch it. Just contract the energy surrounding the mechanism. Flexibility? She used to do ballet, like, a century ago but muscle memory counts.
She had some tests she couldn’t do well, like the endurance test. She was here to train her quirk after all. Plus the longer the tests went on the harder it was to continue. If she continued at the level she was doing, she’d have one hell of a headache. It was starting to hurt as well. Every time she tried to go over her limits, using the energy actually hurt so she’d rather avoid that.
By the end of it all, Muska had placed a solid 3rd place. Beating out Robocop and PomPom (Bakugo), looking down the list with curiosity, Muska cringed at Midoriya taking last place. The kid definitely couldn’t regulate the energy belonging to his quirk, which felt really weird whenever Muska looked into it, and had broken his finger on the ball throw. However, what she didn’t expect was the feeling of mirth coming off of Aizawa.
Wait a damn minute.
The fucker wouldn’t.
“It was a logical ruse to make you all perform at your best capabilities.”
The fucker did.
Now, even as the class started shouting once more that evening, Muska was highly focused on the man in front of her. That was a lie. He lied about it being a ruse. The energy had fluctuated just slightly when he said ruse, going from mirth to a hazy feeling. The indescribable experience one goes through when they white lie or bluff.
He was going to expel the person who came in last. Something changed that though. What the fu- Oh. Ooooh.
“...If you won’t take this seriously as the hero in training students you are…”
The bastard was judging our potential and disguised it as an assessment!
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Rat-man hadn’t given Muska a map, either expecting her to ask someone to help or look at the map and guess. She would do neither. Asking for help would warn them beforehand and she might be waved off considering it was a staff meeting. Secondly, she just doesn’t want to.
Instead of her quirk, Muska closed her eyes and felt around the harmony. Surprisingly, the school was ‘clean’ for the most part. A few dark patches here and there but nothing horrendous. That was when she noticed it. A room towards the top of the fourth tower, left side in the back away from the gate, was filled with several aged energies. One of which seemed to be escaping slowly towards something else. That was weird, but definitely where she needed to be.
It took 10 minutes of dedication to get to the tower needed, and 10 more to not stab the principal on sight after she got up the stairs and walked over to a steel door that had a key code. Disregarding the key code box since she definitely didn’t know said code, she decided that knocking in the tune to “Crab Rave” was a good alternative.
The door opened before the first verse was done to a very confused woman in spandex. Giving her a smile, it definitely had an annoyed flair to it since she could be at home and forcing Eras to be cooking right now, Muska slipped past her and into the meeting room. The Rat-man stood on the large table, surrounded by pro hero’s (based on the flashy getups…. Is that a horse gas mask?) and seemed to be in the middle of something. A beat of silence followed as Muska walked over to an empty chair near the front, it looked to be Nedzu’s but the short rat-man didn’t need it, and sat down. Pulling out her phone and starting to scroll through Tiktok. It was an old app but it stayed strong through the years and was still running.
“Uh, whatsa youngin like ya doin here?” Horse gas mask man asked. The heroes all subtly nodded along, too shocked by her nonchalant actions about crashing a very obvious faculty meeting.
Muska’a face twisted into a small frown as she turned her attention up to see the man. Aizawa, who she just now noticed was sitting at the back corner of the table, was just glaring down at Nedzu. Smart move and he was right.
“First of all, don’t call me youngin, I can guarantee I'm older than you. Second of all, ask Remy the rat here for that info.” Muska stated, about to return to her phone before perking up again and continued, “Also rat-man, if you want answered questions they better be done before 5, I have pasta being cooked by a glorified 5 star chef waiting at home.”
Several heroes choked, Aizawa hid a snort into his scarf, at her words. Nedzu, the fiend, just smiled wider.
“Of course!” The chimera chirped.
Yes chirped, maybe he had some bird DNA mixed in?
“I wouldn’t want to keep you too long! Faculty, this is Viridis Muska, Viridis, these are the pro heroes on staff that I trust to keep their mouths shut under oath of an NDA! Your guardian was kind enough to email it over to me this afternoon.”
Muska snorted at that. “Yea sounds like her.” Placing her phone face up on the table next to her, she tapped on the table expectantly as the Rat took his sign to continue.
“The most obvious question should probably be first and I know my dear staff are confused, what did you mean by you being older?”
It was an innocent question, she’ll answer it.
“Why Remy, that's cause unless Humanity has managed to surpass their expected due date of at max 120 years, then I am very much so older.”
The room was filled with confusion. It radiated off them in waves as distress rose at getting such vague answers. Aizawa in the corner sighed and snapped his gaze from the rat to her.
“I’m sure what the rat meant to ask was how old are you exactly and how did you reach that age.” Aizawa stated. Clear and concise.
“Of course, if I remember correctly I should be turning 267 this year,” she said, not pausing even when coffee was spat all over the table from a few of the people around the room, “and I was born a human, however upon entry into the veil and my chosen profession as a witch, I was changed. Reaching the height of my craft has allowed me to unlock certain aspects of my being, immortalizing my body for now. I’m still technically in my ‘teen’ years considering the average witch you’ll meet has passed a thousand years in some capacity.”
Aizawa ran a hand down his face in exasperation and a quiet mumble of “fucking problem ch- witch” escaped. A few other heroes were pale, and the spandex woman looked very intrigued. A twink with blond hair that had the weird energy actually coughed up blood. Muska’s gaze snapped to him at that. The need to heal over writing her focus for a moment before Nedzu cleared his throat for attention again.
Reluctantly she returned her gaze to the rat. If she didn’t know any better she would have thought he was undisturbed. She did, however, know better. The rat was practically vibrating where he stood in excitement.
“Viridis, do you think you could give us a basic rundown of the veil?” Nedzu quizzed, looking more and more like the sadistic researcher he was. Fuck, He's just like the elves.
Muska leaned back and sighed. She expected this and went over it with eras last night. They came up with what could, or couldn’t be talked about for the beginning until they were all deemed trustworthy.
“I can give you a short, very short compared to all the details of the veil, summary but frankly the veil doesn’t want certain info getting into certain hands.” She said, voice cold and steely. She would not be taking a no for this.
“I understand! Anything you can trust us with for now would help the mystery that has been plaguing me for years.” Nedzu said, which caused Muska to cackle a bit.
“I know, the… reps of certain races and collectives have placed bets on when and who would slip and give you the info at some point.” watching with amusement as Nedzu’s whiskers twitched, she sighed and leaned forwards. Pointing a finger at the white board behind her.
Nedzu, who of course understood exactly what that meant, nodded.
Muska stood up and grabbed three markers. One black, one green, and one red. Taking the black marker, she drew a large circle and wrote ‘The Veil’ above it. Uncapping the green marker, Muska spoke up as she marked off sections in the circle with black and labeled them in green.
“In the veil there are set collections and races. I, as a witch, belong to the group called Magia.” Magia was written in a section taking up a 5th of the circle, “It's a collective that represents those who follow magically tied professions, no matter the race you are, since once you become a part of what defines the Magia you are assigned this section. Of course like nations there is also dual representation. However, that's more complicated and this is the short version.”
A quick glance told Muska that everyone in the room was listening with rapt attention. Especially Aizawa and Nedzu, one more concealed than the other.
“Next is the elvish. Yes, elves, and yes, they are very pretentious. The younger ones are more lax and ready for mischief, but the elders tend to be stuck in their ways or research. God the research they do. They’re called the scholars of the abyss. Do you need to know something? Ask an elf. They write and read practically everything there is to write and read.” Another section gets cut off and labeled.
“Then there's the dwarves, oh and I’m listing these in population order as is the sectioning. The more people the bigger the section and so on. I’ll get to influence later. Back to dwarves. They aren’t all blacksmiths as myth leads you to believe but they do make the best weaponry and armor. You can find quite a few in engineering professions. A lot find jobs in mixology and brewing as well.” Another section. So far all are labeled with green.
“Next is the Vampires. These guys are incredibly important in the veil since they were the first members of it. Treated the closest to monsters, they had to run away from society's view earlier than loved races like elves and dwarves. Hell, even witches had some supporters when Halloween started to become a festive rather than a lore holiday. If you want to truly know about the veil? Then ask a vampire. They have every secret tucked away and safe guarded by their Origins.” Muska said, a small mischievous smirk was hidden as they faced the board. The energy shift in Nedzu told her the first time he met Eras would be cathartic considering it's her quirk registry game that led her here.
“Next is a much smaller group called the Fae. They are everything you’ve read and more. Do not engage with them until you’ve gone through Celtic mythology. You’ll become moss like that. I fuckin hate the imps sometimes.”
“In a more general group are the smallest numbers. Collectively known as the ‘inbetween’ these members range from the sirens in the waters to the spirits that haunt the earth and fuel the energy. Demons fall under here too but they rarely visit earth and always do so under contract so they don’t have much of a voice. Dragon descendants too, the last of the actual dragons died thousands of years ago but their blood lines are in half dragons. They have wings on some, horns and scales on others, but all carry the boiling blood of their predecessors.”
Muska took a deep breath after labeling one of the last spaces with green. Capping it, she uncapped the red and wrote a bold ‘FORGOTTEN’ in the smallest space. Turning around she dropped all smiles and pleasantries. Voice harsh and cold as she spoke venom with every word.
“Never, ever, look for those in the forgotten. They do not have representation but they are known and branded. A red circle with a line in the middle along with text that only certain people can read is their symbol and it's burned into their skin. The forgotten are the, essentially, criminals of the veil. The veil is filled with people of dubious legalities to humans but there is a special place to rot for those that cross veil taboos. Whether it’s a necromancer practicing on those that are alive, or a vampire who has gone blood crazy and slipped into the view of humans as food. Elves committing experimentation on live creatures for research or sirens drowning sailors into the ocean out of amusement. These are all examples of forgottens who get branded soon after they are recognized.”
The air seemed stale as Muska ran her glare over the heroes present. Even Nedzu shuddered as the energy in the room seemed to freeze and burn those that took too deep of a breath despite not actually happening.
The heroes nodded once they realized she was looking for a response and her gaze softened but still held a serious edge to it.
“The brands are placed by chosen representatives of the race where the forgotten came from. The representative is chosen by a council meeting between the heads of each race, the heads themselves are chosen by vote or position within the race and the job is carried out within 24 hours of discovery.”
Speaking of the representatives of races,
“Any questions before I head home for my fuckin pasta?”
(She just really wants her pasta)
Tags:
@baguettehead
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radramblog · 3 years
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Album Discussion: The Suburbs
Last week I felt like I didn’t have much time to pump an album review out. Was going to be in the lab all day, had work in the night, wanted to cover something quick. Then I finished really early, and had plenty of time in the afternoon to finish things off. This week I am in the same situation as far as scheduling, but someone’s bloody using equipment I need, so I’ve got a bit of extra time now. Time to talk about a >1hr 16 track record!
Also last week, I covered an album that I felt was more interesting from a meta level than it is musically. This week I’m talking about an album that I know nothing of the meta for.
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The Suburbs I was reminded of recently. Mostly because I ran into the person who bought me the CD for the first time in like a year. I understand Arcade Fire have A Reputation as far as bands go, but the thing is: I have no idea what it is. I haven’t followed them at all, I don’t know whether they’re considered good or not, I haven’t even seen any of the music videos. I have never deliberately listened to an Arcade Fire song outside of this album.
But I do like this album. So.
Okay the one thing I do know is what the album is about. It’s about growing up in the suburbs of…I think Texas somewhere. I could look this up, but I refuse. The result of this is that the whole thing is intensely nostalgic, full of reminiscence and wistfulness, childhood innocence and what growing up is like. It’s one of those, you know? That does, however, make it fairly easy to like, because I think a lot of people are nostalgic for their childhoods.
youtube
(yeah so the only music videos for this one are at the very start and very end. this is going to be a bit of a wall of words.)
This is characterised by the opening track, which is also the album’s title track: The Suburbs. It’s opening with a very folksy acoustic guitar and piano, and longing for that childhood is its modus operandi. It is, however, tinged by the anxieties of that era- growing up in the shadow of the cold war is going to leave an impact on anyone, and that cultural climate is also going to be running through the album. I think the most poignant section of the song lyrically is the start of the third verse- wishing to become a parent, so they can live vicariously through their child, show them their childhood world before the reality and the memory are completely lost. Okay that’s kinda heavy moving on- the track is pretty much built around that piano/acoustic bit, sounding relatively upbeat but coloured by these lonesome strings running through the background. It’s very effective of conveying the feeling- which is something that comes up quite a bit over the course of the album. The Suburbs is one of my favourite tracks on this album, and having it come right at the front makes it a very solid stage-setter.
Track two is Ready to Start, a faster, rockier track with this grimy bassline running through the verses contrasting the relatively bright instrumentation of the chorus. Considering the themes of the song, about working for the man, dude, and trying to escape that sort of life, it’s fairly fitting, though it’s a very different sort of nostalgia than the previous track. The instrumentation gives the whole thing this sense urgency, which is enhanced by some of the lyrics- I mean the track is called Ready to Start, isn’t it. I feel like this song would be great to try and hype yourself up for something you don’t really want to do, and I’m not sure how many songs we have specifically for that feeling.
Our next song is called Modern Man, and it feels like tumbling through a confusing life. God, I’m really getting pensive today. I feel like this is a lot because this album resonates a lot more emotionally for me than musically. I’m someone with a very weird sense of nostalgia, seeing as my childhood is pretty effectively defined into three segments, and I tend to fixate on one of them because it’s The Weird One. I’m nostalgic for high school which is when I was nostalgic for living abroad which is when I was nostalgic for when I still lived in Perth, which I do now, but I don’t know anyone from back then, so there’s a whole sense of longing, and it’s something I’ve always had, and that’s funky. And I’m still young, this isn’t going to change, it’s going to get worse, and eghhhh I’m supposed to be talking about music. I don’t really have much to say about Modern Man, I guess. It’s aight, the previous two were better, but here I am 800 words into an album discussion, and I’ve gone through all of 3 songs on a 16 track album, so maybe expect this to be a slog.
Rococo at least makes an impact real quick, with fuckin psychotic strings right at the start that’s kind of a shock to the system, especially compared to the relatively mild instrumentation the rest of the song provides. I think that’s a fairly appropriate tone for a song about looking at #thecoolkids, bemusement tinged with utter stark bewilderment. I think I’m too young to really get this, I guess. The song’s title regards an art movement that sounds extremely pretentious and fake deep, frankly, but considering the point of the song is that you don’t bloody know what Rococo means, that’s probably also fitting. I kinda wish the strings were more present throughout the song than they were, they add this existential dread to the track that I do think the later sections are missing somewhat.
Speaking of strings, Empty Room is up next, and it’s one of my favourite tracks as well. It opens with the strings but they’re fast and energetic and they’re going to blow right past you. I thought this track was in like the second half of the album, but nope, here it is. This is also where the album’s second vocalist takes the lead for a bit (she only does for like 3 scattered tracks) and she’s genuinely great here. The songs chugs like an old train, in a way that reminds me a lot of other songs; in particular, the bit between the chorus and second verse (and chorus/outro) reminds me a lot of Teach me About Dying by Holy Holy- I can’t unhear “teach me about dying, teach me about dying-dying” over that instrumental. Despite its desolate lyricism, this song’s energy is genuinely excellent, and it carries really well through the whole thing. I can’t think of a lot of songs that start on this sort of tempo and have it run the whole way through- not to keep referencing other songs, but it’s very Go with the Flow by Queens of the Stone Age. And that’s like in the top 3 QotSA songs for me, so.
It’s only just struck me how much track 6, City With no Children, reminds me of There There by Radiohead. Its mostly the percussion, I think. That’s fucking high praise, but it’s also about as far as the comparison goes. The song is pretty okay outside of that, this theme of a town left lifeless by the commercialism and capitalism of the ultra-rich and what that does to people. Maybe that’s just my reading of it, I do have a bias for this sort of thing, but I challenge you to find another one. Looking on Genius is cheating. I do like the riff the track is built around, but it gets old eventually, since it doesn’t develop at all as the track progresses- lost potential, I suppose.
The next song is the first part of the album’s first of two two-parters, Half Light I, because apparently this one is trying to be a long-running drama show now. With that said, this ballad is kinda gorgeous, and yet also kinda extremely boring? Which is a frustrating place to be, frankly. I get the feeling this is an opinion that would get me crucified, but aside from those strings what fuck, the song just isn’t doing anything for me. Maybe it’s because it’s kinda almost the halfway point and I’m just getting tired, maybe it’s just a generational and cultural divide between America/Australia and 90s-00s/00s-10s and I don’t Get It. But I’m afraid to say this one doesn’t land.
Half Light II (No Celebration), for the record, is one I enjoy much more. The instrumentation is a lot more fun, the tone is a lot more pained (and y’all know I love me some angst), as the rose-tinted lenses of the previous half are replaced by the jade of someone growing up through the GFC (and just, in general). Despite being a two-part song, the halves are very different, a deliberate dichotomy representing two facets of that same look backwards. I feel like this isn’t like other two-part songs I’ve heard before, in that you can kinda appreciate the halves separately- or, in my case, one and not the other.
Track 9, and welcome more officially to the Second Half, with Suburban War. It’s very much about reminiscing about old friends, and I think I’m going to wax personal for a bit, because I have very little to say about the song musically. I mentioned earlier that I basically don’t know anyone from back when I was a kid, and that’s kind of a product of what my childhood looked like. It’s hard to have a “childhood friend” that you still keep up with when you spend 5 extremely crucial, defining years somewhere away from where all of them are. When you leave at 7 years old and don’t come back until you’re almost a teenager. People change so quickly at that age, and I’m no exception, and so I just didn’t have the ability to relate to those same people that long afterwards, even if I could find them. I don’t resent the experience of growing up in such a fractured manner, but it means I have a fundamentally different experience to that discussed in this album. At the same time, as I listen to the closing moments of this song, with the line repeated, “All my old friends, they don’t know me now”, I can’t help but notice the similarity. The writer’s friends don’t know them because they���ve grown up, changed fundamentally as people, whereas I don’t know my old friends in a much more literal sense.
Our next song is a bit more fun. Month of May is unequivocally a rock song, as opposed to the..indie? folk? of most of its surrounds. Much like Empty Room, it’s driven by its tempo and instrumentation, but it’s a bit less dour than that one, almost a bit oldie in its rock and roll swagger. The song isn’t so utterly different that it wouldn’t fit on the album, the traces of The Suburbs still roll through the whole thing, the same guitar and percussion tones driven up a couple notches on the ol’ Mohs scale. Quite solid, ultimately, in my opinion.
Track 11 is Wasted Hours. I think it’s a kind of appropriate title, not because it’s a waste of time, but because it just kinda feels like a nothing song as part of the album. Like, it is unquestionably Part Of The Album, sonically and thematically, but I deadass would not notice if it was missing from the record. Sorry if this one is your favourite, but this one isn’t for me.
Deep Blue, on the other hand, is the song that got me into the album. There’s really something about this track, this sense of discomfort with the passage of time, that really wormed its way into me. It’s a shockingly cold song for this acoustic instrumentation that’s usually associated with quite the opposite. The piano feels desperate, the guitars grim, and there’s actual synths hiding in here- the song relates to technology, after all. It’s concern for the future of humanity, of the youth, and for, well, the Suburbs, through the lens of watching that match between chess Grandmaster Kasparov and the A.I. Deep Blue in 1996. Go watch the Down the Rabbit Hole on that if you haven’t already (and have a few hours), by the way, it’s utterly excellent.
I can’t really describe how Deep Blue makes me feel. There’s just something about it. I feel like if I hear this song again in 10 years, it would genuinely bring me to tears- it feels like loss in a way, and not the meme.
We Used to Wait has a fun instrumentation, glittery piano and that funky guitar noodling in the background, but unfortunately the chorus kinda lets it down for me. I just do not care for it, it’s really built on a vocal line that really doesn’t track for me personally. Like, I’m just young enough that a lot of the theme of the track is utterly unrelatable to me- I hail from an era that is post- the change the track is referring to. I’m focussing a lot this time around about how the songs make me feel personally, but I think that’s kind of the appropriate tack for this album in particular- like the idea of nostalgic reminiscence is so inexorably tied to your own personal experiences that there’s no way around those experiences clouding your perception of this album, and with that, how well you end up liking it. I bet this whole thing hits way harder for someone born in the same couple years as this band.
We’re up to the second two-parter, Sprawl I (Flatland), kind of the finale for the whole thing. I mean, in I’s case, it’s certainly that emotionally. The song is so utterly down, it’s lost in the urban sprawl the title and lyrics describe, and with that comes a very quiet track. Moody strings and guitar, that eventually build during the fourth verse (there is no chorus and they’re short). It does eventually resolve on a more positive note, at least, one that’s hopefully relatable to many of us- eventually, we find our emotional home is, and it’s often not where we grew up.
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Sprawl II (Mountains Beyond Mountains) is quite the different perspective. It’s got that other lead vocalist (I could look up her name but I won’t), it’s got a pulsing beat, and it has much more energy to work with. There are synths on this track that are absent from almost the entire rest of the album, but their introduction here, right at the end, is extremely cool. They’re cool, they’re clear, and they’re thematically relevant! I just really like the vibe of this track, and the way it trails off is similarly very good. Would recommend.
But of course there is one final track. Kind of. The Suburbs (continued) is basically a dark reprise of the album’s opener, shaded with more regret than that track is, more strings-y and whispered. It’s very short, but it acts as an appropriate closer for the whole thing.
And of course, that’s The Suburbs. In retrospect, I have a bit more mixed thoughts about this than I thought. There’s some really high highs, and some things that are just kind of bleh, but any album of this length is bound to have some misses. While I was browsing Genius to make sure I had the lyrics right for some tracks, I saw this record described as a Masterpiece, but I’m not sure that shoe fits- at least, not for me. The personal nature of this album, and anyone’s theoretical relationship with it, are such that I don’t think it can be given such a broad, universal title. I like the album as a whole quite a bit, but I personally wouldn’t call it a masterpiece.
It also doesn’t inspire me to go after more Arcade Fire. I’m actually perfectly content having them in my mind as this solitary piece, complete in its own way. Oh, they have like four other albums, but to me, Arcade Fire is The Suburbs. I don’t know why I’ve decided this, but it just works for me. So I’m sorry to any massive AF fans, but I did just dedicated 2.7k words to this album, so I’m sure you’re all satisfied.
God, next time I am going to have to cover something shorter, for my own sanity if nothing else.
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stylecouncil · 3 years
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Can I just ask: why do you hate Damon Albarn so much? Is it just because he's a bit of an annoying middle-class arse?
yeah I mean tldr basically that but I probably wouldn’t say just a “bit of” an annoying middle class arse, I’d make it “huge”, but that’s just me!
to preface this, I used to be a big blur fan and even thought I really liked damon (even dispite the obvious initial trepidation I had from him being, as you said a pretentious rich arse) but I just kind of grew to dislike him the more I learned.
the genuine criticism of Africa Express as an organization I think is also something that doesn’t help my opinion of him in the slightest:
In addition to this, the certain ways in which he has talked about the topic of black artists in general and Africa in general, although sadly not uncommon from white rich musicians, has always rubbed me the wrong way (especially some of his comments in the no distance left to run doc about him “finding himself” there and the “magic” etc) but I’m sure someone with more experience and knowledge on this can and has spoken about this topic better. I’m white so I don’t want to talk over any poc with differing opinions on this obviously, because I don’t feel that it’s my place.
here’s something Tricky said which I feel really summerizes some of the reasons I don’t like him:
“I wouldn’t work with Damon Albarn again,” commented Tricky. “We were walking through Leeds and we were in this fucked up area and I looked around and I said, ‘These kids got nothing’, and he said to me, ‘They’ve got us’ and I just thought, ‘These kids are going in and out of jail they ain’t go no money, how are we, especially, you… maybe you could say that about me, but I haven’t got that arrogance to say… these kids they’ve got nothing, they’re out hustling, but they got me’ – I wouldn’t be that arrogant.” (X)
In addition to this, as someone with a close personal relationship with the topic of drug addiction, the way he talks about his heroin “period” has always reeked of privilege. I can’t find the interview at the moment but there is one where he implies that he personally wouldn’t call himself an addict because he had “good parents and a good home life” and that’s why he was never ACTUALLY “addicted” in his words. Essentially every piece of press he did about his drug use just seemed incredibly out of touch and frankly pretty negligent on his part. Yeah, it’s cool for him, a rich white man who has never struggled a day in his life, to paint heroin use as some romantic thing that made him, in his words, “more creative” ,but I think this ignores the thousands of people who don’t have this experience. I’m not gonna link everything hes ever said said about drug use here but literally look up any of it, it all makes me wanna punch him in the face.
anyways like I said tldr I think he’s a posh prick and a lot of his actions annoy me to no end, I also realized, that for me personally, that all the parts I liked about blur songs were mostly down to graham, so I’ll throw that in here as well.
and I’d like to add that my dislike of him isn’t some big “nobody should like him” thing because I’ve had people take stuff like this that way before, but I really don’t care if someone likes him etc like do you obviously. but, I do feel like maybe these are concerns some of you would like to be more aware of so here you go!
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tensonline · 4 years
Text
Chapter 2
WE ARE THE LOVESICK GIIIIIIIIIiiiiiIiiiiiiIIIIIIRLSSSSS
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“Wait, so let me get this straight. Do you want to date this guy? Or do you just wanna fuck him?”
“_____, please stop fucking athletes. You have a type and it’s shitty men who have two brain cells.”
“OKAY,” you yelled. “I get it! I like my men that know how to juggle balls and can juggle me! IS THAT CRIME?!”
“No! But what about some cute English major? Or a sociology one? You like sociology!” Jisoo insisted.
“First of all bitch, English majors are pretentious so how dare you,” you snapped, “Have you not seen You? Everyone knows to stay away from them. And sociology majors are only good for arguing on Twitter. They suck at sex.”
“Um fuck you? I’m a sociology major and  I--” Jennie started
You interrupted her, “I do not need to know about you and Jisoo’s sex life. Please. Not all of us like romantic candlelit sex. I want someone to choke me and degrade me! I love being degraded! Have either of you been thrown around? Or tried orgasm denial?”
Jisoo scowled. “No, you freak. Some of us don’t like being rough.”
“Yeah,” Jennie sniffed. “There’s nothing wrong with vanilla sex. So what if I like to have my room smell like A Thousand Wishes and have Alina Baraz playing while I’m fucking? Also, who wants to have their orgasm be denied? Isn’t that, like, the opposite of what someone would want in sex?”
You gaped at her, “Oh my god. I’m going to ignore that last question and focus on what’s more disturbing. Are you serious, bitch? A Thousand Wishes is the scent you pick from Bath and Body Works? There are better ones.”
“Ooo, really? Which ones do you recommend?” Jennie lights up as she asks.
“Okay, you need to try---”
“Oh my god, can we focus?!” Jisoo hisses. She looks between you and her girlfriend and sighs when you both turn to her with incredulous faces.
Of course both of you thought she was crazy for interrupting the conversation.
“Look, _____” Jisoo sighs, “You don’t think this is a bad idea? You work with this guy. What if it makes things awkward?”
“It won’t,” you dismiss while waving a hand around,  “He’s chill. I’m chill. We’re both grown and can handle sleeping together while staying… colleagues. Acquaintances. Whatever the hell we are.”
Jisoo and Jennie shared a look. They both knew that once you set your sights on someone, it was only a matter of time until you sunk your claws into them. Their warnings were only going to fly right over your head. Usually, your friends would admire how determined you are when you want to achieve something and wouldn’t let anyone deter you. Any other day they would admire your perseverance.
Today wasn’t that day.
You saw the look that the couple in front of you shared and immediately tensed up.
“Look, I know what you two are thinking,” you say with your brows furrowing, “He seems like just my type. But I’ll be careful. If I feel myself getting too…. too close or feeling like it’s too much I’ll stop.”
Jisoo immediately softened her face and spoke gently. “_____, I’m not trying to control you. Neither is Jennie. We both love you, you know that. You’re like our sister and daughter all in one. We just know of Xuxi’s reputation and want you to tread carefully, okay?”
You looked at her with wide eyes, “What do you mean?”
It wasn’t that they were upset over you sleeping around, far from it actually. You were a big girl who could do whatever and whoever you wanted. Hell, they often played wing woman and set you up with guys they knew you would like.
They were just worried about you. You were the baby of the group with a personality that someone could easily take advantage of. It’s not like you were the type to run at the first sign of romance, in fact, you enjoyed it.
You, whether you admitted it or not, were secretly a hopeless romantic. You were okay with having casual sex, but if it went anything farther then that..
Well.
You fall hard. You loved the idea of love no matter how much of a realist you forced yourself to be. You liked making connections and building relationships with people that made you laugh, it was a part of your charm. You gave away your heart too easily when it came to relationships, and they had been there to pick up the pieces quite a few times.  You gave your all to someone and it hurt them seeing someone do wrong by you.
Your friends were only worried about you because they both knew of Huang Xuxi.
And they both knew he was exactly the type of guy who could charm you and would fall for immediately.
Jennie moved to sit by you and cuddled closer, “Look, yeah he’s a nice guy. Everyone knows that. But… he’s just a player. Sure he’s transparent with every girl he sleeps with, but that doesn’t mean he treats girls nicely. And you deserve to be treated nicely. Or I’ll kick his fucking ass and set his car on fire.”
Jennie beamed at you when she finished speaking.  You felt your heart warm at the threat. She absolutely would follow through with it and knowing you had a friend who would go that far for you made you feel safe and secure.
“Me too, Jennifer. If I didn’t know you and Jisoo are practically soulmates I would say the same thing. But since you two are basically the last piece of evidence that proves love exists, I’ll settle for something else. So if any one of those girls on the cheer team give you the slightest bit of attitude I’ll slap them.”
Jisoo smiled seeing the exchange. For right now, they’ll put Huang Xuxi onto the backburner.
“Anyways, let’s go back to what we all came here for. The semester starts next week and the Theta Chi house is working with the Sigma Kappa girls to throw the first party. So obviously we need to look sexy as fuck. Especially _____ and Lisa. You both have cobwebs and dust collecting on your vaginas that I can see.”
“What the fuck” you gasped, “Ten told me the same thing! It’s literally been a month. Cmon, that’s not even that long.”
“Yeah well, for a university student it is. Especially for someone hot like you. Even more so when we take your track record into consideration. Your virginity is basically putting itself together again like the ashes of the ones that died in Infinity War,” Rosie said as she walked into the apartment with Lisa towing in right behind her.
You jumped at their entrance then scowled after her comment sunk in, “Leave me alone, Roseanne,”
Rosie glared at you for the use of her full first name as she sat down across from you.
“When was the last time you got laid?” you taunted, “We haven’t heard any hoe stories from you either!”
Rosie perked up, “Last night, actually. I went on a date with Jungkook and went back to his apartment. Mingyu says hi, by the way. Did you know they were roommates?”
“UGH,” you groaned. “Of course you get laid by one of the hottest dudes there is. And he’s nice! What the fuck! Save some for us bitch!”
Rosie laughed and looked down, her cheeks flushing a pretty pink.
Immediately everyone got quiet and stared at her.
“Rosé,” Lisa drawls out slowly, “Do you actually like this guy?”
Rosie sobered up quickly and looked around at each of you.
“Okay, look,” she says slowly, “I’m gonna be honest with you guys. I--”
“Oh my god,” you interject with a groan. You throw yourself onto the couch and cover your eyes with your arm, “Everyone is falling in love except me! I haven’t even had sex in so long! Not even oral!”
“I didn’t even finish yet!” Rosie says exasperated.
“Yes, but you’re Rosé, everyone falls in love with you on the first date. And if this guy didn’t then I’ll kill him. Because you’re pretty and perfect and deserve the world. Why wouldn’t he fall in love right away? The fuck.”
Rosie flushes but sends you a shy smile either way.
“As I was saying, I actually have been going on dates with Jungkook but didn’t say anything because I actually like this guy. I was worried he just wanted to hit it and quit it, that’s why I never mentioned it. I would’ve been so embarrassed if that happened and I gushed about how much I like him but… I think it’s going well. I hope he asks to be exclusive soon,” she finishes with a whisper. You suddenly sit up straight and smack the sofa. Your friends jump at the sudden action when you open your mouth and say “I’ll shove my foot up his ass if he doesn’t ask you to be his girlfriend, Rosie. I don’t give a fuck how hot he is, you’re way hotter and have a line of people knocking at your door.”
Lisa blinks, “Okay, _____. You are at a ten right now and need to take it to a two. Not everything needs to turn into a wannabe WWE match, but I agree. Rosie, if he doesn't ask you to be exclusive within the next month, drop him.”
“Okay,” Rosie sighs while looking down and playing with the hem of her dress, “I just haven’t liked someone like this in a while and I’m just… yeah. But enough about me! There’s nothing to get sad about! We have more important issues to focus on. Like _____ and Lisa being the reborn virgins of the group. Ironic since you two are the biggest hoes I know.”
Lisa groans, “I know. I’ve just been so stressed with the dance team and summer school. I haven’t had time to even rest and now the semester is starting? Bitch..” she shakes her head without finishing.
Jennie gets up and claps her hands, “Well, what are we waiting for? The Theta Chi party is the perfect time and place for you two to get some. It’s coming up soon and we need to start pampering now. It doesn’t even need to be for hooking up, it can be a good luck present for the semester starting. Now c'mon, get your shit” she says grabbing yours and Lisa’s arms and yanking you two up, “if we leave right now we can make it to the salon as a walk-in. I’ll pay for everything.”
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The final days leading up to a new semester were tiring. You had a short timeframe in which you had to get your financial aid sorted out, make sure you sent out the emails that needed to be sent, talked to your manager about your schedule, and mentally prepare yourself. On top of all the stress you had going on outside of work, work itself had been incredibly busy. With the upcoming start of a new school year, the store had been filled to the brim with snot nosed kids, demanding parents, and hoards of teenagers all looking for the perfect shoe. You had asked for more hours to get some extra cash, but you were starting to regret it. With the back to back scheduling and long shifts, there was no time for you to sit down and breathe.
Fortunately today, you were scheduled to do sorting in the back for the majority of your shift. Which meant you had to take inventory for an hour and sit around on your phone for the rest of it.
As you were counting how many black high tops Converses there were left and cursing the middle schoolers who never failed to sell them out early every year, you failed to notice someone walking in.
“Hey, _____. You need some help?” Jaehyun asked.
You tensed up immediately after hearing the voice and mentally cursed yourself for not washing your hair last night or doing your full makeup routine.
At least you had the decency to put on your eyebrows.
“Oh hey, Jaehyun. I didn’t know you were scheduled for today. How was your vacation?” you asked while putting on a fake smile.
Jaehyun was one of your coworkers, and also your ex-boyfriend. The funny, sweet basketball player had been working at Foot Locker way longer than you and had been the one to train you. He was the one to take you under his wing and introduce you to everyone, offered to buy you something to eat whenever you forgot to bring lunch, and the type of guy to bring everyone who was scheduled with him a drink from Starbucks.
He was everyone’s work crush, including yours.
Until he cheated on you.
“It was good,” he grinned at you, “I missed my grandparents and the rest of my family, so it was nice to see them again. But the weather here is much better than back home.”
“I’m glad you got to see them!” you said with a tone that was obvious you felt anything but glad for him.
As you were thinking about how to somehow get out of this conversation while not getting scolded by your manager for abandoning your task, Jaehyun was busy looking you up and down. The summer had definitely done you good, even if you had spent most of it at work. It hadn’t been that long since he last saw you but your skin was glowing and sun-kissed, even more than usual. There was also definitely much more ass in your jeans than from what he remembers. You already had a nice one to begin with, something he took note of whenever you climbed up the ladder to get a box of shoes too high for you in the backroom.
He remembered when you first walked into Foot Locker for an interview. It was nearly impossible not to notice you. You walked into any room and instantly commanded the attention of everyone within your vicinity. With your sun-kissed glowing skin and a gleaming smile, you had everyone watching you all the time.
The funny part was that you barely even noticed it.
Jaehyun knew of you before you had even submitted an application. Of course he knew of the pretty psychology student who nearly always got the top scores and didn’t have a stick up their ass for it. You were always willing to lend a helping hand and had the patience to explain theories and concepts for hours to someone who didn’t have a clue.
Don’t get him wrong, you were far from a pushover, and more often than not he would overhear you tell classmates the many ways you would shove a textbook up their ass if they tried to copy off you or didn’t at least try to put in an effort.
It was evident that you weren’t a pushover or afraid to ask for what you wanted. You just took a while to warm up to people and let them in close enough to see the bratty side of you.
He was lucky enough to be one of those you let in, but he had to go and fuck it all up.
Jaehyun tried again, “So, how was your summer?”
You didn’t have the time or energy for this shit. “Jaehyun,” you said sharply. “I’ve been incredibly stressed with trying to juggle my summer class, work, and social life if you’re that desperate to know. I don’t need--”
Jaehyun cut you off, “_____, I’m sorry. I just want to talk to you and explain, please.”
Conversation with Jaehyun once came as natural as breathing to you. There used to be a time where he could ask the world from you and you would do anything to give it to him. He was the person you looked forward to seeing the most, the one you wanted to see right when you woke up and before you fell asleep. And at one point he was.
You were never blind to how attractive he is. Jaehyun, with the sweet smile and tall, lean build was the kind of guy who could get people to stop and stare whenever he walked by. Hell, you had seen it happen nearly every time the both of you went walking to the food court.
After all, he was Jung Jaehyun, a university basketball player.
Which was just a kind way to say he was a fuckboy.
To make it even worse, he was a fucking frat boy. Which meant he had a reputation of sleeping his way through campus.
When he was the one to ask you out first, you had told yourself that it was just a way for him to get into your bed. After the second, third, and fourth date, you still mistook his advances as him trying to be kind to you before he hit it and quit. It was a month into the dates that he asked you to be his girlfriend. Even then, you were very cautious at the beginning of your relationship. You had dealt with your fair share of playboys like Jaehyun and weren’t afraid to bust their balls.
You actually enjoyed knocking men down a peg or two.
But Jaehyun was nothing if not persistent. He made an effort to spend as much time with you as possible and get to know you on an intimate level. The constant sleepovers at your place and late-night talks had both of you falling in love, fast and hard.
To this day, you still didn’t know why he cheated on you.
Jaehyun interrupted your thoughts, “_____?”
You shook your thoughts away, “Yeah?”
“I asked if you had any plans for the last week of summer?”  
You sighed, “Look, Jaehun. I’m just exhausted thinking about the semester starting. But I’m trying to distract myself from thinking about school and worry about my social life instead. So yes, I do have plans to go out and yes, it is to the same party your frat is hosting. But I’m not going for you, so do not approach me or talk to me. Don’t even look at me. I have bigger things to worry about and I do not want to deal with the stupid questions from your stupid friends.
“Like what?”
“Like what, what?”
Jaehyun scrunched his face in confusion, “You said you had bigger things to worry about. Is everything okay? Are your brothers good?”
As much as you hated to admit it, your heart fluttered. Jaehyun knew how much you cared about your younger brothers. He loved them just as much as you and liked going with you whenever you visited home, “Well yes but---”
“That’s good,” Jaehyun lets out a breath. “Look _____, I know you don’t owe me anything. I know I fucked up real bad, but please let me just explain everything. I want you to know what happened. I valued our relationship above everything and it meant the world to me. I know it might not have looked like it but--”
You snorted. Good for him, he’s self-aware.
Jaehyun flushed at your laugh. He deserved it but tried again “_____, please---”
Every sad look he sent you was sending you over the edge. Who did he think you were? You weren’t the type to let people step all over you like regardless of what Jaehyun thought. As mildly insulted as you felt over how little he thought of you, you didn’t have the type to tear a new one into him. You had shit to do or else your manager would be pissed.
“Jaehyun, I can’t do this.”
“_____, what---”
“_____.” Jumping at the sudden mention of your name, you had failed to notice a tall figure standing only feet away from Jaehyun during the conversation between the two of you.
“Xuxi,” you breathed out.
Jaehyun frowned, “Xuxi?”
“Xuxi,” the man himself said. Xuxi was staring at you with something dark, something that made you tense up and on edge for what his next move would be. He had been sent to the back to clock in and help you out with inventory when he noticed that the door was left slightly open. Xuxi had stopped when he heard Jaehyun’s voice and the exasperated tone in your voice.
When Xuxi realized Jaehyun was the one in there with you, he felt that ugly jealous feeling crawl up his chest. He didn’t want to closely examine why it was there. You weren’t his. The two of you hadn’t been close enough for him to consider you as his, but he still didn’t like the idea of you being stuck in a room with Jaehyun.
Xuxi didn’t want to harbor any ill feelings towards Jaehyun; he was his frat brother and Xuxi never had an issue with him. He already owed Jaehyun one for getting him a job here but after finding out what went down between the two of you, he lost respect for Jaehyun.
Xuxi was self-aware that he wasn’t the most romantic guy on campus nor was he the type to go steady with someone, but he would never string a girl along or cheat on her. He respected them enough to be upfront from the beginning of what he wanted and wouldn’t harbor any ill feelings if they refused to sleep with him afterward. He tried to be gentle with everyone who ever tried to pursue something serious with him.
It wasn’t well known across campus that Jaehyun and you were a couple, which confused him at first. He didn’t know why both of you kept it under wraps. If he was dating you, he’d make sure to broadcast out to the entire city. You were one of the sweetest girls he’s ever met. You weren’t stuck up or mean to anyone. He didn’t think you were aware of it, but you and he were in the same department. While you were in the Child Studies department only for a minor, he had it for his major so he spent quite a bit of time in the building. Xuxi would often see you helping out underclassmen who were very clearly overwhelmed, sharing your notes to classmates, and talking to the professors as if they were your friends. He liked seeing you brighten up the department every time you walked in.
To add the cherry on top, you were stunning. Immediately a heat curled up in his stomach when he thought about how good you looked. God, he would’ve been blind to not see how utterly gorgeous you were. Those long, toned legs and pouty lips had him captivated since day one. As well as those big, wide doe eyes of yours that gave you an innocent look when he knew you were the complete opposite.
“Hey man, how were the new soccer recruits? I swear the only times I’ve seen you in the house were when you came back tired and hungry,” Jaehyun laughed, oblivious to the growing tension in the room.
The two of you broke eye contact as Jaehyun went to give Xuxi that stupid one-armed hug boys do. You felt your entire face flush and looked at the floor while you wallowed in the embarrassment of knowing Xuxi knew you and Jaehyun had a messy breakup.
You went back to counting shoes or at least pretending to. Frankly, you had no idea what the hell it was that you were doing before Jaehyun walked in, but you were damned sure that was the last time you opened your fat mouth like that ever again at work.
“_____, you miss me?” Xuxi said.
What.
The hell is he saying, you thought.
Bracing yourself, you turned around to face him. They had moved closer to the wall with Xuxi leaning against it like he owned the damn place.
“Um. Yes,” you blinked.
Xuxi smirked at you and walked up to you. You tensed up and subconsciously held your breath for whatever his next move would be.
“C'mon don’t be like that, baby, “Xuxi said. He walked up to you and put an arm around your shoulders, “I missed you. Thought about you every time Coach let me take a break.”
You flushed at the endearment but made no move to refuse his arm. Or correct him. You had no clue what he was playing at but a guy as hot as Xuxi was calling you baby, so you didn’t have an issue with it.
You scowled up at him, “Shut up, lying ass. I heard your Coach rarely ever gives you guys breaks. Last time I heard the admin ladies talking about how some kid’s mom was threatening to sue.”
“Well that story is true,” he said grinning down at you, “but I’d never lie to you. Not to my favorite girl.”
You felt yourself blushing again at him calling you baby and for the way he was looking down at you. With him that close to you and looking down with that smile of his, you’ve never been more aware of how handsome Xuxi is.
“Oh, and Jaehyun? I heard Manager was looking for you out on the floor. Apparently, you’ve been gone for too long,” Xuxi said, giving him a smile that Jaehyun knew was strained.
Jaehyun clenched his jaw. He didn’t like the way you got all shy around Xuxi or the way your entire demeanor caused him to do a double-take. He’s seen you like this before.
It was the way you were when you used to be in love with him.
“You should get going, Jaehyun. The manager isn’t in a really good mood today. She gave me an attitude for not having the size some kid wanted. Does she not know by now that we always sell the Converses early?” you said. You rolled your eyes and continued ranting, blissfully unaware of the tension growing between the two boys.
Jaehyun saw Xuxi’s hand almost brushing your breast and could tell you either had no clue, or used to it by now.
“Yeah Jaehyun, better hurry,” Xuxi said innocently.
“Fine. But, _____,” Jaehyun walked up to you with a determined look on his face. He grabbed your wrist and gently yanked you out from under Xuxi. “I just want to talk to you. Give me just one opportunity and you’ll never see me again, okay? You already know about the party at Theta Chi. Promise me you’ll go?”
You nod. You were staring at him with a flustered look that made his heart ache.
Jaehyun leaned down to whisper, “Go look for me there, okay? Just one last time, please.”
His lips brushed against your ear before he quickly walked away. You were left stumbling for the words to reply with when he just left.
What the hell was that?
Clearing your throat, you turned around to face Xuxi who was leaning against the wall, again. This time though he had his arms crossed and was staring at the door Jaehyun exited out of. When he heard you, he directed his blank gaze to you.
There was a brief silence that felt oddly tense to you.
What the fuck was this kid’s problem, you thought.
You raised an eyebrow at him when it was clear he was just going to stare at you with a bitchy face and that made you on edge. Especially since you didn’t put in an effort to look good today
“What?,” you snapped, “Do I have something on my face?”
He didn’t reply to you right away. He searched your face for a bit until he pushed himself off the wall and walked up to you.
One of his hands comes up to your chin and grabs it gently, forcing you to look up at him. Your breath immediately stilled at his touch. His hands were so warm and so big that you were willing to bet they were bigger than your face. You tried to distract yourself with that thought so you wouldn’t focus on how insanely gorgeous he was up close, but that didn’t settle well with him.
He squeezed you so gently that you almost didn’t feel it, but you did.
When you met his gaze, he finally spoke.
“You good?” he asked. You could feel his breath tickle your lips. You were so captivated by his own lips being that close to yours that you didn’t answer until he squeezed you again. You nodded as a reply, too dazed to actually talk.
He gave you a grin and continued, “Don’t look for Jaehyun, okay? I got you. Whatever it is you need or want, I got you for it. Not him.”
You stared up at him with a surprised and innocent look on his face that only served to make him want to wreck you.
Xuxi still had a grip on you, “Good girl. I’ll come looking for you. You don’t need to go after anyone. I’ll do it. You understand me, right? You get what I’m saying?”
You avert your gaze as the words he said made you feel things that far too inappropriate for the workplace.
It had been so long for you, evident in the sudden dampness you felt between your legs that came right after he called you a good girl.
“That’s good. Of course my girl understands, you always do so good in everything. Now I’m gonna go back out there and do my job. Remember what I said, okay?”
Xuxi lets you go but of course he doesn’t do it simply. Of course he doesn’t. Simple isn’t in this man’s vocabulary. This man just had to call you a good girl and his girl in the fucking storage room at work. He just had to drag his hand down and let it trace the hollows of your throat first before stepping back and walking away from you.
You let all the tensions you didn’t know you had out of your body as you sink into the only chair there is. You don’t think about what could happen at work that much, or at all really, but you for sure never saw Huang Xuxi making you wet while on the job.
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btw the xuxi in this is xuxi during the beginning of super m promos... u know... with the nice glowing brown skin and light brown hair.... whew...
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For You: Stand By Me
Taglist: @jineunwootrash​
If you would like to be added to the taglist of any of this blog’s works, please ask!
Recommended Reading: For You: 4 O’Clock; these works have separate, independent, but deeply interwoven timelines.
Chapter 3: The Girl Who Wouldn’t Let Go
Sehun’s POV
In pre-debut days, before we were even grouped together, Junmyeon was determined that trainees should bond, so he wrote these little schedules of nearby events and sent them out in group messages. Owing to his busy university schedule, Junmyeon rarely went anywhere with us himself. He was absent that night in the drive-in too.
Although I was sixteen, I wasn’t especially eager to drive, so I didn’t mind when Minseok claimed the driver’s seat. Because I respected Luhan too much to complain when he bounced into the passenger seat, I quietly squeezed into the backseat where— as the youngest— I was sandwiched between Chanyeol and Kyungsoo.
Objectively, it was unfair that I was forced into the smallest seat because of my age. I get that Kyungsoo was older, and that was why I didn’t demand to trade seats. Still, I think that it only would have been right for him to take the middle seat because he was the shortest. I wasn’t really one to argue against rules, traditions, and societal roles, though, so I just folded my hands in my lap and decided that if ever I were the oldest person in the room, I wouldn’t get a big head. I wouldn’t abuse my power. I would be fair.
My members like to joke that I’m disobedient and border on disrespectful, but that’s not true. To tell you the truth, spending my Friday night in the drive-in with Chanyeol talking loudly in my ear wasn’t my idea of a good time, so my presence alone testified to my respect for Junmyeon before he was even the leader.
I wasn’t trying to be rude or disrespectful when I pushed Chanyeol out of the car as soon as Minseok parked. My legs were just aching from being cramped in the back seat, so I was eager to stretch and climb into the bed of the truck, where I could massage the knots that formed in my muscles. My eyes instinctively rolled at Chanyeol’s dramatized howls of pain as he tripped over gravel; he shouldn’t have taken offense.
As I eased my back against the cool metal wall of the truck, stretching my legs before me, Minseok smiled. His smile was always timid in those days. His voice was so quiet that my ears had to strain to make out his words. “Sehun, do you want something from the concession stand?”
Groaning at the thought of standing, I asked, “Are you going to pay for me?”
Having recovered from his trip, Chanyeol laughed as he sat next to me. “What a cheapskate!”
I didn’t think anything about what I said until I heard Kyungsoo’s faint snort of a laugh while he pushed his glasses further up on the bridge of his nose. Look— I firmly believe that seniors should pay for all expenses, and I still abide by that rule whenever I’m a senior— but I didn’t really know Minseok well enough to expect anything from him. All we had in common was that we knew Junmyeon.
Tugging my wallet out of my pocket, I prepared to hand it over with the explanation that I was too tired to walk with him after the full week of training, but Minseok wouldn’t accept my money. “Of course I’ll pay for you!” He was almost too nice. Sometimes, I don’t trust people like that, or I worry that someone will take advantage of them, but I was never worried about Minseok. “Just tell me what you want.”
I fit my wallet back into my pocket and shrugged. “I’m not picky.” Chanyeol laughed again— roaring right in my ear— and I cut my eyes at him. We were always friends, I guess, but we were very different people, and that’s why he was always on my nerves. “Just get me something sweet, please.”
Minseok nodded and, after listening to requests from Kyungsoo and Chanyeol, he took off with Luhan toward the concession stand.
Although too many hours had passed since the sunset for it to be bright enough to read, Kyungsoo held a book up to his face. He always liked to look smart, even when nobody was paying attention to him. Dropping the book to glance at me over the pages, he remarked, “You don’t seem like you would have a sweet tooth.
I blinked at him, never really caring much for people who speak in metaphors. A part of me wanted to tell him to speak plainly, but he probably wouldn’t have humored me anyway, so I bit my tongue. Besides, it didn’t matter what he meant.
Kyungsoo blinked back at me. It was obvious that he was sizing me up. That didn’t bother me so much; I just didn’t know what he thought he could discover about my character from my vague snack preferences. It’s foolish for people to attach meanings to insignificant things, but that’s something people do best.
I probably wouldn’t have responded to Kyungsoo even if Chanyeol hadn’t interrupted my thoughts to ask, “So, what movie are they playing?”
It wasn’t such a bad question. Because I only went to please Junmyeon, I didn’t know any specifics. Noticing that Chanyeol and I were looking to him, Kyungsoo answered, “Beauty and the Beast,” with a smile. He liked getting to share his knowledge.
“Like, the Disney movie?” I asked. 
Kyungsoo nodded sagely, and Chanyeol lowered his head, whining, “I didn’t realize we were here to watch a little girl movie!” He was a little too obsessed with being macho those days. If you ask me, a hyperfixation on manliness is pretty lame.
Kyungsoo glared at Chanyeol. “Animation is not exclusively for children.”
“Dude.” Chanyeol returned his glare— sharpened it. “It’s a princess movie! It’s marketed to little girls!”
“Don’t you think you’re being narrow-minded?” Kyungsoo phrased his criticism as a question, maybe, because Chanyeol was technically his senior. “Beauty and the Beast explores significant themes about sacrifice, superficiality, the nature of love—”
Regretting that I hadn’t pushed through my fatigue to walk with Minseok and Luhan, I tore my eyes away from Kyungsoo and tried to will myself deaf to his monologue as I tinkered with our portable speaker. Upon finding the station broadcasting the audio accompanying the images projected on the towering screen at the front to the lot, I frowned at an obvious problem.
I interrupted the debate to announce, “This is in English.” Even when I squinted, trying to distinguish the finer details on the screen, there were no captions to be found. When nobody responded, I added, “I don’t understand English.” 
Chanyeol nudged my ribs and joked, “Does anybody?”
Kyungsoo rolled his eyes. “Just appreciate the art of animation, Sehun.” 
I huffed at Kyungsoo’s pretentious attitude, “How am I supposed to appreciate something I don’t understand?”
“Well—” Kyungsoo’s eyebrows knit together, and I knew that he was considering my words too deeply again— “you’ve seen the movie before, right?”
Before I could respond flatly that (obviously) I had, Minseok returned, carrying armfuls of snacks that he dropped in the center of the truck bed along with the bright announcement, “Look who I found!”
I don’t know who I expected to find when I glanced over at him, but judging from the drop of my jaw, I hadn’t expected to find Lei clinging onto Luhan’s arm. I hadn’t expected to see her beaming up at him as if he hung the moon. 
When Luhan gestured for her to climb into the truck before him, she gasped, “Where did Heechul go? One second, he was standing next to me, and the next—” Her head turned from side to side as if she couldn’t imagine how she wound up at our truck. 
As stupid and irresponsible as it was, I could have forgiven her for losing Heechul in her starry-eyed pursuit of Luhan. After all, she was just a kid. But I couldn’t forgive Heechul for losing her. Who knows what could have happened if Minseok and Luhan hadn’t been there to lead her through the dark? All I knew was that after that night, I wouldn’t be able to look at Heechul without confronting the urge to roll my eyes at his carelessness. 
While Chanyeol, who never liked Lei for whatever stupid reason, stiffened at my side, Kyungsoo dropped his book to wave at her. “Hey, Lei!” 
My eyebrows twitched. How did Kyungsoo know her? Glancing from Kyungsoo’s joyful wave to Chanyeol’s scowl to Minseok’s small grin to Luhan’s dimpled smile, I realized that Lei wasn’t a stranger to anybody. Except for Chanyeol, she had managed to charm everyone into being her friend despite the age difference. 
It would have been weird to be jealous or possessive of a kid’s attention— even Lei’s— but there was something weird about recognizing that I wasn’t the only trainee she knew well enough to greet outside of the agency. It shouldn’t have been such an epiphany. I knew I wasn’t the center of the universe or anything. I knew that before we ever met, she was well acquainted with real idols. She was loved by real idols. 
She just always had this way of looking at me that made me feel— I don’t know. I don’t like talking about this kind of thing. I guess that moment was humbling. I guess Lei continued to humble me when she settled into the space next to me only to excitedly chatter to Luhan in rapid-fire Mandarin. Despite my basic understanding of the language, I couldn’t quite keep up with what they said between giggles. 
I guess I had always known that Lei wouldn’t cling to her crush on me forever. I guess I knew that I had been hoping for that day to come quickly, but now that I thought it had arrived, I felt weird. It wasn’t that I wanted her to like me or anything. I guess the issue was that if she had outgrown me, time really was passing, and it had done so without my permission. Nobody is ever that comfortable with time. 
When Lei and Luhan fell silent just long enough to glance at me before laughing again, it was obvious that they were talking about me. The tips of my ears probably burned. 
“Yeah,” I understood Luhan as he nodded at Lei, “he is pretty handsome.”
Oh. So that’s still what she thought of me. Weirdly, I was relieved. Some things would probably never change. Maybe Lei would always think I was handsome. Maybe no matter how many times I told her not to flirt, she would do what she wanted. Maybe people should learn to find comfort in constants. 
Probably because she seemed so happy, chewing through a chocolate bar as she talked to Luhan, probably because I was kind of (just a little) flattered, I swallowed the fading urge to lecture her. I instead listened to Chanyeol growl, “Look, Minseok, I don’t care where you found her. I just know that she can’t stay here.”
Although Chanyeol hadn’t said her name, Lei was sensitive to his criticism. Drawing her knees up to her chest, she said in a small voice, “I should probably go. My mom is probably worried about me.”
Kyungsoo was only trying to be helpful when he offered, “We’ll help you find your parents.” He wasn’t trying to knock all the air out of Lei’s chest. 
She ceased her efforts to climb down the side of the truck, collapsed at my side, and wheezed. I had seen Lei upset before, but never in my life had I seen somebody look so wounded by mere words— words that weren’t even harsh. Blinking at her, I understood: Lei didn’t have parents.
We never talked about her family. I would never know how to approach that topic— and I didn’t know yet that her mom was the idol who never debuted. I could just tell from her labored breathing that she didn’t have a father. That’s why she followed her mom everywhere. That’s why she sat alone at that table by the vending machine every day. That’s why she claimed Super Junior as her family, and that’s why they protected her: they were filling a void. 
Had I believed that an embrace could mend that kind of deep wound, I would have wasted no time in slinging an arm around her shoulders to brace her against everyone’s stares. I didn’t believe that, though, even if I wanted to, so I just laid my arm over the edge of the car, cutting my eyes at Chanyeol (because he was on my nerves, and we were only in this situation because he couldn’t be nice to Lei for five seconds) and Kyungsoo (because, despite his good intentions, he prodded at Lei’s wound and made it impossible for me to ever overlook the scar again). 
I said, “I don’t think we should rush to return Lei to whoever abandoned her at the concession stand.” I think I was angry. My hands were balled into fists, and my jaw was so tense that my words were almost unintelligible. I’m not sure, though; I’m not that experienced with anger. 
Even before her breathing hitched at the word ‘abandoned,’ I should have known that I said the wrong thing. I wasn’t trying to make matters worse. I didn’t know what to say. I could only grimace at my mistake after the fact— after I couldn’t snatch the words back out of the air. 
Luhan playfully tugged on one of Lei’s twin braids and, after earning the faintest grin, he said, “I think we should keep Lei! At least until the movie ends.”
Well. If you put me at that awkward stage— no, even me on my best night— next to Luhan, I guess it’s clear who any kid (or maybe any girl at any age) would prefer. We weren’t even in competition, and I felt like Luhan was winning. How stupid. 
Nodding enthusiastically, Minseok agreed with Luhan, Chanyeol groaned, and Kyungsoo insisted (despite the fact that the entire drive-in was a dead zone) that we should call Lei’s parents, but Lei didn’t respond to any of them. She didn’t even seem to hear them. She only looked at me with big eyes. 
Did she want me to tell her what to do? I guess that was something I did often enough without being asked, but— for the first time in a while— I didn’t know what to say. 
Unsure of what to do with the authority she always entrusted to me, I cast my eyes toward the screen and fidgeted with the speaker. “Hey, Lei.” I didn’t glance at her, but I could still feel her eyes watching me. I know she wasn’t looking for fault. I know that she was just admiring me the way only a kid can. Still, I squirmed. “Can you translate this movie for me?”
Once I looked at her, and she understood that I was encouraging her to stay— resolving within myself to help her find her mom and Heechul once the street lights turned on at the end of the movie— she smiled. Her gap was now replaced by the metallic glint of braces. I guess I was just glad that she could breathe again. 
Lei had just started to nod her head when a shriek broke through the quiet night. “Why don’t you shut the hell up? If you’re so invested in how this fairytale ends, I’ll tell you— the girl falls in love with the beast! He falls in love with her! And it’s beautiful! Now, get out of my way! I’m looking for my kid!”
In the moments before I realized that the shriek belonged to her mom, while the guys and I spun our heads in search of the conflict, I clutched Lei’s arm and pulled her behind me so I could shield her. In the event of a real emergency, I don’t know how effective my body would have been as a shield, but I wasn’t really thinking too deeply. At some moments in life, you act purely on instinct. That was one of those moments. My instinct was to protect Lei from the screaming woman. 
In hindsight, even now that I know that there was no real threat to our safety, I am proud of my instincts. 
Heechul’s voice preceded him. “Kimberly, you have to calm down.”
Recognizing Heechul’s voice, I figured that Kimberly must have been Lei’s mom’s name. My forehead wrinkled as I tried to fit the name with her face. It was weird, I guess, because I had never heard it before, just like I had never heard her yell. 
“Calm down?” She laughed one of those hollow laughs. The scary kind. “You leave my child all alone at the concession stand, and you have the nerve to tell me to calm down?”
Heechul must have been stupid to argue with a panicked mother. “I told you, she wasn’t alone! She was with two handsome young men—” Minseok and Luhan, I assumed— “and from how she lit up while talking to them, I assumed that they were friends!”
“So you just left her there?”
“I didn’t mean to!” I don’t know how Lei’s mom resisted the urge to punch Heechul’s face that must have coursed through both of us with comparable intensity. “Besides,” he added, “Lei is, like, a black belt in taekwondo, so if she was in trouble—”
“She is a little girl!” Lei’s mom screamed to drill the rather obvious reminder into Heechul’s thick skull. Some kind of desperation ripped through her voice and caused Lei to tense under my grip. 
Something about the frown I found on Lei’s face when I glanced back at her and the fear in her mom’s voice spurred me to action. “Come on, Lei.” I ushered her out of the bed of the truck, offering both of my hands so she wouldn’t trip. “Let’s go find your mom.”
Her small, cold hands trembled in mine, and as I opened my mouth to ask what was wrong, it dawned on me: she was afraid of the dark. She tripped once or twice because her eyes were fixed up on the sky, probably searching for the moon and stars. 
Once we found her mom and Heechul after a few minutes that felt like eternities because of the silence and her palpable fear, I thought they would never stop thanking me for being, as Heechul said, a knight in shining armor. 
“You’re welcome,” was the only thing to say. I guess I meant it because something like pride spread through my chest and pulled my lips into a smile even though it was dark and nobody could see it. 
When I released her hand, Lei mumbled, “Well, I guess you’re leaving now, right?” Although I couldn’t quite make out the features on her face, I imagined from her tone that she must have been pouting. Without even waiting for my reply, she said, “Goodnight, Sehun. Thank you for helping me find Mom and Heechul.”
Mostly because I wanted Lei to be happy— and I realized that somehow, just by being around, I made her happy— I raised an eyebrow at her. “What are you talking about? I told you— I need a translator, and nobody back in that truck knows English. Where you go, I go.”
Hearing my excuse for tagging along, neither her mom nor Heechul objected. Breathing another sigh of relief because Lei was safe and sound, they led us back to their car. As Heechul finally started to apologize for losing Lei in the first place, nobody noticed that Lei was bold enough to reach for my hand again with the whispered excuse, “I don’t want to get lost again, Sehun.”
I gave her a stern stare— the one I tried to reserve for the lectures about acting appropriately around boys— and I know she must have felt it. I know she must have been able to see it even in the darkness when she looked up at me, but she wouldn’t let me go. 
I guess because I started it by holding her hand first, I guess because I didn’t want her to get lost again either, I guess because I wanted to be some comfort even if I couldn’t cure her fear of the dark, I guess because I didn’t want to risk driving the smile from her face, I just let her do what she wanted that one time. 
That one time would become two times and then three and then a hundred and then a thousand and then a million until I didn’t know how to tell her no anymore, until I didn’t want to tell her no anymore, until I didn’t know what to do when she wasn’t bold anymore, until I didn’t quite know what to feel when she didn’t look at me first anymore. When I walked with her through the night that was too dark to find any stars or even the moon, I swear I never imagined that she would grow into somebody that I love in the heart-fluttering, gut-wrenching, world-changing kind of way. 
Then, Lei was just a kid who deserved a protector, and I was just one of many who tried to overfill the place of a father who never should have left her. 
As I walked with her, deciding what I would say to Chanyeol when he would inevitably curse me for ditching him (again) for Lei, I told myself that I wouldn’t have been able to find my way back to the truck anyway. And it wasn’t a lie, I swore as Lei’s translation of the movie— complete with unique voices for each character— captivated everyone in her mother’s car. 
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lutrain2020 · 4 years
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Meet the Creator!
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Introducing: Squido!
Commission:  I haven't and don't really intend to. I don't want to take anyone's hard-earned money. Just ask me to draw things and there's a good chance I will.
Social Media:  Tumblr: @sky-squido​ AO3: https://archiveofourown.org/users/sky_squido/pseuds/sky_squido
Tell us a little bit about yourself!
Call me Squido! I love to draw and write but I'm also super extraverted and I love interacting with humans so always feel free to chat with me! Aside from drawing and writing, I just love being outside and have a tumblr sideblog dedicated exclusively to nature photos I take. I love mountains, the ocean, the sky, and just about everything else in this beautiful world of ours! If you ever feel like having an internet stranger give you a thousand word rant, ask me why my favorite color is blue and you will not be disappointed!
What got you into creating? what inspires you to keep creating?
I've been drawing for as long as I can remember and can't seem to stop, though I take long breaks sometimes I always seem to come back to it again. I try not to have anything in mind when I draw, but to start sketching and let the drawing happen. Sometimes I find that what I'm trying to draw is not what my drawing wants to be (if that makes any sense) and change what I'm making halfway through. It makes drawing a really relaxing and carefree therapeutic experience! Writing is different. I've always enjoyed writing, but I didn't write much and never shared my writing with anyone because I thought it was super pretentious. It wasn't until entering High School and joining the literature club and making a deal with a friend that we'd share our writing with each other that I actually gained any sort of confidence in my ability and sought to improve it. Being in that club and sharing my pieces at the open mics was a really encouraging experience! I invite everyone to share their writing, even if it's with some random internet stranger (I'm open anytime!) if they're unsure of their abilities. A little encouragement goes a long way! Now that I'm on Discord, ao3, and tumblr, I receive so much more feedback than I ever have before! It's been super encouraging! What inspires me most is definitely nature. Even if my ideas aren't directly related to the outdoors, I get my best ideas there. Fandoms are also a great idea generator. The sheer volume of headcanons and prompts is enough to make me dizzy with ideas!
What's your creative process like?
I love sketching. My favorite thing about drawing digitally is that I can sketch as much as I like and never worry about wasting materials! Often times my sketches turn themselves into drawings without permission and other times they stubbornly remain sketches for all eternity. I always dive right in because I have no patience and the idea I started out with generally isn't that great but in the process of pursuing it, it spirals out of control and sometimes the idea gets better and sometimes it gets worse but I just kinda roll with it. Creating is a really chill process for me and while I regularly scream stuff like "I'M DRAWING ON THE WRONG LAYER NONONONONONO" or "NO HECK FRICK SHOOT IT SMUDGED HECK HECK GET THE ERASER QUICK," the creative process is a great way for me to unwind. I'm the same way about writing. I never plan or outline and just kind of roll with things. I mean I generally have the basic jist in mind, but I try to not have a plan so I can keep the story driven by the characters and not force them into acting the way I wanted them to in the outline I made hours or even days ago. Creating is my opportunity to break free so I don't really see what good a plan or outline does me. I'm a pretty spontaneous person!
What kind of mediums do you like to use?
I like to take pictures, but it's not really my main focus. I've been mostly digitally drawing—I use my iPad Pro and Procreate—but lately I've been pencil sketching with just your average everyday mechanical pencil (I'd forgotten how nice the texture of paper was! Clearly I spent too much time drawing on my iPad!). I have these Stabilio chalk pastels I love to pieces, but have also spent a great deal of time with watercolors. Digital is my primary medium currently, though.
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Is there a specific scene wrote that you are particularly proud of?
"Sky’s golden scales are glowing with reflected light from the sun while beneath them, the same pulsing blue in her mane runs like a river as her very skin is alive with electricity. The sun’s beginning to dip, fading through the color wheel from yellow to deep orange to scarlet and the world is bathed in watercolor and hue shifted through the rainbow until all that was blue becomes red. This new alien world begins to darken as red fades to deep purple-pink, the clouds catching last vestiges of gold in their pillowy folds, yet Sky continues rippling with lighting, the bright blue flowing like blood through her veins and the gold shimmering in the eerie azure glow. We weave through the winds and zephyrs and I close my eyes and let the breeze caress my hair and when I reopen them, I’m standing back on the ground again in a world long since darkened by night. I place my hand over my beating heart where Sky is still laughing with joy and smile because once you’ve awakened your dragon, you don’t need wings to fly anymore."
Is there someone who inspires you and your writing or art?
Every fanartist and fanfic writer that posts their stuff online is an inspiration to me. Even if their stuff isn't very good—especially if it isn't very good—it's a huge testament to the courage of the creator and their bravery in expressing themself! I sat on fanfic and fanart for years and never shared it and here were kids half my age putting out art that was their first experiment in a new medium and a little shaky but it was still out there and they were still being supported by the community and that really inspired me to reach out and stop lurking in fandom and actually get involved!
is there something that you struggled with that made you grow as a creator?
I feel like everyone has these periods where they were just gaining confidence in their artistic ability but suddenly everything they make is trash and they're not happy with any of it and they feel so down and worthless and "where did all of my hard-earned ability go? Will I ever get it back?" I think this is a pretty common experience and when I find myself there, I find it most helpful to share what I make anyway, even if I hate it, with someone who I know will give it to me straight because they'll point out the deeper problems—the root of the issue—that I hadn't even noticed and I can use that information to grow as an artist. Bad pieces are just as valuable as good ones. There was also a time where I had a lot of trouble developing a style. I did a lot of experimenting and never found anything I liked. What happened is I just kept drawing and whatever popped out eventually evolved into my style. I used to get frustrated that I couldn't draw anything without a reference, but after years and years of using references and drawing some of the same things over and over again, you won't need the references anymore. I mean, they're great and you should always feel free to use them, but over time, you won't need to look up a picture of every little thing you try to doodle.
What got you into writing or art?
My silly twitchy fingers can't ever seem to stop drawing! Same with writing. Words and ideas follow me around, little plot bunnies pestering me until they get written down somewhere. I was greatly inspired by the works of C.S. Lewis in my writing, especially his Cosmic Trilogy. My art style was aided by Hiromu Arakawa's Fullmetal Alchemist, which was a valuable stepping stone in developing my own style. Other than that, it was my own insatiable desire to MAKE THINGS that spurred me onwards. I don't think I could stop if I tried!
What's your favorite part of the creative process?
After you've got that first paragraph and you've found a flow and you've got a topic and you just GO. I get into the zone and the story starts happening on its own and I'm not an author anymore, I'm just a channel between the world of the piece and the page. That's my favorite. I love watching things take shape. I love shading a sketch for these same reasons. The whole drawing comes together and becomes A Thing and it's the most exciting time to be a creator. Something else inside you has taken over and you're just along for the ride. I have no idea if my experiences are common at all but this is what it's like for me!
What's your least favorite part of the creative process?
EDITING. I HAVE ZERO PATIENCE. THE THING IS DONE. WHY DO I HAVE TO KEEP LOOKING AT IT. CAN I POST IT YET. This leaves me with a lot of holes in what I make and I can't do a very clean, super detailed drawing unless it's for an art class and I'm forced to keep working on it. I have a terrible habit of never proofreading my things!
What's your favorite type of scene to write?
AAH hard question! I love writing description and places where I can really let my inner 19th century romantic be unleashed but I also love a good emotional moment between two characters. Something tense. I like fight scenes, but I try to keep them brief and interesting. Sometimes I find scenes where I have no idea what's going on and I try to avoid that, but it's really hard sometimes.
What's the hardest for you to create?
I have so much trouble with endings. I can generally figure something out, but there's always a moment of panic before the end like "heck I wrote everything I wanted how do I wrap this up????" That's probably a byproduct of me planning nothing XD I sometimes have trouble with characterization and making sure everyone acts the way they actually would. The hardest part is continuing after you have an "oh heck what do I do now" moment that breaks you out of your zone and all of your ideas and plot threads turn invisible or evaporate or go wherever it is they go when you're looking for them.
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What's your favorite genre to write?
ANGST ANGST ANGST ANGST. Wellll... scratch that. I love something adventure-y and plot driven with a lot of really meaningful character interactions. I've always had trouble putting my writing into genres, but I guess that kind of speaks for itself in a way.
What fandoms do you enjoy creating for?
Linked Universe is the fandom I have created and posted the most for by a LONG SHOT. I found LU shortly after making my tumblr and I joined the Discord shortly thereafter. Since then, it has been nonstop inspiration and creativity for me! I tend to get sucked into one fandom and it consumes me for a few months before I silently drift out of it and never think about it again. LU is the fandom I've been the most active in EVER though—and it's still going—so there's a good chance I'm never getting off this ride.
What's the work you are most proud of?
AAAAAAAAAAH MY BABIES. okay um here's the first and only fanfic I've ever posted anywhere but I'm really happy with: https://sky-squido.tumblr.com/post/618964544219463680/turn-back-time-a-linked-universe-fanfic I have a lot of other pieces kicking about, but they're not fandom so I haven't shared them yet. I probably will after I touch them up a bit.
Do you have any fics inspired by real life stories?
Not really? I don't really know where my ideas come from to be honest!
Where do you post your finished works?
my tumblr. I tag stuff #squido writes and #squido draws so you can find them easily. I also put them on the discord but they get lost in the stream of other works pretty quickly so stick to my tumblr. I also have an ao3 now! https://archiveofourown.org/users/sky_squido
If you have any fun stories about the pieces you made, please do share!
Turn Back Time was actually live written in the Discord, but entirely unplanned and in the #angst channel! It was just a headcanon but then I started describing it and like 2 hours and 5k words later I'm sitting in the Discord like "what just happened??"
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404fmdminjung · 3 years
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famed idol life / career meme
notes: i started doing responses one by one, but then i thought it’d be better to do one big mass-post instead of flooding dash all at once. thank you to all that sent in! appreciate u all :~) (if anyone has any numbers they need, please feel free to like this or just let me know, even if i already sent in an ask!)
2. what are your favorite b-sides/non-title tracks you’ve released?
“i like diana. there’s something moody, sultry about it with a touch of elegance. it’s almost like cheap wine on a long friday — contrasting, but it somehow fits. plus, sooah helped out on that track which becomes the cherry icing on top. perhaps, there’s something better coming out on my next album, where there’s too many b-sides that i’d cherry pick myself to be my favorite. for that, look out at the sea, captain.”
3. what is your least favorite song (title track or b-side) you’ve released?
“i don’t think there’s a least favorite. if there were, then i wouldn’t have partook in any of it — my personality’s in it or out of it. there’s no in between, especially where my voice plays a part. i don’t want to touch things where my heart doesn’t lie, that’d just be cruel. wouldn’t it? if it doesn’t relieve my soul a bit, then i don’t think i’d dip my toes in those waters.”
6. what is one thing (a concept, a genre, an outfit, etc.) you would least like your company make you do?
“i’d like to do house funk, maybe house-pop. you’ve seen elements in it in knight’s old releases, and even the oldies like decipher’s done it. unity’s dabbled in it somewhat in their b-sides, and considering fuse has amassed a long bridge of different concepts — the spectrum’s large. i’d like to wear hawaiian t-shirts and prance around to some summer house-funk, and that’s something i think the general public can all dance around in their rooms to.”
8. if you could be in any idol group, which one would you choose?
“i’ve grown accustomed to fuse — i like being in fuse. i don’t think i’d fit anywhere else, though i would say bee would be a nice change for the summer fun. i’d even enjoy myself to be in unity had i been a boy. can you imagine? the fun that would come out of belting welcome to my playground, and singing the tunes to touch. that’d be a girl’s dream come true.”
9. if you could say one thing to your ceo, what would it be?
“you’re the prettiest person i’ve ever seen. in the whole country, out of all the women in the world — you’re the standard of beauty. but i’m sure the whole world knows that by now, don’t they? i thank you for giving fuse some of the best songs, and though i’ve never met you face by face, i’d like to believe you’re better than what’s shown from face value. but, still — my wannabe face is you but no amount of plastic surgery would turn me into you, would it?”
10. if you were auditioning for your company today, what would you perform for your audition, or what would you change from your original audition?
“i don’t think i’d repeat the dance, nor attempt to dance to something like seo taeji and boys. if i recall, i did h.o.t’s we are the future, and snsd’s kissing you with a ruler i had in my back pocket. in retrospect, that was my standard of dancing — if only i’d known it’d become a bad memory to highlight the work i have left. maybe, i’d only stick to kissing you, ruler version while singing something more melodically acceptable than finkl’s now.”
11. if you could do any special stage, what would it be and who would it be with?
“i don’t know — i don’t know many things when it comes to these mix and match scenarios. i know i’d like to make a stage where i can dance freely as if i’m in the comfort of my own home. perhaps to a song like gee, or even oh — even willing to dabble in lipstick’s genie if it means dressing up like a sailor and going ahoy. i’d want to do the stage with jeonghwa, sooah, and well — i don’t have that many friends to give you a special stage, oops.”
13. if you could become a model or ambassador for any brand, what would you choose?
”again, i’ve been blessed and satiated with each and every opportunity given. working with dior has been a smooth sailing ride as well as cartier — perhaps, given the option i wouldn’t opt for pathere de cartier but a different line. still, nothing really takes away from the heart and soul of their jewelry, which i appreciate with my cup of tea. i’d continue to work with dior, and if hermes would ever take the punch — i’d even have an affair with them.”
14. if you could be on any variety show, which one (or which type of one) would you want to be on?
“knowing brothers — i really watch that show. or even, 전지적 참견 시점 — those are the shows i keep tabs of on a weekly basis. i'd love my manager to have her time to shine and steal the hearts of the world with her variety work. she’s a very funny person you know. as for knowing brothers? that’s a given knowing how quick the crowd is on their feet and the little mini-games that come from each episode. i hurt my stomach each time from laughing along so many times.”
16. what changes would you implement if you were the ceo of your company?
“a free-for-all. i’ve never wanted to become a ceo, but had i been granted the opportunity to rule on all floors, i’d implement a few things. mandatory art classes, and creative freedom to the album jackets for all my artists. no dating-bans, let it all air out — most of all, i’d let them do as they wished as long has it harmed nobody else and they could handle the aftermath. no restrictions, roam free, bunnies.”
17. what do you do to relieve the stress of idol life?
“call me pretentious or call me a sell-out, i do what any other normal person does. i like sitting in the cafes with my notebook out, sketching. i sketch people that come in and out, or the people that decide to sit next to me. if i’m home, i’m painting on canvas with my record player crooning in the background or knitting a sweater to wear next winter. on a really adventurous day, you’ll see me playing the pole or stretching my limbs at pilates. but that’s on a non-lazy day.”
18. what tips would you give to a trainee about to debut?
“wear your skin like armor, and let it thicken as time goes on. no need to get hurt by words, and instead roll with the punches — learn to accept the hate that comes, and be scrutinized underneath a microscope. sometimes, you don’t know if it’s really reality, but the faster you assimilate yourself, the quicker you learn to glide past your career. think of everything as a catch-22, only there’s no real safety net.”
19. what was the hardest part of being a trainee?
“getting along with the other people and have them stay away from getting to know me. it’s obvious, the trainee life is temporary — there’s going to be those that debut and those that don’t, so why pry further than you have to? everyone should’ve been given the basic privacy instead of trying to play formalities and get along. other than that, i hated dance practice and i still do. dance isn’t a strong suit, and having someone force me to follow a tempo i can’t march to was no fun at all.”
20. did you enjoy the lifestyle of a trainee or of a debuted idol more?
“i liked being a debuted idol far better, only because there was a layer of privacy given to me. ironically, i was suddenly in the public eye. yet, it still allowed some layer of anonymity within the inner circle and the day to day people i interacted with. starting from a sea of trainees, and having it dwindle to a group of my members — it all made it easier to handle in the end. besides, i was getting no sleep regardless trainee or not.”
22. describe your dream sub-unit (members and concept).
“take the fuse darker concepts — peekaboo, bad boy, psycho. and merge it into one, all while getting rid of the dresses too short to dress in. wrap it all together, and you get my favorite concept. i like mystery, and latent meanings behind pretty tunes, and being able to do that each comeback would be a dream. surely, the audience might get bored of it, but i wouldn’t and i’m allowed to be selfish, aren’t i? my dream sub-unit, i’d take sooah. without sooah, i don’t know what i’d do, really. she’s like a mini-mom, three years younger. then, i’d take kiana for the dance that sooah and i can’t handle. i suppose i’d add suji in there because i don’t think anyone can belt like she does, no offense to kiana. but there’s a heartier belt when suji does it. sorry to our leader, i guess.”
23. out of the following six options, would you rather be allowed to play a major hand in the lyrics, production, choreography, styling, music videos, or concepts you release?
“i started off in lyrics, so i’ll stay loyal till the end. i’ll keep to the lyrics, so i can continue to write the stories my heart wants to say. sometimes, i’ll fall into cliches, but that’s okay. if it’s not in music production or the general content of the song, i suppose i’d take a dabble in styling — and stop dressing myself in the short skirts making it impossible to dance. really, those are the only two things i’ll be selfish for.”
25. what is your least favorite part of being an idol?
“waking up early, not having enough time to draw — those would just be the superficial things, right? but really, there’s pros and cons to any jobs, just ask any office worker with a nine to five. however, if i’m given a sliver of honesty to wave my grievances, i’d like to mention that i don’t like working in short skirts that get shorter each comeback. i don’t like getting mauled by the public of who i make eye contact with or who i work with — i don’t like getting over criticized and the list goes on.”
26. what is your favorite part of being an idol?
“i’ve always been a story teller. i like crafting stories and telling my world for how i see it, and given this opportunity in music, i’m able to do so. i like playing with instruments, sketching out things for an album idea — the creative process while meeting new people along the way. it’s a journey, an adventure and most of all, it avoids stagnation. i’m on the move, go go go.”
27. would you rather be incredibly famous with a terrible reputation and hated by most or be fairly unknown with a good reputation and adored by those who know of you? why?
“i’m already disliked by most — they don’t like the way i dress, who i’m friends with or the manner in which i present myself. but i’m given the opportunity to ignore these things along the way, and learn to handle things bit by bit. given the choice, i’d rather hide in anonymity with the few around me enjoying my presence. i’ve learned by now, public opinion doesn’t correlate to much as it’s nothing more than a crow perched far away as poe would say.”
29. what have you learned about yourself and/or society since becoming a celebrity?
“i’ve only been taught life skills, such as time management and patience. in hindsight, i’ve learned how cruel people are to judge things from what they see at surface level. the world’s superficial — that’s a bitter pill to swallow. i don’t know much about myself as i haven’t gotten that part figured out. instead, i’ve just learned that the world is cruel and the people in it amount to little to no positivity — go figure.”
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astrochiron · 5 years
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the signs :: my dear melancholy, // the weeknd
Aries & Libra- Hurt You
“And now I know relationships [are my] my enemy, so stay away from me; i’m warning you”
The opening lines of the song sets us up with Abel claiming that he’s over relationships; they hate him, he hates them, and he’s warning this girl of such before everyone gets hurt. His antagonization of the relationship and his aggressive tone exudes Arian energy. It also speaks from a place of independence and rejection of the “other”.
“When you're with him, you close your eyes and think of me
Just call me up again
I'll make you weak”
Abel goes on to talk about how the two of them share a special connection and even if she’s with someone else, he’ll always be on her mind. I’ve personally heard a Libra or two express this sentiment to someone. Libras are often amazing partners and great, attentive lovers, so his claim isn’t likely unfounded.
Overall
“Hurt You” takes on the perspective of both the woman (probably Bella Hadid) and Abel (The Weeknd), allowing for equal representation that expresses Libran fairness. He’s looking at how he doesn’t want to get involved with her again because he knows that he’ll just hurt her again. Plus, its focus on the relationship itself associates with Libra’s position as the sign of romantic connections. I think Arians are very honest with themselves and, at the end of the day, would rather do bad on their own then bring another in on their problems. This also pushes people away, leaving Aries to fix everything on their own. Plus he brags on his sex fame a bit, which is common from both of these signs.
Taurus & Scorpio- Privilege
“And I don't wanna hear that you are suffering
You are suffering no more
'Cause I held you down when you were suffering”
This line is super Taurean to me. Taurus is the sign of stability, support and comfort and Abel was saying he was all three for this person at one point. If anyone cares, this is specifically talking about how Selena Gomez was physically suffering and how he was a support system for her, even allegedly offering to donate a kidney for her when her own failed. This also connects with a Taurean’s tendency to take a lot of shit until they reach their breaking point, from which there is no return.
“And I'ma fuck the pain away, and I know I'll be okay […]
But I'ma drink the pain away, I'll be back to my old ways”
I’m not one to reduce Scorpio solely to sex but it is a large part of both it and Taurus’s main tropes. Scorpio seeks a deep connection and Taurus is centered around sensual pleasure. Abel seems to be using sex and alcohol as more of an escape, leading toward more Scorpio-like (and even Piscean) tendencies. It’s doubtful that these sensual pleasures and attempts at intimate connection will actually help, but he’s down to try.
Overall
“Privilege” is basically about facing the reality and aftermath of a break up. Scorpio is associated with death, including the death of a relationship and the aftermath afterward. Taurus focuses on living in reality with its Earth association. It’s all about the here and now, being stable and physically present which is shown with the physical ways Abel tries to patch himself up after his heartbreak. Scorpio, not he other hand, focuses on evolution and growth especially after a major upset like a break up.
Gemini & Sagittarius- Try Me
“Once you put your pride aside
You can notify me (-fy me), -fy me (-fy me)”
This reminds me of Gemini. They’re not too prideful when it comes to things they want. Gemini is often compared to school-aged ids and that’s very true when it comes to their motivations; no pretense or deep thought when its something they simply want. I can totally see them persuading a partner to be less pretentious; “C’mon, don’t over think this one. When you stop being so honorable, let me know.”
“Havin' thoughts you never had, yeah”
This line reminded me of Sagittarius’s ability to make things more logical or philosophical, seemingly the opposite of Gemini’s simplcity. They’re good at pushing their ideas for their own benefit, making the woman have thoughts she never had in the first place.. “I mean it’s not really cheating if you and I don’t kiss; no emotions involved. Besides, you’re not married so you’re technically single,” or “I mean what’s the actual definition of cheating?”
Overall
So “Try Me” is basically Abel telling this girl to leave the guy she’s with now and try him out again. I’m so sorry if this offends y’all (I’m not sorry, really), but it instantly reminded me of both Sag and Gemini. I’m a Sag moon and I know how… calculated we can be with these matters. Gemini represents all things familiar and things you’re pretty well-versed in due to repetition and what screams that more than having sex with an old fling?
Cancer & Capricorn- Wasted Times
“And what they got that I ain’t got? Cause I got a lot”
This is a line that someone who likes to provide for others would say. Both signs are concerned with protection and providing, Cancer wanted to nurture and provide emotionally while Capricorn shields and provides physically. It screams, “I took care of you and I gave you all i had; what can he give you?”. This also speaks to the Capricornian tendency to compare status.
“I ain’t got no business catching feelings”
Cancers are super stubborn when it comes to trusting and letting others in, especially romantically. It’s all to do with that crab shell that protects them from harm. They have no time to catch feelings cause when they do, it’s insanely deep. This is the same for Capricorn, really, as they (GASP) change their future plans for those they love and hate fucking with their vision for those who aren’t serious.
Overall
“Wasted Times” is about Abel being a highly publicized relationship with Selena Gomez, the operative Capricornian word being “publicized”. Abel hates to think he publicly linked his name with someone that he considers as wasted time. Both Cancer and Capricorn is all about time too; Cancer will lament on time wasted, saddened by past mistakes and Capricorn won’t even let you waste their time, focusing on the future.
Leo & Aquarius- Call Out My Name
“You’re on top, I put you on top I claimed you so proud and openly, babe”
Aquarians are almost as secretive as Scorpios especially when it comes to associating themselves with people. Aquarius re-prioritized and even claimed her publicly, both being a big deal. Putting the one you love on top is also such a Leo trope, too; love before all, even self.
“Why can’t you wait ’til I fall out of love?”
This line is pretty self centered which tend to associate with (all fixed signs but especially) Leo and no, that’s not always a bad thing. Leos and Aquarians both don’t like when people don’t react the way they planned or in the way that’s most beneficial toward them. He simply wanted her to wait to move on until he was ready to move on himself, now is that too much to ask? To a normal person, hell yes.
Overall
“Call Out My Name” starts the album expressing how Abel is putting way more into the relationship than the other party. Every single person with heavy Leo placements that I’ve known have hearts bigger than Volkswagen Beetles, so they tend to give their relationship 250% even if the other person is only capable of 19%. This also gives a brief look into the often irrational and deep feelings that Aquarians claim they don’t have.
Virgo & Pisces- I Was Never There
“Now I know what love is and I know it ain’t you for sure
You’d rather [have] something toxic, so I poison myself again, again”
This is the line that secured this song as Virgo for me. Abel aways equates women or the pursuit of them to drugs and the fact that he knows how unhealthy the relationship is shows a Virgoan awareness as well a Piscean tendency to ignore such awareness. He’s resorting back to what he knows, the tried true method of coping, so he can feel better.
“I'm on the edge of something breaking
I feel my mind is slowly fadin'
If I keep going, I won’t make it”
These lines at the end of the song, again, point toward the Virgo-Pisces axis. Virgos are hardworking to a fault. They, like Abel, do what they can until they’re completely spent. Pisces will put forward energy they don’t even have to help boost those around them. Both of these methods are unhealthy and ultimately self-destructive. If he keeps putting all his energy into this thing and she keeps sucking it up without reciprocity, he simply won’t make it, or at least they won’t.
Overall
Well I immediately pegged “I Was Never There” as Pisces and since there were only six songs, Pisces’ sister had to come along too. It does fit though! Virgo and Pisces both are mutable signs and this song is specifically discussing the end of a relationship. Mutable signs bring on the ends of their respective seasons are associated with destruction, critique and moving on. He turns to drugs and other unhealthy escapist shit to get over the relationship which, stereotypically enough, is associated with Pisces.
check your moon sign (for the song that makes you comfortable and puts you in your emotions), sun sign (the song that makes you happy and the one you ride around to) and venus sign (the one that speaks to your inner artist). the whole album is a no-skip™ for me. treat yo self.
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a-duck-with-a-book · 3 years
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REVIEW // Circe by Madeline Miller
★★★★★
⚜️ Join Book of the Month! ⚜️
In recent years retellings of myths and fairy tales have been hit or miss for me. On the one hand, many of them originate from oral traditions and were ever-changing, details shifting to fit the needs of the people and societies telling them.
[I apologize in advance for the long monologue ahead]
Back when I was in undergrad, I took a course in which we looked at the stories we tell each other and how the lessons shifted from century to century. It was the very first class I attended in my first semester of college, and it completely changed the way I approached stories-not just the ones that have firmly entrenched themselves in the canon of storytelling, but also the trends and tropes that populate the best-seller lists today. In particular, the most interesting lesson I was exposed to was how much these traditions were centered around women. They were the protagonists, the story-tellers, and the intended audience.
Obviously, this doesn’t apply to every single culture or story, but overall many revolved around teaching women how to behave, what to fear, and what to expect in life. Because of the women-centered history these stories have, I’m always fascinated to see them reimagined to fit the standards of our contemporary culture (whether the author does this purposely or subconsciously], and the recent trend that has swept the literary industry (especially in YA) has saturated the market with just this type of novel. Curses inflicted on women become superpowers or symbols for oppression and misogyny, damsels save themselves, evil crones and queens receive sympathetic backstories or redemption arcs-overall, all of these modifications are evidence of an industry which is seeing increased numbers of recognized women as authors, editors, and, most importantly, is seeing the power of female audiences.
// image: official cover art by Will Staehle //
I’m saying all this because I want to emphasize how these modified storylines are an important subject of study. Because of the audience (largely teenage girls) and the subject (“girl power” narratives often chided as being too on-the-nose or cheap) it is much too easy to sweep these to the side instead of seeing them as a development in the history story telling more than worthy of academic attention. Yes, some of them can be very cookie-cutter and bursting at the seams with annoying tropes, predictable plot lines, and angsty characters, but the popularity of a trend that takes centuries-old (or, like in Circe’s case, millennia-old) stories and transforms them into entirely new lessons for the young men and women reading them. Basically, what I’m saying is that I love retellings and they should be taken more seriously instead of being swept under the rug because many are aimed at a YA audience and therefore cannot possibly be worthy of the time of serious scholars.
[alright, I’m done with my rant, here’s the actual review]
Circe is one such tale, which takes a much-maligned but eternally fascinating character and provides a glimpse into her life. Miller introduces us to the world of Circe with a beautiful narrative voice that evokes the tone of the classical works that it draws from. What I loved is that it manages to weave a complex and deep tale without every feeling pretentious. I personally adore the Odyssey (It was my first true introducing to classical myths when my aunt and uncle showed me the 1968 miniseries starring Bekim Fehmiu and Irene Papas. It was also my bisexual awakening), so I was more than happy to see snippets of it from an entirely different perspective. All of the characters that appear are also very fleshed out. One of my frequent criticisms when reading the feminist retellings I have mentioned above is that they can depict any female character as being wholly good or innocent while everyone around her, especially the men, are unequivocally evil, when it is never quite that simple or black and white. Again, Miller is skilled at showing the grey morality that envelops everyone in the story, especially immortals like Circe, and the shifting views she has of people as time progresses. Without getting into any spoilers, I particularly liked how she wrote Circe’s relationship with Odysseus, and how it explores the problematic aspects of figures from classical myths.
I did have some issues with the book, however. The plot shifts pretty suddenly about 2/3 of the in, going from retellings of myths involving Circe to a newly fabricated story. There’s nothing wrong with that per se, and i did enjoy the last part of the book, but it felt a bit jarring to suddenly leave the established purpose of the rest of the book to embark on this new plot line near the end.
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