sits up in bed. so lana and ema definitely thought they were responsible for edgeworth "choosing death", right?
(the rest of this post was supposed to go in the tags, because it's not very well organised or written, but it got too long so. here are the slightly edited tags for your reading pleasure (or otherwise)):
i was going to make this solely about ema because she's the obvious one with her open adoration of edgeworth, but the thing about rfta is that it goes to great lengths to emphasise the connection between lana and edgeworth as well.
the sl-9 incident showed that lana grows attached to people deeply, hence angel starr's comment on how, when neil marshall died, 'she (lana) felt like her own brother had died.' with edgeworth, i think it was similar but worse. because he's not just a coworker or subordinate who's dear to her. he saved her life. and it cost him his own.
at the beginning of the case, edgeworth says he was mistaken for thinking that lana was always looking out for him post sl-9 (a statement interesting on its own because that's when everyone else says she grew distant), and, later on, he brings ema fingerprinting powder because lana asked him to. then, of course, there's the 'lady luck' comment he makes.
similarly, on lana's side, you obviously have the end of the trial when she says he did well, but there's also that additional moment post-trial where she's the only one to notice — in a group comprising her, ema, phoenix and gumshoe — that he's 'hiding', listening to their conversation. point is, there's enough to suggest that she might have been the nearest thing edgeworth had to a mia; his 'chief prosecutor' to phoenix's plain 'chief'. they're as close as two people can be in a relationship where one of them is constantly lying and the other is von karma's star pupil.
rfta is pretty straightforwardly depicted as the case which solidified edgeworth's resolve to do what he did; i don't think i have to prove that. rumours about him have reached new heights, his car and knife were involved in goodman's murder, he makes an unprecedented mistake in court by failing to connect the evidence room and carpark incidents, thus forcing the chief of police to enter the trial to do so himself, and he's publicly revealed to have relied on falsified evidence to secure a conviction in the sl-9 case, all of which only happened because of lana. jake marshall even claims that from the beginning — that if you trace edgeworth's rumours back to their source, you end up meeting one person: lana skye.
and it gets worse because at the end of rfta, she thinks he's fine!! she literally says, 'i was afraid the pressure would break you, but you rose above it,' and reminds him he's nothing like gant because he's not alone. she leaves the case thinking he will be okay. and then, what, like a week passes, and she finds out that he wasn't, and that he's gone, and it's her fault. even after she was freed from gant's control, even after she had finally stopped lying, she couldn't prevent herself from claiming another life. so much for 'lady luck', i suppose.
and the game reiterates this multiple times. gumshoe states at the start that edgeworth's ties to those higher up in the department have made him the subject of constant rumours, and phoenix says (in front of ema) that he shouldn't be held responsible for the forged evidence because that was all lana's doing, which then leads to edgeworth commenting (again in front of ema) that he feels as though 'something inside him has died.' it all goes back to lana. we can argue and say that it was technically gant's doing that caused all of this, but lana still took actions that led to it. even her complicated friendship with edgeworth isn't spared; it's that closeness between them that exacerbated those rumours. how could she not feel responsible in some way?
and with ema, it's rather obvious, isn't it? if she hadn't gone poking her nose into things, none of this would have happened or come to light. and, of course, she'd never choose anyone over her sister, not for anything in the world — it's simply not a question, but that's the problem, isn't it? it's not a question. it's not some hypothetical moral dilemma. it just is. she may not have killed neil marshall, but she still has one king of prosecutor's blood on her hands. and now she has to live with that. she just. has. to live with it. no matter if he chose otherwise.
moving on from that a little, i think it's actually wild how much of ema's journey to becoming a forensics investigator is paved with bad memories. neil marshall's death and her subsequent inability to testify are what drives her to begin pursuing it, her first proper investigation results in her idol's "death" and when she finally graduates, the person who saved her sister has been disbarred, and she can't even help because she isn't allowed to. all that pain and constant pursuit of her goals, and she's still the same ema skye, still that girl shrouded in darkness, always one step behind the truth, one step a little too late. no wonder she was angry in aa:aj. i would be furious.
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Tbh I never read that far in DOTC but I heard so much about star flower from fandom that now hearing about it directly from you I feel so cheated. I was promised a femme fatale.. tho in hindsight considering how much these writers hate women I probably shouldn't have gotten my hopes up
I WISH we got a femme fatale. It would have been incredibly cathartic for her to make herself alluring to Clear Sky, turning his worst traits against him and getting both power and revenge. For Thunder to bond to her over it, reaching the conclusion in the end that they both had terrible parents that they need to reject.
but, knowing the Erins, they would have just had Clear Sky kill her violently and gratuitously for ever tricking him. Like how he gouged Willow Tail's eyes out. So... I guess we were doomed either way.
Anyway im cooking
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Once upon a time I found vampires as a boring option as a monster fucker/lover. Mainly because I just saw them as pale humans who drink blood and had yet to see a piece of media take full advantage of the differences between humans and vampires and all the interesting things a vampire/human relationship could offer.
Mainly because I hadn't seen a lot and only exposure was a few posts in the teratophilia tag that didn’t sell me. But having recently consumed a piece of media that sold me on just how interesting a vampire/human relationship could be and all of the fun things that could be done with it. (If you've seen my blog at all recently, you know exactly what I'm talking about)
So since my adhd brain won't shut up about all the things that could be done with it, I will ran about the things that can be done with it here.
Sorry that it's probably disorganized and certain words might be repeated a lot. This is just me writing down all of my thoughts.
First of all there's all of the different features of vampires that different tellings of them offer. There's the obvious stuff like fangs and drinking blood to survive, sunlight being harmful to them, being able to turn into a bat, them being immortal. And there's also some things someone might forget at first like not being able to see them in mirrors, or even garlic being harmful to them. Maybe these things wouldn't be that useful to consider when writing a smut oneshot, but they are small details that would effect their life and interactions they might have with a human.
Like, maybe the human is inspecting themselves in the mirror and the vampire sneaks up behind them and whispers "Boo". The human jumps before laughing and playfully shoving the vampire away but leans into their touch after they snake their arms around the human's waist. Or maybe vampires can't be seen in pictures, much to the human's dismay because they want to remember what the vampire looks like, so they teach themselves to draw so they can draw what the vampire looks like and can always look back at that picture.
Or them trying to figure out what to do when they realize the vampire will outlive the human by a lot.
Or since vampires are stereotyped to live in gothic mansions (at least from what I can tell), lean into that gothic aesthetic. Or have them live somewhere else and lean into the aspects or aesthetic that would come with that.
But my favorite thing of all about vampire/human relationships is the dynamic and potential power dynamic or imbalance that could present.
Of course, if someone wants to write a healthy romance, they might not want to lean into that. But it could still be done in an interesting way of the characters doing their best to figure out how to have a healthy relationship and communicate with each other if they see something that could potentially become an issue and come up with a solution.
The fact that they rely on blood to survive and are much stronger and faster than humans immediately introduces a predator aspect to them which could create an interesting dynamic between the vampire and what they would usually consider food.
And even then, the abilities that make vampires so much more stronger and dangerous to humans could lead to a feeling of superiority over humans in vampire society and make it even more difficult for a vampire to interact with a human without treating them as food or a pet, or simple amusement. But humans and vampires still have the same mental capacity and ability to make connections, and potentially long for someone to be with. And how those two sides could mix or collide or be at war with each other.
It would be interesting to see how the relationship starts off like with the vampire only seeing them as a future snack or amusement, and how it slowly changes as they interact and then the journey of how it blossoms into a legitimate romance. Or it could be an exploration of the toxic elements and power imbalance in the relationship and how it effects the characters (like in Castlevania how Lenore legitimately cares about and is attracted to Hector, but still treats him like a pet in some cases).
Of course, you don't have to write vampires like this. Your world building and the ways vampires see or interact with humans could be completely different and that's okay, just make sure to explore it.
And obviously not all vampires will act the same, each will have their own personalities, ways they decide to feed, and how they decide to interact with humans. You could have a world where most vampires despise humans, but have a vampire that's never interact with much other vampires and tries to live in hiding amongst humans instead and does their best to gain their blood through methods that won't hurt others. Or maybe if there's a vampire that doesn’t realize they’re treating their human friend like a pet. Or a vampire that plans on keeping the human around until their bored or hungry, but end up developing actual feelings along the way and can't imagine a life without them (which could either develop into a sweet love confession or them becoming even more possessive).
Overall, I just really like it when vampire/human stories really explore aspects like these. And stories when it would be impossible to switch out the vampire with a human without the story not making sense.
And while the main dynamic I talked about is very good for dark romances, it's also really sweet if it's about a love so strong that it overcomes all of these obstacles any vampire/human interaction would come across
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I’ll just say it
The people who hate Grace just hate powerful female characters 🤷🏼♀️
Truly. I noticed that the people who hate her usually also hate all the other strong female characters of PB
Let me just say that there is nothing wrong with being cunning, smart and independent while being a woman who makes her own choices and fights for the ones she loves. Grace had her whole life ahead of her and she was doing fine on her own. She came from a good family, she had her own career, and she was probably too good for Tommy overall but she decided to follow her heart - and that takes great strength
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