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#accessible media
ohmyoverland · 2 years
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Pro-tip for people who want to improve their image description skills: watch professionally described movies and TV.
When you’re on Netflix, change your language to the audio description version whenever available. On cable, often the “Spanish” language track is actually the English audio description if there is no Spanish dub (yes it’s fucked up they don’t have separate options, but that’s a different issue). On YouTube, look for audio described videos.
Quality professional audio description knows when to mention details and when they’re irrelevant. It knows how to efficiently described what’s happening to better a viewer’s experience without getting overly technical or distracting. It is a skill that can be practiced.
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the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"
just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible
#due to the Great Data Decay academics write viciously argumentative articles on which episodes aired in what order#at conferences professors have known to engage in physically violent altercations whilst debating the air date number of household viewers#90% of the couch gags have been lost and there is a billion dollar trade in counterfeit “lost copies”#serious note: i'll be honest i always assumed it was english imperialism that made shakespeare so inescapable in the 19th/20th cent#like his writing should have become obscure at the same level of his contemporaries#but british imperialists needed an ENGLISH LANGUAGE (and BRITISH) writer to venerate#and shakespeare wrote so many damn things that there was a humongous body of work just sitting there waiting to be culturally exploited...#i know it didn't happen like this but i imagine a English Parliament House Committee Member For The Education Of The Masses or something#cartoonishly stumbling over a dusty cobwebbed crate labelled the Complete Works of Shakespeare#and going 'Eureka! this shall make excellent propoganda for fabricating a national identity in a time of great social unrest.#it will be a cornerstone of our elitist educational institutions for centuries to come! long live our decaying empire!'#'what good fortune that this used to be accessible and entertaining to mainstream illiterate audience members...#..but now we can strip that away and make it a difficult & alienating foundation of a Classical Education! just like the latin language :)'#anyway maybe there's no such thing as the 'greatest writer of x language' in ANY language?#maybe there are just different styles and yes levels of expertise and skill but also a high degree of subjectivity#and variance in the way that we as individuals and members of different cultures/time periods experience any work of media#and that's okay! and should be acknowledged!!! and allow us to give ourselves permission to broaden our horizons#and explore the stories of marginalized/underappreciated creators#instead of worshiping the List of Top 10 Best (aka Most Famous) Whatevers Of All Time/A Certain Time Period#anyways things are famous for a reason and that reason has little to do with innate “value”#and much more to do with how it plays into the interests of powerful institutions motivated to influence our shared cultural narratives#so i'm not saying 'stop teaching shakespeare'. but like...maybe classrooms should stop using it as busy work that (by accident or designs)#happens to alienate a large number of students who could otherwise be engaging critically with works that feel more relevant to their world#(by merit of not being 4 centuries old or lacking necessary historical context or requiring untaught translation skills)#and yeah...MAYBE our educational institutions could spend less time/money on shakespeare critical analysis and more on...#...any of thousands of underfunded areas of literary research i literally (pun!) don't know where to begin#oh and p.s. the modern publishing world is in shambles and it would be neat if schoolwork could include modern works?#beautiful complicated socially relevant works of literature are published every year. it's not just the 'classics' that have value#and actually modern publications are probably an easier way for students to learn the basics. since lesson plans don't have to include the#important historical/cultural context many teens need for 20+ year old media (which is older than their entire lived experience fyi)
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captioningstar1 · 10 months
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Inclusive Broadcasting: The Role of Captions in Accessible Media
Introducing our latest blog post on the role of captions in accessible media! Discover the importance of inclusive broadcasting and how captions play a crucial role in making media accessible to all. 
In this insightful article, we delve into the benefits of captions for individuals with hearing impairments, language learners, and non-native speakers. We explore how captions enhance comprehension, bridge language barriers, and foster a sense of inclusion. 
We also highlight technological advancements, such as Automatic Speech Recognition (ASR) and AI-powered captioning, that have revolutionized the captioning process, making it more efficient and cost-effective. Furthermore, we discuss the impact of captioning standards and regulations in promoting equal opportunities for all viewers.  Join us in creating an inclusive media landscape, choose captioning star services to avail a wide range of benefits on broadcast captioning. check out our blog post on inclusive broadcasting and the crucial role of captions media. Read more at https://www.captioningstar.com/blog/inclusive-broadcasting-the-role-of-captions-in-accessible-media/
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rnzdts · 6 months
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gorty be like
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wild-neko · 7 months
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disabled people: we are still dying, can you please just wear a mask to the grocery store and doctor’s offices so we can live
conservatives: no, die or stay inside all day, no one cares
leftists: no 🏳️‍🌈✨💖
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brinconvenient · 1 year
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I’m sorry... WHAT?!
Seriously: When do you ever just sit and think about the fact that Ian Katz of the Guardian (recently boycotted for its transphobia) and the BBC (routinely protested for its transphobia) was married to Justine Roberts of Mumsnet (a primary radicalizing hub for UK transphobia) for twenty-five years? Most people don’t! I didn’t, until I heard it from the poet Roz Kaveney during an interview. It got trimmed from that piece, and I have been trying to wedge it into different pieces ever since, to no avail. Sometimes, when I talk to other trans people, I will mention that a top Guardian and/or BBC editor was married to the founder of Mumsnet; almost always, when I mention this, I will find out that they didn’t know.
Here’s something else that happens when I tell a trans person that Ian Katz (Channel 4, BBC Newsnight, the Guardian) was married to Justine Roberts (Mumsnet) for 25 years. They will, without fail, make the following noise: Ohhhhhhhhhhhhhhhhh. Then they’ll inhale a little, and then they’ll do a controlled little exhale. Then they’ll say yeah, that explains it. Or, yeah. That makes total sense.
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shesnake · 1 year
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we as a society genuinely need movie rental stores back so much
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Genuinely: For people who are angry and frustrated at the limited number of movies and shows available for streaming, at the way streaming services pull or cancel movies and shows at will, at the way every media corporation under the sun is pulling their stuff onto their own streaming service and balkanizing access to things behind a dozen different monthly subscriptions? For people who miss Blockbuster and want to be able to just rent a DVD again?
See if your local library has a DVD collection.
If I want to watch The Mummy (1999) with Brendan Fraser? I can't stream it on Netflix, but I can borrow it from my local library.
If I want to watch The Mummy (1932) with Boris Karloff? I can't stream that pretty much anywhere, but I can borrow it from my local library.
I want to watch Star Wars or Iron Man or my favorite Disney movie but I refuse to sell my soul to pay for Disney+? I can borrow these from my local library.
Do I want to finish watching Star Trek: Deep Space 9 or check out Star Trek: Picard but resent that it's all on yet another streaming service I don't want? I can borrow season box sets of DVDs from my local library!
Obviously, available circulating collections vary a lot between library systems. (My hometown's library has all of Star Trek DS9 on DVD, for example, but my college town's library only has TOS, Picard, and Discovery.) And of course it depends on whether things are released in physical media form at all, and you won't be able to keep up with new episodes of new series - it takes a while for many things to come out on DVD.
But there can be a lot of good stuff there too. For example, I missed Nope in theaters, but I still really want to see it. So I have it on hold from my local library. I'm 73rd in line on 50 copies, so it'll be a while.
So check to see what DVD collections your library does have - it might surprise you what you can get access to, for free, in a manner that no greedy corporation can yank away.
And by checking out DVDs, you are telling the library that you use and want them to maintain and grow their AV media collection. Which is an encouragement we could really use these days.
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godlesshasideas · 4 months
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Write more characters with physical disabilities. Write more characters with mental disabilities. Write characters with neurodivergence (more than one specific type too). Write characters with mobility aids. Write characters who have good and bad health days. Write characters who are chronically in pain, but don't express it every second. Write characters who were born with a disability. Write characters who developed one. Write characters who have adapted to the world around them because the world won't adapt for them. Write about their strengths and weaknesses due to their disability. Write about accessibility. Write about inaccessibility. Make it realistic.
Don't make the disability magically disappear or be cured (or at least be mindful of how you write that). Don't make it their entire personality but also don't skip over it. Don't use stereotypes (and that's not just with disabilities). Don't make the character actively hate their disability; they're allowed to be upset but most people with disabilities have learned to accept it as part of their life and accept it as part of their identity.
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thevillainsfangirl · 9 months
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There are some ships that you just know would be 100% canon if they were an M/F ship, and that's mainly what pisses people off the most in these situations.
It isn't just about the ship; it's also very much about the homophobia (whether the creators know it or not) that is preventing the ship from being canon when they otherwise would be.
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I love you international simulcasts, I love you direct to streaming, I love you accurate captions, I love you zero background music changes, I love you filmed theater productions, I love you official free uploads on YouTube.
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vanhelsingapologist · 4 months
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Publishing has always been a fucking nightmare, but now it’s a layer of hell. It’s not enough that writers be good at what they do. Writers have to maintain an active social media presence and cultivate a following. Be available.
They have to be conventionally attractive enough to look good enough to see on a screen, aesthetically pleasing, kind, funny, up-to-date on trends, socially aware but not so controversial that they turn off a brand from California from slapping their discount code on a video promoting a book.
They have to do all of this with no media training, with little help from the companies that are supposed to be doing this for them.
Of course, a lot of this isn't possible for say, the 40-something mother of two who teaches English at a school and writes on the side. She’s boxed out of an already complex industry that already has enough walls.
On some level, I think authors have always marketed themselves a little, but we’ve reached such a crazy point where we’re demanding the author become the influencer. Accessibility in publishing has narrowed from an inch to a sliver. And that inch was hard enough to get in as is.
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aromanticduck · 8 months
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Just to make the distinction between the first two clear:
Option 1 is for people who couldn't follow the plot of a show/film at all without subtitles. (And it should say 'difficulties' - it cut me off)
Option 2 is for people who would miss bits but still get some of it, or who could follow but would have to work really hard to do so.
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eliyips · 5 months
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post these ranchers when they least expect it
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svnflowermoon · 3 months
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hey btw before you start being angry at the 10 year old sephora kids and the ipad kids, remember that we should feel bad for them. because the world has failed them. it is not these kids faults that the world is so focused on materialistic things and that their parents don't know how to talk to them. that is the fault of social media and bad parenting. i said what i said.
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batgirlcopia · 5 months
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illustrations for the second chapter of Copia's Conundrum (@lincopia-otrogothia)
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