#My own vent | Explore Tumblr Posts and Blogs

inkskinned · 1 year

Text

the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.

capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.

now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.

and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.

and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.

and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".

it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"

#this was much longer i had to cut it down for legibility #but i do want to say i am aware this post doesnt touch on human rights violations as a result of fast fashion #that is because it deserves its own post with a completely different tone #i am an environmental educator #so that's what i know the most about. it wouldn't be appropriate of me to mention off-hand the real and legitimate suffering #that people are going through #without doing my research and providing real ways to help #this is a vent post about a thing i'm watching happen; not a call to action. it would be INCREDIBLY demeaning #to all those affected by the fast fashion industry to pretend that a post like this could speak to their suffering #unfortunately one of the horrible things about latestage capitalism as an activist is that SO many things are linked to this #and i WANT to talk about all of them but it would be a book in its own right. in fact there ARE books about each level of this #and i encourage you to seek them out and read them!!! i am not an expert on that i am just a person on tumblr doing my favorite activity #(complaining)#and it's like - this is the individual versus the industry problem again right because im blaming myself #for being an expert on environmental disaster (which is fucking important) but not knowing EVERYTHING about fast fashion #i'm blaming myself for not covering the many layers of this incredibly complicated problem im pointing out #rather than being like. yeah so actually the fault here lies with the billion dollar industries actually.#my failure to be able to condense an incredibly immense problem that is BOOK-LENGTH into a single text post that i post for free #is not in ANY fucking way the same amount of harm as. you know. the ACTUAL COMPANIES doing this ACTUAL THING for ACTUAL MONEY.#anyway im gonna go donate money while i'm thinking about it. maybe you can too. we can both just agree - well i fuckin tried didn't i #which is more than their CEOs can say

15K notes · View notes

theav0cadobaby · 10 months

Text

You know I wish fatphobia was less pervasive. Even among people who consider themself as progressive, it's rampant. So quick reminder. No it's actually not easy to stop being fat, and it sucks that we are treated differently for something we really can't control. Shaming a fat person for being fat, and shaming them for not having the "willpower" to become skinny- is bigotry. And if all you talk to fat people about is weight loss and dieting- congratulations! You're being a dick! Stop.

#fatphobia #im trying to work on my own internalized fatphobia #and making statements like this helps #vent ish #ok to reblog

11K notes · View notes

catmanbowser · 3 months

Text

his biggest fan is in fact his own little brother

#tim drake #dick grayson #nightwing #robin #dc #catman's art #im on the roof and i needed to do a vent drawing where i adore my own brother but i also wish im close to him like before #im jealous of them. i really am.#i hate where i am right now. i wish i can talk like a normal person instead of being intimidated by him.#anyways its cold tonight and the wind’s lovely <3

2K notes · View notes

greenlaut · 2 months

Text

anatomy of an assassin

#(shakily hands you altair)#vent art from the really shit nightmares ive been having lately #its supposed to represent how derealisation feels like—when you just wake up from a nightmare #and nothing feels real. your body is not yours. putting on clothes is like putting on your own skin again until you feel Normal #dont look at my open tabs of middle eastern clothing. ihad an autism moment there for pseudo-accuracy sake #inhuman altair feels again ig. will you ever be comfortable in your own skin? (the answer is perhaps never)#my art #asscreed #assassins creed 1 #assassin's creed 1 #assassins creed #assassin's creed #ac #ac1 #altair ibn la'ahad #altaïr ibn la'ahad

739 notes · View notes

nessproblem · 4 months

Text

I can’t stand fighting with my own thoughts anymore, I just want to die

884 notes · View notes

bixels · 20 days

Text

#personal #vent art kinda #i kinda miss drawing my own style of characters #but yaknow i've been drawing gg20s for the past 9 months #my art

649 notes · View notes

tapeworrmart · 4 months

Text

Some of my favourite 'not fan art' pieces I did this year! Hope to draw even more original work in the coming one

#It's been really freeing to draw my own silly little ideas or OCs this year #I do love fan art and drawing characters I love but it's nice to have a choice #Maybe next year I'll draw even more original stuff. Even if it's vent art or maybe a zine idk #I really miss the spring/summer I was in a cowboy mood tbh. Can't wait for warmer weather to come back #art #sketch #character art #horror #gore #original character #original art

498 notes · View notes

ineffable-suffering · 6 months

Text

The Jane Austen Ball and why it was never about Nina and Maggie

Otherwise known as (*takes a deep breath*): A completely inflated close-up look at various dialogues and events of Season 2 that prove that the Whickber Street Traders and Shopkeeper's Association Meeting Cotillion Ball was supposed to be Aziraphale's confession to Crowley

Look, the point's been made before but that's never kept me from making it myself again, still. In fact, even I made it before, at the end of one of my other metas. But I feel like it's absolutely worthy enough to get its own soppy, way-too-long post. And I do love it so very much to write ridiculously long essays on something that could easily be condensed into a short paragraph.

So, here we go! Snuggle up, get cozy, settle in and, most importantly:

(Word count: 3.177 | Reading time: ~13 minutes)

As I already said above, I laid out a similar case in my meta about why Aziraphale is somewhat of an unreliable narrator. I'll try and recycle it here briefly, so I can further make my point.

When Aziraphale arrives back in London from his Edinburgh journey, he seems oddly happy and giddy for the fact that he just had a rather odd and threatening encounter with Shax. I explain in my other meta that this is because he just spent the last hours of his drive reminiscing on the thrilling and romantic magic show adventure of 1941 and also the fact that he just found out that Crowley has been replaced by Shax and no longer works for Hell.

Ergo: We have a hopelessly lovesick Principality at our hands, who's practically swooning over his serpent who saved him, his books and his magic show all those years ago.

Ergo:

✨This✨

Realistically, Aziraphale should probably be a tad worried about the eery encounter with Shax, in which she definitely had the upper hand on him. But well, if you spend many-a hours driving across the serene countryside (Edinburgh is about an 8-hour drive from London), pondering on one of the craziest, sticky-sweet romantic adventures of your not-life life, well ... things tend to turn a little rosy around the edges. Head in the clouds and all that. Light shades of grey!

Alright, onwards: Once the angel, filled to the very brim with fond memories and butterflies, gets out of the Bentley, he's kindly met with a face full of verdant plants and a very in-character-grumpy Crowley.

Fhwack! Way to burst the rosy bubble.

Seriously, the absolute lightning speed with which Crowley storms out to vacate the bookshop the very second Aziraphale arrives makes me giggle every time.

Let's make a first small (who am I kidding) diversion into analysing the following conversation in unnecessary detail ...

... simply because I enjoy quoting dialogue as an accurate reference in my metas. I'll also highlight certain passages I want to comment on in individual colours so I can back up my thoughts with them below. Alright, their little chinwag goes as follows:

Crowley: "They you are! I was worried something might have happened to you." Aziraphale: "No, nothing happened to me. Very uneventful journey indeed. No strange things at all." Crowley: "Good. That's what we wanna hear." Aziraphale: "Um .. everything okay with- ah.." *nods to the bookshop* Crowley: "Oh, yeah, fine. He's singing to himself. I think he must have been asleep. I heard snoring coming from his bedroom–" Crowley, to the Bentley: "Did you miss me? I bet you did." Aziraphale: "... I'm sure it did." Crowley: "So, any more clues from the mystery of the missing archangel?" Aziraphale: "Not exactly. Or, if there are, I haven't yet cracked the case. But I'm certainly hot on the trail of something." Crowley: "I'm sure you are. Oh, by the way, the whole sudden rain and awning thing was a complete washout." Aziraphale: "Sorry?" Crowley: "You know, project making Nina fall in love with Maggie. I failed, it's your go." Aziraphale: "I see. Well then, Whickber Street Traders and Shopkeeper's Association Monthly Meeting, here we come!" Crowley: "You're really hosting the meeting?" Aziraphale: "Absolutely! And I can guarantee you, it will be a night to remember."

At first glance, this has little to do with the plot of this meta but actually, it folds into my point very nicely! However, it's not time for that yet, so we'll just state the facts as they are for now and then bring them back 'round later when we need them. That being said: For the love of Someone, will these two ever manage to simply tell each other the truth of what happened instead of thinking they can protect each other by lying about it all the time? Hrmpf. As a big fan of open communication myself, I'm close to developing a stomach ulcer with the amount of false truths being spewed here. (Then again – and yes, that is another, way larger meta I'm currently cooking up – it plays so very perfectly into the whole Jane-Austen-Pride-and-Prejudice tragic miscommunication theme that this entire Season has, so I understand the point of it.)

Very uneventful journey indeed, Aziraphale, except for the fact that you were ambushed by a demon who told you she was Crowley's successor, knows about the rumors of the two of you being an item as well as what went down in 1941 (that almost had both of you exposed) and also seems to have figured out where you and your demon boyfriend are hiding Gabriel, all in the span of about a minute. No strange things at all, nooo!

And Crowley's "Oh yeah, fine" is a total lie too. Again, we see him make an absolute run for it before Aziraphale can even enter the bookshop. After all, he just once again witnessed Jim have a Gabriel-flashback, speaking of the Second Coming, while Crowley was alone with him. As fumingly angry he is with the amnesiac archangel – he's also absolutely terrified of what might happen (to him and Aziraphale) should Jim regain his memories. So, no wonder he's quick to vacate the premises after witnessing Jim's rather eery memory flashback (and was, just like Aziraphale, threatened by Shax mere moments later, lol).

But no, nothing out of the ordinary happened to either of them. Tip-top. Absolutely tickety-fucking-boo.

Alright, let's get back on track with the actual topic of this meta. Certainly hot on the trail of something, hm? At first glance, it might seem like Aziraphale is talking about the fact that Gabriel was in company of someone whenever he went to the Resurrectionist Pub. (The clue!) However, I don't actually think he is talking about that. Why? Because, and this slipped my mind too at first, he never actually follows any of this information up, does he? Yes, sure, he went to Edinburgh, found the capital-c Clue and then returned to London. But what does he do with it? Nothing. He doesn't keep investigating this hot trail because that's not the important thing he realized during his journey. No, the more important clue Aziraphale found during his trip, is that Crowley no longer works for Hell and that he is also very much irrevocably in love with him and must confess this at the earliest given chance. (The latter part isn't necessarily a new discovery for Aziraphale, but it surely is fuelled by the fact that he just realized Crowley's out of a Hellish job and simply hasn't told him yet.)

This exchange just the perfect indicator for the fact that Aziraphale, at no point during his drive back, was thinking about the Maggie and Nina mission. He has no idea what Crowley is talking about once he mentions it and seems surprised, even, that he would. Even though they just talked about it on the phone when Aziraphale was still at the graveyard. Which is another important piece of evidence because it means that the last status update Aziraphale got of Mission Lovebirds, was that Crowley had sensed an opportunity to make them fall in love – and had then hung up on him. Why is this important? Because it means that until that very point of their conversation, Aziraphale did not know that Crowley's attempt had failed! There would have been just as much of a chance of Crowley's weather miracle actually working out and Maggie and Nina already having skipped into the sunset happily ever after.

So, riddle me this:

Why would Aziraphale spend the entire ride back from Edinburgh plotting "a night to remember" (because clearly, he already had the entire Ball planned out down to a T in his head since he goes into action right away after arriving) if he didn't even know yet that Crowley's attempt had failed?

To be very clear here: We're not talking about Aziraphale driving on the M1 to London, having a silly little idea for putting on some good music, miracle-ing Nina and Maggie to dance to it and watch them confess their love–

No.

He planned an entire actual Cotillion Ball with very particular location design that involves re-arranging the entire bookshop, specifically designed individual outfits for (almost) every single attendee, topped off with a live band, hors-d'œuvre, drinks and an actual choreographed group dance.

During one car ride.

Where's the party planner Aziraphale AU? I'm waiting!

Now, sure, we know that it's still quite important for Aziraphale to convince Heaven of the faux-reason they gave for their accidental ✨25-Lazarii miracle✨. But if we're all honest, this all seems to be a tad much just to make two random humans fall in love, even for that.

Glittery ball gowns and suits? Red and gold wall curtains? A modified language filter? Bloody vol-au-vents?

Talk about over the top ...

Once we start S2E5, Crowley is still surprised at the mere fact that Aziraphale is actually planning to organize the Monthly Meeting – and he doesn't even know yet that it's gonna be the most extravagant ball-boogaloo that the Whickber Street Community has ever seen! Aziraphale wanting to organize the meeting alone, is enough to render Crowley incredulous, because Aziraphale never mingles with the other shopkeepers. He usually actively avoids them and any sort of social encounters as much as he can because he doesn't care about the bloody Christmas lights, alright?

These things seem mundane and uninteresting to him, obviously, since all he really cares about is hoarding his book collection in peace like the little hedonist he is and drawing as little attention as possible to his none-business business.

Oh, right, speaking of books:

Let's take another unnecessarily detailed look at the whole Whickber Street invitation scene:

Aziraphale realizes very quickly that he's not the only one who's quite unenthusiastic about the blessed Chritsmas lights. And despite his very persuasive methods of temptation ...

... he has to take some more drastic measurements. And those are?

That's right: Giving away his books.

I'll repeat it again, slowly: Aziraphale is willingly (!) giving away or lending his books to pretty much complete strangers to, allegedly, make two other humans strangers fall in love.

Seriously, who is that angel and what has he done with our prim, fussy, hedonistic Aziraphale that protects his books with the vice grip of an eagle carrying his precious prey?

Believe in the importance of Mission Lovebirds as much as you will, but we're talking about Mr. A.Z. Fell here who, over the past millennia, has pretty much spent every day actively working out methods to stop people from purchasing as much as a single paperback from his holy shelves.

And yet: the 1965 September Dr. Who Annual? Given away. The first edition of Expert at the Card Table that was S. W. Erdnase's personal copy? Lent away to grubby human hands to fondle around with.

Let's do another coloured dialogue diversion (don't worry, it's not as extensive as the last one):

Crowley: "You just did what I think you did?" Aziraphale: "I'm not prepared to talk about it." Crowley: "You gave away a book." Aziraphale: "I had to! Maggie and Nina are depending on me. They just don't know it yet."

Crowley backs up my point: This is a huge deal. Aziraphale does not sell his books – let alone give them away for free. We're all shocked! Flabbergasted!

And the explanation Crowley and us get just ... doesn't satisfy. Something and someone sure is depending on this Ball and doesn't know it yet. But it's most definitely not Maggie and Nina, folks.

You know for whom Aziraphale would give away his books in the blink of an eye, though?

Mhm, that's right.

This pretty old serpent.

I want to take a minute to show you the reaction again that Aziraphale has upon entering the very same magic shop him and Crowley went to in 1941 to acquire the Bullet Catch:

You ... you need a minute there, angel? You're sure looking a little ... affected.

And I mean, well, no wonder. He reminisced about that very memory four hours last night. To him, this shop is where the most turbulent, ecstatic, adrenaline-fuelled and romantic night of his life began. And it shows.

I've made my point in my other meta series about how Aziraphale is an incredibly nostalgic character. He romanticizes so many things in his memories – especially the parts that feature Crowley. So, it doesn't surprise me in the slightest that he's once again willing to loosen the tight grip he has on his book collection to get the successor of Will Goldstone's Magic Shop, the shop that started it all for him, to come to his fancy Ball.

As we watch Aziraphale and his little lap dog demon pat around Soho, I'd like to take another second to point out that he goes to seven or more establishments before he even invites Nina.

... and he only does so because she starts talking to them on the street. Almost like he'd forgotten about it. Why not ask her at the very beginning? To establish whether or not he'd have to book-blackmail her too?

"Perfectly ordinary invitation with no hidden agenda of any kind", except that he's using you and Maggie as a pretence to resolve his own clusterfuck of a relationship-miscommunication Jane-Austen-style so that he can then hopefully confess his undying love to his demon not-boyfriend boyfriend.

Marvellous!

You'll forgive me another short diversion but my God, the whole exchange at the Marguerite's restaurant with Crowley literally cat-call-whistling Aziraphale over to him (and Aziraphale checking if he meant someone else first, I–)? I am weak. So, so weak and

However, this is also when we get a snippet of Crowley finally revealing the truth in place of his "Oh, he's fine"-lie earlier and telling Aziraphale that he's actually pretty scared Jim might turn back into Gabriel and smite him altogether. And Aziraphale's response is, in a cosmic sense, (remember the pink paragraph now) so hilarious:

"Have you thought of just talking to him?"

Yeah, have you? Have any of the two of you? Just thought about talking? To each other? About anything?

'pparently not. But hey, it's all good because remember what the ultimate remedy for star-crossed lovers simply misunderstanding each other is?

Bish, bash, bosh, problem solved!

Back at the ballroom bookshop, Aziraphale sends Crowley to invite Maggie in order to, in my opinion, not spoil the Ball-y surprise for him. (Inviting Maggie only now?! Wouldn't she be one of the only two guests who really should attend? Why the short notice? If she's really that important for the Ball you're planning, hm?)

On top of this, we see Nina almost not attending the Ball meeting after her partner broke up with her and Crowley being the one who coincidentally runs into her and ushers her into the bookshop before Shax and her "legion" of demons start creeping up on them. Again, if this hadn't happened by pure coincidence, Nina would have left to go home and this whole Ball would have taken place without her, rendering the apparent sole purpose of making her fall in love with Maggie useless.

Why doesn't Aziraphale care more for both of them to attend and be there? Why is he instead busy fussing over everything looking perfect and wonderful and doesn't even seem to notice that both Nina and Maggie are really late to the meeting?

Well. Well.

The answer's in the title, babes.

Alas, Crowley safely gets Maggie and Nina to join them, Mr. Brown is the only one who doesn't get a miracled outfit (fussy, petty angel, you just don't like him, do you?), Jimbriel stuns with glamour and flirt (and whatever sexually suggestive thing he does with his cheeks) and the Whickber Street Ball is a-go!

Sorry, I just had to chuck this in again because Crowley's face here absolutely kills me every time. He looks so confused, I am hollering.

And the heart eyes Aziraphale is making at Nina and Maggie now that they're actually here?

Oh, bless it, angel.

He's all like "Oh look, it's working! Jane was right! It's all going to be resolved, all the misunderstanding and quarrels! Crowley, where's Crowley–"

Ah yes, there he is.

Ladies and gentlemen, this is an angel who is not listening to a single word being said right now. No, in his head, Aziraphale is already down on one knee, pouring his heart out to Crowley after they just danced the night away.

Oh, yes, right. The dancing.

Parallel much?

But well, as marvellous and beautifully romantic as her stories tend to be, it turns out that Jane Austen isn't always right after all. Because before we know it, the perfect night shatters into many-a tiny pieces (literally).

And once again, fhwack:

... the rosy bubble bursts.

Let's take one more deep breath so I can make my final point:

In S2E2, Aziraphale explains to us very exactly what Jane's Balls (hrhr) used to be about: Solving miscommunication and confessing love to one another.

During his car journey back from Edinburgh, Aziraphale:

doesn't know Crowley's Mission Lovebirds had failed

remembers 1941 and just how badly he's in love with Crowley

and also realizes that they seem to have been wildly miscommunicating for quite some time now. (Crowley didn't even tell him he basically got let go!)

So, what does maddeningly strong love plus a want to resolve all the miscommunication equal? That's right: A night to remember! A Ball to change it all! A dance, a vol-au-vent, a confession. And, ideally, a happy ever after. Because:

“It is a truth universally acknowledged, that a single man angel in possession of a good fortune Jane Austen collection, must be in want of a wife demon husband.”

The Ball was never for Nina and Maggie. As a byproduct, maybe, yes. But the whole rest of the glimmer and glamour, the careful, romantic planning and set up of it all, the book-bating the other shopkeepers– that was for Crowley and Crowley only.

And oh, if only it were as easy as in the books.

*whispers* I'm sorry, I had to.

***

Your honour, the tinfoil-hat crackpot defence rests. Feel free to share thoughts (and prayers) if you want to!

Au revoir! 💗

#good omens season 2 #good omens #gos2 #go2 #good omens 2 #good omens meta #good omens s2 #crowley #aziraphale #ineffable husbands #my own meta #the bloody vol-au-vents made me do it #aziraphale has balls #truly #jaune austen ball #it is a truth universally acknowledged that this show is going to drive me out of my mind #azi just wanted his silly little love confession #but then he had to surrender the angle #bummer

563 notes · View notes

canisalbus · 7 months

Note

I have sighthounds (greyhounds) at home and I just love your characters!! (hope you do not mind silly art) So.... what if Machete.... but borzoi >:D

#ah yes #magnificent #peak creature #approaching true cryptid energies now #lengthening the already long lad #the bendy snoot one is my favorite I know it's muscles and soft tissue and such but I just cannot fathom how their faces twist like that #from side to side #*sniffs u* is Vasco's pov #imagine your partner venting about their inept coworkers and mystery aches and neverending existential crisis #and then looking at you like that #I'm just now realizing how strange borzois would look if they had big bat ears #these are wonderful I'm still grinning from ear to ear #gift art #notabrigmain #own characters #Machete #answered

698 notes · View notes

steddiehyperfixation · 6 months

Text

not so tragic a thing after all (steddie ficlet)

Eddie has an essay due in two days. It’s a big one, the last one of the semester, of the year, the one that will make or break his grade and determine whether or not he finally gets to graduate high school.

And he can't write it.

As in, he's been sitting at his desk and staring at a blank piece of lined notebook paper for hours, bouncing his leg and tapping his fingers and twirling his pencil but not producing a single word. It's not that he doesn't understand the prompt or that he doesn't know what he's going to write about, because he does understand it and he does have ideas, he just can't write it. There's some block in his brain, something that keeps him stuck there and anxious, feeling each unproductive second slipping by like a physical thing brushing past him, but still unable to make himself write.

Eddie's always struggled with essays. Out of all the subjects, he has the lowest grade and the highest number of missing assignments in English Lit. Which is such counterintuitive bullshit because that's his favorite subject, and it's because it's his favorite subject that he's failed it every year.

It's like this: If Eddie doesn't understand a math assignment, he doesn't care, he'll just scribble in some bullshit numbers or turn it in incomplete and take whatever grade he gets with an impassive shrug and zero damage to his self-esteem. He's just not a math guy, and that's fine. Same with science or history. But he is a words guy. Eddie is a storyteller, a writer, a lyricist; words are his weapons, his outlet, his safe space, his identity. He takes pride in his ability to artfully string his words together, and a shitty grade on a shitty essay is something he takes personally. He'd rather not turn in anything at all than turn in a collection of words he's not proud of.

Right now the words aren't coming together just right in his head and so his hand refuses to move to write them. He tries to tell himself that it's okay if it's not quite right, that something written, even badly, is better than nothing written, and that he's only guaranteed to fail if he fails to turn this in. It doesn't have to be good, it just has to be done. He tries to force his hand to move, to write something, anything, but the signal isn't getting from his brain to his hand because his fingers continue to twirl his pencil between them rather than curl around it and press the lead to the paper like he wants them to. He just keeps sitting there and staring and fidgeting and not writing like he's been doing all day, all week, all month.

Eddie berates himself for being so stuck, yells and shouts and curses at himself to get his shit together and just write. But he doesn't, won't, can't. The seconds keep pushing past him and the deadline inches closer and closer and his page remains blank and he's so goddamn frustrated he's on the verge of tears.

There's a knock on the front door that makes Eddie jump and then a knock on his bedroom door that makes him shove his shamefully empty paper under a book and out of sight as Wayne pokes his head into the room to tell him, “Your boy’s at the door.”

“For Christ’s sake, Wayne, he's not my boy.” Eddie rolls his eyes at his uncle. He drops his pencil and stands, grateful for the distraction. “Told you a million times, he's just a friend.”

“Uh huh,” Wayne says, which isn't an argument but very much sounds like one, the way he drags out those syllables with a sort of deadpan disbelief.

Eddie valiantly ignores him and pushes past him to open the front door for Steve. “Hey, Harrington. What're you doing here?”

“Uh-” Steve shrugs, looking almost like he doesn't quite know what he's doing here himself. “Missed you, I guess? It's been a minute.”

Eddie's been isolating himself the past couple weeks, canceling on Hellfire and band practices and hangouts, insisting he needs to focus on his essay. He didn't realize any of his friends had taken notice.

“Oh, and I brought snacks!” Steve adds brightly, holding up the bag of chips in his hands like he just remembered it was there. “Thought you might need a break from your schoolwork.”

“Oh.” Something warm blooms in Eddie's chest and tugs a smile from his lips as he moves aside to let Steve in. “That's sweet, thank you.”

Steve returns the smile, stepping inside. “Anytime. So - how's the essay going?”

“Uh, yeah, it's kind of not,” Eddie admits with a self-deprecating sigh, running frustrated fingers through his hair. He nods for Steve to follow as he heads back to his room and pulls the stupid blank page out from its hiding place to show off his failure. “Been at it for weeks and I still can't seem to get a single goddamn word down.”

“Hm.” Steve frowns a little at the paper for a second, but his attention appears to be far more focused on the book the page had been shoved under: a well-worn copy of Romeo and Juliet. He smirks as he picks it up and reads the title aloud, teasing, “Didn't take you for a romantic, Munson.”

Eddie rolls his eyes. “It's what the essay's on.” He snatches the book back before Steve can start to flip through it and read anything he's written in the margins. “And it's not a romance, it's a tragedy - which is exactly what I was going to write about, actually, if I could just write it.” Eddie sits down heavily in his desk chair, glaring at the blank paper. “Was gonna argue that people tend to focus too much on the romance of it all, but they're missing the point entirely, and this tendency to over-romanticize the story completely overshadows and trivializes the actual themes of the play. It’s not about love, not really, or at least not in the ways people think. It’s-”

His tangent stops short as he notices Steve beginning to rifle about his room - setting the bag of chips down on the nightstand, grabbing a pencil off the desk, scooping a random spiral notebook (his math notebook, as it happens) off the floor. Eddie turns sideways in his chair and looks at him strangely. “What are you doing?”

Steve turns the notebook to a blank page and sits down on the edge of Eddie's bed, already starting to scribble words across the paper. “I'm taking notes,” he says, like it's obvious. “Don't let me interrupt you.”

Eddie's eyes narrow. “Are you patronizing me?”

“No, no, of course not.” Steve's reassurance is quick and comes with a rapid shake of his head. He looks over at Eddie, expression earnest and genuine as he says, “I’m just interested in what you have to say. I wanna know what you think Romeo and Juliet is about. If it's not romance, what is it?”

Eddie regards him skeptically at first, answers in a measured tone and glances warily at the pencil continuously scratching ‘notes’ onto Steve's paper. But the more he speaks and the more Steve engages with such honest reactions of interest and encouragement, the more Eddie gives into the tide of thoughts in his head and lets them spill from his mouth with increasing enthusiasm: He describes the inherent tragedy of a life cut short which could've been prevented, rambles about the reality of being young and stupid and consumed by emotion, rants about the mortality rate of blind bigotry and prejudice, and waxes poetic about love itself being something tragic and dooming, occasionally grabbing the book and reading out lines of the actual poetry to illustrate his points.

When Eddie's well of words on the subject eventually runs dry, Steve continues writing for just a few seconds longer before he glances up with a grin and stands to toss the notebook and pencil onto the desk next to Eddie. “There's your essay,” he announces. “Well, kind of. You might want to rearrange it a little-”

“Steve,” Eddie cuts him off, staring at the open notebook covered in the scrawl of Steve's handwriting with wide-eyed disbelief. He looks back up at him. “You wrote my essay for me?”

Steve shakes his head. “You wrote it. I mean, it's all your words exactly as you said them, all I did was transcribe it.” He shrugs. His tone and expression are still casual and light, but the hunch of his shoulders and the way he shoves his hands in his pockets now speaks to a sudden shyness as well. “You said you just couldn't get the words down, I know what that's like. I get that way too sometimes - just…stuck - where the thoughts and the intention are there but the action is just frozen. It helps to talk it through, but it also helps to kinda separate yourself from the task a little too. I thought if I could do that first step of getting the words on paper for you, it might make it easier for you to copy some of it down and then start to write it and reorganize it on your own, might get you past that block…”

Eddie kind of really wants to kiss him right now, feeling young and stupid and consumed by emotion. He leaps to his feet and hugs Steve fiercely instead. “Thank you.”

Steve nearly stumbles from the force of the hug and lets out a startled laugh before returning the embrace. “Don’t even know if it worked yet. Thank me after you finish your essay.”

Eddie shakes his head against Steve's shoulder. “Thank you just for trying - just for being here, even. I’m sure there are much better ways you could've spent your Saturday than listening to me ramble about Shakespeare, but you stayed here anyways and made an effort to help me when you didn't have to. I appreciate it.”

“Nothing else I’d rather do. I like listening to you talk; I like how passionate you are about your opinions, even if they are a bit cynical.” Steve pulls back with a smile, squeezing Eddie's shoulders for a second before dropping his hands. “It's gonna be a killer essay.”

Eddie beams at him, the warmth in his expression a reflection of the glow that's unfurling in his chest again. He plops back down at his desk and picks up his pencil, hovering it over his own blank paper as he looks over the words - his words - that Steve had written. He takes an anticipatory breath…and starts to write.

Steve was right, restating the words once they've already been written down by someone else does depersonalize it enough to make Eddie finally able to write it and it does get him past that initial block. Soon he's able to move on from simply copying down the words and begins to add new ones and make edits. A laugh escapes him like a cheer, a short burst of something giddy with satisfaction and relief. He's writing, and writing and writing and writing, the words flowing from brain to pencil to paper perfectly and with ease, the way it should've been from the start.

Steve hangs off to the side at first like he's trying to give Eddie space to work, but ends up slowly drifting closer. When Eddie cheers, Steve's hand goes to his shoulder again, giving it another squeeze, encouraging and proud. His hand then stays there, thumb idly rubbing across Eddie's shoulder blade as he watches the other write. Eddie feels like he's got electricity running through his veins.

Somewhere within the next hour or so, three pages and two sheets of paper later, Eddie slams his pencil down and sighs with finality, “Done!” This earns him another shoulder-squeeze from Steve and a bright smile when Eddie looks up at him. “You are a fucking lifesaver, Harrington, I don't know what I would've done without you.”

“Glad I could help,” Steve says, his smile turning sheepish and his hand finally dropping from Eddie's shoulder as he gives a modest shrug and adds, “I’m sure you would've managed on your own, though.”

“I wouldn't have. I would've failed,” Eddie says seriously. “I was fighting an epic battle against my brain and I would've lost, would've doomed myself to yet another year of pointless high school existence, if you hadn't swooped in and saved me like a goddamn knight in shining armor.” He cracks a grin and stands to dip into a melodramatic bow. “I am forever indebted to you, my liege.”

Steve laughs, and it's a beautiful sound. “You're being dramatic.”

“I’m allowed to be.” Eddie straightens and grabs his essay off the desk, holding it up and shaking the papers. “This is my golden ticket out of high school, man, you have no idea how much this means to me.”

“Well then, we should celebrate.”

“We can finally eat those chips you brought.” Eddie moves around him and reaches to grab the bag of chips on the nightstand, but Steve catches his hand.

“Screw the chips,” Steve says. “This calls for a proper celebration. How about we go get dinner somewhere? My treat.”

Eddie glances down at his hand in Steve's. “Are you asking me out, Romeo?” he asks as he looks back up, a teasing edge to his grin so he can play it off as a joke if he needs to.

“Depends.” Steve rubs his thumb over the back of Eddie's hand, eyes flicking across the other's face almost nervously. “What would you say if I was?”

Eddie’s smile softens and he finally curls his fingers around Steve's hand. “I'd say yes.”

“Yeah?”

“Yeah.”

“Then yes,” Steve says, his face breaking into a bright and beautiful grin, “I am absolutely asking you out.”

Another cheer of laughter bursts out of him, giddy now for an entirely different reason. “What are you waiting for then, big boy?” Eddie holds Steve’s hand tight, already starting to drag him from the room. “Where are you taking me?”

Steve laughs as well and lets himself be pulled along for a second before taking the lead as they head for the front door. “You’ll see.”

To Wayne sitting on the couch watching some game on the TV, Eddie shouts over his shoulder in passing, “Finished my essay, we’re going out to eat!”

Wayne nods in acknowledgement. His eyes flick to the boys’ joined hands, a knowing smugness in his expression as he mouths subtly to Eddie, ‘Your boy.’

Eddie just grins in response, and then he’s out the door.

Steve takes him to a diner, Eddie’s favorite one, and it makes his chest warm again that Steve knows that. They grab a booth in the corner, hidden from prying eyes. Steve makes fun of Eddie for dipping his fries in his milkshake, Eddie makes fun of Steve for covering his directly in ketchup. It’s all talking and laughing and easy banter, same as it’s always been since they’ve been friends, except now Steve holds his hand and hooks their ankles together under the table and peppers smooth compliments into the conversation that have Eddie grinning and blushing like crazy. The famed Harrington charm is in full effect, moves and lines he’s sure Steve’s used hundreds of times on hundreds of girls, but now they’re just for him, woven so easily into the dynamic that already exists between them, and Eddie basks in it.

It’s the best first date he could’ve asked for.

Perfect gentleman that he is, Steve even insists on walking Eddie to the door when he takes him home. Steve kisses him on the porch then, soft and sweet and promising, and Eddie’s starting to think that maybe love isn’t so tragic a thing after all…

Maybe he needs to rewrite his essay.

#in which i project my own academic struggles onto 3x highschool senior eddie munson #the first 500 words of this is literally just me venting lmao #wrote this instead of an essay if you couldn't tell #steddie #steddie ficlet #steddie fic #eddie munson #steve harrington #stranger things #ficlet #mine #(now also on ao3 under the user brokenfandoms)

499 notes · View notes