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#also like she is her own person not only nicos brother and she may have hurt nico but that shouldnt have to be her way of making decisions
aroaceofthesea · 1 year
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People hate on bianca but if i was given the chance of being immortal AND not having to be with my sister 24/7 i would absolutely take it some of you don't have any siblings and it shows
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faithshouseofchaos · 7 months
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Married to a stranger— Daniel Ricciardo x reader
Tagged— @moss-on-tmblr @toasttt11 @lollypop90907 @laura-naruto-fan1998 @vivwritesfics @natailiatulls07 @norrisleclercf1 @reidsworld @f1driverszona @f1ln4dr3cl16mv33 @charlesf1leclerc @yours-sophia-1988 @astraeaworld @omgsuperstarg @alwayzbeenale @dark-night-sky-99 @lucyrose191 @badassturtle13 @hollie911
This vaguely happened in a dream of mine and also the memory in the fic actually happened but it was a family vacation to the beach when my parents left my brother and I unsupervised
(May have grammar errors because I really don’t care enough right now to fix them)
Waking up to your head pounding feeling like you were hit by a bus. Looking around you notice that you were in your hotel room but why you were wearing a dress you wouldn’t know. Sitting up in your bed you rubbed your eyes and face feeling something smooth and cold on your hand looking down at your hand you found a small wedding ring on your ring finger.
“What the fuck” you said getting up out of bed. There’s no way you would have gotten married in Vegas, just no way. You didn’t have a boyfriend, you came here with your friend who invited you to come with her to the Grand Prix since she was a sky news reporter now.
Walking into the bathroom you looked into the mirror and your worst fears were coming true. There you stood in a scratchy white poofy wedding dress with a sash saying (just married). You immediately took off the dress and sash, getting dressed in your own clothes leaving your room to hunt down your friend.
Walking down into the hotel’s breakfast bar you found your friend eating breakfast with her colleagues. Making a plate you walk over and sitting down next to her.
“We have a problem” you say
“What’s wrong?”
“I woke up all and married,” you said, staring at your plate of food holding your hand up.
“Oh congratulations, who's the lucky man or lady?” Nico Roseberg asked.
“That’s the thing Britney I have no idea” you said as your friend looked at the ring on your hand.
“It could be anyone and I mean anyone”
“Well your mom did say that you would be the one to get married in Vegas”
“What's that supposed to mean?”
“You lack impulse when your drunk”
“No I don’t”
“Yes you do remember last year when you got drunk on your 21st birthday we were at your grandparents beach trailer you climbed up onto the top deck and your brother dared you to jump off the top of the barn and on to the neighbors trailer. You completely missed that jump and cracked a rib got up and walked off like nothing happened” your friend ranted
“Oh yeah I remember and in my defense I’m a fast healer so..”
“You know Kimi would like you,” Jenson Button joked.
“Yeah they're practically the same” Nico says with everyone nodding in agreement.
“Hold on, where's your black supernatural ring? You know the one you always wear, the one you never take off?” Your friend asked.
Looking down at your hand you notice that it was in fact missing.
“Huh no clue but knowing me I probably lost it”
“Or just hear me out, what if the poor sucker you married last night is currently wearing it?” You friend says
“The chances are slim to none”
“Have you met you?” Jenson asks sarcastically
“You know what button there’s only room at this table for sarcastic dumb fuck and that’s me” you say getting up from the table.
“What are you doing?” Your friend asks
“Checking everyone” you said
————————————————————-
It was no use looking everywhere for the person you married last night. Having no luck you met up with your friend waiting for her to finish up her interviews.
Standing off to the side you waited scrolling through your phone.
“Hey y/n have you found your mystery bloke yet?” Jenson asked, calling out to you.
“Hahaha very funny Button. If you must know no I haven’t yet” you said looking back down at your phone.
“What are you going to do if you can’t find him?”
“Go home and ignore the problem till it comes back to bite me in the ass. You know the saying out of sight out of mind”
“Is that your solution to everything?”
“Yes yes it is”
“Ok come on let’s go” Jenson says sighing and looking down at the ground.
“Go where?”
“Where do you think? We’re going to every chapel near the hotel and asking if you got married there and if so what he looked like”
“Why didn’t I think of that?” You said to yourself following the Brit.
———————-
The first two Chapels were a bust and now Kenson and yourself were onto the third.
“It's no use we’ll never find him” you said looking down at your feet kinda upset the last thing you wanted to do was go home and listen to your family berate you about this in the future.
“Cheer up you know what they say right threes the magic number”
“Ok fine let’s get this over with” you responded following jenson inside the building.
“Alright, you stand here and don’t touch anything. I'm gonna talk with the owner, maybe they know something,” Jenson says.
You watched as Jenson talked to one of the many Elvises of Vegas.
“Excuse me but by any chance last night did my friend over there get married here last night?” Jenson asked, pointing at you.
“Oh yeah I remember her and the man she was here with last night”
“Really that’s fantastic, can you describe him?”
“Yeah really giggly ah tattoos and a big smile like a real big smile” the Elvis said
Jenson had a look of realization on his face telling you exactly who you married.
“Come let’s get back to the track, I know who you married” Jenson says, grabbing you by the wrist and dragging you away like a parent would do to a child who was throwing a tantrum.
“Why are we going to track?”
“You’ll see”
———————————-
“Are you going to tell me why we’re here?” You asked , looking around.
“Because you married a driver last night”
“I don’t even remember running into the drivers last night so why would I have married one? It doesn’t make sense” you said, crossing your arms.
“Just trust me”
“Ok whatever you say”
“Hey Max where’s Daniel I need to talk to him?” Jenson asked max
“He’s in his driver's room going through something. Who’s this?” Max asked, pointing at you.
“I’m y/n and last night I got drunk and apparently married a driver last night” you explained.
Max's jaw dropped in shock “that was you!” He exclaimed.
“So what if it was, why does it matter to you?”
“Because we’ve been looking for you” Max says, grabbing you and dragging you away.
Why does everyone keep dragging me around like I’m a dog you asked yourself.
Max dragged you to a small room that had clothes laying all over the place and a small couch and in that was a distraught man who looked like he had been through hell and back. Max knocked on the door making his presence known.
“Daniel meet y/n, y/n meet Daniel you have a lot of talking to do” Max said shoving you in the room so hard that you tripped and fell into the lap of Daniel, slamming the door with a giggle and running away.
“Are you okay?” Daniel asked, helping you sit up.
“Yeah I’m fine but where did you get that ring?”
“I woke up with it this morning, why?”
“Because I had just like it before I got married last night and when I woke up this morning I was alone with no clue who I married. God I’m so stupid I mean who in their right mind gets married at twenty two years old to a complete stranger.”
“You're not stupid just young and impulsive. Anybody is lucky to be married to you. I’m lucky to be married too you”
“You don’t even me”
“No but I want too I already got your friends (How To Care for Guide) she made as a joke”
“I can’t believe she did that”
“It’ll make my job easier though I won’t divorce you. Let's give this a chance. Let me take care of you” Daniel says, looking at you.
“Alright Mr.Ricciardo let’s give this a shot” you said standing up from the couch facing him.
Daniel chuckles softly giving you a smile “Alright Mrs.Ricciardo”
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1moreff-creator · 11 months
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Matching the DRDT Characters with their Roman Numeral Quote (LGI MV)
So, I immediately fell in love with newest Literature Girl Insane MV, and I have to drop everything I’m doing just so I can talk about it. Although there is so much to discuss I don’t even know where to begin, one thing which immediately caught my eye was the crosswords which flashes on the screen for a moment.
As many have figured out, it’s made up of the names of everyone in the cast, plus Mai Akasaki, minus David. As the footnote on “Now” says, it’s better to use full names instead of nicknames (such as Julia instead of J) and to exclude the protagonist of the MV.
Here’s the solution by raspbeyes, who I believe may have been the first person to upload it to Tumblr.
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However, what’s really interesting is that, by the nature of a crosswords, it connects all characters with a Roman numeral. And these Roman numerals show up throughout the video, attached to different sentences. That way, you can connect the characters to these sentences. And so, you get some pretty interesting stuff. With that in mind, I went through and collected all the Roman numerals (it’s not very difficult, apart from one exception), and I wanted to share my thoughts on them.
Now, the numbers don’t actually show up chronologically for the most part, and the only real logic they seem to follow is “they show up after the crossword flashed on screen”. I’ve decided to list them in the order of the actual number instead of the chronological order, as I don’t find the latter to be very important (apart from one case).
That said, I will actually start by number two, since number one is a bit of a special case. You’ll see. For now:
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II - Rose ~ Ego cogito ergo (turbatus) sum
We have some latin to kick things off! “Ego cogito ergo sum” is the ever famous “I think therefore I am” philosophy, but in latin! This phrase (from what I understand) claims that the only thing we can be truly and absolutely sure exists, is our own reasoning and consciousness. This fits Rose decently well, as she’s established her photographic memory causes her trouble separating what’s real, what’s a memory, what’s a dream, etc. Even more so, it sorta fits with the song “Cartoons” from the now vanished character playlist, which some theories placed as Rose’s.
However, there is also the addition of “turbatus” to the saying. Turbatus, from a quick Google search, means something like “disturbed”. Thus, the full meaning is something like “I think, therefore I am disturbed”. This fits Rose even better, considering her scene with Teruko and Nico in the dress-up room. Don’t think I have to go too far in explaining this one.
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III - Charles ~ If you doubt brittle things are broken
So, is this about his dead brother he doesn’t remember? As in, “if you doubt your memories, as they’re brittle, they’ll break? Or is this talking about the relationships between the cast? “Distrust will lead to our collapse”, sorta fits the talk he had with Teruko early in chapter 2.
However, I actually lean more towards the brother thing, because of the blue, long quote which is flipped upside down on top of the image.
“And now here’s my secret, a very simple secret. It is only with the heart that one can see rightly; what is essential is invisible to the eye”
So, here’s where the Roman numerals become sorta weird. Does this count as part of Charles’ quote or not? I assume it’s at least related, especially seeing some of the other stuff we’ll see in the background.
Now, to the actual quote. I recognize it as a quote from the fox in “The Little Prince”, a book which if you have not read, you should honestly read. It’s a surprisingly sweet book to attach to Charles, but I can honestly see him blushing while talking about it, so it fits.
The quote itself is simple to understand; the material things in the world are not as important as our feelings, relationships, hopes, dreams, all that which can only be seen with the heart. This could be talking about the group’s relationships like I mentioned, but I lean more on thinking it’s referring to the memories of our loved ones, aka, Charles’ memories of his brother. Yes, the fact the quote starts by talking about secrets influences this interpretation.
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IV - Arei ~ Right now, why do you cry?
Not much to talk about here. Arei’s the victim of this chapter, that’s why she cries. You can read into it a bit more and claim it has to do with Arei’s bullying of other people (“why are you crying, you wimp?” is something which could conceivably come out of her mouth), or more optimistically, it’s talking about how Arei used to only cry crocodile tears, but as she’s grown more empathetic, she now cries for her friends. Or some sappy shit like that.
Yeah, it’s still probably just about being the CH 2 victim.
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V - Ace ~ Right now, why do you go insane? [flipped]
I’m not gonna lie, I kinda laughed a bit when I checked which character this one belonged to. Yeah, it’s pretty fitting, Ace is always going off for the most inane stuff.
More interesting is perhaps the background quote, “a cat has 9 additional lives”. Considering we’re talking about one of two people who’ve survived murder attempts so far, it makes sense, though I wonder if it’s going to come into play again later.
… Also, this just confirms in my mind the song from the playlist which belonged to Ace was “Yesman”. Undead, undead! and all that. I swear I’ll make a post about it eventually, I’m just more focused on this at the moment.
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VI - Arturo ~ mind exercise 1 2 3 4
… Uh, well, as a surgeon, he do be exercising that mind though? Or something like that. Yeah, frankly I got nothing. This is just another moment where we Arturo enjoyers gotta take the L.
(Yes, I did just come out as an Arturo enjoyer-)
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VII - J ~ Do it like that, let’s live together!
Another one I have no answer for. Like, what do you want me to say, this implies J’s the mastermind? Because it sort of does, seeing as she’s telling everyone to live together. But I really don’t see anything too interesting in the main quote.
However, the background quote may be more noteworthy. Anything in brackets is covered by something else but can be guessed with context.
“The Moral La[w] causes the people to be in com[plete accord] with their ruler, so that they wi[ll f]ollo[w] [him] regard[less of] their lives, undis[mayed] by any danger”
Had to look this one up. J’s quote is from Sun Tzu’s “Art of War” of all goddamn things. The Moral Law the quote is talking about is, from basic research in Google, some sort of unity of purpose; the idea that if the followers and the rules have the same interests, their side will have an advantage in war.
… What?
Yeah, this one’s a bit odd too. For now, my best answer is that it may have to do more with Mariabella than J herself. If you see Mariabella as a sort of leader, and her fans as the followers, it could be talking about how the combined pressure of Mariabella and the media overwhelm J, the “other side” of the “war”.
But if you’re really into the mastermind J idea, you can read it as “she’s the leader of the killing game, with the followers being the people at home that have the same purpose of wanting to see despair and keep the show running by watching”. But I really doubt we’d be getting this sort of mastermind allusions in an MV from chapter 2 of all things.
If anyone has better ideas on this quote or any other, I’d love to hear them.
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VIII - Nico ~ even if i try to think, idk!
Another one I can’t talk too much about. My best guess as to what this means is “Nico tries to think about social cues, but doesn’t get it”. Relatable, but also nothing new. Maybe I’m missing something big, but it’s what I got for now.
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IX - Levi ~ look, aside from the usual, give me that medicine
Disclaimer, the words don’t actually appear in that order in the MV, but this phrase makes a lot more sense than “look aside from that the usual medicine give me”.
I really don’t know what this means. I mean, I can guess Levi might take some medicine? Whit did say some people took prescriptions apparently. But I really don’t quite understand why this is the first time we’ve had his character associated with medicine.
EDIT: The last few paragraphs about Levi are dead wrong, I’m just leaving by them up so you can laugh at how stupid I was. Here’s a correction with a better analysis.
The background quote doesn’t make it much better. It’s just talking about the orbit of a thing, something something representative trajectory… something something Jupiter… something something 1930…
Oh shit, it’s about the discovery of Pluto! That’s what Google seems to think when I put those keywords in, anyways. Well, as fun an astronomy tale as that one is, I actually have no idea what it means for Levi’s character. I guess it’s something we’ll see in the future.
… Or maybe, crazy idea. You know how Pluto was first thought to be a “planet” but then got reclassified as”dwarf planet”? Maybe this means my theory is right: Levi will get “discovered” as the blackened of the second trial, but then “reclassified” as an accomplice when they find out Eden is actually-
Alright, I’ll stop. I’m joking, obviously… (unless?)
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X - Min ~ Democratic-ly
Wait, hold on a second, you may say. That is an X, but it doesn’t really look like the rest of roman numerals font-wise. There are plenty of times X’s appear in the video aside from here, such as… well, the blank death portrait that’s always in the background.
And yes. To my joy, Min got given a bit of special treatment, since the roman numeral for ten, being an X and all, can be seen all throughout the video. However, there is one reason I believe this is absolutely Min’s X.
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You see that tiny little 10 next to the X? That’s a footnote. And footnote number 10 is “The Roman numeral for 10 is X”. Of course, the reason we’re reminded of it here is because that X isn’t just a bunch of blood, it’s a Roman numeral.
Of course, Min gets the biggest numeral because she is just that much of a girlboss.
Anyways, numeral oddity aside, it’s pretty obvious why this is Min’s. The background text is just the description of the rules of a class trial, a trial where the outcome is decided democratically, and the reason Min died. This scene is directly followed by more references to class trials, which although they have some interesting implications for the MV as a whole, only help to solidify Min’s connection to her line.
As for other footnotes, footnote seventeen on the word “democratic-ly” is just an objective fact (“Not a real word. Can’t be found on any dictionary”), though the fact “democratically” is spelt wrong could be a reference to Min’s execution, where she was forced to get a lot of things wrong before dying.
Final note is footnote 12, on the class trial definition, which talks about majority rule and how, because it’s the fairest way to make decisions in a group, “murderers never complained when we voted for them to die”. There are implications here about the fact Teruko also received votes in the first trial, but for Min, there isn’t anything new here.
And yes, Min got three footnotes. As she should.
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XI - Mai ~ God is dead
Honestly, I guessed who got this line before even checking the crossword. It just fits what we know of Mai too much. Which isn’t a lot, but it’s enough to know she would get a line as dramatic as this. If you want a proper interpretation, Mai is sometimes treated like a god by the others considering the secret quotes, but now she’s dead or gone or something.
Of course, that’s the literal meaning of that phrase. When you look at it through the lens of Nietzsche (and Wikipedia to make sure I didn’t fuck up anything), the phrase “God is dead” refers to the idea that as christianity became increasingly non-universal, the ethical and sociocultural elements of society which had been built on it would be questioned and revised. So, “growing lack of faith causes shifts in the status quo”, or something like that. It’s something which, again, may fit Mai from what we know of her backstory. Someone everyone had unquestioned faith on, who did something which had consequences, so maybe that caused a breakdown of that original faith, or something? Anything involving this character is always extremely speculative, but I frankly think the more literal interpretation works better in this context.
In any case, this phrase is about as cryptic and dramatic as everything involving Mai, so it fits.
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XII - Eden ~ ???: But you’re in my way, aren’t you?
… Alright, Eden, I know I believe you to be the CH 2 killer and all that, but you gotta at least try to defend yourself against the allegations! The hell is this?
In case anyone was wondering, I think she’s the killer who wants to get out to meet back up with the girl she kissed (who I’m starting to get convinced is Mai but I’m not ready for that conversation), so this line reads like something she’d say to Arei in that theory. However, it’d be kind of a weird thing to put in the MV before the chapter ends, and besides, there’s an interpretation I like more.
You see how there’s a triple question question mark there? There’s a chance someone is saying this to Eden. I’ll actually get back to this later, because I have to talk about XVI before I cover my theory on this. Apologies.
CW for XIII: Suicide
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XIII - Teruko ~ or
… He. Alright, out of context, this is kinda funny. But if you let the MV play, it’s “… or not to be?”, from “To be or not to be?” Shakespeare and all that. That said, the video does, in fact, only keep the number on screen while it says “or”, so I choose to notate Teruko’s quote as just that. Also, as raspbeyes noted in their original post, the number thirteen is considered unlucky, so Teruko.
With that, I have to talk about how insanely dark it is to cut that phrase off at the “…or not to be” section. For anyone who hasn’t read this speech from Hamlet (which I hadn’t either, btw, had to look it up), the phrase “to be or not to be” is actually about suicidal ideation, with the word ‘be’ serving as a synonym for ‘live’. Therefore, cutting the phrase off at just this section leaves behind only suicide as the option.
It had already been implied Teruko has attempted suicide before (see: her telling Arei that failed hangings hurt a lot), and that her luck is the only thing keeping her alive. This just seems to imply it’s a much more present issue than we believed.
Then there’s the background text. From my research, the one on the left is a quote from “Murder on the Orient Express” and the one across the bottom is from “The Ones Who Walk Away from Omelas”.
“Murder on the Orient Express” is easy to tie in, as it’s literally a murder mystery novel. Uh, spoilers for the novel, I guess, but it ends with the main detective, Poirot, concluding that the murderer was either no one in the train or everyone there. That sort of ties into Teruko’s hidden quote of “It is an equal failing to trust everybody, and to trust no one at all”, I guess? For the line itself, it seems to be about a character hatefully looking at the detective. You can take Poirot to be Teruko because she’s decent at class trials (as opposed to everyone else being horrible at them), and the person looking at her to be… any blackened, or anyone, or David, take a pick.
“The Ones Who Walk Away from Omelas” is a bit weirder. It’s a short story about Omelas, an utopia which is the perfect life for everyone there, except for a young child who is forced to live in mysery for the sake of the others. The quote in the video expresses this pretty succinctly. I guess it’s talking about class trials? How the happiness of everyone hinges on one person being very unhappy? Teruko’s the protag, so it makes sense she gets a line like this. There could be other interpretations, but I think that’s the most straightforward one.
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XIV - Veronika ~ Things like substance of the arts
I mean, it fits. Veronika’s talent is artistic in nature. It seems a bit… non-dramatic for Veronika? But I guess there’s nothing wrong here.
… Well, there may be, but I’ll get there in a moment.
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XV - Whit ~ Remaining ignorant, isn’t that “happiness”?
(Trust me, that’s the order the words show up on screen)
This one’s also easy. Whit’s secret is “Your mother is dead. You omit this truth”. This, combined with his behavior in the killing game, characterizes Whit as someone who prefers to ignore tragedy rather than process it, remaining “ignorant” in a way. The footnote attached, 15, just talks about the phrase “ignorance is bliss”, which is pretty much what the quote is.
The problem is the background text.
Thinking Time: “Subtract 4 due to tetraphobia”
That’s the phrase in the background, which appears as both Veronika’s and Whit’s lines are there. This is noteworthy because this is the only time in the MV that two different Roman numerals appear on screen at the same time. The phrase is also attached to footnote 4, which defines tetraphobia:
“The practice of avoiding the number four; it is most common in Eastern Asia. This superstition arises from the fact that the number 4 can be read similar to the word ‘death’ in several languages”
This connection is further implied because the character with the Roman numeral IV is Arei, who died this chapter. There is special attention brought over and over again to the number four, and this phrase asks us to “subtract” it.
And of course, this phrase chooses to appear when two “characters” are on screen, to make sure we can’t figure it out definitively.
Let’s start with Veronika: If you substract four from fourteen you get ten (astounding maths, I know). That connects her to Min and “democratic-ly”… which is the part of the MV most related to class trials and the killing game. Because if there’s a way to look like the mastermind, you bet Veronika’s hopping right on that train!
Other than being “Veronika playing mastermind footsies” for the fiftieth time, and the fact she sorta enjoys class trials, I don’t see any other connection between her and Min’s section, so.
I should address, too, you can remove 4 from 14 in a more literal way, and end up with 1 (doing it with Roman numerals just gets you ten again). This would connect her to Xander, whose line I’ve yet to cover, but trust me on this, I don’t think it connects to Veronika.
However, that’s for the line itself. Veronika might actually have a connection to Xander himself, because of their lines about Mai. Xander’s is “she couldn’t stand to do nothing” and Veronika’s is “a girl who didn’t foresee the consequences”. These are the only lines which allude to whatever big thing Mai may have done. If Xander and Veronika have a connection, it is likely through Mai.
And then there’s Whit, who is also on-screen at the time. Or, well, his Roman numeral is.
Alright, Whit. Veronika’s being super suspicious, so the tetraphobia line has a good chance of being about her. All you gotta do is be normal about this “subtract four” thing, alright? Good.
When you subtract 4 from Whit’s 15, you get 11, which is Mai’s “God is dead”-
For fuck’s sake.
He really just can’t dodge these mastermind allegations, can he? Anyways, if this is about him, he killed Mai, or something, and thus is likely the mastermind.
I’m joking- well, kinda. There are other interpretations, like maybe he… was the first to lose faith in her, in the Nietzsche interpretation of Mai’s line? I don’t know, but the murder is the more straightforward answer for this, if you ask me.
The problem, of course, is that there’s no way to tell which character the “subtract four” thing applies to. Well, the use of the word “tetraphobia” feels more Veronika leaning, what with phobias being related with horror and psychology, but to counterbalance, the line only appears when Whit’s numeral shows up, so it’s even again.
Anyways, back to the last numeral in sequence.
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XVI: Hu ~ ???: Go and cry
Alright, you don’t have to be so mean-
In all seriousness, I believe this relates to Hu’s reaction to David’s reveal. And possibly her secret if it’s the one Veronika has.
However, what’s interesting about this line is that it seems to be a direct quote from a character, because of the triple question mark at the beginning. And this is where my theory comes in.
I believe triple question marks is David. This would fit perfectly with this line, as it’s totally something David would say post-magical girl transformation. And with him being the protagonist of the MV, it makes sense for him to be involved.
And that takes me back to XII. If you remember, I said I would talk about Eden’s line a bit more after talking about XVI.
Well, it’s pretty simple, really. Eden’s line comes right after Hu’s in the video, so it’s reasonable to assume ??? is the same person for both of them. In other words, I believe it’s David who tells Eden “but you’re in my way, aren’t you?” This still implies Eden’s the CH2 blackened, by the way. As in, “you’re getting in my way because now I need to figure out a murder”, or something like that. There really isn’t any other thing it could be referring to. Unless it’s like, “you’re getting in my way because you’re so nice you’re preventing murders from happening” or “you’re getting in my way of manipulating Arei by befriending her”, but the first one is too abstract and the second one doesn’t work since David didn’t know about their friendship until after Arei died. So don’t go thinking I’m giving up on that theory. It just changes the context a bit.
-
And with that, we’ve successfully gone through the sixteen numbers. Except, wait! Don’t think I forgot about the funny British boy!
Well, to be frank with you, there is a reason why I chose to save Xander for last. And that is… I didn’t want to start the list with disappointment.
I - Xander ~ Inconclusive
See, the problem is that Xander runs into much the same issue as Min, but without a footnote to help solve the problem. The Roman numeral for 1 is just “I”, so any time the word I appears, Xander’s Roman numeral appears.
Now, maybe you think this is stupid. Obviously any time “I” appears as an actual word, it’s not meant to be Xander’s numeral! We just need to look for the time it’s not a part of the lyrics or a phrase in the text!
This is obviously the most intuitive solution, and it does arrive at… an answer. So, I present, the First Possibility.
First Possibility
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I - Xander ~ (the world of abnormal sentiment dances)
Now, at first glance, this works! You have the numeral next to a phrase, and there’s nothing else it could be!
Except, the problem is that that only extends to the screenshot. In this part of the video, the same phrase is on the screen for a good few seconds, but the “I” disappears and gets replaced by several numbers, then the “&” symbol, more numbers, and what seems to be a “=“ sign, maybe? But could be II sideways. Don’t know, looks like code, not my expertise.
The issue here is that this would be the only time a character’s phrase lingers longer than their numeral. This is pretty inconsistent with the other phrases we’ve seen, which is what gets me to hesitate and wonder if that “I” is actually made to be part of the code and not the crossword thing.
That, combined with the line itself. Because what does “the world of abnormal sentiment dances” have to do with Xander? I looked it up, but it’s not the name of a book or anything. Maybe I’m missing something, but I really don’t think this is related to Xander in any way.
So, I looked for other possibilities. The problem is that, like I said, all other possibilities are part of lyrics or phrases, not a standalone numeral.
And yet, there is one which stands out to me as a good candidate. This has a high chance of being wrong, but I’ll bring it up anyways because I think it’s cool.
Second Possibility
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I - Xander ~ I hate the things that I love, and I love the things that I hate
… Well, I know it’s hard to read it in that clusterfuck, but that is what the red text says.
This line has a bit more to do with Xander, or at least, David’s feelings towards Xander. We know he probably did like him based on some scenes from the MV, but he’s sad about his death. He hates him for leaving, but his heart loves him anyways. That could be read as romantic or platonic… hesitant on the platonic-
That said, the problem is explaining why I believe this is the Xander line. And that comes down to the background text.
… Yes, that background text.
You see, in the MV, it slowly fills out in a way which lets you read it somewhat. I’ll tell you what each part of the text means, but if you want visuals, I’ll ask you go to the video.
What first appears is white text on top and the right. The white text on top is Big Clue #1, as it’s a definition of electrocution. You know, that thing Xander died from.
The text on the right, meanwhile, seems to be an excerpt from “Alice in Wonderland”. The specific passage seems to feature Alice lamenting how much “pleasenter” [sic] things were “back home”. And well, for everyone but Teruko, their homes were likelier “pleasenter” than the killing game. However, in this context, it could be an analogy to David missing the past, when Xander was still alive.
Then, more white text appears on the bottom as yellow text appears under the white text on top. The bottom text is, again, more talk of electrocution, but the yellow text is a bit more complex. This is the line (from Google, exact wording may vary):
“To me, you are still nothing more than a little boy who is just like a hundred thousand other little boys. And I have no need of you. And you, on your part, have no need of me. To you, I am nothing more than a fox like a hundred thousand other foxes. But if you tame me, then we shall need each other. To me, you will be unique in all the world. To you, I shall be unique in all the world...”
Another “The Little Prince” quote, another straight banger (I love that book). Imma need the hornier of you to not focus too much on the “taming” wording and focus on the important part. This one speaks of the beautiful simplicity of relationships; everyone is “just some dude” until you meet them and establish a relationship, and then, they become unique.
This is an especially wonderful quote for Xander and David’s relationship. David truly wanted nothing more than to be “a fox like a hundred thousand other foxes” instead of the idol Xander saw him as. He wanted a genuine relationship with him, where they were not just each other’s idols, but something bigger; each other’s boyfriends :D
Alright, sappy stuff aside, this quote is related to Xander, that’s what you need to know.
Then there’s the big pink text. It says “note: can’t read”. Yeah, fair.
But before that note appears, some cyan text begins sprawling out. It’s not a quote from anything as far as I can tell, so here’s a transcript:
“…man crushed by reality puts on a s[how]…
…[of end]urance. If that’s beyond your
[com]prehension, dear reader, then you a[nd]…
[I’ll n]ever understand each other. Life’s…
[short?] so we might as well make it…
[count?] real life is a realm th…”
So, yeah, I’m sort of guessing half the words here, and I can’t even tell what the last line is, but I think we can get the gist from this. Reading this with the context that Xander’s probably connected, it’s easy to figure out. David was crushed by reality when Xander died, and he put on a show of endurance after that. The insult to the reader is a bit uncalled for, but I don’t particularly care, it fits David.
So, with the idea that this little breakdown is related to Xander, it’s safe to say the line “I hate the things that I love, and I love the things that I hate” (not a quote from anywhere I could find btw) is linked with Xander as well.
And, well. There are other references to Xander, but they’re never paired with an “I”. And there are other instances of the word “I”, but never in relation to Xander, at least not as much as this little breakdown.
This clusterfuck of text also forms directly after the crosswords shows up. And while most of these aren’t in chronological order, number II through V do. Wouldn’t it make sense for I to appear right after the crosswords and make I through V in chronological order?
In any case, I believe this is a decent alternative to the “world of abnormal sentiment dances”, whatever that means.
Conclusion
This was really fun! I am satiated for now, the content drop was awesome, I loved it a lot. There’s so much more I want to talk about in this MV, but this was priority number one in my mind.
Anyways, I hope you enjoyed! Thanks for reading! If you made it this far, you deserve your own Roman numeral, all for yourself! Take care!
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So, I was thinking about how Griffon, Shadow, and Nightmare (and Phantom) are all representations of Vergil's "abominable thoughts" from when he was Nelo Angelo, and are inspired by bosses from the original Devil May Cry (a mini-boss, in Shadow's case)
So that led me to thinking: what if, by some contrivance, come up with by someone smarter than me, something similar happened to Kyrie, causing her to generate her own group of demonic familiars formed from her repressed feelings, based on demons from Devil May Cry 4?
Let's consider our candidates:
Berial: I don't think so, he's just a little bit too humanoid to be represented as a familiar in my opinion.
Bael/Dagon: I'd personally be delighted by one of Kyrie's familiars being a fat little frog, but only if it's feelers are replaced with two hunky guys that just so happen to resemble Nero (or a hunky guy who happens to resemble Nero, and a cute girl who happens to resemble Nico). I'll admit the idea of Kyrie's repressed sexual feelings being represented by an ugly little frog is a little funny to me.
Echidna: I could see her being used as a sort of Snatch-like mechanic for Kyrie, since she wouldn't be able to teleport like V does, but not for much else. Of course she's also very humanoid, but not as memorable as Berial, so it doesn't bother me quite as much, but for consistency's sake I would rule her out.
Credo: On one hand, he very much is a person, like Berial and Echidna. On the other hand, Credo is Kyrie's brother, it makes sense that one manifestation of her trauma would resemble him. Then again, I think a Credo familiar would be just a little too messed up for something that I think should be more empowering for Kyrie. I could see this working out like how Phantom did in Visions Of V, turning on Kyrie and being more of an antagonist, representing her very complicated feelings about her late brother.
Agnus: A similar situation to Credo, a very personal connection considering that he put her in the Savoir, but he too is very humanoid, and he would work better as an antagonist
Side note: Kyrie accidentally unleashing a bunch of demons, including two resembling Credo and Agnus would make for a hell of a story. A very weird story, and a very easy one to do wrong, but imagine the possibilities.
Dante/"The Man in Red": Similarly to Credo and Agnus, having an evil Dante clone running around would have some interesting possibilities from a story perspective.
The Savior: An obvious choice tbh, I would make this one serve a similar role to Nightmare in Kyrie's moveset. Yes, the Savior appears humanoid, but it's really more like a giant robot than a person. It'd be cool if summoning it changed Kyrie's appearance to something like Sanctus's Diabolica form, but cooler and a little bit sexy.
Blitz: Not a boss, but niether was Shadow, and the Blitz is actually rather similar to the Shadows in the original Devil May Cry. Given the possibility of familiars being incapacitated in combat, a self-destruct mechanic could be an interesting feature in Kyrie's moveset.
Some additional notes:
Unlike V, who's aesthetic is very goth and based on darkness, Kyrie's is more white and gold, with hint of red.
As stated before, Kyrie has something resembling Nero's Snatch mechanic instead of a teleport like V's.
Her weapon resembles a cross between a spear and the jousting lances the Bianco Angelos use. Her finisher animations are actually rather brutal, she has some anger inside her.
Instead of reading poetry, Kyrie gains DT by singing. This is synchronized with the dynamic soundtrack.
She also wouldn't have Royal Fork like V does, so instead she has a move where she sings a high note and shatters every demon who's can be finished.
Kyrie is extremely friendly and kind to her familiars. In particular, she always baby-talks to Bael and gives them pats.
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readingforsanity · 2 months
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Daughter of Mine | Megan Miranda | Published 2024 | *SPOILERS* | ARC
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The new thrilling novel from Megan Miranda, the instant New York Times bestselling author of All the Missing Girls, The Last to Vanish and The Only Survivors.
when Hazel Sharp, daughter of Mirror Lake's longtime local detective, unexpectedly inherits her childhood home, she's warily drawn back to the town - and people - she left behind almost a decade earlier. But Hazel's not the only relic of the past to a drought has descended on the region, and as the water level in the lake drops, long-hidden secrets begin to emerge...including evidence that may help finally explain the mystery of her mother's disappearance.
Hazel Sharp returns to Mirror Lake after the death of her father, Perry Holt. She reunited with her brothers, Gage and Caden, but their relationships with each other have a lot to leave desired. When Hazel receives word from her uncle Roy, Perry's brother and the family lawyer, that Perry has left her his home in the will, she is shocked.
The shock mostly comes from the fact that she and Perry, along with Gage and Caden, are not related biologically. Hazel's mother, Libby, married Perry when she was young and then suddenly disappeared when Hazel was a teenager, vanishing as if she were a ghost.
Due to several months without rain in the forecast in the small mountain town, Mirror Lake is losing its water, revealing the secrets buried underneath their waters. On the day of Perry's memorial, a car was removed from the water, and the following weekend when she returned to help her brothers clear up the house, watching her niece swim, Skyler ultimately locates another car under the swim platform in the alcove behind the Holt home.
The car, once removed, once belonged to Libby Sharp, and the suitcases that she took with her were located in the trunk of the car. But nothing else was found inside. Hazel later realizes that the first car found in the water belonged to Perry's first wife, once believed to have died in a biking accident when she hit a tree.
Hazel, despite wanting to return to her normal life, feels as if something crazy is happening in the town and within her home. She often feels the remnants of a person being in her home before she got there, and it's beginning to create paranoia for her.
In the meantime, she also rekindles a former romance with Nico, the son of one of Perry's partners in the police department, whose father had killed himself. Gage, Nico and Hazel once found a secret room hidden inside the Pritchard home where photos, of crime scenes, had once been found. Nico has kept that secret for his father for a long time, and soon enough, Hazel begins to question whether or not the elder Pritchard or even the younger Nico, were involved in the deaths of Audrey and Libby.
Ultimately, Hazel is able to decipher that it was neither Caden, Gage or Nico involved in the deaths of both of these women, and the disappearance of Jamie, her former best friend and Caden's wife. Jamie has been missing for several days, and is likely unaware that her own mother had died of an overdose.
Hazel is able to figure out that Jamie is being hidden away in the Mirror Lake Motel, and she was believed to have been involved in the death of a missing teenager, who was found near the Barrel, an overlook by the lake. It is discovered that he had snuck up on her while she was waiting for Hazel to bring Skyler to her, believing that someone was after her. In a moment of haste, Jamie pushed the teen to his deathg and ran, unaware that she had just killed a teenager.
And then she realizes that Caden and Gage weren't involved in some murder scheme with their father. It was Roy. Aubrey was intending to leave Perry for Roy, and that the two of them would be together. Perry, unaware of her plans to leave him for his brother, runs after her with the kids in the car, and unable to stop, she hit the car while riding her bicycle and died. Perry attempted to keep that fact hidden, as it had been an accident regardless of what happened, but Caden was riddled with guilt over what he witnessed inside of the car.
After confroting Hazel, Roy attempts to get rid of her but Caden arrives, understanding that he is no longer the family member he once thought he was and tells Hazel to run. Caden is shot in the process, and she eventually leads Roy into the water, where she is able to ride the currents to get away, but he is unable to withstand them and goes under the water.
In the end, Caden, Gage and Hazel get rid of their angst for each other, as Hazel was no more involved with her mother's leaving. Caden believed it to be his fault that she left, after he confessed to her what had happened to his mother. Libby, under the impression that her husband was involved in his first wife's murder and cover up of her death, attempted to flee, along with finding out that Roy was skimming funds from his work. In the end, Roy got rid of her, and made it seem that she had taken everything from Perry and disappeared, leaving her daughter behind.
The siblings now have an understanding of each other. The Holt family home will now be owned by the three of them, with Caden's family living in the home for the time being, and Hazel can begin to heal and move on, along with continuing what was once a hidden relationship between Nico and Hazel.
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naserina · 1 year
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Ester Expósito revela durante una entrevista que es sobrina de un famoso periodista: "Esto es muy raro" (English translation)
Ester Expósito reveals during an interview that she’s the niece of a famous journalist: "This is very strange”
The actress has sat down with her uncle, Ángel Expósito, in order to present her new project in the radio space that he directs.
Ester Expósito has given her most personal and familiar interview. The actress is promoting her movie, ‘Venus’, a supernatural terror thriller that will hit movie screens on December 2, 2022. Meanwhile, the star of ‘Élite’ is doing a tour of various media outlets in order to present her new project. During one of those interviews, Expósito has lived a moment of the most surreal, and it’s that one of her interviewers has been none other than her own uncle, Ángel Expósito, director and presenter of COPE’s 'The Lantern'.
“This is a very strange interview”, Ángel Expósito begins saying while trying to be as formal as possible. The presenter can’t avoid smiling when introducing his niece, daughter of his brother, as he begins the interview between jokes and confidences. During the chat with her uncle, Ester Expósito has revealed more than just her kinship with one of the most established figures in Spanish radio. The young woman has also said that she lives with her parents, with whom she maintains a close relationship, despite the friction they may have at times. Ester Expósito's own mother, Cecilia, has called the program live to scold her daughter for not tidying her room before leaving.
“I'm going to kill you, but I admit it, I’m a disaster”, confesses the actress, who also explains how much her parents care for her and the affection she has for them: “They care so much for me and live it all very intensely, the good and the bad”. Ester Expósito rose to fame thanks to her role in the Netflix series ‘Élite’, which became an international success, but little by little she has managed to carve out her own niche, with various projects that go beyond, as is the case of ‘Venus’.
A very personal interview
The actress also has spoken about her career and of how, despite it having been her dream since childhood, she never imagined what the day-to-day of a famous actress would be like: “I didn’t imagine the day-to-day so much. I imaged the type of projects that I wanted to do, where I wanted to go, I imagined a mature and long-term career. I imagined working with my idols, that was my illusion”, she explains. Although she’s been very open and sincere with some topics, she hasn’t been as much with others, as is the case of her personal life, the one which she keeps very protected from the public eye. The actress has been in a romantic relationship with fellow actor Nico Furtado for almost a year and, even though they posed for the first time together this past September, she didn’t want to make any statement on the matter, keeping him in the most private sphere.
Without a doubt, Ángel Expósito’s interview with Ester Expósito will be one that both will remember for how special it’s been. In addition to her personal life and her career as an actress, uncle and niece have also taken the opportunity to look back and remember some of their moments together, like the first time in which the actress visited the Real Madrid stadium: “It was with you”, recounts Expósito to her uncle with a tender smile. Both have been shown to have a very close relationship and to be very intimate, which has not only been appreciated in their conversation, but also in how comfortable the two have been during the whole interview.
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tomhollandnet · 4 years
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Tom Holland in the Wild and Woeful Cherry: Exclusive First Look
Cherry is a movie that dares you to try and describe it in a few lines. It’s the first film that Anthony and Joe Russo have directed following their Avengers finales, Infinity War and Endgame, and it reunites them with Spider-Man star Tom Holland. It also compresses their penchant for large-scale action and cataclysm into the core of a single person.
Holland’s title character is both volatile and vulnerable, a hard-knock nobody from Cleveland who’s just scraping by but doesn’t even have any big dreams to guide him. Every solution to his problems only deepens the trouble: College isn’t working out, so Cherry joins the Army to serve in Iraq as a medic. He returns home haunted and damaged, and starts abusing opioids to blunt his PTSD. To pay for the drugs, he resorts to bank robbery. The more desperate he gets, the more banks he has to rob.
It’s tempting to call this film, which hits theaters first on February 26 and then premieres globally on Apple TV+ on March 12, a smaller, more intimate project from the brothers who made some of Marvel’s most grandiose films. It’s definitely a passion project for them. But Cherry is also a sprawling tale that ventures around the world, albeit locked within the mind of Holland’s sweet-natured, grimly addicted bandit.
“We do think about it as an epic film, and it is very much a person’s life journey,” said Anthony Russo. “But it does have a little bit of a split personality between being this character study and an epic life cycle.”
They described Cherry as six movies in one, spanning from the mid 2000s to the present. “He travels a great distance over a 15-year period,” Joe Russo said. “The movie’s broken up into six chapters that reflect those different periods, and each one has a different tone. It’s shot with different lenses, different production design. One’s got magical realism. Another chapter is absurdism. Another is horror…There’s a bit of gonzo in it. It’s raw in its tone. He’s a character in existential crisis.”
Based on the 2018 novel by Nico Walker, the screenplay was written by the filmmakers’ sister,  Angela Russo-Otstot (V, The Shield), and Jessica Goldberg (The Path). “The book was very, very self-aware, self-deprecating, and self-loathing,” Joe said.
They felt a strong connection, even if the story doesn’t necessarily mirror their own. It’s close enough: “We’re from Cleveland and Nico’s from Cleveland. Interestingly enough, we know a lot of people that are implied in the book,” Joe added. “I think he’s fictionalized names and personalities. But I worked at the same restaurant that Nico worked at, 10 years apart. So he had a very similar upbringing to us. He just had a very different journey than we did.”
The Russos also wanted to tell a story about the people back home who are hurting. “Ohio is unfortunately at ground zero in the fight against the opioid crisis. And we’ve got a lot of people in our family that have either passed on or died from the crisis, or are struggling with their current addiction. So, this is a very, very personal movie for us.”
The one bright spot in Cherry’s life is Emily (Ciara Bravo, A Teacher), whose devotion to the love of her life may reveal her own self-destructive tendencies. While she’s the stabilizing thing he clings to, the only pure thing in his life, Cherry’s reckless actions threaten to destroy her too.
“The love story is the central spine of the film,” Anthony said. “Without that relationship in the movie, it all falls apart for him. We knew that we needed to make her presence and her character glow in the moments that we did have with her.”
“We really wanted someone that embodied that sense of innocence for him. It was a dream girl, the girl next door,” Joe said.
That’s a quality Holland also brings to the screen, from his breakthrough as a resilient kid trying to survive a tsunami in 2012’s The Impossible to his “aw, shucks” approach to Peter Parker in the Marvel films. With Cherry, the 24-year-old weaponizes that boyishness, allowing it to be battered and bruised and blasted off of him by the harshest things life can throw at a person.
The Russo brothers know this might sound like a turnoff. That’s why they wanted the role to go to Holland, whom they had successfully lobbied to get the part of Spider-Man in 2016’s Civil War.
“When Tom walked into the room…what, six years ago? He was younger, raw. His charisma just blew us away. There was an effortless charm to him,” Anthony said. “As an actor, that is very difficult to replicate. He’s just so likable. We knew for this part we were going to need someone of Tom’s charisma to keep the audience from shutting down during the darker parts of the film.”
“This is a movie that’s supposed to define the experience of having PTSD, the experience of being addicted to opioids,” Joe added. “And the mission of the film is to generate empathy, not to generate disdain, not to indict. It was critical that you empathize with his struggle and his journey because a lot of people are going through this, and they’re having a very human experience. I think empathy is in incredibly short supply right now in the world. And it’s a tragedy.”
As it traversed a decade and a half, Cherry also gave Holland a chance to show a more somber screen presence. “Tom is a nice person. He is, but he doesn’t let himself get trapped by that. He’s a seeker, he’s an artist, he’s always looking, running after complicated things in life,” Anthony said. “He’s a young actor, right? We haven’t seen him do that much up to this point. This is definitely something he’s had within him the whole time. We just haven’t been able to see it yet.“
Joe and I were surprised ourselves to see how thoroughly committed he was to every facet of that character,” he added. “The darkest, most difficult sides of that character, he really embraced them and ran at them and tried to give them life within himself in a way that not a lot of people could pull off.”
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the-ghost-king · 3 years
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About the cupid scene, Nico was forced to come out, but its also made very clear that Cupid is the bad guy. So is Aphrodite to an extent. They have a twisted and fundamental misunderstanding of love and how it works for mortals. I get that people could be mad about how Nico was forced to come out and putting him through more emotional trauma, but I also think its very realistic in showing how callous and cruel the gods understanding of love is.
I am reminded of the quote by Madeline Miller, "There is no law that gods must be fair..."
I also understand why the scene might be traumatic for other young LGBTQ+ readers, I've seen a lot of people talk about the fear of being outed in regards to them reading that scene as a kid. I completely respect their feelings on that, and I understand that as well. However, as someone who had been forcibly outed once before reading that scene, that scene really helped heal me. I don't think the Cupid scene is inherently homophobic, and I'm often bothered by the lack of nuance regarding around how it's handled.
I recognize it's a very emotional scene, and that people may have a hard time fully separating their emotions from that scene, but at the same time if there's a group of people saying "hey I understand why you disliked this scene but it was really helpful to me as a child because of the different experiences I had" maybe slow the breaks and hear what others also in the community have to say before determining if the scene is homophobic. You don't have to like the scene, and yeah maybe the scene did hurt you but that doesn't make it homophobic.
I want to specify on my word choice there a little closer, because of course outing someone is an act of homophobia, and the scene is homophobic in that sense. However often times the conversation about homophobia in this scene goes to "Rick was homophobic for writing this" where personally I would say this scene toes the line at being too far without ever crossing it. Some people may think this depiction crosses the line into "Rick was homophobic for writing this" which is fine, but just because something depicted homophobia and hurt you doesn't mean it was homophobic. Something doesn't have to out rightly be stated to be bad, in order to be read as bad*, and the Cupid scene does a wonderful job of depicting this.
I talk here about how Nico is shown what love is, and how love is treated by Nico, and how it affects his character. I think it's important to note that Nico's entire storyline can essentially be encompassed in an Orpheus-like or Odyssey-like tale. Nico's undergone this huge emotional and physical labor all in the name of having some form of unconditional love. I think that post is a really important read in the context of this one because I very carefully outline how love shapes Nico and how Nico shape and chooses his own definition of love, but I want to specifically dig into the Cupid scene on this post.
The big criticism often seen is "it's homophobic" which I covered above, and I want to clarify I'm not upset with or mad at or trying to tell anyone they can't dislike it or even say you can't say it's homophobic (my words on my one post are a bit off I'll admit) but the problem I have is when people believe they hold a moral high ground for thinking it's homophobic, or they remove all nuance from the discussion with "it's homophobic". Which is frustrating and annoying because it's a very complex scene, and it really changes Nico's arc and personality and it does help characterize him.
The big reason it shapes him so much is because of the other largest reason the scene is criticized, Cupid's behavior. What often fails to be recognized in those scenes is that Cupid is intentionally painted as the villain, this is very important to the scene.
In the context of this scene Nico makes an unspoken choice, a choice of "what is love to me?". I talk about how Nico claims his narrative in BoTL when he overcomes Minos, and he partially peaks that arc by convincing Gods to join the final battle of TLO. Following that arc however, Nico falls into his second arc, his crush on Percy was important in PJO, but not as important as it is in HoO.
By HoO Nico's entire character revolves around Percy, how to help Percy, how to aid Percy, etc. All of this has to do with Nico's crush on Percy, but also as an act of repayment because Nico hurt Percy- Nico lied to him about knowing him at New Rome in SoN, and he goes to Tartarus shortly after... This mirrors what Percy did after Hades tricked Nico... Percy choked Nico because he was upset with him, so Nico tried to win back Percy's affection by bathing him in the river.
The Cupid Scene is the resolution of Nico's arc, he is essentially given a choice- Cupid or Jason?
For this reason, we do see Nico recognize love for what it has been vs how it could be.
Cupid is there to represent what love is, to Nico love is brutal, and painful, and a lot of hard work... Nico has made himself utilitarian in love simply because it is the only way he can find any affection. Love to Nico is about flaying yourself for the benefit of others, to trample any and all parts of yourself simply to appease those you care for, because you want them to love you so much as you love them. The parallels I could draw between Nico and Orpheus, or Nico and Odysseus... I'd be here a long while...
In that scene Jason represents the alternative form of love which Nico chooses after his interaction with Cupid.
Jason says during the scene that he "preferred Piper's idea of love" which has to do with kindness and caring, etc, and then Jason becomes the embodiment of that idea during the scene- which showcases the alternative of what love can be, thus making Jason a personification of love in the context of that scene.
Jason looks to Nico, he doesn't ask for more, he simply looks to Nico with understanding and acknowledges him for who he is, and he does the exact opposite of what Nico expects:
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Jason loves Nico where he is, without conditions, without forcing Nico to become something more. Jason didn’t force Nico to say more than what was necessary for him to understand, Jason looked at Nico and he called Nico brave.
Cupid is a more volatile form of love than Aphrodite, Cupid shoots arrows that makes people animals, that can make a god grow insane, but Aphrodite's form of love is about acceptance and humanity (think to how she picked Ares over Hephaestus even if it was perhaps "wrong")- both are about truth but one is about force and the other about acceptance.
When Nico walks out of there, he makes his choice- he is forced to come out yes, Cupid is wrong for doing this, but Jason again stays a figure of love in Nico's life. Jason basically says, "Good job, I know that was hard, thank you for sharing and let me know if you need anything, people will care about you and understand you," again and again and again to Nico, he doesn't tell Nico he has to come out, and he agrees to keep it between them for now. Jason is love as acceptance, Jason is the first person who unconditionally loves Nico, and that's the choice.
Will Nico accept unconditional love? If the answer is no, then Cupid wins and Nico is denying himself. If the answer is yes, then Jason and Nico win, and Nico no longer needs to make himself utilitarian in love in order to be loved.
The choice is made with Reyna and Hedge, most specifically Reyna.
When he accidentally comes out to them, and they accept him without making a big deal of it, without show, just that acknowledgement and "thank you for sharing" and Nico accepts their words and friendship still- Nico made his choice then to accept the love he was being freely given.
“He carried so much sadness and loneliness, so much heartache. Yet he put his mission first. He persevered. Reyna respected that. She understood that. She'd never been a touchy-feely person, but she had the strangest desire to drape her cloak over Nico's shoulders and tuck him in. She mentally chided herself. He was a comrade, not her little brother. He wouldn't appreciate the gesture.”
This is where we see the slow and steady, and healthy, end to Nico's arc in regards to love really grow into itself, and he begins to heal. He no longer sees such an intense need to make himself utilitarian for love, and he begins to heal from his internalized homophobia too.
(Internalized homophobia discussions with Nico also bother me too often times, people too often assume you can't date while struggling with internalized homophobia or at least very heavy handedly imply that which is just not true... You may have some issues in your relationship, but you can work through the internalized homophobia while building a new relationship and be just fine. Also to assume someone has an unhealthy relationship because of internalized homophobia is weird and lowkey reinforces the idea that "broken" people don't need love, but also does a huge disservice to so many LGBTQ+ people who are happily married/themselves but still struggle with these feelings, and to see a healthy relationship depiction despite someone in that relationship struggling with internalized homophobia is fine and good actually. As long as the individual can recognize what they're dealing with, and work through it in a healthy and constructive manner, then there's nothing wrong there...)
When I started this post to be honest I thought I would have a lot more to say, it's a scene that touched and changed me so deeply as a person, and beyond that in a more objective experience it completely changes Nico's character, by turning his arc around and beginning his healing process. To be honest, there probably is more to be said on it, I just haven't found the words yet... I know parts of this post are clunky and in a year I'm going to read this and see all the places it could be better but for now I'm content with it.
Whether or not someone considers the scene homophobic is a subjective experience, but I think this is a very well written scene purely for the characterization and symbolism, intentional or otherwise. I don't really care that much to debate if it's truly a homophobic scene or not, I can see both why people say it is and why people say it isn't and that can be culminated into "people have different needs" and "minorities aren't a monolith". Personally my much larger complaint is the complete lack of nuance and insight scenes like this are handled with, not the matter of personal opinion an individual reaches on the scene.
*the post uses the word "adult audience" and yes, fair point, children should not be able to decipher symbolism to the extent adults can. But older children and young teens, which the RRverse series are sold for, is when critical thinking skills and media analysis do begin to become parts of classroom curriculum. The scene does an excellent job of not outright stating Cupid is evil, but of depicting that in a very clear cut way.
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dykeseinfeld · 3 years
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u asked someone to remind you to post about your pjo dual protagonist thalia/bianca au and i am SO intrigued by this idea please say more
anon asked: hey queen hope your homework went good yesterday 🌸…now what were you saying about thalia and bianca 😳 ?
ok y’all i’m here...the moment almost none of y’all have been waiting for....bianca/thalia protagonists with alternating pov’s au
warning it’s kind of super long and may or may not read like a 2nd grader’s semi-coherent game of pretend so under the cut it goes!
so the main things you need to know about this au are 1. thalia survives and 2. annabeth’s + luke’s ages are a lil diff bc canon is my sandbox 3. i can’t decide if percy exists in this au or not (maybe y’all can help me decide?)
so the first book:
would start a few months after grover brought thalia (12), luke (13), and annabeth (10, not 7)  to camp half blood. they were chased by monsters sent by hades on the way, and thalia almost didn’t survive, but ultimately she got lucky and managed to send a bolt of lightning through her spear for the first time and they made it into camp
it’s been some time so annabeth is happy as a clam in the athena cabin doing her 10-year-old-with-severe-mommy-issues thing and luke is actually pretty popular with the hermes cabin bc he actually Met Their Dad Holy Shit and also he’s getting pretty good with a sword
at the same time, thalia is alone in the zeus cabin. everyone has been freaking out bc they all saw the huge bolt of lightning that incinerated a couple hellhounds as they made their grand entrance and What The Fuck Child Of The Big Three???
she’s also further isolated because chiron will take her for private training sessions sometimes, since she is clearly really powerful already and also Hades Himself was trying to kill her (chiron told her the reason was the big three’s pledge not to have kids, and maybe about the great prophecy? if he tells her that then she’s sworn to secrecy)
once grover leaves on another protector assignment, thalia mostly hangs out with luke, and annabeth. luke + annabeth both will try to eat meals with her at the zeus table but annabeth doesn’t want to get in trouble and luke is genuinely making friends in the hermes cabin so thalia will feel bad sometimes and send him back
kronos, seeing this bitter isolated child of the big three’s dreams: it’s free real estate
MEANWHILE
hades is Pissed that thalia survived and zeus got to break their oath And get the glory of a prophecy child
so he sends someone to take bianca (12) and nico (10) out of the lotus hotel and casino a little early.
grover is still their protector, but since the Stirring hasn’t begun in earnest yet and hades is lowkey determined to keep them safe, they make it back to camp half blood with no escort/incident
bianca + nico are put into the hermes cabin, and luke kinda takes them under his wing bc while he’s not bitter he still needs therapy bc this 14 year old has never met a pre-teen he couldn’t try to parent
luke introduces nico and annabeth since they’re the same age and they become really good friends!! she Loves mythomagic and he thinks her dagger is super cool and they’re both just really excited about camp <3
bianca is more reserved and resistant to the whole thing, and she wanders around alone exploring and runs into thalia in the zeus cabin
at this first meeting they get into a bit of a fight bc bianca is still in shock/denial about the gods being real, but thalia at this point has zero patience for this
anyway after that and maybe another scuffle during capture the flag or something they hit it off and become best friends in the way girls can, especially bonding over how they’ve both had to take on raising annabeth and nico basically on their own at the age of 12
~QUEST TIME~
thalia is given a quest for [unspecific reason] and chooses bianca and luke, they go off leaving annabeth and nico frustrated at home
quest hijinks etc, bianca is trying to figure out her parentage + her weird mysterious powers? and thalia is arguing with luke because he’s settling into camp/hero life really well actually but she’s getting progressively angrier with the gods for trying to kill her and also keeps getting dreams from kronos and doesn’t get why he doesn’t seem to remember all of the shit that the gods have put him through
bianca + thalia have las-vegas-style-heart-to-hearts where thalia shares her tragic backstory about her mother and her brother and how hades tried to kill her and even about the great prophecy and how she’s trying on this quest bc of that and her dad but at the same time these dreams are making her suspicious that he might’ve been responsible for her mom’s death.
bianca then shares her own stuff, about how terrified she was being on her own with nico having to protect him but also not remembering most of her childhood and not remembering her parents or how she ended up in the care of this lawyer and just the absolute mindfuckery that her memories/past are
luke is asleep in those scenes i guess lol 🧍‍♂️
anyway eventually they finish their quest in this massive climactic battle where bianca discovers her powers in a huge-showy-”i’m the ghost prince”-way and is formally claimed by hades which thalia sees as this Massive Betrayal obviously and bianca is horrified too because she knows what hades did to thalia but at the same time she’s just so happy to finally understand at least part of her past
thalia just reaches a breaking point though because everyone around her just doesn’t understand her anger and just when she thought she had found another sympathetic person who understood what she was going through she joins hades??? no. no fucking way. kronos reveals that he’s the one who has been sending her dreams, prob by sending some messenger who he possesses or smthing and when he offers thalia the chance to join him? she does (dun dun dun)
main beats of the rest of the series:
thalia and bianca on opposite sides of the war training to be the prophecy child, they come together a Lot and have like melodramatic fight scenes where they talk out their anger and try to get the other to join them bc they don’t want to kill each other
luke is extremely conflicted/betrayed and there’s a titan’s curse moment prob towards the end of the third book where they’re fighting and thalia is trying to get her to go with him but here he actually does go to join her (gasp!!) and is evil for at least one book but his heart’s not in it and he goes back to the good side eventually
by the point of luke’s betrayal, annabeth and nico are growing and developing and old enough to go on quests w bianca and by the last book they’re a main trio of sorts and their hypothetical character development is already making me emotional
there’s just a lot of general sexiness with foils and inner conflicts and bianca doesn’t even want to be the prophecy child but she needs to for the fate of the world and bianca is so angry at thalia bc thalia is a daughter of zeus and could control her powers and is perfect and just meant to be the prophecy kid, not some daughter of hades who they didn’t even have a cabin for before
hm maybe by either the last or second-to-last book thalia + bianca are close to reconciling or at least their interests are aligned for the moment and they read the text of the prophecy together and things go Wild bc they both think “single choice shall end his days” either is about luke or nico and it turns up the gas to their fighting both of them care about both of them and yeah
and then i can’t decide if there’s romantic arcs at all but if there were it would go like this:
just a dash of thaluke where at first it was luke having a one-sided crush but thalia misses him a Lot after she goes to kronos and wonders if it’s that she misses him or if it’s something More until to get him to defect there’s like a melodramatic moment in the fight where thalia kisses him and they go off to be Evil Together but it ends bc luke doesn’t believe in the cause and only joined her in hopes of getting thalia back to his side
once luke leaves/is kicked out thalia realizes that she didn’t love luke she just wanted a family and also in the second half of the series she realizes she’s a lesbian as a parallel to her redemption arc
bianca meanwhile is unconcerned w romance until she has her botl-hoe-moment where within one book she 1. runs into the hunters on a quest and has a thing with zoe nightshade who tries to get her to join plus tells her about that time she met thalia, 2. she goes to calypso’s island and falls in love w her in the moonlight or w/e and has her what-if moment, and 3. when they meet up that book thalia somehow knew abt zoe + calypso and seems almost angrier abt them  than the war?? weird bc bianca knows that thalia is Totally Straight right??
my main point is that bianca/thalia is our friends-to-enemies-to-lovers endgame thank you i will take my pulitzer now
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Hi moosh! Could I have sfw letters APW for dante, vergil, nero, and V? Thank you!
So this is my first piece for devil may cry, I hope it turned out well I'm still ify on it, especially with V's and a part of Vergil but I hope you guys like it anyway!
Dante 
A ctivities - What do they like to do with their s/o? How do they spend their free time with them?
Dante is a pretty chill guy, but he really doesn’t get out that much besides to go do a job, out to get drinks and to gamble (losing most of his last payment from Morrison in the process and getting absolutely screamed at by both you and Lady) at the local bar, and to get a Strawberry Sundae at Fredi’s, most of these activities he loves for you to tag along with him (some partially to make sure he doesn’t get into too much trouble *cough cough* like losing most of his fucking money *cough*) especially hunting if you can hold yourself in a fight, he gets a kick out of watching you kick demon ass and finds it really hot so expect a lot of flirty banter that’s filled with terrible puns and other dorky eye rolling one liners. This lovable fucking dork.
However most of your time spent together is in the office, which you can find the two of you laying on the couch watching the old busted television watching old movies or listening to the old busted jukebox that has been playing the same sixteen songs for the last thirty years (Dante stop abusing your shit) or just telling each other shitty stories the both of you have heard from one another countless of times, but somehow when he tells it again it somehow feels just as enjoyable as the first with somehow a different twist to it and when you tell it he always that charismatic talent that Dante just has this big heart throbbing grin on his face as he listens and it just makes your words sometimes stop that even he has to tell you to keep going, or just cooking together (and by together, I mean you doing 99% of the work because this man is forever banned anywhere near a oven anymore) because yeah sure pizzas 24/7 is fun and all but if there’s one thing (besides watching you kick demon ass) that he loves to watch you do it’s cooking and not only does he get to watch you excitedly dash from one part of the kitchen looking for ingredients and get a little messy along the way, he also gets something to eat out of it too in the end. 
P DA - Are they upfront about their relationship? Do they brag with their s/o in front of others? Or are they rather shy to kiss etc. when others are watching?
Embarrassment to show his absolute adoration for you in public? No way! Dante is all about that PDA, unless you’re uncomfortable with it then he’ll respectfully lay off...but sometimes he finds it really hard when you’re just super cute when talking to the crew about a job, it's just something about that look of thrill in your eye that always grabs his attention. But if you’re down with it, let the lap sitting, quick heated kisses, bad suggestive pick up lines, and questionable touches commence! 
Dante is the number one choice for a feel better boost, if you’re feeling unsure and doubtful of your abilities be prepared to see this man recite everything fucking cool, smart, and badass thing he’s ever seen you do, so it’s a given Dante absolutely loves bragging about you to people. As he’s sharing tales of your badassery, there’s a glint of pure love in his eyes as he looks back to you and watches as your doubts begin to slowly fade away to the back of your mind, and of course if this is a recurring issue you might find even the rest of giving you compliments from time to time, even from Vergil (which almost gave you a heart attack from the shock hearing that from the eldest son of Sparda) 
Kisses from Dante are never shy, when he wants to show affection to you he’s never shy about it. Kisses from him are always the type that shoots butterflies to your stomach and makes you feel dizzy afterwards, his favorite to pull over you are when you’re in the middle of working on paperwork (his fucking bills) and surprising you with them because always without fail you get drag away from your work and go to cuddle on the couch, bills to be forgotten (and he wonders why his electric shuts off all the time) The crew immediately learns quickly that Dante really doesn’t have any shame, but reactions vary when they stumble upon it with Trish and Morrison are the two not to really give a shit to be bothered by it, Lady, Vergil, and Nero just roll their eyes at it before going back to do their own thing, Nico lets the: “get a room love birds” and other types of teasing lines and whistles fly every chance she gets, Lucia either embarrassed and covering her eyes or scolding the both of you for being that ‘personal’ out in the open like that, and Patty asks really uncomfortable questions. Dante for the most part gets a kick out of all of it!
W ild Card - A random Fluff Headcanon.
I think it's very clear that he mimics actions he sees in movies (just look at how he fucking uses Cerberus for example) and so lots of what he does romantically is stuff he's seen in romance films he remembers watching with his mother and brother when he was younger or films that when he really has nothing better to do and Patty brings (all with titles he can never pronounce) to the office on a lazy afternoon and that's the reason why his view of romance is so cliche. When asked jokingly about it, he'll give a shrug and answer with the fact that the love between his parents, forbidden lovers, is a cliche trope itself and from the very few memories he has of his mother and father together he definitely remembers how sappy they were together, so sappy that it might've carried over into their kids (Vergil you don't escape this, just you wait) 
 So that being said, with the heart shaped chocolates, the roses to start every date with, several dates under candle light on the roof of the shop under a full moon, no matter how cliche it may be the confident wide eye grin on his face during them will never fail to make your heart skip a beat. 
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Vergil 
A ctivities - What do they like to do with their s/o? How do they spend their free time with them?
Vergil of course really likes to take every opportunity to train whenever he can so that he can be sure he's able protect those he cares for, so he really likes when you take the time to spare with him so not only he can stay in top shape for whatever danger that may come in the future but also so that you can do the same that he doesn't feel like it's all up to him to protect you when he is assured you can protect yourself, this keeps his mind from wandering to dark power lusting places.
On free days that there's no jobs in sight and there's not a focus on training, Vergil of course likes to read in his book. Flipping through the pages of his old precious childhood possession he feels himself at ease and even more so if the two of you are laid up together in bed in the privacy of your shared room, your head laid softly on his chest with his hand in your hair subconsciously combing through it as he reads Blake's words aloud to you in a quiet voice as if the words were only meant for you to hear.
P DA - Are they upfront about their relationship? Do they brag with their s/o in front of others? Or are they rather shy to kiss etc. when others are watching?
Listen, all the Sparda men are romantic in their own way to the core, I like to think it’s in their genes and this is Vergil we’re talking about, this man is an absolute traditional romantic with absolutely no PDA. I mean come on, again this is Vergil we're talking about this is to be expected the son of Sparda prefers to keep his romantic life absolutely private between the two of you. To be honest it takes only the closest people in the two of your lives to realize that the two of you are even together, so basically only those who are at Devil May Cry frequently. The tale tell is that out of everyone you end up being on the end of Vergil's...Vergilness the least bit, sure there are moments but at least you haven't been stabbed by Yamato or had any summoned swords shot at you like everyone in the office has been at least once (although this also applies to Kyrie but I see her never really doing anything that would really bother him) and he also gives to rare non sarcastic compliments, which blows Dante's mind every time it occurs. 
Vergil doesn't brag about you, he compliments, and true hearted compliments from Vergil are rare, but when they happen you always know he 100% means it especially if he does it in front of others. This is the only form of PDA he feels comfortable with doing, and usually they're about how you did in fights or a super rare version: that he's proud of you. 
Again Vergil believes all romantic acts should be savory in the privacy between each other, so it's obvious that he doesn't like kissing in public. However, if you were to hypothetically I don't know...give him a peck on the cheek or go even more scandalous the lips while he's at phone duty in the office while Dante and the others are around the pool table and sitting area or in Nico's van while waiting to drive off with the crew to whatever next job, his cheeks might turn into a interesting shade of pink. 
W ild Card - A random Fluff Headcanon.
It takes patience to be in a relationship with Vergil, in the beginning he'll be closed off and won't share what he's thinking (but it says a lot with how much he does trust and care for you to be in a commitment with you) but as time goes on he'll slowly start to open up more and more as he lets himself accept the human in him to love you, and at this point he'll start to share things that are very close and dear to him. 
He has very fond memories of watching old black and white romance films with his mother and Dante, who only would watch them because the moment they would end he would immediately beg him to train with him, but with him falling down to hell and being corrupted since he was only nineteen to him he remembers memories of when he and Dante were kids more clearly than his brother can since to him they don't feel as they happened a long ago so he remembers watching these films from long ago in very great detail. So of course the moment he can find some of these films with the help from a hesitant Nero (still getting used to the whole dad ripping arm off thing and all) to find and order those they could find online. From the very moment he has the old tapes in his hands do they become as precious as you, Yamato, his amulet, and his book (as well as a little bit of Nero but it takes him a while to come to terms with it) so with this being something very emotionally important to him, and after very long pandering about it, he asks you to watch these films with him (he also considered asking Dante but figured since he didn't practically like the these films as children that he wouldn't want to to watch them now, absolutely no idea about the cliched dork he is now because of these types of films) The entire time you find yourself struggling to pay attention to the actual film instead you find yourself drawn to the deep nostalgic look in your lover's eyes as he's glued to the screen. For a while you're not even sure if he's actually watching the black and white picture either with how he eyes seem to be playing out scenes of the past and this is the first time you've ever seen this much emotion on his face at once. You end up holding a tight securing grip on his hand throughout the rest of the film, one normally he wouldn't hold for as long but you find his fingers subconsciously rubbing against yours from time to time. Once the nostalgic movie night ends the two of you don't say much to each other, which Vergil appreciates since how much emotional significance that it had on him and with the feeling that he's glad he got to spend it with you. 
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Nero
A ctivities - What do they like to do with their s/o? How do they spend their free time with them?
He likes killing demons with you, it's in his blood. Just seeing you in action will without fail boost confidence in him and makes him want to show off for you, which ends with him getting hurt and scolded by you many times but he wouldn't have it any other way. 
Well, he really finds himself doing a lot doing jobs with Nico on the road as of late so except a lot of quality time together on jobs and in the van. When the two of you aren't out kicking demon ass expect a ton of sitting around in the van watching whatever happens to come in on Nico's very small and very shitty portable tv, this is when you learn your boyfriend has actually a lot of a surprising amount of trivia on shows that hadn't been in production in decades but are shown as frequent reruns on low quality channels that coincidently air in Fortuna's limited broadcast range. 
P DA - Are they upfront about their relationship? Do they brag with their s/o in front of others? Or are they rather shy to kiss etc. when others are watching?
I feel like during the time around dmc 4, Nero at that point was absolutely super embarrassed with the idea of PDA, not even getting started with his insecurities about his arm, but I feel about now after his experience with dating Kyrie for a few years he gotten use to it a little bit. However that doesn't mean he won't get entirely red faced by teasing comments from Dante or Nico even if he was just looking at you for a few seconds longer than he should've.
Fuck yeah he brags about you to others. You're a badass, and he absolutely loves that. During a fight he'll gladly give you a cocky Nero way of approval by saying that even he should try and catch up before flashing you a smug ass grin before revving up Red Queen and jumping into the next hoard of demons.
Again Nero gets embarrassed easily, however unlike his father he's not totally against it but it depends on whose exactly around. For example if it's Lady or Trish, hell even Morrison he's perfectly comfortable with giving you a kiss hello/goodbye or wrapping his arms around you just for the hell of it because he knows that they're chill and won't make a big deal out of it. But if it's anyone else...he feels not so much about it. Dante and Nico tease the hell out of him for days, Patty asks very uncomfortable person questions, Lucia gets really easily flustered about it, and Vergil and Kyrie for personal reasons would just rather not prefer to do anything around them. But every time you are the one to initiate any sort of affection, he'll immediately rub/scratch at his nose with a very dumb founded flustered look on his face. 
W ild Card - A random Fluff Headcanon.
Nero is actually a good cook and absolutely loves cooking things for you and that is usually what happens for most dates, no matter how complicated the recipe he just seems to have a natural talent for it. So when it comes not only dates but to holidays as well, it's really funny to see the youngest relative of Sparda cooking away to serve the rest of the company on Christmas day when everyone knows damn well that neither his father or uncle has any clue how to work a kitchen and this is a fact that he holds proudly over his head. 
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A ctivities - What do they like to do with their s/o? How do they spend their free time with them?
Well being Vergil's human half, I still say most things still somewhat apply to him but a little bit differently. V's not really the best partner to spar with for starters (the most I see him doing is letting you train with his familiars) but I feel that he still completely understands the reason why Vergil would desperately want that, but he has a little bit more in himself to have faith in you to know you can more than able to handle yourself with your abilities. 
Like with Vergil, V absolutely loves to read with you. It puts a nice warm feeling in his chest when the two of you are alone and with you in his arms as he reads to you as you both sit against Shadow and Griffon nesting nicely in your lap, all together like a nice small family. 
P DA - Are they upfront about their relationship? Do they brag with their s/o in front of others? Or are they rather shy to kiss etc. when others are watching?
V, unlike Vergil, is torn between PDA. Like Vergil, he really does appreciate the privacy of time spent together behind closed doors but also he really does like the feeling of people seeing the two of you together as a couple, it brings out a heavy sense of pride and stroking his ego. 
V doesn't feel need to brag, he's proud of you and if you're with him you should know that by now, but if you're in need of some encouragement he always knows what right thing he's proud of you to pick you tight back up again. 
Kisses from V are never shy, will he do it often in front of others? Occasionally, but never frequent. When he does though they're always sudden and full of spark, you swear his lips are like an instant kill switch to your brain because once you realize that he's kissed you it's already hit you and most of the time you hear whistles and teases from Griffon (and sometimes Nico if she's around) that bring you back earth to (Name). 
W ild Card - A random Fluff Headcanon.
Vergil's nightmares plague him a lot, I mean he's literally contracted to them. So expect a lot of countless of nights of him waking up in cold sweat and doing his best to keep his sobs down as the image of Nelo Angelo is burnt into his mind. He would rather not talk about it, but he really does appreciate feeling you holding him through the after shocks. Tracing his tattoos or gently combing your fingers through his hair will slowly calm him down enough to at least lay back down with you and hesitantly fall back asleep knowing you're there to fight off the plagues of his mind at a moments notice.
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blueroseblaze · 3 years
Text
Devil May Cry INK
New Devil May Cry Nero x GN!Reader tattoo!AU series based on the lovely work by @hennatheantenna​ 
also available on Ao3 here: https://archiveofourown.org/series/2203587
Please enjoy this first installment
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The shop was quiet, save for the soft sweeping and the low hum of the radio. The Sunday early evening light shining through the windows was blinding if you weren’t sitting in the right spot. The orange lights cascading through the front windows warming the waiting area. It was a nice respite from an otherwise busy day.
Nero sat behind the counter, thumbing through, and counting the stack of cash with practiced speed and rhythm before placing it back in the register drawer. He glanced up at V who was too preoccupied sweeping the storefront floor and being distracted by the sleeping black shop cat on the windowsill.
“When is this new artist coming in?” V asked in his normal low poetic voice, not even looking In Nero’s direction while speaking.
“They should be here in a few minutes, we agreed on 6:30 for the interview,” Nero replied.
“Are you going to hire them? Dante did give you the final say on it.”
“Their portfolio is really impressive, and Nico spoke highly of them. So, we’ll see. We’re short-staffed anyway so I don’t think we’re in the business of being super picky.
“Right,” V hummed before continued his cleaning.
Devil May Cry Ink had been short-staffed for a long time despite being located in a relatively popular area, close to many clubs, shops, and an active nightlife. With only 3 artists and one financial manager, they could hardly keep up with patrons when there were rarely all three artists present. Dante, Nero’s uncle and official co-owner of the establishment was remarkably popular and often traveled to meet in person with more high-end clients rather than have them come to their humble little shop. Luckily, Nero’s Father, Vergil, was more than capable of keeping them afloat handling the financial side of the equation.
Nero leaned back in his chair behind the counter, balancing on the back legs with his feet propped up on the countertop. He shut his eyes and sighed, listening to the low drawl of the radio and the humming of the vents that kicked on overhead.
But soon the young man was shaken from his half nap when he heard a knock on the front door, which had been locked at the end of the day.
“Is that them?” V asked.
“Probably,” Nero replied before standing to answer the door.
Nero approached the door and unlocked it, opening it enough only for him to stick his head out to greet the person and make sure that she was in fact their new possible hire.
“Hi,” they greeted in an excited but polite voice, “I’m here for an interview, I’m looking for Nero.”
“You found him,” Nero replied confidently, “Are you Y/N?”
“Yeah, that’s me,” they said.
Nero welcomed them inside, stepping out of the way of the door so that they could slip through and he could lock the door again behind him. they faced him, waiting for any extra greeting or instruction as V approached the two.
“This is my half-brother, Vitalie,” Nero introduced.
V held out a lanky tatted arm and Y/N took his hand, giving a professional shake.
“You can call me V,” he said.
“Noted,” they said with a smile glancing down as something rubbed against their leg making them jump.
“That our shop cat, Shadow,” Nero explained, “Don’t worry she’s had all her shots.”
After exchanging a few more pleasantries, Nero led the young artist towards the back of the shop where there would be little disturbance. They tried taking in the atmosphere of the shop but found the man walking before them too distracting. Their eyes traced over the intricate blue and red roses that sleeved his arms, all the way up to the ink covering a sizable portion of his neck leading right up to the snowy white undercut he was sporting.
“Hey um, is your…”
“My hair is natural, yes,” Nero replied before they could even get a word out.
Y/N started to internally panic, their face going red as they averted their gaze trying to explain themselves and apologize, stumbling over their words like a flustered cartoon.
Nero chuckled, “It’s ok I get it a lot.”
Y/N huffed in embarrassment as they continued to follow him to the back room. The office wasn’t particularly big, just enough to fit some shelves, a desk, and a couch. It was mostly just a place for Vergil to get away to do work or discuss business, and for Dante to take naps.
Nero took a seat at the desk, pulling out a large portfolio as he instructed Y/N to sit down. He opened the portfolio and began flipping through it for what was probably the twentieth time.
“You can take your jacket off,” he said, “Make yourself comfortable.”
Y/N shrugged out of their jacket, adjusting their shirt as they laid it nicely on the arm of the sofa. Nero glanced up from the portfolio and stared at their bare arms and chest in confusion.
“Do you have any ink?” he asked incredulously.
Y/N huffed out a nervous laugh, hand moving to the back of their neck as they looked away.
“Yeah, I know how it looks. I’m just not a fan of needles is all. But I promise all that work is mine. You wouldn’t be the first to think it wasn’t.”
Nero looked back down at the portfolio. He was surprised at the lack of ink but had no reason to think it was plagiarism. He trusted Nico’s judgment so if she recommended an artist he would trust she knew what she was talking about.
“It’s not a problem I’m just surprised. I mean I was really impressed by your work it was just a surprise that you didn’t have any on you. So anyway, how long have you been tattooing,” he asked attempting to dodge the now awkward tension.
“About 3 years,” Y/N began, “I started getting interested in body art when I was young because my best friend’s dad owned a tattoo parlor in my hometown. I actually did my apprenticeship there before moving out here. I met Nico about a year and a half ago and we became fast friends and she asked me to do one or two pieces for her.”
“You ever been to art school?” Nero asked.
“Yeah! Majored in drawing and illustration,” they replied.
The interview went on with more questions and straightforward answers. Mostly about Y/N’s experience and a walk-through of their best work. A few quips and jokes thrown in here and there. Nero couldn’t keep his eyes off them as they went on and on about their artistic process and what inspires them. He couldn’t deny that they were cute. The way their eyes lit up as they spoke about what they were passionate about.
“So when did you first start?” Y/N asked, turning the questions back around on Nero.
“Pretty long time ago,” he answered, “My uncle started this place when I was like a toddler and roped my dad into it. Once I turned sixteen the old man finally let me get my first one. And when I turned eighteen my uncle let me start working.”
“I see you like roses,” they said, eyeing the expansive work on Nero’s arms.
“Yeah, they’re my favorite,” Nero explained, “Had them done by my uncle.”
The two of them had ended up talking for almost two hours, changing subjects to things like movies and music that they liked, and they found they had a lot in common. It was only when V poked his head through the door and reminded Nero of the time that they decided to call it quits.
“Can you start Monday?” Nero asked.
Y/N’s eyes grew wide and they vigorously nodded, almost jumping in their spot with excitement. They thanked both of them for their time before Nero offered to walk them to the door. They wished him a goodnight and he locked the door behind them. But not before exchanging phone numbers.
“They seem nice,” V said, smirking at Nero’s confused face, “And attractive it seems.”
Nero sputtered a broken response before playfully slugging his brother in the arm, causing the thin man to laugh.
“Just making an observation,” V excused.
“Yeah well keep your observations to yourself,” Nero chided, as he walked back behind the front counter. He reached over and picked up his leather jacket and blue helmet that matched the floral print on his sleeves that were hanging off the barstool. He slung the jacket over his shoulder and tucked the helmet under his arm.
“It has been a while since your last relationship, perhaps something could blossom from this.”
“Work is work, V. Don’t make it sound like I hired them just because they’re hot.”
“Did you?” V asked with a grin.
“No of course not!” Nero cried out defensively, “Anyway whatever, are you good to lock up by yourself?”
“Yes it shouldn’t take me too long,” V replied, “Can you feed Griffon when you get home?
Nero huffed in annoyance at the thought of feeding that little demon chicken.
“Yes, I’ll feed Griffon. See ya at home.”
V gave a subtle goodbye to Nero as he exited the shop and gave one last head pat to Shadow. Still smiling to himself at his sibling's flustered response.
Nero threw on the leather jacket and forced the helmet on his head, rounding the corner to the back of the shop where Red Queen was parked. He paused, letting his brother’s words playback in his head. It had been a while since he was in the dating game. It wasn’t like he was sad after his breakup; it was mutual and they remained on good terms, but he was getting antsy to the point that V had noticed.
Nero huffed, and mounted the motorcycle, kicking it into gear and speeding off.
Hope you enjoyed :)
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Seven Nights in Cabin Thirteen
I’m inspired by another post I saw here that I didn’t wish to hijack lol, and OP deactivated or else I’d link their account here. credits to @the-ghost-king for the idea of a demigod therapy/Will being a past drug addict on this post. Yes this is a bad fic. It’s also my first fic ever. Please criticize if you see anything
Will never thought that he would ever appreciate his first monster attack. He was seven years old, and in hindsight his teacher probably only worked there to prey on young demigods (at least, that’s why he suspects the attack happened so early in his life compared to other demigods). But when Lee Fletcher sat him down 4 years later and told him that he was trans and would now be known as Lee instead of his birth name, Will knew that everything happened for a reason.
After many conversations with Lee about how he knew (gods bless that man’s patience) and with an older Athena camper who’s special interest dealt in psychology, Will realized the reason that he always felt disconnected from his mom and sisters in Austin was because he was like Lee. He was a boy.
Telling people wasn’t easy. Of course his older brother had to know; he was the one who introduced Will to this concept. Telling the rest of camp was as easy as telling Chiron, who told Dionysus, who always threatened to turn anyone into a dolphin if they talked shit about any trans kid. Telling his mom... that had to be the hardest part. How was he supposed to tell them? The only similarities they all had were that they were all musically inclined and that they were all girls.
Apparently, Will forgot that Naomi Solace was a musician. The music industry has more queers than an all girl’s school GSA. Her only questions were “Alright, what’s your name then, kiddo?” and “When do you want to set up an appointment with a therapist?” As for his siblings, well, let’s just say the oldest, Frankie, always knew. And it didn’t take long for seven-year-old Mickey to cut her doll-that-somehow-looked-exactly-like-Will’s hair and change his notes from high to low when she accompanied his singing on violin, as part of voice training.
Four years has passed since then and Will can hardly believe it. He’s stealth back at Austin because it’s just easier that way, but since a quarter of the camp knew him since he was seven, he figured there was no point; it isn’t like anyone treated him as though he wasn’t a man-- er, boy-- at camp anyways. So, life went on. He got his period for the first time during the Battle of Manhattan, that was no fun, but luckily Thalia was cool about it and made sure not to tell anyone. He started binding shortly afterwards, got a couple bruises hear and there. Kayla yelled at him for a week for that one, he remembers fondly. Discovered why it’s better to take off your contacts in the shower... that day isn’t such a fond memory. That was the first and last time he ever made himself bleed. Although, he will say that’s what sparked his interest in medicine and what made him the best doctor Camp Half Blood had seen in decades at the mere age of 15 years old. Life at camp was good, if a bit dull. He got used to the routine and the constant influx of damaged campers, the siblings and friends, and the always-perfect Texas Barbecue and Coke.
That is, until the War Between the Camps happened. Lou Ellen woke Will up before sundown that day and told him their plan. They were to hide in the tall grasses and wait for Camp Jupiter to show their ugly faces. Cecil had the genius idea to paint their faces and arms black so they’d blend into the night better, and Will supposes in the hubub of everything they forgot that his hair nearly (”nearly”) glows, even at night. Until Mr. Nico “I’m so smart, I nearly killed myself shadow travelling” di Angelo pointed it out. Whatever, it made sense at the time. They won the war against Gaea, not without sacrifice, and they finally, finally got past all the wars and destruction and health issues that they were able to just hang out and get to know each other as friends.
And boy, was their friendship amazing. Nico had the best taste in music from Will’s eyes, and that’s saying something because Will is a music snob. Nico could be a little stubborn at times, but that’s alright because so was Will (”Gods damn it, Nico, if you don’t take your medication right this second I will-” “You’ll what? Hm? You’ll force it down my throat? Last I checked that was abuse.”). They fit together so perfectly and became fast friends.
It wasn’t always sunshine and lollipops, though. What is, for a demigod? Will relapsed once and passed out right in front of Nico’s cabin. He was crashing from an exciting high that he hadn’t experienced in so long, and he felt so tired and ashamed of himself. Methamphetamine was a goddamned bitch, so while he was coming out of withdrawals, he made Nico promise not to let him leave the cabin for a week were simmering down. He had to make sure something like this never happened again. They Iris Messaged  Chiron and explained the situation, and he understood. He made sure to contact the older son of Dionysus who had been Will’s therapist in the past and said what had happened and they agreed on a session for soon after Will got mostly over his cravings.
So now they had a week of downtime together. Awesome.
“Solace, do you need anything? Are you okay?” Nico asked towards the end of the first full day that withdrawals were over.
“I’m-- fuck. I’m fine. I swear.” He responded unconvincingly.
“That’s not what you said last night... no offense, but I’m not fully inclined to believe you when you look like shit.”
“It- It... it’s not something I’d like to talk about, if that’s alright. And... don’t tell Clarisse, please.”
“I’m not going to tell anyone, don’t worry. But I would like to know if this is going to be a common occ--” Before he could even finish asking, Will was already shaking his head and responding.
“One-time thing only, I promise. Gods, I’m sorry I showed up here at all.”
“Woah, buddy. That’s not what I was saying at all. You’re my best friend, I’m glad you came here.” Will almost couldn’t believe what Nico was saying. Then again, did Nico have very many friends? Nico himself certainly didn’t seem to think so. “In any case, you don’t have to explain what happened, or what led up to this, or anything like that. I don't need to know. What I do need you to do, however, is take a shower. I’m sorry to say so, but you smell like ass.”
“Yeah well, I’m…” He couldn’t finish his sentence. How do you explain to someone that he still wanted his drugs, and he didn’t want to leave the cabin because he knew he would leave to go find some before he would even think about going to his own cabin at this point.
“You don’t have to leave,” Nico said, perhaps sensing his agitation. “I have a shower in the cabin.”
“What the fuck do you mean you have a shower in the cabin?” The shock of this knowledge get him out of his stuck mind. “How did you get plumbing in here? How did Chiron allow this?”
“I helped design my cabin, and while I may not have all the experience in architecture that Annabeth does, I do know a thing or two. I did meet with Isambard Kingdom Brunel, you know.”
“I did not know. You- Who is Isambard Kingdom Brunel?” Will asked
“Oh, some civil engineer who is like a million years old.” Will scoffed at that.
“You’re one to talk,” he teased. He was never going to let go of the fact that Nico was technically like 80 years old.
“Oh hush, William.” William… never Will, like most people. William… like he was something special, something that deserved three syllables. “Anyways, like I was saying: take a shower. You look like you were up mowing all of camp with a flashlight.”
Knowing Will’s reaction to drugs, that wasn’t unlikely. He stood up. “Lead the way? I’ve never been around your cabin before.”
Nico’s cabin was unlike any others. Using some sort of Doctor Who-like technology, there was a living room, a kitchen, and one room. Surprisingly, the walls were all light or pastel, a stark contrast from Nico’s general (and unintentional) punk-rock appearance. However, the furniture was all a deep black. Nico led him to his room, a minimalistic one with a bed, a desk, and a lamp. Will wondered where all the personalization was, but made no comment.
“Here’s the shower,” Nico pointed to yet another room in this somehow huge cabin. “If you see something amiss or odd… ignore it.” Will didn’t want to think of the implications of that sentence.
He stepped in the shower and oh my gods, watching the dirt and grime wash off him after his 8 hour high-- which he did not want to think about (and not just because the author doesn’t want to taint his search history), it was too embarrassing-- was a wonderful feeling. He was still tired. He didn’t know why, it didn’t used to be this hard. However, he was pretty sure that he tried to clean the entire outside of the hypnos cabin before going over to the Hades cabin to do the same. This was the first and last time Will would ever thank the gods for Nico’s poor sleeping patterns, he had heard him outside and came to get him before he tired himself out more.
He nearly passed out in the shower again but managed to make it out. He looked around the well-stocked bathroom and realized something that he probably should have bothered to notice before: he didn’t have any clothes with him. Fuck. He wrapped a (black) towel around his chest because he didn’t think his body could take anymore binding and prayed to Dionysus that Nico didn’t notice that his chest wasn’t exactly male.
Luckily, the first thing Nico did say was “Is that a tattoo?”
Will looked down at his sun. “Yeah, it is,” he smiled. He remembered the night he did it, it was kind of hard. He ordered a tattoo gun off amazon and had Frankie do it for him shortly after the Battle of Manhattan. Some people might think it’s in honor of his dad, which is fine. It was really for Lee Fletcher, though. His mom totally freaked, for a really long time, but after his C-PTSD diagnoses she realized that whatever works for him works as long as it isn’t drugs or self harm. He knows she wants a future for him that doesn’t involve music, and that’s why she freaked. She thought it would ruin his chances. But it’s right on his shoulder, only visible in tank tops or no shirt.
"It… its to honor the man who taught me I could be myself." Will said after a small pause.
"That's a very lovely sentiment. If he made that much of an impact on you, he must be a very cool person."
"He was." Will knew that Nico heard the was by the way that Nico nodded solemnly. "I uh… I don't wish to be more of a bother, but do you mind if I go to bed now? That shower really helped."
"Yeah, of course. I can take the couch, you know where my bed is-"
"No, absolutely not." Nico sighed softly, as though he expected this. "I can sleep on the couch, in Austin I actually prefer it to my bed."
"That's-- no offense William, but that's weird."
"It feels less lonely to me," Will protested, then let out a huge yawn.
"Alright cowboy-" Will smiled at Nico's nickname for him "-get some sleep. I'll see you in the morning."
"Nighty night, Neeks. Love you." he didn't miss the small smile on Nico's face before he walked away. Will has always been very loose with his 'I love you's like that. He figured it's better to say it too much than not enough.
He had found his old stash the night before, the one that Clovis had helped him forget about. He couldn't stop himself from thinking about last nights events. At the time,he told himself that he shouldn't do anything with it, and put it out of his mind for about a week, but eventually his urge to smoke overcame his self-control. He went on a rampage of cleaning and was absolutely certain he looked like a madman. The worst part is, he didn't even know why he did it. It was as though his rehabilitation hadn't even happened, as though this was something that was as natural as getting a cup of coffee in the morning. He was so mad at himself, so embarrassed.
These thoughts occupied his mind until he fell asleep about an hour after his last words to Nico. He slept with no dreams, for the first time in about a month.  
word count: 2,245
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rickriordanfandam · 4 years
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opinions on riordanverse ; my edition
a lot of people have been doing this so i decided why not right. probably gna lose some followers or smth but anyways. pls respect my opinions! if u disagree, thats fine, but please be polite. unless any of my opinions strikes u as morally wrong then pls point it out to me respectfully. thanks!
- i actually liked drew. im so sorry to everyone who hates her but full offence, why. think about it this way ok, first of all drew became hc because silena died. silena was the traitor, the one who betrayed chb, yet after she died campers celebrated her as a hero? and then drew suddenly has to replace her and live up to idk that legacy she left behind,, when all of a sudden this girl named piper swoops in and takes her place. idk abt u but i wld be salty abt that too. not only that, but as an asian, the chances of drew having faced racism/bullying as a child is pretty high (she studies at brooklyn academy). which means that when she finds out shes a demigod, and arrives at chb where most of the campers are white (this is an assumption btw), she’d obviously be scared of being bullied for her skin color right?? so the first thing she wld do before the campers get to bully her is to bully them before they can do so. (sentence structure here is wack i apologize) ofc this might not even have happened, drew could have had a perfect childhood && was a b1tch for no reason, BUT EVEN THEN HER ROLE AS A BULLY WAS PRETTY VITAL BECAUSE THAT FURTHER SHOWED THE CONTRAST BETWEEN HER AND PIPER,, HIGHLIGHTING PIPER AS A HERO//GOOD CHARACTER,, AND THEREFORE MAKING READERS LIKE PIPER MORE. anyway stop hating on drew please. ALSO WHY IS THIS SO LONGA SDFJHG
- jason isnt bland, the fandom just kinda erased his backstory (thanks to @pjohoo-memes for the phrasing lol)
- reynabeth wouldnt have lasted/would have broken up several times. idk i just see them as two extremely powerful characters who have firm opinions and will definitely clash at some point. in a platonic relationship,, i can see them as really good friends but as lovers? idk i just think theyll break up
- PIPABETH
- i dont really like jercy,, i see them as better friends than lovers. also idt jason and percy were that close..?
- the dam and not my type jokes are srsly cringey and were never funny. ik that seems hypocritical since my username literally makes use of the dam joke but honestly i dont actually like the joke. its not funny to me and has never been funny
- the seven were not best friends. they definitely argued,, and honestly probably werent as close as the fandom makes them seem. like ure dumped with 6 other people, out of which u only know a few. my introverted ass would have jumped off the argo 2 quicker than leo valdez could bomb camp jupiter up. also leo was a dick to frank. so what if frank is bigger sized?? thats not a valid reason to tease him
- the fandom needs to stop hating on octavian while worshipping luke. if u hate luke and u say u hate octavian too, then okay. but if u tell me ure a luke stan but u despise octavian?? imma disagree w u. luke was worse than octavian im sorry. first of all, octavian being a dick was kinda justified. hes been after the praetor position for so long, and everyone keeps saying to “wait for jason” when suddenly this dude, whos a son of NEPTUNE (neptune wasnt liked much by romans), and the camp decides to make him praetor?? dude i would be pissed off big time. and then afterwards, he finds out that greek demigods are real and the dude they made praetor is greek. AND THEN GREEK DEMIGODS COME TO CJ AND ONE OF THEM BOMB IT UP?? octavian has been told all his life that greeks are scum and this dude called leo valdez attacks cj. sure it was an accident, but did octavian know that? no. so it was honestly justified that he was such a salty prick im just saying. also some of yall be hating on octavian for cutting a teddy bear open and thats the funniest shit ive ever heard i swear 
- luke didnt go to elysium
- travis and connor stoll r way too underrated. the two have been head counselors of the hermes cabin since luke was revealed as a traitor, can u imagine the stress? luke, the person they probably looked up to as a brother, betrayed them. and they didnt even have time to process this when they were  thrown the roles of being hcs. that would have been so stressful and i would probably have broken down if i were them. the stoll brothers taking turns to wake up at ungodly hours because a new camper is crying and homesick and terrified, the stoll brothers having to comfort and take care of new campers, having to deal with the amount of people in that cramped space because not enough campers are being claimed fast enough. having to resolve issues between campers in the hermes cabin all the time. the stolls arent just comedic relief, and we need to stop treating them as such
- tratie shldve been canon idc idc
- demigods of the demeter cabin arent talked about enough and i love the fact that meg was demeters kid. like she isnt the child of one of the big three yet shes so powerful.
- we need to hype clarisse up more her character arc was phucking amazing 
- rachel is overhated. sis found out greek gods exist and regularly come down to earth to fuck around and went “ok cool”. queen shit behavior methinks
- the floor 19 crew of mcga is srsly underrated. like do u even remember halfborn gunderson, mallory keen, tj, etc??? bc i feel like we only remember samirah, magnus, alex, and sometimes blitz and hearthstone
- sadie (tkc) was kinda annoying at first. i like her more now tho but i rmb not liking her for a phat while
- tkc and mcga need more love
- carter kane and jason grace arent boring. theyre just really sweet boys who are too good for this world and yes yes yes 
- hazel and frank (especially frank) need to be hyped up more. i hardly ever see anything about them. also yall seem to forget that frank was literally made praetor and that even hecate admired hazel and was willing to fight beside her because of how powerful she was
- frazels age gap is kinda sketch but i still think theyre really cute
- nico definitely had trauma from going to tartarus on his own
- GROVER IS PERCYS BEST FRIEND
- annabeth isnt smarter than leo but neither is leo smarter than annabeth. ive seen a lot of discussions about who is smarter and heres my hot take on it: neither. theyre equally smart, just in different ways. leos a genius mathematically speaking. he has no issues solving math problems meant for people much, much older than him. annabeth on the otherhand, is great at strategies etc. she can make an army of 1000 more powerful than the enemy, even if theyre outnumbered. so in my opinion, both are equally as smart//u cant compare their intelligence, because their talents lie in two different areas.
- while i do agree rick riordan isnt a god and that hes bound to make mistakes,, AND that hes given us a lot of representation,, if the representation offends the people its sposed to represent, then theres a problem. im talking about piper as a poc and wearing feathers in her hair. im not a poc, so i cant speak for them on whether or not its wrong, because i dont know either. HOWEVER, i have seen multiple posts BY pocs talking about how they didnt really like rick’s representation of piper, and thats an issue. pocs have been and are still oppressed and discriminated against by many. as a white cis man, we cant really blame him for not knowing (tho he could have done a research,, asked some pocs,, idk), but by representing pocs in that manner, hes influencing impressionable kids/teens into thinking “oh pocs wear feathers in their hair all the time” etc, which isnt true. the pjo/hoo series is extremely successful, and kids who read the books will probably start forming inaccurate opinions on pocs. the amount of fan art that depicts piper with feathers in her hair dont help either. “but rick said so in the books, so its canon” yeah well rick isnt a god and he can get some things wrong at times. im not saying we should cancel him, im saying we should start educating ourselves and not spread false info like pocs wearing feathers in their hair all the time. also that snake song shit where she sang Summertime was just- yeah. bc heres the thing you can be racist, and still include minorities, but portray them in a racist way. And even then, ignorance isn't a thing to admire. Getting those facts wrong still has a major impact. It continues to perpetuate racist stereotypes.
“ With the feather thing, I looked it up myself; it takes less than five minutes to figure out that Cherokees don't braid feathers into their hair. I didn't grow up in the country where my parents are from. I have many other first/second generation American friends who have also been through that, with a bit of a disconnect from their culture. But something that most of us have in common is that when we didn't know something, and when our parents weren't that big of a help, we looked it up. We sought out resources online and through other people from our culture to be able to connect more with where we came from. Some of that took a Google search. So I find it hard to believe that Piper, a girl who Rick's trying to portray as someone who is attempting to connect with her culture and is totally against racist stereotypes, wouldn't know that eagle feathers aren't supposed to be braided into your hair casually. She may be disconnected from her culture, but she's also shown to want to connect back to it. Piper wouldn't be casually braiding feathers into her hair while also telling off people for being racist. It makes no sense.” - reddit thread (down below) 
for those of yall who wanna know more please please read this, it has a lot of things i wanna add in here : https://www.reddit.com/r/camphalfblood/comments/gy3gl2/piper_mcleans_portrayal_is_innacurate/ 
as well as https://finding-my-culture.tumblr.com/post/189422373260/maxie-ratties-and-cattie-finding-my-culture 
i will be posting screenshots of these in future posts so if ure viewing this on ig and u dont have tumblr,, dont worry 
- the fact that most of the strong female characters in the series refuse to be “girly”, and ngl i dont really like that. just because ure girly doesnt mean u cant be strong. 
- piper would have been a great way for him to start making the strong characters act girlier, but instead he went with the “I’m not like other girls” trope which is quite obnoxious to hear constantly, and I don’t think it’s necessarily great for younger girls to read that idea growing up.  the closest we've ever had to a strong female character who was also into "girly" things was Silena. when I was younger I admired Piper's "I'm not like other girls" thing, but then I got older and realized that the whole mentality of "not like other girls" is super obnoxious, and a little bit toxic
i have a heck load more that i cant rmb rn but yeah feel free to add more 
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wellbelesbian · 3 years
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Banner and fandom event by @nonbaznary
So, I have some bones to pick with Carry On, but for now i’ll limit myself to one rant:
The speciesism and classism in the World Of Mages is never addressed meaningfully, and Natasha and Baz are complicit.
if you don’t want to read this, i get it. there’s a lot of negativity in the world right now and CO/WS is a comfort to many people. i ask that if you don’t want to hear this, just keep scrolling, and if you disagree and want to discuss this, feel free to DM me.
okay? let’s begin.
...
...
Speciesism is pretty prevalent in Carry On, even among our protagonists, and this is made clear through Penny and Baz’s attitudes towards Trixie, whose only grievance is she’s a bit annoying and brings her girlfriend over to her and Penny’s room.
“That’s your roommate?” Baz asks. “The Pixie?”
“Yes,” Penelope says.
He curls his lips up and down at the same time. “Imagine you’re a pixie,” he says. “I know it’s distasteful, but imagine- you’re a pixie, and you have a daughter, and you name her Trixie. Trixie the pixie.”
“I think it’s kind of cute.” I say.
“You think Trixie’s kind of cute.” Penny says.
“Trixie is cute.” I shrug.
“Snow,” Baz says. “I’ve just eaten.”
Page 269-270 (english hardback)
Like, is there any need for him to cut in to insult her? It’s a small thing, but it’s telling.
and then there’s Natasha.
Natasha was headmistress when Watford refused to let those with less magic study there. she had the power to change that, and she didn’t, because it didn’t affect her. Before he gains power, the Mage says:
“Ask Natasha Grimm-Pitch about suicide rates among low-magicians. Ask your Coven what they’re doing to fight pixie sticks and every other magickal disease that doesn’t affect their own sons and daughters.”
Page 401
the issue of illnesses/diseases being ignored by those in power because they think they’re safe from it is particularly concerning to me because hello?? that’s actually echoing real fucked up events? did rainbow really just write this completely uncritically when things like the AIDs crisis actually happened due to this exact same sentiment? i know this is a YA novel and it’s probably not that deep but you would still think if you’re gonna write something like that, you would have more people than just the villain of the story condemn it.
There’s also this line from Baz after the Minotaur says they’ll have to discuss plans to help Baz catch up on the lessons he missed.
The Minotaur worked on the grounds when my mother was headmistress; creatures weren’t allowed on staff then. I dare him to hold that against me.
I dare them fucking all.
Page 155
This is such an unnecessarily aggressive response to the situation, when literally nobody is asking him to grovel and repent. The Minotaur was held back by the magical-species equivalent of racism, and Baz’s response is this. Maybe should feel at least slightly bad about a qualified man being denied the job he trained for, rather than just assuming the worst and buckling down on how his not HIS fault? Hm?
Simon comes the closest to caring about classism in the World of Mages when he talks about how he grew up without magic and wouldn’t have been allowed into Watford if the Mage hadn’t made him his heir, but even then, all of that is about his own struggles. Once he’s in the club, he doesn’t seem to really think about those who still aren’t.
And there are still those affected- Lucy’s brother is alive and well, and doesn’t know how to use his magic because he was deemed too weak. Agatha grew up being told to marry someone powerful to restore the family’s strength. Nico had his wand snapped and his fangs pulled out for becoming a vampire, and the same would have happened to Baz had his family not protected him (which is such hypocrisy considering Natasha was probably in favour of what happened to Nico)
I don’t know, it’s just a bit weird to set up a universe with so many fucked up elements and have all your protagonists either engage with that way of thinking or completely overlook it. To make the only person who cared and tried to make things better a villain who did so by killing multiple women and manipulating a child.
Just something to think about. I hope these issues may be resolved in AWTWB, but I’m not so confident that they will be.
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yszarin · 3 years
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seen people on twitter talking about what got them through 2020, but twitter scary so I’m just gonna ramble about podcasts here. I’ve loved audio fiction since I was little, when my brother used to bring me big finish doctor who to listen to when I was sick, and they’ve really been great for me this year in terms of... want story but too tired to keep eyes open? podcast. need to do a mundane task but can’t stay on it? podcast. need something on before you sleep because if you leave your brain to its own devices it’ll eat itself? podcast. looking for queer rep? podcast. below the cut I’ve stuck 10 of my favourites of the shows I started listening to this year, and I promise they’re not all from Definitely Human.
Down - fiction, horror - a state of the art submarine with a less than state of the art crew descends into a newly-discovered Antarctic trench, “The Bottomless Pit” for the purposes of exploration and science! This goes about as well as you would expect. Episodes are super short and it’s entirely possible to listen to the whole thing in less than a day, although unfortunately it’s currently unfinished due to covid, so I guess it’s more that in less than a day you, too, could join me in unintentional hiatus hell. It is worth it.    
Enthusigasm - nonfiction, talk - Rusty Quill patreon exclusive show in which Helen Gould talks to people about things they enjoy. It just has the loveliest energy, and is exactly what I’ve needed this year. They’ve done episodes on subjects including baking, the horror genre and trash tv, and every one of them has been a joy, even when it’s about stuff I’m not into personally. How RQ manages to consistently produce The Best Content I don’t know, but by god do they do it.
Everything is Alive - interview - Gemma Amor recommended this and she’s usually right about such things. It’s a series of interviews with inanimate objects, all of which are animate now and have things to say. I’m particularly fond of the gay subway seats and was emotionally distraught by the cuddly toy. Very good to listen to to fall asleep.
Marscorp - fiction, sci-fi comedy - Station Supervisor E. L. Hob is awoken from suspended animation on Mars and must do her best to restore the colony’s original purpose of terraforming the planet. If you teased Jonny Sims for naming his main character after himself and also playing him please get ready to forgive him for everything, as you meet Tom Dalling, David Knight, and Dave Price, played by Tom Dalling, David Knight, and David Price, and written by Tom Dalling, David Knight, and David Price. I’m furious.  
Pax Fortuna! - actual play, adventure - a rotating group of characters leaves a horrified and occasionally maimed trail of NPCs behind them as they adventure in and around the prosperous island city of Fortuna. The shifting cast works really well, allowing for some PCs who are just objectively terribly people, while keeping the whole thing feeling really fun. Particular favourite PCs are Selwyn Bloodstorm, half-orc in search of gold accidentally ending up with friends, Alfonso Boyo, a necromancer but only in the most bureaucratic and horrifying way possible, and Almira Q Appleby, gnome inventor presenting such items as The Potato Peeler (may contain combat setting) to an unsuspecting public. The series comprises six interconnected smaller stories, each with multiple episodes, all of which are around 25-30 minutes long, which has been a particular joy for me, as someone who has difficulty with episode lengths of over an hour and is so often “I love AP podcasts. love to actually listen to one someday”. Pax Fortuna! is the caramelised nut bowl of actual plays, in that I found it very difficult to stop consuming it, now it’s all gone, and I’m sad. There are only two fics on AO3. Please listen to Pax Fortuna!.    
Shadows at the Door - anthology, horror - A collection of quiet horror stories, mixing older tales, both classic and less well-known, and modern ones. The soundtrack is by Nico, one of the editors on TMA and Good Egg, and it turns out, also Skilled Egg at soundtracks. Each story is followed-up by a discussion of its themes, and some tangents. Also very nice to fall asleep to, lots of suggestions of new things to look for, and the stories themselves are well-dramatised.  
The Monster Hunters - fiction, comedy - It took me a bit of time to settle into this - I have a tendency to bounce off comedy, apparently - but once I had I was very settled. Roy Steel and Lorrimer Chesterfield are there with fists and brains respectively to hunt monsters and be anything from vaguely to pointedly sexist because it’s the 60s/70s (it is intentional and ludicrous). If you’re familiar with John Finnemore’s Souvenir Programme, you can listen out for Simon Kane as Sir Maxwell House. Some nice spooks, especially in the Christmas specials.
The Amelia Project - fiction, comedy - Need to disappear? The Amelia Project will help you fake your death and reappear in a new life. Each episode takes the form of an interview with a new client, in which they tell their story, and the circumstances of their death and next life will be decided. The creators had a stall at PodUK and gave me some Malteasers which it took me approximately 10 months to eat because I didn’t feel like I’d listened to enough of their show to deserve them. Fun fact! There are plenty of chocolate foodstuffs that will take this length of time in their stride and still be as new when you eat them, but Malteasers are not one of them. Luckily finishing off S2 of The Amelia Project has been its own reward, and I still have plenty to go!   
The Infinite Bad - actual play, horror - a slowly-forming found family leaves a traumatised and usually dead trail of NPCs behind them despite their best efforts, as they are embroiled in a globe-spanning investigation of horror and mystery. Uses a modified version of the d20 modern system, set in the inter-war period, and, it should be noted, contains depictions of period-typical racism. Other CWs (this list is not exhaustive) include child death, pet death, gore, disease, misc death (so much misc death), so please be careful if you choose to listen. Also contains stairs, the inherent malevolence of citrus products, and things which are viscous.
These Flimsy Rituals - actual play, fantasy - I’m not very far into this one, due to episode lengths, but when I have the spell slots to do so I always enjoy listening to it. I’m in the first bit, which follows a group of people fleeing a living storm. They have some really lovely lyrical bits at the starts of the episodes that I could listen to for hours, I’ve found those of the characters that I’ve met very engaging, and I’m interested to see how it unfolds.
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Howdy!
So, despite being a lurker, and then a semi-active person for a while I’ve never made an intro post! And, well, as one of the mods for @whumpmasinjuly now speed running the event to catch up, I figure I can be living proof that better late than never! 
I’m Rosy, she/her/hers, a 22 year old Bi baby using writing as a coping mechanism for our hellscape. I’ve always enjoyed whump, without knowing it until I found the term last fall. I’m also a comfort whore, so always know that nothing I write has a sad ending, there’s fluff coming.
I love exploring OCs, vulnerability, interesting conditions for whump, and world building/making my ideas way too complicated. That or writing random requests to prompts. There’s really no in between. I've either thought about it way too much or not at all. Which I guess is to say, if there’s a prompt or scenario you’ve always wanted written drop it in my ask box, I enjoy the challenge! I’m really passionate about creative writing as a tool to explore, which ties into my work with nonprofit alternative education models. 
I’ve got a few things posted on my blog, but none are the main stories I’ve been working on, because busy but also as said above I tend to...spend forever researching/drafting haha. If you’re interested in checking out the ideas I got in the pipeline, check under the cut! Feel free to let me know if you’d like to be tagged, some will start being published in the next few days.
And lastly, hope y’all don’t mind, but I thought I’d tag some friends & my fav authors in the community that have helped me start to get more involved!: @sableflynn @bleedingandfeverish @straight-to-the-pain @softsweetsuffering @mottinthemainpot @burtlederp @killtheprotagonist @slaintetowhump @wildfaewhump @ashintheairlikesnow @deluxewhump @0idril0 @whumpywhumper @moose-teeth @endless-whump @bloodandbandages @whumping-every-day @card-games-and-pain @starrywhump @nowhumponmain @orchidscript @untilthepainstarts @whump-tr0pes @albino-whumpee @whumpiary ok gonna stop tagging people now wow I read too much/talk to people a lot
My WIPs: 
(Note: I’m trying to edit at least one of each to post this week but my muse hops around a lot so consistent and chronological these stories will not be. They’re ordered vaguely by where my muse is rn)
Elias: The newest one, a spur-of-the-moment addition who’s got a few more prompts coming. A boy who’s gotten the shit end of the stick in life ends up in the basement of a frat, tortured after the mob boss who took him to get a ransom from his shit-stain brother decided to cut losses and gift Elias to his nephew, passing him off as a boxboy in the process. Some well-meaning college students decide to rescue him, only to get into who knows what, certainly not me. Variation within BBU, thanks to @deluxewhump for the idea. Mainly recovery from torture for now
Studying About That Good Ole Way/Fae bb: A modern magic world loosely inspired by @0idril0 & @whumpywhumper’s Nico/Clint & Marcus/Lucien series’ respectively. Under the increased scrutiny of the modern age, magical creatures come forward with their existence. Fae have always lived in a state of fear but now more so, as their existence as a source of magic means they can be used for great feats, both by humans and magic folk alike. In fear, some hide their young as changelings in the hopes that in growing in non-magical communities, they will not develop their full magical characteristics. 
     Faith is a young girl from a ‘perfect’ anti-magic Christian family, who goes to a liberal arts college to study Theology. In her thesis work to understand how to reconcile God with the magic community, the exposure to the magic sparks her transformation into her full, natural Fae self. A professor/local pastor offers to help, which does not go well. Her brother Adam, who abandons his family and his church after it disowns and demonizes his sister, is left to pick up the pieces. Religious whump, torture, intimate whumper, some body horror/gore, recovery angst, a not-great himbo caretaker trying his best, found family eventually.
Once You Are Real: Victorian Magical vaguely Steampunk Fantasy world. A shopkeeper specializing in magical refurbishment & repair comes across a life-sized porcelain ‘doll’, broken and pieced together in webs of golden cracks. He quickly discovers that not only is this ‘doll’ actually a construct, it’s a sentient construct, the most advanced he’s ever seen, capable of distressing amounts of emotion and physical feeling. An uncanny valley of past pains that now sits on his bench to fix. Caretaker fluff, emotional angst, psychological angst, discussing human condition, some creepy/intimate whumper flashbacks. 
The Paths We Travel: A trio that takes place in @wildfaewhump ’s Pathverse. Technically the first piece of this is posted, but I’ve rehauled it since then so I’ll be rewriting that intro. 
     Oren is a former A-Class, used to experiment with the extent of Class-A’s potential. He’s now sickened by his own abilities and seeking to hide, to find a new person other than the one he was. He’s trying to write his way to freedom, all the while avoiding his own history that’s written into every part of his person.
     Cass presents an easy out, a friend-with-benefits that’s a bridge between his old life and a new one. Cass is a wealthy Class-C who’s parents hid her ability since she was the only child, and heir, to their pharmaceutical fortune. She’s on a mission to rebel and take hold of her identity, as only a privileged girl can, not understanding the consequences that may follow for a free path. 
     Alice is a Class-C who has lived her life working with a more private sector company, where her empath abilities were combined with drugs to offer high paying clients orgasmic and euphoric experiences without those nasty side effects. When Cass decides to rescue her while at a party on a whim, it’s a whim that thrusts the trio into a collision course. Drug/withdrawal whump. Recovery whump. Some real shitty caretakers, but they mean well. Exploration of not great people getting better together maybe? I control none of my characters please send help
Bakery Box Boy: Della, an older woman in charge of a popular bakeshop in a lakeside New England town is gifted a refurbished Box Boy as ‘help’ by a nosy neighbor convinced it’ll be a good way to help her finally grieve her recently deceased son. Della disagrees, and our poor BB is caught in the middle. Featuring a strong willed tough older woman caretaker, and a Box Boy who’s been refurbished about 3-5 times. God this is from a post from forever ago, but dammit it got too developed to throw away so it’s got at least a few prompts in its WIP folder I’ll get to editing eventually.
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