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#THE MODERN SHAKESPEARE
alluraaaa · 10 months
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ahem. ask that features very obvious trans girl egg lance and he/him butch transbian keith and also kallura-if-they're-lesbians and also hatt minorly
earlier in the day
lance: hey keith you know how you're like. a girl now
keith: yea
lance: so i was just wondering um. how did you know? sorry if that's personal you don't have to answer--
keith: i dunno i just wanted to be.
lance: yeah everyone wants to be a /little/ but i'm asking how do you KNOW
keith: .... hm.
later
keith talking to allura: i'm saying something
allura: keith no! lance will figure it out eventually. this is something lance needs to figure out on. on lance's own
lance appearing out of nowhere: talking about me? probably about how cool/awesome/talented i am haha. wait what do i need to figure out on my own
keith: i'm saying something.
allura: keith no!
keith: (ignoring her) lance. you're a girl. at least some of the time.
lance: ... (lance thoughts: why do i like the sound of that)
lance: oh i get it! you're messing with me. nice try keith. this is one of your weirder strategies though
keith: i'm not messing with you. (has face that is so so serious) you're a girl.
lance: ok well you're wrong but now i'm curious. what would make you even think that
keith: you told me everyone kind of wants to be a girl. no they don't.
lance: yeah but you're already a girl so you wouldn't know!
lance: >:(
lance: (looking between keith and allura now) allura do /you/ think...
allura: (whistles and avoids eye contact)
lance: whatever! ask any guy ever they'll tell you the same thing.
keith: hm.
now they're on a call with matt because for some reason in the vld universe everyone has everyone's skype
keith: (providing zero context) hey matt do you ever kind of want to be a girl
matt: no??
keith: see?
lance: well of course he's not gonna admit it! it's a secret!
matt: a secret?
lance: yeah everyone kind of wants to be a girl bc girls are just better. we just don't talk about it really! it's not my fault you're too scared to admit it
matt: you sound like pidge when she was 12 lol. more like team volTRANS amirite
lance: ...
keith: ok bye matt thanks
matt: wait before you go how's hunk do-- (keith already hung up bc he's kind of rude)
lance: ...
lance: i... i need to go lie down.
endgame femslash kallurance. thank you.
who needs ao3 when arbor is writing this on tumblr for free
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notyoujamie · 2 months
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thatboisus · 4 months
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tumblr writers make shakespeare quake in his grave
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leisureflame · 1 month
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THOU, THEE, THY, THINE. SAME THING RIGHT?
NO.
Although they seem very similar, Shakespeare would be in tears if he saw how most people mix them up. lets save William the misery and teach you when to correctly use thou, thy, and thine.
THOU
Thou = You (in subject form)
"Thou art killing me." "Art Thou crying?"
THEE
Thee = You (in object form)
"I want to kill thee." "My dog ate thee in my dream."
THY
Thy = Your (before a word that starts with a consonant)
"Thy mother." "Give me thy duck."
Thyself is used the same as any other thy+word combination like "thy mother" but without a space
"Take care of thyself."
THINE
Thine = Your (before a word that starts with a vowel)
"Thou art on thine own." "Thine answer hath satisfied mine query."
OR
Thine = Yours
“This is thine.” “The throne is thine, should thou choose to take it.”
(last 2 examples by @bookishwenchmeltha)
Now Shakespeare can truly rest in peace.
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Go follow me @leisureflame for more posts like this!
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necromycologist · 5 months
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yall better stop calling Shakespearean English Old English… thats Early Modern English. that English is not old it’s barely stale ???
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comradekatara · 8 months
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modern au katara reads books “for fun” that are “engaging” and “enjoyable” and sokka (big finnegan’s wake head) is like “weak. i only read books that exacerbate my suicidal tendencies”
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mewtwo24 · 5 months
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I finally finished reading the fourth volume of svsss in full, and thing is--the first time through I only read the bingqiu content because I was ravenous for more of their happy ending.
Turns out that was a perilous mistake.
Because I started reading the airplane extras. And I swear to god. MXTX is trying to kill me
What do you MEAN demon lord Binghe was sitting on his big fucking throne. All stoic and forbidding. Surrounded by his demon generals who don't know shit about human courtship. Asking them what he should do, fully demoralized by constant rejections from sqq, only to have airplane tell him to act more pathetic and needy. Which is already hysterically funny and insane, UNTIL LBH'S RESPONSE IS THIS, KILLING ME INSTANTLY:
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LUO BINGHE. WHY DOES HE SAY IT LIKE: "I already tried that, didn't work--nothing works :/ not mean, not maidenly, not housewife, not spicy, not capable disciple. Is doubling down on clingy really all it will take? What's a born hater with only one love in his life to do????"
The dichotomy of him sitting there like 'how can I reach the unfathomable depths of shizun's heart?' A HEART HE'S ALREADY WON OVER, MIND and then in the Holy Mausoleum solving the puzzle without blinking and being like 'oh yeah you just have to hit the acupoints, no sweat.' Literally the comedy writes itself I'm so--
How am I supposed to be normal about this. MXTX understands the juicy quintessential queer joy of a person with the world's power at their fingertips wishing only for love. Willing to do anything to earn that love, when unbeknownst to them it's already been freely given. Totally not screaming and yelling and clawing at the walls
And that's not even touching airplane's uproarious account of events. The way he's like 'lol what's next, lbh and sqq are best friends now? smfh' only to see lbh TACKLE SQQ LOVINGLY. FOR SQQ TO BE BASHFUL ABOUT IT BUT SO SO FOND OF THE LITTLE SCAMP. This when we've been experiencing sqq's constant inner monologue of 'I'm so cool and so dignified about my role, truly the epitome of propriety and poser-level fortitude.' Meanwhile, in their universe:
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Airplane constantly flaming???? Sqq and lbh in his observations????? His absolute bewilderment and confusion????? Legendary. No notes every single second of this shit was hilarious.
Airplane's comment that sqq + older adolescent lbh traveling together was just watching a couple in their honeymoon phase. OR the fact that lbh is exceedingly petty and refuses to share their food in the wake of airplane's interruption of their time together, until sqq relents sheepishly and insists airplane eat what's left (ONLY AFTER PLACATING LBH WITH MORE FOOD FROM HIS PLATE, SOBBING)
Watching airplane salivate over Mobei-Jun and acting like that's totally normal behavior. Finding out mbj and airplane got together first. Finding out sqq encouraged airplane. LIKE THIS. WHILE HE IS STILL IN DENIAL ABOUT HIS OWN FEELINGS:
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Mobei-jun clearly thinking their arrangement is a forever thing, heartbroken his human abandoned him with all the hapless fury of a scorned wife swept away by false promises of fidelity. Airplane writing demons to be the type to beat up their crush lovingly and still unable to connect the dots about mbj's feelings. Mbj letting him go and respecting his wishes, only relenting when there's indication airplane was poorly processing his own feelings and didn't actually want to leave. Mbj caring for him and listening to him as soon as airplane voices what he needs directly and with clarity. None of these gays are functional and it's everything to me
Unrelated, but I physically can't hold this information in anymore:
I'm still reeling from younger lbh having his sexual awakening from the image of sqq wrapped in the immortal binding cables. Condemn me as you like he was so, so real for that.
And no I will not be taking any comments about how luo bingge couldn't bear to see luo binghe cherished in ways he never got to have and all the haunting implications of that. I will also not be taking any comments about luo binghe's instinct to look for sqq in that alternate universe, only to be shaken to the very core to be unable to find his shizun anywhere. The unspeakable and latent horror of his relentless mind likely piecing together what happened, but unable to say it; to suspect what is true, and live with the harrowing confusion of his double's actions. To blame himself, to assume that he had let his anger get the better of him in that world and result in unspeakable folly...
I also refuse to talk about how heartrending it is to hear Tianlang-jun weakly say "In the end, I really can't bring myself to hate humans." The implication that the foolishness of that hope and bright-eyed fondness--the very thing that put him through such unspeakable agony--couldn't be beaten out of him entirely. To discover that his faith in Su Xiyan hadn't been misplaced, to the contrary: his beloved hadn't scorned him at all, but rather fought to the miserable end to protect the fruition of their genuine feelings of love when she couldn't protect tlj or herself.
How MXTX has sqq deliberately draw parallels between their situation and that of ygy+sj and tlj+sx; desperately wishing it might not be too late for them. The concept of breaking cycles of abuse and harm pervasive throughout the newly devised story, how it evolves for the better only when love takes the place of power, pride, and domination. How the moment sqq chooses vulnerability instead of saving face, the genre shifts to the so-called "cringe" girly genre where most if not every character is more fulfilled, more true to themselves. How the "male-oriented" former genre was aimlessly sensationalized and sexualized, how it was a sustained performance of aspirational toxic masculinity. How men objectify other men without end. All of the unspoken gendered implications that come with that.
Anyways. Going to go put my head in a sandbox and try to process everything I just witnessed because even a second reading is not enough to find a modicum of closure.
#svsss#bingqiu#moshang#i swear to god this series is just 'gay man who doesn't know shit inflicting his delusional reality on everyone else and inciting chaos'#and literally it's slapstick levels of hilarious every single time; mxtx never change#also i fully agree that we did not get NEARLY enough mobei-jun and sqh/airplane content#the amount of mental illness to mental illness communication going on there was astonishing#mobei-jun being afraid of his uncle and bringing sqh because that's the only person he trusts fully (WAILING NOISES)#sqh having a tantrum but running away because for the first time he was honest about his needs + his dissatisfaction with catering to other#how that reflects his narrative compulsions and how he felt forced to warp more creative story paths for the sake of survival as a writer#how sqq's restoration of much of his original intent--as well as mobei-jun's acceptance of his needs--helps airplane begin to heal#how his happiness begins; how just like sqq he wanders in such confusion and denial before he's forced to realize what truly matters to him#SHREK VOICE: STORIES HAVE. L A Y E R S#it feels like modern day shakespeare and when i say that i don't mean it in a hollow elevating sense i mean it more like#mxtx just hits that perfect balance of poignance but also hilarious concentric circles of botched communication and brainworms#okay but real talk for a minute? .........;-;#the way lbh constantly struggles with such a crushing feeling that he'll be abandoned over any little mishap/thing/problem#really hit me where it hurts??? if only because its so clearly an anxiety that stems from original goods' upbringing#the way it becomes even more heartrending when you think back to all the sect leaders clamoring that he should have been killed as an infan#that he should have been aborted as a fetus--insisting right in front of him that his birth was a mistake and a disgrace#over having demon blood in his veins. like my god that scene is so viscerally upsetting i struggle to read it#the way its so easy to see the demons as a manifestation of otherness in precipitated form#how both sqq and sqh are influenced by human rhetoric without evening meaning to--assuming the worst against their better judgment#how both sqq and sqh both struggle with their own otherness in different ways and only find solace when they begin to accept who they are#how their lovers (lbh and mbj respectively) both are willing to navigate those confusing waters with them#how both demons love them as they are--accept them as they are despite how difficult forgiveness of perceived betrayal is for them#ty mxtx for changing my brain chemistry#as i get older i have such a fondness for the messiness of thematic queer self-discovery and growth into self-acceptance#that and how youth can so easily be defined by perfectionistic self-harm and the violence of repression
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julietdovecapulet · 2 months
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RIP Juliet Capulet, you would have loved looking out of car windows pretending you’re in a sad music video…
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ink-and-pages · 1 year
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checkoutmybookshelf · 7 months
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Anyone who has been personally victimized by Hamlet, please raise your hand...
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slutdge · 16 days
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enbycrip · 4 months
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I was discussing with a mate what actively makes a piece of media Queer as opposed to just featuring same-gender attraction.
I am a big fan of Queer being a verb as well as an adjective.
I wouldn’t call Romeo and Juliet queer because while it’s transgressive within the frame of the narrative, it’s *not* transgressive within the wider cultural framing? A young hetero couple from different sides of a conflict being married was so incredibly acceptable that it was a long-established practice for establishing peace - to the extent that the Friar even mentions that within the text as part of his reason for facilitating the marriage outside the strict norms of parental consent and acceptance?
Plus the whole framing of choice-led marriage as a force for societal harmony was such an influential trope at that particular period, particularly within Elizabethan England’s newly Protestant culture? Virginity was no longer prized the way it had been in a more Catholic culture, nor was the remote idealisation of courtly love. Instead you get a young different-gender couple who choose *married love*. In the context this was written, this was almost the *opposite* of Queer.
I’d say that, for a text to be Queer, it needs to not only transgress both norms internal and external to the text, but also flip those norms in a way that actively invites the reader to reconsider those norms in a new light? It’s why I’d call so many of Shakespeare’s comedies queer in a way Romeo and Juliet isn’t, because, even though everything goes hetero at the end to fit theatrical conventions about comedies ending with a marriage, they are this space where gender becomes fluid and playful, and *that’s* what you walk away with the impression of from the play? The hetero endings are so enforced it’s kind of deliberately ridiculous?
It’s why I feel Queerness includes readings and depictions of disability that aren’t any of the standard boxes that it is so often shoved into in media. If a disabled character isn’t “inspiring”, or “pitiable”; if they’re not artificially helpless, or completely unaffected by their disability, and, more than anything, if *they* are the centre of the text, with genuine agency, and the text is about *them*, not about their effect on abled characters, that definitely queers a text to me.
And *more* so if it centres their desires and their desirability as a character. Not that they can’t be asexual; asexuality is *very* queer, but if they are not *artificially* desexualised, as disabled characters so often are.
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notyoujamie · 2 years
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marisatomay · 9 months
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need ms edebiri to reactivate her twitter … she should be allowed to Cook … and not just on that television program
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flowersandfashion · 4 months
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Sun & Moon
requested by @oops-it-is-i
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comradekatara · 7 months
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look. sokka IS a stem bro, but he’s not the kind of guy who would invest in crypto. he’d write all of crypto off as being for idiots who don’t realize they’re getting scammed. you know who would invest in crypto, however? who believes in diversifying their portfolio? believes, or at least claims, that bitcoin is the future? who would even buy an nft provided they knew that they could sell it at a later date to turn a profit? azula.
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