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drconstellation · 5 months

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Come Back When You Can Make A Whale

This is going to contain some speculation for S3, so you know what to do! Or not do!

SITIS: What did God say? JOB: Um... I'm not sure. I didn't understand much. Things too wonderful for me. Ostriches came into it. SITIS: Ostriches? JOB: And whales. God's very proud of the whale. Went into some detail about... how great whales are. SITIS: But did They explain? JOB: [shakes head] I think the point was, if you want answers, come back when you can make a whale.

Whales, huh?

If you aren't well read, this could be quite the misdirection. It should be reasonably obvious, given who is doing the talking - Job - what he is actually referring to, then we can join a couple of dots to make some speculative leaps.

You still with me?

No? Then let us start with how do you make a whale?

By giving it another name.

Leviathan.

Chapter 41 of the Book of Job is all about the Leviathan, a great sinuous sea serpent with impenetrable scales and breath like fire. It sleeps beneath the sea until the end of days. Over time it came to be associated with any sea monster, then anything large, and what is the largest animal ever known to have lived? The whale.

The top of the matchbox is also worth a look. We have a skull and crossbones, which is classic Memento mori symbolism, fitting in with the resurrection theme of the Second Coming - but look at the way the address of the pub is spelt! Now, this not the same way it is spelt on the record single Maggie gives to Aziraphale; Goatgate is spelt as one word, not two. A little bit of searching reveals the meaning behind this fictional address that backs up and reinforces the quote on the side of the matchbox.

Strong's Concordance for 66 gives us "wild, savage, fierce." Goatgate is an interesting one, because it turns out to be a relatively modern term from the urban dictionary, and I'm just going to refer to the polite version of it here - it's another word for "mouth." So 66 Goatgate is a "fierce and savage mouth." Yes, that does sound about right - in more ways than one, once you know who it is. (If you want to look up the impolite version, go ahead - I'm sure you will still find the connotations very amusing.)

Our metaphorical Leviathan is Crowley. He gave the game away at the end of S1 during the appearance-swap.

This also means Aziraphale is his counterpart, Behemoth. Why - well, I made a bit of joke in my post here that he was playing at being a "river horse" while he wallowed in the bath of holy water during his part of the appearance-swap scene. Modern day scholars think the description of Behemoth in the Bible may be that of a hippopotamus in real life history. If that is so, I'd still be betting this is what the "dark horse" comment from Nina in S2E1 is foreshadowing.

Maybe none of this new to you if you've been hanging around the the fandom for a while. That's fine, I'm just trying to establish the scene. And the next bit we need to talk about is this one, where Job gets a lecture from God.

During this sequence, we hear lines that come from Job 38 and 39.

GOD: Job, if you have questions for me, I have questions for you. Do you know how I created the earth? Where were you when I laid the foundations of the earth, Job? Were you there when all the morning stars sang together and all the Angels shouted for joy?

These lines are paraphrasing some of the beginning of Job 38.

Then we have:

GOD: Do you know the rules of the heavens? Did you set the constellations in the sky? Can you send lightning bolts and get them to report back to you? Did you give wings to peacocks, Job, or teach the ostrich to run?

These lines are again, paraphrasing Job, half from 38 and half from 39.

So then, we need to ask, why highlight these lines in particular?

Job 38 is mainly about setting the boundaries of the universe around us. The Earth might seem impossibly huge to a human, but it started with a single stone at its foundation. Earth and the other planets obey certain laws as they move around the Sun. The patterns of the stars in the sky take so long to change that it seems like they are set and inconstant. Even the chaotic form of lightning respects its Creator and returns to its point of origin.

From the last part of Chapter 38 to the end of 39 God challenges Job with a list of animals. The theme here is about freedom and wildness. Whether it is a noble lion, a loathsome crow, a nimble mountain goat, the head-strong wild ox or the willing war horse, they all flourish upon the Earth under the sight of the Almighty. Even the mightiest and most fierce beasts of all, Behemoth and Leviathan, have a place, although only God has the means to control those two.

None of this needs a human to be involved. We are so often the center of our own universe, and try so hard to control every aspect of the world around us that we lose sight of the bigger picture. Shit happens. Some things are out of our control. That doesn't mean its your fault and you're wicked and damned to go to Hell because of it. And that was the point God was trying to make to Job. The world is a far bigger, wilder and chaotic than you can imagine, but its also incredibly beautiful, and it runs itself within the rules and limits that seem to be set by invisible forces you can't see.

So back to the script from the show.

The first set of questions from God could apply to both of the duo. They were both around when Earth was created and were more than likely there when the "morning stars" (the highest angels, such as Lucifer, Gabriel, Michael and angel!Beelzebub) sang together.

The second set of questions are the ones that seem to have got the most attention so far, with ops cross-matching them to things Crowley does in S2.

Do you know the rules of the heavens?

Did you set the constellations in the sky?

Can you send lightning bolts and get them to report back to you?

Did you give wings to peacocks, Job...

(I make a suggestion this has something to do with Michael, but also see comments below)

...or teach the ostrich to run?

The first three of those questions are fairly straight forward, and I doubt many would dispute what they are referring to. But the reference to the peacock and the ostrich are more subtle and curious, and I would like to take a moment to look at the actual verse - because it is only one verse that is providing both questions - that is being paraphrased here.

Job 39:13 Gavest thou the goodly wings unto the peacocks? or wings and feathers unto the ostrich?

Did you realize that the King James Version of the Bible is the only one that mentions peacocks in this particular verse? All the other versions mentions the first sentence of that verse in relation to the wings of ostriches: "The wings of the ostrich wave proudly." The ostrich is considered a cruel and witless bird in the Bible, pleased with the way it looks, and seemingly careless about its young.

Why does that sound familiar...

Shax thinks this ostrich feather-clad angel in disguise isn't too smart either.

So using the peacock line is a curious choice in the script. Other than the "eyes" in the tail of the peacock having a connection to Michael's many watchful eyes on the world, it's still not clear how Crowley helped them upwards. Unless both lines are supposed to refer to Gabriel, and how the vain peacock was helped to both fly and run to a distant location in the stars.

Edit: Since I first wrote this, @beebopboom pointed me to some more peacock lore, and this helped me delve a bit deeper into them. Peacocks were associated with wealth and royalty, but they were also associated with immortality in early Christian beliefs. There was a belief that the flesh of the peacock did not decay after its death. The bright colours in its tail came from its eating venomous snakes, which reminded people of Christ becoming sin for humanity's sake (think of Crowley downing the laudanum to save Elspeth from Hell in the crypt in 1827, its a similar action.) The "eyes" on the males tail also represented the all-seeing eye of God. So we have a connection with both royalty and resurrection here.

(Oh - just as an interesting connection here - a number of the newer versions of the Bible not only don't mention the peacock in this verse, they compare the ostrich to the stork! The meaning is meant to be that the stork cares more for their young than the ostrich, but if you read the words at face value, you could take a double meaning away...)

Let us return to questions, answers, and whales.

Questions. Always questions. It's like the proverbial toddler who's always asking a never-ending string of "but, why?" for funsies and you just want them to shut up for a moment and think about the last thing you said first. They, too, are a bit like Job. They are the center of their own universe at that age, having not had much experience of the world. They have no grasp of how far it extends beyond them, and how little even we as adults know.

If at this point you're going "oh, no, no, no, no, op, please don't tell me the point of this meta is it's all ineffable," relax. I'm not.

The point was to set you up for some nice, juicy, awesomely sweet S3 speculation.

Because I believe Crowley will finally get to ask his questions of God.

(oh lordy, I made the mistake of taking a break to have a shower before trying to finish this off, because I was having trouble seeing how to finish this in a tidy way, and that caused me to have "shower thoughts" and now the nice sweet simple speculation has turned into a slightly bat-shit crazy kind-of one, although still on the same track as what I was originally thinking. Here goes...)

We have this three card spread from waaay back at the beginning of S1. We all think its something to do with the three babies.

What if its not?

Because we need something like this to happen again - Aziraphale and Crowley either side of a third protagonist. What if it's the King of Kings, Love personified, Jesus, in the middle? (Or Adam again, I wouldn't discount that option either...)

If you would look at the GIF and the screenshot together again and go, well that makes, sense, white for the angel on the right, and green for the demon on the left, I would jump up and shout at you - NO!

Look at the cards again! In the Tarot, that's the Ace of Swords on the right - it belongs to Aziraphale. It's a very powerful card, about new beginnings and change.* Lets call the one of the left Knight of Wands, which also represents the element of Fire. Knights are all about movement and journeys. Who owns the Bentley? And look what Gabriel has instinctively done with his hands - he has held his screen-left hand out to Aziraphale, the Sword, the angel who wears green, and his right hand out to Crowley, the Knight of Fire. The yin and yang qualities are actually swapped. That was what I was trying to tell you in this post. They aren't as obvious as they seem at first glance.

And love is the answer, it turns out. Did you see my comment the other day on another post? In Strong's Concordance 25 = to love.

Anyway, we should get a third parallel scene somewhat like this, and like when Aziraphale and Crowley took Adam out of time to talk to him in S1.

Only this time the three of them (with who ever is in the middle) should be having a talk with God about what is or isn't supposed to happen.

JOB: I think the point was, if you want answers, come back when you can make a whale.

Crowley could be a literal serpent (though I would be very surprised if he did manifest that way) but it should be a metaphorical Leviathan that stands before the Almighty to ask his questions and get his answers. And it will be that he has earned the right to be there, because he finally understands the lessons of Job.

@makewayforbigcrossducks I hope this answers one of your questions

*The Ace of Swords speaks of new beginnings, but it is a two-edged sword that can cut both ways. It is strength in adversity, victory out of struggle, good out of evil, a change in the old order on the way.

#good omens #good omens 2 #good omens meta #crowley #aziraphale #job minisode #book of job #leviathan #behemoth #i only ever asked questions #come back when you can make a whale #gabriel #shax #did you give wings to peacocks?#teach the ostrich to run #king of kings #king of hearts #yin to his yang

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greenthena · 6 months

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Metatron is the Murder Hornet

Hear me out. The Metatron is a bitch no matter what. Way back before the bookshop burned, he was a manipulative twat to Aziraphale, but we only ever saw him as a Wizard of Oz style giant floating head. So when we meet The Metatron's corporation is S2 E6, we assume that this is the man behind the curtain, yes? This is the "heavenly" authority who stands between God and the rest of the angels. Are you with me so far? So tell me, why is he wearing Hell's color palette? Black topcoat over a black (or at least very dark gray) sport jacket. Even his shirt has black stripes. His tie is black with his signature sapphire blue sigil design. You know why? Because The Metatron is a demon. Now that I've probably pissed off about half of the fandom, let's dive in.

I'm going to accept that the corporeal form of The Metatron that we meet in S2 E6 is the man behind the curtain. But I'm wondering if, in the same way that the Wizard of Oz floating head spectacle is just a projection the actual wizard (a two-penny magician from Kansas), the Floating Head Monstrosity (FHM) is a projection The Metatron has rigged up rather than The Metatron himself. Essentially, the FHM is the projected "essence" of the asshat with whom Aziraphale spoke before the bookshop fire, the same one who wanted to discipline Gabriel and strip him of his memories. And if it is merely a projection, like the Wizard of Oz floating head, the man behind the curtain is likely in a different physical space.

If The Metatron can control the FHM remotely that suggests that he (the corporeal form or spiritual essence of the Metatron) isn't necessarily stationed in Heaven. Perhaps he can't even get into Heaven, but has managed to project his presence there to manipulate the Heavenly Host throughout the course of history.

Sidestep along with me while I take a quick detour. I promise it's relevant and necessary to understand the implications of The Metatron's arrival in Soho. (But I'm a demon. I might be lying.) Good Omens relies heavily on mirroring* as a narrative technique. One of the most obvious places we see this structure is in character sets: Crowley and Aziraphale, Newt and Anathema, Shadwell and Tracy, Nina and Maggie, Gabriel and Beelzebub. The character sets function as mirrors of one another (angel and demon, witch and witchfinder), while simultaneously reflecting other character sets in the story (Nina and Maggie reflect Crowley and Aziraphale, etc.) But we also see it repeatedly through plot structure--the pair of 1941 flashbacks in S1 and S2; the way S2 begins with Azirphale moving toward Crowley and ends with him pulling away. My personal favorite reflected imagery in the whole damn show is when Aziraphale shields Crowley from the first rain in Eden and Crowley shields Aziraphale from the celestial hailstorm Before the Beginning.

Alright, let's re-route back to Soho, to The Metatron's introduction in S2 E6 and how it embodies mirrored structure. The first shot we get of The Metatron in Soho in S2 E6 is when he's buying a cup of coffee from Nina. He's not actually identified as The Metatron in this scene, and Nina just views him as a regular customer. Next, we see him enter the bookshop and approach the Archangels, none of whom seem to know who he is. In fact Michael just assumes he's a human, tries to shoo him away, and even asks him, "And who are you?" The Metatron never gives his name; instead he presses the angels, "You don't know me?" He then addresses Crowley, "What about you, demon? Do you know me?" It's at this juncture that Crowley identifies him as the big giant floating head, and Aziraphale, in a rush of comprehension shouts, "Oh, The Metatron!"

This scene's other half is the introduction of Bildad the Shuhite in the Job flashback sequence. Crowley presents himself to Job and Sitis, who do not recognize him. When questioned about who he is, he says to Sitis, "You tell me." Sitis proceeds to identify as him Bildad the Shuhite. Crowley shrugs and agrees to the suggestion. This mirroring of dialog shows us that in both scenarios, there's deception in the presented identity. Just as we can't trust that Bildad the Shuhite is who is says he is, we similarly can't trust The Metatron's identity at face value.

When it comes right down to it, The Metatron is a pretty sketchy character. During his S1 interaction with Aziraphale, our angel doesn't even know who he is. The Metatron has to introduce himself as the Voice of God, a go-between, if you will, whom Aziraphale, in all his ageless time in the universe, has never even met or heard of. Dodgy? You betcha. When we see him in the Gabriel trial sequence during S2, he's just one of the several floating heads overseeing the progress of Armageddon Round Two. We're able to gloss over the fact that he's presented as a floating head fairy, because all the angels appear as floating heads in this sequence. However, unlike Uriel, Michael, Saraquel, and Gabriel, we never see The Metatron interact with the other angels in anything resembling a corporeal form.

So with this evidence, let's return to mirroring structure as a narrative device: a Clue to point us to the crux of the deception that The Metatron is performing. But to get there, we'll need to look at the reflected plot beat for context.

At the end of S2 E5, Crowley needs to get into Heaven to access information about Gabriel. Problem is, since he's a demon, he can't just waltz into the Heaven-Hell-evator and go to the up. He needs an angel to escort him, so he tricks our beloved Inspector Constable Muriel into arresting him: "I'm a demon with knowledge of a crime against Heaven. I demand that you arrest me!" Crowley uses the art of deception to sneak his way into the Heavenly hive.

Once in Heaven, when Muriel starts to fret that she's been tricked and will get in trouble for bringing a demon into Heaven, Crowley tells her, "Angels are like bees, fiercely protective of their hive if you're trying to get inside. Once you're in....I mean....is it even faintly possible that an unauthorized demon might be just wandering around in Heaven unescorted? Bees." Muriel then worries over Crowley's outfit, telling him he looks like a murder hornet, so Crowley changes into his most wonderful and excellent angel disguise.

Still with me? Have a gold star to match Crowley's nail polish.

Crowley's gambit to get into Heaven is a clever tactic, no doubt, and necessary for the final beats of the narrative. But I believe it's also there as the first half of a mirrored plot point that we will see play out in S3. Ya see, Crowley's not a murder hornet. He doesn't infiltrate Heaven to plunder their proverbial food stores or to destroy the hive. He does his quick bit of reconnaissance and is on his way. I think Crowley's ploy ultimately functions as foreshadowing for the real murder hornet: The Metatron.

To get his full essence into Heaven, his spiritual body and not just his projection, The Metatron needs an angelic escort. That's why he's so insistent that Aziraphale joins him on his journey up to Heaven. He needs an angel--one he perceives as an easy target--to break him into the hive. And Aziraphale fits the bill. He's vulnerable, having been implicated in the business with Gabriel, which could earn both him and Crowley extreme sanctions, being struck from the Book of Life. So The Metatron coaxes and manipulates Aziraphale to accompany him to Heaven, implicitly reflecting the way in which Crowley manipulated Muriel into arresting him and accompanying him as his Heavenly escort.

Do I still believe that The Metatron manipulates Aziraphale in order to divide the angel and the demon who, when working together, can produce miracles of un-paralleled power. Oh, hell yes! But that's not something only Heaven would want to mitigate. The sheer miracle force Crowley and Aziraphale manifest when working together is a threat to any oppressive structure that wants to consolidate power, and that certainly includes Hell. The fact that The Metatron realizes he can separate the angel and the demon in the same stroke as infiltrating Heaven is icing on the cake.

So there ya go. That's all I've got for today. Is The Metatron a Demon? Honestly, I don't know. But it's too interesting a theory for me to leave it alone.

*Please note, I'm intentionally using the term mirroring rather than chiastic structure to make this analysis. I deliberated for a while, but decided that it'd be a little loosey-goosey in this situation. So, yes, I am aware of chiastic structure and it's use in Good Omens, I just don't think this quite matches up.**

#good omens #the metatron #metabitch #muriel #anthony j crowley #aziraphale #heaven and hell

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snek-eyes · 10 months

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Andi Osho as Sitis (wife of Job) in Good Omens 2.02

[Image ID: A series of gifs from Good Omens season 2, featuring the character Sitis, an older dark-skinned woman dressed in blue.

The camera zooms into a Bible illustration of Sitis lamenting to the sky.

Sitis's face becomes concerned as Job says: "Sitis my dear, this person was looking for the children." She turns, looking defensive, and asks, "Why? Who're you?"

Sitis looks stressed as she chuckles humorlessly and gestures to their ruined house. It is slightly smoking. She says: "Not now, Bildad the Shuhite. Good of you to look in, but we're a tiny bit busy weathering the wrath of God."

Close up on Sitis as her face becomes confused, then changes to horror and disbelief. "…No. God wouldn't!"

Sitis holds back tears as she asks something of her husband. He is about to burst into tears as he shakes his head no.

Sitis implores the angels as Job falls to his knees beside her. "I don't, I don't want more children." A close up of her desperate face. "If my children are dead, then… I will curse God, and—"

Crowley, as Bildad the Shuhite, clasps his hands and rubs them together in a "let's get started" motion. Sitis looks scared and backs away.

Crowley stands framed between Sitis and Job, who are facing each other. He makes a switching motion between them as he says, "Now good lady, simply turn to your husband, reach into his robes…" Sitis looks dubious but reaches towards Job, who abruptly looks very surprised. Crowley interjects: "N-h-higher. Higher."

Sitis and Job's children stand between them. Jemimah throws her arms around her mother who embraces her joyfully.

Job, looking confused, gestures to his restored children as he says to the angels. "But, it is—" Sitis quickly reaches out to Job and interrupts. Clearly frantic and trying to hide it she says, "A-a miracle. It is a miracle, that our new son should look so much like our old son."

Sitis explains very deliberately to Job as she pats her son who is definitely not Ennon on the arm: "No, Job. Look, it's not Ennon, it's… a new child. These are all… They're all… new… children."

Sitis anxiously watches Job speak, and starts to relax until a baffled and annoyed Ennon says something. She tenses and turns to him.

End ID]

#good omens #good omens 2 #goodomensedit #good omens spoilers #job flashback #a companion to owls #v watches good omens #v posts things #there's that thing they say about how comedy works best if they're playing it honestly and not like they're trying to be funny #and that there has to come a moment when the comedy stops and it gets real #and i really liked Sitis as a side character because you feel that everything is real for her #it's got this absurd coat over it but this is a horrifying situation and she is devastated about it!#it makes the whole thing work.#also we usually bring up him saving the kids but #can we talk about Crowley starting out by breaking Sitis's faith just on the truth alone #but then swooping in right before she fully damns herself #yknow i uh. don't feel like God really won this bet

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kurosakijane-blog · 23 days

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Early October. To say that the weather is wonderful today is a blatant lie. Autumn has just begun, and endless rains are already terrorizing the city with might and main, washing away the streets and loudly knocking on the windows of houses.

Fortunately, the small office of “Devil May Cry” was cozy. There is heat, there is light, there is water, hot pizza is served to the table - and Dante doesn’t need anything more to be happy.

Opening the next box, the hunter broke into a blissful smile. The hunter’s nose was filled with the delicious aroma of cheese, and the golden brown crust beckoned…

At this time, a real hurricane broke out outside the window. The rain began to drum with double force, convincing with all its appearance that staying at home in your bed was the best idea that could ever come to mind.

The sound of rain reminded Dante of uninvited guests. They come without an invitation, knocking, wanting to enter. They get angry - lightning flashes in the sky, everything calms down. And then it starts again from the beginning, and so on in a circle.

As soon as the man relaxed, a bell rang and the door to the building opened, letting the cold inside. The sound of the rain became louder, and the room was instantly filled with the smell of dampness and gasoline.

"You could put your office in a better place than on the over side of the sity, you know?"

"You ruined my date, you know?" Dante answered with a smile, pointing to a box of fast food.

"Oooh, I'm sorry!” Morrison said seriously, “In fact, I came to inspect the building as its future owner.”

Noticing the surprise in Dante's eyes, the guest explained: “Just in case. You yourself asked.”

“Go ahead,” the son of Sparda casually waved his hand, “you still won’t find anything interesting.”

"I’ll try." information broker muttered quietly, climbing the stairs to the second floor.

As soon as the footsteps above died down, a playful smile touched Dante's lips.

"Well, shall we continue?" he whispered, taking out a piece of slightly cooled pizza. Even though such a long-awaited romantic meeting was ruined for them, nothing can stop true feelings.

But…

The bell rang again. In truth, today, Friday evening, Dante was ready to curse this damn bell and everyone who comes through these damn doors.

Looking at the visitor, the hunter raised an eyebrow in surprise. A young girl stood in front of him. The gray coat barely covered her knees, dressed in black nylon, and the stranger’s face was hidden by the hood.

The guest lightly shook off the wet umbrella and reached for her headdress.

"Are you Dante? " you asked, approaching the table. The man sighed heavily and put down the pizza, which had long cooled down.

"It depends on who asks."

After introducing yourself, you hand Dante a small stack of papers.

"I would like to offer you one thing."

The son of Sparda quickly skimmed the text and then closed his eyes tiredly.

"Sorry, baby, but I don’t take on family dramas. I have enough of my own."

"But… you are a demon hunter!" you exclaim, removing a strand of hair that stuck to your face. "Isn't this your job?"

“As I said…” Dante stopped mid-sentence. The lights in the entire building suddenly went out, and the radio went silent with a click.

Footsteps were heard again from the second floor.

"Damn you, Dante!" Morrison shouted. "Are you not paying your bills again?!"

"You are the future owner! But there hasn’t been normal work for a long time, and whose fault is it?" the gray-haired man shouted back.

Gradually your eyes got used to the darkness and, finally, you were again able to see the owner of the office in front of you. He sat with his head bowed and seemed to be thinking about something. He hesitates. It only took you a couple of seconds to realize that this was your chance.

“What a pity,” you drawl playfully, carefully sitting down on the edge of the table, “but if you helped me, I would pay generously. What should you do…"

The guest slowly pushed the papers right under Dante's nose, waiting for a reaction. There was a quiet chuckle, the man took a deep breath and raised his head. The darkness still shrouded his silhouette, but you saw one thing very clearly. Sparks in his eyes.

“Stubborn,” he grins, getting up from his chair. The man rests his hands on the table and, leaning forward, looks you straight in the eyes "we agreed."

#devil may cry #dmc dante #dante devil may cry #dmc 5 #dante x reader #dante x you

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handlinepic · 7 months

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#art #lineart #illustration #pencil #ink #comics #line #nightmare #horror #dark sity #dark atmosphere

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jotun-philosopher · 2 months

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Half meta, half ramble

Not entirely sure where this post is going, tbh... Let's find out, eh?

Sooo... I was browsing the Final Fantasy wiki (as one does) and the article for Tantarian (an optional/missable boss in FF9) caught my attention. Y'see, Tantarian is a demon found in a library, hiding in a possessed book -- and is based on the Great Duke of Hell, Dantalion (or Dantalian, the spelling can be inconsistent). How the ever-loving wossname, I hear you cry, does this relate to Good Omens????

Let's take a closer look! (this got longer than I anticipated, hence the cut)

From the Wikipedia article 'List of demons in the Ars Goetia':

"The Seventy-first Spirit is Dantalion. He is a Duke Great and Mighty, appearing in the Form of a Man with many Countenances, all Men's and Women's Faces; and he hath a Book in his right hand. His Office is to teach all Arts and Sciences unto any; and to declare the Secret Counsel of any one; for he knoweth the Thoughts of all Men and Women, and can change them at his Will. He can cause Love, and show the Similitude of any person, and show the same by a Vision, let them be in what part of the World they Will."

Bolded details:

"Duke Great and Mighty" -- evocative of the whole "Thin Dark Duke" thing <3

" [...] he hath a Book in his right hand." -- pretty obvious GO connection there!

(best 'Azzy+book(s)' gif I could find quickly...although on a second look, this might well be from the body swap bit in S1 XD Mr Sheen, you ludicrously talented chaos gremlin, you <3 )

(Ok, this one's definitely Crowley XD)

Mah point is dolphins they both match up to the book thing!

"His Office is to teach all Arts and Sciences [...]" -- leaning slightly more towards a Crowley parallel here, with the apple thing partly symbolising intellectual curiosity (essential part of arts and sciences!), but Aziraphale giving away the flaming sword would've helped humanity figure things out in that area as well (even if indirectly)

(I want to boop the snek!!!)

"[...] knoweth the Thoughts of all Men and Women, and can change them at his Will [...]" -- mind-reading! Seems to be sliiiiiightly more of a demon thing from what we've seen (e.g. "Nina: It's like you've seen into my secret soul. Crowley: Yeah, it's a knack.", Shax picking at insecurities in the bookshop battle), but both the Ineffables have directly influenced human minds on screen (e.g. Sitis, the Shopkeepers' Ball)

"[...] can cause Love [...]" -- well, they certainly tried! Operation: Shop Lesbians :D

"[...] show the Similitude of any person [...]" -- mostly seen with the body swap bit so far (where A+C are concerned), but given that for angels and demons, size and shape are merely options, and Beelzebub canonically changed their face, it's not outwith the bounds of possibility that the Ineffable Husbands could disguise themselves as people other than each other (if that makes sense)(and assuming they'd *want* to, of course)

Plus, if you go with the 'Dantalion' spelling, the last four letters form the word 'lion', which is a motif the show ties pretty strongly to Aziraphale via the signet ring on his right hand. Fierce protector angel! <3

Plus plus, from what I've been able to gather, Dantalion is supposed to be one of the more benevolently-inclined Goetic demons -- both the Ineffables are pretty dang benevolent!

The point I'm stumbling towards (stone-cold sober, but with about 3,000,000 on the ND Scoville scale) is that Dantalian/Dantalion has some pretty interesting parallels to both the Ineffable Husbands and so, within the GO verse, could be either another alias of Crowley's or a name Aziraphale might take if he Fell (AU fic writers, start your engines!) :D

As a small bonus, I saw the name 'Shax' mentioned in the list of Marquises of Hell!

The characteristics given for the Goetic Shax don't really match up to TV!Shax that I can tell, apart from the stork symbolism and the "hoarse but subtle voice" (and maaaybe 'is thought to be faithful and obedient, but is a great liar"), but given Gneil's wide-ranging mythological knowledge, invincible genre savviness and extreme writing skill, it wouldn't surprise me to see elements of the Goetic description popping up in Shax's S3 arc -- likely in unexpected ways!

Hope you enjoyed reading that ^^ Have fun fic-writing!

#good omens #good omens meta #aziraphale #ars goetia #dantalian #dantalion #goetia #final fantasy 9 #tantarian #shax

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walks-the-ages · 7 months

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If you are in Michigan state's 12th District, please reach out to Congresswoman Rashida Tlaib to show your support!

https://tlaib.house.gov/posts/video-tlaib-speaks-on-censure-resolution

Like and share the original speech on twitter here .

[ID: Congresswoman Rashida Tlaib, a brown-skinned Palestinian American woman, gives her speech to congress. She is wearing a dark purple suit with a traditional white kufiyah around her neck. Various members of congress are in the background, many of them tearing up as her speech goes on. Partway through the speech, a congresswoman in a green suit and green headscarf comes up to hug Rashida in support as she cries during her speech, holding a framed pictured of her grandmother. end ID]

Transcript:

I’m the only Palestinian American serving in Congress, Mr. Chair, and my perspective is needed here now more than ever. I will not be silenced, and I will not let you distort my words. Folks forget I’m from the city of Detroit, the most beautiful, Blackest city in the country, where I learned to speak truth to power, even if my voice shakes. Trying to bully or censure me won’t work because this movement for a ceasefire is much bigger than one person. It’s growing every single day. There are millions of people across our country who oppose Netanyahu’s extremism and are done watching our government support collective punishment and the use of white phosphorous bombs that melt flesh to the bone. They are done watching our government, Mr. Chair, supporting cutting off food, water, electricity, and medical care to millions of people with nowhere to go. Like me, Mr. Chair, they don’t believe the answer to war crimes is more war crimes. The refusal of Congress and the Administration to acknowledge Palestinian lives is chipping away at my soul. Over 10,000 Palestinians have been killed—majority, majority were children. But let me be clear: My criticism has always been of the Israeli government and Netanyahu’s actions. It is important to separate people and governments, Mr. Chair. No government is beyond criticism. The idea that criticizing the government of Israel is antisemitic sets a very dangerous precedent, and it’s being used to silence diverse voices speaking up for human rights across our nation. Do you realize what it’s like, Mr. Chair, for the people outside the chamber right now, listening in agony to their own government dehumanizing them? To hear the President of the United States, we helped elect, dispute death tolls, as we see video after video of dead children and parents under rubble? Mr. Chair, do you know what it’s like to fear rising hate crimes? To know how Islamophobia and antisemitism makes us all less safe? And worry that your own child might suffer the horrors that six-year-old Wadea did in Illinois. I can’t believe I have to say this, but Palestinian people are not disposable. We are human beings just like anyone else. My Sity, my grandmother, like all Palestinians, just wants to live her life with freedom and human dignity we all deserve. Speaking up to save lives, Mr. Chair, no matter of faith, no matter ethnicity, should not be controversial in this chamber. The cries of the Palestinian and Israeli children sound no different to me. What I don’t understand is why the cries of Palestinians sound different to you all. We cannot lose our shared humanity, Mr. Chair. I hear the voices of advocates in Israel, in Palestine, across America, and around the world for peace. I am inspired by the courageous survivors in Israel who have lost loved ones, yet are calling for a ceasefire and the end to violence. I am grateful to the people in the streets, for the peace movement, with countless Jewish Americans across the country, standing up and lovingly saying “Not in Our Name.” We will continue to call for a ceasefire, Mr. Chair, for the immediate delivery of critical humanitarian aid to Gaza, for the release of all hostages and those arbitrarily detained, and for every American to come home. We will continue to work for real lasting peace that upholds human rights and dignity of all people and centers peaceful coexistence between Israelis and Palestinians. And censures no one. And ensures that no person, no child has to suffer or live in fear of violence. 71% of Michigan Democrats support a ceasefire. So you can try to censure me, but you can’t silence their voices. I urge my colleagues to join with the majority of Americans and support a ceasefire now to save as many lives as possible. President Biden must listen to and represent all of us, not just some of us. I urge the President to have the courage to call for a ceasefire and the end of killings. Thank you. And I yield [the floor].

If you are outside her district, now's the time to start hounding your own representatives for supporting the punishment on Rashida for the 'crime' of speaking out against the genocide of her people

#rashida tlaib #usa #free palestine #palestine #gaza #free gaza #the west bank #free the west bank #us war crimes #israel war crimes

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bil-daddy · 9 months

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Final Update on My Date with Aziraphale

It was a close race, but between not taking Aziraphale to Hell (he wouldn't like it) and taking him to Alpha Centauri instead, not taking Aziraphale to Hell won out.

Taking him to Hell was never really an option. Glad all but 1% of people who voted agreed. (Those 1% though...I'd be enjoying my last days as human if I were you, cause you're all getting turned into lizards as soon as I figure out who and where you all are.)

Course that means I can't tell him last night was a date. Angels and demons don't go on 'dates' (even when they do). And for Aziraphale's own peace of mind, it's best he doesn't know I'd ever hoped we might.

But while I can't tell him it was a date, I can help him with his identity crisis. Let him know he's not a demon just because he told a little fib.

No one'll ever even know so long as we don't tell anybody. I mean I'm certainly not gonna say anything.

And when I asked Aziraphale if he planned to tell anyone, he shook his head no. Then, he asked me "But what I am I?"

So, I told him.

I already knew what he was gonna say to that.

And I thought I knew what he'd say next. I thought he'd call me out for lying to him, saying it wasn't lonely being on my own side, a demon going along with Hell as far as I can, but no farther.

But what Aziraphale actually said surprised me.

And me--being the self-sabotaging, second-guessing, insecure snake that I am--just couldn't take that for the win it was.

I had to say something stupid.

After all, Hell's crowded as well, Hell. And I'm still lonely as Heaven.

It's probably the same for Aziraphale, too. Can't imagine him being all that chummy with Gabriel and the rest.

That's when I realized I'd fucked up.

Aziraphale had just reached out, in his own careful way, and I'd shot him down like an enemy plane, when he was just trying to be a friend.

I had to fix this.

Aziraphale thought about it for a moment. And then, he turned to me and smiled. It was hesitant, scared even, but it was the most beautiful thing I'd ever seen.

(But then, I think that about all of Aziraphale's smiles.)

It was gone in a flash, like the sun peeking out from behind a cloud then getting covered again, and he quickly looked away. But I saw it. And I'll always remember it.

I'll always remember what he said, too.

We sat in companionable silence after that, watching the sun go down over the water.

When it was nearly dark, I remembered Sitis' offer to come for dinner, which I'd brushed off with a rain check (not actually intending to ever follow through).

Now, I'm not usually much for food (snake digestive system--can't have too much at a time). But, as we learned from the now infamous Ox Rib Incident, Aziraphale definitely is. So maybe Aziraphale might like to have dinner with the Job Family.

I asked him what he thought. Did he want to go to dinner at Job and Sitis' place? Not with me or anything, of course. I'd just, you know, happen to be there too, since we both had invitations.

And he said...

#bildad the shuhite #a companion to owls #job minisode #good omens #my date with aziraphale #ineffable husbands #crowley

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