Tumgik
#but hes still one of the characters that means the most to me
iamespecter · 2 days
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TADC OCs: "The Die Quartet"!
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"Oh but Ziku, who are these very handsome die?"
Well I'm glad nobody asked, because that would ruin the joke!
The Die Quartet are OCs of mine that I created for TADC, and for what purpose? Well, they're the minds behind show's music!
Hidden just behind a corner or two, or four, These obliviously mischievous and enthusiastic quartet play whatever music they can, one that certainly matches the current "mood" of what the cast is going through. Meet Cuba, Dodeca, Tetra, and Octa, The Amazing Musical Performers, for The Amazing Digital Circus!
LORE AND BOUNDARIES UNDERNEATH THE CUT!
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When the Circus was initially created, it was feeling too barren for a place that's meant to be "lively". And so, Caine went and copy-pasted himself four times, while replacing the heads with some die props he found on the floor, retexturing and adjusting their bodies, to fit their new roles.
A little bit of a code rewrite to make them able of producing any sounds all on their own to be musically intertwined, and the quartet was basically ready to go: but there's only one problem.
Caine completely forgot to remove the admin privileges from their code.
So once the four spawned, they immediately began floating around, dancing and creating the main theme for the circus, and did it all perfectly. So Caine decided that as long as they don't interfere with anything major in the circus and did their job as the musical minds behind the show/game's soundtracks, he doesn't really care about fixing this error and would rather let these four run rampant to create more songs.
Ever since then, the Die Quartet has been messing with every circus members, most of the time playing obnoxious music that fits the "current mood". You'll even see their canes dance to the tempo they've set, like some backup dancers.
Think of it like: You now have x4 Caines with dice heads, flying and snooping around, so that they can "improve the mood" with their music! Ain't that swell??
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(But really, all they do is just annoy the Circus members just like Caine does, for the better or the worse. Probably the latter.)
Fun facts about the Die Quartet!
Even though they've all been created at the same time and share the features of a die, they do not consider themselves as "brothers", and only see one another as colleagues instead.
Their names are related to the type of their die: Tetra (yellow), Dodeca (purple), Cuba (red), and Octa (green).
Despite being reused assets of Caine himself, they have distinct personalities that separate them from each other: Tetra is more joyful and playful, Dodeca is a more dramatic/theatric and over the top, Cuba is the natural lead and more stern than anybody, and Octa is the more closed off of the gang but willing to provide his best.
Yet, they all still lack awareness of personal space and boundaries just like Caine, and WILL be intrusive towards anyone they set their sights on, with the intent of predicting their mood and setting the current situation perfectly in musical form. (ex. if a character is sneaking, all four will follow "cautiously" behind while one imitates/pulls out a tiny piano playing to the theme of "tip-toeing". You know, like a cartoon gag.)
Although they can perfectly imitate ANY sound or instrument imaginable, They'll still pull out a "physical" instrument if the gag calls for it.
BOUNDARIES!
You can pretty much draw fanart of them! In fact I would REALLY love to see it and I encourage it! Really, just don't claim them as your own, or steal their designs.
NSFW of them is accepted, but please keep in mind that I have an SFW blog. Which means THERE ARE MINORS. Show them to me privately instead, I'd still love to see it <3
While NSFW is accepted (privately), please make it a morally decent one, because I don't really wanna see some disgusting stuff. This pretty much includes: non-con, scat, etc.
Aside from that though, I hope you all enjoyed these four! I really love how they turned out, and would love to draw them more. I was initially hesitant on showing my TADC OCs because I don't think people would like 'em, but fuck it.
My boys, they deserve to be seen even if just by a few people on the internet.
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yesimwriting · 2 days
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Noble Only in Blood
A/n house of the dragon rewatch era <3
Summary: There are very few things you wouldn't do in order to save your brother.
Warnings: me writing for a character for the first time, targaryen incest (reader is rhaenyra's daughter), reader is described as not looking like her brothers and having valyrian features, forced marriage, slight miscommunication trope (i know,, bare with me😭)
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In times of crisis, it is instinctual to hold onto what is dear. If one has reason to believe that a thief has crossed their path, it is logical for them to reach into their purses and pockets, to make sure that what they care for most is still safe. That same impulse is what guides your hand forward, your fingers curling around Lucerys's shoulder.
After a breath, you realize that Luke has allowed himself to shuffle back, a subtle acceptance of your attempt to comfort him. That startles you more than the sudden appearance of a familiar face. Luke's distaste for what he considers 'sisterly coddling' has grown steadily over these last few years, the threat of war only amplifying his desire to shed the last few layers of protection you're able to offer him.
"It's alright." The response borders on hollow, your voice ringing flat in your own ears. You press your lips together. So Aemond beat your family to Lord Borros. That's...That means very little in the grand scheme of things. You and your brother came here to present an offer, not to begin a war. "You are here as a messenger, not a warrior."
He nods once, eyes still trained on your uncle. Even though Luke's in front of you, his stiffness is reminiscent of a time in which a conflict with Aemond meant running to you, meant attempting to hide behind you until you could either tell him off or call for your mother.
Aemond takes a measured step forward. "Really? Is that what you're calling your attempts to steal my brother's throne?"
There's a muted sharpness in Aemond's voice that feels distinct to anything you've seen from him before. This is not a burst of fury fueled by petulant indignation, this is a flash of a rage sustained by an all engulfing flame.
Your fingers press into Luke's shoulder. The sooner he's returned to the sky, the better. "I was only offering an explanation."
"The ever honest princess." Another step. "I have had enough of your brand of honesty."
Your lips briefly part before pressing together again. There is no worthy response, not with the way Aemond's watching you, expression too unforgiving to be about today. Something small and familiar attempts to dislodge itself from your throat, an echo of the apology that failed to salvage any friendship between the two of you years ago.
There's a beat of nothingness that serves as a form of recognition. Aemond straightens. "While I am accustomed to your self righteousness and defense of Lord Strong, even you cannot think you'll get to walk away after what you both attempted."
At that, Luke straightens, shoulders lifting in a way that encourages you to release him. "Leave my sister out of this." He steps forward, planting himself firmly between you and Aemond.
"Luke."
He doesn't look back at you, but your tone does seem to remind him of the importance of deescalation. "I am not going to fight you."
"No. That would be no challenge." Your fingers curl into your palm with such tension you can already feel your nails imprinting your skin. Aemond raises an arm, hand moving to pull off the patch that covers his lost eye. "I want you to pluck out your eye as payment for mine."
Luke shuffles back, head snapping in your direction. His eyes only find yours for a brief moment before he's straightening to face Aemond again, but it's enough for you to see the dread tinging his put together demeanor. His lips parted, his brows furrowed. That same little boy that always trusted you to know how to stop a game from going too far.
You squeeze Luke's arm, a silent promise, a guarantee that you'll--that you'll what? That you'll return him to Arrax unscathed? That you'll find a way to save him? This isn't the same as the faults that were dismissed as an unfortunate yet dismissible consequence of childhood roughhousing.
Blood has been divided, the rightful succession questioned. The children of rightful heirs have faced worse than what Aemond is attempting. Political divide changes things. Standing on the brink of war, you have no defense. There is no predetermined safe territory for you to rush Luke to, and yet...
"You are not taking my brother's eye." The authority bleeding into your voice provides a lifeline. You have nothing to stand on, not here, and yet the firmness of your statement manages to pulse through you.
Aemond presses his lips together, a sharp smile that's too cruel to be reduced to something as simple as sarcastic briefly taking over his expression. "Sister. Brother." He lets out a breath, radiating an assurance that turns your stomach. Aemond turns his head, his full attention falling onto you. "Surely you've seen your own reflection."
The jab should fall flat. As the only one of your mother's children to be born with features that reflect a more traditionally valyrian appearance, snide comments implying that your brothers aren't truly your brothers are far from new. Even if they're right, it wouldn't matter. Your brothers came from your mother, same as you, and even that isn't the only reason you care for them. They're your family. However, Aemond's smugness makes the comment hard to bear. He's indulging in the power he has over the two of you.
"Call him what you'd like," you say, "You're not going to touch him."
Aemond tilts his chin downwards to make it easier to watch Luke. "Do you always need your sister to defend you?"
Luke lifts his chin slightly, shifting his body forward. "There is nothing to defend. We're leaving."
The excuse to end this interaction offers you a wary sense of relief. You're not convinced that Aemond will be willing to let the two of you pass so easily, but Luke's presented an excuse to allow everyone to walk away before tensions can rise further.
Luke steps away from you, making a point to walks towards the left. Once he's a few paces away from you, you start to walk away as well. You keep your eyes trained on the back of Luke's head, as if that will keep the window from closing.
"I am owed a debt."
You turn on your heels. Luke's farther away from Aemond now, a fact you're grateful for, but now you're practically directly in front of him. The proximity throws you more than it should. The last time you were next to Aemond, the two of you were still friends. He's--you're not sure you've ever noted how tall he's gotten.
You press your lips together, dismissing the feeling. If anything, his height is just another reminder that no part of the boy that used to read with you in the library remains in him. "It will not be paid with my brother's blood."
The silence between the three of you is heavy. A part of you thinks the safest course of action might be grabbing Luke and making a run for it. An escape attempt that hasty comes with its own risks. Aemond is more determined than you've ever seen him. And you can't even truly blame him for his anger, for his hatred.
Aemond has to bear the consequences of a moment's mistake for the rest of his life. Luke took his eye, and when you defended him, you stole his trust. But allowing him to hurt Luke is the kind of cruel justice that resolves nothing.
"Aemond, I'm sorry," the genuineness of the statement knots your stomach, "About what happened." You pause, not completely sure where you're going with this. "You didn't deserve it, but that doesn't change the fact that you're taking advantage of a situation. This isn't justice it is...abuse."
He's quiet, and for a long moment you start to think that you've tugged at the wrong thread and now everything's going to unravel.
Aemond steps forward. You force yourself to stay in place. Luke's a few steps away from Aemond, and if things change that might--that might mean something. "How virtuous." His focus weighs on you enough to force the air out of your lungs. "Then tell me, my princess, how do you suggest the debt be paid?" Aemond takes another step towards you. He's so close now that you have to tilt your chin upwards to hold his gaze. "I wonder how noble you'd be if you yourself were on the line."
The meaning of his words take their time to sink in. Something hard lodges itself in your throat. You swallow in an attempt to dislodge the feeling. "My-My eye?"
"No, little good would come from it." He studies your features with such an openness you have to resist the urge to shrink in on yourself. All you have is your ability to stand firm. "You're worth more unscared." Aemond lets out a breath. "Maybe a wedding is what this family needs."
"What?"
If Aemond thinks anything of your shock, he gives no indication of it. "Marrying Rhaenyra's daughter will only strengthen my family's claim to the throne." The accuracy of the statement turns your stomach.
Noble women are regularly married off as solutions for these kinds of conflicts. It's a way of unifying dividing lines. You do not desire war, nor do you think a hypothetical marriage between you and Aemond would truly fix anything. However, the thought of being used as a political pawn to aid your mother's usurper, makes you want to crawl out of your skin.
Aemond also detests you. Marriage is more often than not about duty. Your mother has never kept that from you. The only thing she's ever assured you of is that when the time came for you to be wed, your match would be compatible. A happy marriage does not begin with love, it begins with respect and an understanding of your duty.
Anything Aemond's trying to force you into wouldn't be that. This is about vengeance, about hurting you and your family even if he has to bind himself to you to do so.
The two of you are trapped. You have no allies, no significant weapons unless you count the two dragons that stand no chance against Vhagar, and you are standing in front of someone demanding to hurt your brother. If this is the only way to guarantee your brother's safe passage back to your mother...
"If I--if I agree...you'll forgive my brother of any debt owed?" The question makes something in your chest ache. "You'll let him go?"
There's a beat in which Aemond's eyebrows seem to draw together, but he returns to neutrality so quickly you're not sure if you've imagined it or not. "You have my word."
"No," Luke's voice is right in your ear. It's his turn to grab your arm. "You can't have her."
"Luke..." His fingers wrap around your forearm, his hold on you growing more desperate. "Luke--listen to me."
He shakes his head. "No." Luke straightens his shoulders, something determined flashing behind his eyes. "No, I can't let you do this."
You turn, placing your free hand over his arm. "I will not risk your safety." He begins to protest again, but you stop him, "Go home and explain the situation to Mother." Luke places a hand over yours, a final attempt at convincing you to try anything else.
"Yes," Aemond echoes, "Go and tell your mother that the girl you consider a sister has to pay for your debts."
Luke turns his head. Despite no longer being able to see his expression, you can feel his anger. "Luke." His stillness is not enough to distract from the fight behind his eyes. "Do you trust me?" It takes him a moment to look away from Aemond, but once he does he nods. "Then I need you to go."
He doesn't exactly relax, but he does let out a breath. You pull your hands away from his before enveloping him in a hug. "It's going to be alright." It takes him a moment to think to place his arms against your back. Luke squeezes you in a way he hasn't in years, holding onto you like you're his entire world. "I will see you again."
You carefully shift back. Luke follows your lead, letting his arms fall to his side. "Yes," he says, eyes briefly shifting back to Aemond, "I will."
"Okay." The word feels fragile. "Go back, be safe."
Luke's eyes are glossy as he nods. If things were normal, he'd playfully scoff at your warnings. "I will see you again."
You nod, and Luke finally turns. He walks away, towards Arrax, towards safety. Whatever was keeping you steady seems to leave with him.
You're allowed a brief moment of silence, of grief, before Aemond speaks. "We'll ride back before the storm begins." In your panic, you had not noticed the clouds overtaking the sky. You think of Luke, riding back alone in the rain. Aemond sighs. "Your sacrifice has not been in vain, it will be some time before the skies make a turn for the worse."
Aemond's ability to read you digs at the back of your mind. It'd bother you more if his reassurance was less needed. You're not sure you can trust your voice, so you nod blankly.
He begins to walk forward. You cannot will yourself to move until Aemond's already ahead of you.
The sight of your dragon quells the loneliness hollowing your chest. Your family is far from you, but Starfyre is still by your side.
Not only are you glad for Starfyre's comfort, you're also thankful for the control of being able to ride on your own. A small part of you is also relieved for the excuse to avoid Vhagar.
You've loved dragons for as long as you can remember, and you've been wary of the larger ones for just as long. It's not exactly a fear, you've just always felt the need to admire them from afar. Even as a child, before Aemond had been able to claim Vhagar, you only wanted to observe her from a safe distance.
No one's comments have ever been able to make you wish that Starfyre was different. Her smaller frame makes you feel more in control when you fly, the two of you melding into one as you approach the skies. She's swift, too, her size allowing her soar through the sky like an arrow that never misses its target.
"I'm sure you'll find a way to keep up on that...runt of yours."
How dare he? He knows what Starfyre is capable of more than most. As a child, her speed fascinated him. A knee-jerk reaction is forced past your lips, "The last thing about this arrangement that should concern you is wether or not Starfyre can keep up."
Aemond pauses, turning to face you. Instead of attempting to insult Starfyre again, he asks, "And what should concern me?"
His words are tinged with a cruel sharpness, a silent warning to watch yourself, to not make threats you cannot follow through on. "You should be concerned that you are full of such spite, that you are willingly entering a union with someone that you have detested since--"
Aemond takes a step forward. You shift towards Starfyre, placing a hand against her side. "Since the day I lost my eye?" Another step. "Since the moment you lied to my father to protect Lucerys after what he did?"
The reality of what happened that day hits you in the chest with enough force to knock the air out of your lungs. Your vision begins to blur. "He's my brother, Aemond."
"And I was your friend." The words come out hard and fast, his voice nearly breaking on the final syllable.
The honesty cracks something in your chest. Helaena, who you loved, often left you in favor of a world that you couldn't always follow her to. The other boys, who had once let you run around with them, outgrew you. But Aemond--Aemond was always yours.
Aemond scoffs. "You cannot pretend that what you did was enough to make me loathe you. I wrote to you." The letter, one detailing his new reality and desire to speak with you, has been a secret of yours for years. You've kept it tucked between the pages of your favorite book, only taking it out to reread in the middle of the night, with the rest of your family fast asleep. "And you never wrote back."
You blink in an attempt to clear your vision. "I did." The confession burns as it crawls up your throat. "But I couldn't bring myself to send you a raven."
"Because this--" Aemond moves forward in long strides. He's directly in front of you before you can think to move. He turns his head, making it impossible for you to not see his scar in its entirety. "I repulse you."
Is that what he thinks? You remain unflinching, allowing yourself to take in his scar and the appearance of his sapphire eye openly. "No." There has to be some way to put it into words. "I-I couldn't bring myself to speak to you. After the way we left things--After what I had done--I was repulsed by myself." You cut yourself off with a shaky breath. "Accepting your friendship after what I had done felt--cruel."
Aemond straightens. For a brief moment, there is only you, him, and the wound that lies between you. Then his expression's fiery edge morphs into something made of stone. "Ever the martyr."
The insult lacks any significant bite. You let your thumb brush against Starfyre's side, relishing in the comfort of her presence. "Better a martyr than someone so desperate for gratification, they are willing to hurt themselves in the process of earning it."
Ranting at him feels hollow, a motion you're going through for the sake of doing something. Aemond seems to sense some lack of fight in your phrasing, or maybe he's growing tired of this. "We should go," Aemond turns away from you, "The weather's changing."
Even though he's no longer watching you, you nod before returning your attention to Starfyre.
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a/n this was really fun to write, but it was getting long so i decided to break it up, if you're interested in a part 2/would like to be tagged pls lmk :)
also!! if u have any hotd thoughts in general pls feel free to send me them <3
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cbrownjc · 1 day
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Some Quick EP 2x05 Predictions
So yes I'm excited as hell about this episode and will be avoiding things online starting at 7 AM my time tomorrow (Saturday) since I know that is when Australia will get to see the episode and I do not want to be spoiled. Because this is the episode I have most been waiting for since I learned about it.
And there honestly isn't much of anything I need from the episode itself. For me, Devil's Minion having happened in the past was fully confirmed back in episode 2x02, and now I just want to see how the show slowly unfolds the story. But there are still some thoughts and predictions I have in my head that I want to note before the episode airs.
Again, this isn't stuff I'm hoping for, just stuff I feel we might see or might happen based on what we know so far:
-- After the fight at the end of 2x04, Armand will be missing/gone during the Dubai scenes for some reason. Because so far, all the little glimpses we've gotten wrt the Dubai scenes have been Louis and Daniel by themselves. For Armand to not be there, even just to keep an eye on things, then something really must be up (or was said during that fight that we just didn't see).
-- We will find out where Armand is/went off to in the present day at the end of the episode. (And if we see Armand talking to Justin Kirk's character, that will confirm he's Marius, even if he's still calling himself Raglan James.)
-- In 1973, Louis and Armand actually weren't living together in the apartment at 503 Disavadiro Street where Louis and Daniel had their interview. Either Armand lives in another, separate apartment in that same building, or he lives in another place altogether. IMO, this is confirmed by the last line we hear at the end of episode 2x04 when Armand says, "I was at home picking --" Which, along with the door we hear opening and then slamming shut when Armand comes in calling Louis' name implies Armand has just arrived at that location. Meaning that where Louis is is not Armand's home.
-- In the 1994 movie, a specific line was added -- that isn't in the book -- when movie!Daniel asks movie!Louis to turn him. And that was movie!Daniel saying that what movie!Louis wanted -- what movie!Louis was looking for -- was a companion. And I think tv!Daniel is going to say the same thing to tv!Louis. The show has very much been emphasizing that two vampires who are chosen companions is a much deeper connection than even just being lovers. And so I think that will be part of what will be included when Daniel asks Louis to turn him in the show -- Daniel offering himself to be Louis' companion.
-- Daniel offering to be Louis' companion will definitely have him thinking about Lestat and I don't think that alone is what will set Louis off into attacking Daniel -- but I don't think it's going to help.
-- As is already quite clear, part of what keeps Daniel alive after Armand gets hold of him is jealousy, as well as curiosity, about why Louis would open up to this seemingly random human boy in such a way, when Louis has not done so with Armand himself. And that is going to be what continues to keep Armand from killing Daniel -- just his own curiosity about him continuing to grow. And, by the end of the episode, I think we'll hear Armand say to Daniel what he said in the book about that in one of the final flashback scenes: "As long as I find you interesting, I won't kill you." This will give a hint as to why Daniel is still alive in the present day, but still will not give the full story as to why just yet either.
-- That is NOT Daniel who Louis and Armand are carrying out of the house in the surveillance photo taken by the Talamasca. That is the man who was wrapped in plastic, with his mustache shaved off. Things are being staged to make it look like that is what is happening, but it is not.
-- "I know where he is." This is either Armand talking to Louis about where Lestat is, or . . . Armand talking to Daniel about where Louis has gone off to -- which would be to go and find Lestat. Either way, I feel that line is connected to something having to do with Lestat.
-- In Dubai, Louis is going to get some type of memory back from some event that we saw in Season 1 -- but this time it will contain extra context that we didn't see then -- that going to have Louis realize that his memories about things are way more faulty than he initially thought -- to the point where it all really shakes him to the core. And he and Daniel will both agree to figure out what and why, as their gaps in memory will seem quite similar to each other.
-- I don't know what it'll be or the context it'll be presented in, but we'll see something of REAL Lestat in this episode IMO. Either in 1940s Paris, or 1973, or . . . in the present day. Just because I'll be incredibly shocked if Sam Reid isn't in the episode at all. Even if it is just for 30 seconds I think Lestat will be seen in some kind of way.
And that's kinda it. Not much longer of a wait now! 😊
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koiir · 22 hours
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IF THE SUN REFUSED TO SHINE, BABY WOULD I STILL BE YOUR LOVER? — Satoru gojo x gn!reader
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In which he reflects the truth of what his heart holds for you, numbing the pain he’s about to undergo.
Notes: spoilers to chp 236 . Angst with no comfort . Gojos my fav character but all I want to do is write angst for him so !! not proofread
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Gojo satoru is a weapon, that’s the life he has endured throughout birth till the end and after.
The feeling of dehumanizing yourself is one he mastered quick, altering his own being and soul to make a facade where others don’t see the utter despair of his existence.
Even now, his body nearing its end as he has been sliced off, not putting an end to being the strongest.
They say in the last moments one remembers the best moments of their lives, although satoru wonders why you are the first to light his brain in past remembrance for the last time.
His heart cannot be one to give out, the man has long known this since it would only ignite a light to despair. But people have desires, even if they are not meant for such ideals he stills dreams of a life where he can experience love without fear and a clear understanding of what it means be to be free of fear.
The most common curse is that of love, something he’s known his whole life. And also the solitary love of longing for another. One he wishes he could erase from his existence.
But he also views it as a beautiful thing that he has been given to experience.
Admiration is a feeling indescribable to gojo, it creeps up to him enveloping him in a warmth that vanishes the minute you are out of sight. He first experiences this when you two are 18, almost ten years ago he thinks.
“Do you ever wonder what a life without curses would be like?”
“Of course I do! Just means i wouldn’t be the strongest.”
He can tell your eyes are rolling due to his teasing, but he can’t ignore the stare you hold onto him as he keeps his eyes closed. You know he’s thinking about it, thinking about a world where he isn’t truly alone. Alone in the way that Satoru Gojo can feel like he isn’t object that acts as a pillar to all.
“What makes you so extroverted satoru?”
“Well… it makes me feel normal for once.”
The first time he opens up to you is when you two are 19, he wishes he could be stronger and dispute his devoid of emotion. Though he knows this might help, just a bit on his end.
What breaks him is the face you hold of melancholy, eyes dusted over with a hint of despair as you had watched him endure a rather harsh mission. He doesn’t tease you for it, but rather apologizes for making you worry so much. It’s brushed off but the time spent between you two is one of ease.
It fills his soul with a warmth he long has longed for, the light igniting in him as he gazes over to your figure that keeps its stance on the sea ahead.
The waves seem to replicate his overall form, the fact in which he wants to wash away his life to one of normality. Water is that of depth and darkness, he finds himself almost connecting to water itself as it’s a need for many, but never cared for with tenderness.
Throughout the course of your time as classmates, up till adulthood, the everlasting emotion of longing seems to be his strong suit. It’s as though his soul burns with a fire you give him, unknown of the bittersweet feeling his heart is enduring endlessly.
He doesn’t mind, he doesn’t push anything. He knows that his longing will only worsen if ever dares to try and push you away. Though you’ve already placed a home of thorns in his heart, growing as time progresses with no means of stopping. But never does he dare push to pursue, it’s as if a broken curse of fortune placed upon him.
You two seem to understand this prophecy, because you also know that satoru can’t live a life wear he acts upon his emotions. It’s the worse cure you think, that a boy birthed into a weapon is chained down to a scarcity of loneliness.
He knows others have cared for him, he has his students and others who though he does annoy ever now and then, gojo knows they deeply care for him through the years of shared experiences with the harsh world of curses.But he’s never felt deserving of that honor, feeling like one day he will be a failure to them and be the cause of their lives.
All he wants is to protect them and never let them experience what he and others had to endure. His students are those he loves, so the fact that they will see his body defeated and blood casting over him, his heart burns with pain at the thought that he has failed them and everyone.
“See you.”
Your words are mellow, face firm with eyes swarmed in fear. He stares at you, its only you two gojo feels his heart beat fast at the mixture of emotions he is holding in his soul right now. It’s fast due to seeing you for possibly the last time. You being the last person to say goodbye to him.
You holding back your pain and uttering words that don’t translate to this weapon of him. Himself.
You overthink a lot. Satoru has always known this since you two were teenagers, even know, you don’t want to say “do your best,” or “give it your all,” because he knows you don’t wish to envision him dying due to this. But you both know better.
He wants to break free from this curse, it’s the last time he sees you. Though the pain this will cause you, he doesn’t want to imagine how much his final words to you will impact you. But he knows closure is a gift, because at least you know the truth and can close the wound of uncertainty.
“Thank you, for everything.”
The embrace is one of passion, his thoughts run as he can finally hold onto you just this once. He wishes maybe someday, he can feel this again. From you. Your body shakes and you can’t hug him back, you don’t meet his stare as you finally let go.
The pain is overwhelming, because you know for a fact you won’t ever get to experience this from satoru. The boy who has long held a special place in your heart and through a bond that cannot be broken.
Gojo feels the pain they call “despair” he’s never dared to admit it, but now he has nothing to lose. This feeling is all that of a weapon, that has succumbed to the feeling of love.
“I love you.”
His eyes flutter open as he now understands the feelings he has held for you, the light from the sun above is truly the last thing he sees. His eyes shut, for the final time being. Gojo Satoru lays onto the blood of his own, death taking his life away as he no longer will be the strongest.
Maybe in another life he could be strong, not physically, but in being able to fight for you and love you without any curse holding him back. In another life, he would be free of any pain.
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nor-4 · 14 hours
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Formula 1 Incorrect Quotes with reader Two
F1IQ - Part One
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Y/n: Bitch why don't you shut the fuck up before i slit your throat and watch the honor roll out?
Max: Are you threatening me??
Y/n: No, I'm hitting on you, flash me a titty bitch.
Lewis: Yeah uh, there's something I've been wanting to say lately.
Y/n: Oh what's that?
Lewis: The N-Word
Y/n looking at toto: Look at your dad. Such a dork, keeping bees.
Y/n: I mean atleast it's interesting though. At least like, i wish my dad kept bees.
Y/n: I mean it's kind of cute. Like, your dad keeps bees.
Y/n: How old is your dad? He's obviously beekeeping age. I dont know. I think It's kind of sweet.
Y/n: George, i wanna fuck your dad.
George: Oh really?
Yuki: Hey can i sit with you?
Y/n: Why
Yuki looking at stroll and ocon: The kids at the other table keep throwing ketchup packets at me.
Y/n: You're not covered in ketchup, though
Yuki: They don't know you have to open it first
Y/n: Damn. We need remedial bullying class too.
Yuki: So how do you like your remedial english?
Y/n: I guess it's whatever. My mom was really pissed, though.
Yuki: Yeah? What about your dad?
Y/n: My dad killed himself.
Charles: I'm finally seeing someone good for me.
Alex: Omg who is it?
Charles: A therapist
Y/n: max is pissing me off *20 minutes ago*
Y/n: nvm just got dicked down
George: Girl what..
Fernando: Every time i talk to you i feel confused.
Fernando: I've never met anyone that speaks like you do
Y/n: Stop lovebombing me
Fernando: what? It's not a compliment
Fernando: You scare me
Y/n: What are you hiding from me?
Zhou: Nothing..
Y/n: Zhou Guanyu.
Zhou pulls out a cat: The cat distribution system chose me okay
Y/n at drive to survive: If he cheats on you, put hair remover in his shampoo, you wanna act like Andrew tate, u gon look like him too.
Lewis wearing a beanie: I CAN'T LIVE LIKE THIS FOREVER
Toto: That's your fault. Being too quick signing your seat with ferrari
Oscar: Are you high?
Lando: Am i what?
Oscar: High
Lando: Hello
Christian: So what could a Mercedes principal possibly have then?
Y/n: I just feel like he'd be into satan-worship, or at the very least have a sex diary.
Christian: A toto wolff sex diary would be horrifying. He's like our rival.
Y/n: We say that about Stephen king books, we still read those.
Daniel: "Dear diary, hot candle wax hurts so good"
Christian: No it'd probably be like a thesaurus of words for "Good"
Daniel: Yeah he probably sexts with perfect grammar.
Y/n: "My wife showed an exquisite exhibition of lust for me."
Toto: Let me try something different here. Do you guys have thoughts and feelings for one another?
Y/n: Uhh i think George's kinda spoiled
George: And i feel like y/n's a bitch
Y/n: What're you gay?
Alex: What.. How did you know? I've never told anyone that.
Y/n: Dude look at your hair dye, you're either gay or color blind.
Lance: bro stop chanting in dead language's your scaring the hoes
Y/n: Bitch you is so lonely I'm summoning the hoes
Sebastian: You used to be shy, now you're a whore
Y/n: There's a thing called character development
Oscar: Reminder that I'm very sweet and endearing so be nice to me
Carlos: or what
Oscar: or I'll punch your lights out
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Hey yall this is a bit short cause I'm finna make a random crack twitter posts n I'll post it in the most random day. I love yall baby💋
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katerinaaqu · 21 hours
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So how old is Odysseus exactly?
A small Odysseus age analysis based on a description in the Iliad
Many make speculations of his age, me included. Interestingly we have several hints in both art and the scripts but is hard to pinpoint. In general Odysseus is considered old or one of the oldest generations among the poems.
In art he is always depicted bearded which is something only men in maturity have in ancient greek art (somewhere between the late 20s early 30s) and his beard is full indicating that he is at least in his 30s. Most art of his, ranges from the events of the Trojan war till his journey and the murder of the suitors. In all cases we see him having a full beard. So it is pretty hard to determine his age but we know he was at least 30 in the war making him at his final 40s or early 50s when he comes back home depending on interpretation.
In the Iliad in the 23rd rhapsody/book we have an interesting description by Antilochus
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"And this one (Odysseus) is of an earlier/previous generation of earlier men; we call him "omogeronda" (early-old man, green old age); yet he is really hard to be competed against in speed (lit: his feet are troublesome to compete) by the Achaeans, except from Achilles"
For starters he clearly states that he is "one generation older" (προτέρης γενεής) but he also calls him with the interesting word "ωμογέρων" which means "raw old man" literally aka "not ripe old age". The word has two possible interpretations; one that he is a "green old man" aka he just began to grow older or to pass to old age and two "a vigorous and lively old man" 😉
Now it could be a tender nickname that they call him "old" but I think the first interpretation fits better to the description. So we know that Odysseus was already mature man when he entered the war (bearded=somewhere in his early 30s and above) and he spent 10 years in the war. We know that he is "one generation older".
The age of marriage differs in ancient greece (for example in 5th century BC Athens, 300 years after Homer's time and almost 1000 years after the time Trojan war took place, the age of marriage for men ideally was 30 years old when they had served their dues although it is unclear how often it was being done this way) but we are to expect that a man in his middle 20s was expected to have at least considered marriage if not already have a spouse and kids. So if Odysseus is "one generation older" on average he is around 20 years older than younger individuals (anywhere between 15-20 years could be closer) such as Diomedes or Antilochus here or Aias. Nestor who was considered an old man was in his 60s. He was still active on the field just not the same way as characters like Odysseus were.
Given the characterization "ωμογέρων" in the Odyssey and the description of him being a generation older than many young heroes I should calculate Odysseus is in the same age group as people like Agamemnon, making him older than other characters like Patroclus who was also generally older (closer to his early or even middle 30s if we assume that Achilles who was repeatedly said to be very young he was in his middle to final 20s during the war). That would make Odysseus a middle aged man and therefore closer in his 40s at the final year of the Trojan war.
My rough estimation is that he is in his early or mid-40s when this conversation takes place. He is middle-aged and yet he is vigorous, sportive and fast (so much so that only Achilles is said to be easily competing against him while most achaeans have hard time to), he is also strong given the many times his strength in spear, sword or bow were praised but at the same time he is obviously past the age of youth. That would make him in his early 50s at least when he arrives in Ithaca.
But what do you guys think? Agree or disagree let me know to the comments below! ^_^
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novembermorgon · 1 day
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How do you feel about all of King Jaehaerys' daughters? 👀
all of them... WHEW ! heres a saera to break up the text block
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i'm admittedly not the biggest fan of many of the pre-dance targs . not in the sense that i dislike them it's just that i've never been all that invested in their characters the same way i am, say, the dunk and egg era ones ... but theyre fun! i think all of jaehaerys kids are definitely really interesting by default on account of being born to a guy who people in-universe tend to praise very highly only for him to turn out a shitty horrible dad that fucks you over for the sole crime of being born as his child. lets take them in order! (it's been a while since i read fire and blood now so bear with me . might have missed or forgotten stuff ...)
daenerys ... to me she's kind of a victim of grrm seeming to kill off a lot of female characters specifically because they don't have that much of a role in the story. sort of a nothing-girlie unfortunately . i do think it's interesting that alysanne went to jaehaerys with the hope of daenerys being heir as the then-eldest child- sort of a harrowing premonition of his treatment of his future daughters. i wish we got more on her.
alyssa is fun! i think she's one of the stronger (in terms of writing quality) of jaehaerys kids, at least early on. she does end up, again, kind of suffering from grrms writing in the sense that she starts having children and suddenly almost loses that .. spirit ..? of her character ..? if that makes sense. i feel that he fumbled a little bit with wrapping her story up and once again falls into the pit of 'women who die in childbirth just because'. not to say i inherently mind that conclusion to a female character's story.. i think it's necessary in a universe like asoiaf to portray the difficulties that come with pregnancy and how that changes a person, but it often feels like a bit of a crutch in asoiaf to write a female character out of the story . other people have had more eloquent critiques of her character than me. but overall she's up there in the ranking for me :-)
maegelle is one of my favourites if only because she hits on a lot of notes i like in asoiaf! being a septa she kind of escapes a bit of the family horror that her sisters has to endure - but that also means she has to watch it from afar. alyssa, daella and viserra all die in relatively quick succession and she's not in any real position to do anything about it. even having escaped the family terrors you are still a victim of them etc. i like that she's got a bit of an attitude lol even though she's clearly a very compassionate kind person ('This is foolish, Father. Rhaenys is to be married next year, and it should be a great occasion. She will want all of us there, including both you and Mother. The archmaesters call you the Conciliator, I have heard. It is time that you conciliated.') - and her ending i think is very tragic, but in an almost sweet way. caring for children that most others are repulsed by, selfless to the end ... i like her.
daella is just tragic. other people have said more than i could ever about her but to me her marriage is truly one of the most horrific things that jaehaerys ever did in part because it's just so simple and not-so-dramatic. he tells alysanne that daella has to be married at the end of the year and she is. she's excited to be a mother to the children he already has. she's happy, despite the horrific situation she's put in - only to be doomed to die after a pregnancy where she has to beg her mother to come see her out fo fear. so terrible. makes my heart ache.
saera... there's a lot you could say about saera. inherently i'm a little bit opposed to stanning on the basis of the optics of prostitution in asoiaf and what it means for her to become a brothel proprietor in a city where there are five slaves to every free man - you can definitely critique her but she IS exceptionally interesting and i do like her. such a character. i feel like her defiance of her father gives such a good insight into how terrible jaehaerys was as a father- even in a book so almost distanced from its characters (in that it's a history book) you can really feel the frustration both of her parents and of saera herself and it really does make for good family drama. i feel bad for her just as i feel that she falls into the pitfall of the endless, vicious cycle that drives forward so many of the themes in asoiaf. delicious and horrifying . i wish we got to know more details about her children and what happened to her during the dance
viserra... ohhh. she might be my number one! right after the saera situation i feel like viserra, in the eyes of her parents, was almost like a reflection of her sister. there were many reasons for them marrying her off (none of which were good) but i think there really is that bite of saera leaving just a year earlier that stings in the back of their minds. just as with all these girls she's tragic and so very interesting and i wish we got to understand her better. trying to 'seduce' baelon is such a harrowing thought - like a cry for help, a need for somebody, anybody to save her from the same fate as almost all her sisters and grandmothers and great-grandmothers before her. it's horrifying to be a woman in westeros and no matter how loudly she cried for an out, nobody would give it to her. she was only fifteen when she died! how horrific is that! her last ride is such a terrible terrible visual to me. she deserved better and nobody around her was there for her in any regard. jaehaerys alysanne baelon i will haunt you for the rest of time.
gael.. :-( there's not much Here but for what it's worth she does intrigue me. the story of her and the mystery bard seducing her... i want to know more!! her mother dying just a year after losing her last daughter - so, so tragic. i think ive said this way too many times now. i don't know. what a horrible collection of fates. jaehaerys you will burn.
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savagewildnerness · 6 hours
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E12
OK... I normally make notes on an episode when I rewatch, but I dunno... after watching S2E5, I just feel compelled to say a few things...  First... LOL...
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Armand at the end!!! hahahaha!!!
OK, so first off - the acting is SO GOOD:
Jacob - especially the way he delivers his interview 1 take down of Lestat is SO MAGNIFICENT, OH MY! Jacob! You are DIVINE! (Also: Louis' see-through grid shirt: YES PLEASE!!!!)
Luke - is SO ERIC. OMG, he is SO GOOD!
Eric - is SO GOOD! The emotion. I want Ericasavampire and seeing as much of DM is still-to-come - Eric as a vampire - PLEASE!!!!?! Finally someone to love Armand for all he is. Write an entire NOVEL of your own invention writers please for Daniel!!!
Assad - I am at this point bowing down to my Assad shrine! I haven't the words for how perfect your Armand is. I only have love.
There is SO MUCH to analyse from this episode.  We must PSYCHOANALYSE the characters this week fully!!!
I utterly ADORED it!  One thousand thanks to the writers for creating something like this - not in the books, but totally feels like the books. 
And OMG, at this stage I will be devastated if Daniel isn't involved in this entire show from start to end... which also feels somehow some kind of a homage to River Phoenix, who would have played Daniel in the 1994 film had he lived...?
ANYWAY!  OMG ASSAD I LOVE YOU!  OMG WRITERS, I LOVE ARMAND!  Like this episode - how CRUEL Louis is to Armand!  And yet, Armand saves his life!  And not only that, he offers that pathway to Lestat... right until he is unable to utter Lestat's "I love you.."  And really, Armand, you did that in so much love for Louis - you sacrificed your self! Armand, Armand, Armand.
And Armand, seeking in Daniel what it means to be fascinating and special.  The irony is that Armand IS special!!!  He is absolutely the most complex vampire… he just doesn’t understand how to love or be loved… and Louis is NOT his "one"! But he is SO fascinating!  And special.  All of the edits to Radiohead's Creep PLEASE!!!!
I also find it WONDROUS in a show about vampires - where vampires are always a metaphor to The Outsider... yet... in art, The Outsider is often portrayed in imo an unrealistic way, as in "actually the outsider is infinitely special, really!", BUT IN ARMAND, the writers have given us a truly actually special character who feels like many outsiders do - AND is told by the person he loves SO much he would literally be a pathway to their other love that he is boring and not special and not enough... THAT is relatable! (Even though nobody has told me this, as I am simply isolated, personally! Yet, still, I feel it!)
Also - OMG it is both infinitely tragic and simultaneously hilarious that Loumand true sexy times cannot begin until Armand literally WIPES Louis’ mind of Lestat!!!  LOLOLOLOLOL (Poor Armand!)
Also LOL @ Jacob in the post episode thing - saying he can’t think of a bigger betrayal than rewriting the history of a person you love and that it makes him angry… referring to what Armand does to Louis… when IN THIS SAME EPISODE, that’s literally what Louis does to Lestat..!
Meagre thoughts as I didn't write notes during the episode, so just a few points I think of now (and I have had a glass of wine with this episode lolololololol!!  Lalalalala... GOTHIC JOY!!!!!!!!!!)
Lestat is my boy, but ASSAD'S ARMAND.  Armand was always my second favoruite vampire, but Assad - I do not understand how you are making me love Armand even MORE!  Be MORE evil, Armand.  And more tragic.  And more loving.  Be every thing you are.  I know you are fascinating!!!!!
Also, I cried A LOT in this episode! Though I did not note when. Like, that I feel compelled to do a post now with my random tipsy thoughts on a non HQ version with no subtitles I hope expresses A LOT about how I love this episode!?!??!!
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darkstarofchaos · 11 hours
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Spoilers for EarthSpark S2 below the cut.
The problem with Starscream isn't that he was evil. I have to lead with that because apparently if you complain about how he was handled, people are just going to assume you wanted him to be redeemed. I am not a Starscream redemptionist, nor am I a fan of "redemptions" where an evil character becomes a Good Guy. One of the biggest issues I have with Megatron redemptions is that he never actually has to address what he did to his own side, he just fucks off to join the other side/goes his own way. Suffice to say, I was not hoping for EarthSpark to "redeem" Starscream (unless it was in the more personal sense of trying to do better by his own people).
The problem with Starscream is not that he was evil. The problem is that, to make him the specific brand of evil the Powers That Be wanted, they had to completely ignore his previous characterization.
I honestly did not have a problem with most of his (admittedly few) scenes. His motivation for being Evil was disappointingly shallow, but him being grumpy-but-accepting of the new Terrans fit with his S1 characterization. The bit where Skywarp complains when he doesn't do anything to punish "Spitfire's" disrespect could easily have been spun as him trying to be a better leader after his talk with Hashtag. I liked that he isn't stingy with praise when someone accomplishes something. Even the painfully underdeveloped motivation could have been expanded into him trying to do what he thought was best for his faction. All the building blocks for a villainous-but-sympathetic Starscream were right there.
Which is why watching everything fall apart in the last 20 minutes felt like character assassination.
You cannot convince me that the Starscream who knew Hashtag for an hour and was ready to risk his life for her is the same Starscream who murdered two children without blinking. You cannot convince me that the Starscream who criticized Megatron's violent leadership would consider it a compliment when he's called more cruel than Megatron. I don't care what previous Starscreams were like, this one had an established characterization that does not work with what we see later. Not unless working with the Autobots briefly completely disillusioned him to the possibility of a lasting peace.
Also, love how the time skip allows them to just avoid any sort of fallout from having the people you were working with go back to trying to kill you. Love how there was no deeper reason to the war restarting than "they're Decepticons". Heaven forbid we get any sort of conflict with the two sides trying and failing to work together, and the falling out being a shared responsibility and not just "the Cons were actually still evil, lol". Can't have anyone grappling with how things went wrong and wishing they'd done something differently to maintain the peace. Megatron yells at Starscream to end the war like the Autobots played no part in it continuing. Which is obviously the intent, but it just feels like such a lazy copout to keep the Good Guys morally pure.
The Decepticons were being hunted down and locked up. They had no reason to think well of the Autobots or the humans, which means that if the Autobots wanted peace, it was their responsibility to reach out and prove that things could be different. Yes, the Decepticons would need to put in effort too, but they were not the ones - at least not the only ones - who needed to prove that they meant well. If the two sides worked together for a while and the Decepticons still unanimously rejected the possibility of ending the war, the Autobots share the blame for that decision.
I have plenty of other issues with how S2 is going so far (why was Nightshade the only Terran who got completely relegated to side character?), but I'll save my rant about the Chaos Terrans for later. It'll be huge, trust me.
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cameronirat · 2 days
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I met Dee Bradley Baker!! (In Echo cosplay!)
I had voice memo recording in my pocket while I was talking to him, so I got most of what he said and wanted to share!
I brought up CX-2 (cause I had to) and said that he was a really intriguing character and that I wanted to cosplay him next and he said:
“Oh! Yeah, really scary. That was a weird one to play, cause I did a slower clone voice but they fudged it some so it sounds different. Really lethal, frightening”
We also touched on Crosshair and Echo having really incredible stories after I mentioned they were my favorite.
Then this was his response to me telling him I really thought CX-2 was Tech (which crushed me a bit inside 🫠) :
“Oh a lot of people did. I’m glad he wasn’t. I want Tech to have his heroic moment. The ending that every clone wish they had. That you save your colleagues…it’s brilliant, the way he figures it all out, he makes the long shot, and it was good.”
My heart literally dropped when he said “I’m glad he wasn’t” like OH ouch (even though I 100% still believe CX-2 was Tech and Dee’s just glad it was never confirmed to be him)
Being so honest: I felt a bit empty after the autograph interaction after I’d had so much anxiety leading up to meeting him, but in retrospect he was very nice!! He said he was impressed with my armor and took a picture of me, which is crazy what do you mean I’m on his camera roll-
I saw him again later to get a picture, and I said “Thanks for the hand!” (my friend suggested I say that) And he smiled and said “that’s a great line” which was a very nice close to the interaction.
Here’s the autograph, he signed my scomp arm!!
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x-liv25-jamieswife · 2 days
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my ranking of the tig villains/most hated characters
i'm bored so i'm doing this. 1 is the character i hate most meaning 8 is the one i hate the least. i apologize if this sucks. its quite late for me as i'm writing this.
drake. ik most people would put eve or smth at the top of this list, but this dude is an abuser and a pedophile (he used to call avery jailbait which means "a person who is younger than the legal age of consent for sexual activity and usually appears older, with the implication that a person above the age of consent might find them sexually attractive" according to wikipedia). not only was he horrible to libby, but he also tried to kill avery. characters like him just give me the ick and the creeps and i just can't stand them.
eve. i think this is self-explanatory. eve is one of the most annoying and petty characters i've ever read about. she tried to kill avery, kidnapped tobias (and ruined his chances of forming a better relationship with avery, and, as the biggest toby and avery father daugther stan, i cannot stand this), manipulated grayson, and hurt many people. if you don't hate her, i don't trust you. also, i hope she doesn't get a redemption arc bc she doesn't deserve it.
sheffield. i have one thing to thank this dude for and that's the love confession from jameson after he put avery in a coma. other than that, he bombed avery, kidnapped avery, cheated on his wife, was a horrible 'father' to grayson (and his daugthers bc of colin). he's honestly tied with eve (he's not first cause i can't stand guys like drake). i dont really think i have to explain myself
emily. i really don't think i have to explain. she's manipulative, petty, self-absorbed. the only thing she has going for her is that she didn't try to kill anyone. she treated the boys like crap, emotionally abused her sister, and (although she wasn't present to do it i still blame her for it) affected avery's self-esteem.
ricky. i know he's high on this list but he's just so creepy to me. anyone who hurts avery in any way si automatically a no for me. he was never there for avery and libby, refused to take custody of her after her mom died, didn't show up to hannah's funeral, tried to step up to get money after avery inherited, got together with skye (ew???). ik this doesn't seem horrible in comparison to what the others did, but seeing avery's feelings towards him in the books (especially thl) made me despise him so that's why he's so high up.
tobias. he emotionally abused his grandsons, put avery in a position that he knew might get her killed, treated his own kids horribly, hurt a lot of people in order to become who he became. the only reason he isn't higher up is bc he did sometimes do nice things (although not often).
vincent. him and tobias are sort of interchangeable??? but he partnered with eve to get toby kidnapped (sort of putting a stop to toby and avery's relationship which like said earlier pisses me off). from what i remember, he didn't really do anything else and i sort of understand where he was coming from (getting revenge on tobias) but what he did is still horrible and taking his anger towards tobias out on a teenage girl is just weird to me.
skye. i find her character sort of interesting but she is a horrible mother towards her sons. she's also a huge pick me bc who sleeps with their sister's boyfriend. she also tried to get avery killed which is just a no no. this is sort of off topic and i've made a post about this before but she didn't get punished enough for what she did to avery and that is grayson's fault. i talk about it in slightly more detail in this post.
although i knew that avery was hurt by a lot of people in this series, this really showed me exactly how bad it was. there are even more people. literally every person on this list hurt her (directly or indirectly (in emily and vincent's case)). these people either tried to get her killed, messed with her head or both. avery is a girl boss. she deserves better.
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duckiemimi · 2 days
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i wonder if gege's biggest problem (likely bc of the push to prolong jjk) is that they just threw out the original storyline the second the gojo vs sukuna fights started. i mean, there were definitely problems with the ever expanding cast and spreading them all too thin still, but (as someone who's only loosely been following the leaks since a little after gojo's death) the entire story feels so meaningless now 😭 the build up for everything gojo wanted holds no meaning and i get that gege hates gojo for overshadowing the other characters but like⎯excuse my lack of knowledge about manga culture⎯gojo's been the main character ever since megumi was taken over. yuji's been sidelined for so long and even yuta⎯who's ridiculously powerful and the only special grade in his generation, i believe⎯not making a difference just leaves the story falling flat.
(also: i've never understood the whole push for gojo to be front and center just bc he's the most popular. the mc is *rarely* the most popular character in a manga⎯bakugou (and even sometimes todoroki) overshadowed deku so much in bnha but the story still managed to center deku as the main character. i think people give gege a little too much credit for this⎯it just feels like bad writing or an attempt at fanservice when they write gojo like *this* when they're clearly sick of him.)
(also x2: literally none of the characters have a purpose anymore and sukuna's just screwing around so there's no one with a strong enough narrative left.)
(also x3: shoko deserved better. but that's a whole other rant.)
i think that's possible actually, considering how well-anticipated (and prematurely hyped up) the gojo vs. sukuna battle was! and it was a long and drawn out battle, too, so i have a feeling that was done out of request from publishing (or a third party) rather than something gege actually wanted to linger on!
the culling games to me read like an exploration in worldbuilding. remember when kenjaku started talking to and dealing with world leaders and when the US army (failed to) intervene at one point? it seemed like gege was playing with the boundaries of the jjk universe and while it was messy and convoluted at times, it was still pretty enjoyable for me! it felt like a writer who still wanted to write. it's a shame that gege took on more than he could chew, because there were so many aspects that could've been built upon, even if it would've been inconsequential to the ending message of jjk.
this arc...felt like something owed. to who, i could only guess, but it doesn't read like something he was excited to write. ever since gojo got unsealed (another well-anticipated scene), things have become rather stale. and that's probably why we have an influx of polarizing scenes—to get us to keep reading. gojo being brought up constantly (even after his death) also seems like a request or a push from publishing (or a third party). like you said, it feels like fanservice. (which is so demeaning to a creator, especially if it's put above all else.) i think he's too tired (and now he's sick) to actually attempt to properly tie everything he wrote together, let alone do anything about characterization! which is just such a shame :')
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jq37 · 1 day
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Little bittersweet that this might be Fig's swan song. There's like this "six seasons and a movie" mentality that makes me feel like Senior Year is the finish line, so just stick it out for one more. But, if creatively Emily doesn't feel like she can get any more out of the character, then that's that. It's best to move on rather than force it. Or not. It's the end of her time at Aguefort, doesn't mean it's the end of her time with the Bad Kids. The school part of these characters being high schoolers only really came into play this season, so let's wait and see. Emily considered retiring Fig at the start of this season and changed her mind. It could happen again.
On to the fun stuff:
-Gorgug didn't get a last hit on Porter, but he did get a clutch assist in with a narratively satisfying move that uses his Artificer class instead of his Barbarian class, helping drive the last nail in on Porters coffin. *chefs kiss* Going out of Rage while doing it was a perfect way to twist the knife.
-Riz's kill line on KP was stone cold.
-Everyone else's contributions were valuable but none more so than the newest Bad Kid, The Lava. Taking out five major threats during the battle. What a trooper and a strong candidate for Honor Roll.
-I came around on Mary Anne too. I get why some of the Intrepid Heroes were so obsessed with flipping her allegiances.
There's a lot this season that gives a strong finale vibe, but besides that hook at the end there's another thing that keeps going unresolved. Sol and his church keep fucking around and it's about damn time they find out. I don't think Senior Year will be a full-on religious crusade, but it doesn't feel like that plot point should be off the table. And what the fuck is Kalinas deal? So she was never loyal to Cass?
I hope we don't have to wait another 4 years for the next chapter of Fantasy High to get an answer to those questions.
Fig honestly would prob go to school more if she wasn't required to so it's absolutely an Emily decision more than it is a story decision. It's hard to picture FH without her but I'm sure she'll come up with something fun if she's still feeling like retiring Fig whenever they get around to Senior Year.
I think it's arguably MORE fitting that Gorgug didn't get the last hit in and instead got him with a gadget that didn't even do damage. It's like, he got Porter and not even in a way that Porter would respect because it wasn't rageful and violent. That's gotta suck more than if Gorgug had just punched him hard and KO'd him.
The lava was just so so good. It's like when you're a warlock and technically you could do other stuff but spamming Eldritch Blast just gets you the most bang for your buck so you keep doing it. Once they figured out the lava strat, they basically had to keep using it. Lava MVP for sure.
Mary Ann being so checked out for the whole evil plot even while participating in it is so funny. Honestly, queen shit.
I really think that if Kalina is actually bad then that's a retcon from Brennan because that's never been how familiars work and Kalina did try to help them consistently throughout the season with the Spy's Tongue Curse clue. She only attacked them when she got hit with a rage crystal and that was godly interference.
I agree that there are a lot of loose ends re: The Church of Sol (Buddy, Bobby and Sandra Lynn, Helio's lack of a chosen one, Bucky's whole deal, the Helioic pantheon shakeup--how crazy is it that Cass never talks to any of her celestial sibs?). I hope that if we explore that we get to see more about the actual people of the church rather than just the gods because there was a huge god focus in back to back seasons and, as I've mentioned before, if Spyre rules mean that gods are a reflection of their followers, their followers are honestly more interesting. I can't really be mad at Sol for being what he is when his chill level is determined by Bobby Dawn and co, you know? He has limited agency as an entity. Cut out the middle man and let's chase down Bobby directly.
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bomberqueen17 · 2 days
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snippet post
I'm in the editing mines, lol. But I was writing a Lu POV chapter and Morvran was acting funny so I was like ok I have to know why he's in this mood or whether I need to rewrite this, so I went in and wrote, just to throw away, his immediately-preceding conversation with Kalia, Ciri's household manager and a fellow Intelligence operative.
And this is something I'd put in earlier in the series, from Ciri's POV, but it seems relevant that Morvran is aware of it now. So I'm putting it here to preserve it, as this isn't a scene that's going to go into the main continuity anyway. And I wanted to post something as a proof of life, LOL.
Kalia considered that a moment, then snorted. “Morvran, it’s not like she’s going to marry someone else.” He glanced up at her, startled by her bluntness, and Kalia gestured widely with one hand. “You think any of the other candidates haven’t committed war crimes?” Morvran blinked, trying to determine whether he knew that for a fact or not. “Well,” he said. “Would any of them write up a report about them?” she asked. “Have any of them even made an effort to get to know her?” “Kalia,” he said, exasperated. “I’m not competing with the other candidates.” It wasn’t until he said it that he knew it was true. “I”m competing with her not choosing anyone. She doesn’t need me. She doesn’t need anyone. If she doesn’t find someone to marry she can just leave. And then we’ll have another fucking civil war.”
For a separate conversation I had to go look up the name I'd made up for Morvran's little brother and in so doing I wound up rereading most of the FFP series so I'm finding all kinds of shit I've already said in there. Ciri had the exact thought above very early on, before she even arrived in Nilfgaard I think. But she didn't say so. (And yes, i'd meant initially to have there be more suspense over the other candidates, but then I just didn't create any good characters, so that fell by the wayside. It's fine, LOL, I don't think anyone really needed that to be a side plot. There's still room for someone cool to pop up. We'll see if I get to it.)
As I was rereading, I remembered that I made a deliberate choice sometime during the pandemic: I realized that it would take longer for me to edit and cut down the story to make the pacing taut, and given the givens of what was going on in the world, I wasn't going to do that. I was just going to post the long sprawling story as it was. And I've stuck to that. So it's just. This long sprawl with all these meandery side bits, and as part of that yeah, some stuff is kind of repeated.
I know it's working for a bunch of readers, and it's working for me, but sometimes I'm like oh my god why is this so long why didn't i make myself a style sheet why didn't i edit anything down ever. So, LOL, if you've ever been like hmmmm this story is getting kind of long, well you're not the first to have that thought. I used to treat fanfic as like, "practice" for "real" writing (publishing original works), which is still a thing I'd love to do and may well someday, and I know nothing published as an original work is going to sprawl like this, and the worldbuilding would be all different, but you know, it's not like I'm not learning stuff from sprawling like this. It's been a fun ride and I'm not done yet. But that doesn't mean there won't be deleted scenes; I can't include this conversation with Morvran and Kalia simply because the pacing of the chapter works better starting with the other POV, and it's not worth trying to shoehorn in a flashback.
(This is also making me remember another decision I made in the fog of lockdown, which was that I had to stop replying to comments temporarily, because I had such limited time and realized I was spending it all in lovely conversations in the comments instead of writing more material, and while that wasn't bad per se, I really needed to tell the rest of the story. And I still haven't gone back to catch up on replying to comments and I feel guilty about that. So if you've left lovely comments and I haven't answered that's why, there's a three-year backlog at this point, and I've answered a few but it's not necessarily because they were the best, it's more that they came in during a moment when I had time, spoons, attention, and mostly, just happened to click through and do the thing and hit post. Alas.)
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sl33paholics · 2 days
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Hello, You really surprised me with how detailed you wrote about this fandom. This is something really wow.You are the third person I found on this Tumblr. If requests are still open, can I request about Jotaro, Polnareff and Josuke With a fem s/o reader who is very sexy but innocent and cute (like Bimbo) only she doesn't realize that many people like her. Please~ a little bit nsfw maybe ( It's up to you )
Love love from me to you
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Keep Your Eyes In A Different Direction
The JoJos x bimbo!fem!reader
Characters include: Jotaro (p3), Polnareff (p3), and Josuke (p4)
Warning(s): slight nsfw (mentions of female body partz)
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Josuke Higashikata
Sometimes, Josuke wonders how he ever bagged you.
I mean, look at you! Such a beautiful body, such a perfect ass. And those cheekbones…as if you were birthed to be the next top super-model in history. Those legs, though, are probably the most sinful things he's ever seen. And your skin…whenever touching it, it's smooth like silk.
It's difficult. It's difficult for Josuke to control the looming perverted eyes of his fellow male classmates at school and those drunk old-heads whenever you two are hanging out after school. It's hard not to think about what would happen if he could get you alone somewhere and take off all that gorgeous clothing. If he could lick the gloss from your lips and feel the softness of your skin beneath him. If he could kiss every inch of your body and feel every one of yours shudder with pleasure under his hands.
Josuke knows you have a reputation at school, just like him, so many admirers wanting to be your boyfriend or some other crazy shit like that. You're popular, and that makes you even more desirable. Even more of an object of desire. And yet, they couldn't. They boys know you two are together. A couple. Officially. But still, they can never bring themselves to do anything but stare at you while you walk across campus.
You're such a fucking tease. How dare you smile at every boy who looks at you in such a way? How could you possibly engage in conversation with boys whose obviously making moves on you and mistake it for a friendly interaction, only for Josuke to grab you by the wrist and pull you away. The worst part is that you don't see anything wrong with what the boys are constantly gawking and staring at you like a zoo animal, if he had the balls to do it, he would make-out in front of them to get his message across.
Although you may be a bit on the ditzy side, he still adores you. Josuke would do literally anything for you. Anything at all. Including getting caught up in some dumbass drama with the guys at school, trying to prove they won't get their hands on you, just so Josuke can get your attention.
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Jotaro Kujo
You're his EVERYTHING.
After that long journey from Egypt, the man became a whole new person. As if he wasn't already before after being released from jail.
He needs your undivided attention all the time. Jotaro would never show any weakness in front of you or anybody for that matter, but for him to just squeeze you in an embrace when nobody was looking is something very intimate. Jotaro's just not like that with everyone else who can't handle your touch, but with you, he has nothing to hide. And it is so precious to see him open up, tell you everything about himself and everything. It's as if he's been holding it back since the start.
Jotaro wants to squeeze your big ole thighs every time he hugs you. He wants to bury his face in your neck and sighs happily into it. His hand reaches out to caress your cheek lovingly while his other arm wraps around your waist to pull you closer. Jotaro looks at you with a gaze as soft as the clouds. Hence, when returning to school, Jotaro has been more snappy than ever. Don't get it twisted. No one has DARED to ever approach you once it became known to everyone in the building that you and Jotaro were dating before sudden unfortunate events that had him away for days. He noticed that the boys suddenly got an ego boost. Everyone just assumed that the two of you "broke up" now those simps were getting all lovey dovey towards you.
Instead of telling them off, Jotaro was dumbfounded and reasonably upset when you would engage back with the boys with a teasing tone, a tone that you probably didn't know that was feeding into their egos. All it took for Jotaro was to stand behind you and look down at those boys with murderous intent before they would run off, scuttling like frightened rats.
Jotaro isn't too fond of showing PDA but he would definitely squeeze your ass to get how he's feeling about you to anyone point blank clear as day, and to remind you of your place when it comes to him.
It's no secret that Jotaro has a hard time expressing himself. With someone like yourself, you can easily understand that. You both have different personalities, so you might find yourself constantly struggling to make sense of what Jotaro wants. Jotaro's a complex guy, but he loves you anyway. Someone as pure and gorgeous like yourself, he's always going to protect you like his life depends on it.
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Jean Pierre-Polnareff
The connection between you two is strong.
Considering the traumatic 50 day trip he had to endure, getting revenge on his sister, and being able to survive, you were like a new breath of fresh air that man even needed.
Both of you are romantic. Sexy. Outstandingly outgoing. As if it was fate that pulled you two together for you guys to meet in his home-country and begin a new relationship.
However, Jean noticed how much in the country of love, you weren't safe. No, there were just too many...unhinged men gawking at you whenever you guys went out. You would always enage back, because why not? You wouldn't want to look rude when someone is talking to you.
This irked Jean too much. Is this what it felt like to be jealous? To have people constantly hit on you? To ignore the fact that your partner is literally RIGHT THERE and still had the nerve to talk crazy? Oh, his poor heart and soul didn't like this venom feeling. Always expect Jean to make a whole scene just to embarass the guy and show him how annoying he really is and disturbing your evening with your precious boyfriend. He'd be talking about it all the way until the two of you get home.
Being intimate behind closed doors or in public doesn't concern this bubbly French man one bit! Jean loves to show you off to anyone and everyone in his presence, but he's very proud that he is the only person who gets to see you as you truly are: a caring, compassionate, beautiful woman. And yes, he'll do that again and again, just for the sake of showing that he loves you.
From the way he'll dress you up all nicely just to slowly and gently ruin you. How you can never tell what is going on in Jean's mind and how hard he works in every aspect of life just to prove to you that he will never treat you badly. That everything will turn out alright, because he is yours forever.
And those kisses that he's so desperate to give, Jean keeps asking you to give him so that he could feel better. Like they're some sort of therapy for his soul or something. The way the two of you would kiss for hours, with nothing else in between. How long it took for you both to calm down from the intensity of the passion and how his lips would always be covered in a layer of lipstick. It was adorable how embarrassed you are by these things. But also very sexy the way both of your stomachs would flutter with butterflies no matter how long the relationship lasted.
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justmenoworries · 9 hours
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Transformers EarthSpark Season 2 Spoilers
If I had to describe S2A in one word, it would be: Disappointing.
Others have said this before me, but if you were a fan of S1 this most definitely isn't the show for you anymore.
S2A is so far inferior to S1 in every conceivable way. The animation, the characters, the story, it all just feels so half-assed. Every single interesting concept S1 introduced, S2A either mangled beyond belief or flat-out erased from existence.
The few new interesting things that do come up in S2A don't last long and/or are underdeveloped.
Tensions between humans and Cybertronians? Never mentioned. All the racism died with Mandroid and GHOST, I guess.
The Terrans' connection to Quintus Prime? Pfft, you're still on that? It's all about the Quintessons now, keep up nerd!
Starscream's development and start on the road to recovery from trauma? Gone. He's back to being the villain now for no reason whatsoever. He murders two actual children. What, did you think we were still doing that silly nuance thing from S1? Lol, sucks to be you.
The ongoing theme about the Transformer War not being as black and white as history would have people believe? Ummm, ackshually, the Decepticons are inherently evil and irredeemable. The Autobots are saints and have never done anything wrong or questionable, ever. Ignore the prison complex from last season that performed unethical experiments on prisoners of war. Y'know that same one that the Autobots knew about and supplied with Decepticon prisoners.
Spitfire and Aftermath are interesting in theory, but S2A doesn't really do anything with them besides making them the generic Evil Twin characters to Twitch and Jawbreaker respectively. And then Starscream murders them for his evil masterplan, which feels like a colossal waste.
I've been saying since S1 that it would be interesting to have a Terran actually choose the Decepticons over both the Autobots and the Maltos. It would've been a neat way to explore the family dynamic the 'Cons have compared to the Maltos and maybe show that just because a family is different from yours, maybe not as physically affectionate or as instantly harmonious, doesn't mean it's worse. We had a good start with Aftermath and Breakdown but that never really goes anywhere before Starscream does a Fuck Them Kids.
The Decepticons are just evil again now. Great. I guess we're completely throwing the "history isn't black-and-white" thing out of the window, huh? That whole thing where it was implied the Decepticons were rising up against an unjust system a la Aligned continuity and IDW? We kind of had a very significant confrontation between Megatron and Shockwave about that in that one episode that even explicitly referenced IDW? Or how about the whole "This is not freedom" plot line about how mayyybe throwing every Decepticon in the slammer forever might be, just might be, bad? We had a whole episode about that? Soundwave was in it?
Nah, 'Cons are unambiguously evil. Always. Especially that no-good Starscream. "What Dwells Within" and "The Last Hope, Part 2" might as well have never happened, because Starscream sure as hell doesn't act like they did. He doesn't even mention Hashtag. "Come on, did you expect Starscream to be a good guy now?" No bitch, I expected believable character development. I find it hard to believe that the same Starscream who saved Hashtag from the Cybertronian equivalent of a vampire, at risk to his own life, and then told her to take care of herself as a good-bye would just suddenly go back to the same moustache-twirling evilness we'd be expecting from G1 Starscream. You expect me to buy that this guy is the same Starscream as the one who showed up with the entire cavalry to save the world in the S1 finale?? Why go through the trouble of giving Starscream an entire episode going into his trauma and abuse and learning to be better if this is all it amounts to in the end??? At least show us how it happened? What made Starscream suddenly completely regress like that??? I don't know and the way it's going I don't think EarthSpark is all that interested in explaining it.
The Maltos remain a criminally underdeveloped hive mind. And no, I don't consider adding even more powers to their arsenal character development. Robbie and Mo still don't have any friends outside of their siblings and this season did nothing to change my mind on the cybersleeve connection being borderline creepy and making the characters co-dependent. "The Butterfly Effect" basically showed us all the reasons why having your siblings in your head 24/7 with no way to turn it off would actually suck. Cybersynching is so obviously combining with a new coat of paint and it's not even used or utilized that much in this batch.
We did not need the Quintessons in this season. At all. They added nothing except implying that Quintus Prime is shady af. Which, we been knew? The whole of "Prime Time" is literally Quintus torturing a little girl for being upset her big brother is sick and probably dying. If you wanted to explore Quintus through one of his creations seeing him in a much less benevolent light, well, how do I put this? There were two whole new characters added this season you could've done this with. Aftermath and Spitfire not being in the "We Love Quintus Prime" club together with the rest of the Terrans would make sense, since they're far more rebellious and anti-authoritarian. That would've given them something interesting to do besides being minor nuisances to the Delightful Maltos from Down the Lane.
I've heard that EarthSpark isn't doing well both in ratings and in toy sales and after that first batch I can see why.
The show is not all bad, but legit none of these characters are developed enough or distinct enough that I could see a kid wanting a toy of them. And that goes double for older fans.
The writers messed up big time and I honestly don't know if I'm gonna stay and see if they fix it in S2B.
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