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thankskenpenders · 2 years

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IDW Sonic: Imposter Syndrome and #50

It’s finally here! IDW Sonic #50! I waited to talk about the Imposter Syndrome miniseries until after #50 dropped, and it turns out #50 has, uh... well, it’s made a big splash. I’m not sure I’ve seen this many people talking about (and/or arguing over) a single issue of Sonic in a long time.

As expected, in this post I’ll be talking about Surge, Kit, and Starline, but #50 has also given us a ton to chew on regarding Sonic and Eggman, Belle, and the overarching themes of the entire IDW series.

Let’s start out with the miniseries!

IMPOSTER SYNDROME

Surge rules

Can I just say that up front? That’s my main takeaway. Surge fucking rules

She was popular from the very second the first images of her dropped because Evan and Mauro came up with an extremely sick design, and the actual story does not disappoint. She borrows liberally from delinquent rival anime tropes (except, you know, she’s a girl, so it’s instantly even better), but that’s such a natural and fun addition to the Sonic cast that she instantly grabs you

And boy, if the writing and the strength of the design weren’t already enough, Thomas Rothlisberger’s art throughout the arc sure does. I’ve seen a lot of comparisons to Rise of the TMNT, which I can see. But Surge just makes so many good faces, constantly, and everything she does is cool. She’s angry teenage rebellion personified and she’s instantly become one of my favorite characters in the entire franchise, period. (Tangle and Whisper are also up there, so it’s safe to say the IDW comics have an extremely good track record when it comes to comic-original characters.)

Like seriously just look at her faces and tell me she isn’t the best

Kit, AKA “Aw Little Guy!!! Oh He's A Little Bit Fucked Up Actually”

There were always hints that Kit had a sinister side to him - he is a villain, after all - but Surge stole the show at the start of the miniseries. This left Kit mostly as her meager sidekick struggling to please both her and Starline. In this way, he’s a dark reflection of Tails. Where Tails has become more independent over time, becoming more of an equal to Sonic, Kit exists entirely to support Surge. Starline made him this way, because this is how Starline perceives Sonic and Tails’ relationship. Starline doesn’t really understand people despite thinking he does, and this is what ultimately damns all of them

Naturally, this has left Kit kind of fucked up. Over the course of the arc, it becomes clear that he’s probably the scarier of the two. Surge might be stronger, but like Sonic, she wears her emotions and her intentions on her sleeve. But Kit? Kit suppresses his violent urges, until they build to a point where he can’t anymore

(these panels from #50 but still)

Holy shit, Starline???

I touched on Starline’s very meta plan earlier. I would have honestly been happy if Ian and co. had just added these cool new rivals for Sonic and Tails and let them duke it out, because they are, in fact, cool as hell. But the actual plot of the arc is more intriguing than that

Starline has always been a very meta character, with his main trait as a character basically being that he can zoom out and notice patterns in the franchise that other characters either can’t or won’t. He’s the guy who watches a movie and says how he would make smarter decisions than the characters the whole time. Early on, he did this with Eggman. He tried to “fix” Eggman’s methods so that he could finally succeed in beating Sonic and taking over the world, but this didn’t work out, and Eggman kicked him to the curb. He then decided that he would simply go solo and take over the world for Eggman. He finally reveals his true plan for doing so here: create his own “heroes” who can replace Sonic and Tails, the main heroes who always stand in the way of “progress” (Eggman taking over the world). In theory, this will allow Starline to control the hero/villain dynamic from both sides, ending the cycle of Eggman trying to “change the world” and Sonic stopping him

And of course, Starline calls this cycle he intends to break...

“The Sonic Cycle.”

I love you Ian

It quickly becomes apparently, though, that Starline’s plan here is, uh. Extremely fucked up! Wow! Early on it’s revealed that Starline has repeatedly been “rebooting” Surge and Kit. Any time the cracks start to show in their conditioning and they question their life stories, Starline’s orders, or their innate desires to defeat Sonic and Tails, Starline edits their memories. They do start to put two and two together, though, and eventually they learn the truth: they’re just two random kids Starline kidnapped and experimented on. They don’t remember their actual pasts, and Starline didn’t bother to keep track of who they originally were because he doesn’t care. They’ve been modified with cyborg endoskeletons and even have some of the Metal Virus in them, making them nigh-unkillable. Which Starline tested by... well, killing them repeatedly to make sure they always bounced back.

This is... so much darker than I would have ever expected? But in a fantastic way. It makes Starline SO absolutely despicable, and it gives Surge and Kit this pathos that makes you want to root for them, even as they set out to go rogue and burn the whole world down. Surge is very much set up as her own antihero in the buildup to her showdown with Sonic, which is a choice that I think leads to some fascinating character juxtaposition when it finally happens in issue #50.

Really, my only complaint about the miniseries was that the marketing made it seem like Sonic and Tails would be dealing with these two sooner, when in reality this is all the setup. The extremely hype wrestling promos for the climactic Wrestlemania that is Sonic #50. (My other complaint, I suppose, is that IDW is still having multiple artists trade off in a single story, which can be a bit jarring. But that’s a publisher-wide issue.)

But MAN. When we finally do get that big showdown? It does not disappoint.

SONIC #50

As with Imposter Syndrome, I went in expecting Sonic and Tails to fight Surge and Kit. And we absolutely got that with this extra-long issue penciled by Adam Bryce Thomas. Adam’s always been an A-lister on the IDW series, especially when it comes to bombastic shounen manga-inspired battles, but this issue might just be his best Sonic work yet

But like I said at the start, the issue is more than just some cool fights.

Sonic vs. Surge

Surge’s entire life, or at least what little of her life she can remember thanks to Starline, has been building up to this moment. Whoever she was before is gone, replaced with one purpose. She’s been impatiently awaiting the day she's finally allowed to fight Sonic to the death. We’ve followed her through Starline’s inhumane training, the audience being equally antsy after months of buildup. At long last, she confronts him. She delivers an impassioned speech about what she stands for, how she curses the world that discarded her, how she’s going to tear Sonic and anyone else who stands in her way a new one...

And Sonic... doesn’t really give that much of a shit.

They do fight, of course. Boy, do they ever. But Sonic has never met this girl before and has no animosity towards her. He’s also done this too many times and would like to skip to the part where they’re friends, or at least frenemies. And this is just... tragic for Surge. For her, this is the most important day in her life. But for Sonic, it’s Tuesday. For Surge, this is a duel to the death. But Sonic, ever the unflappably positive shounen protagonist, is just having fun fighting someone who keeps him on his toes. He refuses to validate her on her terms.

(There are also a lot of interesting parallels with Tails’ simultaneous fight with Kit, where the kindhearted Tails is trying to be extremely nice and defuse the situation when he realizes that Kit is just some poor, fucked up kid. But instead of going on my own tangent I’ll link this very good TikTok analyzing Sonic’s social skills and the interesting ways his blunt, brash attitude can clash with the fact that he does genuinely care a lot.)

I even feel like Adam’s art is playing up the idea that Sonic’s attitude continues to make him the villain for Surge. His speech about his ideals places him above Surge, with a smug expression on his face and sunbeams shining down over him. Adam’s own (extremely sick) variant cover is framed very similarly, showing us the smug and above-it-all Sonic from Surge’s perspective.

Why does Surge think Sonic is so holier-than-thou? And why does she still care about fighting him if she just wants to defy Starline’s brainwashing? Well, she directly calls out his belief in the power of second chances, blaming Sonic for her very existence. Which ties back into what’s become one of the main recurring themes of the IDW series.

Sonic’s Characterization

As Ian’s explained, Sonic’s characterization in the IDW series has been informed by a number of factors. For one, more compassionate heroes are just landing better with audiences these days, including in shounen manga. Your Dekus, your Tanjiros, etc. But beyond that, Sega explicitly forbids Sonic and friends from proactively seeking out Eggman. Sonic is never looking for a fight. Eggman simply causes trouble, Sonic shows up to stop him, and he returns to being a free-spirited roamer.

Really, Sonic’s attitude in the current comics isn’t much different from how he acts in the games. Ian just decided to draw more attention to this behavior, and turn it into an explicit character trait that impacts the story.

I don’t really know what games people have been playing where Sonic DOESN’T act like this? Sure, there are a few games where a villain dies. There are always going to be counterexamples in a series as inconsistent as this. But look at how many characters Sonic has given second chances, and how lightly Sonic often takes threats to the world. Shadow was trying to blow up the damn planet and Sonic was still just having fun racing him on the ARK. Chaos destroyed a whole major metropolitan city and Sonic is like “hold on, Chaos is just hurt, we need to break this cycle of violence.” He’s ended up working with Eggman plenty of times to stop a greater threat. Even when this doesn’t happen, Eggman tends to just fly away at the end. Sonic never hunts him down. Again, Sega forbids him from doing this. It’s not in his character. The IDW comics just explore why.

At the same time, bad faith criticisms of Sonic’s willingness to give villains second chances tend to ignore the very important second part of this mantra, which this issue has Sonic spell out explicitly. Yes, he believes in giving people personal freedom. But the second they use that freedom to hurt people, Sonic is going to beat their asses again. He doesn’t have qualms about using violence in that way. He is, by no definition of the word, a pacifist. Sonic understands that Surge is traumatized, and tries to give her the chance to back down. She refuses, so he kicks her ass, because she’s a threat. Sonic sort of took mercy on the Zeti, in that he didn’t fucking execute them or whatever... but they also got banished back to the Lost Hex where they can’t hurt anyone. Tails disarmed Metal Sonic before they let him go. Sonic let Eggman go only because he had amnesia and Mr. Tinker was, by all accounts, a literal different person. The second he came back? Sonic gladly went right back to blowing his shit up. He is not out here handwringing about Eggman Empire property damage, he’s destroying his bases and smashing his mechs again.

Sonic also isn’t just any regular guy, and can’t always be judged as such. He’s a larger-than-life hero. He’s the embodiment of freedom, of endless adventure, of the power of friendship, of other idealized... well, ideals. This is the very core of his character. He’s the unshakably positive hero who never blinks in the face of danger, who the other, more realistically fallible characters can lean on. He’s a force of nature. He’s not perfect, and he doesn’t always handle things the right way, and other characters will bring up valid counterpoints to his way of life. Like other shounen heroes like Goku or Luffy, he might be a hero due to his actions, but he’s not concerned about being the world’s savior or its god. He doesn’t want to dictate how people live their lives. He leaves decisions about how to run society to other, smarter people, like the Restoration. He just wants to be free to go on adventures and to help his friends when they’re in need. His theme song spells out his whole deal, clear as day: It doesn’t matter who’s wrong and who’s right. He’s just living by his own feelings, and he won’t give in, won’t compromise. He only has a steadfast heart of gold.

Surge can’t stand this, though. The two just can’t see eye to eye. And so she zaps Sonic when he takes a time out in their fight to help her out of a chasm, getting the last laugh and seemingly falling to her doom. “That’s the real problem with giving people a choice,” Sonic solemnly says. “You can’t stop them from making the wrong ones.”

The Bigger Problem

Beyond any fandom bickering over how Sonic should or shouldn’t be characterized, though, this is part of a larger problem that I’ve seen way too frequently in recent years. Adults are engaging with genre fiction for children, and then getting upset when the child protagonists fail to model what they perceive as proper behavior for adults. Particularly, adults are seeing child protagonists learn to solve conflicts nonviolently, or even merely refusing to kill a villain, and interpreting this media as a political playbook for adults telling them that punching Nazis is bad.

That’s not to say that children’s media is never political, of course, or that you can never judge it through a political lens. (Back in the Archie days the direct political allegories were NOT subtle.) But just because some cartoon villains are obvious stand-ins for fascists doesn’t mean that every cartoon with a world-conquering villain is trying to tell you, an adult, how you should deal with fascists, or murderers, or whatever bad faith comparison critics on YouTube and Twitter want to make this time.

This will hopefully be insultingly obvious to most people reading this, but fiction isn’t always literally about the thing it’s depicting, or the closest real world equivalent. In genre fiction, and especially genre fiction for kids, reality is heightened. A fight for the fate of the city or the world or the universe isn’t necessarily about world-scale threats in real life like fascism, or even about real world violent conflicts in general. It’s often more about the emotions than what’s literally happening on screen. In a musical, when the emotions get too strong for words, they break out into song. In an action cartoon, when the emotions get too strong between conflicting characters, they fight. The fantastical violence is just the medium through which the story is conveyed. They trade blows and express their feelings.

Similarly, when the child hero in a series for children saves the day by hugging the right person, or when a villain is redeemed, or when Naruto espouses the power of friendship and uses Talk no Jutsu for the hundredth time, that isn’t telling you, a 30-year-old, that you can go out right now and save America by giving Mitch McConnell a hug. The morals of these stories aren’t necessarily supposed to apply to world-scale conflicts because children are not responsible for saving the world in real life. Instead, the lessons apply more to conflicts that children do deal with. Disputes with friends, or family members, or teachers. Things like that. It’s telling kids that hey, maybe you’ve been mean to people, maybe you’ve acted wrong, but you can learn from your mistakes and do better. That is what lessons about trying to resolve conflicts peacefully, talking about your feelings, empathizing with others, and giving people second chances are supposed to be about. They (usually) aren’t intended as political playbooks for adults telling you not to punch a Nazi, because the people telling these stories are probably hoping that adults aren’t modeling their political behavior after Cartoon Network and Shonen Jump.

But while I generally enjoy this compassionate take on the Sonic series, there is one part of the issue that felt weaker when it comes to the heroes showing compassion towards the villains.

Belle and Metal

If there’s one character from the games that I think Ian has always struggled with more than others, it’s probably Metal Sonic. Of course, not every writer is going to gel with every character, especially on a licensed series where you’re working with someone else’s cast. (Lord knows if I was to write a Sonic series I would play favorites lmao.) And Ian’s definitely put out some great Metal Sonic stories. But he’s also prone to boiling the character down to a simple killer robot for Sonic and co. to repeatedly defeat without any interiority.

Belle has also been a contentious character throughout this season. I’ll reiterate that I think Belle is great, and the big emotional beats with her have been strong. I would say the mixed response to Belle is primarily a matter of pacing, more than anything else. As Evan explained over on her blog, Belle's backstory was originally just going to be a short one-off. When the 2021 Annual was replaced with the Classic Sonic special, Belle’s story got turned into the main overarching subplot connecting the stories of the third season. I do like a lot of the storytelling this allowed for. The buildup to the reveals in the Test Run arc, and her ensuing tearful breakdown; her questioning of her very nature as a Badnik; her heroic moments in Trial by Fire where she’s finally able to prove herself. It’s good stuff! Character arcs like this are why original characters are added to the comics in the first place. But I can also see how the slow and somewhat repetitive rollout of information and emotional beats is a bit much over a year and a half of comics, and it was a little odd to have her stick around as the only consistent main character for every single arc of the season as soon as we met her. But I still enjoyed her arc this season as a whole.

No, where I start to be more mixed on the direction of Belle as a character is this issue. Previously, Belle had made it her mission to try and save as many Badniks as she could. I understand her motivation, and I do think this has potential to be a fun premise. Badniks are EXTREMELY underutilized in the tie-in fiction, and anyone in this corner of the fandom who’s following artists like Hydro knows how fun it is to have Badnik characters around.

But the problem is, of course... if we start to recognize the Badniks that Sonic destroys casually as people, doesn’t that make it wrong for him to destroy them?

I guess it depends on the context, and how it’s executed in the future. Like, Motobud was fine because that’s not just A Motobug, but one that was specifically reprogrammed by Mr. Tinker to be friendly. But what’s Belle’s endgame here? Where is the line drawn between robots that need to be saved and simple obstacles for Sonic to pop in action sequences?

To me, we start to see the cracks in issue #50 with Belle’s attempts to save Metal Sonic. Metal is certainly no stranger to redemption arcs and characters trying to see the good in him - the OVA basically defined him as a character. But still. It’s admirable for Belle to see a robot who’s hurt and want to help, but the sympathy shown for Metal is laying it on a bit thick for me given Ian’s usual characterization of him as a missile with legs. Sonic already let him go once early in the series, but that was specifically because he thought Eggman was gonna remain Mr. Tinker forever at the time, and he and Tails also made sure not to restore his full fighting abilities. (”We’re compassionate, not stupid.”) But in this very different context, with a very different character, it’s just... eh, it didn’t sell me on this as a wise use of Belle’s compassion. If she wants to help the “abandoned” Eggman bots, Metal is very much not one of those. He just happened to have been hurt by Surge when they found him.

Not the end of the world, but it’s the weak part of what’s otherwise an amazing issue, and I worry that Belle showing complete and total sympathy towards every Eggman robot may get old fast. But, like I said, it will depend entirely on the execution. Maybe she’ll only single out the oddballs like herself and Motobud. It may not even be a huge element of the story moving forward, since I know Evan’s outright said Belle would be taking more of a backseat now that her initial arc is completed. (It also seems like Eggman wants to take advantage of the fact that she interfaced with Metal, so her kindness here may backfire...)

If anything, though, I do like the little awkward family reunion where Belle is telling Eggman that she’s done hoping he’ll go back to being Mr. Tinker and is gonna go live her own life and Metal is just kind of standing there because he won’t attack another Eggman creation.

Anyway! I can’t believe I haven’t mentioned the giant robot fight

Starline’s Final Comeuppance

Sonic’s ideals, as explained in his fight with Surge, are also directly contrasted with Starline as he fights Eggman. Sonic stands for personal freedom, for better or worse, but Starline stands for total control, even more so than Eggman. He tries to manipulate people and the very story he exists in to steer everyone in the totalitarian direction he thinks is best. Anything outside of his narrative doesn’t matter. Even as Eggman is fighting him in a giant mech, he’s still under the impression that his actions are justified, that Eggman will be okay with being a pawn in his scheme so long as they get their happy ending ruling the world.

Instead, he loses a sick-ass mech fight, he’s humiliated worse than ever before, and then he dies!

I actually didn’t read it as a death at first because being crushed by rubble is such an easy “death” to write around, and it’s, you know, a comic book. Nobody stays dead in comic books. (We already know Surge survives this issue, regardless of how it looked.) But Ian did, indeed, intend for this to be Starline’s death. He also admits that that’s not entirely up to him since he’s not the only person making story decisions, so I won’t be surprised if he comes back in a year or two. Regardless, as much as I like the character, this is probably the most fitting death Starline possibly could have had. He thought he could outsmart Eggman, and the very nature of the series he’s in. Some readers, too, have accused Ian of writing Eggman as too much of a bumbling oaf in the IDW comics, especially with Starline always pointing out his mistakes. Even the marketing for this arc seems to have played into this, asking if Eggman would “bumble his way to a victory”

All this for the ultimate slam dunk in this issue where Ian definitively reminds us that, even if he can never beat Sonic... no one else can definitively beat Eggman, either.

Because Eggman fucking rules

I said at the top that Starline is damned because he doesn’t understand people as well as he thinks he does. He creates Surge and Kit as dark and deeply broken reflections of Sonic and Tails because he so fundamentally misunderstands how their dynamic works. He thinks he understands Eggman, too, but he doesn’t. He may consider himself Eggman’s #1 fan, but he’s a toxic fanboy with faulty criticisms. He’s CinemaSins. He focuses on the details and the logic, he nitpicks, and he thinks he could do everything better if given the opportunity. He thinks he understands the nature of the series he’s in, but he fails to see the big pictures, the heart. He doesn’t understand why Sonic is really the hero beyond his strength and bravado. He doesn’t understand why Tails is a hero beyond his ability to support Sonic. And he doesn’t understand why, despite his many mistakes, Eggman will always endure as the true big bad of this world. And this leads to his downfall at the hands of his idol

I could say more about this issue and the ones that lead to it! I have obviously already said way too much. I’m gonna cut it off here!

Even with all the hype to live up to, this was an extremely satisfying issue of Sonic. One of the best in a long, long time. This one’s gonna stick with people. I have my quibbles, but it really has it all. Action, humor, drama, heart, stunning artwork, and a whole lot of character work to think about. Can’t really ask for more, can I?

#tkp post

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thebeautysurrounds · 9 months

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Prepare to be sick of me!! cause here is another RWRB rant, This post contains spoilers (kinda but not really)

Again if you haven’t read the book please do!! Not only because it is an amazing read but for those who felt the movie was missing something read the book and it will fill in all the plot holes (and by that, I mean references and or callbacks to the original text you wouldn’t catch unless you read the book) I’ve been seeing people be like why is Miguel the villain? Why’d he leak the emails and not the white Republican candidate like in the books? This is just my personal opinion and interpretation but….

I feel this was done to touch on how just because someone is marginalized that doesn’t mean they have a vested interest in their community or how they vote against their best interests along with support people who shame and make laws against the very community they are a part of. Listen I get it within the book it is made known that Jeffrey Richards leaks these emails but I think people may be missing that making him not the “villain” (even though he still very much is) just not in this specific context. The person you least expect may have been an intentional choice. There are so many LGBTQ+ individuals and BIPOC individuals who keep community with the very people who call us vile names and create laws to specifically police how we exist yet they don’t see an issue with it because it’s a (useless) attempt to want to be othered or seen as better (think of it like “not like those other girls” phenomenon). Also if I’m remembering correctly the movie never specified what type of political journalism Miguel did just that he did it (for politico which CAN lean left but is mostly across the board anything having to do with politics or things that will affect the political climate) in journalism you can report on both camps and attempt not to be bias the only link Miguel had to Alex is him following Ellen’s campaign and reporting on it and wanting to have more of a fling with Alex.

Also if I'm remembering correctly Miguel in my opinion never actually cared about Alex or wanting to build a relationship with him he cared about getting exclusives for his reporting and wanting to hook up with him. So it's not like Miguel actually cared deeply about Alex unless it served in his best interest so his leaking the emails was purely a move to further his journalistic career with a story he knew would cause national attention even if it came at the expense of outing Alex and Henry, and someone within his own community.

This movie by no means was perfect and did leave out A LOT of plots from the book but it’s important to read the original text to see the True Depth of the story and get that context I also think with the approach the movie and the director's decision you have to approach it with a bit of nuance. And I’m not saying this is why the director chose to make it Miguel who leaks the emails this is just my personal takeaway from it and why I personally believe it might have been done.

TL;DR: Just because someone is marginalized doesn't mean they actually care about the community of that same marginalized identity, this topic has so much more nuance and layers that exist outside of this movie, and specific context, people of marginalized communities can be the "villain" and sometimes are and they are capable of doing harm to those very communities, and once again READ RED WHITE & ROYAL BLUE.

#rwrb #rwrb movie #rwrb spoilers #red white and royal blue #rwrb book #alex claremont diaz #casey mcquiston #prince henry of wales #alex gabriel claremont diaz #henry fox mountchristen windsor #miguel ramos #rant post #lgbt

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m-jelly · 2 years

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Can you do a Levi x reader where it’s like the movie crazy rich Asians and the reader is Levi’s middle class American girlfriend and Levi’s family is super rich

I've never seen the movie, so I'll try my best. I'll so do a nice CEO Levi as I don't want to mess with a movie plot that probably people love.

@kenkopanda-art <3

Two worlds, one big heart.

Pairing: CEO!Levi x Reader

Genre and tags: Romance, fluff, being a couple, money difference, cute, comfort, loving Levi.

Concept: Even though your boyfriend is a rich man and CEO of a large company who happily wants to pay for everything, you still work a job and earn an okay living. You like your flower shop and it allowed you to meet Levi. You notice something you think Levi would like, so you save up your money to get it for him. When it's time to buy it, it's been sold. You decide to work hard and make something similar, but when you present it to Levi you're an emotional mess. He reassures you and loves it.

Taglist: @ladycheesington @levisbrat25 @skittlelover69 @strawberrybunny123 @nyxiieluna

You stared in the shop window and felt your stomach drop. The wallet you wanted to buy Levi was gone. You tapped on your phone and researched how to make a wallet. You knew you had the tools at Levi's place now you were living together, so you just had to make him the wallet instead.

You hurried around the shops and bought as much as you could to help you. You wanted it to be perfect. You wanted to show Levi how much you loved him. You didn't have much money and couldn't spoil him. He wanted to spoil you, but you didn't want him to.

You sat in your workspace in Levi's penthouse and began working. Your room had sewing things, gaming things, your favourite books and lots of cuddly toys. Your workspace was your nice safe space to relax.

You jumped at a light knock on the door and Levi softly called your name, which meant he was home and wanted cuddles. You packed away the half-made wallet and opened the door to your lover. You huffed as the wind was knocked out of you by his tight hug.

Levi picked you up and closed your door. "Mm." He carried you to the large sofa and flopped down with you. "Home."

You hugged Levi back. "How was your day?"

"Exhausting, but I'm back home with you." He smiled and kissed you. "That's all that matters."

You pulled at his shirt a little. "You're so sweet."

"I'm thinking we order takeaway tonight. My treat."

You hummed in response. "Okay."

He kissed you and gazed at your sunken face. "What's wrong?"

You sighed. "It's okay."

"Talk to me."

You smiled a little. "I wanted to buy something and I saved up for it, but it was gone when I went to get it today."

Levi delicately rubbed your cheek. "I'm so sorry. Tell me what it was and I'm sure I can get you it."

You shook your head. "No, not I'm okay."

"Are you sure?"

You nodded and sat up. "I'm good. I have plans."

Levi took your hand and kissed the back of it. He frowned a little and looked at your hand to see where you'd pricked yourself with the needle because sewing leather was difficult. "What happened here?"

You pulled your hands back. "I was sewing something and it wasn't going well."

"Poor bunny." He covered your hands in kisses. "Poor thing."

"I'm alright, don't worry."

He smiled against your hands. "Alright. Let's get dinner ordered."

You nodded and watched your lover order dinner. You snuggled up to Levi and enjoyed your romantic evening with him. Every day that you had time to yourself, you went into your workspace and added more to the wallet. You worked as hard as you could because you wanted to show him how much he means to you. You even added a picture of yourself into the wallet.

You finally finished and wrapped up the wallet. You opened your door to see Levi was waiting for you. "Oh, hello."

Levi smiled. "Hi, cuddles?"

You nodded. "Sure, but I have a gift for you."

"You do!? Thank you!"

You looked down at it and whined a little. "I umm...I might take it back."

"Why?"

You blushed. "You have such wonderful things and this isn't good."

Levi took the gift and noticed the plasters on your fingers. "You...the thing you wanted to buy...you made it instead?"

You nodded. "Yes."

He smiled softly and opened it to reveal the wallet. He admired how well it was made. He opened it to see a picture of you inside. "This is beautiful, thank you."

You welled up. "It's not. It's rubbish. You can have any wallet you want and I made you a terrible one."

Levi pulled you close and hushed you. "It's beautiful and perfect. Thank you so much."

You pressed your face against Levi and sniffed. "You like it?"

"I love it."

"I'll make a better one."

He hummed a laugh as he held you. "This one is perfect, you don't need to make another."

"But Levi."

He kissed you. "I mean it." He pulled his old wallet out and moved everything over. "Perfect."

You whined a little. "I'm glad you like it."

He kissed the wallet. "I love this so very much." He put it in his pocket and cupped your face. "Have you been worried about this all along?"

You nodded. "Yeah."

He kissed you softly. "It means the world to me. You have no idea how precious this wallet is."

"I'm so glad you like it. I really am."

"I know I'm rich, but I don't need expensive gifts. I just need you."

You wrapped your arms around Levi and squeezed him. "Same. I just need you. I don't need expensive things, only you."

#levi ackerman #levi #aot levi #snk levi #fanfic #aot fanfiction #levi fanfiction #levi x you #levi x y/n #aot x you #captain levi #levi fluff #levi aot #levi ackerman fluff #levi ackerman x you #levi ackerman x y/n #levi ackerman x reader #jelly fanfics

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ifuckinglovedinosaurssomuchjesus · 1 year

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GODZILLA MOVIE MARATHON: Godzilla vs Hedorah (1971)

We now begin the Champion sub-era of the Showa films, which were a series of movies made on spectacularly low budgets for the Toho Champion Festival. All the 70s Showa movies fall under this sub-era and are mainly known for really going hard on Godzilla basically just being a big and goofy superhero for kids.

That's probably why, among many other things, this movie stands out like a kaiju sized black sheep. With Honda having left the company and Tsuburaya passed away, it was time for Godzilla to be inherited by an entirely new talent. Yoshimitsu Banno came on board to direct, and his... let's say "stylistic" direction is what makes this movie so unique.

I have said before that Godzilla movies have to strike a balance between the human plot and the kaiju scenes, and you get the best results when the kaiju are front and center in the narrative even when it's just the people on screen. In that sense Godzilla vs Hedorah is a masterpiece. There is no lollygagging around, every single scene with a human is either them talking about Hedorah or them about to be slimed by Hedorah. It's oppressive, there is no love triangle side plot or company parties going on here, every second you are thinking about Hedorah and what it might do next.

Hedorah itself may just be the most dangerous Godzilla enemy ever. It straight up skeletonizes Godzilla's hand! This is really the first time we get to see some actual damage get dealt to Goji's body, the searing steam and sound that comes every time Godzilla gets shot with sludge and the painful looking scar tissue they apply to the suit makes it clear, for seemingly the first real time of the series, that Godzilla may straight up die in this fight. The extra threat of it with humans, one of the few times besides the original Godzilla where we see a kaiju directly killing someone, and how tough a time Godzilla has fighting it definitely means Hedorah leaves a strong impression. It's straight up a horror movie monster. I love the end with Godzilla tearing apart and stomping on his corpse, you can just hear him screaming "fuck you fuck you FUCK YOU!"

The main takeaway from this movie for most people is that it's just really weird. There's odd cutes, nonsensical scenes, inconsistent pacing, the music and sound effects randomly come in and out, and the music is laughably brass. Add on some wild tone inconsistency with things like brutal deaths and longs shots of corpses in the same movie as Godzilla flying like a rocket, and you've got an experience that feels like a pretentious studio film infected a kid's movie.

And, with all of that, I absolutely adore it. Genuinely it is a wildly entertaining breath of fresh air after the last two duds and one of my favorite Showa movies. Tanaka may have hated it and backlisted Banno from ever making another Godzilla movie, but it gets an 8/10 from me.

#kaiju #godzilla #movie review

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femcel-interruped · 29 days

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Day 4

5/2/24

6:32 PM

You know in the beginning of that one episode of Fleabag where she's on the train and Sail by AWOLNATION is playing and then she looks at the camera to say "I think my period's coming."? That's me today.

My skin is breaking out, I feel fat, I feel like I'm losing my mind. I wonder if burning sage will help at all. Here's an update on my love life and how it contributes to societal issues and all that-

I blocked those two guys I mentioned this morning. I told them both previously that I did not feel ready to meet up or date and neither of them took the hint. They kept the conversations going with small talk and always ALWAYS tried to set up a date at the end of each conversation. I feel a little like an asshole, but what do you expect when disrespecting my boundaries that were very clearly set?

I've been feeling a sense of dread and pressure to go out on dates, even when proclaiming myself as boy-sober. I've also been reading a lot about the patriarchy and the roles I, as a woman, am assumed to play. I feel the expectation to be the dream girl at the beginning of a blossoming relationship. This is not something I have been putting on myself, though. This has been by the hands of random men online who see my pictures and have one conversation with me. I'm not interested in these people because they all play the same game, do the same old tricks. It's not that I think all boys are icky, I love men. But I feel deeply misunderstood and undervalued as my true self. They see what they want to see, they pick and choose what is there to them. I'm not searching, but there's got to be more out there. Every guy I speak to sounds like they're desperately trying to impress me with outings and conversations I've had and done a million times before.

Love-bombing is incredibly prominent in the dating scene these days, it's like an epidemic of assholes making women think they're being loved when they're just being led into bed. Being on the receiving end of love-bombing, it feels as creepy as having a stalker because of how intimate they are trying to be so quickly. Men have become so desperate to get laid and now understand that women need feelings to have sex (most of the time, not always), that they plot a fake "fated" relationship that will only last up until they cum. I say "fated" because not only do they bombard you with affection, but they try to fool you into thinking it's only going so fast because it's meant to be. This is a part of the rushing to bed aspect of love-bombing. The whole point is to have sex and to cure their own boredom. When I say that the dating scene right now is the trenches, I mean it.

I understand that this all sounds very femcel-ish, that's okay with me. The plan for tonight is to light incense, listen to music that says what I'm feeling, maybe read more Bell Hooks, watch Boyhood, and hang out with my best friend. It might be time to plan some new art work or at least find inspiration for the style I want. Since I've been doing self discovery/soul searching I haven't been making any art. I've been fully focused on reading, writing, music and movies. Sometimes you need to feed your soul before you can feed the other things around you.

My message to you for today, my main takeaway, is:

Do not let others tell you what you need and heal one thing at a time. It's okay if it takes awhile, it's your time to spare. Take what feels good (and moral, don't go crazy) and leave what doesn't. I believe in being selfish, it's your life, your body, your mind.

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ringwraithmd · 1 month

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had some convos tonight im a little buzzed but here are my takeaways. these might start some fires.

somehow they're both Anakin apologist and Anakin critical. Also known as: the Jedi were victims, the Jedi were not evil, no Obi-Wan isn't evil, Obi-Wan didn't repress and abuse Anakin, no Qui-Gon Jinn was not the bestest Jedi who did things differently than any other Jedi and if only he lived he would've saved Anakin Skywalker. Anakin Skywalker did not fall because he was sleep deprived and had one bad day, he fell for a number of reasons, including that he made a choice, which choice as a theme George Lucas very deliberately has chosen to emphasize repeatedly in Star Wars. Jyn Erso is an actually interesting character and I think she does care about rebelling, the problem is the repressive totalitarian regime she lives in. TLJ is not the best sequel trilogy movie, Kylo Ren's a little bitch and should've died sooner. Dave Filoni can kiss my ass. "within the context of the prequels it's hard to see the jedi as the good guys --" no. absolutely not. get some reading comprehension you moron. that's the whole point. the whole point is the jedi were the victims of a plot designed to force them into a position where all they had were bad choices. Anakin chose to murder men, women, and children long before he ever became Darth Vader. im sorry but did obi-wan massacre men, women, and children on screen?

folk music is different than country music. im sorry but it is. yes there are similarities. no I can't explain the differences. but country music is not necessarily folk music, or "stomp-clap" music as you called it. tell me you don't listen to country without telling me. arguably the best argument you could've made about the push back of country music pop-ification is the rise in popularity of artists like Zach Bryan, but you didn't, you started talking about fucking Mumford & Sons. my good dude. no. google them. they're literally described as a folk rock band.

#me #dont get me wrong I do love my boy anakin #but Anakin made choices #yeah palpatine groomed him but legit we have a whole scene in rots where palpatine asks Anakin to join him and Anakin says no #its only when palpatine uses padme that Anakin joins him #“the space monk cultists fucked him up by raising him to be space Jesus” okay then cite your sources #oh who said Anakin's the chosen one qui-gon?#the very qui-gon you said if had he lived then Anakin wouldn't have fallen?#stop christianizing Star Wars so heavily #the jedi order were a religious order yes but I'd argue against them being a cult #you could leave!!!#Anakin could've left!!!!#ANAKIN COULD HAVE AT ANY TIME WILLINGLY LEFT THE JEDI!!!#discounting all the stuff in legends #we see jedi in the clone wars tv show appearing to actively practice other religious beliefs!!!!#Plo Koon is a sage!! I forget the rest of the name for it and I think this has been recanonized #depa billaba has her mark of illumination #bariss offee follows mirialan practices like covering her hair and even appears to be praying/meditating to what is likely a mirialan god #George Lucas himself has specifically said that Anakin fell because he was greedy and selfish #George Lucas has said multiple times there's a difference between love and attachment #AHHHHHHHH

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thescrapbookingscientist · 2 months

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Bimonthly Media Roundup

-Frieren (Anime) - Finished up Frieren quicker then I thought I would, mostly because I had been previously watching at a more leisurely pace in line with its themes of taking your time - but then I hit the magic exam arc and binged the remaining show in a couple days. What can I say, as much as I respected the slower pace and steady character moments of the first half, exam type narratives that require the protagonists to complete unusual tasks and solve riddles while competing against various unknown and interesting new characters are always fan favorites for a reason - It's interesting to see how different types of people try to solve the same problem. This apparently might be the most we get from Frieren for awhile anime wise, so my conclusive thoughts for now are thus: Frieren and Fern are very well written and compelling characters individually and seeing their bond grow over the different stages of Ferns life is pretty unique and cute. Fern and Starks growing romance is also quite cute and remarkably believable. The themes of enjoying your time and community are ones I agree with. The animation and music were top notch and while the pacing can take getting used to I think anyone not averse to fantasy anime can find something to enjoy here. Good stuff!

-Tango & Cash (Movie) - Two-parter with the next movie in a Kurt Russell themed St Pattys day party. I don't think it was a very good movie as the plot was generic, the ending felt unfinished, and while I liked a couple of lines the dialogue was mostly corny one liners, but I did like the actors performances as all three of the leads were pretty charming and seemed to be having a good time. You do get to see Kurt Russell in drag which I can't say about any other film. I don't really recommend watching this unless your a big Kurt Russell/Sylvester Stallone fan but I don't regret watching it either.

-Big Trouble in Little China (Movie) - 2nd movie for the Kurt Russell line up, this one I actually quite like. Its self aware, it's stupid, it's goofy, it features random supernatural elements that are never adequately explained that add to the "wha???" factor of the film, it mixes intentionally awful effects with pretty nice sets, it's great. The best part is of course putting it on at a party for people who haven't seen it so you can see them react to the increasingly insane elements of the film. I wouldn't put it on the same level as EEAAO or anything where the insane elements grow into a profound and memorable narrative, but BTiLC isn't really trying for that and works as a silly parody of kung fu movies. You should watch it at least once, preferably with no context.

- Pokemon (Video Game) - This is mostly because I've been seeing a resurgence of Submas content on my dash lately. While I can't say I really understand why they were the big takeaway from Arceus given how many neat characters that game introduced, I can't say I dislike them. I've grown fond of doomed sibling dynamics lately and the "Dark intimidating twin is secretly very nice vs the light friendly looking twin is secretly mean" dynamic is fun. Plus Ingo's presence in Hisui is still hilarious to me, Pokemon God threw 1/2 the set of a random American Subway worker into ancient Japan and then never fixed or acknowledged the situation again. Incredible. Anyway I've seen some good art.

- Mage and Demon Queen (Webcomic) - Finished up this fantastic Dragon/Human yuri webcomic, and gotta say I'm quite impressed with it. It subverted a lot of my expectations for these types of stories: having the characters reflect on how their actions affect others and work to be better, featuring likable characters of both genders, letting the protagonist and love interest have important and meaningful relationships outside of eachother whose development we get to actually see, having an actually interesting plot with twists and turns, and featuring a likable transwoman lesbian character who's not demonized or fetishisized by the narrative but allowed to exist outside of a typical trans narrative. Obviously I adore both Malori and Vel both character and design wise and find their relationship adorable. I also love the demon generals and their fun monster designs and found family dynamic. The humor is very very good as well, one of the funnier webcomics I've read with how often the characters recognize and indulge in the absurdity of their situations or just goof around for levity's sake. Overall I have very little complaints, this has been one of my favorite f/f focused media I've consumed and I'd love it got an English physical print release or an anime adaptation. Also spoilers but perfect endings all around, I love when peace wins, monsters are empathized with, and we get a significant time skip to see how our hero's happy ever afters are going. 10/10 would read again.

- The Apothecary Diaries (Anime) - Been hearing great things about this for awhile and finally jumped into it, became instantly hooked. What if House MD was set in imperial china's complicated political court and starred an autistic little chinese girl who has a Haruhi-Tamaki dynamic with the most beautiful and fruity man in the palace. What if there was genuinely engaging mysteries that are solved with medical knowledge and not some random anime twink with mind reading powers. What if the animation was gorgeous and the women were well written. Really great start so far, excited for more.

- Yu-Gi-Oh (Anime) - This is mostly here as I've had the abridges series on in the background while I work, though I am considering actually reading or watching the real one. Or maybe I won't I don't know. I don't care very much about the card game elements but I do think the dynamic of "Cursed ancient Egyptian spirit posses a guys body to play messed up death games but it's fine because the guy is cool with it actually" is one of the funniest and most compelling character dynamics characters can have. I also just appreciate the incorporation of Egytian elements as I think its a very aesthetically neat location that isn't used alot, though I can't speak to the accuracy of the representation. The hair is also alot. Most anime hair you could possibly have.

- One Piece (Anime) - Mostly through Whole Cake, and while I wouldn't put it in my favorite arcs it's been good so far. The emotional stuff with Sanji's backstory and his relationship with Luffy is really good stuff, Big Mom's backstory was shockingly dark even after getting used to One Piece's messed up world, I like the complicated relationships amongst Big Moms children and Pudding and Katakuris designs are great for one. I also really like this location, Brook getting a chance to shine, the fact that Jinbei's back and everyones outfits. That being said the pacing is getting worse, I like most of what is happening I just wish it happened in a more concise manner.

- Genshin Impact (Video Game) - Been really enjoying the potion making event, I love meticulously placing the ingredients to get the most use out of the space, mixing and matching the pretty little potions, and guessing from the descriptions what types of potions people need. I'm sure it will go away after the event but I wish it would stick around, it's definitely my favorite non-story event I've been around for.

Listening To: Her Diamonds by Rob Thomas, Hey I Don’t Work Here by Tom Cardy, Crazy by Walk Off The Earth, How Did You Love by Shinedown, Dial Drunk by Noah Kahan, Feast or Famine from Starkid Productions, Ruthlessness from EPIC, Turn the Lights Off by Tally Hall, No One Else Is Singing My Song from Crazy Ex Girlfriend, The Moon Will Sing by The Crane Wives, You Didn't Know by Andrew Underberg

#weekly roundup #my post

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qqueenofhades · 3 years

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did you watch lucifer season six and what are your thoughts pls and ty

Ahaha. Yes. Yes I did watch it. Then I cried for a literal hour and attempted to compose myself, only to start crying again when I lay down and kept on thinking about it. Then I had more feelings. Then I slept like the dead due to emotional trauma. Then I reblogged gifsets and had More feelings. Then @buffaluff and @flynnanimal watched it and also required emotional support due to drowning in their own tears. So, uh... we're all fine here now. How are you?

My main takeaway from the final season was the sheer amount of love for the characters, story, and fans that you could feel shining through all the episodes, and which made SUCH a refreshing change. I had feelings in my tags the other day about how a show about the devil was constantly goofy, hopeful, loving, and uplifting, rather than all the grimdark nonsense they could have easily done with it. (As I said, just imagine it as written by the GOT idiots?? NO THANK YOU.) The writing really loved everyone and wanted to give them a proper ending and emotional journey, and it wanted to show the fans that they weren't stupid for having invested six seasons of effort and emotion into this, and just... that is so much rarer than it should be? Compare all the movies and TV shows that treat their fans like the enemy, that want to outsmart them at all costs even if it means changing major plot elements, that ferociously guard spoilers and think that "shock value" means good writing, by throwing hackneyed cliche upon cliche and making everything Depressing, and just... Lucifer had its hiccups and slow points and missteps, of course, but I am SO glad they didn't do that. The entire show consisted of Lucifer slowly but steadily progressing toward being a better man, despite mistakes and setbacks and sometimes a little too much will-they-won't-they. (Season 3 was the only one where I got bored and skipped over the filler episodes with Pierce/Lucifer/Chloe in order to get to the end).

That is an essentially simple premise, but they stuck to it, and they didn't try to create more drama by randomly wrecking what they had already established. I wrote a fic all the way back in mid-season 2 (In Nomine Patris) that ended up predicting quite a few of the future characters who had not yet appeared on the show at that time, including Eve, Michael, and Azrael, and several plot points, including the very major one of Lucifer returning to hell for the sake of his daughter with Chloe. And while this might mean that I am just that good at guessing TV shows (I would like to think this....) it also means that the writers set expectations, followed through on those expectations, and didn't suddenly derail everything or turn it totally on its head just for the sake of cheap shocks. As we can all attest, they certainly caused PLENTY of drama, anguish, pain, and suffering, but they did it in a way that remained faithful to the overall premises of the story and the characters, and wanted to see them become the best versions of themselves. I cried my eyes out at the end and then thought, "hey, I might want to watch the whole series again," which, if you ask me, is the mark of doing your job right. There have been so few TV endings recently where I didn't immediately swear off the whole thing or have to pretend that canon didn't exist, so yeah.

As I said, it was just refreshing to watch something that had that essential deep generosity at its core, where the message is that everyone is worthy of love if they make the hard and painful effort to change and become better, and that even if earthly things feel small next to all this messy celestial drama, they still matter, and that you are loved no matter what. I loved that Amenadiel became God and Lucifer returned to hell as a choice in order to help all the trapped souls be able to work through their guilt and go to heaven. There were obviously certain echoes of The Good Place in that ending; I don't know if it was something they had planned all along or if the success of TGP, another series asking deep questions about life, death, morality, and human nature within the framework of a goofy heaven-and-hell sitcom, influenced it, but either way, it worked so well. Even if it tore my heart out and stomped on it on the ground, it was fitting and oh so lovely to see Lucifer, once the most selfish being in the entire universe, following in Linda's footsteps and becoming selflessly dedicated to helping other people. Just. Chef's kiss.

And of course, Deckerstar. The Hades and Persephone vibes were IMMACULATE this season, and while it did take Lucifer and Chloe the best part of four seasons to get together, they never significantly backslid, never had third-party issues or cheap cheating storylines once they were officially a couple, and Tom Ellis and Lauren German REALLY killed it this season in particular. It was never easy for them and sometimes the drama went on a little too long over the course of said six seasons, but the love story was beautiful and incredibly meaningful and always true to the fact that the actors and characters and writers (not to mention the fans) all loved it so much. They were so much the emotional heart of this, and when they went to hell together in episode 6x03 (where they turned into cartoons because wHAT even IS this show), Joe Henderson said in an interview that this was to give the fans a view into Lucifer and Chloe's future (after) lives post-6x10, and to offer them a basis to write fanfiction. I mean... the showrunner saying to the fans "here, we love you, have something to write fic about!" is likewise pretty shockingly rare. It's again an example of how this show always audaciously poked fun at itself, never took itself TOO seriously, and was always welcoming its fans and the people who loved it to do so, rather than making them feel stupid or taking joy in wrecking beloved characters or plots.

Obviously, I loved Rory, the badass lesbian half-angel goth Deckerstar child straight out of My Immortal (seriously, she was SO edgy, it was amazing), because of the fact that Lucifer's entire arc was always about feeling abandoned by his father and that he was going to have to face it for himself. Dorky Devil Dad Lucifer trying his absolute HARDEST to bond with his daughter was simultaneously hilarious, adorable, and heart-wrenching, and yet again, the Growth. We all remember when he could barely tolerate Trixie touching him, and now we're here. Also, any variation whatsoever of "this is just a brief moment of time that we must be apart, love is eternal and stronger than death and we will never really leave each other" as a line is guaranteed to make me bawl my eyes out. So that was fun.

I got a big kick out of Ghost Dan running around and trying to get everyone to see him, and had feelings about seeing him in heaven with Charlotte and his beloved Pudding Pops at the end. I had feelings about how they handled Ella finding out the truth (or rather demanding to know why nobody had told her) and of course, I obviously loved Maze and Eve and their goth/femme wedding and the fact that they got a good three-season romantic arc (indeed, I wanted more of them). My god, Trixie is SO BIG, she used to be a tiny little nugget. I love that Linda was the moral and emotional rock all along, from the first episode to the very last, and that Amenadiel was Deeply Vindicated when Charlie's wings appeared at his first birthday party. I love how Lucifer in s6 is absolute thousands of light years from Lucifer in s1. And as ever, Chloe was Perfect. I am happy that I spent six seasons with these characters and saw them become better, and that I was never made to feel like an idiot for trusting the writers to end everything in a beautiful and emotional way. Because, well. They did. Sure, maybe I could go back and pick at a plotline here or a detail there, but I don't terribly feel the need to do so? It might not have been perfect, but it was perfect, and I am so grateful that it existed.

#lucifer #lucifer spoilers #deckerstar #anonymous #ask

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maddieinwonder · 3 years

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A Lesson In Romance #2: Opposites Attract

Spencer Reid x Fem!BAU!Reader

Genre: Fluff

Warnings: None

Word Count: 1k

Plot: Reader keeps getting caught in rom-com situations with Spencer Reid. This time, they become friends.

A/N: I can't believe I rewrote this chapter, like, 5 times, but I'm kinda happy with the final result 😌😌😌 Again, my ask is open if you want to send me a trope request!

Masterlist | All chapters here!

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Contrary to popular belief, you've watched your fair share of rom-coms. Or at least enough to understand its three-act structure, even if you didn't understand why people bought into it just yet.

Take the concept of "opposites attract" for example. Two people with completely different interests and personalities are supposedly perfect for each other because they compensate for the other's weaknesses. But it was illogical, you knew this for a fact.

Opposites attract had your college roommate crying herself to sleep when she decided to date a popular jerk-wad. Opposites attract caused your best friend to transfer schools after a cruel Valentine's Day prank. Opposites attract made your dad divorce your mum and leave you and your siblings alone at the ripe age of eleven.

But according to rom-coms, these relationships were worth it. There was nothing sweeter than a shy person complementing a loud bully, or nothing that screamed sexual tension more than a practical joker tormenting a goody-two-shoes.

For your entire life up until this point, you just didn't get it. But then you met Garcia and Morgan, and things began to make sense.

The two of them couldn't be further apart. Derek was a typical player — traditional good looks, muscular, was probably a jock in high school. Penelope, on the other hand, dressed in bright colours and even brighter hair. She seldom left her office — which, for the record, was covered wall to wall with cuteness — and cared about her technology like it was an extension of herself.

At first, you didn't understand why they were so close. They were basically polar opposites. But when one of your first cases with the BAU hit too close to home for the usually cheerful tech analyst, you watched Derek drop everything he was doing to gently support her through it.

This was enough to make you rethink your theory. And if you were being really honest, it was enough to make you yearn for something like that for yourself.

Because the thing is, you hadn't stopped thinking about the shy, awkward man you met at the coffee shop. Even more so now that you were working together, and you found out that he was a certifiable genius with an IQ of 187.

To add to your surprise, you and Spencer weren't opposites — not in any material way, at least. You couldn't say otherwise when you only knew the things that everybody else knew.

Like how the two of you had qualifications in psychology (he had a B.A., you had a PhD), loved Doctor Who (he preferred Tom Baker, but you were partial to David Tennant), and shared a favourite movie genre in science fiction, but specifically space opera (he loved Star Trek, you were nostalgic for Star Wars).

And that was just the beginning.

You begun to realise little things about him every day that you noticed in yourself. The obvious one was your coffee preferences. You pretended not to notice when the team raised their eyebrows at the three full spoons of sugar you added to your coffee everyday.

But you also noticed the way Spencer bounced his leg when he was nervous, or moved his mouth when he was reading at that unbelievable pace.

You watched him so often, in fact, that one day you found yourself doing his trademark awkward smile and you realised your silent observations had gone too far.

In reality, you hadn't spoke to him alone for more than 10 minutes since you joined the team. The two of you were always around other people for some reason or other, and after the first few weeks passed like this, the expiry on talking to him about the coffee shop incident seemingly ran out.

Then one morning, when the coffee machine at work broke down and you were beginning to think this was the start of a very bad day, a cup of coffee was gently placed in front of you.

"Good morning," Spencer greeted, pulling over the chair from his desk to sit next to you. His held his own cup of coffee in one hand.

You recognised the logo as the coffee shop where you met him. The same one you'd been avoiding since you started working here. (Ok, so maybe the reason you hadn't spoken about the incident wasn't entirely due to external forces.)

"What's this for?" You asked, as if you didn't already know.

"A peace offering," he said, locking eyes with you. "I haven't seen you at the coffee shop in three weeks, which coincides exactly with the day we met and your first day at the BAU. I've... I've come to the conclusion that you're avoiding me, but I really hope you won't."

"Why?" You asked, reaching for the warm takeaway cup.

"Because I'd like to get to know you better." He said frankly. You were glad you hadn't taken a sip yet, because you might have spit it out in shock.

In the rom-coms you watched, confessions like these usually happened to a swell of music and dimmed lights, maybe while the two main characters were dancing in each others arms. But under the fluorescent lights at the bureau, you only felt your heart swell to an imaginary soundtrack.

"So would I," you replied, smiling despite yourself. You couldn't believe you just compared a rom-com scenario to real life, but watching Spencer's smile widen at your reply made the critic in you subside. His smile was, strangely, beautiful to you now.

"You're lucky I remembered your order," he teased, his pinkish cheeks weren't beyond your notice.

"Spencer. We share the same coffee order and you have an eidetic memory," you replied dryly.

"I know," he said, and the two of you locked eyes for a moment before breaking into a bout of laughter over the absurdity of your relationship.

Unbeknownst to the two of you, the unusual sight had caught the eyes of the other members in the bullpen. But it was only the next morning when you and Spencer walked into the office with matching cups of coffee, that the team confirmed that something was definitely up.

And they were going to find out what.

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Tag list:

@blue-space-porgs

#mads fics #spencer reid x reader: a lesson in romance #spencer reid x reader #spencer reid x y/n #spencer reid #dr spencer reid #spencer reid fic #spencer reid fluff #criminal minds fic #criminal minds fanfic #cm fic #cm fanfic #derek morgan #penelope garcia #morcia #morgan x garcia #criminal minds #cm

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ot3 · 3 years

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i watched red vs blue: zero with my dear friends today and i was asked to “post” my “thoughts” on the subject. Please do not click this readmore unless, for some reason, you want to read three thousand words on the subject of red vs blue: zero critical analysis. i highly doubt that’s the reason anyone is following me, but hey.

anyway. here you have it.

Here are my opinions on RVB0 as someone who has quite literally no nostalgia for any older RVB content. I’ve seen seasons 1-13 once and bits and pieces of it more than once here and there, but I only saw it for the first time within the past couple of months. I’ve literally never seen any other RT/AH content. I can name a few people who worked on OG Red vs. Blue but other than Mounty Oum I have NO idea who is responsible for what, really, or what anything else they’ve ever worked on is, or whether or not they’re awful people. I know even less about the people making RVB0 - All I know is that the main writer is named Torrian but I honestly don’t even know if that’s a first name, a last name, or a moniker. All this to say; nothing about my criticism is rooted in any perceived slight against the franchise or branding by the new staff members, because I don’t know or care about any of it. In fact, I’m going to try and avoid any direct comparison between RVB0 and earlier seasons of RVB as a means of critique until the very end, where I’ll look at that relationship specifically.

So here is my opinion of RVB0 as it stands right now:

1. The Writing

Everything about RVB0 feels as if it was written by a first-time writer who hasn’t learned to kill his darlings. The narrative is both simultaneously far too full, leaving very little breathing room for character interaction, and oddly sparse, with a story that lacks any meaningful takeaway, interesting ideas, or genuine emotional connection. It also feels like it’s for a very much younger audience - I don’t mean this as a negative at all. I love tv for kids. I watch more TV for kids than I do for adults, mostly, but I think it’s important to address this because a lot of the time ‘this is for kids’ is used to act like you’re not allowed to critique a narrative thoroughly. It definitely changes the way you critique it, but the critique can still be in good faith. I watched the entirety of RVB0 only after it was finished, in one sitting, and I was giving it my full attention, essentially like it was a movie. I’m going to assume it was much better to watch in chunks, because as it stood, there was literally no time built into the narrative to process the events that had just transpired, or try and predict what events might be coming in the future. When there’s no time to think about the narrative as you’re watching it, the narrative ends up as being something that happens to the audience, not something they engage with. It’s like the difference between taking notes during a lecture or just sitting and listening. If you’re making no attempt to actively process what’s happening, it doesn’t stick in your mind well. I found myself struggling to recall the events and explanations that had immediately transpired because as soon as one thing had happened, another thing was already happening, and it was like a mental juggling act to try and figure out which information was important enough to dwell on in the time we were given to dwell on it.

Which brings me to another point - pacing. Every event in the show, whether a character moment, a plot moment, or a fight scene, felt like it was supposed to land with almost the exact same amount of emotional weight. It all felt like The Most Important Thing that had Yet Happened. And I understand that this is done as an attempt to squeeze as much as possible out of a rather short runtime, but it fundamentally fails. When everything is the most important thing happening, it all fades into static. That’s what most of 0’s narrative was to me: static. It’s only been a few hours since I watched it but I had to go step by step and type out all of the story beats I could remember and run it by my friends who are much more enthusiastic RVB fans than I am to make sure I hadn’t missed or forgotten anything. I hadn’t, apparently, but the fact that my takeaway from the show was pretty accurate and also disappointingly lackluster says a lot. Strangely enough, the most interesting thing the show alluded to - a holo echo, or whatever the term they used was - was one of the things least extrapolated upon in the show’s incredibly bulky exposition. Benefit of the doubt says that’s something they’ll explore in future seasons (are they getting more? Is that planned? I just realized I don’t actually know.)

And bulky it was! I have quite honestly never seen such flagrant disregard for the rule of “show, don’t tell.” There was not a single ounce of subtlety or implication involved in the storytelling of RVB0. Something was either told to you explicitly, or almost entirely absent from the narrative. Essentially zilch in between. We are told the dynamic the characters have with each other, and their personality pros and cons are listed for us conveniently by Carolina. The plot develops in exposition dumps. This is partially due to the series’ short runtime, but is also very much a result of how that runtime was then used by the writers. They sacrificed a massive chunk of their show for the sake of cramming in a ton of fight scenes, and if they wanted to keep all of those fight scenes, it would have been necessary to pare down their story and characters proportionally in comparison, but they didn’t do that either. They wanted to have it both ways and there simply wasn’t enough time for it.

The story itself is… uninteresting. It plays out more like the flimsy premise of a video game quest rather than a piece of media to be meaningfully engaged with. RVB0 is I think something I would be pitched by a guy who thinks the MCU and BNHA are the best storytelling to come out of the past decade. It is nothing but tropes. And I hate having to use this as an insult! I love tropes. The worst thing about RVB0 is that nothing it does is wholly unforgivable in its own right. Hunter x Hunter, a phenomenal shonen, is notoriously filled with pages upon pages of detailed exposition and explanations of things, and I absolutely love it. Leverage, my favorite TV show of all time, is literally nothing but a five man band who has to learn to work as a team while seemingly systematically hitting a checklist of every relevant trope in the book. Pacific Rim is an incredibly straightforward good guys vs giant monsters blockbuster to show off some cool fight scenes such as a big robot cutting an alien in half with a giant sword, and it’s some of the most fun I ever have watching a movie. Something being derivative, clunky, poorly executed in some specific areas, narratively weak, or any single one of these flaws, is perfectly fine assuming it’s done with the intention and care that’s necessary to make the good parts shine more. I’ll forgive literally any crime a piece of media commits as long as it’s interesting and/or enjoyable to consume. RVB0 is not that. I’m not sure what the main point of RVB0 was supposed to be, because it seemingly succeeds at nothing. It has absolutely nothing new or innovative to justify its lack of concern for traditional storytelling conventions. Based solely on the amount of screentime things were given, I’d be inclined to say the narrative existed mostly to give flimsy pretense for the fight scenes, but that’s an entire other can of worms.

2. The Visuals + Fights

I have no qualms with things that are all style and no substance. Sometimes you just want to see pretty colors moving on the screen for a while or watch some cool bad guys and monsters or whatever get punched. RVB0 was not this either. The show fundamentally lacked a coherent aesthetic vision. Much of the show had a rather generic sci-fi feel to it with the biggest standouts to this being the very noir looking cityscape, which my friends and I all immediately joked looked like something from a batman game, or the temple, which my friends and I all immediately joked looked like a world of warcraft raid. They were obviously attempting to get variety in their environment design, which I appreciate, but they did this without having a coherent enough visual language to feel like it was all part of the same world. In general, there was also just a lack of visual clarity or strong shots. The value range in any given scene was poor, the compositions and framing were functional at best, and the character animation was unpleasantly exaggerated. It just doesn’t really look that good beyond fancy rendering techniques.

The fight scenes are their entire own beast. Since ‘FIGHT SCENE’ is the largest single category of scenes in the show, they definitely feel worth looking at with a genuine critical eye. Or, at least, I’d like to, but honestly half the time I found myself almost unable to look at them. The camera is rarely still long enough to really enjoy what you’re watching - tracking the motion of the character AND the camera at such constant breakneck high speeds left little time to appreciate any nuances that might have been present in the choreography or character animation. I tried, believe me, I really did, but the fight scenes leave one with the same sort of dizzy convoluted spectacle as a Michael Bay transformers movie. They also really lacked the impact fight scenes are supposed to have.

It’s hard to have a good, memorable fight scene without it doing one of three things: 1. Showing off innovative or creative fighting styles and choreography 2. Making use of the fight’s setting or environment in an engaging and visually interesting way or 3. Further exploring a character’s personality or actions by the way they fight. It’s also hard to do one of these things on its own without at least touching a bit on the other two. For the most part, I find RVB0’s fight scenes fail to do this. Other than rather surface level insubstantial factors, there was little to visually distinguish any of RVB0’s fight scenes from each other. Not only did I find a lot of them difficult to watch and unappealing, I found them all difficult to watch and unappealing in an almost identical way. They felt incredibly interchangeable and very generic. If you could take a fight scene and change the location it was set and also change which characters were participating and have very little change, it’s probably not a good fight scene.

I think “generic” is really just the defining word of RVB0 and I think that’s also why it falls short in the humor department as well.

3. The Comedy

Funny shit is hard to write and humor is also incredibly subjective but I definitely got almost no laughs out of RVB0. I think a total of three. By far the best joke was Carolina having a cast on top of her armor, which, I must stress, is an incredibly funny gag and I love it. But overall I think the humor fell short because it felt like it was tacked on more than a natural and intentional part of this world and these characters. A lot of the jokes felt like they were just thrown in wherever they’d fit, without any build up to punchlines and with little regard for what sort of joke each character would make. Like, there was some, obviously Raymond’s sense of humor had the most character to it, but the character-oriented humor still felt very weak. When focusing on character-driven humor, there’s a LOT you can establish about characters based on what sort of jokes they choose to make, who they’re picking as the punchlines of these jokes, and who their in-universe audience for the jokes is. In RVB0, the jokes all felt very immersion-breaking and self aware, directed wholly towards the audience rather than occurring as a natural result of interplay between the characters. This is partially due to how lackluster the character writing was overall, and the previously stated tight timing, but also definitely due to a lack of a real understanding about what makes a joke land.

A rule of thumb I personally hold for comedy is that, when push comes to shove, more specific is always going to be more funny. The example I gave when trying to explain this was this:

saying two characters had awkward sex in a movie theater: funny

saying two characters had an awkward handjob in a cinemark: even funnier

saying two characters spent 54 minutes of 11:14's 1:26 runtime trying out some uncomfortably-angled hand stuff in the back of a dilapidated cinemark that lost funding halfway through retrofitting into a dinner theater: the funniest

The more specific a joke is, the more it relies on an in-depth understanding of the characters and world you’re dealing with and the more ‘realistic’ it feels within the context of your media. Especially with this kind of humor. When you’re joking with your friends, you don’t go for stock-humor that could be pulled out of a joke book, you go for the specific. You aim for the weak spots. If a set of jokes could be blindly transplanted into another world, onto another cast of characters, then it’s far too generic to be truly funny or memorable. I don’t think there’s a single joke in RVB0 where the humor of it hinged upon the characters or the setting.

Then there’s the issue of situational comedy and physical comedy. This is really where the humor being ‘tacked on’ shows the most. Once again, part of what makes actually solid comedy land properly is it feeling like a natural result of the world you have established. Real life is absurd and comical situations can be found even in the midst of some pretty grim context, and that’s why black comedy is successful, and why comedy shows are allowed to dip into heavier subject matter from time to time, or why dramas often search for levity in humor. It’s a natural part of being human to find humor in almost any situation. The key thing, though, once again, is finding it in the situation. Many of RVB0’s attempts at humor, once again, feel like they would be the exact same jokes when stripped from their context, and that’s almost never good. A pretty fundamental concept in both storytelling in general but particularly comedy writing is ‘setup and payoff’. No joke in RVB0 is a reward for a seemingly innocuous event in an earlier scene or for an overlooked piece of environmental design. The jokes pop in when there’s time for them in between all the exposition and fighting, and are gone as soon as they’re done. There’s no long term, underlying comedic throughline to give any sense of coherence or intent to the sense of humor the show is trying to establish. Every joke is an isolated one-off quip or one-liner, and it fails to engage the audience in a meaningful way.

All together, each individual component of RVB0 feels like it was conjured up independently, without any concern to how it interacted with the larger product they were creating. And I think this is really where it all falls apart. RVB0 feels criminally generic in a way reminiscent of mass-market media which at least has the luxury of attributing these flaws, this complete and total watering down of anything unique, to heavy oversight and large teams with competing visions. But I don’t think that’s the case for RVB0. I don’t know much about what the pipeline is like for this show, but I feel like the fundamental problem it suffers from is a lack of heart.

In comparison to Red vs. Blue

Let's face it. This is a terrible successor to Red vs. Blue. I wouldn’t care if NONE of the old characters were in it - that’s not my problem. I haven’t seen past season 13 because from what I heard the show already jumped the shark a bit and then some. That’s not what makes it a poor follow up. What makes it a bad successor is that it fundamentally lacks any of the aspects of the OG RVB that made it unique or appealing at all. I find myself wondering what Torrian is trying to say with RVB0 and quite literally the only answer I find myself falling back onto is that he isn’t trying to say anything at all. Regardless of what you feel about the original RVB, it undeniably had things to say. The opening “why are we here” speech does an excellent job at establishing that this is a show intended to poke fun at the misery of bureaucracy and subservience to nonsensical systems, not just in the context of military life, but in a very broad-strokes way almost any middle-class worker can relate to. At the end of the day, fiction is at its best when it resonates with some aspect of its audience’s life. I know instantly which parts of the original Red vs Blue I’m supposed to relate to. I can’t say anything even close to that about 0.

RVB is an absurdist parody that heavily satirizes aspects of the military and life as a low-on-the-food-chain worker in general that almost it’s entire target audience will be familiar with. The most significant draw of the show to me was how the dialogue felt like listening to my friends bicker with each other in our group chats. It required no effort for me to connect with and although the narrative never outright looked to the camera and explained ‘we are critiquing the military’s stupid red tape and self-fullfilling eternal conflict’ they didn’t need to, because the writing trusted itself and its audience enough to believe this could be conveyed. It is, in a way, the complete antithesis to the badass superhero macho military man protagonist that we all know so well. RVB was saying something, and it was saying it in a rather novel format.

Nothing about RVB0 is novel. Nothing about RVB0 says anything. Nothing about it compels me to relate to any of these characters or their situations. RVB0 doesn’t feel like absurdism, or satire. RVB0 feels like it is, completely uncritically, the exact media that RVB itself was riffing off of. Both RVB0 and RVB when you watch them give you the feeling that what you’re seeing here is kids on a playground larping with toy soldiers. It’s all ridiculous and over the top cliche stupid garbage where each side is trying to one-up the other. The critical difference is, in RVB, we’re supposed to look at this and laugh at how ridiculous this is. In RVB0 we’re supposed to unironically think this is all pretty badass.

The PFL arc of the original RVB existed to show us that setting up an elite team of supersoldiers with special powers was something done in bad faith, with poor outcomes, that left everyone involved either cruel, damaged, or dead. It was a bad thing. And what we’re seeing in RVB0 is the same premise, except, this time it’s good. We’re supposed to root for this format. RVB0 feels much more like a demo reel, cutscenes from a video game that doesn’t exist, or a shonen anime fanboy’s journal scribbling than it feels like a piece of media with any objective value in any area. In every area that RVB was anti-establishment, RVB0 is pure undiluted establishment through and through.

#long post #really long post guys. look out !#rvb

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xthefandomequestrianx · 4 years

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Netflix is seriously killing it with the tv shows lately. I mean, come on. Most of them are diverse with many people of different races, beliefs, and sexualities. They have super compelling plots and character arcs and awesome soundtracks. I didn’t expect for all my favorite shows/movies to be Netflix originals but here we are. Here are some of my favorites, along with some thoughts: (absolutely feel free to scroll past this - I dont know why I was so possessed to make this)

- Stranger Things -

The absolute BEST thing about Stranger Things is Steve Harrington, but there are a lot of other great aspects to the show. It’s one of those great shows that really keeps you on your toes, but still has quiet moments and LOTS of character development, which I am a total sucker for.

- A Series of Unfortunate Events -

This is also a really good show, but I think the reason I like it the most is because of the dark academia vibes that is present through a lot of it. The tone is more aimed towards kids, but I still enjoy it.

- Free Rein -

I’m a sucker for this show. Yeah, it’s not the BEST show on the list, or in general. But I the part of me that’s an equestrian loves it even if some of the horsemanship is bleh. I also have a crush on Gabby? If you want something slightly cringey but light-hearted with a healthy dose of horses, then I recommend this show.

- Greenhouse Academy -

Full honesty: I hate this show. I hate these characters, and the plots, and all the weirdness. It is very cringy. Everyone pictured above is an idiot. But still I binge watch every. season. I don’t know what this sorcery is, but it makes the list simply because despite my hatred, I can’t get enough. 10/10 for the black magic used.

- Chilling Adventures of Sabrina -

It is a bit Riverdale-y, which can be good or bad depending on who you’re talking to. But the storylines are much better and the spoopy vibes are fantastic.

- THE UMBRELLA ACADEMY -

This is my all-time favorite show. I could watch it over and over and over (and I have). It is a cinematic masterpiece. All of the 7 members are relatable and beautiful and really awesome with their respective superpowers (yes, Luther too - he just has a different way of dealing with his trauma. Klaus has drugs, and Luther has being a whiny dipshit with some anger issues). But anyways, this is a FANTASTIC show and I’m going to call in sick when season 2 comes out so I can BINGE.

- The Society -

Want to see a bunch of gen z’s try to form their own society? Yes, you do. There is feelings! There is democracy! There is ~murder~! What more could you want from a show? I have so many cinnamon rolls from this show.

- The Witcher -

The range of this show, I swear. You have a lovable bard singing catchy tunes and cracking jokes, you have a grumpy/smelly/dirty man who just wants to do his job in peace, you have a badass mage obsessed with power, you have a horse who might just have the most braincells of any of them... It’s fantastic.

- Spinning Out -

It was a great show! Very dark. Super dark. But great! I’m sad that it got cancelled :( But the first season is definitely worth a watch. This show is seriously underrated.

- OUTER BANKS -

This show absolutely deserves all of the hype it’s getting! I’m so happy that people are loving it, because I love it and I NEED more seasons!!! It kept me on the edge of my seat the whole time, and I really felt for each of the characters (with some exceptions, of course).

- One Day At A Time -

Probably my favorite sitcom! It’s really funny and also dealt with many important issues that a lot of other sitcoms are too nervous to cover. I wish there were more seasons!

- Daybreak -

It’s certainly a strange show. But there are some good characters, especially including my trash baby, Eli Cardashyan. The plot is also cool. You really have to watch past the first episode to get into it, and then it’s a wild ride.

- I Am Not Okay With This

This is a goood show. Sophia Lillis and Wyatt Olef? A fantastic duo. I can’t wait to see more of all of these characters!

- 6 Underground

This is very much an action movie. Don’t believe me? The car chase is 16 MINUTES LONG. Yes, I timed it. But somehow, in the midst of all the action, they spared time for lots of feels and character development and a beautiful found family dynamic. This isn’t the type of movie that I usually like, but I watched this one several times.

- Anne With An E

There are literal BILLBOARDS for the renewal of this show. That should tell you enough. Ryan Reynolds himself wants this show renewed.

Your takeaway from this list should be two things: Netflix originals are great and I watch too much tv.

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erazonpo3 · 3 years

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Lost Legends

Okay so I read Lost Legends: The Rise of Flynn Rider and general thoughts? It was cute and fun, and I have gripes here and there but I can still recommend it. I don't want to compare it to WOWM because it's like apples and oranges but Lost Legends wins points for me by actually acknowledging the TTS storyline and characters, even though it's kinda brief and not quite as... entertaining.

And before I go into the in-depth spoiler review I'll jot down a few thoughts here: there's a lot to be said about tie-in media and 'canon', but where I think it becomes contentious is where two pieces contradict each other, and whether those contradictions necessitate a canonical hierarchy or cancel something out completely. And the reason I'm bringing this up is because while LL borrows TTS lore it also contradicts it? which is. ironic.

but i'll get into that. Spoilers ahead

Basic Summary of The Plot

Our story starts at the Dark Kingdom, with a short prologue. It's all stuff we already know from the series: King Edmund tries to grab the moonstone, his wife dies, Eugene gets sent away for his own safety. What's funny is that Ms Queen still doesn't get a name, but her Lady in Waiting/Handmaiden gets a name (Maeve), and it's Maeve who really drops the ball on dropping Eugene off at an orphanage instead of raising him as Prince Horace. Go girl give us nothing

And from here the LL timeline begins, as Eugene and Arnie are now twelve year olds (I think?) in an orphanage in Corona. Which is the first contradiction to 'canon' but shelve that thought for now. Eugene and Arnie are good little boys but they're getting too old to keep hanging around and the orphanage needs money for the evil Tax Man, so they decide they'll go off into the world and send some money back when they're rich off their famous adventuring. What happens instead is that The Baron's circus rolls into town (yes that Baron) and Eugene and Arnie decide to try their luck signing up for that gig.

To prove themselves to the Baron, Flynn and Lance have to perform a hazing ritual a heist. The heist is literally just to buy a key from the Weasel but it plays out as this huge dramatic thing with a guard chase which is eternally funny to me because two kids walk into a bar, buy a key and then leave, and it's treated like fucking ocean's eleven. The Stabbingtons try to betray them (those guys are here too) but Flynn and Lance outsmart them, beginning a rivalry for the ages. Also, the pub thugs are all part of the Baron's circus crew. Don't think about it too much.

Anyway, as this has all been going down, Eugene is really interested in getting to talk to this guy with a tattoo of (what we as the audience know is) the brotherhood symbol, which Eugene recognises from the note left with him as a baby. He wants to talk to this dude in the hopes he'll get a clue about who his parents are, but this dude keeps eluding him. He also hasn't had a chance to tell Lance about this yet, so when Lance finds out about it he assumes Eugene only tried to rope him into the circus so he could find his parents and ditch him. Cue an ongoing silent treatment.

Eugene eventually does talk to this guy and he learns that the Brotherhood symbol is from the Dark Kingdom but the Dark Kingdom is gone so he shouldn't bother looking for it. Bummer. And now the Baron is planning a huge heist of the reward money for the Lost Princess' return, and Eugene is getting cold feet. He's been okay with a little bit of thievery so far but this feels like too much for him, and he's not okay with pulling it off but Lance still won't talk to him.

As the plan unfolds, Lance and Eugene reconcile and then they work together to betray the Baron and return the stolen treasure that they stole back to the King and Queen. They get caught by the Baron, escape, then get caught by the guards, but it's okay because they're presented to the King and Queen and when Eugene explains that they felt really sorry about it and promise not to do it again they're let go. And so the story ends on a high note.

My Thots™

Okay so here are the thoughts

Canon Compliance?

The obvious takeaway here is that this story offers you a beautiful pie in the form of the characters you know and love and the established lore, then shoves the pie in your face with things like "Eugene already knows the Dark Kingdom and the Moonstone exist but he never brings this up" and "Eugene betrays the Baron in a very significant way but somehow they'll make up and he and Stalyan will get engaged". Which means that if the integrity of the series is important to you, you'll probably just mentally cross out Eugene knowing about the Brohood/DK/Moonstone.

And imo that's fine! My own approach to this story is a kind of general 'if it works it works, if it doesn't I'll leave it' thing to work my own headcanons around. Because there's a lot of fun things to pluck from, like a new ex-Brotherhood member and other characters that could pop up from Eugene's past and other worldbuilding details.

The Story

The story was pretty short and obviously very tailored towards a younger audience, but it still felt kind of... slow? Mostly because nothing particularly exciting is happening until the big heist and even that feels pretty underwhelming. And of course I don't expect a story like this to be particularly complex and can appreciate its simplicity, but I felt like if it had been longer there could have been more twists to keep things interesting.

For example, the Baron is set up as a character not unlike Gothel, who lavishes praise upon the boys and goes on about how they're 'family' but is obviously just manipulating them and would throw them to the wolves in a heartbeat. Eugene underestimates just how criminal the Baron is, but at no point in the story does the doubt we have in the Baron's sincerity ever amount to anything- Eugene only turns against him because he has a morality crisis, which I'll get to in a minute.

Misc. Thoughts

Okay so one thing I thought was really cute was that each chapter has a little 'quote' from a Flynnigan Rider book, and I wrote them all down so if you've read this far and want me to post those separately lemme know. Anyway I just thought it was a very cute touch.

An honourable mention goes to every time Stalyan shows up, she doesn't really do anything in the story yet still is somehow the only character holding the brain cell. Rapunzel gets an indirect cameo by Lance and Eugene stumbling upon her tower and going "Whoa that's Crazy. Anyway. " which is amazing, and Cassandra even gets a little mention by the Captain! And to answer the question nobody asked, there's a chameleon running around Corona because she's an escapee from the circus, and Pascal's mom's name is Amélie!

Characters - okay really just Eugene

Eugene/Flynn is the title character of the book and we get the story exclusively from his POV, so there isn't a lot to say about Lance. On the one hand while I can acknowledge that this is a story about Flynn, not Lance, there's a few choices that feel like a missed opportunity at best given that this book really was an opportunity to explore Lance's character in a way the series never really does.

And it feels extra egregious when the plot demands conflict between Eugene and Lance, because while the emotion between them is engaging when it's happening, at other times it just feels like a convenient way to shove Lance offscreen again. (As a side note, as contrived as the conflict is these are also two twelve year old boys so. Can't blame em too much).

Also, Eugene coming up with the name "Lance Strongbow" on Lance's behalf while he's unconscious is one of those backstory things I'm not going to be acknowledging, thank you.

The Robin Hood Dilemma

Something I touched on after reading What Once Was Mine is that Eugene's characterisation prior to the movie isn't something writers seem to really like... dealing with. And it kind of makes sense that the author received a lot of characterisation notes from Chris Sonnenburg, because little Flynn does feel very similar to the Eugene we know; only the Eugene we know is an adult man who has since grown out of his Flynn Rider persona. But the Flynn Rider persona he needed to grow out of isn't something that ought to be cast aside entirely!! Stop being cowards!!

Taking a step back, the whole premise of the book is kind of a paradox- because Eugene needs to become Flynn Rider before he can learn to embrace his authentic self, but Flynn Rider isn't hero material, he isn't a good guy, he's not the right protagonist for a story for kids. So what we get isn't Flynn Rider, it's really just Eugene trying on a new name. That works for the beginning of the story, because he is just Eugene trying on a new name, but he doesn't grow into it.

At the beginning of the story, Eugene is an orphan in a poor but still functional orphanage run by a kind old lady, and he is surrounded by nice little boys. Eugene is motivated to leave and get a job by a desire to send funds back to the orphanage, and when he joins the Baron's circus he's taken aback to learn he's among thieves. Here's where I thought: okay, this might get interesting. We might be getting a G-rated 'angel falls from heaven' story about Eugene being morally corrupted by the Baron, of learning that the world outside is tough and he needs to look out for himself first and foremost-

but no. The Baron shares his plan to steal the reward money for the Lost Princess, because all the people he's surrounded himself with are already criminals who don't give a shit, but Eugene thinks that this is going too far! What about that poor lost princess who people need an incentive to search for? (he's like, projecting about his own parent issues which is fair, but still). And so the story ends with Eugene turning on the Baron to return the money to the "right" people (aka the king and queen of a kingdom?? okay) but he takes a single golden egg for himself so he can send it to the orphanage.

Which is all sweet and nice but. He still has to become Flynn Rider, asshole extraordinaire. He still has to lose his morals to the point where he'd take an inexperienced young woman to a pub that he, in this book, recognises is a dangerous place in the hopes that he can ditch her. He still has to go and become a wanted thief and rejoin the Baron and then ditch Stalyan on their wedding night.

The reason I'm going on about this so much is that the appeal of Eugene to me is that he is this good guy who wants to be a better person for the people he loves, but that means recognising that he has behaviour he needs to change, and his development is meaningful for that. Watering him down to a righteous Robin Hood hero does him a disservice.

The Real Villain Was Capitalism All Along

I will not elaborate nor should I

#hi i do book reviews now #sorry if you came here for anything else this is who i (cringe) am

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mintwithchoco · 4 years

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loonathesmut: Dawn

LOOΠΔ Jinsoul x Male Reader

Word Count: 6306 words

Categories: smut, oral, shower sex, stepsister! jinsoul

note; my first smut! i haven't seen anyone do a jinsoul smut so here! i think i focused too much on the plot but i tried my best to incorporate a lot of smut in here! i feel like it's also pretty cringey so bash me all you want lmao

note(05312021); thanks to an ask from an anon, me and @closedafterdark have done a few edits and even added a shower sex scene to make the story better.

aff link

12 AM was displayed on the clock.

You were still awake, trying to finish an assignment that has been keeping you up the past three days.

It was raining harshly outside, the droplets pelting your window adding on to your laziness. You wanted to wrap yourself under the covers of your blanket and drink a cup of piping hot chocolate. Instead, you were working on a chemical equation when your attention was moved to the knocking sounds on your front door.

You were a bit confused about who was coming to your apartment this late at night. You suddenly thought about your friend. Maybe he forgot something? Or maybe it’s your mom, making a surprise visit at midnight. Though, that one seemed less likely as she was usually asleep by 8 PM.

You quickly rushed towards the door. To your surprise - it was neither your mom nor your friend. It was your stepsister, Jinsol.

You and Jinsol have been step siblings since you both were kids. She’s only a year older than you, which made it easier for you to bond with her. You still remember the days where you and her were playing hide and seek, beating each other in Super Smash Bros and sharing lunch together at school.

You and her were almost like real siblings, some might even say twins because of the similarities. Both of you had the same interest in food, music, etc. Furthermore, you were always together with Jinsol everywhere you went. If people didn’t know that you are both step siblings, chances are that you would’ve been mistaken as a good-looking couple.

But the truth was, you did have a little crush on her. You knew that it was wrong, but her personality is really similar to your ideal type. Caring, adorable, and a little clumsy at times, you obviously couldn’t say no to her. Adding on the obvious fact that she is really pretty from head to toe, it’s no wonder you were always nervous around her.

Now that you two were grown up, you have taken different paths in life. She has become an idol in a group called Girl of the Month, or more commonly referred to as Loona. The group has been doing well these days and of course, you were happy for her. You, on the other hand, continued your studies at a university in Incheon in the biochemistry field. Even though you and Jinsol were not living together anymore, both of you still kept in contact. It was almost a requirement to message each other almost every day and video calling whenever possible.

“Noona? Why are you-” you asked, blinking your eyes at her. She interrupted you from finishing your sentence by holding up two plastic bags with takeaway food inside. You automatically get them from her hands.

“The company gave me a week of vacation. Haven’t seen you in a while so I decided to pay my lovely brother a visit!” Jinsol said enthusiastically.

“But, why now though? It’s dangerous to be out at night, let alone someone as clumsy as you could get harmed.” You said, teasing her as a way to mask your visible concern.

“There’s less people at midnight. Plus, I had a bodyguard on the way here.” Jinsol answered, kicking off her shoes while entering your apartment.

“Oh really? Where is he?” You asked, peeking outside your door and not seeing anyone else with her.

“I told him to go back home. Which means, you have to take me back tomorrow! Ahh, it’s been a while since I’ve been here!” Jinsol answered while walking around the living room, looking at all of the new trinkets and decorations you have accumulated since her last visit.

You sighed deeply as you watched her pace around. Jinsol then plopped down face first onto your couch and gestured at you to sit beside her. You walked towards the couch, placing the bags of food on the table nearby and sat down beside her while holding in your nervousness.

Why were you nervous, you wondered. Is it because it’s been awhile since you’ve seen her in person?

She was wearing a black long sleeved crop top with a black sleeveless top underneath, allowing you to see her toned abdomen. Her black shorts made your heart race faster due to how short they were, showing off her extremely long legs. Her creamy thighs looked delicious and the subtle hint of her buttcheeks were making your loins begin to burn with desire. You were thinking of very impure thoughts but did your best to suppress them.

Jinsol reached for the remote and turned on the television. You opened the bags and began taking out the styrofoam boxes of food out.

“By the way, why are you still up at this time? You were always asleep as early as possible.” Jinsol asked.

“As usual, assignments. I’ve worked on them for days now. Seems like they’re impossible to finish.” You said while opening the boxes. Once they were opened, you instantly smiled as the fragrant aroma of the food traveled into your nostrils.

“Fried chicken? Oh you shouldn’t have!” You quickly ran to the kitchen and grabbed some utensils. Jinsol simply smiled at your actions.

“What do you want to drink?” You asked.

“Do you have any Sprite?” Jinsoul said.

“Yeah, I do.” You opened the refrigerator and took out two green cans of the unmistakable beverage.

With utensils on your right hand and the two cans of Sprite on your left, you went back to the couch and gently put them down. Both of you quickly dig into the food while watching a random movie that Jinsol put on.

The both of you talked a lot while eating, the movie serving as a background afterthought. From the funny moments during her fansigns to your experience working part-time at a daycare, your heart was constantly beating. The nervousness could be heard in your voice with each of your responses. You were quiet whenever she spoke and stuttered when answering her questions, often repeating certain words a few times. Every time you stutter, Jinsol would smile. Sometimes she would giggle for no reason and it only increased the furious rate your heart was pumping at.

Halfway through the movie, Jinsol suddenly asks a question that you’ve been avoiding to answer.

“Hey, baby brother?”

“Yeah?”

“Do you have a girlfriend?” Jinsol asked casually.

“Uhh no..I’m too busy with assignments and studies. I barely have enough time for sleep these days, much less a girlfriend.” You answered calmly.

“Ehh..really? How about a crush?”

“Not really. I don’t really know any girls at the university. Most of my interactions with them are about assignments or if they could borrow my notes from the previous lecture.” You felt slightly bad for lying to her, since you knew a handful of pretty girls in your university.

“How about you noona, are you interested in anyone?” You directed her question right back at her, mentally preparing yourself to be heartbroken.

“Yeah, I do actually.” All the color in your face was gone as you felt your heart metaphorically being glass and shattering into a million pieces. But you still held out hope that it was just one of her jokes...

“Oh really? Then tell me how attractive this guy is.” You teased.

“Hmm, let’s see. He’s handsome, pretty athletic, smart, kind but what’s important is that..” Jinsol stops and stares at you.

“..he’s like a little brother to me.” Jinsol ended her statement when your faces were mere centimeters and turned her focus to the movie.

You were visibly confused. Why would she emphasize her crush to be a ‘little brother’? You tried to wrap your head around it by watching the movie as well, occasionally stealing glances at her. But her words still lingered in your mind.

It was around 2 AM when the movie finally ended. You looked towards Jinsol and saw her fast asleep. Being the good brother and host you are, you delicately lifted her into your arms to bring her into your room so that she could sleep on your bed. The impure thoughts reared their ugly head into your mind as you did so.

After gently laying her down on your bed, you grabbed some pillows and blankets to sleep on the couch. You decided it was too risky to share the bed with Jinsol otherwise.

Just as you were about to close the lights and head to the living room, you felt a hand grab your arm. You looked back to see Jinsol who had a sleepy look plastered on her face pulling you back.

“Where are you going?” Jinsol asked with a quiet and raspy voice. Her exhausted voice sounded so seductive, almost causing you to choke on your own saliva.

“I’m s-sleeping on t-the couch. You know, t-to give you privacy…” You said, failing to not stutter that you had just managed to control.

“You’re not gonna feel comfortable sleeping on the couch. Just sleep here.” Jinsol said again.

“But-” You tried to resist but Jinsol pulled your hand even harder.

“F-Fine…” You said as you gave up and sat beside her on the bed. You were hesitant to do so, your king-sized bed feeling like it was too small for the both of you.

“Just lay down! I won’t eat you.” Jinsol teased.

You laid down slowly, feeling like you were going to melt and sink into the bed. Once you got comfortable, Jinsol pulled the blankets over the both of you.

“Goodnight, baby brother.” Jinsoul said, giving you a kiss on the forehead and then turned on her side, facing herself against you.

“G-Goodnight, n-noona..” You said, trying to stop your rapidly hardening erection below from waking up because of the perverted thoughts you were having.

After around twenty minutes, you still couldn’t sleep because of the close proximity between you and Jinsol. You looked to your side and saw her sleeping soundly. You couldn’t deny how pretty she looked while sleeping. After some time and your erection teasing you, you managed to fall asleep.

//timeskip//

It was now 6 AM.

Jinsol felt a weird sensation all over her body.

She was heating up from head to toe, but it was not due to a fever.

Her bottom was where most of the warm and weird sensations were coming from. She felt that something hard was touching her. She tried to move her hips around and suddenly moaned. She quickly stopped, afraid that her moans would wake you up.

She doesn’t know why, but the thing that was touching her clothed vagina felt good. She felt herself getting wet because of it as well. She wanted to get up and inspect what exactly was touching her. But then she thought about you, so she scrapped the plan and decided to just see what was going on.

She slowly opened her eyes. It was dark but she could still see a little bit. She looked at her back and to her surprise, you were hugging her tightly. Your face was close to her neck and your right hand was at her waist. Moreover, the thing that was poking her was coming from you.

Jinsol smiled.

The truth was, Jinsol also has feelings towards you. The person that she described earlier in the evening was you. She always loved how you were nervous around her. Sometimes, she would touch herself after she secretly caught you staring at her body. It was like this for two years until you and she went your separate ways to pursue your own careers.

And now she was here, visiting you with one goal in mind. To actually confess her feelings towards you. She was going to just confess normally. But now, she had an even better idea due to this newfound situation.

She slowly gets off the bed, removing your hand away from her waist. With her off the bed, your body laid flat just how Jinsol wanted. She gets on top of the bed again and crawls in between your legs towards your crotch. Throughout all of this, you were still sleeping heavily.

Now at your crotch, Jinsol licked her lips. She was finally getting ready to do the thing that she had been longing for. Thankfully for her, you were wearing baggy pants so Jinsol had no problem removing them and your underwear in one swift motion.

Your hard cock sprang out, almost hitting her in the face. Jinsol’s pussy was drenched at this point, seeing all the possibilities that she could do with your cock. She slowly strokes it, hoping that it would wake you up. But being the heavy sleeper you were meant Jinsol would have to try harder.

After stroking your cock for some time, Jinsol licked the tip that was already leaking with precum, making you moan a little in your sleep. Jinsol kept licking the drenched tip until she saw you moved slightly. Eventually, she got her wish as you woke up.

“Ugh….huh? Noona what are you-” Jinsol quickly put her finger on your lips.

“Shh, baby. I know you have been wanting this.” Jinsol said in a seductive tone.

Without any hesitation, Jinsol took your shaft into her mouth. You instantly moaned at the contact, pleasure washing over your body as Jinsol kept sucking your cock gently. You couldn’t believe that your step sister was so good at giving you head. She then stopped sucking and stroked you slowly.

“You know, I have been eyeing you for quite some time, baby. You might not know this, but I have caught you staring at my body a bunch of times.” Jinsol said while teasing your sensitive tip, flicking her tongue against it. You felt like you were in ecstasy as she stroked your cock and teasing your tip.

“Sorry, n-noona..I can’t- ughh…h-help it..you’re too hot- oh my god..” You tried to answer but failed as the pleasure overwhelmed your senses.

“Tell me, what do you like about my body?” Jinsol said, stroking your cock faster.

“E-everything….” Your cock was twitching at this point when Jinsol suddenly stopped, causing you to whine.

“Come on, baby. Be more specific or else I won’t let you cum.” Jinsol started to stroke your cock again at a delicately slow pace.

“Your t-thighs. I love how delicious they look.” You said. You were getting used to her strokes, causing you to throb in her hand.

“Mmm, more?” Jinsol began to stroke faster.

“Y-your ass. I just wanna spank it every time I see you w-wear shorts.”

“You gotta have to work for that, baby. More.” Jinsol strokes you at an even faster rhythm.

“Your abs. I really like how sexy your a-abs look when you wear crop tops.”

“Thank you, I worked really hard on them. Last one, baby. Don’t stop now, you’re almost there.” Jinsol was now stroking you at max speed.

“Y-your b-breasts. I could suck o-on them all d-day.”

“Good boy. Now, for your reward.” Jinsol took your shaft into her mouth, starting from the tip.

You immediately moaned. Jinsol starts bobbing her head on your cock, taking it inch by inch. She gripped your thighs while you ran your fingers through her blonde hair. Eventually you hold the back of her head with both hands, the two of you are deeply absorbed by the erotic act. You mentally counted the seconds that passed, wanting to see how long she would be able to hold you for. Jinsol shakes her round ass as you force her head deeper. You felt her throat make contact with the tip of your cock, causing you to let out a wordless scream of pleasure. After about twenty seconds, she releases your cock. Gasping for air and a generous amount of saliva dripping from your cock and her mouth, she giggles in satisfaction. Your brain was beginning to overload from the pleasure.

Jinsol’s panties were drenched with her juices since she started. While she was sucking your cock, her hand slowly went inside her panties. You saw what was happening and took advantage of it.

“Noona..let me help you out.” Jinsol understood what you were trying to do and eased her mouth off your cock, causing you to whimper. She turned around so that her hips would be up against your face. You got to work by pulling her shorts and her panties off in one motion, mirroring what she did to you.

“Impatient aren’t we?” Jinsol said and returned to slobbering on your throbbing cock. Tossing her shorts and panties on the floor, her beautiful pink pussy was glistening with her juices, making you drool. You dive right in, licking her clit like it was your last meal. Jinsol moaned loudly on your cock, adding on another layer of pleasure. You grabbed her thick thighs to get a better grip while eating her out.

Both of you were a moaning mess. Jinsol was bobbing her head on your shaft while you were eating her pussy out. Jinsol started to fondle your warm balls, raising the volume levels of your moans. You weren’t one to be defeated so easily, starting to finger her drenched pussy with two of your fingers. She responds with an even louder moan than before, aroused by how you were giving her pussy your full attention.

Jinsol bobbed her head harder and faster on your cock, causing you to add another finger inside her vagina while licking her clit. You and Jinsol were sweating profusely, but it doesn’t stop the both of you from continuing to pleasure each other. Suddenly, Jinsol stops sucking you off and strokes your shaft hard.

“Baby, you’re so good at that. Don’t you fucking stop.” Her words made you move your fingers even faster into her. She replies in earnest by sucking your cock even harder.

Eventually, both of you can’t hold it any longer.

“I-I’m gonna cum, baby! I’m gonna cum!” Jinsol said and continued her assault on your dick.

“Me…too…” You replied back with a breathy voice.

Jinsol came first, violently. She arches her back as the floodgates opened and you were rewarded handsomely with her sweet nectar. You tried to take it all in but she came so much that it was starting to leak out of your mouth and dripped onto your neck. Meanwhile, your cock twitches and explodes inside Jinsol’s mouth. She lowered her head and tried to take all your cum in but was unsuccessful because of the large volume of your load.

Both of you were struggling to breathe after your intense orgasms. Jinsol looks back at you and stares deeply into your warm brown eyes. She then removes her body off you and plops back on the bed. She kissed you on the lips. Each connection sent small jolts of electricity jolting through your body. The taste of her strawberry lipstick mixed with your cum was amazing. After making out for a period of time, both of you pulled back, leaving a trail of saliva.

“I taste pretty good.” You said.

“Yeah, I love how I taste too. Now, let’s-” You interrupted Jinsol by pinning her down, kissing her again, quickly grabbing her shirt and throwing it off the bed. Jinsol smirked and did the same, except that she ripped your shirt off you.

“You look good.” Jinsol complimented you, biting her lower lip as her eyes hungrily eyed your exposed body.

“You look even better without this.” You removed her black top to reveal her breasts that were being covered with a blue laced bra. Her breasts weren’t the biggest, but were enough for you to fully grab a handful. Your impatience took over your admiration of them and you pulled her bra off, exposing her plentiful breasts. Jinsol moaned over your actions as the cool nighttime air made contact with her exposed skin.

Now the both of you are finally naked together. You start off by kissing her cheeks, creating a trail as you make your way through her neck and eventually, her breasts. You immediately dive into her pink nipples which were already stiff. Jinsoul softly moans into your ear, enjoying what you were doing to her body. You sucked her left nipple, then moved to the right. The breast that wasn’t in your mouth was being fondled by your hand.

Jinsol was shivering with pleasure. She didn’t get relaxed, however. Instead, she reaches for your cock and starts stroking it. You moaned slightly because of her actions. After having fun with her soft flesh, you pepper her stomach with kisses and trace her abdomen by licking it with your tongue.

“Baby, do you love me?” Jinsol suddenly asked.

“Of course, noona. You’re the most beautiful woman I’ve ever seen.” You answered with no hesitation.

“Then, prove your love by fucking me as hard as you can.” Jinsol’s dirty talk has made your cock throb even harder than before.

Fueled by Jinsol’s dirty talk just now, you turned her body around so her back was facing you and lifted her up so she was on her fours. Before lining your cock with her dripping pussy, you spanked her round ass several times.

“F-Fuck! Slap my ass again, baby.” Jinsol moaned.

You spanked her again and again, gaining a series of loud moans.

Your cock was now in between her dripping heat. It felt so warm, inviting. This was the moment that you have always been dreaming about and you don’t wanna lose this chance. You started by teasing the outside of her folds, collecting her nectar that was dripping.

“Stop teasing me already, baby...” Jinsol moaned at the feeling of your hard cock nudging her entrance.

You grabbed her wide hips, aiming your cock and started to push into her slick folds. Both of you gasped and moaned. You never felt the feeling of a vagina before in your life and never knew how tight they could really be. You pushed into Jinsol even more, feeling her walls wrapping your shaft. Jinsol was lost in pleasure, leaning her head back and enjoying how you felt inside of her. Eventually, all of your cock went in. You savored the feeling of her plump ass against your crotch.

You slowly pull away from her pussy and stop before your tip comes out. You pushed into her again and repeated the process as the both of you were getting accustomed to it. You found a perfect rhythm and started to thrust into Jinsol. Her pussy walls felt warm with your dick embedded in her. Jinsol was a moaning mess, getting louder with each thrust.

“Fuck baby, you’re so big and hard.”

“You’re so fucking tight, noona.”

Slowly but steadily, you increased the pace of your thrusts. Jinsol’s erotic sounds were being an encouragement for you to keep yourself pumping into her. You love how cute she moaned for your cock and how gorgeous she looks being satisfied with your thrusts.

You fucked Jinsol even harder and harder. You wanted to kiss her, so you grabbed her shoulder and pulled her upright so that she’s leaning against your chest. You kissed her lips passionately.

“Yes, fuck me harder. Turn me into your little slut, baby!” Jinsol’s words went right in your ear and of course, you followed what she said. Her walls were constricting your shaft even more. Your right hand reached towards her breasts, fondling it to give more pleasure to the woman that you love.

Her walls were becoming even tighter as you touched her breasts. Your pace didn’t slow down however, it was increasing like crazy, to the point where her ass is making clapping sounds with your crotch. Jinsoul was in euphoria, being a cute little mess.

“Baby, h-harder please. I wanna cum all over your fucking cock.”

You put your left hand on her clit and rubbed it while thrusting even faster into her. Her moans have become music to your ears, giving you the strength to keep thrusting into her.

Jinsol then buried her face into the bed. Spreading her legs apart, you began thrusting inside her. You watched as Jinsol squeezed her tits, pinching her nipples as you fucked her hard. You made sure she could feel each thrust.

“Your cock feels so fucking good, I love it so much!” Jinsol moaned loudly, her walls squeezing the life out of your cock as you fucked her.

Jinsol closed her eyes while she grabbed onto the sheets tightly, desperately hanging on while chasing her impending orgasm. You roughly fucked her as her body moved in time with your thrusts.

“Oh fuck!” She screamed as you held her body tightly in place, your hands making a deep impression on her hips.

“Baby, I’m cumming!”

Ultimately, she shrieks and came hard on your cock. Her walls tighten around you deliciously as you feel her juices flood your cock and begin to seep out, staining both of your thighs. You watched as Jinsol’s body trembled violently, her breathing becoming erratic as your thrusts gradually began to slow down in order to allow her to ride out her euphoric high.

“Baby… that was amazing.” she said quietly, her mouth still open. You kept a tight hold on her as she struggled to catch her breath.

“I came so fucking hard...” She then looks back towards you.

“You haven’t cum yet, baby. I want your load deep inside of me, so come fuck me again.” Jinsol’s dirty talk reinvigorated you as you pulled out your cock from her and turned her around so that she was facing you. She was covered in sweat but still as beautiful as always. You were lost in her gaze for a couple of seconds.

“Noona, I love you.” You blurted out unexpectedly.

“I love you too, baby.”

You spread her legs to reveal her still dripping pussy. You put both of your hands beside her and lined up your cock with her vagina. Jinsol wrapped her arms around your neck, ready to receive your shaft.

“Ready?”

“Always.”

You pushed yourself into her slowly until your dick fully disappeared into her folds. Both of you moaned together at the euphoric feeling. You pull out from her pussy, leaving the tip and slamming her with a long thrust. She moans in pleasure of your cock being deep inside of her tight hole.

You started to fuck Jinsol in a slow pace. Words couldn’t describe how good the both of you felt fucking while facing each other. Her mouth was open, filling both of your ears with her lustful moans.

“Ahh, baby, I love how deep your dick is inside of me.” Jinsol moaned, her eyes rolling back because of the intense pleasure you were giving her.

“Your pussy feels amazing, noona. It’s so tight and warm.” You replied as you began to thrust faster into her. Jinsol was moaning even louder, following the rhythm of your thrusts. You lifted her feet up and placed them on your shoulders, allowing your cock to enter her even deeper.

Jinsol’s breasts were jiggling up and down and you couldn't help yourself from grabbing onto them while you fuck her. She was obviously aroused by this as you took her right nipple into your mouth. Your pace was getting even faster as the wet sounds of your crotches hitting each other could be heard.

Jinsol suddenly grabbed onto your back and scratched it with her nails. You moaned at her action and the erotic act caused you to pound her even harder. Her juices were splashing against both of your crotches, allowing you to slide in and out with ease. Her pussy was getting tighter and tighter as you pound into her. The only sounds that were being heard in your room were wet flesh and your bodies clapping together.

You thrusted into her as hard as you could. The room felt cold because of the rain outside, but you and Jinsol were drenched in sweat from the heat your bodies were producing. How Jinsol was moaning because of your dick, how warm and tight she was, how her breasts were jiggling up and down while you thrust into her, all of it was too much for you to handle.

“Harder…” she said, sweat dripping off her body and onto the bed sheets. Her eyes slowly began to droop lazily as she struggled to stay conscious.

“You’re so fucking deep, baby. Oh my god...” She cried out, surprising the both of you as she was still able to form coherent sentences. Eventually, that same sensation in her stomach came to her once more.

“Baby, I’m cumming again!” Jinsol screamed.

“Cum…I’m cumming too, noona!” Your words came out in between each breath.

“Yes, cum inside your noona baby!”

Jinsol’s loud screams and your harsh groans reverberated around the apartment as you fucked her until the pressure building inside you released. You suddenly felt a knot in your stomach, marking your inevitable end. You kissed Jinsol before you exploded all your load into her warm cavern, causing her to have another orgasm. You slowed down your pace and thrust deeper into her so your cum can reach deeper into her cunt. Both of your toes curled from the pleasure as your cock throbbed and released several weaker thrusts inside Jinsol. Her body was still shaking from the aftershocks when her body collapsed on top of yours, your cock still inside her.

After a minute of Jinsol milking everything out from your cock, you pulled out from her, watching how the mixture of your cum and her juices was leaking out from Jinsol’s delicious pussy. You laid down beside her, breathing heavily with your cock glistening in the nighttime light.

“Baby, that was amazing. You fucked me so well.”

“Yeah, it felt great…”

“Uhh, noona? Are you okay? I kinda smacked your ass hard just now.” You asked quickly after, a bit concerned after what you did to her.

“Ahh you’re so silly, baby. Of course I’m okay! I love it when you smack my ass.” Jinsol laughed after her statement. The room went quiet for a moment.

“Noona?”

“Yes, baby?”

“Do you really love me? Not just because I’m good at sex?”

“Baby, I have loved you since the beginning. Not because you have a big dick or you were so good at eating my pussy. It’s because I love your personality and how great of a guy you are. The other things are just a plus.” Jinsol said while staring at you. You were staring at the ceiling to avoid meeting her gaze out of embarrassment.

“…Thanks, noona.” You slowly looked at Jinsol and hugged her. Jinsol reciprocates the hug while smiling. After hugging, you looked into each other's eyes. You both then kissed passionately, not caring what the consequences that the both of you were going to face. After a tender makeout that somehow lasted thirty minutes, Jinsol speaks up.

“Now, let’s clean up, shall we?” You both got off the bed and Jinsol dragged you by the hand into the shower of your room. She turns the shower heads on before stepping into the bathtub and holding onto your hand for you to enter as well.

The warm water calms down your aching muscles from the act earlier, giving you a sense of relaxation. It then becomes scalding hot, making you remember how much Jinsol loved hot showers. Once both of you were fully wet, she grabbed the nearby loofah and poured some body wash onto it. A lightbulb was turned on in Jinsol’s head, and so she decided to put on an erotic show for you by lathering up her deceptively curvy body with the soapy loofah. Her hands went up to her breasts, groping them gently and teasing her nipples until she felt your cock becoming hard again in between her thighs due to the close proximity between you two.

“Baby, you just came two times and you’re already this hard again?” She teased, biting her lower lip.

“I can’t help myself when there’s a beautiful naked woman with me in the shower.” You replied, making Jinsol blush.

“Alright, let’s clean you up.”

Jinsol took her time in washing you, making sure every inch of your skin is covered in the lavender scented body wash. As she traces the loofah, drawing her name on your chest and down to your stomach, she stops on your lower body. Holding your cock in her hands, she runs the loofah across it, creating a tingling sensation in your body. Jinsol smiled as she slowly began to stroke you while softly biting your nipples. You let out a moan because of the stimulation and slowly move backwards until your legs bump into the edge of the tub, making you sit down on the cold and slippery surface. Then, Jinsol straddles your lap and your hard cock pressed against her stomach as she gave you another passionate, lust-filled kiss.

You finally break the kiss when you both feel too lightheaded and need oxygen. Jinsol does her best to catch her breath, her pink lips slightly puffy and her cheeks flushed. She was the most beautiful woman in the world in your eyes and there was nothing that could change that.

“I thought we were gonna get clean-ahh…” You were cut off by Jinsol’s lips finding their way to the place where your lower jaw and neck meet, nibbling on the skin as she leaves hickeys behind, marking you as hers.

“But I want you so bad, baby.” She murmured just loud enough for you to hear, causing goosebumps to form on your body and your cock to throb against her stomach.

Wrapping her arms around your neck, Jinsol lowers her body as she guides your cock back inside her. The two of you moaned as she slowly lowered herself onto you until she had reached your base completely. Jinsol watched you close your eyes as her tight, velvety walls wrap themselves tightly around you once more. She began bouncing her body up and down, her ass jiggling each time. Her body unconsciously tightens her muscles around you, providing a feeling you couldn’t put into words.

“Noona…do that again.” You breathlessly said.

Jinsol clenched her vaginal muscles around your cock again, tightening you in a firm grip and earning herself your cries of pleasure.

Your hands rested on her cheeks once more, watching Jinsol bounce on your lap. Her eyes rolled to the back of her head when you accidentally discovered a certain sensitive spot within her. With each roll of your hips, you make sure to hit that pressure point.

“Fuck, that feels so fucking good.” She moaned when you took her erect nipples inside your mouth, gently biting on them and mirroring what she did to you.

“Yes baby…” She said as her stomach began to feel heavy, the knot inside her twisting. You continue pounding her newfound sensitive spot, feeling Jinsol’s sharp nails raking your back with scratches as her body trembles with an arriving orgasm.

“Baby!” She screamed repeatedly. You continued rocking Jinsol back and forth and side to side as a way to prolong the duration of her impending orgasm.

“Baby, please...” She begged, blowing hot air gently into your ear and encouraging you to keep going.

Her eyes fully rolled back into her head as your hips crashed against hers. The water was no longer burning hot, but neither of you cared about the temperature change - only focusing on each other. Jinsol felt so comfortable on your lap and in your arms that her eyes began drooping.

“N-Noona, I’m cumming!” You said, the only semblance of a warning as you made a powerful thrust deep inside her pussy. Your cock throbs as her tight, velvety walls clamped onto your dick. You began pouring hot, thick semen inside Jinsol which once again causes her own orgasm to occur. Both of you are moaning loudly in satisfaction.

“Ahh fuck baby...” Jinsol moaned as it seemed like her body’s default reaction to her orgasms was for her eyes to roll to the back of her head. Her body wriggles in pleasure as she continues lacing together incoherent moans and explicit syllables that made no sense.

Slowly lifting up her hips, you watched as thick gobs of your semen and her juices slowly dripped out of her freshly fucked pussy. You were surprised you were still able to release such a large amount of cum due to your two orgasms that you had earlier. When the two of you are finished, you both catch your breath as she leaned down and gave you tender, passionate kisses. Jinsol is fully satisfied, happy to be in your arms again. But this time, it had a different, a more special meaning.

After spending two hours having sex in the shower that ended up being dirtier rather than getting clean, you and Jinsol quickly get dressed to go to Seoul to drop her off because she had planned to go shopping with your mom. She didn’t bring any clothes with her, so she borrowed some of yours. She wore one of your hoodies and a pair of shorts that complimented her figure nicely. When she came out from your room after dressing up, you instantly chuckled at how cute she looked wearing your clothes.

“You look so cute, noona!”

“Of course, your noona looks good in everything. Let’s go now, I don’t wanna be late.”

“Okay Jingolas-nim!” You said to her and opened the front door for her. She just glared cutely at you and went out the door. Meanwhile, you smiled, thinking how your life is complete with the newfound existence of an intimate relationship with your stepsister, Jung Jinsol.

#kpop smut #loona smut #jinsoul smut #loona #jinsoul #kpop fanfiction #reader insert

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davidfarland · 3 years

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There are Three Types of Writers, Which One are You?

Recently I was asked to speak on how to prepare to become a writer, and I had to step back and wonder about that.

Do you go to college? Do you study English literature? Most of us writers do, but I know writers who are software programmers or engineers, and they do just fine, too?

Or in today’s world, where so many indie authors are coming up, should you study graphic design or online marketing techniques? Those skills would be terribly helpful, and I know successful writers who have done that.

Or maybe you should recognize that writing is a global business and that you need to know a bit about business management, accounting, and traditional marketing skills. My early schooling in business administration has helped out there much more than I’d like to admit.

The truth is that writers can take very different paths and aim for different kinds of writing careers. Maybe it would be wise to determine what kind of writer you want to be, then put your focus in specific areas.

1. The Solitary Genius

Many writers that I know are loners. Some of them score high on the autism scale and really struggle to avoid others.

Most of us find that in order to write, we need quiet time to focus and really don’t want to deal with distractions. Writers that I’ve known who were like this included Zenna Henderson, and Roger Zelazny, and, well—just about everyone.

For these writers, it seems that traditional publishing worked well. They could turn in a book once or twice a year, have a publisher publish it well, and make a decent living.

Now, I want to warn you against being too casual in your career. I know a lot of writers who are doing “pretty well” using what I consider to be bad publishing plans, and most of them are writers who want to be the solitary genius type. They avoid hiring employees to their own detriment.

For these writers, focusing on how to construct stories and how to write well seems like a wise choice. Study English literature, the writing of poetry, but make sure to take some classes on screenwriting so you can learn how to handle plots.

I should mention, though, that for a writing career, you don’t need a college education. There are several professional writers who teach online or in small workshops, and you can learn the craft from them (and from your writing groups) just as well as if you were going to a university.

2. The Media Darling

For some writers, perhaps the biggest thrill is to be in the limelight. They travel to fan conventions every week, like to run huge newsletters, attend parties, and see themselves as the center of attention in news and magazine articles. They’re often trying to win awards or vying for the top spot on bestseller lists.

Personally, I hate all of that drivel and would rather be anonymous, but if you want to make a living as a writer, learning how to deal with the media is pretty much a necessity.

In fact, many writers go to Toastmaster Club meetings to practice their public-speaking skills. Some hit the gym and worry about their figures or hire image consultants to help them pick out just the right colors for their next news shoot, or hire publicists to help garner attention.

If you want to be a media darling, I think you still need to write, but you should also add to that an expertise in blogging and working on social media, and it might well be your focus in school.

Alternatively, you may find that you need help—one or two people who handle the marketing side of your work, particularly if you’re heavily into self-publishing. In our Apex writing group, we’ve been interviewing successful authors for the past two years, and I keep getting surprised at finding husband-and-wife teams where one person writes, while the other is the social media expert who publicizes their work and advances their career.

The truth is, though, that just about any author who starts experiencing success needs to develop a small team of usually three or four people to help promote their work. So you become a small-business manager out of necessity. Otherwise, you become the bottleneck for your own company’s growth. If you handle your business wisely, you can have someone else manage your team so that you can focus on creating products.

This particular approach seems to be working well for several Indie authors I know who are making it big.

3. The Business Mogul

Most people don’t see writing as a big business opportunity, but it can be. If you look at writers like Rowling, she’s made a couple billion as a writer. One of my writing students, Stephenie Meyer, is probably closing in on a billion in earnings from her series. Other students like Brandon Sanderson or Brandon Mull or James Dashner have each made millions.

With each of these writers, they’ve had to learn to manage teams of artists, editors, legal counsel, social media experts, and so on, so that some of them hire dozens of people, and there are some examples of authors who started out with an empire-building mindset. I quite like James Patterson, for example, who makes hundreds of millions per year but hires a nice-sized army of people to help.

For an author like this, you need to know how to write well, but you’re also deep into business strategies. You might even find yourself creating a “Human Resources Department,” and you’ll be studying how to best liquidate your global story rights to foreign markets. You might work closely with Hollywood agents or managers to turn your stories into films, and you may find yourself working more as a “story designer” than a solitary novelist, where you supervise other writers who do the actual writing. You can either have your writers creating stories under your name, or you can publish under a fictitious name.

What do you study if you want to develop that kind of career? That’s an interesting one. Learning to run a business is crucial. Understanding how to promote is just as important as actually writing. Learning to be a filmmaker and how to fund large movie and gaming projects could be important, too. But at the core of it, you still need to understand how to create stories for a target audience.

The Takeaway

It seems to me that there are a lot of ways that a writer can go. Learning how to tell great stories is the core kernel of knowledge that you have to have, but you’re also going to have to become familiar with things like how to build web pages, market yourself widely, make wise business decisions, and so on.

So what kind of career do you want to have? You choose.

Happy Writing!

David Farland

This Saturday on Apex…

As Dave Butler, he writes adventure books for kids, including, “The Extraordinary Journeys of Clockwork Charlie”. As D.J. Butler, he writes adventure stories for older readers, including, “Witchy Eye” and “City of the Saints”. D.J. will be talking about, “Lily, Rosemary and the Jack of Hearts: 15 writing lessons your novel should learn from one Bob Dylan song.”

#writing#writers#writingtip#writingtipsandtricks#writingcoach#writingmentor#writinglesson#writingadvice#writinghelp#author#editor#creativewriting#writingmagic#makingmagic#magicalworld#writerblr#writeblr#fanfic#fanfiction#nanowrimo

#writing #writers #writingtip #writingtipsandtricks #writingcoach #writingadvice #creativewriting #author #editor #writerblr #writeblr #types of writers #writers block #nanowrimo

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melforbes · 3 years

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seaglass blue annotations

hello! i just posted the last chapter and thought i’d put together some ~fun context~ for that fic. it got way way more attention than i ever expected and for something i feel i didn’t put that much effort into i think i did in the end put a lot of effort into it so i might as well talk about it and answer some potential questions.

my favorite book of all time is the sunlit night by rebecca dinerstein (yes, that one) and something i find really compelling about that book is how sparing the prose is, forcing the reader to fill in certain gaps, and i think having to fill in those gaps makes the book a really acquired taste with which either you love it or hate it and there’s not really an in-between

i also really adore how in that book the natural world backdrop comes to life, something i find really challenging to write. recently i even read into thin air, the book about the 1996 mount everest disaster, and even though the writing was superb, i still had to google what the hillary step was because i couldn’t picture it on my own. i don’t know how people write nature because to me it feels damn near impossible, but this sparing approach really worked, so i thought i might try it out. i tend to be longwinded (gestures vaguely at this post) and wanted to have certain parts of this be a lot smaller and more contained without negating impact. whether or not i made it work is anyone’s guess. definitely not my normal style, so to speak

based on the comments i’ve received i think this might be everyone’s favorite part. in my mind age of consent by new order was playing in the background. in pretty much every fic i have a scene like this one and all of them are based on the poem first base gold by rh*annon mcg*vin from her book branches (censored because she has a tumblr and i don’t want her seeing this haha)

i absolutely can’t do the poem justice by describing what it’s about, but the simplest, most basic interpretation of the poem is that there is no better place to kiss than right here, right now, because of the past. i really like that imagery and tend to use it a lot. she as a writer has been a big inspiration for me and if you’ve read my fic true minds i should add that the nonfiction inspiration for that was directly as a result of one of her youtube videos. i particularly love how the last paragraph (stanza? im not a poet) is one big run-on sentence that’s jovial and tongue-in-cheek and colloquial and straightforward. it feels triumphant in a quiet way to me and i love how it’s done. obviously my attempts at something similar are nowhere near as insightful, but still, the most basic image of this is that there is no better place to kiss, and that’s how i felt about the two of them finding pudding in the supermarket

this part is autobiographical; while writing this last year, i went through six months of intravenous drug treatment, a month and a half of which involved long days of doctor visits on every weekday. when you’re on stuff like that for a long time you end up with a central line for better access (potential plot hole in all of this: scully never had one) but for a month and a half i got poked almost every day and strangely enough it got harder over time. the first couple you never feel, but a week or two later you start flinching, and if the needle goes in the same vein each time, it hurts the more it gets prodded. i reached a point toward the end of the in-office visits in which i would bleed a lot every time i got poked, and i can’t watch anything like that happen to me so i was looking away each time, and when i felt that the nurse was done, i would look back over, and sometimes i would be looking down at a pool of blood that i hadn’t expected to see. it’s weird, you don’t actually feel yourself bleeding, i would’ve expected a hot bloody feeling but instead it felt like nothing. and when i say a pool i mean that it would drip down beneath my elbow, stain the sheet they’d put underneath, and i wouldn’t get all of it off until i showered. i didn’t necessarily find it scary, but it was surreal and kind of pulled me out of normalizing the experience i was having. for a very long time needing iv drugs was my greatest fear and i was surrounded by that then and fine, and then, there was blood all over my arm, and like, haha, this is actually not fine. you’d think something else would’ve been scarier, but it wasn’t. and now looking back at this paragraph i wish i’d edited it differently but hey that’s life

i’d never really understood the purpose of religion as a self-driven part of life until i took anatomy in college. i was raised catholic and though culturally i understand having a religion and being raised with one, i’ve never really reached for religion when i wanted answers, and i haven’t personally understood why that’s someone’s first option. and i know there’s been plenty of commentary on the hypocrisy of dana scully as a catholic who believes in science, yada yada yada, i think everyone has read all of that by now. but what struck me while learning anatomy is that there is a kind of neuron we don’t know the function of. there are four kinds of neurons, and one of them is still a mystery to us. and then, there’s all of these different parts of human bodies that exist in a certain perfect way, but why do they exist like that? to support life, yes, but why is it that we can make comparisons? why were irises not the same color? and we name valves of the heart after religious figures. we are so hell-bent on meaning that something literal will never be enough. and all of that made me think that dana scully has god to fill in what science won’t answer, at least not yet. and there’s definitely a bigger conversation about science as denial of indigenous cultures that i am nowhere near qualified to start. after taking those classes, i think i would be more shocked if she wasn’t religious. you can ignore pretty much all of the paragraph above but it was important to me that at some point in this fic she willingly conceded that she didn’t know what would happen and that she didn’t have answers. with illness, there is no logic, there’s no thinking your way out of it, and i think that would plague her for a long time. to me, she only would accept her death when she could say she had no idea what would happen, she has no answers, there’s nothing filling in her gaps anymore, and she’s comfortable with that. and i put all of that in a paragraph about my thoughts on god because it made sense to me. there are times that just feel like you’re in a movie and there’s no one else you can say caused them. it’s not enough to build belief on but it’s enough to bring a certain kind of wonder. also one time my parents insisted on watching stripes because it was so funny and when watching it none of us found it funny at all and my parents grimaced and were like what were we on that made that good back in the day so that’s in here now haha

and now, the biggest question: does she die at the end? when i came up with the idea for this fic, i knew the beginning and ending but not the middle, and i posted this as a smaller project (ie: chapters below 3,000 words) while illness made my bigger projects harder to work on and essentially flew by the seat of my pants the whole time. i wrote the last line a long long time ago and have always seen the ending as written as the concrete ending. when i started writing this, i never intended for there to be a definitive answer to whether or not she dies. i like premature endings (the ending of girls burn brighter comes to mind) and i think that this works better without saying whether or not she lives. and i also have a hard time with giving a definitive answer because this fic very much is about death and having her die would, of course, be traumatic, but showing her living instead i think ruins any takeaways people could have. i’ve never had cancer but as a chronically ill person i think i can speak to how you never actually win with illness; the best you can do is tie, and sometimes, no matter how much effort you put in, you “lose” anyway, you lose spectacularly, and all of your effort was for nothing. i wholeheartedly believe that humans can’t emotionally or logically process natural disasters or illness, hence why much of the talk about illness in this is from mulder’s perspective as he experiences her terminal illness secondhand; that way, he doesn’t need to (but still likely will) find logic or reason or meaning for death from a terminal illness, so his discoveries and his coping mechanisms aren’t as urgently needed. had i written a chapter that describes how she lives, i think that the discussion of death in this would be voided altogether. and i also don’t believe the ending would be much different whether she lives or dies; there’s still the need for death acceptance and talking about dying, whether or not she lives, and none of the story in this fic would have happened had the characters known she would live. the whole point is not knowing.

for a little while i toyed with writing an unofficial sequel of sorts in which i spelled out what i think happens after the ending, but after realizing that that would end up being longer than the original fic and would also have some massive plot holes, i decided against it. i do have my own version and i don’t want to share that version because i never really intended for my version to be some kind of genuine sequel in which every question gets answered and everything is wrapped up and happy ever after and whatnot. it was just where my brain wandered in the same way it wanders when i watch an open-ended movie. all of that to say, if you think she lives, then she lives. if you think she dies, then she dies. it’s your decision. i’d much rather you choose than me. i never marked this as “major character” death on ao3 because, well, she doesn’t die in this fic. whether or not she dies after the fic ends, that’s for you to decide.

thank you for taking the time to read my writing. i never expected this to blow up (it blew up for me at least, for a while it was my most popular fic ever, with i think thousands more hits than anything else i’d written) and the response has been mind-boggling and wonderful. i don’t respond to comments often because it makes me feel like a pompous jerk (”thank you for enjoying this! i, too, enjoy this thing i have written! oh ho ho!” is how it sounds to me in my head, whereas when other writers respond to comments to me it just looks like thanks man have a good day, feel free to call me a weenie) but i’ve appreciated all of them very much. THANK YOU! i hope your new year is a Whole Lot Less Shit than 2020. i don’t plan on writing more msr because i don’t really have any ideas for them. thank you for making my last time special <3

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