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#at least Disney was being accurate
greenpitbullzombie · 8 months
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Mr. Whitmore having an aquarium of coelacanth in the year 1914 is hilarious. 😅
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to-be-a-dreamer · 2 years
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If I see one single person even slightly imply that Leah Sava Jeffries shouldn’t have been cast as Annabeth because she’s not a natural blonde I will personally launch you into the sun. Because not only is that the stupidest reason to dislike a casting, but it is actually so easy for a black girl to have blonde hair. Like, what if they give her blonde braids, then what are you gonna be mad about?
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timetravellingkitty · 3 months
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Mulan 2020 sucks lol
Written and edited by yours truly
So, Mulan 2020 happened. And I am disappointed. Seriously disappointed. It is utter garbage. I would genuinely prefer it if I watched Mulan II 5 times in a row, and that's saying something.
There is so much to talk about because this has so many issues. I don't think my brain can handle a movie as bad as this for some time. It is a disgrace to the original animated movie.
(Who cares about spoilers?)
And yes, I can and I will compare it to the original movie because it is a remake. It is totally valid to see where this fell flat and where the original succeeded. I'm not saying it has to be like the original cartoon, that is stupid. As I mentioned, it's to highlight the failures of this movie.
Besides, even if we forget the fact that it is a remake, this movie is still horrible.
INTRODUCTION
Mulan 1998 is a classic. It has great visuals, an awesome soundtrack, wonderful and compelling characters, a great message and a cool plot. It's just a great movie in general. It is an adaptation of The Ballad of Mulan, a Chinese legend. Both the legend and the animated movie are about a young girl named Mulan who disguises herself as a man to take her father's place in the army to fight back against an invasion.
As big of a success Mulan was, Chinese audiences thought some things were weird. For instance, having a dragon be a comic relief character, given that dragons are highly respected in Chinese culture. So of course, Disney decided to try another shot, claiming that they wanted to be more culturally sensitive, accurate and closer to the original ballad.
Mulan 2020 is a remake of the original animated movie, and was marketed to be more "accurate to Chinese culture and the Ballad". This claim is, of course, false, because they failed in that aspect. Say what you will about the cultural inaccuracies in Mulan 1998, but at least it was a great movie. Besides, Mulan 1998 didn't pride or market itself on being culturally accurate, the way Mulan 2020 did, so there's that.
CHANGES
I don't mind some changes. And honestly, if there's one thing I appreciate, it's that it isn't a carbon copy of the original (looking at you The Lion King 2019).
Li Shang's character is divided into two characters: Commander Tung and Mulan's love interest Honghui, apparently in light of the Me-Too movement. This is a dumb reason. Disney wasn't comfortable with a superior having a relationship with a subordinate? The hell? The romance between Shang and Mulan was only insinuated at the end, when Mulan wasn't even a part of the army anymore, so there's that. Also, Mulan gave her consent, so I don't know what they’re talking about.
Mushu isn't present in the movie. I can see why though. He contributed quite a bit to the soul of the animated version but a CGI dragon would be very distracting. Also, the director said that removed him to achieve a more realistic tone.
Grandma? No grandma. Mulan has a sister though, who only exists to mess stuff up.
The Huns are replaced with the Rourans and Shan Yu is replaced with Bori Khan.
Mushu is replaced with a phoenix, who acts as an emissary for the ancestors
There are no songs, except in the end credits, which isn't a bad thing. The instrumentals of the songs in the animated one play during some scenes (I'll talk about the music, don’t worry)
CHARACTERS
The characters in this movie are so boring. Our lead character Mulan lacks the charisma her animated counterpart had. She's utterly bland, uninteresting and poorly written. In the original, she knew she wasn't physically strong and that she couldn't solve her problems with her strength, so she used her intelligence and wit. She excelled by working hard and being strong willed and determined. This Mulan is a well rounded character.
Mulan in the live action is given Chi powers (Chi is a big part of Chinese medicine, in case you didn't know). Honestly, I wouldn't be as mad at Mulan being given superpowers, had they actually done this properly! Chi isn't like midichlorians, it's something that flows through everyone. Mulan is naturally born with dumb superpowers and has to hide them because as her dad says, " Chi is for warriors, not for daughters”. There is a problem:
It has been mentioned many times that Mulan needs to hide her superpowers otherwise she will be shunned and ostracised. Then why doesn't she get more repercussions everytime she uses her powers? The worst thing that happens is little Mulan getting looks of disgust when she uses them. On other occasions, when she is now a part of the army, she uses her powers in training and she doesn't get any backlash? What the hell?? Then why even bother in the first place?
The only way for this narrative to work is if Mulan got more repercussions for using her powers.
If I were to make the line "Chi is for warriors, not daughters," work, I would make it go something like this:
*At the end of the movie when Mulan comes home*
Dad: Didn't I tell you that Chi is for warriors, not daughters?
Mulan: "I am a daughter, but I'm a warrior too."
(Yes, I know this is similar to a scene in Avatar: The Last Airbender, but this would be better, tbh. Also, watch Avatar: The Last Airbender)
Let me compare the training montages from both movies.
In the animated one, there is an absolutely AWESOME montage of Mulan training side by side with her companions, slowly gaining their trust. She climbs the pillar with both medallions by using her wit, not by brute force. This Mulan worked hard. Besides, the fact that "I'll Make A Man Out Of You" plays over this is the only thing that makes it better (banger song, thank you Donny Osmond)
In the live-action, Mulan is supposed to lift up buckets and climb on top of a mountain. There are also other training scenes, but those aren't very important. In these scenes, she succeeds with the power of CHI. WHY? Mulan here just achieves her goal because she is oh so special. She didn't work to achieve her goal at all, because she is perfect. No struggling or development here at all.
Mulan in the animated version was more concerned about saving her father. Mulan in the 2020 version is a dumb patriot who can't even do patriotism right ("I know my place. It is my duty to fight for the kingdom and protect the Emperor") How very empowering.
In short, live-action Mulan can do no wrong. She has no flaws, no personality and no charm. Everything comes to her pretty easily, because MAGIC.
Li Shang's role in the live-action is divided between Commander Tung and Mulan's love interest Honghui, as mentioned before. Both of these characters are flat, dumb and boring. Tung exists to tell Mulan to cultivate her Chi and to train these idiots (and to offer his daughter’s hand in marriage to her, unaware that Mulan isn’t actually a guy, but eh). Honghui is there to be a stupid love interest, who gives us an “I am Spartacus” moment.
The witch is by far the most interesting character. She actually has more than one side to her, has SOME kind of depth and you can even feel sorry for her. She is supposed to serve as a foil to Mulan, given that both have similar powers. In case you've forgotten (which is something I wouldn't blame you for), she's an outcast who's now working with Bori Khan. Why is she an outcast? Because of her Chi. The witch has said many times that she could kill Bori Khan in a snap, then why doesn't she kill him? Because she needs acceptance? What the hell? She decides to pull out the whole "We're the same, you and I," stupidity to Mulan, and I can see that. It's just that the writers just didn't put much thought into it. “It’s too late for me” because you saw a woman leading an army of men? Also, why does she warn Mulan that Bori Khan is coming? Unless she's playing both sides, except her motivations aren't made clear enough for this to make sense. Finally, she dies for the dumbest reason. God, it just makes me so mad. She had so much potential, but no. They just had to mess her up.
Bori Khan? MORE LIKE BORING KHAN. Not much is there. His animated counterpart Shan Yu was scary and contributed to some of the darkest moments in the movie. This guy over here is just...nothing. That's all I have to say.
Mulan's sister is only there to mess up the meeting with the Matchmaker. What a stupid change. First off in the animated version, it's Mulan who messed up, because she isn't perfect. She fails at being stereotypically feminine AND masculine, but in the live-action, she literally pulls off a Spiderman cafeteria scene, and the blame is put on the sister. In the animated movie, this scene is groundwork for Mulan wanting to prove herself and going on a hero's journey, providing depth to her character, but in the live-action, she's perfect. What is the point? (I know this section was supposed to be about the sister, but eh). The sister doesn't provide anything else to the movie, so thanks! I hate it. Moral of the story: Girls can do anything boys can, as long as they have superpowers. If you are born special like Mulan, you can be respected, whereas if you are like the sister, you have no significance and in the end, you can just fit in and be irrelevant. Congratulations!
The live action group of guys Mulan met and befriended in the army lack the charm and comedic timing of their animated counterparts. That’s it. Seriously. I have nothing more to say about them, because they don't really have anything going on. I don't even know why they are included, because their contribution is nil, save for them blandly speaking lines from the animated version’s songs ("I don't care what she looks like, I care what she cooks like"), which is seriously cringe.
The dad is there to tell Mulan that Chi is for warriors. A shame, because I really liked the dad in the movie. He was a source of wisdom for Mulan, whose greatest honour was having her for a daughter. In the live-action, he just takes the sword that Mulan is given at the end of the movie. The mom is meh.
The emperor is also meh. At least he was wise and cool in the animated version, but here he just does bed sheet kung-fu.
Did I mention that the dynamics between the characters are unnatural, forced, awkward in a bad way and in no way indicates any chemistry between them? Oh yeah, I didn’t, until now. They don’t establish much when it comes to emotion.
Simply put, Khan (Mulan’s horse in the animated version) had more personality than all of these characters combined
PERFORMANCES
Liu Yifei as Mulan was a pretty terrible choice. She is just a block of wood, who has absolutely no range, and this isn't because of the writing. She is genuinely bad, and is regarded as one of China’s worst actors (I kid you not). She just can’t emote.
Jet Li as the emperor is meh. But hey, he doesn’t have much to do, so eh.
Jason Scott Lee as Bori Khan is fine. He doesn’t suck, but he lacks the command and authority of a character who is supposed to be intimidating, but I guess it has something to do with the writing of his character.
Donnie Yen is a martial art legend, but unfortunately, he doesn't have much range as an actor.
The best performance of this movie is that of Gong Li, who played the witch. Honestly, she is charismatic, charming and has an idea of what she is doing.
To save everyone’s time, simply put: most of the performances are bland and mediocre. Partly due to bad writing and partly due to most of the actors not being, well, good at acting.
CULTURAL AND HISTORICAL ACCURACY
So Disney went all “we like cultural and historical accuracy”, which is nice. For example, the Huns are replaced by the Rourans, a real tribe in China around the time Mulan was supposed to be alive. They also removed the hair cutting scene, because as iconic and awesome as it is, it doesn’t make sense. Chinese men wore their hair long too. You know what? I like these kinds of changes. I appreciate accuracy. If only Disney didn’t pride themselves on their accuracy when they got almost everything else wrong (They somehow got Mulan's house wrong lol). I don't know jackshit about Chinese culture so just go watch that Xiran Jay Zhao video it's very swag
THE BALLAD OF MULAN
In a surprising turn of events, this isn't accurate to the Ballad, like they had marketed it to be (I know, I’m shocked too). In a reference to the Ballad, Mulan is riding a horse and she sees two rabbits running side by side. She goes home and tells her family that she saw 2 rabbits, and she thinks that one was male and the other female, but she wasn't sure. This just misses the entire point of the Ballad.
Long story short, Mulan in the Ballad is actually a seamstress. She joined the army in her father's place. She defeats the barbarians and goes on a ten year long campaign with her friends, after which they meet the Son of Heaven (a sacred imperial title of a Chinese emperor). He offers her a high ranking position, which she refuses, because she just wants to go home. She returns home and her family welcomes her. Sometime later, her friends come to visit her, and they find out that she is actually a woman. The friends are shocked because she has been in the army for 12 years and in those 12 years, they didn't even realise that she was a woman.
Mulan then replies:
The male hare's feet hop and skip
The female hare's are muddled and fuddled
But when two hares are running side by side
How can you tell the male from the female?
Which is where the poem ends.
So, Mulan just going on, judging those rabbits like that makes absolutely no sense. The Ballad is about how no matter how different men and women look, when they live and fight amongst each other, who gives a damn about the differences? You know what would have made sense though? If Mulan got off her horse, went close to the rabbits, examined them, and then made the conclusion that one is male and the other is female. This would actually be sticking to the message of the Ballad. Also, why do they make it ambiguous as to whether she accepts the high ranking position? I assume for a sequel (yes, God save my soul). Here we can see another example of its impeccable accuracy to the Ballad.
THIS ISN'T EMOTIONAL AT ALL
Everything that made the original film good has been stripped away. Every moment that is meant to be emotional is very dull. For example, the scene where Mulan makes the decision to take her father's place in the army is supposed to be a very powerful scene. Mulan is risking it all just so her dad can be safe. She might be killed if discovered, and her family would be dishonoured.
When Mulan comes back from the Matchmaker, she has a moment of reflection while singing "Reflection". This is the beginning of her personal journey, discovering who she is. In this, after Mulan comes back from the Matchmaker, she doesn't have a moment of reflection. The army immediately shows up. Am I really supposed to believe that Mulan feels bad about this? That Mulan is really struggling?
When Mulan’s friends are singing, it suddenly shifts to the striking scene of the burnt village. This, in my opinion, is the best use of tonal whiplash. From this point on, things are getting serious, and the emotional weight of this tragedy is felt. In this, they just randomly show up at the village.​​ There is no seriousness (stop trying to tell me this movie is adult, mature and serious, it just looks like that on the surface).
Their attempts at being emotional are poor and unconvincing, and ultimately, the end product is an emotionless, soulless, depthless entity.
THE MUSIC
The director mentioned in an interview that she didn’t add songs into the movie because it is “unrealistic to break into song when you're in war”, and I don't think I’ve heard anything more false (apart from the concept of a flat Earth). Even I, who isn't going into war anytime soon, know this is false. They instead inserted instrumentals from the original film. Except, it's very weirdly placed. The instrumental for Reflection is placed when Mulan is fighting the Rourans after she reveals herself to be a woman. Like, there isn't any context. In the end credits, they had the original song "Loyal, Brave and True" sung by Christina Aguilera, which was nice. I don't really have much to say in regards to the music. The music is overall forgettable.
THE ACTION
The action may seem weird, but this kind of martial arts is a part of the Wuxia genre, which is what they were going for. Well, they failed. The choreography is bad, the CGI is bad, EVERYTHING is bad. Honestly, if you want a good Wuxia movie, Crouching Tiger, Hidden Dragon exists. The action is here stupid and stiff.
OTHER DUMB STUFF
Why does Mulan take her armour off before going into battle? That is just stupid. Can't you just take the bindings off? Also, WHY OPEN YOUR HAIR-
Mulan really likes kicking spears (and pointy stuff in general). Seriously. It’s weird.
The CGI is okay I guess, I don't know. The phoenix in some scenes looks pink to me. There are some pretty visuals though.
It is very obvious that there is a green screen used in the scene where Mulan and her friends find the burnt village. And it looks bad. Pretty ugly. It looks bad. The green screen looks bad.
The war strategy is just weird. I can't really say anything about it in text form because how am i supposed to describe it, help- (she literally teleported behind the bad guys in the avalanche scene-).
I like how the animated film, which had a dragon as a comic relief and other silly stuff, is more mature than this.
For what joy does Mulan get another sword from the army? Also, shame the dad is all “oh look at the values written on the sword, they are honourable” even though in the original the greatest honour was having her for a daughter.
How was Mulan even able to tell the gender of the rabbits?
Why not just try to send a warning to the Emperor that the Rourans are coming to get him?
Why does Commander Tung let Mulan lead them-
I AM SO DONE
Well, I think I have said everything I wanted to about this movie. I know I havent talked about its controversies but honestly, I am done. I am so done with this. This document took 5-6 months of my life. I am kind of proud of this, and there isn't much I have done to be proud of. I did procrastinate on this a bit, and I had stuff going on, but finally, I am done. In the future, if I remember something, I'll add it here, but I think that is unlikely. I never want to watch or even go near Mulan 2020 again. It's horrible, and there is barely anything redeemable. I hate it here. It’s been reported that a sequel is in development. If it’s true, of course I’ll watch it, how else am I supposed to validate my self hate? I am also, of course, the resident “friend who suffers for everyone else’s entertainment”. If you want a live action remake of Mulan, Mulan: Rise of a Warrior exists. Go watch it, it’s free on YouTube with subtitles. I really liked it.
If you’ve somehow made it this far, thanks for reading. I congratulate you for putting up with whatever this is. I would also like to take a moment to congratulate myself for actually committing to this. It was painful yet fun to complain about this to the best of my ability. If anyone wants to add anything to this, feel free to do so. Now, if you’ll excuse me, I’m out. I have lost my faith in humanity, and I have other things to complain about.
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mizuseyebrows · 3 months
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Modern!Mizu's "i'm not like other girls" phase (headcanon)
lol this is just me projecting my own experience with "i'm not like other girls phase" on Mizu. i'm sorry if this is not accurate with the childhood of mostly girls in japan, this is just my first try
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this turned out to be longer than I thought it would, sorry for that ❤️
Modern!Mizu was bullied because of her looks.
Was kinda an outcast since she was a kid.
She was the only one that actually listened and talked to the “weird boys”.
She was a safe place for the other outcasts kids (literally me in primary school).
Since only the “weird boys” treated her normally and like a real human being, she never had the experience of girls' sleepovers, playdates with other girls, etc.
Modern!Mizu wasn’t part of the girls. I'm scratching the wound :’) haha
That hellish year arrived in which the other girls made fun of those who still played with dolls because they were already going to their first mixed parties, they had started to put on makeup (eyeshadow) and paint their nails.
Depending on if Mizu grew up with her mother or swordfather, she would have different experience with this.
If she grew up with her mother, she would not have allowed Mizu to paint her nails or wear makeup because she was still very young, she would have to wait until she was at least 15 years old to be able to put on her first nail polish or even put on a little bit of eye shadow or blush.
Her mother wouldn't have let her go to parties either because the other girls were doing teenage things that she doesn't want her little Mizu to imitate.
If she had grown up with her swordfather, I don't think he would have had any problem with Mizu painting her nails, with makeup he would have had some reservations.
Eiji would be quite protective about letting Mizu go to a party alone, knowing the history of bullying she has had. The last thing he would want is to allow other children to hurt her little girl just because she looks different from the others.
Therefore, on both sides, Modern!Mizu never had the opportunity to socialize outside of school. She was a girl from home who stayed watching movies on Nickelodeon/Disney or series on Cartoon Network.
This caused her to have almost nothing in common with the other girls. She didn't know anything about makeup, she didn't know what it was like to gossip about what happened at the previous party.
She didn't know what to talk about with her fellow girls.
The only people Modern!Mizu could have small conversations with were the “weird kids”, mostly boys, because they also spent their time at home watching things on Cartoon Network.
Because even the other girls watched teenage series and movies that were prohibited at Mizu's house because she was under 15 years old.
Turning 15 marked a before and after on her life. that age completely destroyed me
Finally, Mizu was able to start painting her nails and talking about makeup, she was already a teenager.
But the nightmare didn't end there, because she didn't know how to do her makeup and the only thing she had was a compact powder and some eyeshadows that had almost no pigment.
If you grew up with her mother, her mother wasn't a woman who particularly wore makeup. The only thing she could teach Mizu was how to apply powder.
And Eiji… Well…
It seemed logical to Modern!Mizu that she could ask the other girls about how to apply makeup, but the fear of being criticized and mocked was something that stopped her from doing so.
So if she ever said "I don't wear makeup like other girls" it was more because she had no idea how to use it. She was trying to hide her pain of not knowing something all girls are supposed to know.
She didn't even have a friend who use it so she could ask for help.
After the age of 15, existential crises came.
“Why don't I look like the others girls?” “Why don't I look as feminine as the others?” “Why doesn't my hair look like the others girls?”
“Why do I have more things in common with men?” “Why is it easier to talk to them?” “Why even though I get along better with boys, none of them like me?”
“Why have the other girls already had their first kiss and had a boyfriend, and no one even smiles at me?”
“Could it be that the boys see me as just another of the boys?” “Am I more of a boy than a girl?”
FUCKKKKKKKKKKK
She did several of BuzzFeed like tests to “find out if your masculine side is more developed than your feminine side” and things like that.
Her results were always 50/50 or “you’re more of the boys than the girls”.
If by then, there was much more information about they/them people, she probably would have felt a little identified.
Not entirely because she wanted to be a girl, she just wanted to feel as feminine and pretty as her classmates and actresses she saw in magazines and movies.
For a while Modern!Mizu was convinced she was 50/50 because she never felt like she was completely a woman.
However, as she grew up and became more informed about how femininity and womanhood really work, she understood that being a woman was much more than just knowing how to do your makeup and hair well, and she was able to heal her inner child little by little.
Her "I'm not like other girls" phase was actually more "I'm not like THE girls."
She didn't go to parties like the others, who were her friends? Who wanted to invite her to a party?
She didn't wear makeup like the others, she barely had two things and had no idea how they work out.
She didn't watch the series and movies like the others, even though she was a teenager, she didn’t know what the other kids of her age were watching at that time.
She didn't dress like the others, the stores she frequented with her mother/swordfather did not have the same clothes that seemed to be trending among girls.
She did not read the same books as the others, although she could express a certain interest in adolescent dystopias (the hunger games or divergent), stories about vampires and other supernatural creatures (twilight or hush hush), she was never able to finish them, she couldn't get past the first five chapters.
She never had the same musical taste as the others, she never felt motivated to meet new artists, she only listened to the songs she liked. The only new music he listened to were those songs that were playing on the radio and caught his attention.
In fact, she had no idea what Shazam was, so she always tried to remember the lyrics of the song to look it up as soon as she got home.
But even though Modern!Mizu may still have her doubts about her femininity or still not feel as womanly as the others, she gets along much better with her identity and no longer doubts who she is.
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okay, doing this triggered me and now I have anxiety :)
if you don't agree with me that's fine, it's MY headcanon. but don't be rude, this topic is really sensitive to me.
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olderthannetfic · 4 months
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People going on about how they're representing this whole Greek thing are missing that that one anon had a pretty good point about how "cultural appropriation" rhetoric gets misused. People do really need to be more specific about what the issue is, or it very easily turns into basically just arguing for cultural segregation. I've seen that happen numerous times on this website over the years. I've seen people argue that it's appropriative to do something like *learn about* another culture or learn its language. I think it's really important for people to keep an eye on what are the actual issues with cultural appropriation (mostly about exploitation and colonialism) and not just the idea that cultural mixing is bad, or that being interested in a culture that isn't your own is bad. Because the truth is, whether you intend this or not, if you're just arguing that everyone should only keep to the culture of their ethnicity or their place of origin or both, then you're basically in agreement with white supremacists. It's not that cultures mixing is bad; most culture is a result of some mixture. It's when it's done in a way that's exploitative and/or disrespectful: like reducing sacred symbols like indigenous war bonnets to a fashion accessory, or incorporating the art of another culture into your own art without giving credit and without paying anyone from that culture who taught you or added to your work.
FTR, I don't think you can "appropriate" ancient mythologies. I think people are getting twisted around though because there is a genuine history of colonial exploitation of Greek artifacts by colonial powers to fill their museums, as with the Elgin marbles. I do think it's still a good idea to be properly informed about them, regardless, at the very least because those make for the more interesting retellings. For all that people (who IME, largely haven't read it, I'd love to hear if people who have read it disagree though) rag on Song of Achilles, I actually thought it was a pretty good example of a retelling because the author, who has an educational background in mythology, takes great pains to try to recreate the society and cultural norms of Greece at that time rather than sugarcoat it. Achilles may be even more of a jerk than he was in the original Iliad, tbh. It's telling to me that the author's other books that are less "shippy" don't have as negative of a reputation on here in that regard as Song of Achilles, despite being fairly similar, and it makes me wonder how much of that is because it's popular among "fujoshi fandom" so people just assume it MUST be shallow and fandomified, and I was super shocked at how much it really wasn't that at all. As well as I saw that a lot of people expecting something more like that were disappointed by all the period-accurate misogyny and so on.
Which brings me to another point: another reason I'm skeptical of a lot of this discourse is that it seems like often it's more of a high-culture, low-culture thing. A thing that is popular with M/M fanfic writers can't POSSIBLY be doing it right. A thing that is a popular video game or Tony-winning Broadway musical that is popular with the fandoms for those things, can't possibly be accurate. And I get that a lot of that is because a lot of populist things that took from Greek mythology have been inaccurate (Disney's Hercules, for instance) but if you're going to criticize the accuracy of something, I think it is worth engaging with the original work and what it actually does rather than just assuming It's Popular It Must Suck. It feels like a lot of this turns into lording that you were into it before X over others. And being aware that Tumblr Recommendations often do a poor job of actually giving you a good idea of what the work is really like.
As well as, of course, asking yourself - as we should with any sort of historical inaccuracy etc. - if the inaccuracy was deliberate or not. Sometimes people are not really telling that story in order to tell the most accurate version of something but to make a different kind of point, and so the changes might be deliberate. I would argue this is true with something like Hadestown.
That doesn't mean you can't still dislike it for that reason, of course. I know a lot of classical musicians who dislike the movie Amadeus for being so inaccurate about Mozart's and Salieri's lives. I like it despite that because I think the point it is trying to make is stronger for not sticking to the historical fact. I just wish more people did know the historical fact, though.
--
One would think the "Is it bad if I learn to cook Thai food?" thing was a strawman... but I've seen it in the wild far too many times.
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AHHHHH you're playing kingdom hearts? Please report back with your thoughts when you feel up to it it's my special interest 👀
Okay here are some thoughts I've spammed to my friends in the last few days! (BTW I read the manga already for the first game so I basically spoiled it but I was still equally as shocked when these things happened in the game lol)
By the way, spoilers below for anyone who hasn't played!
General thoughts:
SORA IS SOOOOOOOOOO CUTE 🥺 The voice actor voiced him PERFECTLY, he's exactly the perfect combination of hopeful, friendship, little kid, strong heart, over confident at times, stubborn, sweet. 😭💖
Told a friend I love Sora in a different way than I love Gohan, here were my thoughts: Gohan is more quiet, sweet, gentle, burdened with a lot of power that he seems hesitant to use and slowly builds his confidence throughout the show, I relate to Gohan a lot, sweet cinnamon roll that must be protecc, but forced to protecc others, etc etc Sora is sweet and gentle but loud, has a HUGE heart and he uses it to protect his friends with 100% confidence (he's more like Goku in that way), his heart is just unwavering and he doesn't seem to doubt himself often (at least in KH1), funny and goofy and his stubbornness can get him into trouble sometimes but his bonds with his friends give him strength, I don't relate to him but I would love to draw inspiration from him
"Shonen protagonist done by Disney" vibes (as put aptly by @genisflyingkites)
Riku is so insanely jealous of Sora it's hilarious, he's overall kind of a jerk and even Kairi said she wanted to leave the island without him, but also Riku is 15 and hormonal and Maleficent got to him so I don't really blame him for it
Donald and Goofy are way less annoying than I assumed they would be, I like that they seem refreshingly mature?? Donald is stubborn and beefs with Sora a lot and Goofy seems like he has a good head on his shoulders and is a deep thinker
Also I keep seeing memes of Donald constantly getting knocked out in game and being useless but for me Donald ALWAYS comes in clutch with the elixirs and ethers
That scene where Maleficent tells Riku that Sora replaced him and Kairi with Donald and Goofy was sad in both the manga and the game but what REALLY made my jaw drop was that SORA LOWKEY FELT THE SAME:
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(Yes he was fighting with Donald at the time too but LOOK AT HIS FACE!!! 😭🙏)
If Riku talked to Sora for more than 10 seconds at a time literally all of this would be resolved XD LIKE!! Sora is literally trying to find them! Riku please!
This scene had my sister and I's JAWS ON THE FLOOR:
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It was low blow after low blow! I read this in the manga too but somehow it hit harder in the game!
Hollow Bastion is a great OST and I've been listening to it on repeat. The map is also pretty nice but I wish I could explore more without heartless appearing every 5 seconds
Actually I also liked the OST "A Day in Agrabah"
I beat Riku's ass in 10 seconds and it was glorious (Ansem is a whole other story...still working on it)
DID I MENTION SORA HAS SUCH A KIND AND SWEET AND STRONG HEART!?
Every single cutscene had the words "light" "darkness" "friendship" "heart" "memories" repeated over and over again to form a cutscene (I saw this in a Youtube video and thought it was incredibly accurate XD)
My sister and I were CRACKING UP during this cutscene because it made NO SENSE
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It just kept getting more and more non-sensical XD
I think Aladdin was my favourite world so far but tbh they were all pretty cool (Sora's Halloween Town fit was so cute! Also I loved flying around by Big Ben, and then getting the glide feature)
The Maleficent Dragon boss was really hard, cool, and fun; Tinker Bell really came in clutch
Also I gotta say this game is really hard to play because the control are so annoying, the jump function is annoying (I keep falling off and misjudging his jump), it keep glitching cause it's connected to the cloud or something, the directions are too vague so I have to follow a walkthrough while playing, and I have to keep stopping between plays because I get motion sickness from the wildly spinning camera really easily -- despite all that I am indeed having a blast
I think that's all my thoughts for now :3
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fairytale-poll · 6 months
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ROUND 1B, MATCH 16 OUT OF 16!
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*Though I am referring to her as Popelka, her original name in Czech, she is also often referred to as Aschenbrödel, her German name. Additionally, Three Wishes for Cinderella is the English title (with an alternate localized title being Three Gifts for Cinderella). The original Czech title, Tři oříšky pro Popelku, and the German title Drei Haselnüsse für Aschenbrödel both are translated as Three Hazelnuts for Cinderella. All names and titles have been tagged. Any local Czech or German speakers feel free to correct me for any mistakes! :)
Propaganda Under the Cut:
Danielle:
This is, imo, the single best retelling of Cinderella out there. She has a great character, her relationship with the prince grows organically rather than happening in a single night, and the scene with the bandits is top tier
The story is told as a historical romance instead of anything supernatural happening. Drew Barrymore is a cute Cinderella, Anjelica Houston is an incredible stepmother, and she's also really nasty to one of the stepsisters too, who ends up taking Danielle (Cinderella)'s side. Also Leonardo da Vinci is hanging around painting a portrait of Danielle at one point.
The Drew Barrymore Cinderella is fantastic. It’s got real history mixed with beautiful whimsy! I absolutely love the butterfly wings and how she spoke up for her step mother and sister at the end (and that they were still punished). I feel like I need to go watch it now.
she’s funny and smart and she’s resourceful (also her outfits are historically accurate!)
Popelka:
She has so much personality. She's funny, smart, kind, has a lot of spunk, and she really does things instead of just waiting for miracles to occur. Also, she's a great rider and has a deadly aim with bow and arrow.
She finds three hazelnuts that grant her wishes by giving the clothes to do what she wants. Beautiful dresses. The prince puts a ring on her finger while she’s in her huntsman’s outfit.
I don't know how it's faring in modern day Czechia, but here in Germany, Drei Haselnüsse für Aschenbrödel is still THE (non-Disney) Cinderella adaptation and a yearly rewatch for many, despite literally turning fifty this year. It's just so fairytale and also just... good? And she hangs out in the woods and shoots with a crossbow and saves deer and gives the prince riddles and then the music aaa the music!! I guess this isn't just a submission of this version of the character but this version of the story. For those who don't know: This adaptation is based on a Czech author's retelling of the Grimm version of the story, the film was a co-production of Czechoslovakia and East Germany and it slaps so hard it gets played at least 10 times (usually more) on public german television in and around December every single year. This is not an exaggeration, you can look it up, they even make a special, official info graphic with all the air dates every year that people can (and do!) share on social media. In Germany, the main event of Christmas is the 24th, Christmas eve, and on that day they play it at least 4 times (often more) at different times of the day on different public channels (ALL of which any German with a hooked up tv has access to) so anyone who wants to watch it gets a chance to. And Aschenbrödel herself in the movie STILL holds up as a (within reasonable expectations) feminist character, she's skilled, she's smart, she's witty, she and the prince actually talk and they like each other for their personalities, like... yes, there's a couple of flaws with the movie that time has pointed out, but mostly small, background things or things you simply cannot expect a movie from 1973 to get right. It's SO well made and just plain charming, it has truly stood the test of time and I would be devastated if it weren't included. It's also my mum's favourite movie (she's from East Germany and was born in 1969 so she's had regular access to it basically all her conscious life) so we would actually usually watch it multiple times each year and even record it (first on VHS, later again on DVD) so we could rewatch it any time and yet, I literally never got tired of it. It's just good & magical & I love it. Even my brother, who usually didn't care for fairytale movies at all and would much rather play video games in his room, would come down and sit with us to watch this one, THAT'S how good and magical this movie is.
And if all that hasn't convinced you yet but you speak German, here it is on YouTube, go watch it:
[Link]
(I won't provide a Czech link since I can't vouch for any of them as I don't speak czech)
Anyway, dear tournament runner: Have a pic of Aschenbrödel, in my favourite of her magically provided outfits, for the poll:
[Link]
She is the Cinderella of like eastern central Europe and the Story is a little different (she's no. 1 girlboss, beats the prince in a shooting contest and instead of a fairy she has 3 magic hazelnuts/ a magic owl)
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fairmerthefarmer · 2 months
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Narnia is my go to world when I wanna just practise character design.
The silver chair is also great cause it doesn’t have a movie really so the design can be my own (except for the bbc version, but I didn’t really watch those growing up. Just read/listened to the books a million times and watched the Disney/Walden movies.)
Anyway this is mostly Jill, love her so much.
There’s more down here
I saw an aesthetic board one time and ran with it, and it’s also just practise on drawing hair with a tighter curl pattern, idk if it quite counts as Afro hair though. Also I like her being a redhead.
Puddleglum I’m still working on, clothes are hard!! I love fantasy character design in general but I find it difficult to imagine what clothing the characters would wear, it makes me feel like I wanna take a whole ass historical/fantasy clothing course or something.
Also I can’t make up my mind on how I wanna do his hair. I’m definitely taking influence from the illustrations in the book. Anyway love frogman and he must be tall and lanky and I’m just going from there.
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I am happy with how the clothes look especially given my insecurities about clothing design for characters, I feel like she looks like a little hobbit! (I imagine her and eustace and puddleglum bundling up quite a bit for most of their travels.)
I also did an alt version of her hair cause I prefer the curls myself, but I don’t know what black hairstyles would have mostly been in London at the time? I feel like relaxed/1940s wavy style hair (whatever it’s called) would be more accurate but idk. I think both work for her character, I think they express different aspects of it.
The school outfit was very rushed, I mostly know if I were to develop it more I’d want it to look frumpy and awkward especially cause it would (in theory) contrast to the narnian outfits. I still have the travel outfits full though cause generally the journey in SC is kind of gloomy in vibes. Harfaang (harfang? Idk) is LOOSELY Nordic inspired except i really didn’t do that much research. Also those sketches are the earliest ones and they’re from long ago so I may revisit sometime and change things.
My headcanon/thing that I do with most narnian as in Cair Paravel clothing is that it’s embroidered with things like flowers, trees, leaves, natural things. As well as royal and foresty ish colours. So I tried to at least make harfaang clothes different from that, and some geometric detail in the dress. Also the dress was green in the book illustrations so therefore it’s green.
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hashtagloveloses · 19 days
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Im not even in the lore Olympus fandom I keep up with jack shit and only read it when the adds or drama drown my feed to soothe the algorithm but I do find the criticism posts I see about it kinda weak and overblown. Author doesn't research! I've seen a lot more accurate references to actually mythology here than I've seen in -rolls out extremely long list- Percy Jackson, Hercules (Disney), the Gods school 90% of media that references Greek mythology- also mythological gods make poorly relatable characters when all prior stories of them are from thousands of years past. Author likes age gap- Gonna be real so does 90% of fanfic writers and most shoujo but hey unlike say Card Captor Sakura that had an elementary student dating at least theyre both adults and act like it so kinda moot. SA glorification....No it's not this one is a stretch considering Apollo's crime is the driving force for him being on EVERYONES shit list whether they know the details or not he is hated because he openly strives for someone who clearly is not interested. It's a frequent source of distress for Perse and those close to her AND Apollo (i.e. Artemis) it's not trivialized at all nor is it glorified. The art- not really my taste and fair if you don't like it but also consider you thinking someone's art is ugly is not a valid reason to drag someone chill.
Like I do not get the hate Lore Olympus at worse is a mid romance drama, like soap opera camp it's not the fucking testament to sin and bigotry people keep frothing at the mouth acting like it is.
oh my god THANK YOU
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twistedtummies2 · 6 months
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Top 15 Portrayals of Peter Pan
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A while back, in 2021 - in celebration of the 110th anniversary of “Peter Pan” - I posted a list of my favorite portrayals of the villain of the story, Captain Hook. Earlier this year, I updated that same list. I said then that, even as a kid, I always liked Hook more than his nemesis, the titular Peter. While this is true, I do think it’s important to state that, as much as I may love the dastardly pirate Pan battles constantly…this does not mean Peter is a bad character. I think that Peter Pan gets a bad rap a lot nowadays, mostly because, if you read the original book…Peter is kind of a little psychopath. He’s sort of a little tyrant, threatening to kill or banish anybody who doesn’t do what he wants, and refusing to listen to reason when people try to help him or keep him under control. And that’s the entire point: Barrie’s story originally didn’t HAVE Hook. The original idea behind what would become “Peter and Wendy” was that Pan was a representation of both everything good AND everything bad about childhood: he is not necessarily EVIL, but he is stuck perpetually in a state of infantile, underdeveloped youth. He’s brash, cocky, and has a LOT of power that I don’t think even he is fully aware of. There’s a lot of mystery surrounding Peter, which actually makes him more fascinating to adults than I think many might realize. Peter’s arc in the story is one of coming to grips with emotions he’s never experienced before, and taking up a kind of responsibility he’s always tried to deny in the past. He’s much more dynamic and more interesting than many people give him credit. I’ve been in a Peter Pan mood lately, so I decided…what the heck? I might as well give a bit of a spotlight to some of my favorite portrayals of the Boy Who Never Grows Up that have come around over the years. (On that note, there has long been a tradition, particularly in stage shows, of women playing Peter, so there will be some ladies included here. Don’t you dare whine about it, they’re absolutely awesome.) Some of these versions stick to the ambiguity of Barrie’s original, while others make Pan either more heroic or more villainous depending on interpretation. There’s a lot of ways you can go with the idea of an eternal child, both idealistic and cynical. So, think Happy Thoughts, everyone, and don’t forget the pixie dust! Here are My Top 15 Favorite Portrayals of Peter Pan!
15. Sandy Duncan, from the Styne-Charlap Musical. (The most famous stage musical version of the story; Duncan first played Peter in a 1979 Revival of the show on Broadway.)
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14. Greg Tannahill, from Peter Pan Goes Wrong.
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13. Petermon, from Digimon: Ghost Game. (Yeah. Peter Pan as a Digimon. That weirdness speaks for itself.)
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12. Mia Farrow, from the 1976 TV Musical.
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11. The Version from “Peter and the Starcatchers.” (I’m referring specifically to the books; there is a stage version based on the first book, but I haven’t seen it for various reasons. I love the original books, though. This is probably one of the “nicest” versions of Peter on the list, for lack of a better description.)
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10. Robin Williams, from Hook. (Come now, you all knew he had to be here somewhere.)
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9. The Version from “Alias, Hook.” (Without going into detail, this really shows how scary a Barrie-accurate Peter can be without much real change.)
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8. Charlie Rowe, from SyFy’s Neverland.
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7. Betty Bronson, from the 1924 Film.
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6. Robbie Kay, from Once Upon a Time. (By far the most evil version of Peter Pan ever made, at least that I've discovered.)
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5. Mary Martin, from the Styne-Charlap Musical. (She originated the part on Broadway, starting in 1954.)
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4. Cathy Rigby, ALSO from the Styne-Charlap Musical. (She’s been playing the role off and on since the 1970s - no joke, look it up - with her most recent stint being in 2015. She was in her sixties then! Talk about Never Growing Up!)
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3. Jason Marsden, from Peter Pan and the Pirates.
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2. Jeremy Sumpter, from the 2003 Film.
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1. The Disney Version. (Originally played by Bobby Driscoll; this one wins out mostly just because this is the first version I think of when I think of Peter as a character, and because I think the various spin-offs and such have really helped to make him a more likable protagonist over time, while still keeping him true to his established persona.)
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akajustmerry · 22 days
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types of tags/comments on my overwhelmingly popular Anastasia shitpost ranked from least annoying to most annoying
"I never thought about it like this lol" honest, appreciative, classic.
"I studied Russian history and can confirm this" you don't need a history degree to understand the Romanovs didn't die from a MAGIC curse but thanks for the support
"okay yes this is true but I love that movie" implies I said being aware the movie isn't historically accurate means you can't like it. I didn't say that at all
"the stage play is better at addressing the history" by making the villain a commie??? Lmao don't think so stfu
"the stage play is worse" don't care, didn't ask.
"what'd you expect its a Disney movie" it isn't. It was famously made by a group of animators who left Disney to make it.
"let me enjoy things"???? I literally made that post after watching Anastasia twice in a day to cheer myself up as I've done since I was 5. all criticism comes from a place of love, dumbass!!?
"ohh i can't wait to watch this!" YOU HAVEN'T SEEN ANASTASIA 1997????
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Unit Y-0U
Prologue: Fragmented Memories
Notes: Yuu is Gender-Neutral. No set description of Yuu at all, aside from some mentions of scars and them being on the taller side. (explained in the prologue). The characters in this are a bit older as I made night raven an actual college. This is based off of the Great 7 Parent Au on this blog ans stuff.
This Prologue is entirely optional and just provides some basic worldbuilding for the world Yuu is from. Important stuff will be repeated in later chapters. I based this world on the Mirrorverse game. Also, I fixed Pocahontas because I am native and still enraged. She is a kid too, and not colonized. The Horned King is a forgotten Disney villain which surprises me since he's worse than Chernabog.
This kinda sucks ngl…. It's a series of, well… fractured and corrupt memories that aren't entirely accurate or in their entirety. I hope it gets better from here, but I doubt it. Yuu will actually start to remember things correctly/remember their actual feelings as time goes on. Yuu is generally a pretty kind but traumatized trope that will also tend to push the OBs around more to help them develop. Idk lmao.
Locating Unit Coordinates...
[An error has occurred. Review crash log?]
Rebooting…
Unit coordinates can no longer be tracked. Unit has disappeared.
****
Unit has sustained large amounts of damage. Reviewing backup cache… Fragments of information have been restored. Note: What is seen here may have been altered by unit mental state or devices that can change or alter memory. The following memories are out of order. Proceed with caution.
****
Magic was once the lifeblood of your world. It pumped life into every corner of the universe, bringing balance to all inside. At least, that is what the elders said. Ever since the disappearance of magic, nothing has been the same. As magic began to die, so did the world, causing cataclysmic events.
The fae was the most affected, and their home became a barren wasteland, and with each new generation of fae having weaker magic and mages becoming rarer, there was no guarantee their species would survive. Without magic to balance the world, it came down to the people. Many argued about who should be in charge and how the world should be poised; some sought to control the world through structure and rules. Others turned to violence and discord.
You were born during this apocalypse, or rapture, as many called it. Though, you never really understood most of it as a kid. Your village and your parents taught you more about how to survive. How to hide. How to hunt. How to barter. How to be crafty and frugal. How to run. How to have no waste. How to sneak around. How to read safety diamonds and warning labels. That was your life. Then an invasion came.
****
Mercenaries of the higher powers came in their high-tech armor, and fancier phones, and scary beasts they rode upon because they could afford to feed them. 
“The detectors say there is either a mage or catalyst among you filth.” Catalyst? You and the other village kids hid behind the adults, confused by the big words they spoke. “We do need some magic batteries for the city, so give up whoever it is! Cough them out, and I may just let you live.” The man spat, cruel eyes glaring down at everyone atop his high-griffin that swiveled its head around vigilantly.
Behind your parents' back, you recognized a signal. One said, ‘take the other children and hide. You’re the oldest. We believe in you.’ You used the adults as a shield as you grabbed other children by the hand and led them to the safe zone—a hollowed-out tree with rocks and mud covering the opening. 
Digging through the rocks and mud, you removed the barrier to safety and slid inside to prepare the inside for the others, making sure it was safe. All those years of skipping meals to keep the younger ones fed made you thin enough to slide in. Through one of the cracks in the trunk, you saw the griffin push over an adult and screech at the group of children. 
The last thing you remember is watching the man grab the sword around his waist and his men grabbing blasters. You remember desperately digging your fingers into the mud and rocks and digging till they bled to make the opening wider. While digging, you heard screaming, running, gunfire, violence, and crying.
You were in that trunk for what felt like hours, and not a single other kid made it in. “Men! Find that mage and spare no mercy!” echoed through your head over and over. Your body shivered from both fear and the cold.
****
Happy memories surge forth to try and protect your fragile mind. 
“We never cut our hair in our culture. It contains your knowledge and wisdom. That's what my mama told me, at least.” The girl in front of you leans her head back and smiles as you braid her hair. “Really?”
“Mmm-hmm. You could only cut on a new moon when you need to make a change or when you lose a loved one,” Pocohontas leaned back up and stretched her spine. “Sometimes, when the women in my tribe get really stressed, they would braid their hair super tightly and go outside on a windy day. They then undo their hair and let the wind carry away all of their worries!” 
You adored listening to your friend and learning about her culture. She was like a little sister to you. Both of you had to grow up too fast. Her face fell as the conversation dwindled. “I miss my tribe….”
****
The sounds of bloodshed continued and continued for what felt like days. Still, no one else came into the shelter. Did you fail…? The only thing keeping you awake was adrenaline and the cold as you shivered in fear. Left in pitch black darkness, hoping to survive—
****
“Some pancakes for you, Mulan.” “Thank you, Kronk.” “And for you too, Merida.” The redhead didn't wait to dig in, thanking the cook through a mouthful of food. “You too, Rapunzel.” “Ooo! Thank you.” “And finally, here's some for you, kiddo; Go on, take a bite. We did make them together, after all.”
You beamed as you bit into a pancake you and Kronk made together. The man has been your teacher in the kitchen and even taught you how to be a proper scout. He even taught you how to understand the woodland creatures within the forest. You adored the tan man and hoped to get as big and strong as him someday. You hope he's safe…
The other girls were also important to you. Mulan was a master at the sword. She carried six on her person, along with a shield that hung off her armored body. She was so kind and taught you some basic blade and footwork. She often went out on missions to help gather materials for the village. If only she was here right now…
The blonde with the long hair was also the village healer. Her hair and singing healed any wound there was. You often ended up in her care, but it wasn’t bad at all. Together, with her chameleon, Pascal, you both painted together. You would make up silly stories with her and sing silly songs. Maybe she can heal the others.
Merida, the redhead with an accent. She taught you everything stealth. Everything hunting. Under her training, you learned to hit bullseyes easily. You often went out with her to practice your hunting skills, and she’d always congratulate you no matter how small your catch was. She should be back from her hunting trip soon you hope…
****
Peaking out of the tree, you saw tents and buildings in ruins. The few vehicles and other technology your village had were either scalped or broken beyond repair. You squeeze out of your hole, head on a  swivel to check for any danger as you try to find an adult.
Sneaking slowly you trudge forth into the broken village. Beneath your feet, you step into something warm and sticky. Looking down you recognize the bodies that hugged each other in death as your parents— you can barely remember their faces any more or the name they gave you— and you fell to your knees, letting out a wail. You didn't care who heard, unaware you were being watched.
****
“A catalyst with such potential… how rare…” 
A skeletal figure watched from afar, whispering to himself. Running into a potent catalyst was lucky enough, but now he doesn’t even have to put effort into kidnapping or indoctrinating them. He can step in and ‘save’ that child.
The hooded figure approached the kid, standing behind them as they mourned. “You poor thing, all alone with no one left…” His bony hand rested on their back as his honeyed words soothed them. “There, there. I will take you in, I promise.”
****
You held the rotting, bony hand of the man who saved you. The Horned King. You allowed him to guide you through the castle he constructed with his own magic. He spoke of many deranged things in a manic tone. Politics. Power. Desires. Ideals.
Then he stopped in front of the balcony, admiring the red sunset in a grey, smog-filled sky. “The world we are in is dying. But… It can be saved.” Your eyes went wide. “It can?”
The king nodded. “I have been using what magic I have to give my men power to rebuild The Black Cauldron, a magical item that will save us. I have sent my men across dimensions and planets in mechanical space boats to seek a catalyst powerful enough to bring the cauldron. With it, I can rule over the land and bring back the magic this world has forgotten.”
“Catalyst?” You remembered the men at your village, what did that word mean? The horned king’s sunken eyes looked down at you. “A catalyst, unlike a mage, is something that can absorb magic, and redirect it. Like a magestone.” The king paced in front of you. “Catalysts, not to mention powerful ones, are rare. They can handle storing high amounts of magic to be used at a later time.”
The king turned to you. “This is where you come in, little one. I have found seven magic fragments that I cannot use. You, however, just might…” The hooded figure of rotting flesh knelt in front of you. “With your power, we can bring back magic and save the world. What do you say, little one?”
****
Spread on a vivisection table you lay, barely covered up by a hospital gown of sorts. Your chest and stomach hurt, your body was weak, and you can feel the thin, paper gown brush against the sensitive scar tissue on your body hurts. It hurts so bad. You feel your heartbeat in your ears being accompanied by a faint ringing and pulsing. What did they do to you?
A muffled groan echoes in your head, followed by the sounds of cracking and popping. ‘Oh it feels good to be back…’ a gravely voice echoes in the back of your head, reverberating in your thoughts. You can hear additional whispers and laughter in the back of your mind. Please shut up. Please. You can’t take any more noises or voices in your head. You just want some time to yourself. ‘Woah easy there kid, no need to worry…’ The voice purrs, ‘Just give me control, and you’ll be fine…’
You didn’t even know what that meant until you felt your body go slack, twitching by itself as if there was a puppeteer over you. You panicked, trying your best to fight back against the feeling of your eyes drying out from glowing or the weird blue flicker of your hair. You couldn't do much, strapped down to the vivisection table, but damn it if you didn’t try.
Odd power surged through you as you felt your body flicker before going back to normal. ‘What the hell?! Why can’t I take control?! What's goin on? Actually better yet, why am I in you, kid?’ You were too tired to answer, and the energy that flowed through your body early drained you of what little energy you had left, making you pass out. The entire time you swear you can hear a conversation within you. Your body hurts, but you remember what your savior said. “I am sorry for the pain you must endure, but know that it is necessary, and that you are strong enough,”
****
Log 3: Side-Effects
Unit Y-0U has been successfully fused with the 7 mage fragments uncovered from [REDACTED]. The child is now in recovery mode from what appeared to be an extremely painful surgery, I sadly wasn’t present at the time, however, I heard it was done without painkillers. Master said that it was to make sure the weapon becomes resilient by increasing tolerance to pain. Surgery to eliminate pain receptors: Pending.
The Cauldron Mage Unit has remarked about hearing more voices in their head than usual. These voices are apparently very rude and confused. The (Child) Unit seems disturbed. When put on anti-psychotics the new voices did not go away. This must be a simple side-effect of the casting process. I will continue to keep an eye on them
-Yzma Researcher #121000
Log: End
Personal Diary: New Entry
This child has lost all light in their eyes. As time goes on they have become more ill-mannered and rude. I do not blame them. No child deserves any of this torture. I just wonder what The Horned King is thinking, making this kid into some strange ‘cauldron born’ soldier to bring back all of magic. Fucking hell. I regret what I did. I regret working with them. Am I truly doing the right thing? Torturing a child? Ripping the wings off fae and draining them of what little magic they have left? Will this really bring back magic to our world after it disappeared? I have a lot to think about. I’m going to be sick.
If this continues I doubt this weapon would even work with us. I am going to try and sneak it some bread tomorrow, Cedric’s approval be damned. I can disguise it as maintaining the weapon and its cast. I can’t imagine what it is like to wake up in a new body. Poor kid, it doesn’t even have a proper name. 
#121000
****
The next few days were odd. You started to hear more voices… But this… This will go away. It will be worth it if you can help your savior save the world! Right…?
****
‘I see… So… I am now stuck inside you, a kid no less…’ You can see a ghost of a hand drag across the specter's face in your mind. ‘Great… Wonderful. How am I supposed to take over Olympus like this?! Did I die? Is this the afterlife for gods?’ The voice snarled in your head, making you flinch, you can feel his rage wash over you, heating the inside of your body.
‘Silence. You are giving me a migraine. I cannot believe that someone like me is trapped inside this… unsightly vessel. I swear no vessel of mine will be looking like a slob.‘ A cruel voice cuts in. Her words harsh, but true. 
‘And now I have roommates. Also, what do you mean by your vessel? I woke up first! This thing is mine, get your own!’ ‘Yeah, you tell them boss!’ you hear a few voices mutter. Your chest felt cold as the cruel voice from before became silent. Her rage, icy and cold. ‘Enough, I am not talking to an ill-mannered slob such as yourself. Unlike you, I am actually trying to find a solution.‘
An argument was brewing in your mind, and you can tell a headache was coming on.
****
‘Revived? Inside a child? Tch, it's better than that lamp I suppose.’ the voice sneered.
‘Ah Jafar, what an unpleasant surprise, you’re here as well. Hmph. So you were revived as well. What a shame…’ another voice who called herself Maleficent hissed.
‘Please don’t fight you two. I don't know what happened. I was just told I was going to be fused and woke up like this.’ It was quiet for a minute before a sigh echoed through your head. A new voice came. This one is older, but smooth and soothing despite the words she spits, but before you can hear anything you let drowsiness overtake you as the conversation gets quieter.
****
Your training got harder by the day. Magic theory. Potion craft. Alchemy. Tactics. Sword Fighting. Hand-to-Hand. Dodging. Weight Training. carrying weights for days on end without sleep. Pushing, pushing, pushing.
You were a weapon, a beacon of hope, and you must be strong. You were subjected to experiment after experiment. Regimen after regimen. “Allow them no breaks! We have no time to waste!” The Horned King speaks.
It was the last thing you remember before being attached to a machine. A machine that plugged into the flesh of your neck and kept you active. It would both rest and still train you. Not even in dreams do you escape your work. Your stomach hurts. They forgot to feed you again. Your head hurts from the strange voices in your head that have yet to clear up. Every word they speak is strangled and garbled on some days, yet completely clear the next. As you drift off, you hear a conversation
‘The gall of those mages to hit my vessel. Next time, you are to strike back- no wait. We are going to concoct a poison so potent, that two sorry excuses of mages won't see it coming. they do not know the first thing when it comes to magic anyways!’
‘They speak as if magic is foreign to them and teach poor, pathetic, elementary spells.‘ The new woman's voice muttered. ‘I think if we all long for freedom, we should teach this child how to use our magic, for a price of course…’
****
Personal Log:
I saw the child destroy the only object it had in its room the other day— a mirror. It couldn’t stand looking at itself in its new body. I don't blame it, this new one isn’t designed with any warmth in mind. Just a simple cast to help one achieve being the perfect weapon. I have heard the child scream to shut up multiple times while grasping its head in pain. The voices haven't stopped.
At least it is showing promise of power, recently it has been wielding high-power magic and is now taking on even higher-level training exercises. The weight it can now lift is incredible! Truly a worthy vessel under our king who will turn things back to the way they were before! 
I heard they are sending the child out to the wastelands to retrieve more relics. That's good and all but how are we sure they won’t run away? Their handlers refuse to treat them with an ounce of respect, and we barely feed it for the sake of ‘strengthening it just in case the weapon goes too long without food. This feels strange. How long before it gets wiser?
I guess it doesn't matter since I can simply implant better memories in them or remove those fragments temporarily and render them unable to use magic. I'm sure the King wouldn't mind me doing a biiiit of brainwashing.
Anyways, new ships capable of gliding across water and into space have been constructed. Our empire will now grow even stronger. The child will now be sent on missions across dimensions and into space. Now they can truly train for phase 2 of the king's plan. To rule the world with our Cauldron Born army. And with such a happy and kind child showing off their magic and helping villages, no one would dare to oppose us, but rather, welcome us with open arms.
- Cedrick
****
‘You must rest now, otherwise evil and vengeance will never prosper’ The dragon fae soothes you with her words as you rest in a medical tent, the last mission exposed you to some poisonous spores, giving you a fever. A warm washcloth rests on your forehead and you can feel the ghost of her fingers brush against your cheek. ‘I'm not used to just sitting around so idly…’ ‘You should really learn how, it would benefit you’ Scar interjects. You can see the specter of him stretching before lounging on top of you. Oddly enough, you could feel the weight of him on you, along with the strange heat that comes off of him. You can even hear the three hyenas rummaging around beside you.
It's so strange feeling so loved… You remember just a year ago how hostile they were to you. This insolent subject! How dare you refuse a command from me?! You remember the Red Queen yelled at you. You are to obey or it is off with your head! Now you are her ‘Little Crown’ or heir as she sometimes calls you. It’s crazy just how fast things change
****
You came to realize that with the seven in your head, you were being used. No hero would abuse their subjects like the Horned king did. He lacked transparency. He let those scientists hurt you. ‘We should burn him’ Hades replies in your head.
‘Absolutely not. That King’s followers are quite devoted. Furthermore, we are not in a position to fight back.’ Jafar notes. Scar grumbles in agreement, ‘No place to escape to, surrounded by insanely devoted minions… The effort it would take to win…’ ‘Would not be ideal…’ Ursula purrs. ‘Even with our magic combined, the poor guppy here isn’t in the ideal condition to fight.’
You roll in your bedroll within your ‘room’. An observation room in the lab with a one-way mirror taking over an entire wall. Windowless, no decoration or light. The silence and plainness of it all is maddening,
‘Isn’t strange to not take care of your weapons?’ Grimhilde notes. ‘Surely, if your plan relies on one person, you would take care of them…” Her voice became sour at the end, disgusted at the treatment you have endured. 
‘Which means, he may know about our loyalty wavering, or he knows that we may rebel…’ Maleficent notes. ‘Well, maybe he wouldn't have to worry about that if he were to have actually treated our precious crown right’! The Queen of Hearts sasses, you can hear the low clicking of the eel twins and the Jabberwock agreeing with the queen.
‘Stay on your toes, young one. Be careful. And look for an opening to escape.’  Jafar whispers to you, and you feel the ghost of his hand cup your cheek.
****
“The village people have constructed a statue of us in the town square.” The king hums. “Really?! I mean— I’ve hardly done anything…” The king looks down at you, rotting, sunken eyes analyzing you. “You have grown so much stronger than when we first met, I knew it was a good idea to take you in on that day.” 
‘Tch. What a pathetic attempt at lying. Also do not doubt yourself so much, little dragon.’ Maleficent responds. ‘All those years of dealing with this asshole probably did something to their self-worth, if only someone suggested we kill him sooner!’ You close your eyes in agreement with them. Lies. He never cared. You were just another test run that ended up making it the farthest.
‘Language, Hades. That foolish plan wouldn’t have done well, as for you Vessel. Do not talk down to yourself. I am not letting someone that represents me do such a thing!’ You smile a bit at her words, able to read between the lines to understand that what she really means to say is ‘I care about you so much’. Hades huffs. ‘Whatever Hidey… Now let's focus on what this Underworld escapee has to say.’
Oh right, there's a statue of you in your honor and a few propagandic stories of your tales to make you feel like you’re doing the right thing.  All this work just to make sure you don’t fight back. As much as The Horned King hated to admit it, you were stronger than him, and that's terrifying. No one has ever survived this long as a Cauldron Born Unit. At least, when he is done using you, you will be sacrificed to the cauldron, making him the most powerful one of all, and he would no longer have to worry about pleasing you. 
Or so he hopes. You see through him. But you will continue to play dumb and take the abuse. But… a very small part of you believes it all. You deserve to be hit. You are doing the right thing. Maybe He was right. Maybe, you truly are worthless...
****
In your room that night, you curled up in your bedroll, hiding the data crystal you swiped from the lab earlier. You were gonna get down to the bottom of whatever the hell these people were doing.
Tapping it, a small screen popped up from it. The beginning of the report was titled “Magic Extractor”. By the description, this was related to fueling both the cauldron and The Horned King himself…
Opening it you began to read, and with each line, you began to feel sick. Your stomach sunk and your heartstrings felt like they were played by a knife as you continued. You knew that the people you served were bad… You never knew it was like this.
All those fae, all those mages, those children…
Something snapped in you that day, and the seven found themselves supporting you. You are done. You are escaping. You will bring hell to all of those to hurt you.
****
“My King! Unit Y-0U has run off and escaped.”
“What?!” The Horned King yelled. “Where are they?!"
“They ran out of the lab without permission and were last seen going to the Magic Extractor.”
The Horned King fumed and immediately teleported off to you. Maybe this was a rebellious phase he needed to hammer out. You were still a kid after all. Maybe he can convince you that what you would see is what had to be done. Maybe he could just simply erase every memory you have.
As he teleported and appeared at the sight, he looked upon the ruins of what remained of the extractor. It was destroyed. Mages, mers, beasts, and fae all escaping out of the prison he built. Many were fighting the workers. The king felt rage bubble in his bones as he searched around for— you. A child amidst it all. 
In the middle of it all, fighting with those who want to fight, instructing the others on where to go. Summoning waves to carry the mer away. “YOU! CHILD. WHAT HAVE YOU DONE?!” The king roared, catching your attention.
You gripped your polearm in your hand and turned towards him. “The future you want is one I despise. I never wanted any of this!”
“Do you really think you can defeat me?! I created you!”
“And I am stronger than you.” Fae and beast stood aside as you raised your polearm. From this day on, you bow to no king. From this day on, you declare war on your creator….
….
...
You swear you hear Hades, Pain, and Panic all yell “Viva la revolution” while cheering you on…
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elkian · 1 month
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Something I noted while reading the manga that's still really interesting to me is how there's no Objectively Completely Good (or Evil) character in Dungeon Meshi. I think it interacts with Kui's really believable character dynamics, too.
Under the cut for major spoilers:
From Laios' party, we have no purely Good person. Laios is often the punchline/stooge/what have you, but he has his positive traits. The party trusts and follows him despite his foibles. Chilchuck is so resistant/bad at emotional communication that he tries to sabotage his own team (to protect them) and ended up divorced without knowing how, and almost dies because he was too embarrassed to admit this. Marcille is a mix of proud and brilliant that causes as many problems as it solves, including the whole Committing An International Felony thing and that's the START of it in some ways. Senshi's willingness to stick to his guns makes him inflexible towards his teammates in ways that can cause issues, like the Mandrake situation or driving Chilchuck to berserk rage in the trap room.
(Sidenote, I've realized Kabru and Laios are foils not just over the monster thing - an unquenchable passion that drives each in their own way - but because of their team leadership styles. Kabru is very personable, but as mentioned in my prev post linked above, Laios is knowledgeable about team synergy and skills. Also considering his interaction in Marcille's nightmare, Laios tries to take his team's emotions seriously, he just isn't always the best at it because he's assuming from himself as a baseline, and that's just not accurate to most non-Falin and non-Senshi interactions. (And even some of those.)
My point is that while charisma is the basis of Kabru's MO, Laios isn't incapable of caring about his team and understanding them, it's not not as obvious because he goes about it in a different way.)
It's been noted before, but both Thistle and the Winged Lion aren't totally evil. Not only are they sympathetic, but they have virtues in their own ways.
Thistle's greatest crime was loving his family too much, and it is a tragedy of literally epic proportions, kicking off the entire series. His methodology is suspect and involving the WL was doomed from the outset, but his intentions were legitimately good. The kingdom's citizens even begin sort of forgiving him or at least trying to accept him at the end of the series, which is really touching. There's a lot of debate over the concept of redemption arcs, and to be frank, I don't think it's possible to redeem Thistle's actions at this point, but that doesn't mean he's narratively required to die in isolation. If anything, that would contradict the communal elements repeated in the narrative. It's the citizens' choice to forgive him, not a requirement. It's not exactly a surprise as the series was closing on a happy ending for all involved (aside from WL ig) at that point, but it's still nice, and it wasn't a lock.
The Winged Lion may never have had the capacity to be Objectively Good, as an eldritch being with no basis in humanity or the physical world initially, but the manga takes the time to show the WL bemoaning the loss of followers, the loss of potential "flavors". Although the WL has immense power, that power is -not unlike the Genie in Disney's Aladdin now that I think of it lol- bent to the whims of creatures that WL simply doesn't and will never have the capacity to truly understand. WL also doesn't seem able to interact with the physical world on most levels until the ending, requiring a snowballing of power and the reaving of reality itself before the Winged Lion can really affect the "world", and arguably it can't be the purely physical world at that point in order to be interacted with. The Winged Lion is antagonist and overlord, yes, but also a victim in a sense. Like Thistle, redemption is impossible. Unlike Thistle, forgiveness and cohabitation is also impossible. It's not the WL's fault. I kind of think of the WL as like a bear or other wildlife that has developed such a taste for human food, garbage, etc. that they will keep breaking into houses and dumpsters no matter what. There's no infrastructure available to rehabilitate the WL, to return the Winged Lion to the eldritch plane it once inhabited. Only the WL could choose to do so, I think, and notably doesn't. Still, I can pity the Winged Lion like one does the bear that gets shot for breaking into dumpsters and biting humans in the process.
Anyways, many more examples abound, but it's a fascinating element to an already complex and fascinating story.
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Can someone please explain to me how Disney’s Descendants had Hades (before he was revealed to be Mal’s father) going from looking like this in the cartoon shorts:
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Extremely accurate to his original design. No fire hair since I guess he’s supposed to look more “normal and human-like” but at least the hair style suits him. Looks like a slicked back, sleazy business man hairdo lol.
To frickin this?:
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Looks NOTHING like his original design (not even with the hair) and hardly acts like the original Hades (he acts and dresses like a washed up rock star rather than a sleazy, bitter used car salesman, I could tell they tried to make up for it with him being all sarcastic and sassy, but it didn’t have the same effect the original Hades had).
So bizarre to me lmao. I mean, I know the original Hades is hard to replicate since his facial structure borderlines inhuman, but c’mon. I’ve seen the live actors at Disneyworld and Disneyland and I’ve seen cosplayers that do a better Hades than this. I know this is basically a big ol “modern fairytale au” of the Disney universe so everyone looks fairly human, but I mean, if you can’t look like Hades then at least ACT like Hades, y’know?
But then again, I’m not surprised because a lot of the original villains in the Descendants series were ooc. Like Cruella was no longer this snobbish woman who loves all things fashion. She was basically insane. Talking to a fake dog plushie and acting crazy while also having a huge fear/hatred of dogs. Maleficent was no longer the mistress of all evil, very regal and refined, and scared you out of your wits with one look from her. She was turned into this silly, quirky Broadway singing villainess that was obsessed with power. So…yeah, as I said, doesn’t surprise me that Hades’ personality changed in the movie series. But still as a Hades simp, I would’ve really liked to see Hades portrayed accurately.
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vampirealpaca · 3 months
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My thoughts on the pjo show (now that the season is over) (this is going to run long) Overall Rating: 8/10 :
Ok first of all, I actually LOVED the show and the cast is literally awesome; I do have some thoughts and feelings tho.
The GOOD :D
The visuals were eating ngl
THE CAST!!!! they literally were amazing cannot stress this enough
I think a lot of the changes were handled super well, especially Medusa (although I don't love all of the changes...see below in the next section lol)
I LOVED the set design for pretty much all of the scenes!!! Like the set & costuming was literally so good; sometimes it looked a little Volume-y but I think it's ok since they also clearly did a bunch of on-location stuff
Driving scene was literally so funny like no notes on that + the acting was On Point pretty much All of the Time.
I actually think they slayed with the special effects
Pretty accurate! (overall a waaaaaay better adaptation than the movies)
BLUE FOOD!!!!
More Sally content was awesome!! And I cannot stress this enough the ACTORS WERE SO GOOD in their roles!! Like I think they were the perfect choices ngl and I hope to see more of them in season 2 (if we get one, idk if its greenlit yet)
I also liked how they focused on Grover's character more (lowkey my fav now)
Genuinely had a great time watching the scenes from the books I've loved since Forever come to life onscreen!
The character dynamics were GIVING
Loved getting more info about Percy's backstory
The way they showed the Mist was honestly so cool!! This might be filed under Visuals but still...it was so cool
Fight choreo fluctuated, but I liked the Percy vs Luke fight (altho the scorpion erasure ;-;)
Again the chemistry with the actors like adkjhfdkjdfkjhdfjkhk I think the acting may have been my fav part honestly lol
All of the easter eggs for the fans!!
Rick's subtle rewriting of the story was sometimes very cool! (Like with the water grabbing Percy etc) --- you can definitely tell that he's thinking about how he'd change the story if he were to write it today
...HOWEVER i have gripes :(
THE LIGHTING WAS TOO DARK IN NIGHT SCENES!!!! HATE THAT TROPE WHY CANT I SEEEEEEEE (looking at u medusa scene)
I feel like they should've fallen into like…at least one trap without Knowing Everything about it. Like, I get the Medusa change and am pretty on board with it, but I feel like a few of the other changes weren't really necessary & messed with the stakes. A lot of the time it felt like I was watching them explain "Oh you're THIS person so you will do THIS so I will do THIS" instead of like...showing me.
Not enough blood (this is prob a Disney problem, not the show creators fault but like...cmon Disney...they have swords, let the children get More Injured...they are Fighting for their Lives)
Felt kinda...dryer than the books? idk how to explain it...like it felt like there wasn't the same Vibes in some parts if that makes sense, like they switched out a lot of funny moments (esp with how they changed Charon and the Crusty scenes lowkey im bitter)
the tone was definitely sometimes waaay different from the books (like it was way more serious I think, which is good sometimes and less good other times)
Idk if this is 100% true bc my last reread was a few months ago, but I think they separated the main trio more than in the book (?), it felt like they were duo-ed with diff members for a lot rather than building off of their main dynamic -- they had some trio moments but ig i just wanted more (again, I could be wrong on this one tho)
Lotus Casino not really being as Fun (the pumping lotus flowers in the air was a cool detail tho!)
It generally felt like they took a lot of the funny parts in favor of talking more about how messed up the gods are (which I liked sometimes!! but the kids are 12 let them have more funny moments too yaknow) (Rip the Died in the Bathtub line...gone but not forgotten)
I really didn't love the changes that made the story feel more Cliche and Basic (the ones that annoyed me were changing the entire DOA to just Some Standard Death Eater Looking Fellow & Annabeth's interactions with Cerebus being completely changed)
Mixed feelings on Gabe...I wanted him to be more evil at the beginning but I get why they changed it ig. Plus he was literally so funny when he (spoilers?) got murdered by opening someone else's mail. That's what happens when you commit a federal crime ig.
General Character Thoughts:
PERCY: Walker Scobell was such a good casting call... like you can tell he really cares about the books & getting the character right. Acting was on point, sass was on point (but I do wish he got to be sassy a bit More); Really gives off the energy of Percy Jackson and definitely was AMAZING in this role!
ANNABETH: She was spectacular in this role!! Leah got literally all of Annabeth down to a T --- her kindness, her pride, her wisdom, etc etc without resorting to any kind of "stock smart girl" vibe. She was literally SO GOOD! I loved seeing her talk about her dad, and the detail about her not having seen a movie is such a mood and so in-character lowkey. Leah really nailed Annabeth's dry humor and general vibe like dfajkhfdjhkfdhjk
GROVER: He was my favorite! Like, his acting was AMAZING fr!!! They brought a lot of newer things into his character that I think worked really well & it definitely strengthened his characterization --- he was also really funny & so sincere I just loved his portrayal of Grover!
HOWEVER I think some of the arcs are shakier since the characters didn't struggle as much, since they were figuring out a Lot of things
Overall, I took 2 points from the rating because the Spirit and Humor weren't fully there and I felt some of the changes made it feel less like the OG and more cliche (looking at u Charon). However, the great acting, pretty slay writing (except for the tone stuff), Vibes, and all the other stuff I think they did right pulled through to get it ranked a little higher lol. Plus, I liked it, even if I didn't like all of it.
No hate if u loved the show adaptation tho!! Feel free to disagree, these are just my thoughts lol. I really genuinely hope there's going to be a season 2, although I would like if they fix a few of these problems in that potential season (please...let me see what's happening in the dark scenes...please...)
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ordinaryschmuck · 8 months
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So I finally saw Pixar's Elemental.
A projected box office flop turned frickin' SLEEPER HIT as this movie went from Pixar's lowest opening weekend to one of Disney's biggest financial hits in a WHILE. There are arguments as to why this happened, with some saying that it's because good word of mouth made more people want to see this movie more, while more CYNICAL individuals saying that it's because other choices at the time were either The Flash or Ruby Gillman. And whether you like THOSE movies or not...other people tend to agree that Elemental was the better choice. The question is, where do I stand? Do I think this movie was so good that more people went to see it or was it just a bit of good timing?
Well...Honestly, I'd say it's really that good. Or, at least, ALMOST that good. The meat of the story is about immigration, where this fire family moved to Element City, only to realize the town wasn't built for people like them in mind and their left struggling to make a life there with their community having their full support. Needless to say, this is definitely a movie with a specific target audience in mind and it's an engaging angle to go about the concept of sentient elements. And it's definitely more interesting than being a romcom about how opposites attract. Don't get me wrong, Wade and Ember have their cute moments, but not enough to sell me as a couple as they don't have enough chemistry (ha) to make something endearing. By the end of the day, I find myself fascinated more by Ember struggling to make her family proud and keeping the light (haha) of her heritage alive despite the things she wants to do with HER life. Ember finding a man? Nah, I could be fine without that. Especially when the movie does the whole "We're in love despite knowing each other for a few days" thing. Not my cup of tea when it comes to romance...
But where the story tends to struggle, where Elemental succeeds in is the animation. I'm sick of this belief that Pixar having great animation isn't a compliment anymore, because LOOK at this film! It's one of their most gorgeous projects to date, having breath taking visuals, fantastic expressions, and movements that nail the physics of fire and water PERFECTLY. Did a story about immigration or opposites attract NEED to be animated? Probably not. But a story about fire and water falling in love? Absolutely, because while the story doesn't do that opposites attract concept justice, the animation does. There's this great scene where they touch for the first time and, visually, they perfectly capture that fear and excitement that comes from holding the person you love for the first time. It's sight to see, and I was left in awe through so much of this movie because of it.
In a way, I can totally buy why people went to see this movie, making it the hit that it did. The immigration side of the story had to have struck a chord with so many people and the animation made the love story more beautiful than it had to. That combined had to have been elemental to the films success.
I just hope studios learn something from this film.
"That you should leave movies in theaters longer to make them a success instead of throwing them onto streaming?"
THAT, and that the only way this movie exists the way it does is through the HUMAN experience. Only a human can convey the feeling of wanting to move to a new country, wanting to make a life only to feel as though they don't fit in. Only a human can accurately convey the beauty of love through the beauty of fire and water.
Computers can NOT. You can use AI all you want to make movies with NONE of the heart and talent that make hits like these. But studios will quickly learn that none of that will lead to a financial success like this.
(And if you're wondering where this stacks in my Pixar ranking, I'd say...#15. Right between the first Toy Story and Turning Red)
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