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#but I still love them though
jamrroll · 1 year
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Genshin Impact’s Self Sacrificial Little Bastards:
(Aka the playables whose skills cause HP loss and make my head want to explode. Respectfully.)
Xiao: I love you honey, but you gotta stop literally trying to get yourself killed. Please and thank you! 😊
Kuki Shinobu: What is even the point of literally slicing yourself open? Can’t you do the skill without that first step, or are you really just that clumsy? I wouldn’t be surprised if Kuki here has pulled this stunt so many times it doesn’t even hurt anymore.
Hu Tao: You do realize you can’t do business on yourself, right..?
Dehya: Honestly, Fake Cat Girl II here already makes my head want to explode, so what’s a little more?
(Could you tell I listed them in order of how much I care about them? Hu Tao would’ve been last, but then Dehya happened so..)
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egophiliac · 2 months
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What do you like about the Diasomnia boys if I may ask?
I always love hearing about the different reasons people enjoy characters.
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I mean, c'mon. he has split custody over Sebek okay
also, Lilia in particular has maybe the best timeskip character development of all time
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#art#twisted wonderland#twisted wonderland spoilers#twisted wonderland episode 7 spoilers#twisted wonderland book 7 spoilers#twisted wonderland episode 7 chapter 4 spoilers#twisted wonderland book 7 chapter 4 spoilers#stage in playful land#i hope this is legible whoops#anon i am sorry but you made the fatal mistake of asking me to talk about diasomnia#insert 'i just think they're neat' jpg#i do like the other characters a lot but they are definitely my favorites#they just hit a lot of my favorite things in characters i guess!#yes even you sebek even though you keep shrieking NINGEN at me#(it's okay he gets Character Development™ later)#and their dynamic! it's great! these guys frikking love each other SO much and they WILL have terrible terrible angst about it#ohoho delicious#give me all your emotional hangups baybeeeee#also somewhere in there i went from 'i like them all equally (but lilia is the most fun to draw)'#to 'lilia is absolutely my favorite (and still the most fun to draw) (EVEN MORE fun now thank you swishy ponytail!)'#(it was probably when his candy coating got a little scratched and whoops all the tragedy fell out)#(where's that 'get loved loser' post because i need to staple it to lilia's forehead)#i am extremely bad at putting things into words so please don't ask me to explain it any further#just know that the diafam is everything to me and if we don't get more episode 7 soon i'm going to crumble into dust and blow away#we'll be getting the crowleytimes on monday and maybe there will be. idk. some foreshadowing or something in his groovy#probably not but LOOK i'm desperate
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zoe-oneesama · 5 months
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Some "Special" Girls! And the late girls.
Ko-fi | Patreon
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poorly-drawn-mdzs · 5 months
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Bonus 8: How met your mother (CSSR design by @qourmet!)
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#poorly drawn mdzs#mdzs#cangse sanren#wei changze#jiang fengmian#It was important to me that WCZ had the hereditary mole. I will die on this hill.#I have been *waiting* for the day to finally arrive when I could finally make this comic. It's been marinating for months.#My mission is to redraw all of qour's character designs one day. They are just *that* good.#CSSR has the vibes of a wandering menace who shows up in towns like a stray cat arriving at a new doorstep for treats. 10/10.#While YZY strongly leads us to believe that JFM was in love with CSSR and that's his whole motivation behind taking wwx in-#-I do think this is (once again) rumour being presented as reality. It's the juicer story to tell after all.#It is still possible that he did love her! But I think that story undercuts the relationship he also had with WCZ.#Yall ever think about how JC and WWX parallel their fathers? How Wei Changze also left the Jiang Leader's side? I do.#Unlike JC though It is far more hilarious and plausible to imagine JFM begging to be CSSR and WCZ's third. You know he would.#My wild headcanon is that JFM and YZY are in a mlm and wlw arranged marriage situation. Deeply unhappy as partners. Better as friends.#they care for each other and I'll admit that there is a beautiful tragedy in them having romantic feelings for each other the whole time.#But I am also here for the gaffs. Let them be unfulfilled homosexuals together.#Meanwhile cssr and wcz are having incredible hetrosexual sex in a bisexual way that WILL leave him pregnant by the end of it.
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I’m really curious how you would draw the Five Missing Children.
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Technically I’ve drawn them! Only the movie versions though, sometime I’ll do the game ones too!
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daftmooncretin · 4 months
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imagine being scotty in tos. every day your friend group goes on dangerous yet exciting adventures to new planets but you can never go because they always make you babysit the ship. also you have to stay on facetime with them the whole time in case they need a lift. you are the eternal designated driver. the seventh wheel. you dont mind as much as you should though because you sort of want to fuck the ship
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devilart2199-aibi · 17 days
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Time to change up this tune, baby! ‼️🎶💥
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haluton · 8 months
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No you don't understand how important the gay people in my phone are to me
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mobius-m-mobius · 16 days
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#so unserious 😂💖
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ruporas · 1 year
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i’ll find you again in every universe. let us be a little more honest, let us have a little more time.
#vashwood#vash the stampede#nicholas d wolfwood#trigun#despite it all though badlands rumble is like. the only universe where we get wolfwood thinking vash died first... and i think that means a#lot to their relationship and how it may bloom if there was more to badlands rumble considering vash literally saw wolfwood carrying a piece#of vash after his supposed death. u know! despite the short time they were together vash still meant so much to wolfwood that he couldn't#just move on or forget him in anyway. needed to keep a piece of him for himself and the rest of his days. but ofc vash lives and wolfwood#was like ill beat ur fucking ass into tomorrow. there's just so much honesty in vash being able to see that gesture bc he wouldnt know#otherwise just how much he might mean to him. ANYWAY. trimax with with the eternal pining featuring the two chapters where imo#where the both of them really fell for each other... i wrote my thoughts about this on another comic i did before#but vash solidifying his feelings during the hospital arc -- ww solidifies his when he realizes his allegiances are permanently with vash#98 my lovelies but also to me they are so one-sided bc ww pined like no tomorrow and vash only realizes after ep 23?24? his heart did tickle#whenever ww complimented his smile though#and tristamp vw my beloveds. it really just feels like they get the  chance to be closer and closer and more honest with each other#with every version that comes about. in trimax they knew how little time they had but struggled so desperately to get closer. in 98 ww felt#more willing to forsake for vash. in badlands rumble theyre Angry but as mentioned earlier ^ more blatant truth... due to circumstances#mainly but has the chance to lead to discussions and tristamp literally. first day of knowing each other ww saves vash - 2 days later vash#saves ww like. Man. AND NOW THEY MAY POTENTIALLY GET EVEN CLOSER!!!! with s2....#ruporas art
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truly we are in the midst of a Tennaisance
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thatkoiboi · 7 months
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Sleepovers with April are the best! ...and normally accidental-
omg also i binge read dandy's "i may be invisible, but i still look good" and the reference is random but i needed it cause it was funny in the fic and references are my data collection-
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kaladinkholins · 2 months
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
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And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
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Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
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And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
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Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
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Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
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And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
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But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
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On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
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Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
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And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
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But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
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So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
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This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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ladykeyleth · 3 months
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soymikki · 1 year
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Espers in Ekubo🔴Land
Honestly when I first saw the Oshitoame collab art I couldn't help thinking the rollercoaster looked a bit emptier than it should. They've been leaving poor Sho out of official art for a bit so i drew up a comic to compensate
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andromeda3116 · 1 month
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one thing that i've noticed and begun to seriously appreciate upon rereading the watch novels is --
sam and sybil are not in love when they get married.
they like each other, but they aren't in love. and i think this is why sybil seems to be kind of in the background of men at arms and feet of clay, like, sure, she's his wife and he appreciates her and cares for her but he doesn't love her -- yet.
and i think it's the knitting moment at the end of jingo when it happens to him. like that john green quote about how you fall in love slowly and then all at once? i think the moment when he comes home and she's been trying to knit him socks but she's no good at knitting and so it ends up being a scarf instead of socks -- i think that's the "all at once".
and then after jingo, suddenly sybil matters more to him, appears more in his thoughts, he's so proud of her in the fifth elephant for everything she does (she is such a badass in the fifth elephant), and it's the cigar case she gave him that is what he longs for amd desperately needs to hold onto in night watch, the memory of her. she's much more important to him and his perspective in the later watch books, and yes the doylist interpretation is that sir terry developed the relationship more as he grew as a writer because he didn't feel like he was very good at writing romance, but i like the watsonian interpretation --
that sam vimes was not in love with sybil ramkin when he married her, but instead fell madly in love with her along the way.
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